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phati-sari · 3 years ago

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Hi PS, welcome back! We missed you, hope you feel better :) Just saw your answer to why Buaji never considered Shyam for Payal and it just made me sad. Between Buaji and Mamiji, I don't know who I found the most annoying. I know they added flavour to the show, and we discover their softer sides which endears us to them, but sometimes I just got so angry at them for their behaviour and sh*t stirring and interference. Might just be me though!

Hiyya!

Ngaw, thank you, this is super sweet!

I see what you're saying, but aunt characters are typically terrible in tellywood. They exist specifically to shit-stir and to interfere. And while I dislike saying that we should be grateful for what we got because it could've been much worse, I feel compelled out point out that both Madhumati and Manorama had strong character arcs.

Mami's character in particular just blows me away:

She never differentiates between Arnav and Aakash. Do you know how easy it would've been to show her trying to take Arnav down in favour of Aakash? To show a conniving aunt who was jealous of Arnav's success, who wanted her son to be the shining star of the household? After all, Aakash is the heir of the household, not Arnav, who is technically a Malik. And yet, Manorama -- for all her babbling about her one and only bitwa -- treats them the same. She never even brings up that she (a girl from a poor house!) sold her jewellery and broke her FD to give Arnav the seed money for his company -- it's Arnav who tells us.

She didn't want her daughter-in-law to go through what she did. I think it's easy to hate Manorama because she's so mean to Payal and so violently against Aakash's marriage. But she clearly states in the serial that if Aakash doesn't marry a Society Girl, her bahu will be bullied because of her background. Nani is still taunting and bullying Manorama after 25+ years of marriage. This is not something she wanted Aakash's wife to go through.

She was always defending against what she saw as trickery. Manorama genuinely believed that Arnav had been duped into marrying Khushi. She believed he was a victim of the Gupta’s money-grabbing scheme, continued to see him as a victim until he stood up for Khushi in front of Dadi. That’s when it clicked to Manorama that Arnav isn’t a victim. That’s why she was so comfortable insulting Arnav’s wife in front of him - she thought she was helping. That’s why it was so easy for her to blame Khushi after Shyam’s first reveal - because she viewed the situation as Shyam, Anjali, and Arnav becoming victims of Khushi yet again.

Despite that, she worked with Khushi to find Arnav when he was kidnapped. Manorama didn’t let her dislike of Khushi get in the way of rescuing Arnav. She can be petty and childish and downright weird, but she was reliable and resilient and trustworthy when it counted.

And we should give credit where it’s due for Bua-ji as well:

She learned to appreciate Khushi for who she was. She was terrible in the beginning, putting too much stock in blood and not enough in the bonds of the heart. She didn’t see Khushi as family and expected her to be forever grateful about her adoption. But that’s also how some people are about adopted children, I’ve seen so many ignorant and down-right cruel things said about Aarav by the very same folks who hate Bua-ji for how she treated Khushi. But Bua-ji changed as the serial went on and she came to see Khushi as her own person, to the extent where she supported Khushi in remarrying Arnav despite all the drama around their elopement.

She developed a genuine liking for Khushi’s choice in husband. No matter how it happened, Madhumati came to respect and love Arnav, even comparing him to her own husband at one point. She didn’t try to get between them or break them up, and didn’t even bad-mouth Khushi in front of (or to) Arnav. She respected Arnav’s atheism even though she didn’t understand it, she didn’t mind he snuck into her house at midnight, and encouraged the way Khushi stood up for her husband.

Like, I get it, these aren’t exactly warm and cuddly individuals who were always in Khushi’s corner. They were headstrong, confident women who were at times selfish, and often wrong. But here’s the thing. The traits that make these women ~unlikeable~ are exactly the traits people wish Payal and Khushi exhibited more. Anjali in particular is called all sorts of names for not doing what Madhumati and Manorama do: fight against injustice and protect herself and her own.

Just because that fight, the protection, wasn’t extended to Khushi in the beginning doesn’t make them bad characters. Bad people maybe, but not bad characters.

#ipkknd #iss pyaar ko kya naam doon #arshi #arnav singh raizada #khushi kumari gupta #about: madhumati #manorama

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laadgovernorandsankadevi · 3 years ago

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IPK Rewatch: Ep 04; who writes our fates?

The episodes picks up from where we had left off previously, with a frantic and impulsive Khushi running behind the ASR, making him stop. With today's episode, we start the journey into the first two promos of the show. (The promo with Khushi saying she makes her own clothes and people matter more than money whilst ASR priorities appearances, and the second one posted in the very first post.)

The biggest divide between the two has not been their lifestyles, but their moral code, their beliefs. Khushi blends with the Raizadas very well especially Anjali and Nani which lets us believe that Khushi might have gotten along with Ratna quite well as well. Khushi stands steadfast in front of Arnav and his look of intimidation. This is one of the very few times where when he moves forward, she doesn't take a step back. It's also representative of in my opinion, of what he refuses to budge against. Her beliefs and her self-respect is something she wouldn't be intimidated easily from.

Arnav's "kya kiya main ne?" is insightful of his cheekiness, his entitlement, and reeking arrogance. The thing is, that the person who asks her this questions wasn't ASR, it was Arnav switching in and out of his persona with Khushi, and Arnav will be regretting the realisation - and the effect Khushi has on him that makes him switch between his personas as much.

I also love Khushi's sandals slipping out of her feet, specifically I think the left feet concisely as she walked behind him, ran behind him and then away from him. Khushi's path towards Arnav is filled with pain. It's often observed that and bare left feet means awaiting sorrow and that does seem to be the case for Khushi at least. If Arnav is restless at him not seeing Khushi on occasions later onwards, then Khushi looks for excuses to be around him while denying that she does so, to see him.

What I think pisses Arnav off is that while Khushi points at his arrogance, and his attitude of getting his way or creating terrible circumstances when he doesn't get his own way, whatever happened between them was not solely him. We see this belief translating into her conversation with Payal later when she points at everything happening for a reason. She remarks at Arnav as well that even the decisions he thinks he is making for himself are being taken by him because of how Devi Mayyian is guiding him. She remarks at his lack of gratitude instead of affirming that he has accomplished everything on his own.

However Arnav is quick to respond with a classic comeback, of pain wouldn't be existing if God was present. The exchange on pain, and God providing us with aids to heal the pain is a classic exchange between someone who finds themselves aligned to religion because it has been their biggest source of comfort , and someone who decides to move away from everything as a reactionary. Whilst Arnav had behavioural issues growing up even when his parents were alive, it is Arnav's displeasure with everything that his family stood for which make it easy for him to embrace everything opposite of what they believe in.

Before the last sentences exchanged between the two, he tells her to not come in his way again. Coincidentally, the next time they meet one another is when she collides with his car!

Khushi's last words to him echo within him that no one is in control besides Devi Mayyian. Not even Arnav Singh Raizada and this starts the cat and mouse challenges between them. To show whose in-charge, he makes sure the clip of a girl like him, in arms of a man like him is circulated to all news channel. Oh Arnav bitwa, if only you hadn't! If only! - it's funny that this one action of his sends the person already living with the Raizadas to save this girl whose clearly been caused distress because of Arnav/Saale Sahib

Absolutely love Khushi and Payal's bond with their conversation. I sorely missed their little banters, and moments of assurance after their wedding.

One of the few lines I loved in this interaction was Payal asking where did the pearls disappear, and if a crow took them away. kawa udda le gaya kya? crows are insightful, curious, misunderstood creatures. They symbolises magic, transformation, and change. There is also a common superstition that arrival of crows means arrival of a guest. The reason for adverse transformation awaiting Khushi's life is the one who took those pearls away. That person, earlier in the day made sure that the change would shake Khushi's life.

It is after this Khushi berates Arnav Singh Raizada. She refers to him as Laad Governor for the first tike in front of Payal. Not many people are aware of this name which later turns into a term of endearment but Payal before Akash is privy to these change in Khushi's life. Payal is also one of the few people to be able to differentiate between Khushi being Khushi, or Khushi lying. In telling about the encounter earlier, I love how she calls her to-be husband whose a diabetic, barfi ka tukra! how ironic. Barfi in general is made from sweet condensed milk which is a symbol of fertility. That is what Arnav is for his family and loved ones. He takes on the responsibility of being a provider, of being a protector. Correlation of people with food plays an important role in the show throughout. It also reflects Khushi's unconscious feelings about that person. For now, Arnav has made a spot in her heart for himself without intending to and Khushi has willingly given him that space just for the ruckus he's caused. With Payal's clarification of her being upset at a partner like Abhishek, Khushi isn't doesn't necessarily blame Arnav either this point forward. She blames herself for taking on the responsibility and leaving without informing others. This is a streak within Khushi where her insecurities of being overtly impulsive rise. Later she doesn't blame Arnav for misunderstanding Shyam and her. She blames herself for not sharing the information with him.

In contrast to the scene between the sisters, we finally see the brothers interact with one another. Clearly there is a comfort level between the two and an easy, playful, camaraderie. We see Arnav yelling at someone for minor mistakes and it's established Arnav striving for perfectionism is reflective of his need for control at all times.

I love how Akash after sharing about the photographer stopping the shoot says "aab toh usse koi nahi bacha sakta" and the scene cuts to Khushi saying she has her Devi Mayyian. Devi Mayyian does protect Khushi from everyone but Arnav, however it's Arnav as Khushi says who eventually ends up needing Devi Mayyian's favourite child to be his saviour when he's kidnapped. It's also him who bows in front of Khushi instead of the other way around.

Roop Suhana Lagta hai is Payal's song. I think with both the sisters' and brothers' scene running parallel, the song provides an insight into what lays the foundation for Payal's relationship alongside Khushi's. After all, Akash ji loses his heart in first sight.

The mother daughter finally unite after Khushi urging Amma to call her, her daughter. I am pretty sure laho peti ho roughly means sucking the life/blood out of someone, and Khushi can often inadvertently become a reason for the Guptas to find themselves exhausted. However all is well when Khushi exercises her right over Garima and Garima admitting the same.

Shashi walks in, into the reunion of mothers and daughters and we get an insight into how wonderfully happy this small family is together. This is in quite contrast to what we will eventually see with Raizadas whose happiness appears to be a facade threatening to break until the arrival of their bahus into their house and the exit of their damad who had been holding everyone together.

Later Khushi gets called out by Shashi as they leave the house and Bua ji back home. Bua ji doubling down on Khushi is a common theme all throughout. As much as she adores her, she also makes sure ti be equally tough on her. I think one of the reason her harshness is more prominent with Khushi is because how obedient Payal is. Payal is the perfect daughter, Guptas could've imagined where as Khushi is chutki, Sanka-devi, a bit spoilt, given leeway to help outside with her father, and allowed to be rude to others on occasion which the youngest of the households get the reigns to be. Garima allowing Khushi to run her mouth with kaka ji later gives us a peek into that. I absolutely love that!

We finally meet the deva-esque photographer who clearly has no idea who he is dealing with however the way few people talk to Arnav despite how he forces people to perceive him shows us that Arnav is indeed someone new to the industry whose been fortunate enough to get amazing success. If ASR is really who he lets us believe he is, there wouldn't have been payment issues. He would've also fired the person and gotten a replacement in an instant however Arnav settles by humiliating the man working for him.

the photographer here is unhappy with his payment plans.> I think these were suppose to allude to the past that they ended up changing in the narrative later so technically me decoding it is useless. The person who is aware of the entire truth is unhappy with the lack of their truth being acknowledged.

kis kheeth ka gajr hai > how are you so prosperous? the mysterious persona makes a comeback and begs how the Maliks who wronged others. had their children prosper despite being driven out of their homes.

mooli hai, not gajar > mooli or radish’s symbolise quarrel and the former narrative, that the show changed later onwards was about the big quarrel between Chacha ji and Malik Sr. Carrots on the other hand symbolise prosperity and happiness within family. Whatever happened in the past would’ve included facades of happiness but we all know now to some extent that the brothers were quarrelling, the heir to the house was thrown out and ASR is the repersonaification of that spiteful younger Malik son. These interpretations do not matter as much now as they wiped off Shyam’s backstory and Chacha ji later because of fans’ demand to not separate the couple on the wedding day but goddammit what a fruitful foundation they laid! Carrots also symbolise end goal. ASR thinks he’s met the lifelong, he’s put the past away. Now that is far from the truth because the true past comes in form of Khushi. Just when he didn’t expect it, the truth pushes him just like how just as he opened his eyes, Khushi (his happiness) fell into his arms.

jis uchai par mein kada hoon wahan kutton ke bohnkne ke awaz nahi pohonchti > ASR is a rising name of the industry and he's reminding the photographer to not forget how he could potentially change the entire field. I think this is decoding of the tracks being laid out. ASR loses to Khushi, but Arnav wins until Khushi is ready to accept ASR's win. It can indicate how unbothered Arnav is as long as the cost of anything changes into his success.The juxtaposition between wins and loses of ASR and Arnav with Khushi are incredibly important. ASR never falls for Khushi until after Lavanya and after coming back from kidnapping. However, it’s Arnav (Arnav Malik) who falls for Khushi for the first moment, whose love surpasses condition despite laying them.

asli aukat > too many people today have tried telling ASR his aukat today , but really what is his aukat. what was going to be his place in the past?

discount ka kam > Akash's expressions and eyes dart towards Arnav at the term discount being used.

The man doesn't receive a slap, a full palm slap until he brings up Arnav's mother. 50,000 signifies the failing of totality and inability to excel in destiny however the 20 Million for the slaps signify that ultimately, regardless of the past, the duality of forces of love will strengthen Arnav's position enough to be able to make sure that the narrative sways in his favour. the twice 4 zeros are also numbers which hold the spiritual power of bringing soulmates who are twin flames together. And we all know, that with Khushi by Arnav's side, the past that we eventually find out about removes the stain from Garima's reputation and frees Anjali of the man who had been using her as a pawn.

The episodes ends with a relative calling Gotmi Sadan to inform Shashi about the news which is a call picked up by Bua ji. Bua ji saying that yahan toh yeh pora ka pora baghicha khila de rahi adds a perfect layer of how Khushi's encounter with Arnav leads the girls of Gupta house to their eventual rajkummars.

In the market, Khushi has become the talk of the town with people readily able to identify her. An exciting journey awaits us as the next player of this game joins us in the next episode.

#endlessly rewatching ipkknd #ipkknd #ipkknd 10 year rewatch #10 years of IPKKND #arnav singh raizada #arnav and khushi #khushi kumari gupta #iss pyaar ko kya naam doon #iss Pyaar ko #myipkkndrewatch

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jalebi-weds-bluetooth · 4 years ago

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10 Headcanons about IPKKND

Headcanon: It refers to something that the reader assumes about the story (in this case, a television show) or a character, though it's never officially stated in the books (tv show) or by the author (writer/creator).

Of course, I’m in the bandwagon of watching Iss Pyaar Ko till the end of my life, and now I’m so mentally convinced that these are ten things that definitely happened in the Iss Pyaar Ko world (beyond the script & screen).

P.S: I love you writers, creators, actors and the sensible decision makers <3

#1 Arnav and Anjali are the mirror images of their father and mother, respectively.

#2 Anjali realised the truth of her marriage on the day of Arnav & Khushi’s remarriage.

#3 Aman Mathur is Arnav’s best friend.

#4 Aman and Anjali DO FALL IN LOVE.

#5 NK and Lavanya fall in love as well.

#6 Aarav grows to become closest to Khushi.

#7 Shashi recovers and tells the families about his ‘paralysis’.

#8 Akash and Payal get to know about Arnav & Khushi’s first marriage.

#9 Arnav and Khushi explore dating and friendship after their remarriage.

#10 Arnav gets shy when Khushi makes the first move.

#1 "Aap wohi kar rahe hain, jo aapki pita kiye rahe.”

“You’re exactly doing what your father did.” Nani to her grandson, Arnav.

Although Nani unfairly does use this line on Arnav far too many times, one thing that is true is that Arnav is his father’s son. From the only picture we have of Mr. Malik - there is an uncanny resemblance of the man who does not want to look like his father in any way.

When Arnav talks to Khushi about his father’s mother, he is pissed at how tenacious, prejudiced, judgmental and stubborn his grandmother is. And this line of cruelty seems to be a Malik streak that even Arnav has.

There is no denying that Arnav has the Malik blood in him coursing through his veins. But it’s just a magic that he has turned every weakness, fault of the Maliks into his biggest strength.

And in between all this we perhaps miss how identical Anjali is to their mother. Anjali is not only pivotal to Arnav’s life like his mother, she is also literally similar to Ratna Singh Raizada.

Calm, composed, ability to see through their Chote’s anger, clad in a rich saree, always present with a large smile.

But along with personality and features, she also inherited her mother’s fate.

A cheater for a husband.

However Anjali fared worse. Not only did Shyam cheat on her, he did not care about his child and made numerous attempts to murder his wife and was behind the Raizada wealth.

But when Ratna and Anjali realize the true faces of their husbands - they seemingly say the same thing;

“Aapne mujhe pyaar kiya hi nahi,” You never loved me.

“Aur aap humein pyaar bhi nahi de paaye.” You couldn’t even love me.

And you have to wonder, if not for Khushi in their lives - what would’ve happened? Her presence helped Arnav step out of the shadows of his family’s past and gave Anjali the support to escape the emotionally manipulative marriage she was in.

#2 “Nahi Shyam ji, humare Chotey aur Khushi ji ka rishta itna kamzor nahi hai. Inn dono ka rishta toh iss sab se bohot upar hai.”

“No Shyam, my brother and Khushi’s relationship isn’t that weak. Their relationship is above and beyond all this [misunderstanding, tragedy, manipulation].” Anjali to her husband, Shyam.

This is one of the few times in Anjali’s marital relationship where she has gone against her husband. And this was more than going against, this was dismissing him. While I rejoiced that Arnav came back to his Khushi to live their happily ever after - I was more surprised by Anjali’s calm demeanor.

For a woman who had clung onto her grandmother, Dadi, the minute she entered their house - Anjali did not even have a single hesitation to Dadi leaving the house permanently.

There’s a sudden maturity and clarity in Anjali. She laughs, teases, worries just as before but there’s a realization that history has never been the way she and Arnav saw it.

I think that maybe Anjali too believed it was an outsider who ruined her parents’ marriage - but perhaps seeing Khushi crumble without Arnav and her brother’s strength to face his past and embrace his present, and above all blatantly seeing her grandmother’s manipulation shifts Anjali’s perspective.

She sees what no one else does. That Dadi chose this day, the day of her dearest Chote’s wedding, the happiest day of her brother’s life to speak about a past that does not matter. This freezes Anjali against all her hatred she had for the other woman, her father, their past. For Dadi her grandson’s happiness does not matter.

But for Anjali, nothing was worth more than her brother’s happiness.

And I positively stand by this head canon because immediately Anjali signals her brother that he did the right thing after he asks Khushi to marry him. She requests for Khushi’s happiness from Arnav as her nek. She keeps insisting, in front of her family, that Arnav and Khushi are made for each other. And above all, when Arnav tells Anjali that he might hurt her - she immediately shushes him that he can never hurt her.

And so one of the first things Anjali tells to Shyam is that;

“Why should I trust you? So you can betray me... again? My family was against you, every evidence was against you but I... I stood with you.”

#3 *Gets SOS message from Arnav to send Khushi a gift* *Sends the gift but signs it off with his name*

Somehow I have this deep feeling that Aman messes with Arnav on purpose! I find it hilarious that we never see Aman so genuinely he is a figment of our imagination - why is why I believe this man is canonically Aman and I have evidence which I refuse to be disputed on!

But in general I also feel that Aman is one of Arnav’s closest friends apart from colleague. According to me, Aman Mathur is one of the first men to join AR and a key employee who helped Arnav grow AR to what it is. He is responsible for the functional logistics, is Arnav’s best friend and one of the only people to not be intimidated by ASR.

In a world of ‘yes men’, Aman is a ‘no’ man and it is their intellectual arguments that makes him Arnav’s best friend because Aman truly looks out and cares for Arnav as his own family. Also, he wants the best for Arnav.

He probably knows everything about Arnav and Khushi’s contract marriage, gets to know everything about Shyam’s duplicity and even though we never see him in the family - I can imagine that Arnav, Akash and Khushi, consider Aman as their own.

And either Arnav and Aman function on the same brain cell, i.e.,

Arnav - can memorize the entire Oxford dictionary but cannot conjure ‘Happy Birthday’. Runs a fashion house but has NO IDEA that his wife needed a bag for functionality, not accessory. Can have telepathic conversations with his wife but NOT a real one.

Aman - one of the most efficient person on this planet. Immediately organizes a gift for Khushi, upon Arnav’s instructions. Finds the best handbag, puts it in a box and sends it through a worker in time. FORGETS TO REMOVE HIS NAME AND SCREWS UP ARNAV’S HALF ASSED APOLOGY ATTEMPT #8592.

- OR -

Aman - tries interrupting ASR by dropping subtle hints that Khushi needs a ‘happy birthday’ instead of a bag. Seeing the density of his best friend Aman does two things; selects a bag that is completely out of taste for Khushi but pleases Arnav because it’s expensive, makes sure to leave his name behind for Arnav to understand what a gift is.

Tell me which one sounds more like your imaginary Aman ;)

#4 “WHAT THE FU-”

He completes that sentence the day Arnav learns about Anjali and Aman’s relationship. Definitely the two people, apart from Khushi, who is closest to Arnav and cares for him the most.

The two people Arnav loves the most.

The two people Arnav would NEVER WANT TO LOVE EACH OTHER.

How and when Aman and Anjali fall in love - I’ll leave that to competent fan fiction writers - but to add in a few thoughts;

- Aman and Khushi develop a strong friendship. Khushi and Anjali are more than sisters.

- Aman and Anjali connect because of their common point (their sincere care and concern for Arnav) and maybe there were prior feelings? I leave it open - but their love has this trance like gentleness that grows into humor and friendship and more as they try to sneak their way as an official couple.

- Khushi is the first to notice and connect the dots between Aman and Anjali and she is glad. Arnav denies the thought and is positively horrified by it.

- Khushi bears the brunt of having to placate Arnav into Aman and Anjali’s romance. It’s hilarious (and we get to see another flare of Dramatic Singh Raizada).

- Oh there’s almost always going to be a love-hate relationship of Arnav and Aman. While Arnav truly is happy for Aman and Anjali, he never fails to remind Aman he’s the boss. While Aman truly loves being accepted into a family and cares for Arnav as his younger brother, he never fails to remind him that he is married to Arnav’s sister. *Khushi and Anjali’s exhausted eye rolls*

- But in times of adversity they stand together against anything and everything.

#5 "Shurukiya Lavanya.” “Shurukiya NK.”

Let me say, I began to ship NK and Lavanya the day NK said ‘shurukiya’ instead of shukriya - just like Lavanya! While the intellect, grasp of the Hindi language and foreign lifestyles match - they are also a case of opposites when it comes to personality.

In my head they meet - either for the first time or again - at Khushi’s birthday. This time Arnav babua knows how to win his lady love’s heart and how to say happy birthday so he does organize a small, intimate but colorful party with all the people who matter.

Which includes NK & Lavanya - Khushi’s two best friends (which she found thanks to Arnav).

There is definitely attraction at first sight but love? That takes its own sweet time to grow. It does NOT help that NK is Arnav’s cousin - but NK and Lavanya do end up together and are perfect for each other.

Neither NK nor Lavanya need to change, and their love story is like any other Hollywood romantic comedy - there’s everything (much to Khushi’s delight and Arnav’s dismay); meet cute, misunderstanding, accidental kissing, pretend boyfriend/girlfriend, denial of feelings, final grand confession at airport/balcony of La’s house and of course a white, hilarious wedding!

AND OF COURSE KHUSHI SHIPS IT! And Arnav curses his life because he was probably just coming to terms with Aman and Anjali coming together! (How come every employee gets married to a family member - the only exception being Payal and that Khushi is married to the owner and she was an employee so that doesn’t count).

I can just imagine an over enthusiastic Khushi helping a besotted NK and an empathetic but practical Lavanya. And probably there’s a breakup, or Lavanya chooses to not pursue the relationship until, ironically but according to clichés, Arnav saves the day by tapping into the friendship he shared with Lavanya.

And by driving NK to the airport - or La to the airport.

There is an airport scene ok.

#6 “Mom”

Never, in a million years, with all her twenty imaginary babies would Khushi have ever imagined to be called ‘mom’. In her fantasies of Laad Governor & Sanka Devi’s Shaadi Shuda Zindagi she thought she had imagined it all;

A hot, passionate but crazy marriage. Their brood of children would be half western, thanks to English Singh Raizada, and half traditional. Her son would probably take after his father in looks (which she would be grateful for) and in temperament (which she would curse Arnav for). Their daughter would be just like Khushi (which Arnav would be grateful for) and probably believe in all love and romance (which Arnav would curse Khushi for as he fought off suitors for their daughter).

And then Arnav and Khushi would have another set of a son and daughter to have the roles switched. Of course, they have mastered the skill of making love and babies.

Arnav would be positively traumatized upon being called “Babuji” and would drop all his business to make sure his brood calls him “Dad/Papa” and Khushi would leave all her jalebis and shop to make sure her little army of Raizada's called her “Amma” instead of “Mom!”

That is until the day Aarav calls her mom. Suddenly, that is the sweetest word Khushi has ever heard and she does not want Aarav to call her anything else. Because it's what Aarav calls her.

Aarav, although shown to be identical to Arnav and immediately close to him because he believed all along that Arnav was his father - hence tried to impress him as much as he could - grows to become mamma’s boy. It’s Khushi’s childishness, sense of humor, joy for life, maturity and zest that brings out the boy’s childhood.

I am sure one day Khushi sits and talks about being an orphan - and Aarav would be surprised at Khushi’s happiness despite her tragedy. I feel Khushi would actually play a key role in nurturing Aarav and making him a wholesome boy who can laugh, dance and enjoy life like his mother.

In a nutshell, Aarav grows to become the perfect combination of his parents; slightly religious, loves sweets, plays pranks, is extremely sharp at mathematics, sarcastic, introvert, dry sense of humor, values relationships, values money and is temperamental enough to get people to obey him.

Oh, and did you think Arnav was a terror if anyone insulted Khushi in front of him? That Arnav would slap and rip away the person from planet and protect his wife from all costs.

Don’t even think of insulting Khushi with Aarav Singh Raizada around.

Even Arnav can’t raise his voice on Khushi in front of Aarav.

Aarav is obviously, protective about his father too - except he’s not too vocal about his. Arnav becomes a mentor, guide and a loving father for Aarav, while Khushi becomes Aarav’s best friend.

#7 “That was not an accident.”

One line that would shake the worlds of the Raizada's and Gupta’s would be to learn that whatever happened with Shashi Gupta was not an accident. Of course, the show was great the way it was but with Shashi Gupta being such a competent and fantastic character - I just have this head canon where this last knot is tied up as well.

I think nothing adds more gravity to Shyam’s villainy than the fact that he nearly murdered a man right under their noses and no one even had an inkling. I just think it was important to address how disastrous it was for Buaji and Garima to immediately rely on Shyam and hasten Khushi’s wedding. Like Garima is truly selfish when she asks Payal to not say the truth and how horrible it was for Khushi to believe Shyam could change.

All along her father lay paralyzed by that very man’s hideous actions.

A part of me is not okay that they show Khushi, out of all people, trusting Shyam again. That Shashi’s paralysis is never addressed - it was a murder that failed. That Buaji and Garima have no idea what the consequence of their decision was.

They nearly married Khushi off to her father’s murderer. There’s just a part of me that does not want to blame anyone or expect any drama, but I need to know that the family knows how close they had been to losing everything because of their gross naivety.

Anjali lived with a murderer for so long; it’s been out there! Shyam paralyzed the man who suspected him, attempted killing his wife multiple times, kidnapped and nearly murdered his brother in law for wealth and then finally he did kill his child.

So I just need a moment for the Raizada's and Gupta’s to realize what a horrifying man Shyam is - independent of everything else. And I would have loved to have seen Shashi Gupta and Arnav’s interactions! So for me, it is my head canon that they all get to know the other truth once Shashi heals enough to speak.

#8 The Six Month Contract

I mean I am completely fine with no one having an idea of the nature of the marriage. But also, I can’t imagine that Akash and Payal - who are very quiet but very in tune with their siblings and aware of their siblings nature - would be just quiet.

Especially when both of them knew that Arnav and Khushi were a bubbling pot of feelings on the day of their marriage. Arnav’s attraction for Khushi at that time was not a secret, and I am positive that an observant character like Akash would have picked that up.

Payal, the one we know, knows every single thing about Khushi - from her dreams to her wishes - would be completely shocked to know that Khushi agreed to a marriage where there was no priest.

If any character knows Arnav and Khushi best - it’s Akash and Payal. They are the only characters that Arnav and Khushi don't justify themselves to. But I feel in dignified manner, both Payal and Akash would try to find the truth on what happened that night.

Unlike Di, Nani and Bua ji, they won’t be happy with “oh they’re getting married again.” In my head canon, Akash and Payal are more active than what they were shown. And they would do this together - no secrets. They would discuss that knowing Khushi, she would never say yes to a marriage without a priest. And Bhai does seem like the last character to elope - especially when there is no reason to. With the way things were going, naturally Arnav and Khushi were next in line.

Probably from Nani Akash and Payal would learn what happened on their wedding day. They would learn about the fact that Arnav knew about Shyam, on that day. He thought Khushi was involved with Shyam. And he did make a big mistake in his life on that day.

From Di they would learn that Arnav did not marry Khushi because he loved her.

And that would give them all the knowledge that they knew and it would lead to a difficult but poignant conversation between all four of them. Akash and Payal are the ones who know the whole picture, but they’re also the ones who are closest to Arnav and Khushi.

#9 “You’re going on a date?” “Haan.” “HAAN! KISKE SAATH!?!” “Obviously Khushi ke saath.”

“You’re going on a date?” NK

“Yeah.” Arnav

“YEAH! WITH WHOM?!” NK

“Obviously with Khushi!” Arnav

This is probably one of the funniest scenes because NK has to question his cousin, who is about to be remarried to his wife, who he’s going on a date with.

And that sparks this head canon for me that Arnav and Khushi enjoy all the joys of courtship, friendship and dating post their marriage. They start heading to the movies, playing pranks, discussing business, traveling countries and flirting with each other shamelessly.

It’s an aspect of love they scratched on right before Akash and Payal’s marriage and their remarriage. With the absence of all hate and prejudices - Arnav and Khushi probably have a really fun marriage with one always pulling the other one’s leg.

When they’re serious and romantic - they burn the house in flames from their intensity.

When they’re pulling pranks they’re also bringing the house down with Khushi screaming murder and running behind Arnav to maul him.

We see glimpses of this when Arnav, seductively, draws a mustache on her. Or teases her about the moon and she slaps him, lightly on his chest. Or when he suggests that the world isn’t weird but she might be. Or when Khushi teases Arnav on being called “chote.”

*sigh*

In a nutshell - Arnav & Khushi explore the facets of romance and courtship post marriage - dates, friendship, movies, travel, exercise, cooking, gardening, pranks, arguments, etc.

#10 Arnav Shy Singh Raizada

Another completely silly head canon - the silliest of all - is that when Khushi takes control, Arnav becomes shy. He isn’t as vocal as Khushi when it comes to expressing his emotions but he does have his brief moments of being slightly flustered which he graces with his one look. A soft smile and a sweet challenge brewing in his eyes.

We get a hint of him being bashful when anyone else interrogates him about his feelings for Khushi - there’s the obvious nonchalance and anger, but this little heart likes to believe that there’s a soft boi underneath who’s going starry eyed every now and then.

If anyone read this in full then may Devi Maiyya bless you with infinite happiness and patience. It was a lot, even though it was supposed to be a silly list of head canons! Thank you for your time!

#ipkknd #iss pyaar ko kya naam doon #Arnav Singh Raizada #khushi kumari gupta #headcanon #list #i write too much

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listenzaheer · 2 years ago

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Payal Malik (Armaan Malik's Wife) Biography, Age, Boyfriend, Instagram, Videos & Wiki

Payal Malik (Armaan Malik’s Wife) Biography, Age, Boyfriend, Instagram, Videos & Wiki

Payal Malik started her social media career with her husband Armaan Malik and had millions of followers on TikTok but after TikTok was banned she started posting content on Youtube and Instagram. He also got millions of followers on these platforms. Payal Malik is one of the most famous social media personalities in India and she stays in trend due to some controversy and activity. Earlier her…

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titoslondon-blog · 7 years ago

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New Post has been published on Titos London

#Blog New Post has been published on http://www.titoslondon.in/the-yin-and-yang-effect/

The Yin and Yang Effect

Written by Ektaa Malik | Published:October 16, 2017 12:05 am Designs by Payal Pratap (Express Photo By Amit Mehra) Top News

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The husband and wife duo of Rajesh Pratap Singh and Payal Pratap, who presented their Spring-Summer 2018 lines via two separate runway shows on Day Three of Amazon India Fashion Week (AIFW), may have had completely disparate design sensibilities, but their work was characterised by a singular vision.

Payal, who presented her collection, “Here Comes the Sun” earlier on Friday evening — gave her designs an earthy feel, with a liberal use of floral motifs in hues of warm yellow, muted blue, bright red and pink. The designs were fluid, the silhouettes breezy and the overall effect pleasing. Payal’s interplay of using embroidery — albeit minimal — on checks, linear patterns and prints was very effective.

And while this summer edition of AIFW has been heavy on the use of floral prints and motifs, Payal’s version of botanical prints was very constrained. Long jackets, trench coats paired with ankle length maxi dresses and flared pants paired with shorter numbers met off-shoulder dresses, halter numbers and gathered dresses with ruched up asymmetrical hemlines. The shoulder-length crystal tear drop earrings added an extra zing to the ensembles. Perfect for those long Sunday brunches next season.

While wife Payal ran the gamut of colours, husband Rajesh, stuck to the stark ends of the colour spectrum and presented his collection for both men and women in shades of black and white. Rajesh’s designs were very structured, and the lines sharply defined. A jacket with structured shoulders was paired with pants with extra flare.

There was ample use of graphic imagery, stripes, polka dots and abstract prints. Pop culture icons David Bowie and Jimi Hendrix were seen emblazoned across outfits. Womenswear comprised fit and flare dresses, fitted jackets juxtaposed with voluminous skirts, along with pants and stand-alone jackets. Actor Abhay Deol, who was the showstopper for Rajesh, wore flared atheleisure pants, paired with a double-breast blazer. The collection was very edgy and contemporary, befitting the final show of the day.

For all the latest Lifestyle News, download Indian Express App

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bollywoodpollywoodlifez · 4 months ago

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lyricsolution-com · 4 months ago

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'Will Divorce Armaan': Bigg Boss OTT 3 Ex-Contestant Payal Malik's Shocking Confession Amid Trolling | People News

New Delhi: Bigg Boss OTT 3 ex-contestant Payal Malik has announced her decision to divorce her husband Armaan Malik, who is currently inside the house with his second wife, Kritika Malik. In a shocking revelation through her daily vlogs, Payal Malik revealed that her decision to divorce Armaan Malik is largely due to the intense hatred and trolling she and her children have endured, especially…

#Armaan Malik #Armaan Malik Bigg Boss OTT 3 #Armaan Malik Vlogs #Kritika Malik #Malik Vlogs #Payal Malik

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biographyer · 4 years ago

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Kritika Malik Biography, Wiki, Age, Husband, Son, Fitness and More

Hey guys, in this post we will know about Kritika Malik Biography, wiki, age, Husband, Son, family, fitness (weight, height), career, Net Worth, social media handles (Instagram, Facebook, Twitter, YouTube), and more. Kritika Malik Images are only for information purposes. Learn more Kritika Malik Biography Hey guys, I think you know who Kritika Malik is, if you don’t know Kritika Malik…

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#Biography of Kritika Malik #Kritika Malik #Kritika Malik and Arman Malik #Kritika Malik and Payal Malik #Kritika Malik Bio #Kritika Malik Biodata #Kritika Malik Biography #Kritika Malik Fitness #Kritika Malik Husband #Kritika Malik Son #Kritika Malik Wiki

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laadgovernorandsankadevi · 3 years ago

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IPK Rewatch: EP 02; the dori breaks

and so it begins!! The first meeting, the divine stars have intervened. Devi Mayyian watched over as Khushi drove away on the stolen scooter and just as she pulled her dupatta feeling his gaze over her, she slips and falls in the arms of her rajkummar.

Every single interaction between them, it's Khushi who breaks away or walks away. Every single one. She is the one to break the bubble by stepping back or wanting to break away from his grip. He doesn't let her go right away as she squirms and him pulling her back into his arms for that brief second as he takes all of her in, makes her realise her hand on his collar which the moment she removes he pushes her off him. I think bitwa realised what happened to him. He was angry alright, but this girl stirred something the moment he saw her and her trying to break free away from him, a man who girls flock after; he is not going to take these feelings lightly. I think he realised what happened when snapped at her taking her hand off his collar.

Khushi stands scared. Whether any feelings in her have risen or not, she was scared and nervous to begin with and it's clear that the way this man stared at her was not how men should be looking at anyone for that matter. The guards take her away from the premises but not without her dupatta falling off and landing at his feet.

I always found the Khushi's dupatta a character of it's own. Dupatta means a lot to south asian women. Hell I would say that when I find myself wearing a 6ft fabric around me, the realisation of what this garment means symbolically and what it communicates about my character to style is not something that can be a joke. For a girl like Khushi, the dupatta is a symbol is respect and how funny and ironic it is that the man who in next few seconds will declare his control over her life will be the one to return/restore the respect he tried time and time again to disapprove about her to himself. The dupatta under his feet, falling by his feet is such a big deal. But also I feel this moment signifies that Devi Mayyian did sent Arnav as Khushi's protector. If Arnav has been provided with the power and ability to choose his interpretation of what her clutching her dupatta means, then he is also the only one whose treatment of her dupatta protects her image and reputation in eyes of others.

The dupatta and the collar are recurring motifs. And beautiful ones at that! There's something that happens to my brown ghairat at the utilisation of these motifs. Maybe internalised sexist rhetoric?

Back at Gupta House, we get a glimpse of Bua ji's displeasure at Khushi's antics and everyone being worried about not being able to find the papers. Payal who had been hoping that Abhishek was unaware about the dowry, at finding out he's said nothing to defend the Guptas or his to-be wife, finds herself more upset. Meanwhile Garima figures out the connection between Khushi's absence and the mortgaged papers missing.

All while Khushi is being interrogated. In all honesty, I would be hella sus of Khushi being somewhere and ruining a major multi-million company's event. I tried listening multiple times but Barun really used to mumble a lot of dialogues on the beginning. He mumbles the name of a rival fashion house which the nosy person in me wanted to know!

When Arnav takes the first step forward, Khushi doesn't step back but it's from his second step forward that she starts taking a step back. A precedent is set between these two and the progression of their relationship with one taking a step forward, another taking a step back. Khushi doesn't willingly stop taking steps back until after Shyam's revelation. I think it also tracks Khushi's relationship with Arnav's anger. If Khushi's personality and actions give Arnav a reason to start falling for her or allow himself to trust his feelings for her, then none of anything that Arnav does ever allows Khushi to move past the confusion of having feelings for him. She is instead troubled at the aspect of liking someone she's doing her level best to hate.

In first 15 mins of the second episode, we get everything that's going to be the foundation. Arnav always being the one to catch Khushi, the collar, the dupatta, and the bubble which evolves into Rabba Ve, and the steps. I think this is the one of the reasons the initial episodes are beautiful and grip you. The show doesn't waste time in establishing the thesis of their relationship. We slowly start exploring their characters but the relationship, that's what all of this is about.

Sanaya literally looked like a goddess in this episode I swear. The make up is perfect, her face looks perfectly angelic and stands out in contrast to Barun's intense presence. the glowy backdrop of the make up room with mirrors and lights provides a perfect backdrop for who both of them are as people. Arnav being extraordinary and grandeur. Khushi being the source of light.

With Arnav narrating about aukat and wealth, Khushi's expression changes and she refers to caring about family members. She's here because of her sister. Eventually Khushi lands up in Shantivan because of his sister. If money is a motivator to regain the Malik's lost respect and turn them into Raizadas, the money is also something that Arnav equates with respect. He is after all still standing in Sheesh Mahal, and money along with respect was what he lost the day him and his sister were kicked out. He had to rely on Mami's assistance eventually to be able to build up a strong investment portfolio and a fashion house.

I also think Arnav used wealth and class as a reason to provoke Khushi. There are two types of people in middle class or lower classes. Those who take pride in their ability to not ask for help and earn their way through life, and those who would do anything for money. Funny how the damad of Malik's daughter is the one whose a gold digger.

But what is something poor girls have to prize more than their being? Their respect. And at the mention if his sister who Khushi made an assumption of existing, he is compelled to destroy everything about her.

badtamizi pe tou mein Abhi aya nahi hoon.

The way this show turned the dori and dupatta into a motif of what they actually are is beautiful to me. There's nothing romantic about preserving respect and dignity, but there is something powerful in someone's ability to be able to do so. Arnav ripping apart the pearls and having them scatter symbolises how his presence took the innocence away. From the release of this clip, there is no moment where Khushi's character doesn't come under question by either Arnav or Shyam. The pearl dori breaking also starts Arnav's journey of walking a path where he had to be apologise. He is going to be living with this guilt for at least the entirety of the year.

Back at Gupta House, everyone is concerned for Khushi except for Bua ji, who is definitely the one more concerned about appearances than Garima. Perhaps because for Garima, her husband is still present besides her. As much as I hate prioritising of appearances and the shame-based social approach of brown communities, it is something that unfortunately exists and our narratives exist within the existence of socially acceptable appearances.

Payal whose been asked concisely about Khushi doesn't budge but she decides to say something with her father returning. Perhaps because she also realises that the way she loves Khushi unconditionally and considers her as her closet confidant, Babuji also is accepting and understanding of Khushi's intentions even if they revert to a mistake. Payal's displeasure at Abhishek not speaking up for her also helps in being happy at Khushi's return and aiding Khushi afterwards as much as she could.

Shashi who had been apprehensive about dowry to begin with is relieved to see Khushi safe and sound, Garima who was adding by the norms of how girls family should behave was disappointed beyond words, and Bua ji was just straight up angry. I think Bua ji is the only character who despite loving Khushi, displays the bias in how she considers Payal to be perfect and Khushi to be imperfect.

While Khushi provides the explanation about going to meet the not-hone-wale jija ji, we do get an insight into why despite Manorama's objections and her own reservation on class issues, Payal agrees for Akash. Because Akash is honest about his feelings and about all that he hopes to provide. I have to say, the Gupta sisters have a really low bar for their men after having Shashi as a father. But honestly, don't we all just settle at crumbs half the time? It's truly a shame. -- Khushi admits her mistakes unless she's challenged or dared. and she doesn't hesitate in apologising except from Arnav. Khushi apologising is almost a norm for her character however Khushi apologising Arnav is not going to be one. I find that juxtaposition of how Khushi treats Arnav and him wanting apologies to be extremely hilarious! She forgives his gravers mistakes but not anything menial.

mat kaho humme amma!

oh, how it breaks Khushi's heart! Khushi is wholly accepted into her family even by Bua ji; so on the two occasions when she is reminded of her orphaned status, it crumbles her entire world. After all, she went to see Abhishek, Junior Engineer who wanted dowry for her step sister. She crosses over boundaries for those she loves and her family members are the people she repeatedly crosses these boundaries and social conventions for. Also in both the instances of Khushi being reminded about her orphaned status, Shashi and Payal are more understanding despite their disappointment or pain. They truly love Khushi whole-heartedly and perhaps unconditionally which is something that surprisingly Arnav does too even though the first marriage between the two was on the terms and conditions laid out by Arnav driven by his interpretation of Khushi’s betrayal.

The episode ends with Khushi opening up the sweet shop after being unable to sleep. I love the moonlight on both the girls face. It symbolises their inner turmoil and distress. With the divine clock on, the journey to rediscover themselves and them in love is going to rule the hearts of Gupta sisters.

#endlessly rewatching ipkknd #ipkknd 10 year rewatch #10 years of IPKKND #ipkknd #arnav singh raizada #khushi kumari gupta #arnav and khuhsi #iss pyaar ko kya naam doon #arhi #arshi

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