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#Paul Whiteman Orchestra
cinnamoncee · 3 months
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1958
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jazzdailyblog · 7 months
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James Reese Europe: Pioneering Bandleader and Musical Trailblazer
Introduction: James Reese Europe was a pivotal figure in the history of American music, a bandleader, composer, and arranger who helped shape the sound of the early 20th century. Born one hundred and forty-three years ago on February 22, 1881, in Mobile, Alabama, Europe rose to prominence during the ragtime era and became one of the most influential African American musicians of his time. His…
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ulrichgebert · 2 years
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Die jungen Leute stellen -völlig unerwartet- eine Show auf die Beine, diesmal eine besonders melodramatischen mit Kostümen, wie die Altvorderen sie in den fröhlichen Neunzigern trugen. “Mein Held” sagt Judy hier zu Mickey, während der Schurke am Boden liegt. Selbstredend dient dieses einem guten Zweck, nämlich Mickeys gutem, ehrlichen, amerikanischen Tanzorchester Fahrkarten nach Chicago zu finanzieren, wo ein Wettbewerb für den guten, ehrlichen, amerikanischen Tanzorchesternachwuchs stattfindet, der es ihnen ermöglichen  wird, gute, ehrliche, amerikanische Berufsmusiker zu werden, denn als Musiker kann man die Menschen ebenso gut heilen, wie als Doktor (wie es sich die gute, ehrliche, amerikanische Mutter eigentlich gewünscht hätte. Aber natürlich ist sie sehr stolz.)
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reflectismo · 1 year
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“I heard a lot of that stuff [‘I’ll Build a Stairway to Paradise’, Paul Whiteman Orchestra, ‘Chicago’] and I think that filled my computer with data. So that when I came to print out later, it was all in there. One of the great things about me and John was we both had that. We talked about some of the songs we liked, and he liked ‘Little White Lies’ … The night that you told me! Those little white lies! I knew that, so it gave us little bonds. That was his print-out. So when we came to write together we had similar print-outs, similar data from our upbringing. People tended to think of John as just a rebel or something; there was this whole other side to him that I liked, and that allowed me to get on better with him than if he’d just been a rebel.”
— Paul McCartney, interviewed in 2019.
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angelicribbons · 2 months
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Alastor with a fem baby regressor
Sorry for the late response, I slept a bit later today :) (I hope you mean headcanons, I just realized you didn’t specify!)
CG! Alastor with a fem baby regressor <3
One (yes, one, he has more) of Alastor’s favorite things to do with you is dress up. Every morning, he gently wakes you up by kissing your head and get down on his knees to put you in old-timey maroon dresses. (Unless you’d prefer another color, which he’d gladly oblige and probably get at least 6 more dresses in that color for you)
He loves to feed you. Setting you down on his lap and softly tipping the bottle into your mouth. Alastor very much appreciates the domestic side of things, so having a little one without going through the hassle of having a partner or making one with them, is a very nice change of pace.
Barely any TV. If you really insist, he’ll let you watch some. But on the old TV, and none of Vox’s stuff. That’ll rot your brain. Spoiled, but in a different way. You have Alastor’s almost constant attention. “Oh, there’s a leak? One moment, my little love needs to finish her bottle.” Much to..most of the hotel’s slight annoyance. He refuses leave you alone. “Leave my little one home? Oh, what nonsense! If I can take her with me, why should I risk her discomfort?” When he has a broadcast to do, he’ll give you a pacifier and rock you in his arms as he goes on about whatever. Softly patting your head in between his music breaks.
On his strolls, he props you up with blankets and pillows in your stroller and your favorite stuffy if you have one. If not, he just brings a couple. He loves showing you off to the other residents in cannibal town. “Isn’t she just a doll? My lovely fawn.” The only other person who’s held you is Auntie Rosie. He doesn’t trust anyone else to do it right.
If you occasionally cause mischief, he likes to watch from the shadows and chuckle unless it becomes a real problem. Then he morphs in front of you and gets down to your level to talk to you. “Dearie, there’s a reason Papa and the others told you not to touch that. It could get you very hurt, Cher. Come on, let’s go read a story to take your mind off this, alright? Papa got you some new books.”
Bed time stories! Always. And if no books seem appealing to you, he’ll turn on the radio and play a story on there. (I feel like he’d play ‘The pirate of New Orleans’, it should be on YouTube, that’s where i watched it)
On the subject of radios, he loves to play you music! (For specifics, I’d say ‘Let’s Misbehave’ by Cole Porter and Irving Aaronson Commanders, and ‘The Birth of the Blues’ by Paul Whiteman and his orchestra, Charles Gaylord, Austin Skin Young, and Jack Fulton) He’ll sing along and loves if you try to sing or hum with him. “Yes, very good, my lovely! Oh you sound just wonderful!”
While he would rather not have anyone touch him, you are his exception. You wanna climb on his shoulder and play with his hair? Absolutely, as long as you don’t fall! You wanna lay down and play with his tail? Of course, just don’t tug too hard! You wanna cling to him like your life depends on it? Why not?
Baby babbles are the cutest thing to Alastor! “Ah, really? Hmm! How interesting! Won’t you go on, my dear?” He actually listens intently, curious if he can hear anything resembling a certain word and base his response off of that.
He never thought he’d be the best with kids, but he’ll certainly try for his little sweetheart. He finds almost everything you do incredibly charming and will not take anyone saying otherwise seriously even for a moment. “Oh, please! She’s just a little thing, you can’t blame her for anything. Especially not with her darling little antics!”
I hope you liked this!!! This warmed my heart because Alastor is my primary cg whenever I’m small <3
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the1920sinpictures · 1 year
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1930 Paul Whiteman and His Orchestra in the movie “King of Jazz”. Hella set there!
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thesobsister · 6 months
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Paul Whiteman and His Concert Orchestra, "Rhapsody in Blue"
With George Gershwin at the piano, this debut recording conveys the effervescence and fun of this Jazz Age tone poem.
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hiro-doodlez · 7 months
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Stage 1 - Beaten frowns Stage Stage 1 - Beaten frowns after
Here we experience the first sigs of memory loss. This stage is most like a beautiful daydream. The glory of old age and recollection. The last of the great days.
TRACKLIST & SAMPLES:
A1 - It's just a burning memory | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians
A2 - We don't have many days | Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone
A3 - Late afternoon drifting | It All Depends On You - John Turner Layton Jr. and Clarence Johnstone
A4 - Childishly fresh eyes | Moonlight and Shadows - Russell Morgan and His Orchestra
A5 - Slightly bewildered | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone .. The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone
A6 - Things that are beautiful and transient | The Waltz You Saved For Me - Harold Wayne King and His Orchestra
B1 - All that follows is true | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra
B2 - An autumnal equinox | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone
B3 - Quiet internal rebellions | Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra
B4 - The loves of my entire life | Willow Weep For Me - John Turner Layton Jr. and Clarence Johnstone
B5 - Into each other's eyes | Smoke From A Chimney - Samuel Gabriel Costa . Maurice Winnick and His Orchestra
B6 - My heart will stop in joy | Room With A View - Mert Curtis . Russel Morgan and His Orchestra
Stage 2 - Pittor Pickgrown in Khatheinstersper
The second stage is the self realisation and awareness that something is wrong with a refusal to accept that. More effort is made to remember so memories can be more long form with a little more deterioration in quality. The overall personal mood is generally lower than the first stage and it a point before confusion starts setting in.
TRACKLIST & SAMPLES:
C1 - A losing battle is raging | Love's Old Sweet Song - Chester Gaylord
C2 - Misplaced in time | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra
C3 - What does it matter how my heart breaks | Heartaches - Seger Pillot Ellis
C4 - Glimpses of hope in these trying times | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra
C5 - Surrendering to despair | Sweet and Low - Chester Gaylord
D1 - I still feel as though I am me | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra
D2 - Quiet dusk coming early | To Be Forgotten - David Rubinoff
D3 - Last moments of pure recall | Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra
D4 - Denial unravelling | Phillips Dewey . Paul Samuel Whiteman and His Orchestra
D5 - The way ahead feels lonely | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra
Stage 3 - Hag
Here we are presented with some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away. Finest moments have been remembered, the musical flow in places is more confused and tangled. As we progress some singular memories become more disturbed, isolated, broken and distant. These are the last embers of awareness before we enter the post awareness stages.
TRACKLIST & SAMPLES:
E1 - Back there Benjamin | Goodnight, My Beautiful - Russell Morgan and His Orchestra
E2 - And heart breaks | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians
E3 - Hidden sea buried deep | Birth Of The Blues - John Turner Layton Jr. and Clarence Johnstone .. Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.
E4 - Libet's all joyful camaraderie | Goodnight, My Beautiful - Russell Morgan and His Orchestra
E5 - To the minimal great hidden | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone
E6 - Sublime beyond loss | Stardust - Charlie Spivak and His Orchestra
E7 - Bewildered in other eyes | The Prettiest Little Song Of All - Albert Benzler
E8 - Long term dusk glimpses | Exactly Like You - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra
F1 - Gradations at arm's length | [Sample unknown]
F2 - Drifting time misplaced | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone
F3 - Internal bewildered World | Il Trovatore - Ferruccio Giannini
F4 - Burning despair does ache | Heartaches - Seger Pillot Ellis
F5 - Aching cavern without lucidity | Heartaches - Seger Pillot Ellis
F6 - An empty bliss beyond this World | The Wedding Of The Painted Doll - Victor Salon Orchestra
F7 - Libet delay - Goodnight, My Beautiful - Russell Morgan and His Orchestra
F8 - Mournful cameraderie | Heartaches - Seger Pillot Ellis
Stage 4 - Glitsholder
Post-Awareness Stage 4 is where serenity and the ability to recall singular memories gives way to confusions and horror. It's the beginning of an eventual process where all memories begin to become more fluid through entanglements, repetition and rupture.
SECTIONS & SAMPLES:
G1 - Post Awareness Confusions
Section A: [Sample unknown] | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra
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Section B: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Heartaches - Seger Pillot Ellis | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians
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Section C: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra
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Section D: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Belle Of the East - Albert Benzler
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Section E: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | To You - Mert Curtis . Russell Morgan and His Orchestra | [Sample unknown]
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H1 - Post Awareness Confusions:
Section A: Goodnight, My Beautiful - Russell Morgan and His Orchestra
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Section B: Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Any Time, Anywhere - John Turner Layton Jr. and Clarence Johnstone
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Section C: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis
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Section D: [Sample unknown] | The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | Winterreise No. 20: Der Wegweiser - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller
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Section E: Gradana - Mantovani and His Orchestra
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Section F: Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.
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I1 - Temporary Bliss State:
Section A: The Prettiest Little Song Of All - Albert Benzler
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Section B: The Prettiest Little Song Of All - Albert Benzler
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J1 - Post Awareness Confusions:
Section A: [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | To You - Mert Curtis . Russell Morgan and His Orchestra | In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown]
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Section B-a: Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra
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Section B-b: Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone
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Section C: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]
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Section D: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra
Stage 5 - Eptitranxisticemestionscers Desending
Post-Awareness Stage 5 confusions and horror. More extreme entanglements, repetition and rupture can give way to calmer moments. The unfamiliar may sound and feel familiar. Time is often spent only in the moment leading to isolation.
SECTIONS & SAMPLES:
K1 - Advanced Plaque Entanglements:
Section A-a: [Sample unknown] | Black And White Rag - Albert Benzler | The Mocking Bird - Harry Taft | Black And White Rag - Albert Benzler | [Sample unknown]
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Section A-b: Laura - Charlie Spivak and His Orchestra
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Section B: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]
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Section C1-a: Was It A Dream? - Richard Ewing Powell
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Section C1-b: Melody: Prière à Notre-Dame
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Section C2-a: I'm Following You - Lawrence Gray
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Section C2-b: Melody: Prière à Notre-Dame
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Section D: [Sample unknown] | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown]
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Section E: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra
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Section F-a: Ancient Court Whisperings - Albert Benzler | Black And White Rag - Albert Benzler | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]
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Section F-b: [Sample unknown] | Belle Of The East - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | The Prettiest Little Song Of All - Albert Benzler
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Section G: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Garden Of Weed - Louis Stone and His Band
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Section H: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown] | [Sample unknown]
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Section I-a: [Sample unknown] | Garden Of Weed - Louis Stone and His Band | Il Trovatore - Ferruccio Giannini | The Prettiest Little Song Of All - Albert Benzler | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra
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Section I-b: In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown] | [Sample unknown] | Room With A View - Mert Curtis . Russel Morgan and His Orchestra | [Sample unknown]
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Section I-c: Granada - Mantovani & His Orchestra
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Section I-d: Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra
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Section J: Grand Fantasia - Paul Samuel Whiteman and His Orchestra | [Sample unknown] | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]
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Section K: Invincible Eagle March - James Fitzgerald | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone
L1 - Advanced plaque entanglements
Section A: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Il Trovatore - Ferruccio Giannini | Belle Of The East - Albert Benzler
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Section B1: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis
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Section B2: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis
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Section C: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | [Sample unknown]
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Section D-a: Black And White Rag - Albert Benzler
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Section D-b: [Sample unknown] | [Sample unknown]
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Section D-c: Garden Of Weed - Louis Stone
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Section D-d: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]
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Section D-e: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra
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Section E: Il Trovatore - Ferruccio Giannini | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra
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Section F: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra | [Sample unknown] | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra
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Section G: [Sample unknown] | [Sample unknown] | [Sample unknown]
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Section H: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]
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Section I1: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | [Sample unknown]
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Section J: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown] | [Sample unknown]
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Section K: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra
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Section I2: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra
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Section L: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Grand Fantasia - Paul Samuel Whiteman and His Orchestra | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]
M1 - Synapse retrogenesis:
Section A1:
Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Heartaches - Seger Pillot Ellis | Meditation From "Thais" - Jesse Crawford
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Section B1: Black And White Rag - Albert Benzler | [Sample unknown] | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller
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Section C-a: Heartaches - Seger Pillot Ellis | Ancient Court Whisperings - Albert Benzler | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra
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Section C-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | [Sample unknown] | Gradana - Mantovani and His Orchestra
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Section C-c: [Sample unknown] | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Belle Of The East - Albert Benzler | [Sample unknown] | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians
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Section A2: London Town (You Haunt Me) - Stanley Augustus Holloway | Heartaches - Seger Pillot Ellis | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Il Trovatore - Ferruccio Giannini | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller
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Section B2: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller
N1 - Sudden time regression into isolation
Section A1: [Sample unknown] | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Stardust - Charlie Spivak and His Orchestra | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway
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Section B1: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir
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Section B2: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra
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Section B3: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown]
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Section C: Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr.
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Section A2: Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra
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Section A3: [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway
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Section B4 (Hell Sirens 4): Goodnight, My Beautiful - Russell Morgan and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Granada - Mantovani and His Orchestra
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Section D: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown]
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Section E1 (Last Of The Bliss): Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr. | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir
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Section E2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir
Stage 6 - Necrotonomigaud
Stage 6 is without description.
SECTIONS & SAMPLES:
O1 - A confusion so thick you forget forgetting:
Section A: The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Il Trovatore - Ferruccio Giannini | [Sample unknown]
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Section B: The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra
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Section C: Heartaches - Seger Pillot Ellis | interresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Meditation From "Thais" - Jesse Crawford
..............
P1 - A brutal bliss beyond this empty defeat:
Section A1: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir
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Section B-a: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown]
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Section B-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]
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Section B-c: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra
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Section B-d: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Granada - Mantovani and His Orchestra
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Section A2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | The Last Rose Of Summer - Jesse Crawford
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Section C: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | London Town (You Haunt Me) - Stanley Augustus Holloway | Melody: The Haunted Ballroom
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Section D: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra
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Q1 - Long decline is over:
Section A-a: Il Trovatore - Ferruccio Giannini | Weary River - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra
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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra
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R1 - Place in the World fades away
Section A-a: Il Trovatore - Ferruccio Giannini | Weary River - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra
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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone
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Section B: [Sample unknown] | Il Trovatore - Ferruccio Giannini
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Section C (Last 5 minutes): Melody: Laßt mich ihn nur noch einmal küssen - Guildford Cathedral Choir
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Section D: [No sample]
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Rhapsody in Blue · Gary Graffman · New York Philharmonic Orchestra George Gershwin · Zubin Mehta Manhattan: Original Motion Picture Soundtrack ℗ 1979 Sony Music Entertainment Released on: 1987-02-03
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Song of the Day - “Rhapsody In Blue”
Today is the 100th anniversary of the premiere of George Gershwin’s masterpiece “Rhapsody In Blue” - February 12th, 1924.
This much-anticipated concert, on a snowy afternoon at Aeolian Hall inn Manhattan, was called "An Experiment in Modern Music”. It was performed by Gershwin himself on the piano, backed up by Paul Whiteman and His Orchestra.
This exquisite piece, the quintessential blending of classical music and Jazz, was a perfect reflection of New York City, and really of America, being, as Gershwin put it, "a musical kaleidoscope of America, of our vast melting pot, our unduplicated national pep, our blues, our metropolitan madness.”
For me, it never gets old... and while this original version is obviously special, my favorite version of it is Zubin Mehta and the New York Philharmonic with Gary Graffman on the piano recorded for the soundtrack of Woody Allen's “Manhattan”… perfection….
[Mary Elaine LeBey]
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vintage-every-day · 5 months
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Released January 23, 1933. Featuring Walter Winchell, Joan Castle, Paul Whiteman Orchestra, Irene Taylor, Jack Fulton, Rhythm Boys, Harry (Goldie) Goldfield, Ruth Etting, Arthur Tracy, Art Jarrett, Sidney Easton.
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citizenscreen · 9 months
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#OnThisDay in 1928, “The Dodge Victory Hour,” one of radio's first variety shows, debuted on NBC. The show starred Will Rogers, Paul Whiteman and his orchestra, Fred Stone and Al Jolson.
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retropopcult · 2 years
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Two men posing in New York City, 1924.  One is showing the sheet music for the hit song “Linger Awhile” by Paul Whiteman and His Orchestra.
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abzeronow · 2 years
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Advertisements for March 1923 records from Victor and Columbia in the New York Times in February 1923. Victor's advertisement from February 15,1923 shows Russian bass Feodor Chaliapin recording a version of the Russian folk song "Song of the Volga Boatman" (there is a version of that song used in Punch-Out as Soda Popinski's music). A version of the hit song "Carolina in the Morning" and Paul Whiteman Orchestra's version of "Parade of the Wooden Soldiers" is shown. (That would be one of the most popular songs of 1923).
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You can hear Whiteman Orchestra's version of Parade here:
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Columbia's February 20, 1923 advertisement shows that it has a few blues records, some classical music and opera, some show tunes, and some pop songs sung by Al Jolson and Eddie Cantor. This is the St. Louis Blues version by Ted Lewis's band advertised by Columbia (which was a song written by W.C. Handy)
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And that concludes today's look at what two of the leading bandleaders of the 1920s were doing late 1922/early 1923.
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corallapis · 1 year
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Henry ‘Chips’ Channon: The Diaries (Vol. 1), 1918-38, entry for 14th April 1923
Saturday 14th April
We dined at three tables this evening at the Grafton Galleries, we being the Carlisles, the Prince of Wales,¹ Poppy Baring,² Mrs Coats,³ Alice Astor, Prince Henry⁴ and a little woman he is flirting [with], Prince George,⁵ Lady Alexandra Curzon,⁶ Serge Obolensky and Paul of Serbia. Paul Whiteman,⁷ an American, conducted his fabulous orchestra with intoxicating skill on hearing who was in the room. At about 11.30 the Prince of Wales decided to commandeer the band and we left . . . but where to go? We agreed on the Curzons’ house (which is closed for repairs). The Prince of Wales sent to St James Palace for a great deal of champagne: the band of twenty-eight musicians arrived and we all crept stealthily into the darkened house. But no glasses! Prince Henry and I searched the bedrooms and collected every available toothbrush glass . . . . At dawn we went out on the balcony and at last when the band was ready to collapse and we were exhausted we sadly separated. It was 7.30 Sunday morning. We walked up Pall Mall in our evening dress hunting taxis. The guard at Marlborough House⁸ recognised the young pink princes and presented arms. We have all sworn to secrecy about this hush party but I wonder how long it will be before all of London knows and gossips. I shan’t say a word.
1. Prince Edward Albert Christian George Andrew Patrick David (1894-1972), elder son of King George V and Queen Mary, created Prince of Wales 1911; succeeded his father in January 1936 as King Edward VIII, abdicated December 1936; created Duke of Windsor on his abdication; married Wallis Warfield Simpson (1896-1986), of Baltimore, in 1937.
2. Helen Azalea ‘Poppy’ Baring (1901-80), daughter of Sir Godfrey Baring Bt, and Eva Hermione Mackintosh: the Duke of York had proposed to her in 1921 but his mother, Queen Mary, had forbidden the union because of her supposed unsuitability. She was also vetoed as a bride for Prince George, whose mistress she became. She married William Piers Thursby (1904-77) in 1928. She ran a dress shop in Down Street, off Piccadilly in London.
3. Audrey Evelyn James (1902-68), daughter of William Dodge James, married in 1922 Captain Muir Dudley Coats MC (1897-1927) of the Scots Guards. Having been widowed she married in 1930 Marshall James Field (1893-1956), an American department-store heir, investment banker and newspaper proprietor. They divorced in 1934.
4. Prince Henry William Frederick Albert (1900-74), third son of King George V and Queen Mary, created Duke of Gloucester 1928; married in 1935 Lady Alice Christabel Montagu Douglas Scott (1901-2004), daughter of the 7th Duke of Buccleuch.
5. Prince George Edward Alexander Edmund (1902-42), fourth son of King George V and Queen Mary, created Duke of Kent 1934; married in 1934 Princess Marina of Greece and Denmark (1906-68). Although known before his marriage to have had a number of mistresses he was also believed to be bisexual, and became one of Channon’s closest friends. He was killed on active service with the RAF when his flying boat crashed into a hillside in Caithness.
6. Lady Alexandra Naldera ‘Baba’ Curzon (1904-95), Lord Curzon’s youngest daughter by his first marriage. In 1925 she married Major Edward Dudley ‘Fruity’ Metcalfe (1887-1957), confidant and equerry of the future King Edward VIII, but conducted a number of affairs with men in high society, notably Lord Halifax, between the wars. Because of her flirtations with various fascists in the 1930s her nickname morphed into ‘Baba Blackshirt’.
7. Paul Samuel Whiteman (1890-1967) was one of America’s most famous band leaders.
8. Residence of Queen Alexandra in her widowhood.
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lboogie1906 · 2 years
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James Reese Europe (February 22, 1881 – May 9, 1919), known as Jim Europe, was an American ragtime and early jazz bandleader, arranger, and composer. He was the leading figure in the African American music scene of New York City. Eubie Blake called him the "Martin Luther King of music". He organized the Clef Club, a society for African Americans in the music industry. In 1912, the club made history when it played a concert at Carnegie Hall for the benefit of the Colored Music Settlement School. The Clef Club Orchestra, while not a jazz band, was the first band to play proto-jazz at Carnegie Hall. It is difficult to overstate the importance of that event in the history of jazz in the US – it was 12 years before the Paul Whiteman and George Gershwin concert at Aeolian Hall, and 26 years before Benny Goodman's famed concert at Carnegie Hall. The Clef Club's performances played music written solely by African American composers, including Harry T. Burleigh and Samuel Coleridge-Taylor. His orchestra included Will Marion Cook, who had not been in Carnegie Hall since his performance as a solo violinist. Cook was the first African American composer to launch full musical productions, fully scored with a cast and story every bit as classical as any Victor Herbert operetta. He was known for his outspoken personality and unwillingness to bend to musical conventions, particularly in his insistence on playing his style of music. #africanhistory365 #africanexcellence https://www.instagram.com/p/Co9sxPNL2hd/?igshid=NGJjMDIxMWI=
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