#Paul Whiteman Orchestra

[cinnamoncee]

1958

[jazzdailyblog]

James Reese Europe: Pioneering Bandleader and Musical Trailblazer

Introduction: James Reese Europe was a pivotal figure in the history of American music, a bandleader, composer, and arranger who helped shape the sound of the early 20th century. Born one hundred and forty-three years ago on February 22, 1881, in Mobile, Alabama, Europe rose to prominence during the ragtime era and became one of the most influential African American musicians of his time. His…

[ulrichgebert]

Die jungen Leute stellen -völlig unerwartet- eine Show auf die Beine, diesmal eine besonders melodramatischen mit Kostümen, wie die Altvorderen sie in den fröhlichen Neunzigern trugen. “Mein Held” sagt Judy hier zu Mickey, während der Schurke am Boden liegt. Selbstredend dient dieses einem guten Zweck, nämlich Mickeys gutem, ehrlichen, amerikanischen Tanzorchester Fahrkarten nach Chicago zu finanzieren, wo ein Wettbewerb für den guten, ehrlichen, amerikanischen Tanzorchesternachwuchs stattfindet, der es ihnen ermöglichen  wird, gute, ehrliche, amerikanische Berufsmusiker zu werden, denn als Musiker kann man die Menschen ebenso gut heilen, wie als Doktor (wie es sich die gute, ehrliche, amerikanische Mutter eigentlich gewünscht hätte. Aber natürlich ist sie sehr stolz.)

[folkdances]

hello everyone! it's been long enough that we can do round two of good videos from me to you, where i list good youtube videos i've watched recently ^_^ there's essays and music and funnies and more beisdes, and the blue ones are ones i especially enjoyed. feel free to drop any recs in my comments and i hope you find something fun!

how feminism turns into fasc*sm

This Broadcast Gave Viewers Clinical PTSD

Our Houses of Lies

that time To Catch A Predator kinda killed a guy.

What is FASCISM?

The Myth of the Great Male Genius Needs to Die.

How to Perform an Exorcism

2021 '시카고' 프레스콜 We Both Reached For the Gun 민경아 최재림

Birds Do Not Sing in Caves

RASPUTIN: The Devil in the Palace

LOLITA: The Worst Masterpiece

Why Lolita is Impossible to Adapt into Film

Cycles of Violence in Sharp Objects

Frankenstein's Lobotomized Mistress: Dissecting the Poor Things Discourse

Why American Psycho is More Relevant Than Ever (And Why Women Love It)

The Mysterious Death No One Can Solve

A Deep Dive into the Horror-filled Production of The Wizard of Oz (1939)

The Scandalous Films of Pre-Code Hollywood

What Happened at Roopkund Lake?

"The Most Mysterious Finds Science Cant Explain"

Unmasking a Killer Serial Arsonist

The Hike That Killed Five Schoolboys

YouTube’s Oldest Horrors

The Story of Seahenge

The Island of WITCHES

The Unending Violence of Vincent van Gogh

Was Merlin a Real Person?

The Philosophy of Robin Hood

bumpin that

Song of Storms on an old-ass organ.

James Baldwin — I'm writing for people, baby (Meeting the man)

Rebuilt Antler Flute

There Are Mountains in the Clouds

phil ochs - the highwayman

EDGAR ALLAN POE: The Most Mysterious Death

Is the Myth of the Genius Director finally dying?

Why Are AI Generated Videos So Terrifying?

Shira Utagai - so faint reflection of you

It really is that damn phone

crime & punishment (animation)

What is Gothic? The Historical and Philosophical Origins of Goth and Gothic Horror

GUESS | animation meme

Going Out of Bounds in Google Street View

phoenix's OBJECTION but gently... (ft. edgeworth's "*hoho*")

Thelonious Monk - Live In Paris 1967

Great, now none of us can watch TV

GENGHIS KHAN: The Peasant Who Conquered the World

Cannibalism & Witchcraft: The True Story of "Hansel and Gretel"

Nero: The Monster of Rome

Sweet Sue - Paul Whiteman and His Orchestra - 1928 

Wikipedia's King who Doesn't Exist

Advice for time traveling to medieval Europe (+ qna)

MACHIAVELLI: Be the Wolf Among Sheep

The Search For D. B. Cooper

[newyorkthegoldenage]

Reginald Marsh, Cabaret, 1938. Tempera and pencil on gessoed panel.

The painting’s subject, Casa Mañana, was a nightclub at 50th Street and Seventh Avenue, equidistant between Times Square and Carnegie Hall in the center of the theater district. In 1938, the Club was owned and operated by the flamboyant entertainment impresario Billy Rose. Fortune magazine commissioned Reginald Marsh to paint a picture of the interior during a performance for a full-page illustration in its planned article, “Put Their Name in Lights,” an examination of the very substantial business of the William Morris Agency, the “oldest theatrical agent in the U.S.” The article ran in Fortune’s September 1938 issue. …

Fortune accompanied the illustration in its September 1938 issue with a text explaining that vaudeville, “with its old-time acts has almost vanished. But variety as an entertainment form lives and thrives in theatre restaurants like Billy Rose’s Casa Mañana … The roster of artists who passed through Casa Mañana in its brief year-and-a-half run (it closed in May 1939) illustrates Rose’s ability to present the talent that the people wanted to see: Helen Morgan, Abbot & Costello, the Three Stooges, Jimmy Durante, Bert Wheeler, Betty Hutton, Louis Armstrong, and Millie Picon among many others with orchestras led, at various times, by Vincent Lopez, Louis Prima, and Paul Whiteman. …

In classic Marsh fashion, the artist focuses his attention on a few figures of special interest. In the left foreground, a waitress leans over in conversation with a male patron. Behind her, a waiter makes his way through the crowd, holding aloft with one uplifted arm a tray with food and drink balanced high over his head, an acrobatic feat as much a part of the nightclub show as the activity on the stage. Two women and a man share a table near the stage, all watching the show intently. A bottle in an ice bucket sits adjacent to the table, the economic engine that made this whole scene a working business model. The patrons are dressed neatly in street clothing, the ladies with everyday hats. They are decent but there is no show of finery. While Billy Rose was famous for glamorous showgirls and as much bare skin as the law would allow, he also had an enduring fondness for vaudeville-style family entertainment. The two performers on the stage appear to be some version of acrobatic dancers, the excitement in their performance the result of breathtaking agility and grace with nothing to arouse either the libidos of the audience or the attention of the licensing authorities.

Photo & text: Hirschl & Adler Galleries

[the1920sinpictures]

1930 Paul Whiteman and His Orchestra in the movie “King of Jazz”. Hella set there!

[hiro-doodlez]

Watch this

Stage 1 - Beaten frowns Stage Stage 1 - Beaten frowns after

Here we experience the first sigs of memory loss. This stage is most like a beautiful daydream. The glory of old age and recollection. The last of the great days.

TRACKLIST & SAMPLES:

A1 - It's just a burning memory | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

A2 - We don't have many days | Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone

A3 - Late afternoon drifting | It All Depends On You - John Turner Layton Jr. and Clarence Johnstone

A4 - Childishly fresh eyes | Moonlight and Shadows - Russell Morgan and His Orchestra

A5 - Slightly bewildered | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone .. The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone

A6 - Things that are beautiful and transient | The Waltz You Saved For Me - Harold Wayne King and His Orchestra

B1 - All that follows is true | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

B2 - An autumnal equinox | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone

B3 - Quiet internal rebellions | Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra

B4 - The loves of my entire life | Willow Weep For Me - John Turner Layton Jr. and Clarence Johnstone

B5 - Into each other's eyes | Smoke From A Chimney - Samuel Gabriel Costa . Maurice Winnick and His Orchestra

B6 - My heart will stop in joy | Room With A View - Mert Curtis . Russel Morgan and His Orchestra

Stage 2 - Pittor Pickgrown in Khatheinstersper

The second stage is the self realisation and awareness that something is wrong with a refusal to accept that. More effort is made to remember so memories can be more long form with a little more deterioration in quality. The overall personal mood is generally lower than the first stage and it a point before confusion starts setting in.

TRACKLIST & SAMPLES:

C1 - A losing battle is raging | Love's Old Sweet Song - Chester Gaylord

C2 - Misplaced in time | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra

C3 - What does it matter how my heart breaks | Heartaches - Seger Pillot Ellis

C4 - Glimpses of hope in these trying times | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra

C5 - Surrendering to despair | Sweet and Low - Chester Gaylord

D1 - I still feel as though I am me | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

D2 - Quiet dusk coming early | To Be Forgotten - David Rubinoff

D3 - Last moments of pure recall | Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra

D4 - Denial unravelling | Phillips Dewey . Paul Samuel Whiteman and His Orchestra

D5 - The way ahead feels lonely | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra

Stage 3 - Hag

Here we are presented with some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away. Finest moments have been remembered, the musical flow in places is more confused and tangled. As we progress some singular memories become more disturbed, isolated, broken and distant. These are the last embers of awareness before we enter the post awareness stages.

TRACKLIST & SAMPLES:

E1 - Back there Benjamin | Goodnight, My Beautiful - Russell Morgan and His Orchestra

E2 - And heart breaks | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

E3 - Hidden sea buried deep | Birth Of The Blues - John Turner Layton Jr. and Clarence Johnstone .. Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.

E4 - Libet's all joyful camaraderie | Goodnight, My Beautiful - Russell Morgan and His Orchestra

E5 - To the minimal great hidden | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone

E6 - Sublime beyond loss | Stardust - Charlie Spivak and His Orchestra

E7 - Bewildered in other eyes | The Prettiest Little Song Of All - Albert Benzler

E8 - Long term dusk glimpses | Exactly Like You - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra

F1 - Gradations at arm's length | [Sample unknown]

F2 - Drifting time misplaced | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone

F3 - Internal bewildered World | Il Trovatore - Ferruccio Giannini

F4 - Burning despair does ache | Heartaches - Seger Pillot Ellis

F5 - Aching cavern without lucidity | Heartaches - Seger Pillot Ellis

F6 - An empty bliss beyond this World | The Wedding Of The Painted Doll - Victor Salon Orchestra

F7 - Libet delay - Goodnight, My Beautiful - Russell Morgan and His Orchestra

F8 - Mournful cameraderie | Heartaches - Seger Pillot Ellis

Stage 4 - Glitsholder

Post-Awareness Stage 4 is where serenity and the ability to recall singular memories gives way to confusions and horror. It's the beginning of an eventual process where all memories begin to become more fluid through entanglements, repetition and rupture.

SECTIONS & SAMPLES:

G1 - Post Awareness Confusions

Section A: [Sample unknown] | Grand Canyon Suite: Sunset - Paul Samuel Whiteman and His Orchestra | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra

---

Section B: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Heartaches - Seger Pillot Ellis | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians

---

Section C: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra

---

Section D: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Belle Of the East - Albert Benzler

---

Section E: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | To You - Mert Curtis . Russell Morgan and His Orchestra | [Sample unknown]

..............

H1 - Post Awareness Confusions:

Section A: Goodnight, My Beautiful - Russell Morgan and His Orchestra

---

Section B: Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Any Time, Anywhere - John Turner Layton Jr. and Clarence Johnstone

---

Section C: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

---

Section D: [Sample unknown] | The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | Winterreise No. 20: Der Wegweiser - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

---

Section E: Gradana - Mantovani and His Orchestra

---

Section F: Piano Medley of Layton and Johnstone Successes: Intro - My Blue Heaven - John Turner Layton Jr.

..............

I1 - Temporary Bliss State:

Section A: The Prettiest Little Song Of All - Albert Benzler

---

Section B: The Prettiest Little Song Of All - Albert Benzler

..............

J1 - Post Awareness Confusions:

Section A: [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | To You - Mert Curtis . Russell Morgan and His Orchestra | In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown]

---

Section B-a: Into My Heart - Harold Rodman Lambert . Roger Wolff Kahn and His Orchestra | Grand Canyon Suite: Painted Desert | Paul Samuel Whiteman and His Orchestra

---

Section B-b: Say It Isn't So - John Turner Layton Jr. and Clarence Johnstone

---

Section C: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Paddlin' Madelin' Home - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

---

Section D: Ancient Court Whisperings - Albert Benzler | The Japanese Sandman - Paul Samuel Whiteman and His Ambassador Orchestra

Stage 5 - Eptitranxisticemestionscers Desending

Post-Awareness Stage 5 confusions and horror. More extreme entanglements, repetition and rupture can give way to calmer moments. The unfamiliar may sound and feel familiar. Time is often spent only in the moment leading to isolation.

SECTIONS & SAMPLES:

K1 - Advanced Plaque Entanglements:

Section A-a: [Sample unknown] | Black And White Rag - Albert Benzler | The Mocking Bird - Harry Taft | Black And White Rag - Albert Benzler | [Sample unknown]

---

Section A-b: Laura - Charlie Spivak and His Orchestra

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Section B: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

---

Section C1-a: Was It A Dream? - Richard Ewing Powell

---

Section C1-b: Melody: Prière à Notre-Dame

---

Section C2-a: I'm Following You - Lawrence Gray

---

Section C2-b: Melody: Prière à Notre-Dame

---

Section D: [Sample unknown] | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown]

---

Section E: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra

---

Section F-a: Ancient Court Whisperings - Albert Benzler | Black And White Rag - Albert Benzler | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]

---

Section F-b: [Sample unknown] | Belle Of The East - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | The Prettiest Little Song Of All - Albert Benzler

---

Section G: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Garden Of Weed - Louis Stone and His Band

---

Section H: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown] | [Sample unknown]

---

Section I-a: [Sample unknown] | Garden Of Weed - Louis Stone and His Band | Il Trovatore - Ferruccio Giannini | The Prettiest Little Song Of All - Albert Benzler | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

---

Section I-b: In The Mission By The Sea - Maurice Winnick and His Orchestra | [Sample unknown] | [Sample unknown] | Room With A View - Mert Curtis . Russel Morgan and His Orchestra | [Sample unknown]

---

Section I-c: Granada - Mantovani & His Orchestra

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Section I-d: Water Lilies In The Moonlight - Hughie Diamond . Maurice Winnick and His Orchestra

---

Section J: Grand Fantasia - Paul Samuel Whiteman and His Orchestra | [Sample unknown] | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

---

Section K: Invincible Eagle March - James Fitzgerald | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone

L1 - Advanced plaque entanglements

Section A: Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | [Sample unknown] | Il Trovatore - Ferruccio Giannini | Belle Of The East - Albert Benzler

---

Section B1: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

---

Section B2: Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Heartaches - Seger Pillot Ellis

---

Section C: The Prettiest Little Song Of All - Albert Benzler | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians | [Sample unknown]

---

Section D-a: Black And White Rag - Albert Benzler

---

Section D-b: [Sample unknown] | [Sample unknown]

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Section D-c: Garden Of Weed - Louis Stone

---

Section D-d: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]

---

Section D-e: The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section E: Il Trovatore - Ferruccio Giannini | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra

---

Section F: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Reckless Night On Board An Ocean Liner - Sydney John Lipton and His Grosvenor House Orchestra | [Sample unknown] | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

---

Section G: [Sample unknown] | [Sample unknown] | [Sample unknown]

---

Section H: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown]

---

Section I1: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | [Sample unknown]

---

Section J: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | [Sample unknown] | [Sample unknown]

---

Section K: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra

---

Section I2: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | The Prettiest Little Song Of All - Albert Benzler | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra

---

Section L: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Grand Fantasia - Paul Samuel Whiteman and His Orchestra | In A Little Second Hand Store - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown]

M1 - Synapse retrogenesis:

Section A1:

Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | Il Trovatore - Ferruccio Giannini | Heartaches - Seger Pillot Ellis | Heartaches - Seger Pillot Ellis | Meditation From "Thais" - Jesse Crawford

---

Section B1: Black And White Rag - Albert Benzler | [Sample unknown] | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

---

Section C-a: Heartaches - Seger Pillot Ellis | Ancient Court Whisperings - Albert Benzler | Lullaby Of The Leaves - George Edward Olsen Sr. and His Orchestra | Heartaches - Albert Allick Bowlly . Isador Simon Phillips and His Melodians | Heartaches - Seger Pillot Ellis | Goodnight, My Beautiful - Russell Morgan and His Orchestra

---

Section C-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | [Sample unknown] | Gradana - Mantovani and His Orchestra

---

Section C-c: [Sample unknown] | Don't Put The Blame On Me - John Turner Layton Jr. and Clarence Johnstone | Belle Of The East - Albert Benzler | [Sample unknown] | Heartaches - Gaetano Alberto Lombardo and His Royal Canadians

---

Section A2: London Town (You Haunt Me) - Stanley Augustus Holloway | Heartaches - Seger Pillot Ellis | There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra | Il Trovatore - Ferruccio Giannini | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

---

Section B2: Black And White Rag - Albert Benzler | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller

N1 - Sudden time regression into isolation

Section A1: [Sample unknown] | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Stardust - Charlie Spivak and His Orchestra | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway

---

Section B1: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

---

Section B2: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Winterreise No. 05: Der Lindenbaum - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | [Sample unknown] | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra

---

Section B3: Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown]

---

Section C: Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr.

---

Section A2: Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown] | Stardust - Charlie Spivak and His Orchestra

---

Section A3: [Sample unknown] | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | Medley: It Looks Like Rain In Cherry Blossom Lane - Ronnie O'Dell . Maurice Winnick and His Orchestra | Memory Street - Elsa Macfarlane and Stanley Augustus Holloway

---

Section B4 (Hell Sirens 4): Goodnight, My Beautiful - Russell Morgan and His Orchestra | Melody: Bist du denn Gottes Sohn? - Guildford Cathedral Choir | [Sample unknown] | Granada - Mantovani and His Orchestra

---

Section D: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | [Sample unknown]

---

Section E1 (Last Of The Bliss): Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Piano Medley Of Layton & Johnstone Successes (Ramona / My Ohio Home) - John Turner Layton Jr. | Lullaby Of The Leaves - John Turner Layton Jr. and Clarence Johnstone | Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

---

Section E2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

Stage 6 - Necrotonomigaud

Stage 6 is without description.

SECTIONS & SAMPLES:

O1 - A confusion so thick you forget forgetting:

Section A: The Waltz You Saved For Me - Harold Wayne King and His Orchestra | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Il Trovatore - Ferruccio Giannini | [Sample unknown]

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Section B: The Wedding Of The Painted Doll - John Turner Layton, Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra

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Section C: Heartaches - Seger Pillot Ellis | interresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | Meditation From "Thais" - Jesse Crawford

..............

P1 - A brutal bliss beyond this empty defeat:

Section A1: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir

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Section B-a: Memory Street - Elsa Macfarlane and Stanley Augustus Holloway | [Sample unknown]

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Section B-b: Goodnight, My Beautiful - Russell Morgan and His Orchestra | [Sample unknown] | [Sample unknown]

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Section B-c: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra

---

Section B-d: [Sample unknown] | Alabamy Bound - John Turner Layton Jr. and Clarence Johnstone | Goodnight, My Beautiful - Russell Morgan and His Orchestra | Russian Rose - Samuel Browne . Joshua Alexander Loss and His Orchestra | Granada - Mantovani and His Orchestra

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Section A2: Hello Tucky - John Turner Layton Jr. and Clarence Johnstone | Melody: Und führe uns nicht in Versuchung - Guildford Cathedral Choir | The Last Rose Of Summer - Jesse Crawford

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Section C: Winterresie No. 06: Wasserflut - Gerhard Heinrich Wilhelm Fritz Hüsch and Hanns Udo Müller | London Town (You Haunt Me) - Stanley Augustus Holloway | Melody: The Haunted Ballroom

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Section D: There's Too Many Eyes That Wanna Make Eyes At Two Pretty Eyes I Love - Arthur Jarrett . Wilfred Theodore Wemyes and His Orchestra

..............

Q1 - Long decline is over:

Section A-a: Il Trovatore - Ferruccio Giannini | Weary River - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

..............

R1 - Place in the World fades away

Section A-a: Il Trovatore - Ferruccio Giannini | Weary River - John Turner Layton Jr. and Clarence Johnstone | [Sample unknown] | The Wedding Of The Painted Doll - John Turner Layton Jr. and Clarence Johnstone | Grand Canyon Suite: Sunrise - Paul Samuel Whiteman and His Orchestra

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Section A-b: Weary River - John Turner Layton Jr. and Clarence Johnstone

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Section B: [Sample unknown] | Il Trovatore - Ferruccio Giannini

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Section C (Last 5 minutes): Melody: Laßt mich ihn nur noch einmal küssen - Guildford Cathedral Choir

---

Section D: [No sample]

[dreaminginthedeepsouth]

Rhapsody in Blue · Gary Graffman · New York Philharmonic Orchestra George Gershwin · Zubin Mehta Manhattan: Original Motion Picture Soundtrack ℗ 1979 Sony Music Entertainment Released on: 1987-02-03

+

Song of the Day - “Rhapsody In Blue”

Today is the 100th anniversary of the premiere of George Gershwin’s masterpiece “Rhapsody In Blue” - February 12th, 1924.

This much-anticipated concert, on a snowy afternoon at Aeolian Hall inn Manhattan, was called "An Experiment in Modern Music”. It was performed by Gershwin himself on the piano, backed up by Paul Whiteman and His Orchestra.

This exquisite piece, the quintessential blending of classical music and Jazz, was a perfect reflection of New York City, and really of America, being, as Gershwin put it, "a musical kaleidoscope of America, of our vast melting pot, our unduplicated national pep, our blues, our metropolitan madness.”

For me, it never gets old... and while this original version is obviously special, my favorite version of it is Zubin Mehta and the New York Philharmonic with Gary Graffman on the piano recorded for the soundtrack of Woody Allen's “Manhattan”… perfection….

[Mary Elaine LeBey]

[hezigler]

Mary - Paul Whiteman & His Orchestra (Bix Beiderbecke & Bing Crosby)

[vintage-every-day]

Released January 23, 1933. Featuring Walter Winchell, Joan Castle, Paul Whiteman Orchestra, Irene Taylor, Jack Fulton, Rhythm Boys, Harry (Goldie) Goldfield, Ruth Etting, Arthur Tracy, Art Jarrett, Sidney Easton.

[citizenscreen]

#OnThisDay in 1928, “The Dodge Victory Hour,” one of radio's first variety shows, debuted on NBC. The show starred Will Rogers, Paul Whiteman and his orchestra, Fred Stone and Al Jolson.

[polmin]

Re: https://www.tumblr.com/polmin/766061764777558016/art-trade-with-hikari-cchi-vox-and-a-very-drunk

A drunk Alastor song: “Aquackanack” by Raymond Scott !

(See also, “How’dga like to love me” Bea Wain, “where there’s you there’s me” Cicely Courtneidge, and (plastered) “Ah-ha!” Paul Whiteman and orchestra. “I’ve grown accustomed to his face” Kay Star)

Nice! I like it 🫶

[lboogie1906]

James Reese Europe (February 22, 1881 – May 9, 1919), known as Jim Europe, was an American ragtime and early jazz bandleader, arranger, and composer. He was the leading figure in the African American music scene of New York City. Eubie Blake called him the "Martin Luther King of music". He organized the Clef Club, a society for African Americans in the music industry. In 1912, the club made history when it played a concert at Carnegie Hall for the benefit of the Colored Music Settlement School. The Clef Club Orchestra, while not a jazz band, was the first band to play proto-jazz at Carnegie Hall. It is difficult to overstate the importance of that event in the history of jazz in the US – it was 12 years before the Paul Whiteman and George Gershwin concert at Aeolian Hall, and 26 years before Benny Goodman's famed concert at Carnegie Hall. The Clef Club's performances played music written solely by African American composers, including Harry T. Burleigh and Samuel Coleridge-Taylor. His orchestra included Will Marion Cook, who had not been in Carnegie Hall since his performance as a solo violinist. Cook was the first African American composer to launch full musical productions, fully scored with a cast and story every bit as classical as any Victor Herbert operetta. He was known for his outspoken personality and unwillingness to bend to musical conventions, particularly in his insistence on playing his style of music. #africanhistory365 #africanexcellence https://www.instagram.com/p/Co9sxPNL2hd/?igshid=NGJjMDIxMWI=

[jrpneblog]

Another draw but more improvement for North End

Another draw for North End this time against high flying West Browich Albion at Deepdale. The 1-1 scoreline was probably the right result but there was some improvement in the North End performance than of late particularly in the second half. A goal down in under a quarter of an hour saw the atmosphere deteriorate at an already quiet Deepdale but a hugely improved sceond half performance saw North End cheered off and hopes of a rivival heightened with the second forty five minutes. Riis equalised for North End with a fierce shot ten minutes into the second half as we got on a roll but couldn`t find a winner against a side playing attractive football but looking vulnerable at the back.

There were four changes to the North End side that started at Stoke on Tuesday evening with Cornell, McCann, Bowler and Riis coming in for Woodman, Holmes, Potts and Osmajic. The visitors started the better and looked bright in the early stages. Grant had a chance saved by Cornell but after thirteen minutes the visitors took the lead when Grant was put through in the inside right position and he chipped Cornell to give the Baggies the lead. At the other end Bowler had a shot saved but ten minutes from the break he should have squared things up for North End only for Holgate to clear off the line and spare West Brom`s blushes. North End could probably feel that they should have gone in level but I thought the visitors were slightly the better side in the first half.

One crucial change for North End after the break saw the North End Captain, Ben Whiteman, replaced by Will Keane leaving Thordarson to move into the role infront of the back four and dictate the play much more than in the first half. Ten minutes into the second period North End were level when Riis got the ball with his back to goal in the inside left position and his turn and fierce strike went inside Palmer`s left hand post to make it 1-1. North End were on top at this point and Storey had a header really well saved by Palmer while at the other end McCann made a goal saving tackle after a quick free kick from West Brom. North End had a Greenwood free kick well saved late on and right at the death McCann blazed over when a little more composure might have seen North End take all three points.

So North End had to make do with another draw against one of the better sides in the league but the winless run continues and we are still too close to the relegation zone for comfort. Clearly North End were better in the second half with Thordarson much more in tune with the music as he conducted the Orchestra in probably his best game in a White shirt. Dai Cornell looked solid enough in goal and I think the Welshman did enough on the day to retain the shirt at Hillsborough next Saturday lunchtime. There is still much work to do for Hecky and North End but very slowly we are seeing what Paul Heckingbottom wants for his charges and I think we are just on the points of starting to get there.

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PRESTON 1-1 WEST BROMWICH ALBION

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CORNELL 7

STOREY 6 WHATMOUGH 7 HUGHES 6 KESLER-HAYDEN 7

WHITEMAN 6

GREENWOOD 7 THORDARSON 8 McCANN 8 BOWLER 7

RIIS 7

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SUBS

OSMAJIC 6

KEANE 7

HOLMES 6

POTTS 7

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MOTM: Ali McCann

Attendance 16,124

Preston Fans 13,192 (81.82%).

[sheetmusiclibrarypdf]

Ain't Misbehavin' (1929 Jazz Standard)

Ain't Misbehavin' (1929 Jazz Standard)Best Sheet Music download from our Library.Please, subscribe to our Library. Thank you!Recommended versionsVersions in the top chartsJazz oustanding performancesLaden Sie die besten Noten aus unserer Bibliothek herunter.Browse in the Library:

Ain't Misbehavin' (1929 Jazz Standard)

"Ain't Misbehavin'" is a 1929 stride jazz/early swing song. Andy Razaf wrote the lyrics to a score by Thomas "Fats" Waller and Harry Brooks for the Broadway musical comedy play Connie's Hot Chocolates. As a work from 1929 with its copyright renewed, it will enter the American public domain on January 1, 2025. Although Ain't Misbehavin is a standard composed by Fats Waller and Harry Brooks, it was Louis Armstrong who turned it into a universal classic with the premiere of "Keep Shufflin'", a musical composed by Fat Waller himself and which would end up establishing Armstrong and his “Hot Five” / “Hot Seven” as one of the most important artists of his time.

The song was first performed at the premiere of Connie's Hot Chocolates in Harlem at Connie's Inn as an opening song by Paul Bass and Margaret Simms, and repeated later in the musical by Russell Wooding's Hallelujah Singers. Connie's Hot Chocolates was transferred to the Hudson Theatre on Broadway during June 1929, where it was renamed to Hot Chocolates and where Louis Armstrong became the orchestra director. The script also required Armstrong to play "Ain't Misbehavin'" in a trumpet solo, and although this was initially slated only to be a reprise of the opening song, Armstrong's performance was so well received that the trumpeter was asked to climb out of the orchestra pit and play the piece on stage. As noted by Thomas Brothers in his book Louis Armstrong: Master of Modernism, Armstrong was first taught "Ain't Misbehavin'" by Waller himself, "wood shedding" it until he could "play all around it"; he cherished it "because it was 'one of those songs you could cut loose and swing with.'"

After the good reviews received at the premiere of the musical (in which curiously he did not even appear on stage, but instead played in the pit intended for the musicians), Armstrong decided to take the song to the studio a year later, introducing by course his own personal imprint. The success was dazzling, but curiously, although more than 20 different versions of the same song were recorded, a year later it had fallen into oblivion. It was not until the mid-1930s when the song was recovered again, through Duke Ellington, in a curious revival that was joined by versions by Jack Teagarden, Django Reinhardt, Paul Whiteman and Jelly Roll Morton, who performed it in the Library of Congress. But although the song survived the swing and Big Band era, the composition was too classic to sound “new” once the Second World War ended, so even though Dizzy Gillespie recorded his own version in 1952, it did not become a success again until 1978, when Hank Jones premiered on Broadway a Tony-winning musical based on the golden age of jazz and titled “Ain't Misbehavin.” Today the song is not part of the majority of modern jazz repertoires, but nevertheless, it remains a composition that must be studied in schools, especially for those interested in mastering the Harlem stride style in which Art Tatum was a master and his version of this song, a true marvel.

Recommended versions

- Louis Armstrong (July 1929) https://www.youtube.com/watch?v=ljuo5fkW-fs - Fats Waller (1929) - Duke Ellington (1933) https://www.youtube.com/watch?v=nkIGvl9hlGA - Paul Whiteman (1935) https://www.youtube.com/watch?v=8oOt4waqNdE - Django Reinhardt (1937) https://www.youtube.com/watch?v=JGmAkFWD3PA - Jelly Roll Morton (1938) https://www.youtube.com/watch?v=KmiII03it-E - Art Tatum (1944) https://www.youtube.com/watch?v=vzceNyfM6mg - Sarah Vaughan-Miles Davis (1950) https://www.youtube.com/watch?v=YhVhYGEuB4Y - Johnny Harman (1955) https://www.youtube.com/watch?v=S7uZipRrmPo - Hank Jones (1978) https://www.youtube.com/watch?v=du1UY7fwGjw - Dick Wellstood (1985) https://www.youtube.com/watch?v=dGEzTBI3Cqg Versions in the top charts Performers Recording Date Entr. DateWeeks inReached position Louis Armstrong Orchestra1929.06.191929.09.2847Louis Armstrong (voc)Leo Reisman Orchestra1929.07.091929.08.3172 (one week)Lew Conrad (voc)Gene Austin1929.07.301929.09.2839Gene Austin (voc), Fats Waller (p)Fats Waller1929.08.021929.11.09117InstrumentalRuth Etting1929.08.201929.10.19116Ruth Etting (voc)Irving Mills Hotsy Topsy Gang1929.09.041929.10.2638Bill 'Bojangles' Robinson (voc, tap)Teddy Wilson Quartet1937.08.291937.10.2336InstrumentalDinah Washington1947.11.131948.03.2016Dinah Washington (voc), Rudy Martin Trio Rhythm & Blues charts

Jazz oustanding performances

  Instrumental PerformersRecording date  Assembled Personnel  Fats Waller1929.08.02Fats Waller (p)Teddy Weatherford1937.07.20Teddy Weatherford (p)Teddy Wilson Quartet1937.08.29Harry James (tp), Teddy Wilson (p), Red Norvo (xil), John Simmons (b)Bobby Hackett Orchestra1939.04.13Bobby Hackett (cnt), Sterling Bose, Jack Thompson (tp), Brad Gowans (vtb), George Troup (tb), Pee Wee Russell (cl), Louis Colombo (as), Bernie Billings (ts), Sid Jacob (bars), Dave Bowman (p), Eddie Condon (g), Ernie Caceres (b), Don Carter (d)Art Tatum1953.12.29Art Tatum (p)Ray Brown1960.08.31Ray Brown (vc), Don Fagerquist (tp), Harry Betts (tb), John Cave (tpa), Med Flory (as), Bob Cooper (ts), Bill Hood (bars), Paul Horn (fl), Jimmy Rowles (p), Joe Mondragon (b), Dick Shanahan (d), Russ Garcia (dir)Ralph Sutton Trio1969.02.11Ralph Sutton (p), Al Hall (b), Cliff Leeman (d)Count Basie Orchestra1969.10.20Count Basie (p, dir), Oscar Blashear, Waymon Reed, Gene Goe, Sonny Cohn (tp), Grover Mitchell, Mel Wanzo, Bill Hughes (tb), Marshall Royal, Bobby Plater (as), Eric Dixon (ts, fl), Eddie 'Lockjaw' Davis (ts), Charlie Fowlkes (bars), Freddie Green (g), Norman Keenan (b), Harold Jones (d)Howard Alden & George Van Eps1991.??.??Howard Alden (g), George Van Eps (g)Joe Pass1993.02.04Joe Pass (g), Tom Ranier (p), John Pisano (g), Jim Hughart (b), Colin Bailey (d)McCoy Tyner2000.06.14McCoy Tyner (p)Keith Jarrett Trio2001.07.22Keith Jarrett (p), Gary Peacock (b), Jack DeJohnette (d)   Vocal PerformersRecording date Assembled PersonnelLouis Armstrong Orchestra1929.07.19Louis Armstrong (tp, voc), Homer Hobson (tp), Fred Robinson (tb), Jimmy Strong (cl, ts), Bert Curry, Crawford Wethington (as), Carroll Dickerson (vn), Gene Anderson (p, cel), Mancy Carr (bjo), Pete Briggs (tu), Zutty Singleton (d)Irving Mills Hotsy Totsy Gang1929.09.13Arthur Whetsel, Cootie Williams (tp), Joe Nanton (tb), Barney Bigard (cl, ts), Johnny Hodges (as, ss, cl), Duke Ellington (p), Fred Guy (bjo), Wellman Braud (b), Sonny Greer (d), Bill 'Bojangles' Robinson (voc, tap)Fats Waller & His Rhythm1943.01.23Fats Waller (p, voc), Benny Carter (tp), Alton Moore (tb), Gene Porter (cl, as), Irving Ashby (g), Slam Stewart (b), Zutty Singleton (d)Louis Armstrong All Stars1947.05.17Louis Armstrong (tp, voc), Bobby Hackett (cnt), Jack Teagarden (tb), Peanuts Hucko (cl), Dick Cary (p), Bob Haggart (b), Sid Catlett (d) In Town Hall (New York) Dinah Washington1947.11.13Dinah Washington (voc), Rudy Martin TrioSarah Vaughan1950.05.18Sarah Vaughan (voc), George Treadwell (dir), Miles Davis (tp), Bennie Green (tb), Budd Johnson (ts), Tony Scott (cl), Jimmy Jones (p), Freddie Green (g), Billy Taylor Jr. (b), J.C. Heard (d)Billie Holiday1955.02.14Billie Holiday (voc), Tony Scott (cl, dir), Charlie Shavers (tp), Budd Johnson (ts), Billy Taylor (p), Billy Bauer (g), Leonard Gaskin (b), Cozy Cole (d)Maxine Sullivan All Stars1956.08.30Maxine Sullivan (voc), Charlie Shavers (tp), Jerome Richardson (as), Buster Bailey (cl), Dick Hyman (p), Milt Hinton or Wendell Marshall (b), Osie Johnson (d)Joe Williams1958.10.16Joe Williams (voc), Count Basie (p, org), Freddie Green (g), George Duvivier (b)Dave Brubeck Quartet1960.08.04Paul Desmond (as), Dave Brubeck (p), Gene Wright (b), Joe Morello (d), Jimmy Rushing (voc)Tony Bennett1964.03.26Tony Bennett (voc), Ralph Sharon (p, dir), Hal Gaylord (b), William Exiner (d)Wllie 'The Lion' Smith1966.11.08Willie 'The Lion' Smith (p, voc) Read the full article

[hezigler]

"Changes" : Paul Whiteman orchestra with Bing Crosby & the Rythm Boys, Bix Beiderbecke's cornet solo.

1927 Victor Victrola Portable Phonograph Model VV-2-60