#Paul Crauchet

[cinematicjourney]

Army of Shadows (1969) | dir. Jean-Pierre Melville

[coffeeandcinema]

Les Granges brûlées (1973). dir. Jean Chapot

[genevieveetguy]

Le passager du Tassili, Sarah Maldoror (1987)

[onenakedfarmer]

Currently Watching

THE BURNED BARNS [Les granges brûlées] Jean Chapot France, 1973

[ludmilachaibemachado]

Stills from the 1969 French movie "La Piscine", starring Alain Delon, Romy Schneider, Jane Birkin, Maurice Ronet and Paul Crauchet🌷

Via @60sgoodtimes on Instagram🌷

[alexlacquemanne]

Février MMXXIV

Films

Maigret voit rouge (1963) de Gilles Grangier avec Jean Gabin, Michel Constantin, Vittorio Sanipoli, Paul Frankeur, Guy Decomble, Françoise Fabian, Paulette Dubost, Laurence Badie, Roland Armontel et Jacques Dynam

L’Étau (Topaz) (1969) d'Alfred Hitchcock avec Frederick Stafford, Dany Robin, Claude Jade, Michel Subor, Karin Dor, John Vernon, Michel Piccoli, Philippe Noiret et John Forsythe

Flic Story (1975) de Jacques Deray avec Alain Delon, Jean-Louis Trintignant, Renato Salvatori, Claudine Auger, Maurice Biraud, André Pousse, Mario David et Paul Crauchet

Poupoupidou (2011) de Gérald Hustache-Mathieu avec Jean-Paul Rouve, Sophie Quinton, Guillaume Gouix, Olivier Rabourdin, Joséphine de Meaux, Arsinée Khanjian, Clara Ponsot et Éric Ruf

Air Force One (1997) de Wolfgang Petersen avec Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson, Liesel Matthews, Paul Guilfoyle, William H. Macy et Dean Stockwell

Bob Marley: One Love (2024) de Reinaldo Marcus Green avec Kingsley Ben-Adir, Lashana Lynch, James Norton, Henry Douthwaite, Sevana, Hector Lewis et Tosin Cole

Sister Act (1992) d'Emile Ardolino avec Whoopi Goldberg, Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, Harvey Keitel, Bill Nunn et Robert Miranda

Astérix : Le Domaine des dieux (2014) d'Alexandre Astier et Louis Clichy avec Roger Carel, Lorànt Deutsch, Guillaume Briat, Alexandre Astier, Alain Chabat, Élie Semoun, Géraldine Nakache, Artus de Penguern, Lionnel Astier et François Morel

Race for Glory: Audi vs. Lancia (2024) de Stefano Mordini avec Riccardo Scamarcio, Daniel Brühl, Volker Bruch, Katie Clarkson-Hill, Esther Garrel, Gianmaria Martini : Hannu Mikkola et Haley Bennett

Buster (1988) de David Green avec Phil Collins, Julie Walters, Larry Lamb, Stephanie Lawrence, Ellie Beaven, Michael Attwell, Ralph Brown et Anthony Quayle

Laura (1944) d'Otto Preminger avec Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson, Dorothy Adams et Lane Chandler

Séries

Affaires sensibles

Présidentielle de 1995 : un scandale d'Etat - Michèle Mouton, le Groupe B et les Finlandais volants - Les Ecoutes de la République - La secte du temple solaire, le drame d’une société secrète - Munich 1972 : destin tragique d'un rêve olympique - Les révoltés des Jeux olympiques - Le crash de la Germanwings - Alexandre Litvinenko, victime d’un permis de tuer - Martin Luther King : la naissance d’une icône - Martin Luther King : du rêve au cauchemar - Dans l'ombre de Gérard Lebovici - Macron 2017, le traitre méthodique - Kurt Cobain, portrait d’une génération - Crash au mont Saint Odile

Maguy Saison 1

Rose et Marguerite, c'est le bouquet - Babar et Bécassine se mènent en bateau - Docteur j'abuse - L'union fait le divorce - L'annonce faite à Maguy - Le coupe-Georges - Amoral, morale et demie - Cinquante bougies, ça vous éteint ! - A visage redécouvert'' - Le serment d'hypocrite - Tu me trompes ou je me trompe ? - Comment boire sans déboires - Un veuf brouillé - Le père Noël dans ses petits souliers - L'emprunt ruse - Tous les couples sont permis - L'amant de la famille - Travail, famille, pas triste - Blague de fiançailles - Macho, boulot, dodo - Mi-flic, mi-raisin - Trop polyvalent pour être honnête - La traîtresse de maison - Les trois font la paire - Un grain peut en cacher un autre - La quittance déloyale - Belle-mère, tel fils - Manège à quatre - Comme un neveu sur la soupe - Toutou, mais pas ça ! - A corde et à cri - Jamais deux sans quatre - L'amant comme il respire - Le chômage, ça vous travaille ? - La faillite nous voilà ! - Le divin divan - Toubib or not toubib - L'écolo est fini - Loto, route du bonheur

La croisière s'amuse Saison 2

Un contrat en or - Le Magicien - Copie confuse - Un travail d'équipe - Accrochez-vous au bastingage - Le Célèbre Triangle - Joyeux Anniversaire : première partie - Il y a si longtemps déjà - Passion - Un coup de roulis - Docteur, vous êtes fou - La Petite Illusion - Donne moi ma chance - Qui vivra verra - Réunion de travail : deuxième partie - Méfiez vous de votre meilleure amie - Vague à l'âme - L'amour est aveugle - Chassé croisé

Downton Abbey Saison 6

À l'aube d'un nouveau monde - Le Piège des émotions - En pleine effervescence - Une histoire moderne - Plus de peur que de mal - En toute franchise - Aller de l'avant - Les Sœurs ennemies - Le Plus Beau des cadeaux

Kaamelott Livre IV

Le Jeu de la guerre - Le Rêve d’Ygerne - Les Chaperons - L’Habitué - Le Camp romain - L’Usurpateur - Loth et le Graal - Le Paladin - Perceval fait ritournelle - La Dame et le Lac - Beaucoup de bruit pour rien - L’Ultimatum - Le Oud II - La Répétition - Le Discours - Le Choix de Gauvain - Fluctuat nec mergitur - Le Face-à-face : première partie - Le Face-à-face : deuxième partie - L’Entente cordiale - L’Approbation - Alone in the Dark II - La Blessure d’Yvain - Corpore sano II - L’Enchanteur - Les Bien Nommés - La Prisonnière - Les Paris III - Les Plaques de dissimulation - Le Vice de forme - Le Renoncement première partie - Le Renoncement deuxième partie - L’Inspiration - Les Endettés - Double Dragon - Le Sauvetage - Le Désordre et la Nuit

Coffre à Catch

#153 : Finlay, le retour ! - #154 : Gloire aux Heels ! - #155 : Les débuts historiques de Sheamus ! - #156 : Les Bella Twins arrivent à la ECW ! - #18 ; CM Punk continue d'impressionner & quelqu'un fait du vélo ! - #12 : Le Push de CM Punk + Bsahtek le Bikini !

Castle Saison 4

Sexpionnage - Jeux de pouvoir - Une vie de chien - Le Papillon Blue - Pandore, première partie - Pandore, deuxième partie - Il était une fois un crime - Danse avec la mort - 47 secondes - Au service de sa majesté - Chasseurs de têtes - Mort vivant - Jusqu'à la mort s'il le faut

Les Brigades du Tigre Saison 1

Ce siècle avait sept ans… - Nez de chien - Les Vautours - Visite incognito - La Confrérie des loups - La Main noire

Alfred Hitchcock présente Saison 2, 6

Incident de parcours - Pièce de musée - Reconnaissance

The Grand Tour Saison 5

Trop de sable

La ville Noire

Première partie - Deuxième partie

Les Petits Meurtres d'Agatha Christie Saison 3

Mortel Karma

Spectacles

Monsieur chasse (1978) de Alain Feydeau avec Michel Roux, William Sabatier, Françoise Fleury, Yvonne Gaudeau, Pierre Mirat, Xavier Vanderberghe, Michel Mayou, Bernard Durand et Roland Oberlin

La Bagatelle (1977) de Jean Meyer avec Amarande, Patrick Préjean, Jacques Balutin, Brigitte Chamarande Bel, René Lefevre, Pierre Aufrey et Didier Roussel

Femmes en colère (2023) de Stéphane Hillel avec Lisa Martino, Gilles Kneusé, Hugo Lebreton, Nathalie Boutefeu, Fabrice de la Villehervé, Sophie Artur, Clément Koch, Magali Lange, Aude Thirion et Béatrice Michel

La Pélerine écossaise (1972) de Sacha Guitry avec Jean Piat, Geneviève Casile, Philippe Etesse, Robert Manuel, Raymond Baillet, Françoise Petit, Alain Souchères, Janine Roux et Ly Sary

Livres

Piège de chaleur de Richard Castle

Spirou et Fantasio, tome 15 : Z comme Zorglub de André Franquin, Jidéhem et Greg

Kaamelott, tome 1 : L'Armée du Nécromant d'Alexandre Astier, Benoît Bekaert et Steven Dupré

OSS 117 : Tactique Arctique de Jean Bruce

Astérix, tome 17 : Le Domaine des dieux de René Goscinny et Albert Uderzo

[byneddiedingo]

Gian Maria Volontè, Alain Delon, and Yves Montand in Le Cercle Rouge (Jean-Pierre Melville, 1970)

Cast: Alain Delon, Bourvil, Gian Maria Volontè, Yves Montand, Paul Crauchet, Paul Amiot, Pierre Collet, André Ekyan, François Périer. Screenplay: Jean-Pierre Melville. Cinematography: Henri Decaë. Production design: Théobald Meurisse. Film editing: Marie-Sophie Dubus. Music: Éric Demarsan.

Caper films are such a standard movie genre that it takes a skilled director to make it new. Jean-Pierre Melville's Le Cercle Rouge stands out from the herd of jewel heists and missions impossible because of its effortless-seeming cool. Of course, if you want effortless cool you cast Alain Delon and Yves Montand, whose pictures should accompany any dictionary definition of the word. Nobody ever wore a trenchcoat with such handsome finesse as Delon and nobody ever smoked a cigarette with such world-weary fatalism as Montand. The centerpiece of Melville's film is the extended sequence in which the trio of thieves light-finger the loot, a scene distinguished by its near-silence, so that you hear every bump and rustle (along with the gasps and chuckles of your fellow viewers) as it takes place. But Melville has given us more: A fable based on a quotation from the Buddha that Melville himself made up, to the effect that men who are fated to meet "will inevitably come together in the red circle." So Corey (Delon), released from prison, finds himself linked to Vogel (Gian Maria Volontè), who has made a daring escape from Mattei (Bourvil), the cop who arrested him and is transporting him to prison, and eventually to Jansen (Montand), an alcoholic sharpshooter, in pulling off a spectacular jewelry theft. Their coming-together forms the plot, but what distinguishes the film is the quiet mastery with which Melville draws each of his characters, giving us details about them, like Corey's failed relationship with his former mistress or Mattei's devotion to his three cats, that bear no significance in terms of the plot. Mattei's slipup in letting Vogel escape puts him on the hot spot with internal affairs (Paul Amiot), a sinister figure (of course) who believes in the essential depravity of humankind: "All men are guilty," he growls. "They're born innocent, but it doesn't last." That's about as noir a sentiment as you can get, even in a film made in color.

[reginadeinisseni]

(Un papillon sur l'épaule) Morti sospette - Trailer HD

TONINO GUERRA 1978

Jacques Deray,

Jean-Claude Carrière

,

Tonino Guerra

Produttore

Yves Peyrot

Casa di produzione

Cité Films,

Gaumont

, Action Films

Fotografia

Jean Boffety

,

Jean Charvein

Montaggio

Henri Lanoë

Musiche

Claude Bolling

Scenografia

François de Lamothe

Interpreti

e

personaggi

Lino Ventura: Roland Fériaud

Claudine Auger: donna con l'impermeabile

Paul Crauchet: Raphaël

Jean Bouise: dottor Bravier

Nicole Garcia: Sonia Fériaud

Roland Bertin: funzionario

Xavier Depraz: Miguel Carrabo

Dominique Lavanant: giovane ragazza

José Lifante: commissario

Jacques Maury: Goma

Laura Betti: signora Carrabo

[letterboxd-loggd]

The War Is Over (La guerre est finie) (1966) Alain Resnais

June 2nd 2021

[framingtheframe]

Le Cercle Rouge. 1970. Jean-Pierre Melville. France.

[kino51]

Au-delà de la peur    1975

[mrfahrenheit92]

[genevieveetguy]

He’s one of the rare few who know how to enjoy life.

Sign of the Lion (Le signe du lion), Éric Rohmer (1962)

[movieswithkevin27]

Le Cercle Rouge

Fate and destiny can be tricky beasts. In life, we all have both and how in control we are of either is certainly up for debate. Yet, what is clear is that the song "Que sera sera" is impeccably true. Indeed, whatever will be will be, whether or not it is the desired outcome. In essence, as director Jean-Pierre Melville puts it, we all meet with our fate/destiny in "the red circle", no matter the path that is taken to get there. Visualized in a heist/crime film by the legendary French director, Le Cercle Rouge shows the actions of three men that unexpectedly bring them together for this heist and the showdown with the law that will force them to face their fate. Unable to run away from this fate, the criminals in this film and their fate are just one handle by which Melville displays this theme of inevitability in his masterful Le Cercle Rouge. A slow-paced, thrilling, and impeccably directed work, Le Cercle Rouge is just yet another work of genius from Melville.

Throughout the film, Melville shows the power of fate and inevitability in the chance encounters between men or the intertwining of fates. Escaping from a prisoner transport, Vogel (Gian Maria Volonte) is chased through the forest by Inspector Mattei (Andre Bourvil), before managing to elude capture for the time being. Constantly looking over his shoulder for Mattei and with the Inspector tasked with finding Vogel at any expense, the two are on an obvious collision course for one another. Dedicating all of his time to tracking down Vogel, all while Vogel goes into hiding with Corey (Alain Delon), the two's fates are entangled and the two, regardless of path, are doomed to wind up facing off with one another in the end. Narratively, it is an inevitability. Thematically, it works in much the same fashion. Pitting these two against early on in the film, Melville must give resolution to the opposing paths by the end to tell a good story for one, but it also furthers the film's thematic endeavors. Depicting the vastly different lives of the two men - with Mattei going home to his three cats and Vogel hiding out with Corey as they plot a jewelry store heist - there is a certain inevitability that the two will bump into one another no matter how different their paths may become.

This inevitability and chance encounter is similarly represented via Vogel and Corey's meeting. Recently released from prison for good behavior, Corey is driving along and stops at a diner. Once there, Vogel breaks into his car and hides in the trunk. Seeing him get into the car and driving him to a secluded field to confront him, the men's differing paths to the same car is one that, nonetheless, brought them together. By the end, it is clear it was for a reason as Vogel helps to fight off the men after Corey, helps to pull off the heist, and then leads Mattei right to Corey and himself by the end. This powerful inevitability is one that winds up encompassing them all with Mattei coming to represent the hand of justice and the pair of thieves being the criminals. No matter the difference in course, the cops and the robbers always come together at the end as they do in Le Cercle Rouge. Demonstrating our inability to run away - as they do run from Mattei - from our destiny no matter how hard we try, Le Cercle Rouge uses Mattei and his slow, ponderous search as a representation of destiny or of death. Though it may take its time, be slow in approaching, and come cloaked in a mask, everybody's destiny/death will eventually find them. Any road taken or path chosen bears no matter in delaying this face-off, as it will arise without our assistance and always come to collect when it does arise.

The inevitability presented by these encounters is similarly offered as being true about the morality of man. To the Chief of Police (Paul Amiot), all men are guilty. Repeated throughout the film - even right after the capture of the men guilty of the jewelry store heist - the belief that we are born innocent but quickly become guilty like the rest of humanity is perhaps Melville offering his take on corruption of the human soul. However, as the entire film is about the inevitability of destiny/fate, the inevitability that we are all guilty is presented in a similar light. Much like one's destiny, becoming guilty of anything - even if it not a crime - is a fact of life. Though one may strive to lead a good life where they harm nobody, becoming guilty of something is one cannot escape. Once this is established, it is nearly impossible to avoid encountering this feeling of guilt in one's life as it, like destiny, is always lurking in the shadows and waiting for the right moment to strike. Arguing that this guilt of man makes humanity rather doomed, Melville's film is often quite bleak and solemn without any burst of life or energy. Rather, it is a film that barrels on ahead to its inevitable ending - men facing both their guilt and their fate - and does so without pomp or circumstance, rather with solemn recognition that these men are doomed to fail, no matter the care they take for their actions and the heist. Religiously, this concept that all men are guilty is akin to the belief that all men are sinners. Though all religious people try to walk a path of righteousness, slips and bumps in the road are to be expected and experienced by all. It is only human nature to be imperfect and sinful, with no man to date able to avoid becoming either, not even the police.

In perhaps the film's best and most noteworthy sequence, Melville shows the heist. Highlighting the care and attention detail undertaken by Corey, Vogel, and Jansen (Yves Montand), in executing the heist, Le Cercle Rouge uses no dialogue for approximately half an hour. Rather, it allows the precise movements of its characters and the operatic way in which they floated from station to station to commit the heist to take center stage. Giving the audience the key players in the heist, their role, the security level at the store, and the potential score from the heist, Melville jumps right into the heist without an elaborate pre-heist planning scene and ends the heist with a similarly unassuming nature, never going back to show us what happened. Rather, Melville directs the heist scene with great attention detail, showing the audience every bit that matters without having to pull off the cover to reveal the inner machinations of the heist. Letting the heist itself do the talking and allowing the scene to be a classic example of "show don't tell", Melville nonetheless manages to make the sequence impeccably thrilling and a true highlight in his impeccably impressive body of work. Directed with grace and style, the heist scene is one that lives up to the hype cinematically, while also further highlighting the hopelessness of these men's endeavors, as none of them will actually help the group avoid their fate or being revealed as guilty souls.

Lacing the film with so much tension and anticipation throughout, Melville manages to make even the most mundane sequences thrilling. One such example is whenever Mattei comes to feed his cats. Walking in to his apartment, greeting them, turning on the bath, and then putting out their food for them to eat, Melville somehow makes the simple act of a cat getting up and walking over to eat a thrilling experience. Waiting for all three cats to make their way over - perhaps a symbol of Mattei's chasing of the three men - there is always a straggler and an underlying fear that, perhaps, one of them will not get up for dinner. This same level of tension and anticipation is felt throughout the film as Melville consistently keeps the audience in the dark - for example, the woman in the photographs held by Corey is shown once in reality without any backstory of their time together being discussed - and consistently plays with our emotion. Keeping us on edge and constantly waiting for the other shoe to drop, the film's slow pace allows the anticipation to build to a boiling point consistently, but one that Melville never allows the film to fully reach until the very end.

Though named Le Cercle Rouge, Melville's film is nonetheless one that looks very similar to his other works, namely Army of Shadows. Relying upon cold colors - namely blue, gray, and brown - Le Cercle Rouge is an incredibly cold film and that is not due to any cold weather in the picture. Rather, the bleak and solemn color scheme comes to embody the cold world lived in by humanity. It never seems too sunny or bright and the characters' emotions are consistently held back from being expressed. Compounding to being a film that is wholly unwelcoming and dark, Melville's film manages to explore this tragic inability of man to either remain innocent or avoid what is waiting for them around the bend through the color scheme as well. Communicating the cold, bleak feeling around this inevitability, Melville manages to perfectly communicate the hopelessness and despair of the situation as these men, and ourselves, barrel unknowingly to a fate that is out of our hands and always lying in wait.

Thrilling, brilliantly told, and terrifically acted, Le Cercle Rouge is another masterful enterprise from director Jean-Pierre Melville. Placing a premium on emotion and words in a similar fashion to Le Samourai, Le Cercle Rouge is hardly a talkative film, but in the words it does choose to use, it finds great power. Similarly, in his smart and structured direction, Melville manages to use the words and actions of his characters to create a power and bleak look at the hopelessness faced by all. No matter how one chooses to live and no matter how meticulous they may be, in the end, death, our fate, and our own inherently sinful nature, are always lurking around the corner in the red circle that is looking back at us from the barrel of a gun.

[alexlacquemanne]

Aout MMXXIV

Films

Le Gendarme en balade (1970) de Jean Girault avec Louis de Funès, Michel Galabru, Jean Lefebvre, Christian Marin, Guy Grosso, Michel Modo, Claude Gensac, France Rumilly, Nicole Vervil et Dominique Davray

Ali (2001) de Michael Mann avec Will Smith, Jon Voight, Jamie Foxx, Mario Van Peebles, Ron Silver, Jeffrey Wright et Nona Gaye

Les Enchaînés (Notorious) (1946) d'Alfred Hitchcock avec Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, Leopoldine Konstantin et Reinhold Schünzel

Lettre d'une inconnue (Letter from an Unknown Woman) (1948) de Max Ophüls avec Joan Fontaine, Louis Jourdan, Art Smith, Leo B. Pessin, Marcel Journet, Mady Christians, Howard Freeman et Sonja Bryden

Lucky Jo (1964) de Michel Deville avec Eddie Constantine, Pierre Brasseur, Françoise Arnoul, Georges Wilson, Christiane Minazzoli, Claude Brasseur, Jean-Pierre Darras et André Cellier

Borg McEnroe (2017) de Janus Metz Pedersen avec Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny, Scott Arthur, Robert Emms et David Bamber

La Vérité (1960) de Henri-Georges Clouzot avec Brigitte Bardot, Sami Frey, Marie-José Nat, Charles Vanel, Paul Meurisse, Louis Seigner, René Blancard et Colette Castel

Zack Snyder's Justice League (2021) de Zack Snyder avec Ben Affleck, Gal Gadot, Ray Fisher, Jason Momoa, Ezra Miller, Henry Cavill, Amy Adams, Jeremy Irons et Diane Lane

La Chèvre (1981) de Francis Veber avec Pierre Richard, Gérard Depardieu, Michel Robin, Corynne Charby, André Valardy, Pedro Armendáriz Jr. et Jorge Luke

Piège de cristal (Die Hard) (1988) de John McTiernan avec Bruce Willis, Alan Rickman, Alexander Godunov, Bonnie Bedelia, Reginald VelJohnson, Paul Gleason et William Atherton

Le Samouraï (1967) de Jean-Pierre Melville avec Alain Delon, François Périer, Nathalie Delon, Cathy Rosier, Jacques Leroy et Jacques Deschamps

La Piscine (1969) de Jacques Deray avec Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin, Paul Crauchet, Suzie Jaspard et Steve Eckart

Forfaiture (1937) de Marcel L'Herbier avec Louis Jouvet, Lise Delamare, Ève Francis, Sylvia Bataille, Victor Francen, Sessue Hayakawa et Lucas Gridoux

The Batman (2022) de Matt Reeves avec Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, Colin Farrell, John Turturro, Andy Serkis

Plein Soleil (1960) de René Clément avec Alain Delon, Marie Laforêt, Maurice Ronet, Erno Crisa, Elvire Popesco, Frank Latimore et Billy Kearns

58 Minutes pour vivre (Die Hard 2) (1990) de Renny Harlin avec Bruce Willis, Bonnie Bedelia, William Sadler, Dennis Franz, Franco Nero, William Atherton, Reginald VelJohnson, Fred Thompson, Art Evans, John Amos, Tom Bower et Sheila McCarthy

Mort d'un pourri (1977) de Georges Lautner avec Alain Delon, Ornella Muti, Stéphane Audran, Mireille Darc, Maurice Ronet, Michel Aumont, Jean Bouise, Daniel Ceccaldi, Julien Guiomar et Klaus Kinski

The Layover (2017) de William H. Macy avec Alexandra Daddario, Kate Upton, Matt Barr, Matt L. Jones, Rob Corddry, Kal Penn et Molly Shannon

Une journée en enfer (Die Hard with a Vengeance) (1995) de John McTiernan avec Bruce Willis, Jeremy Irons, Samuel L. Jackson, Larry Bryggman, Graham Greene et Colleen Camp

Séries

Le Coffre à Catch

#179 : Le festival de Kane ! - #180 : Jack Swagger repasse par la ECW ! - #181 : Les adieux de Tommy Dreamer (Colby en fil rouge) - #182 : Bret et Shawn font la paix et on termine le Homecoming!

Castle Saison 7

Sans relâche - Montréal - Une force invisible - Un problème enfantin - Un buzz foudroyant - De parfaits inconnus - Les Mystères de l'Ouest - Chevalier blanc - Action! - Un Noël dans la mafia - Castle, détective privé - L'affaire est dans le sac - Devant mes yeux - Résurrection - Règlement de comptes

The Durrells : une famille anglaise à Corfou Saison 3, 4

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6 - Episode 7 - Episode 8 - Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Biography: WWE Legends Saison 3

Paige - Yokozuna

Le Comte de Monte-Cristo

Le Prisonnier du château d'If - Le Revenant - Les Scélérats - La Vengeance

Maguy Saison 7

Suzanne désespérément - OPA comique - Hallali conjugal - Qui l'eût "crue" ? - Dernier de Corday - La mégère à prix Boissier - Absence unique - Un monde chou, chou, chou - Flamme fatale - Le déchargé de mission - Ice-cream et châtiment - L'âge de déraison - Un ome peut en cacher un autre - Maguy rock - Direction assistée - La vie en roses - Le bazar et la nécessité - Le salaire du rappeur - Pas commode d'emploi - Maguyvaudages - Sauve qui puce - SOS vampires - Il est 5 heures, Maguy s'éveille - Certains l'aiment faux

Commissaire Moulin Saison 1

Petite Hantise - Cent mille soleils - Affectation spéciale

Commissaire Dupin

Une famille endeuillée - La morte rose

Affaires sensibles

Bambi, vedette de cabaret et femme ordinaire - Simone Weber, "la diabolique de Nancy"

Spectacles

Adele at the BBC (2015)

ABBA : Live at Wembley Arena (1979)

Bénabar : Live au Grand Rex (2004)

Eddy Mitchell : Ma dernière séance (2011) à l'Olympia

Livres

Les Disparus de Trégastel de Jean-Luc Bannalec

Nota Bene, tome 6 : La Vie au Moyen Âge de Benjamin Brillaud, Phil Castaza, Christian Paty et Mathieu Mariolle

Les Schtroumpfs, tome 11 : Les Schtroumpfs olympiques de Peyo

Astérix, tome 12 : Astérix aux jeux Olympiques de René Goscinny et Albert Uderzo