#Pasupathy

[oceanusborealis]

Kalki 2898 AD - Movie Review

TL;DR – This is a film that had moments of dire boredom but also had me sitting on the edge of my chair. I wish we got more of the latter than the first. ⭐⭐⭐ Rating: 3 out of 5. Post-Credit Scene – There is a mid-credit scene.Disclosure – I paid to watch this film Kalki 2898 AD Review – Back when RRR came out two years ago, I realised that I needed to watch more Telugu Language films, and I…

[wikiintro]

Pasupathy Age, Height, Weight, Wife, Movies, Parents

Pasupathy Some Social Media Photo/Images Pasupathy Related Video FAQs Who is Pasupathy?Pasupathy is an Indian actor born in May-1969 in Maduravoyal, Chennai, Tamil Nadu, India.What is the age of Pasupathy?Pasupathy is 54 Years Old as of Apr-2024.What is the height of Pasupathy?Pasupathy’s height is in centimeters- 175 cm, in meters- 1.75m, in Feet Inches- 5’ 9”. Some exciting and lesser-known…

[akultalkies]

Sunaina, Ananth Nag, Nivas Adithan, Vivek Prasanna, Gajaraj, Ranjan, Pasupathi Raj, Gnanavel, Bava Chelladurai, Rithu Manthra David, Boxer Dheena, Appani Sarath

[dpfantasyzine]

Socials: tumblr | ao3 | ffn | bluesky | cohost | pillowfort

"Hewwo! I'm so excited to be here, composing music and writing phics for this zine! Life is harsh, but the zine and the folks in the zine are so great, and so kind! We stay silly! ::3c " -@bibliophilea

tension (release)

Summary:

Alicia needs to find Danny. He doesn’t know these woods — probably doesn’t know any woods, and that bit of scrub Amity Park calls conservation doesn’t count. This isn’t some patch of green in the middle of a city where the most you’ll see is a stray cat. This is rural.

[compneuropapers]

Interesting Papers for Week 38, 2024

Computational Mechanisms Underlying Motivation to Earn Symbolic Reinforcers. Burk, D. C., Taswell, C., Tang, H., & Averbeck, B. B. (2024). Journal of Neuroscience, 44(24), e1873232024.

Rule-based modulation of a sensorimotor transformation across cortical areas. Chang, Y.-T., Finkel, E. A., Xu, D., & O’Connor, D. H. (2024). eLife, 12, e92620.3.

Abstract deliberation by visuomotor neurons in prefrontal cortex. Charlton, J. A., & Goris, R. L. T. (2024). Nature Neuroscience, 27(6), 1167–1175.

Synapse-specific structural plasticity that protects and refines local circuits during LTP and LTD. Harris, K. M., Kuwajima, M., Flores, J. C., & Zito, K. (2024). Philosophical Transactions of the Royal Society B: Biological Sciences, 379(1906).

Neural Correlates of Crowding in Macaque Area V4. Kim, Taekjun, & Pasupathy, A. (2024). Journal of Neuroscience, 44(24), e2260232024.

Neurocomputational model of compulsivity: deviating from an uncertain goal-directed system. Kim, Taekwan, Lee, S. W., Lho, S. K., Moon, S.-Y., Kim, M., & Kwon, J. S. (2024). Brain, 147(6), 2230–2244.

The hippocampus dissociates present from past and future goals. Montagrin, A., Croote, D. E., Preti, M. G., Lerman, L., Baxter, M. G., & Schiller, D. (2024). Nature Communications, 15, 4815.

Memory for space and time in 2-year-olds. Mooney, L., Dadra, J., Davinson, K., Tani, N., & Ghetti, S. (2024). Cognitive Development, 70, 101443.

Synergistic information supports modality integration and flexible learning in neural networks solving multiple tasks. Proca, A. M., Rosas, F. E., Luppi, A. I., Bor, D., Crosby, M., & Mediano, P. A. M. (2024). PLOS Computational Biology, 20(6), e1012178.

Two- and three-year-olds prefer mastery-oriented over outcome-oriented help. Raport, A., Ipek, C., Gomez, V., & Moll, H. (2024). Cognitive Development, 70, 101462.

Making precise movements increases confidence in perceptual decisions. Sanchez, R., Courant, A., Desantis, A., & Gajdos, T. (2024). Cognition, 249, 105832.

Equal levels of pre- and postsynaptic potentiation produce unequal outcomes. Savtchenko, L. P., & Rusakov, D. A. (2024). Philosophical Transactions of the Royal Society B: Biological Sciences, 379(1906).

Memory Reactivation during Sleep Does Not Act Holistically on Object Memory. Siefert, E. M., Uppuluri, S., Mu, J., Tandoc, M. C., Antony, J. W., & Schapiro, A. C. (2024). Journal of Neuroscience, 44(24), e0022242024.

Spatial summation for motion detection. Solomon, J. A., Nagle, F., & Tyler, C. W. (2024). Vision Research, 221, 108422.

Training enables substantial decoupling of visual attention and saccade preparation. Topfstedt, C. E., Wollenberg, L., & Schenk, T. (2024). Vision Research, 221, 108424.

Development and organization of the retinal orientation selectivity map. Vita, D. J., Orsi, F. S., Stanko, N. G., Clark, N. A., & Tiriac, A. (2024). Nature Communications, 15, 4829.

Unsupervised restoration of a complex learned behavior after large-scale neuronal perturbation. Wang, B., Torok, Z., Duffy, A., Bell, D. G., Wongso, S., Velho, T. A. F., … Lois, C. (2024). Nature Neuroscience, 27(6), 1176–1186.

Feature-selective responses in macaque visual cortex follow eye movements during natural vision. Xiao, W., Sharma, S., Kreiman, G., & Livingstone, M. S. (2024). Nature Neuroscience, 27(6), 1157–1166.

Natural scenes reveal diverse representations of 2D and 3D body pose in the human brain. Zhu, H., Ge, Y., Bratch, A., Yuille, A., Kay, K., & Kersten, D. (2024). Proceedings of the National Academy of Sciences, 121(24), e2317707121.

Negation mitigates rather than inverts the neural representations of adjectives. Zuanazzi, A., Ripollés, P., Lin, W. M., Gwilliams, L., King, J.-R., & Poeppel, D. (2024). PLOS Biology, 22(5), e3002622.

[worldwidemovies012]

Thangalaan review

: Pa Ranjith's film is intertwined with some fantasy and mystical realism. A must watch for Vikram fans.

Thangalaan is a period action drama starring Vikram, Parvathy Thiruvothu and Malavika Mohanan in the lead roles. The film is directed by Pa. Ranjith, produced by Studio Green K.E.Gnanavel Raja and the music is scored by G.V. Prakash Kumar.

Premise:

Britishers are in a wealth hunt, they take tribal people to work for them. Strange visions of Vikram to lead the troop to the Gold-rush area. What happens after forms the crux of the story.

Writing/ Direction:

Gold is the base of the film, the film showcases how it was handled in the 19th century by our rulers. Well-researched in terms of landscape, the way people look and the terms they use, which is sure to take the viewers back in time. The fantasy element is intriguing, the dynamic development of it is one of the few appreciable aspects of the film, the closure to it makes sense, sadly it is rushed by leaving no impact. The first half is like an adventure flick, with many different themes tried, but the result is extremely flat.

No clarity in the fight scenes as to who is winning and who is losing, the Black Panther sequence is a big dud with poor vision and the heavy smoke effects used lowers the visual standard.

Pasupathy’s humour portions are a big relief to the dry screenplay. The second half starts on a promising note with a few good scenes, displaying the happiness of the tribes for receiving new clothes, how the British treat the tribe with respect until they get to the Gold and shows their true nature after that, etc. Post which the film becomes dull with the slavery part not turning out to be emotional on-screen, the payoff is also very weak by bringing in a clumsy platter which is hard to consume. The biggest drawback of the film is the dialogue modulation of the artists which is probably authentic for the period, but had to go through hell to follow and understand.

Performances:

Chiyaan Vikram’s limitless efforts are evident on-screen, showing great variety in makeover, body language and expressions. Parvathy Thiruvothu is very casually natural on-screen, her scenes with the hero are lively, but the script required more to utilize the chemistry between them. Quite a challenging role for Malavika Mohanan, she has given her best, just wish she had more highlight action scenes to prove her full-potential. Pasupathy’s character started off fascinatingly, but then the arc was left abruptly without giving a proper ending it deserved. Stone-faced villains, the issue with foreign actors’ performances which the most Indian films have exists here too. The other supporting characters are written in a half-baked manner that we don’t get to feel for them.

Technicalities:

Meticulous work by G.V.Prakash, top quality songs overall, especially the Minikki Minikki track stands out and it is beautifully placed in the film. Solid score, his music made a lot of weak situations better, he has focused on what instruments to use as well. The visuals are first class, strong production value and location recce have led the team to explore new terrains, however the action is captured in an unimpressive manner. A lot of edit patterns and jump cuts are fascinating, but finesse is missing when things are simple, the packaging fails to engross. VFX is a mixed bag, the models look neat during the static shots, but the motions aren’t done right to make the sequences believable. Stunts lack punch, the approach is realistic but the output feels hurried.

Bottomline

Fantasy element is fine when it stands alone, falters when blent with reality. The film misses to hold the interest except for the initial chunk in the latter half. Had immense potential to be a hard-hitting flick, but it never took off from the ground level.

hindi:- थंगालान समीक्षा: पा रंजीत की फिल्म कुछ कल्पना और रहस्यमय यथार्थवाद से जुड��ी हुई है। विक्रम के प्रशंसकों के लिए यह फिल्म अवश्य देखें।

थंगालान एक पीरियड एक्शन ड्रामा है, जिसमें विक्रम, पार्वती थिरुवोथु और मालविका मोहनन मुख्य भूमिकाओं में हैं।

फिल्म का निर्देशन पा रंजीत ने किया है, जिसका निर्माण स्टूडियो ग्रीन के.ई. ज्ञानवेल राजा ने किया है और संगीत जी.वी. प्रकाश कुमार ने दिया है।

प्रस्तावना:

अंग्रेज धन की तलाश में हैं, वे आदिवासी लोगों को अपने लिए काम पर ले जाते हैं। विक्रम को सेना को गोल्ड-रश क्षेत्र में ले जाने के लिए अजीबोगरीब दृश्य दिखाई देते हैं। उसके बाद क्या होता है, यही कहानी का सार है।

लेखन/निर्देशन:

फिल्म का आधार गोल्ड है, फिल्म दिखाती है कि 19वीं सदी में हमारे शासकों ने इसे कैसे संभाला।

भूदृश्य, लोगों के देखने के तरीके और उनके द्वारा इस्तेमाल किए जाने वाले शब्दों के संदर्भ में अच्छी तरह से शोध किया गया है, जो दर्शकों को निश्चित रूप से समय में पीछे ले जाएगा।

फंतासी तत्व दिलचस्प है, इसका गतिशील विकास फिल्म के कुछ सराहनीय पहलुओं में से एक है, इसका समापन समझ में आता है, दुख की बात है कि इसे जल्दबाजी में बनाया गया है, जिससे कोई प्रभाव नहीं पड़ता।

पहला भाग एक साहसिक फिल्म की तरह है, जिसमें कई अलग-अलग थीम आजमाई गई हैं, लेकिन परिणाम बेहद सपाट है।

लड़ाई के दृश्यों में कोई स्पष्टता नहीं है कि कौन जीत रहा है और कौन हार रहा है, ब्लैक पैंथर का दृश्य खराब दृष्टि के साथ एक बड़ा डफ है और भारी धुएं के प्रभाव का उपयोग दृश्य मानक को कम करता है।

पसुपथी के हास्य भाग सूखी पटकथा के लिए एक बड़ी राहत हैं। दूसरा भाग कुछ अच्छे दृश्यों के साथ एक आशाजनक नोट पर शुरू होता है, जिसमें नए कपड़े प्राप्त करने के लिए जनजातियों की खुशी प्रदर्शित होती है, कैसे ब्रिटिश जनजाति के साथ सम्मान के साथ व्यवहार करते हैं जब तक कि वे गोल्ड तक ��हीं पहुंच जाते और उसके बाद अपना असली स्वरूप दिखाते हैं, आदि।

इसके बाद फिल्म सुस्त हो जाती है क्योंकि गुलामी वाला हिस्सा स्क्रीन पर भावनात्मक नहीं बन पाता है, भुगतान भी बहुत कमजोर है क्योंकि एक भद्दा प्लेट पेश किया जाता है जिसे पचाना मुश्किल है।

फिल्म की सबसे बड़ी कमी कलाकारों के संवादों का उतार-चढ़ाव है जो शायद उस दौर के हिसाब से प्रामाणिक है, लेकिन इसे समझने और समझने के लिए नरक से गुजरना पड़ा।

प्रदर्शन:

चियान विक्रम के असीम प्रयास स्क्रीन पर स्पष्ट हैं, मेकओवर, बॉडी लैंग्वेज और भावों में बहुत विविधता दिखाते हैं।

पार्वती थिरुवोथु स्क्रीन पर बहुत सहज रूप से सहज हैं, नायक के साथ उनके दृश्य जीवंत हैं, लेकिन स्क्रिप्ट में उनके बीच की केमिस्ट्री का उपयोग करने के लिए और अधिक की आवश्यकता थी।

मालविका मोहनन के लिए काफी चुनौतीपूर्ण भूमिका, उन्होंने अपना सर्वश्रेष्ठ दिया है, बस काश उनके पास अपनी पूरी क्षमता साबित करने के लिए और अधिक हाइलाइट एक्शन दृश्य होते। पसुपति के किरदार की शुरुआत आकर्षक थी, लेकिन फिर आर्क को बिना उचित अंत दिए अचानक छोड़ दिया गया।

पत्थर के चेहरे वाले खलनायक, विदेशी अभिनेताओं के अभिनय की समस्या जो कि अधिकांश भारतीय फिल्मों में होती है, यहाँ भी मौजूद है।

अन्य सहायक पात्रों को आधे-अधूरे तरीके से लिखा गया है कि हम उनके लिए कुछ महसूस नहीं कर पाते।

तकनीकी बातें:

जी.वी.प्रकाश द्वारा किया गया बेहतरीन काम, कुल मिलाकर बेहतरीन गाने, खास तौर पर मिनिक्की मिनिक्की ट्रैक सबसे अलग है और इसे फिल्म में खूबसूरती से रखा गया है।

सॉलिड स्कोर, उनके संगीत ने कई कमज़ोर स्थितियों को बेहतर बनाया, उन्होंने इस बात पर भी ध्यान दिया कि कौन से इंस्ट्रूमेंट का इस्तेमाल करना है।

विज़ुअल बेहतरीन हैं, प्रोडक्शन वैल्यू और लोकेशन रेकी ने टीम को नए इलाकों की खोज करने के लिए प्रेरित किया है, हालांकि एक्शन को बहुत ही कमज़ोर तरीके से कैप्चर किया गया है।

एडिट पैटर्न और जंप कट बहुत आकर्षक हैं, लेकिन जब चीजें सरल होती हैं तो बारीकियाँ गायब हो जाती हैं, पैकेजिंग भी ध्यान खींचने में विफल हो जाती है।

वीएफएक्स एक मिश्रित बैग है, स्टैटिक शॉट्स के दौरान मॉडल साफ-सुथरे दिखते हैं, लेकिन दृश्यों को विश्वसनीय बनाने के लिए गति सही तरीके से नहीं की गई है। स्टंट में दम नहीं है, दृष्टिकोण ��थार्थवादी है लेकिन आउटपुट जल्दबाजी में किया गया लगता है।

बॉटमलाइन

फ़ैंटेसी एलिमेंट अकेले होने पर ठीक है, लेकिन वास्तविकता के साथ घुलने-मिलने पर यह कमज़ोर पड़ जाता है।

फिल्म के दूसरे हिस्से में शुरुआती हिस्से को छोड़कर बाकी हिस्सा दिलचस्पी बनाए रखने में विफल रहा। इसमें एक दमदार फिल्म बनने की अपार संभावना थी, लेकिन यह कभी भी जमीनी स्तर पर आगे नहीं बढ़ पाई।

[dcblogs]

Kalki 2898 AD - Movie Review

India's highest budget movie till date, Kalki 2898 AD has released today. Nag Ashwin, who is just 2 films old (Evade Subramanyam & Mahanati), helming this magnum opus of science fiction interlinked with mythology, is itself a gutsy attempt. Roping in stalwarts like Amitabh and Kamal Haasan, while having "The Prabhas" and Deepika is taking it to next level. Did he live upto the expectations? Let's see.

Story :- It's 2898 AD, where there are only 3 worlds shown. Complex, Kashi and Shambala. Complex controls Kashi and all other worlds with it's dominance under the guidance of Yaskin (Kamal Haasan). They trace fertile women and use them for making Project K a success, which gives super power to Yaskin. Kashi is deprived of all resources and exploited by Complex. Shambala is a rebel group who want to bring down Complex at any cost. Sumathi (Deepika) is pregnant and crucial for Project K to become success, however she escapes from Complex to save her baby. Bhairava (Prabhas) a bounty hunter, who is desperate to shift to Complex from Kashi, wants to catch Sumathi and handover to complex. Ashwathama (Amitabh) is alive just to protect Sumathi's baby. Bhairava and Ashwathama face off each other in this process. Who wins over whom? Was Sumathi protected? Forms the rest of the story.

Performances :- Entire story revolves around Deepika. She was very good in the given scope and interval block stands out. Amitabh Bachchan has most creamy role, be it the elevations, action sequences or back story. He is outstanding in it. This could be termed as the best mass role for Amitabh in ages. Prabhas is the life of the film. What could be otherwise an serious emotional film with slow pace, was made lively with his comedy timing. His camaraderie with Bujji, one liners during action sequences, sequences with Bhramandam or other cameos, makes the movie enjoyable. His get up in the last scene bring goosebumps to fans. Kamal Haasan has limited scope and he excels in it. Despite having prosthetic and graphics, his intensity in acting arrests you. Bengali actor Saswata Chatterjee has a meatier role as commander of Complex and he was great. Shobhana, Pasupathy, Rajendra Prasad, Disha Patani, Anna Ben were fine in their roles. Lot of cameos are there throughout the movie, which surprise us occassionally.

Technicians :- Graphics of the movie is of the highest standard and on par with any Hollywood movie. The team should be applauded for the quality. Art work comes next in line for the accolades, setting up 3 worlds with contrasting premises. Action sequences were very well designed and executed, using the graphics to the maximum extent possible. Santosh Narayanan background score is excellent. Songs could have been better though. Nag Ashwin deserves a bow for the way he has conceived this story and executed it. Perfect blend of Indian mythology in a science fiction film is a very rare phenomenon, which he has aced. No one would believe that the director of Mahanati and Kalki are one and the same. Such is the contrast of these films genre are. He has a Rajamouli and a Bapu in him. Costumes & Make up have complimented the proceedings of the film.

Positives :-

Everything

Negatives :-

Lags in 1st half

Few songs

Summary :- Great story, terrific performances, top notch graphics make it must watch. It should be seen as a story based movie rather than a Prabhas movie, to enjoy it fully. Kudos to Nag Ashwin for pulling it off.

Rating :- 4.5/5 (Kalki is India's Avengers)

[livesanskrit]

Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .

It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet

K.P. Narayana Pisharody

K.P. Narayana Pisharody (23 August 1909 – 21 March 2004) was a Sanskrit scholar, teacher and writer of Kerala, India. He was born on 23 August 1909 in Kodikkunnu near Pattambi in Palakkad district to Puthisseri Pasupathi Namboothiri and Narayani Pisharasyar. He learned Sanskrit from the renowned scholars Punnasseri Nambi Neelakanta Sharma of Pattambi and Attoor Krishna Pisharody.

After passing Sahithyashiromani examination from Sanskrit college Pattambi in 1932 he taught Malayalam and Sanskrit in various schools and colleges. After retirement from Sree Kerala Varma College, Thrissur did research under University Grants Commission fellowship. He has also received the titles "Sahitya nipunan" "Pandita thilakam" and "Sahitya rathnam." In 1999 "Ezhuthachan Puraskaram" the highest literary honour of the Kerala Government was awarded to Pisharody. He died on 20 March 2004. He was cremated with full state honours at his home in Thrissur.

#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #kpnarayanapisharody #pisharody #scholar #teacher #writer #pattambi #palakkad #keralavarmacollege #pattambisanskritcollege #keralatourism #keralagram #thrissur #trichur #march20 #malayalamliterature

[cinenexus]

Dhruv Vikram's Intense First Look in Mari Selvaraj's 'Bison Kaalamaadan' Unveiled - Tamil News

The first look poster of ‘Bison Kaalamaadan’, directed by Mari Selvaraj and starring Dhruv Vikram, has been released. In the background, a fierce bison is seen, while Dhruv Vikram stands in front of it. Just like other Mari Selvaraj films, this first look suggests a serious and intense storyline. The film features Dhruv Vikram, Anupama Parameswaran, Lal, Pasupathi, Kalaiyarasan, Rajisha Vijayan,…

[karuppuezhutthu-blog]

Thangalan | நிறைய ஸ்பெஷல் சேர்ந்த ஒரு ஸ்பெஷல் இது - நடிகர் பசுபதி பேச்சு | Actor Pasupathy

Thangalan | நிறைய ஸ்பெஷல் சேர்ந்த ஒரு ஸ்பெஷல் இது – நடிகர் பசுபதி பேச்சு | Actor Pasupathy | Vikram.செய்திகளை துல்லியமாகவும் துரிதமாகவும் வழங்கும் தமிழகத்தின் முதன்மை செய்தி தொலைக்காட்சி உங்கள் நியூஸ்18 தமிழ்நாடு.

[the-hem]

"Penance." From the Atharvasiras Upanishad, “The Exploration of the Mysteries of the Rather Striking Helmet."

Next begins a fiercely monotheistic description of how Rudra, beatification works in the Self and the soul of creation:

5.1 This god is the one who pervades in all directions. He is the one who came earlier than everything. He is the one who is in the womb. He is the one who is in all the creatures which have come out till now and all those who are going to be created in future. He is also the one who sees the inside but the one who has a face which looks outside.

5.2 Rudra is one and only one. There is no second to him. He rules all worlds by his power. He pervades fully in all beings. He is the one who, at the time of deluge, absorbs all beings. He is the one who creates all beings and upkeeps them.

 5.3 He alone exists, in all organs where birth takes place. He travels among all beings and is the reason for their existence. The seeker would get immeasurable peace by searching and surrendering to this god, who gives everything to the one who asks and who is praiseworthy.

5.4 He converts fire, air, water, earth, ether and everything that exists here into ash. He who sees this and mentally realizes it and observes the “penance to Pasupathi (Lord of all beings)” and who coats ash all over his body with this ash attains the state of Brahman. By worshipping “Pasupathi (lord of all beings)” like this, the ties of bondage of all beings get cut and they attain salvation.

 5.5 There is none greater than him, on whom all the worlds are strung like beads. Over the ages, nothing so far where greater than him and nothing is going to be greater than him. He has thousands of legs but one and only one head. He pervades everywhere.

The key to turning this section into an actionable spiritual plan is found in the words, “penance to all beings”. Repentance is the seed of atonement and beatification of our suffering world. Also “he has a thousand legs and one head”.

We must all surely agree there is too much pain and suffering on this world as if we had one point of view on this. Once we know what we are seeing is true, then we need to do whatever it takes to make things work again.

This simple approach to the use of our time and money should be able to change every mind on earth and speed relief to the needy and troubled. Still, the munitions and bullets get made and shipped and buildings are collapsing, the bodies are piling up, particularly in Russia,  and tears are falling in sheets of rain.

[college-buz]

Thangalaan Team's Special Birthday Tribute to Vikram: Watch Now!

As Chiyaan Vikram celebrates his 58th birthday on April 17, the anticipation for his upcoming film, Thangalaan, reaches new heights. To mark this occasion, director Pa Ranjith and his team have unveiled a heartfelt tribute video dedicated to Vikram, offering fans a glimpse behind the scenes of the highly anticipated movie.

In response to the tribute, Vikram took to social media to express his gratitude to the Thangalaan team, sharing the YouTube link and acknowledging their efforts. The tribute video showcases Vikram's dedication and commitment to his craft, highlighting his intense performance and the challenges he faced during the filming process.

Known for his transformative roles, Vikram underwent extreme weight loss for Thangalaan, immersing himself in the role of a tribal leader amidst the scorching heat of the Kolar Gold Mines backdrop. The behind-the-scenes footage captures Vikram's raw energy as he engages in intense fight sequences and emotionally charged moments, earning praise from fans for his unwavering dedication.

Thangalaan, directed by Pa Ranjith, promises to be a gripping historical action drama, shedding light on the struggles of indigenous tribes affected by mining activities. With an ensemble cast including Malavika Mohanan, Pasupathy, Parvathy Thiruvothu, and others, the film is poised to captivate audiences with its powerful narrative and stellar performances.

Despite delays in its release due to upcoming elections, the tribute video hints at Thangalaan's imminent premiere, fueling excitement among fans. Jointly produced by Studio Green and Neelam Productions, the film boasts a talented crew, including music by GV Prakash Kumar, editing by RK Selva, and cinematography by A Kishore Kumar.

As fans eagerly await the release of Thangalaan, the special birthday tribute to Vikram serves as a testament to his exceptional talent and the passion of the entire team behind the project. Watch the video now for an exclusive glimpse into the making of this much-anticipated film.

[24hrsallnews]

Thangalaan Update: A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker.

We will read about, "Thangalaan Update: A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker." Thangaalan is one of the most awaited and big budget film. The filmmaker has shared the video on Vikram's birthday on his social media.  

A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker

Vikram, a renowned superstar, is known for his numerous blockbuster films. His upcoming movie, Thangalaan, is highly anticipated and will be released nationwide. Fans are eagerly awaiting any updates regarding the film. Last year, the first look was shared on Vikram's birthday, currently the behind-the-scenes footage of the film has been shared. In the Thangalaan movie, fans will enjoy a fresh journey and an amazing cinematic experience. The video has been widely applauded and has garnered millions of views since it was shared. "Ponniyin Selvan: II" is Vikram's most recent movie, and it was released on April 28, 2023. Fans are waiting for Vikram's latest film. Thangalaan is a historical, period, drama, action film. The story of the film is based on the time of British India Rule. Thangalaan, a tribal leader fights bravely against the British. The film was initially scheduled to release on January 26, 2024, then it was postponed to April 2024. The release date of the film has not been confirmed yet.

Image Credit:- @StudioGreen2 The teaser of the film suggests that greed leads to destruction, just as bloody war leads to freedom, and Kills his enemies with cruelty. When filmmakers shared videos and wrote the caption, "An iconic talent, inspiring awe with grit and glory, delivering performances that defy expectations Happy Birthday  @chiyaan #Thangalaan 🏹 Awaiting your fiery presence on big screens!" The Birthday TributeVideo highlights Vikram's exceptional performances and unwavering dedication to his craft, resulting in a compelling and mesmerizing tribute.   About Thangalaan The film is written and directed by Ranjith and produced by K. E. Gnanavel Raja under the banners of Studio Green, Neelam Productions. A Kishore Kumar handled the cinematography and edited by Selva RK. The film stars Chiyaan Vikram, Malavika Mohanan, Parvathy Thiruvothu, Pasupathi, Daniel Caltagirone, Hari Krishnan, Vettai Muthukumar and among others.  G. V. Prakash Kumar has given music in the film.   Read More - The new look of Pratik Gandhi and Patralekhaa starrer Phule has been released. - Srikanth Movie trailer out now - The release date for the Vicky Vidya Ka Woh Wala Video featuring Rajkummar Rao and Triptii Dimri has been announced. - Yash joins hands with Namit Malhotra to produce 'Ramayana' - Aranmanai 4 Trailer: Sundar C's Aranmanai 4 releases in cinemas globally in April - Gabru Gang Teaser is out now - Romeo movie Cast, Release Date, Director and other - Dukaan movie review: The concept is intriguing but fails to achieve its maximum potential. - Bahar Aa Chaman Prakash: The first film from Namashi's production is here! - Pawan Kalyan met Chiranjeevi during the filming of Vishwambhara Read the full article

[bibliophilea]

The Lake Beckons

Inspired by "Misery's Lake" by @bubblegumbeech

Album artwork by bibliophilea

Lake wave recordings by arpeggio1980 and TRP on freesound.org

For @invisobang 2024

Flynn has lived on the edge of this lake for as long as he can remember. And for just as long he's been trying to make sure no one else ends up like him or the ghosts he calls his siblings. Unfortunately for him, the teenager that keeps knocking on his door seems to have the wrong idea about things and it's only a matter of time the Lake gets him too.

Read the phic here: ao3 Listen to the song here: bandcamp | spotify

Thank you @kinglazrus, for heading Invisobang, and putting so much work into making it such a phun event! And thank you, @strawberrycamel and @underforeversgrace, for all the work you guys put into helping run the event! Y'all are amazing, and you make this event amazing!

And thank you, Bee, for writing such a phenomenal phic! You write creeping horror incredibly well, and I adore how you weave it into everything about the story - the characters, their surroundings, the narrative, the style, everything! I love how you characterize Flynn in particular, and how he relates to his situation, and how he relates to Danny! It's so well done, and so well crafted!

I hope the music does your work justice!

Passage from Chapter 1 under the cut:

A call came from across the water.

“Do you see anything?”

“No,” Flynn called back, half bent over the edge of his small dinghy. His eyes scanned as far as he could see in the dark. The lake was still, flat: more like a black glass mirror than anything else.

They weren’t going to find anything. They never did.

Flynn had to help the search anyways.

It was best to try and avoid anyone else disappearing, and an unorganized search in the middle of the night through miles of deep water was a surefire way for more than just a two-person canoe to disappear.

The one other volunteer with him, Valerie, shifted the searchlight a few inches to the left, lighting up another long strip of identical lake water.

“You’d think they’d stop asking every five minutes when we’ve been giving them the same answer,” she grumbled; frustration, worry, and a distinct lack of sleep all warring for prominence in her features. “This is a waste of time. We’ve never been able to recover anyone from this lake.”

Flynn shrugged, keeping his eyes on the expanse of dark water. For a moment, something blue flickered beneath the calm surface, then disappeared. “You think they’d stop letting people in.”

“Not with the new marina they just opened.” Valerie looked over at him, taking her gaze off the search for a moment just to throw him a look. Assessing.

He couldn’t quite hide his scowl, and turned away to look somewhere else. “Nothing I can do about that, good old imminent domain and the importance of tourists’ pocket money.”

That got him a chuckle and a gentle ribbing on his side with her elbow. “This your origin story as a Scooby-doo villain?” she asked, and Flynn let himself smile, let himself relax.

They wouldn’t find anything tonight, the boat they were looking for would have long capsized and sank to the bottom of the lake. In the morning they’d send out a new crew; different volunteers looking for corpses instead. They’d probably try to dredge the bottom of the lake.

Flynn wondered if they’d find the bodies this time, or if the thick layer of sediment and mud had claimed them already.

“I’ve never liked being out here.” Valerie shivered, taking one hand off the searchlight to try and bring her coat in closer. It was always a bit colder on the lake. She hadn’t properly prepared for it. People rarely did.

A whistle sounded, calling for the end of the search, and Flynn tried not to make it obvious how much his relief relaxed him. “No one actually likes it out here,” he said, back to Valerie’s point. “It's creepy as hell.”

He pulled the starter cord and let out a soft breath when the engine purred back to life. Maybe he’d be able to relax soon, enjoy his night and sit with a cup of tea, a nice book. Maybe he could even get enough sleep to tend to his garden in the morning.

It was a choice to ignore the way Valerie was staring, and how heavy her gaze weighed on the back of his neck.

Continued Here...

[phonemantra-blog]

Jazeera Airways, a leading low-cost carrier in Kuwait, has announced a significant change in leadership. After seven successful years at the helm, Rohit Ramachandran will be stepping down as Chief Executive Officer (CEO) effective March 26, 2024. Taking the reins as the new CEO will be Barathan Pasupathi (Bara), a former CFO of Jazeera Airways with extensive experience in the aviation industry. A Legacy of Growth and Innovation: Rohit Ramachandran's Tenure at Jazeera Airways Under Ramachandran's leadership, Jazeera Airways experienced a remarkable period of growth and achievement. He is credited with: Tripling the airline's fleet: During his tenure, Jazeera Airways tripled the size of its fleet, enabling the expansion of its network and service offerings. Expanding into 65 destinations: The airline's geographic reach significantly expanded under Ramachandran's leadership, offering passengers a wider range of travel options. Achieving record passenger volumes: Jazeera Airways saw an unprecedented rise in passenger traffic under Ramachandran's guidance, signifying the growing popularity of the airline's services. Delivering exceptional results: Ramachandran's strategic direction led to consistent and impressive financial performance for Jazeera Airways. Spearheading the construction of Jazeera Terminal 5: He played a key role in the development of a dedicated terminal at Kuwait International Airport, further enhancing the passenger experience. Guiding the airline through the pandemic: Ramachandran's leadership was instrumental in navigating the airline through the global pandemic, ensuring its resilience and future success. Marwan Boodai, Chairman of Jazeera Airways, expressed his gratitude for Ramachandran's significant contributions to the company. He praised Ramachandran's visionary leadership, operational excellence, and commitment to building shareholder value. Boodai also highlighted Ramachandran's successful navigation of the airline through the challenges of the pandemic. Barathan Pasupathi: A Seasoned Aviation Leader Steps Up Barathan Pasupathi, fondly known as Bara, brings over 30 years of experience in aviation, oil and gas, and supply chain management to his new role as CEO. His aviation expertise spans various areas, including: Finance and management: His background in finance positions him well to understand and manage the airline's financial operations effectively. Operational expertise: Pasupathi's experience in airline operations will be crucial in ensuring the smooth and efficient functioning of the airline. Aircraft procurement and leasing: His knowledge of aircraft procurement and leasing will be invaluable in managing and optimizing the airline's fleet. Pasupathi previously served as the CFO of Jazeera Airways and played a pivotal role in establishing Sahaab Aircraft Leasing, functioning as its CFO from 2007 to 2010. He holds a deep understanding of the aviation industry, especially concerning safety, operational efficiency, and customer service. His appointment ensures continuity and provides strong leadership as Jazeera Airways embarks on its next chapter of growth. Looking Forward: A Smooth Transition and a Commitment to Continued Success Both Ramachandran and Pasupathi expressed their confidence in the future of Jazeera Airways. Ramachandran believes Pasupathi's appointment will ensure the airline continues to achieve new milestones in terms of operational standards, customer experience, and growth. He also commended Pasupathi's passion for people and expressed his belief that the team will thrive under his leadership. Pasupathi emphasized his commitment to continuing the airline's journey of providing affordable and accessible travel for passengers in Kuwait and beyond. He also highlighted his focus on innovation and maintaining high levels of customer service. This leadership transition marks a new chapter for Jazeera Airways, with Pasupathi at the helm. With his extensive experience and dedication to the aviation industry, Pasupathi is well-positioned to lead the airline towards continued success and growth. Frequently Asked Questions (FAQs) Q: Who is the new CEO of Jazeera Airways? A: Barathan Pasupathi (Bara) has been appointed as the new CEO of Jazeera Airways, effective March 26, 2024. Q: What is Rohit Ramachandran's reason for stepping down? A: While no specific reason was mentioned in the official announcement, Ramachandran has stated it is "bittersweet" to say goodbye and feels lucky to have worked at the airline. Q: What are Barathan Pasupathi's plans as the new CEO? A: Pasupathi plans to build upon the existing foundation, ensure continued growth, maintain focus on operational excellence and customer service, and offer affordable travel options to passengers.

[compneuropapers]

Interesting Papers for Week 33, 2023

Parametric control of flexible timing through low-dimensional neural manifolds. Beiran, M., Meirhaeghe, N., Sohn, H., Jazayeri, M., & Ostojic, S. (2023). Neuron, 111(5), 739-753.e8.

Dissociation in neuronal encoding of object versus surface motion in the primate brain. Bigelow, A., Kim, T., Namima, T., Bair, W., & Pasupathy, A. (2023). Current Biology, 33(4), 711-719.e5.

The presence of irrelevant alternatives paradoxically increases confidence in perceptual decisions. Comay, N. A., Della Bella, G., Lamberti, P., Sigman, M., Solovey, G., & Barttfeld, P. (2023). Cognition, 234, 105377.

A novel computational approach to pain perception modelling within a Bayesian framework using quantitative sensory testing. Drusko, A., Baumeister, D., McPhee Christensen, M., Kold, S., Fisher, V. L., Treede, R.-D., … Tesarz, J. (2023). Scientific Reports, 13, 3196.

Cerebellar control of a unitary head direction sense. Fallahnezhad, M., Le Mero, J., Zenelaj, X., Vincent, J., Rochefort, C., & Rondi-Reig, L. (2023). Proceedings of the National Academy of Sciences, 120(9), e2214539120.

Temporal derivative computation in the dorsal raphe network revealed by an experimentally driven augmented integrate-and-fire modeling framework. Harkin, E. F., Lynn, M. B., Payeur, A., Boucher, J.-F., Caya-Bissonnette, L., Cyr, D., … Béïque, J.-C. (2023). eLife, 12, e72951.

Illusory perception of visual patterns in pure noise is associated with COVID-19 conspiracy beliefs. Hartmann, M., & Müller, P. (2023). i-Perception, 14(1), 204166952211447.

Interplay between biochemical processes and network properties generates neuronal up and down states at the tripartite synapse. Joshi, S. N., Joshi, A. N., & Joshi, N. D. (2023). Physical Review E, 107(2), 024415.

Inversion of pop-out for a distracting feature dimension in monkey visual cortex. Klink, P. C., Teeuwen, R. R. M., Lorteije, J. A. M., & Roelfsema, P. R. (2023). Proceedings of the National Academy of Sciences, 120(9), e2210839120.

Intraparietal stimulation disrupts negative distractor effects in human multi-alternative decision-making. Kohl, C., Wong, M. X., Wong, J. J., Rushworth, M. F., & Chau, B. K. (2023).eLife, 12, e75007.

Bayesian inference in ring attractor networks. Kutschireiter, A., Basnak, M. A., Wilson, R. I., & Drugowitsch, J. (2023). Proceedings of the National Academy of Sciences, 120(9), e2210622120.

Energy-efficiency computing of up and down transitions in a neural network. Liu, X., Lu, L., Zhu, Y., & Yi, M. (2023). Journal of Neurophysiology, 129(3), 581–590.

Recurrent networks endowed with structural priors explain suboptimal animal behavior. Molano-Mazón, M., Shao, Y., Duque, D., Yang, G. R., Ostojic, S., & de la Rocha, J. (2023). Current Biology, 33(4), 622-638.e7.

Brainstem serotonin neurons selectively gate retinal information flow to thalamus. Reggiani, J. D. S., Jiang, Q., Barbini, M., Lutas, A., Liang, L., Fernando, J., … Andermann, M. L. (2023). Neuron, 111(5), 711-726.e11.

Brain State-Dependent Modulation of Thalamic Visual Processing by Cortico-Thalamic Feedback. Reinhold, K., Resulaj, A., & Scanziani, M. (2023). Journal of Neuroscience, 43(9), 1540–1554.

Mountains of memory in a sea of uncertainty: Sampling the external world despite useful information in visual working memory. Sahakian, A., Gayet, S., Paffen, C. L. E., & Van der Stigchel, S. (2023). Cognition, 234, 105381.

Inhibitory top-down projections from zona incerta mediate neocortical memory. Schroeder, A., Pardi, M. B., Keijser, J., Dalmay, T., Groisman, A. I., Schuman, E. M., … Letzkus, J. J. (2023). Neuron, 111(5), 727-738.e8.

Motor recalibration of visual and saccadic maps. Tyralla, S., Pomè, A., & Zimmermann, E. (2023). Proceedings of the Royal Society B: Biological Sciences, 290(1994).

Serial dependencies between locomotion and visual space. Wiesing, M., & Zimmermann, E. (2023). Scientific Reports, 13, 3302.

Subcortical encoding of summary statistics in humans. Zhao, Y., Zeng, T., Wang, T., Fang, F., Pan, Y., & Jia, J. (2023). Cognition, 234, 105384.