#Pandora Hades 2

[frosteee]

"Benevolent Lord Uncle Zeus" my arse - On Prometheus and Epimetheus and Pandora

I've been following the development of Hades 2's story and, like everyone, become absolutely infatuated by Prometheus (my GOD). It also got me thinking about his myth, and that of his brother Epimetheus and Pandora.

And, very VERY happily, it reunited me with a retelling of Pandora's Box that I haven't listened to since the early 2000s - a tape of several stories by Storyteller, of which Pandora's Box is one. It's wonderfully told, very immersive and emotional. I highly recommend a listen!

Anyway, in anticipation of Epimetheus's debut in the Hades series, I've been hyperfixating obsessing thinking about how his character might be interpreted.

[Mythology splurge ahead]

Epimetheus's name means "hindsight".

THE CREATION OF MANKIND

One version of the story goes that Zeus gave he and Prometheus the task of creating life on earth. Prometheus created mankind from clay, in the image of the gods, and Epimetheus created the animals. Epimetheus was also tasked with bestowing traits of the gods upon earth's creatures, to help them survive. So Epimetheus gave claws to one creature, scales another, and so on. But when he came to give a gift to mankind, he had no traits left to give them.

This was exactly as Zeus planned. Epimetheus did not have his brother's foresight, so he did not think to prepare for such an outcome. Zeus was satisfied with mankind's eternal dependence on the gods, weak despite being moulded in their divine image.

It was in this same spirit that he gave Prometheus the task of showing mortals how to properly sacrifice to the gods - in short, reserve the best parts for the gods and leave the offal for themselves - Prometheus defied him so that mankind would not suffer for the gods to stroke their egos.

After this incident, Zeus hid fire from humanity, so that they would be cold and hungry. And because Epimetheus had not given any traits from the gods, mankind was doomed to extinction. So Prometheus took it upon himself to steal fire back, as well as teach them on all kinds of subjects (mathematics, architecture, etc.) so they could advance and build civilisations.

And we all know how well Zeus took that.

TL;DR: Zeus sentenced Prometheus to daily, eternal torture because he did not let all humanity die like Zeus had condemned them to do, out of pure spite and ego.

Now back to Epimetheus. Many tellings of the myth of creation say it was his foolishness that caused everything to go wrong for mankind, as well as dooming his elder brother to his agonising fate.

But I don't personally see stupidity in his actions. Naivete, perhaps, in trusting Zeus to give him enough godly traits to bestow on all creatures, but then, what reason did he have at that point to think otherwise? He and Prometheus had sided with the gods in the war against the Titans. The Titan brothers did not live on Olympus, choosing to live on earth, but they visited and were on friendly terms. Should Epimetheus bear the blame for everything because he did not have the power to see the future? Again, Zeus chose Epimetheus specifically because he did not have that ability.

PANDORA

Then comes Pandora. Some time prior to her creation, before his final punishment, Prometheus had warned Epimetheus not to accept any gifts from the gods. He knew that Zeus was not yet done punishing humanity for his actions. After he was chained to the rock to be tortured for eternity, Epimetheus continued to live on earth among people.

Zeus ordered Haphaestus to create a woman from the earth, a "beautiful evil" whose descendents would punish humanity forever. After she was made, Athena and various other gods dressed her and gave her speech and other attributes before placing her on earth. She charmed any man she came upon. She took with her a jar containing "countless plagues" and evils. Her target was Epimetheus, and he accepted her and took her as his wife.

What could Epimetheus do? He knew what his brother had warned, but his brother was also the prime example of what happened to those who defied the gods. If Epimetheus rejected her, the gods could take the oppornity to make Prometheus's punishment even worse. And even if they chose to punish Epimetheus directly, the people his brother had made and loved would have no-one to champion them, and would likely be punished in his absence. He had stayed among men to help them like his brother had.

Epimetheus knew from hindsight - defiance meant suffering.

Unfortunately, compliance also meant suffering. Pandora had been made by the gods for the express purpose of punishing all mankind and ensuring their subservience. Despite Epimetheus's warnings, Pandora opens the box and releases the evil, while also allowing Hope to escape as well. Hesiod closes the tale with the moral "there is no way to escape the will of Zeus".

It's clear to me that Epimetheus was damned no matter what he did. The gods were set on punishing Prometheus's beloved people either way. It was more fitting to use his brother to do it, so they gave him Pandora, knowing he would refuse at his peril. Pandora opened the box because that is what she was made to do.

Hesiod may paint her as a wicked temptress, the woman who infected mankind to cause misery for generations, but she had just been born. She could only do what she was meant to do. She likely did not know what the box contained more than Epimetheus did, she was only compelled to open it. I'm sure Supergiant would agree that she was as much a pawn and victim of the gods machinations as her husband and brother-in-law.

That's another thing about this. Pre-Pandora, humans were composed entirely of men. There was no illness or hunger, everyone got along well, there was prosperity and wisdom, all thanks to Prometheus. It was a paradise because of Prometheus. Zeus made a woman specifically to destroy all of that, and ensure successive generations would be born into a corrupted world.

I somehow very much doubt Supergiant will integrate this part of the myth in their story, but regardless of the makeup of humanity at the time, it was paradise on earth, and the evils Pandora released upon them brought misery, pain and a death.

TORMENT

Epimetheus was set up to fail no matter what he did. His feelings on all that transpired can only be seen in some accounts, where he has another daughter named Metameleia, whose name means "regret of what has occurred".

The fact that he only had hindsight to work with only makes his tragedy worse. Looking back at what you could have done better is good if managed properly. But the human mind likes to ruminate on the past, and people are so often their own worst critics. Oftentimes hindsight distorts the past and we learn the wrong lessons, if any at all.

But how can one do better against the gods? No matter what Epimetheus learned, the gods were determined to get their way. His brother had paid a terrible price for tricking them to benefit humanity. Epimetheus tried to avoid disaster by appeasing them, but there is no way to escape the will of Zeus.

But despite being placed in an impossible position, made to lose no matter what, Epimetheus still feels regret. He believes it was his own choices, lacking the traits his brother had, that led to things turning out as they did. He blames himself for everything - his brother's fate, humanity's fate. Mankind was his brother's legacy, and it was their prosperity that made Prometheus's sacrifice meaningful, bearable. And under Epimetheus's watch, all of that was taken away.

In Epimetheus's mind, he took it away. His hindsight paints him as the ultimate fool, and he cannot forget it. If he had only done this...if he had only done that...

Wracked with guilt, Epimetheus is faced with the decay of humanity, Pandora's death. Whether he blames her at all or not, ultimately he blame himself most of all.

EPIMETHEUS IN HADES 2 (THE SPECULATION BEGINS)

So what next? Well, Heracles released Prometheus from his torture, allowing him to align with Chronos. Epimetheus would return to his brother's side carrying the weight of humanity's woes, a failure in every way. He failed his brother, he failed humanity.

Perhaps, in his younger years, Epimetheus was able to be carefree and forgetful because Prometheus was there to cover for him. Perhaps because his brother was wise, it was OK to be a fool once in a while, until it wasn't. But even if it had been forgetfulness and lack of preparation that made him neglect humanity, why was the price to pay so heavy?

Did humanity deserve to DIE because he forgot to check the number of gifts he had, did they deserve to DIE because his brother would not let them give their valuables to the gods, did they deserve to SUFFER AND DIE because Epimetheus, knowing how the gods punish defiance, accept the gift they gave him?

When Epimetheus does appear, I have little doubt he will be as handsome as his brother. They are, after all, twins, Epimetheus being the younger of the two. However, I imagine the psychological toll of everything he has endured, and continues to endure, would show upon him as well, as well as in his behaviour. Broken and desperate to make up for his past "failures".

Prometheus likely forsaw everything that was to happen. It seems he can see multiple versions of the future. But he himself states that while he does not know the "why" of his many premonitions.

He may bear resentment towards Epimetheus because of this, or perhaps, knowing his brother's good heart, and knowing the mercilessness of the gods, he would know why Epimetheus did what he did, without his little brother needing to say a word. Their relationship in present time may mirror Moros's feelings about the Fates: "Maybe they knew always that I would fail them, and loved me anyway".

This may only make Epimetheus feel worse rather than better. Perhaps he would want his brother to hate him as much as he hates himself. This could be a subplot between the two of them as the story progresses.

All he would want now is to atone, to help his brother in any way he can. All he has left is Hope, which Pandora released into the world to temper the evils. He has no belief in himself, only a desperate, obsessive desire to make up for his past passivity by fighting the gods head on, for his brother. Perhaps even by his brother's side. He has given himself entirely to his brother, and trusts his foresight. Perhaps he is the only one Prometheus entrusts his premonitions with, and whatever goals he has, Epimetheus knows.

Epimetheus created the animals, and gave them their special traits, so it would make sense for him to be dressed accordingly, and maybe have some animal friends to help him. Honestly, just thinking about that gives me all the fuzzy feelings.

I hope to see him soon, though I'll try not to get too caught up with my own imaginings. I'm sure whatever Supergiant do will be awesome, as always. Prometheus is already delivering.

Oh, and Zeus is a bastard.

[RAMBLE OVER, HAVE A GREAT DAY!]

[your-local-granny]

i feel physically ill i care abt her sm..

[cutesilyo]

you know how there was a running theme with the NPC encounters in hades? that sisyphus, eurydice, and patroclus were all involved in stories about being unable to escape death?

and its something thats explicitly discussed within hades itself, at least for sisyphus and eurydice. sisyphus had attempted to cheat death three times, one of the most notable being when he bound thanatos in chains. orpheus had found a way to bring eurydice back to life, but couldn't follow through with completing hades' challenge. achilles had a prophecy hanging over him during the war; die in glory at troy or live long unremembered. he chose the war and patroclus followed. they didn't survive. they are all different manifestations of the axiom zagreus is fighting against: that in hades, there is no escape.

so i was thinking. in the hades 2 playtest, we get dialogue from nemesis about how mortals had it better during kronos' time. we get dialogue from arachne too, about being distrustful toward the gods because of her curse.

i wonder if the running theme for the npcs in hades 2 will be people maligned by the gods in some shape or form.

arachne is already confirmed as the npc encounter for erebus. proud athena cursed her into being a spider. will we see victims of a love gone wrong in the next biome, like daphne perhaps? will we see those offered up for sacrifice just to appease the gods, such as andromeda or iphigenia? maybe those who were killed, perhaps unjustly so, because they dared fly too close to the heavens, like bellerophon or icarus? demigods that were cursed because of their birth, ala heracles? its long been a joke that the greek myths are just full of people suffering because of the incomprehensible acts of the gods. if hades 2 goes down this route, theres a lot of material to draw inspiration from.

and its an especially interesting direction because we know that its kronos waiting for us down the line. kronos, who ruled the golden age. when it comes to those wronged by the gods, you cant get much worse than being waged war against, your mountain stronghold so damaged from the attack that it loses height, and then being cut up into tiny pieces.

kronos, the crooked one. i bet he'd have a hell of a time trying to convince melinoe that the gods cant be trusted. and melinoe would be surrounded by all these narratives that would just prove his point.

just like how zagreus was in hades, who was surrounded by all these narratives about how death had no escape. and yet, his story is about how life and love bloom despite it. i cant wait to see what melinoe is fighting against now.

[jennabeevbe3]

This is actually a design of what I thought Pandora would look like in Hades before the Hades 2 test stream and we met Dora

Thought I’d share it

[greengreekeyes25]

I have a theory that Dora from Hades 2 was Pandora when she was alive, so I made up a design for her 👻

[thatlesbiancrow]

lowkey shipping Dora with Moros 🫣

[featherblaz]

uploading every kid icarus sprite on their own cus im TIRED of that sprite sheet

pit sprites

+ his body, 2 versions of that one tho cus only after i finished cleaning up the dull sprite did i find the other but its also kinda like, bad quality so idk, yall get both LMAO

Palutena | Viridi | Dark Pit | Pyrrhon + Magnus | Hades | Phosphora + Medusa | Pandora | Hewdraw | Other

[codenamethebird]

Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.

Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.

This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.

For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.

And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.

Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.

In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).

Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!

And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.

[goodboyaudios]

Anddddddd that's the end of ALL Gen 2 content! My efforts will now be solely focused on Gen 3 stories!

The following stories are of course:

Bastards vs Zombies (Hipswitch, Mahatma/Attila and Albus)

Birds of Valhalla (Huginn and Muninn)

Pandora (Hades, Zeus and…Poseidon??)

So, with lots of love, farewell Gen 2, ye were a golden age for me, and hello to Gen 3! We're going to have a lot of fun~

[iamlostandinneedofcoffee]

Crazy theory that I am 99.9% sure isn’t true but wouldn’t it be crazy if Dora was Pandora in Hades 2???

And that’s why she is more coherent than other most other Shades???

[saintseiya-zone]

We’re happy to announce the next SSZ Zine!

The theme will be Hades' Specter-focused and you can participate with fanarts, fanfics, photos and cosplays. Stay updated by joining our Discord!

Sign-up timeframe: 02-16/Nov/2024 23:59 UTC -6

Sign-up form: here

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Submission period: 26/Dec/2024 to 8/Jan/2025 23:59 UTC -6

Description (in text) and FAQ under the cut

[About the Zine]

Description: Dark, evil, and wicked, Specters are the final boss to face in the Saint Seiya franchise. Abandon hope all ye who enter here!

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Type: The final compilation of all fanworks will be a free, digital PDF file (no physical versions will be made, no money will be earned or paid)

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[Frequently Asked Questions]

May I draw whichever character I want? The purpose of this zine is to focus on Specters, so only characters that belong to this faction are allowed. There are more applicable characters than you think! Check the Reference List

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[writterracoon]

Hades 2

Lately, I've been a bit obsessed about Hades 2, I've been watching people play the test run , listening to compilations of interactions and scouring theories.

While doing all of that, I noticed something of a pattern, a theme that often came back and I think I may have found out one of the MAIN theme and conflict of the game and I've seen nobody talk about it yet, so here we go.

More under if you're not against being possibly spoiled.

I think one of the major themes of Hades 2 is going to be about Humanity and its complex relationship with the Gods, the way the gods treat mortals and the way mortals treat the gods.

here are my evidences

The interactions

the first thing that put me on this path was this interaction between Melinoe and Nemesis.

In this conversation, Nemesis and Melinoe are talking about Retribution and Justice and how Nemesis believes that Kronos taking over the underworld and challenging the Olympians may be what they deserve. Notice how Nemesis specifically mentions mortals and the Golden Age.

For those who don't know, in greek mythology the Golden Age was the first Era of Humanity and when Chronos was the ruler of the heavens. It was a time of peace and harmony for humanity where there existed no plague or famine, there was no need to work as they could simply pick their food from nature itself. They lived long lives, remaining youthful and died peacefully in their sleep.

Nemesis is I think trying to hint to Melinoe that maybe the situation is not exactly as black and white as it first seems and that humanity may have a bigger role in this than first thought.

A second interaction i want to bring to mind is about Moros and his relationship with mortals.

Here Moros admits that sometimes he because of was simply bored he would knowingly bring doom and pain to Mortals ending their lives painfully.

Archnea's interactions are also the strongest contenders for that theory, as they bring back that theme of divine cruelty, the gods view of mankind and how they callously treat them.

She has been wronged by the gods for the simple reason that she was better than them at something and they naturally couldn't stand it so they cursed her to live as a spider. She is filled with resentment for them and even warns Mel not to trust them. Also, note how she admits she fears the gods more than she fears Chronos.

2. Dora

Now Dora is a bit particular because we don't know much about her, but I have seen a theory and some interaction with Moros seem to be pointing toward it, which is that she might be Pandora, the original sinner of Greek mythology.

the myth of Pandora goes a bit like this: During the Golden Age, after Prometheus stole fire from the gods and gifted it to humanity, the gods decided to punish Prometheus by punishing humanity. They built Pandora, a woman beautiful beyond compare, and gave her a box full of the evils of the world. They then send her to seduce Epimetheus Prometheus's brother, who despite his brother's warning is promptly seduced by Pandora's beauty and welcomes her into his home. She then opened the box and released the evil of the world upon mankind, thus ending the Golden Age. Only hope stays inside the box.

Again if this is indeed true, it would follow the theme of the gods inflicting pain and suffering upon mankind for petty reasons, uncaring about the consequences of those actions.

3. Hades I

During the first game, many interactions points toward the gods general uncaring attitudes about mortals. Demeter thinks it was a mortal who stole her daughter away, so she decides that she will punish them all by starving them with an eternal winter. The other gods make almost mention of it only to say how much it annoys them.

4. Speculation

This part is not so much about evidences and more about speculations about the story of Hades 2 based upon my theory that mankind is going to be central in this tale.

The reason how Chronos is so powerfull, powerfull enough to free himself from Tartarus and claim the Underworld for himself, is that mortal were tired of being the gods' playthings and prayed to him, they prayed for his return, for the return of the golden age, where pain and suffering were unknown to them and the gods weren't using them for their own amusement.

The gods are going to have to deal with the fact that their poor treatment of humanity has consequences and those consequences are the return of Chronos and a second titonomachy.

Melinoe will propably have to face the fact that Chronos is wrong in challenging the gods and that the current status quo cannot be sustained any longer. The Olympian gods will have to change how they treat mankind if they wish to even have a stand a chance against chronos.

(TLDR, The Olympian gods have treated mankind like shit for a long time and now they are dealing with the consequences of those actions when the mortals are praying to Chronos to come back and restore back the golden Age where their lives weren't even half as awful. Melinoe will have to deal with the fact that her family might very well deserve what is happening to them and if she wishes to save them, the gods will have to change.)

[jinx66]

once upon a timeline

okay so i've been obsessed with ouat recently with my rewatch and i was looking into Henry's weird ass family tree and oh my god i need to put this out there because why.

for starters i've only included big plot points or villains and main characters etc so none of the side plots but also i've realised how weird some of the age gaps are.

oh yeah also ouat likes to fuck with their timelines and historical context so i have gone with the basic dates that make sense based on what the characters in the show actually say.

the dates are what they would be in the real world not in ouat logic.

pre-main timeline

Ancient Greece - zeus and hades happen (season 6)

ancient greece but later - orpheus and Euridice and pandora's box happen

between 400-500AD - the Holy Grail and Merlin and Nimue

1650's-1660's - Mother Gothel leaves the new land without magic

1770- Malcolm is Born

1804- Rumplestiltskin is born, Malcolm is 34

1808- Rumple is abandoned, Peter Pan becomes a fae trickster tumblr meme

1845- Baelfire is born, Rumple is 41

1859- Bae arrives in england, Rumple is 55

1947- Zelena is born and abandoned

1948- Cora and Rumple have their weird affair

1949- Regina is born

1955- Snow White is born

1973- Regina sends the huntsman after snow, Snow is 18, Regina is 24

23/3/1977 - Neal (Bae) chooses this as his fake birthday

22/10/1983 - Emma is born, the curse is cast

1991 - Neal escapes neverland and comes back to the land without magic

15/8/2001 - Henry is born, Emma is 18, Neal Cassidy is 24

22/10/2011 - Emma arrives in Storybrooke

13/5/2012 - The curse is broken.

so some of the dates are based on when episodes aired and things such as when the curse breaks and when emma arrives in storybrooke. other dates are based on easter eggs in the show like Neal's birthday. so i realised that Neal had to have landed back in the real world in 1991 because he was 14 when he got to neverland and obviously didn't age so working backwards those dates make sense.

however... emma was 17 when she got pregnant with henry and at best Neal is 24 but at worst he's 156 years old! i mean what the fuck. and he has to be that old because he tells Emma that technically "I should be a couple hundred by now" (2,15). so at the oldest he can be with Neal's Once upon a time maths education the earliest he can be born is 1845 because big ben isn't built until 1859 which is the absolute earliest that he can be in old england.

the rest of the dates i managed from working backwards from when the curse was broken and cast and from small things the characters say. In the first episode of season 2, Emma says that her and Mary Margaret were the same age which means that the 10 year war she has with regina that ended with the curse started when she was 18.

so what i've found from this is that Henry's family tree back to his paternal great grandad literally spans hundreds of years. the average life span for these fuckers is about 100. basically they're a family of elves and you can't convince me otherwise.

[surachibee]

if you’ve been following a lot of my recent stuff, you’ve probably noticed (or maybe you haven’t, idk!) that I’ve been tagging a few art posts as ‘pitverse’. You’ve also probably noticed that I’ve provided no context to these posts what-so-ever! and that sucks! So to explain a bit, I present:

”surachi what the heck is pitverse”

Okay, first. ‘Pitverse’ is a working title. Maybe. It’s cheesy, but I kinda like it because it’s cheesy.

Anyways, if you’ve been following me for a while, you may or may not remember this art where I designed a bunch of pits that were loosely based on the different ending to the original Kid Icarus on the NES. Some took influence from different places (eg. the solider ending heavily drawing inspiration from Kid Icarus: of Myths and Monsters) and some were completely made up (eg. the farm ending’s design). It was fun! And it pretty much started this whole idea to begin with.

I’d draw some stuff here and there for it, but other than that I never really did much with the idea other than ‘oh hey look designs’. That is until it came up again a couple years later when I started to get *really* into oMaM stuff, which led to me coming back to the idea of a weird multiverse thing.

Thanks to a few friends, we talked about it and eventually it became like a four-swords adventure multiverse labyrinth thing. Pandora’s Labyrinth times twelve. So as it is right now, it’s like a hypothetical game where some new *evil big bad* takes a handful of Pits from different universes/timelines and plops them into some pocket dimension of different levels and challenges, and together, they have to find out what the heck going on.

Right now, I think I’m gonna try to keep it to three Pits for simplicity sake. Obviously, Pit from Kid Icarus: Uprising has to be here, that’s our guy. He’s also the protagonist! He’s left relatively unchanged in this AU. This also takes place in a post-game setting, so he’s already fought Hades. This applies to the other guys as well, even if their hypothetical “games” and adventures aren’t actually real (Factor) or heavily rewritten (Myth) here.

Good news is that Uprising Pit can still communicate with Palutena! But he’s the only one out of the bunch that can. (Would’nt that have been nice? Imagine all the work you could get done with THREE Palutenas [haha reference]). In this AU’s logic, Uprising’s world in the pocket-dimension what-ch-ma-have-it space is closer to the one where this takes place, so (Uprising) Palutena is able to establish a decent enough connection to at least communicate, though it’s not the best. The other Pit’s worlds are further away, so communication with their respective realms are off the table. This also causes other problems like occasionally “bugging out” and forgetting stuff since they’re so far from their original worlds. So Uprising Pit got kinda lucky.

Speaking of other Pits, there’s other Pits! Both of them draw inspiration from things previously done/involved in the franchise so they’re not entirely made up, but they do stray pretty far from their source material. Anyway..first, we have Factor! He’s heavily inspired by Factor 5’s rendition of Pit from their “Icarus” project back in 2007-2008 that was turned down. Here, this AU’s interpretation of the idea is a little more in line with the franchise’s overall light-hearted and goofy nature. (In this AU the Pit’s are taken from different points in time, so he would’ve been plucked from the future. I did this so 1. They all could look visually distinct from each other, and 2. the thought of Factor going “oh he doesn’t know about [x] yet” or Uprising Pit insisting Myth to NOT go after the wish seed in the future was funny.)

Next…there’s Myth! He’s based on Kid Icarus: of Myths and Monsters, and besides a few plot points he’s pretty much just a modern take on the character. He was easier to pin down because while the concept of Factor’s story was interesting, being banished from the heavens for some unspecified crime, it’s pretty vague in comparison. With Myth, there’s an entire game with a plot to go off of, even if this AU strays a bit from it.

That’s pretty much the basics of this AU! Just a couple of Pits going on an adventure getting into other-worldly shenanigans. I’m having a ton of fun with it and hopefully I can develop the idea more as I go along. Thanks for reading! There’s some extra footnotes and miscellaneous doodles below.

• This AU follows the idea that oMaM takes place in a different timeline than Kid Icarus: Uprising, hence it not being referenced (at least not on purpose, I’m looking at you aurum track accidentally having the same intro motif) or mentioned. Plus y’know, Sakurai not knowing it existed so there’s that. Might as well rework it into a weird explanation. (coping)

• All of these worlds take place in different timelines, so Factor isn’t an older version of Uprising Pit, nor is Uprising an older version of Myth. They’re all still Pit, and all of them have fought Medusa, but it had different outcomes (somewhat based on the endings) and at that point they diverged from each other. • I’ll probably change the naming of the Pits at some point. While they’re good right now, I’m not sure if I wanna keep Factor named after a company. Might have their names based off the titles of their respective games, so instead of “Factor”, “Myth”, and “Uprising” it’d be “Icarus” (based on the project’s internal name), “Myth”, and “Uprising”.

[direwolfrules]

Hades 2 spoilers below:

Is now when I remind everyone that Pandora’s box was actually a pithos jar?

[daisythecomic]

Dora hades 2 could very much be Pandora but no one but me wants to talk about that