#PVRIS All We Know of Heaven All We Need of Hell Review

[music-eavesdroppers]

Pvris.- "All We Know Of Heaven, All We Need Of Hell"

Pvris.- "All We Know Of Heaven, All We Need Of Hell" Review

“All We Know Of Heaven, All We Need Of Hell” is the sophomore album of Pvris. A trio composed of Lynn Gunn on the guitar/vocals, Alex Babinski on the guitar, and Brian McDonald on the bass. This band made a huge impact and imposed itself in the genre starting 2014 with the album “White Noise” and even gets to touch a bigger crowd with their latest work. The songs on this album are stretched to…

[fluidalbumreviews]

PVRIS - All We Know of Heaven, All We Need of Hell

As you might now, festivals are a continuous string of decisions. Clashes in the timetable can make or break your perfect planning. Take me, for example. I deliberately missed PVRIS’ set at a festival last week, because their show overlapped with none other than Sean Paul’s. For now, I don’t regret that decision, but maybe All We Know of Heaven, All We Need of Hell can change that

While their debut album White Noise was described as “powerful rock with a touch of pop”, that dynamic seems to have shifted for album two. Lyndsey Gunnulfsen and her men are less prone to hide their love for pop music, resulting in some kind of synthpop for people who think they’re too cool for synthpop. Consequentially, their music increased in hit potential, without the band losing any authenticity.  

This change seems partially due to Lynn’s voice. It sounds like the singer started to pay closer attention to it, causing the rasp in it to sound less forced and the calm moments to show some technical improvements. Whether the effects and audible autotune are a stylistic choice or a necessity, is ambiguous. However, what is certain, is that all those different vocal layers strongly add to the dramatic and theatrical atmosphere this trio maintains throughout the album.

Thanks to this dramatic and dark approach, AWKOHAWNOH stays coherent. This Massachusetts three-piece works hard to translate their black-an-white aesthetic into their music, and it shows. Not only Lyndsey’s personal lyrics and the effects on the vocals add to the dark atmosphere, also their strong use of dynamics is what sets PVRIS apart from their colleagues. Both in the calm verses and grand choruses the band knows how to impress.

PVRIS seems to be no longer afraid to be themselves. Even though they always profiled themselves as an alternative band, they don’t hesitate to embrace pop anymore. As a result, this album sounds more natural, without needing to compromise any of the authenticity or power they displayed on White Noise. Maybe I should consider looking into their upcoming tour dates.

Release date: 25th of August 2017 Label: Rise Records

[bradlaplante]

PVRIS surprise and anticipate on new album, ‘All We Know Of Heaven, All We Need Of Hell’ (review)

PVRIS: All We Need Of Heaven, All We Know Of Hell August 25, 2017 (Rise Records)

For the last two or three months, I’ve been thinking about the future of pop music and pop bands alike. Clearly the 1975 have received a lot of mainstream attention from fans with the last release of I like it when you sleep…, but from my understanding, two bands with female vocalists come to mind when talking about the future of pop. One is Hey Violet who released their debut From the Outside earlier this summer. The second is PVRIS who, in August, released their sophomore full-length effort entitled All We Know Of Heaven, All We Need Of Hell. I know, it sounds extra and flashy, but I promise this album shows some serious framework for moving on past the trios lovely debut White Noise and on to the next chapter.

In order to fully love AWKOHAWNOH it needs to be understood that this album isn’t White Noise. Whereas their debut was very loud with an in-your-face attitude (see: “My House”), this new record sacrifices a lot of the standout qualities of the debut’s best tracks in order to make a better full album. The album’s three openers “Heaven,” “Half,” and “Anyone Else” flow into each other very well. If they wanted, they could all be one single twelve-minute song. It’s not until “What’s Wrong” that we see much angst-filled emotion from frontwoman Lyndsey Gunnulfsen, which is an incredible song that could easily take place as a fan-favorite single destined for airplay on alternative radio.

Deeper into AWKOHAWNOH is where some of the more pop-focused tracks concede within. “Same Soul” is a personal favorite, but something that bothers me is the main chorus line, “I’m just a body that you used to know,” which has direct similarities to Gotye’s “Somebody That You Used To Know.” Another favorite is the following cut, “Winter,” which in mood terms, offers the same that “Same Soul” does. Something that struck me as odd with “Winter” is that it’s very melodic and the pop-ness of the track has so much potential but the chorus falls flat in terms of how big it could be. I still definitely adore the song, but a lot of these songs actually have that same disappointing quality to them where they could blow up so big, but might not since there’s no capitalization on some of these.

Much of this album is definitely good and personally, I like it more than White Noise but I’m definitely not seeing fans have the same hype that they did with the previous. I can see this as an in-between album; something PVRIS is proud of, but anything coming in the future will be lightyears ahead.

bRADical: “What’s Wrong”

[writtenbythemusicreviews-blog]

Album Review: All We Know of Heaven, All We Need of Hell by Pvris (2017)

Pvris has been one of those bands I’ve known about, but never got around to listening to a full album of theirs. Man! Have I been missing out. The lead singer’s voice is impressive for someone in the genre. It is the right mix of breezy alternative vocals and rock gravel. The overall album’s sound is more electronic than I was expecting, but it created a dark and mellow combination that is intriguing. While there were some rough transitions between songs, it was an impressive introduction to a band I should’ve listen to awhile ago.

Key Tracks: “Heaven”, “What’s Wrong”, “Separate”

[musiclifeline13]

My thoughts on the new @thisispvris record 🤔🖤

[lunapaper]

It’s not a video, it’s a visualette. And if you like the idea of watching Lynn Gunn surrounded by darkness in a beautifully ornate room, you’re in luck...

In keeping with the Victorian Gothic theme we first saw in the videos for ‘Heaven’ and ‘What’s Wrong,’ PVRIS’s ‘Half’ sees Gunn stare down the viewer with a smouldering gaze, a blistering performance filled with such incredible conviction as she battles with her inner torment: (’Never wanted to be here now/One foot in the grave, other on the ground/I can process what I’m feeling now/This skin I can do without’).

PVRIS’ new album All We Know Of Heaven, All We Need Of Hell is out now.

- Bianca B.

[i-am-unfinished]

Hey everyone, here's this week's review; the two singles from PVRIS's upcoming August release, "All We Know of Heaven, All We Need of Hell". Check out the songs (there's links in the review), check out my thoughts, and let me know what you think!

[mitchiemusicreviews-blog]

MUSIC BITES - ALL TIME LOW// Life of the Party  & PVRIS// Heaven

This week’s Music Bites comes as a double whammy. Both PVRIS and All Time Low have released new music for us to digest. 

Life Of The Party is probably the best single from Last Young Renegade so far and I’m a lot more excited for the album which comes out in June.  

The song speaks of nights of drunken hazes and clumsy regrets. It may have this anthem-arena feel to it but it’s quite a sad song; a seemingly cry for help - “in the sea of strangers, I can't find me anymore, I can't find me anymore” practically screams Alex during the song and it hurts more each time. 

The instrumentals in the song are very clean. Zack Merrick’s bass is present and in the background; it may be subtle at first but it comes out and attacks you by the end of the song. Rian Dawson’s drumming keeps a steady pace in the background. Maybe it’s just me but I couldn’t hear Jack Barakat’s guitar until the bridge. Alex provides powerhouse vocals as normal. 

The song begins and ends with synth beats which may catch you off guard on first listen and it has been present since Dirty Laundry. The good thing with All Time Low is that they know how to use synths and not rely on them like other bands (I’m looking at you, Fall Out Boy). 

I’m now really excited for the new album and this is definitely my favourite single so far. 

RATING - 4.5/5

“You took my heaven away” Lynn Gunn aggressively sings. The amount of passion and hopelessness in this song blows my mind.  

The solemn piano at the beginning is very melancholy. Lynn is reflecting on a past relationship gone sour and it had a bad impact on her. At this point of the song, she seems broken but gets progressively angry. 

The chorus is just “You took my heaven away” repeated but Lynn provides strength and angry vocals like, “you took my heaven away and you WILL pay for what you did to me” type of angry. Alex and Brian come in with their instruments in the chorus with their amazing drums and bass guitar. The bass in the second chorus melts with Lynn’s voice. 

The band are known for their airy synths which are still here and makes the song angelic. 

They announced their new album “ All We Know Of Heaven, All We Need Of Hell” which comes out in August. 

RATING - 4/5

[themusicenthusiast]

Single Review: "Winter” by PVRIS

The lead single from the All We Know of Heaven, All We Need of Hell (due out on August 25th via Rise Records) was rather true to form for PVRIS, though the subsequent track released offered a deeper glimpse into the trio’s creative minds. And “Winter” continues that streak, the latest track released from their forthcoming sophomore album exposing another layer of the band as they prove they still have some tricks up their sleeve. On the surface, “Winter” is unmistakably PVRIS, that much is certain after listening just a few seconds. But the further one gets into it, the more different it becomes. Those nuances are found largely in Lyndsey Gunnulfsen’s voice and the effects used on it, some subtle reverb peppered in, adding a nice touch, while other effects make her delivery sound soupier. Despite being highly produced, the track never sounds or feels that way, at least not in excess. Their heavy use of synths and electronics complement it. Because of that, “Winter” just has a different vibe for most everything else PVRIS has released. First and foremost, it’s a rock song with various other influences incorporated into it, though it also possesses a dance-y vibe that transforms it from being an otherwise catchy song into one that is absolutely infectious.

As I said, there’s no doubt that it’s PVRIS, though there are some other qualities woven into this one that paint them in a new light. It’s refreshing to an extent, hearing them get out of their comfort zone and push their boundaries a little further while still honoring who and what they are, not sacrificing an ounce of their traditional style that has defined them. Musically, it’s engrossing, and lyrically it’s riveting, depicting a story of a relationship that was more about the physical instead of providing anything of legitimate substance, ultimately growing tired of the cold confines and what it failed to provide, getting out to search for something better. Almost dreamlike, “Winter” is an excellent mix of more prominent pop elements and an unrelenting rock persona. To an extent it does stifle Gunnulfsen’s full prowess as a singer, never providing her a moment to dig deep and truly belt out a line. Nevertheless, she sounds every bit as impressive as always, she, Alex Babinski and Brian MacDonald having created something marvelous together and “Winter” further testifies to that. Pre-order All We Know of Heaven, All We Need of Hell on: iTunes | Google Play | Amazon MP3 Visit PVRIS’ websites: Official Website | Facebook | Twitter Current Shows: August 18--Lowlands Festival--Biddinghuizen, Netherlands 19--Pukkelpop Kiewit--Hasselt, Belgium 26--Reading Festival--Reading, United Kingdom 27--Leeds Festival--Leeds, United Kingdom September 1—Bumbershoot--Seattle, WA 9--Beach Ball Festival--Kansas City, KS 15--Shoreline Amphitheater--Mountain View, CA 16--Music Midtown Featival--Atlanta, GA 18--Red Rocks Amphitheater--Denver, CO 20--Usana Amphitheater--Salt Lake City, UT 22--The Novo--Los Angeles, CA 24--Life Is Beautiful--Las Vegas, NV 25—SOMA--San Diego, CA 26--The Van Buren--Phoenix, AZ 29--The Bomb Factory--Dallas, TX 30—Emos--Austin, TX October 1--Warehouse Live--Houston, TX 3--The Ritz Ybor--Tampa, FL 4--Hard Rock Live--Orlando, FL 6--Marathon Music Works--Nashville, TN 7—FILLMORE--Charlotte, NC 8--Electric Factory Philadelphia, PA 10--Terminal 5--New York, NY 12--House of Blues--Boston, MA 16--9:30 Club--Washington, DC 17—Rebel--Toronto, Canada 18--Club Soda--Montréal, Canada 21--Skyway Theater--Minneapolis, MN 22--Riviera Theater--Chicago, IL 23--Palacio de los Deportes--Mexico, Mexico November 2—Theaterfabrik--Munich, Germany 3—Dynamo--Zurich, Switzerland 4--Magazzini Generali--Milan, Italy 6—Flex--Wien, Austria 7--Lucerna Music Bar--Prague, Czech Republic 8--Huxley's--Berlin, Germany 9—Docks--Hamburg, Germany 11—Pumpehuset--Copenhagen West, Denmark 12—Fryhuset--Stockholm, Sweden 13—Rockefeller--Oslo, Norway 15--Live Music Hall--Cologne, Germany 16--den Atelier--Luxembourg City, Luxembourg 17--Tivoli Ronda--Utrecht, Netherlands 18--Elysee Montmartre--Paris, France 19—Trix--Antwerp, Belgium 22--O2 Academy--Bristol, United Kingdom 23--O2 Academy--Birmingham, United Kingdom 24—Academy--Dublin, Ireland 25--Mandela Hall--Belfast, United Kingdom 27--O2 Academy--Glasgow, United Kingdom 28--o2 apollo--Manchester, United Kingdom 30--O2 Brixton Academy--Brixton, United Kingdom

[musikblog]

Lynn Gunn (PVRIS) über die Bedeutung des politischen Aktivismus PVRIS veröffentlichten 2017 knapp drei Jahre nach ihrem Debütalbum „White Noise“ (2014) dessen Nachfolger „All We Know Of Heaven, All We Need Of Hell“ (2017) mit Tracks wie „Heaven“, „What’s Wrong“ und „Anyone Else“. Laut MusikBlog Review „[beklagt die Band] auf ihrem pointiert betitelten Zweitwe... #PVRIS https://www.musikblog.de/2020/08/lynn-gunn-pvris-ueber-die-bedeutung-des-politischen-aktivismus/

[pvris-updates]

Soundcheck Live did a review on AWKOHAWNOH and rated 10/10

Some Quotes:

“In conclusion, ‘AWKOHAWNOH’ has all the ingredients to be the perfect album.“

“With plenty of flare, character, creativity, and a little diversity, PVRIS have crafted a fantastic second album”

“It may have taken some time to arrive, but ‘All We Know Of Heaven, All We Need Of Hell’ has certainly been well worth the wait.“

[ripren-blog]

pvris- all we know of heaven, all we need of hell review

all we know of heaven, all we need of hell is the sophomore album by alternative rock group pvris. i heard a couple songs of their first album (white noise,) but none of it stuck with me. a big problem with this album is that i don’t think any of it is gonna stick with me just like the last one. almost every song on the album so similar to the one before it and after it, and they never seem to want to explore more sounds. in my opinion they just sound so bland, like the default template for moody, radio-friendly alternative rock.

favorite songs: half, what’s wrong, no mercy

least favorite song: walk alone

overall: 3/10. they could probably be a lot better if they would get a little bit out of their comfort zone and if their songs didn’t drag on for so long with the same sound. recommend albums if you’d like!

[music-vinyl]

Album Reviews: My Top Four Albums of Summer 2017

These album reviews are about my four favorite albums from this summer and are all completely written from my opinion. These are the first album reviews I have ever written so please excuse if they aren’t that great yet, I’m hoping to improve with time. Thanks!! 

4. All We Know of Heaven, All We Need of Hell, PVRIS  Although the release date of AWKOHAWNOH was pushed back to the very last week of summer, the sophomore album from PVRIS was a great way to close the season. From the opening to final track, the album gives off a very refreshing yet dark sound, fitting the band’s aesthetic perfectly. From Lynn’s captivating vocals on Same Soul to the deep bass in Nola 1, I was left wanting more from the trio. The release of the album itself was a bit underwhelming, considering 5 of the 10 tracks were already available as singles from PVRIS before the whole album was officially released. Nonetheless, I will without a doubt be playing this album long after summer is over.

Notable Tracks: No Mercy, Heaven, Winter

3. Good For You, Aminé  Prior to the release of Good For You, I had never listened to Aminé, asides from his hit, Caroline. However, after spontaneously listening to one song off the album, I was hooked. A stand out track for me on the Portland rapper’s debut studio album is Heebiejeebies, featuring Kehlani. The duet is a nice touch to the album, making up for skippable tracks like Sundays and Money. Aminé makes it notable that he is more than just a rapper, and can sing too, as shown on tracks like Blinds and Veggies, and I wish he had sung a little more throughout the songs. The cover art is a great way to pull the project together, showing Aminé’s humorous side.

Notable Tracks: Yellow, Hero, Dakota, Slide

2. Funk Wav Bounces Vol. 1, Calvin Harris Calvin Harris’ Funk Wav Bounces Vol. 1 took me a few listens to get into it, but once I understood the vibe of the album, I was all in. With features like Frank Ocean, Pharrell, Khalid, Kehlani and Nicki Minaj, it’s obvious that Harris can pull together one hell of a team. This album has a very different sound than what fans are used to hearing from the EDM artist, it’s very funky and less electronic than his previous albums, and I would like to hear more of this side of him. Slide and Feels were definitely two big hits off the album, but don’t let them have you overlook other attention worthy tracks like Cash Out and Faking It. Will we hopefully be getting a Vol. 2?

Notable Tracks: Rollin, Hard to Love, Heatstroke

1. hopeless fountain kingdom, Halsey Halsey’s hopeless fountain kingdom is easily one of the most carefully crafted albums I’ve ever listened to. From her connecting lyrics in in songs like 100 Letters and Lie to the continual story line throughout the album about two troubled lovers, Halsey has proven to be more than a songwriter and more of a storyteller. The follow up to her platinum debut album Badlands, HFK does not disappoint. Each song has a different sound to it, giving the album a unique flow. From the disco-y Alone to hip-hop influenced Don’t Play and ballad Sorry, Halsey is sure to provide a song that will please everyone.

Notable Tracks: Angel on Fire, Heaven in Hiding, Eyes Closed

[dylanreviewsthings]

PVRIS' "White Noise" Is A Masterpiece Of Emotion

There will always come a time when you find yourself feeling as if life is constantly kicking you down deeper and deeper. Try as you may to stand up, more weight falls on your back and that power begins to hit you. It grows and festers until it becomes too much to bare, and sometimes that pain may take you over.

It may not be possible to avoid that pain, but there are ways to get through it. One of those ways is to know you're not alone. PVRIS is a relatively new band on the scene, but their music will help you feel that no matter what you're going through, especially if its something painful regarding love. PVRIS' White Noise is a masterpiece of emotion, drawing every single word and sound straight from their hearts.

It is very hard to really make your emotions be heard in a powerful way, but PVRIS manages to do it in every song. Opening track 'Smoke' brings the record to a driven and commanding start, Lynn Gunn's vocals smoothly and searchingly soaring above the punchy drums and dreamy guitar. Gunn cries out in the name of love as she sings about a relationship that she's grown indifferent to. A major theme of White Noise is taking yourself back in the face of something tragic, seen also in one of the band's signature anthems 'My House.' The synth rock song is beautiful orchestrated, building up as the emotion swells, the epic bridge breaking down in one glorious blaze before the final chorus kicks in and the entire song comes to a climactic end.

With taking yourself back also comes losing yourself. Title track 'White Noise' does this amazingly, the more restrained but somewhat lost atmosphere perfectly emulating a certain driven emptiness that you would feel in yourself. The song sees Gunn wishing for someone to come to her or to return to her, the chorus heartbreakingly chanting "I'm watching, I'm waiting / I'm aching / Suffocating / I'm breathing, I'm speaking / Can you hear me? I'm screaming for you" as she sings of wishing this person would come back to her. The bridge brokenly sings "Sick of the lack of signal, sick of the lack of touch / Sick of the static voice / It's not enough, it's not enough / Baby, it's hard to be just what you need when all I speak is static screams / Can you hear me" as she sings about being tired of the barriers between them, wishing that they'd see through all of them and just hear the words she's saying.

There aren't many bands like PVRIS out there - they have such a unique sound, and this being their debut album, this set a powerful standard for them. From the beautifully sparse and blissful instrumental of 'Holy' (despite its almost mocking lyrics) to the aggressive electronic rock anthem that closes the record 'Let Them In,' PVRIS shows their diversity from track to track. 'Eyelids' brings about a haunting theme, the instrumental perfectly illustrating the feeling of waking up from a dream just to face the real nightmare. You can't ignore Gunn's voice, either, as every word she sings feels incredibly powerful and straight from her heart. There's no one else like this band on any end of the spectrum. Two bonus tracks on the deluxe edition, 'You and I' and 'Empty,' show a different side to the band as well, also featuring a sort of progression. 'You and I' is heartbreaking on every end, similar to 'White Noise' and it's longing to be noticed. 'Empty' is incredibly beautiful with its amazing vocals and sparse instrumentation. Gunn's lyrics are incredible and add a new depth to the record.

PVRIS' White Noise is a masterpiece of emotion. It's the perfect representation of a broken heart from every angle: from the pain of wanting someone to come back to the difficulty of moving on. It's tragedy wrapped up in beautifully constructed music that sends one important overall message: if you're hurting, you are not alone.

Favorite Tracks: White Noise, My House, St. Patrick, You and I, Let Them I

Least Favorite Track: Ghosts

Rating: 98 / 100

Stay tuned for our review of their new album All We Know Of Heaven, All We Need Of Hell later tonight. Stream or buy White Noise on Apple Music:

[aleasesrestaurant]

Album reviews 12/5/18

Brand New- Science Fiction: They've gone full alternative. That's... unexpected. Not that I'm broken up about the loss of another post-hardcore band. That said, this didn't really strike me as anything but quiet and dour, until the penultimate track, which is a real banger. Better late than never? 4.5/10

DOLL$BOXX- Dolls Apartment: I cannot remember why I went looking for this. I have to imagine it was because they're an example of kawaii metal, which is about the strangest music genre I would actually want to listen to. And, well, they actually kind of sound like your standard female-fronted hard rock anime intro with occasional bouts of screaming, which is different. Not a bad intro to the genre, but they're no Babymetal. 6.5/10

Grizzly Bear- Painted Ruins: Really boring indie rock. They've got some strength with vocal harmony, but when the instrumentals are just random four-bar strums, there's not a whole lot worth listening to. 4.5/10

Neck Deep- The Peace and the Panic: It feels like I just recently found these guys, and here they are again! I instantly liked this more than their last release; they've grown just enough to take the edge off their sound without losing what's made them quickly my new favorite pop punk band. This kind of runs out of steam by the end, but it's good to see where they're headed. 6.5/10

PVRIS- All We Know of Heaven, All We Need of Hell: How a V is supposed to be pronounced as an A, I will never understand. Liked this pretty much immediately, alt rock with a female singer who's got a really good range. I want to compare them to Flyleaf? But it's not a perfect comparison. I look forward to their next release with some excitement! 7.5/10

[pvrisisart-blog]

• My Review of the Music video of Heaven by Pvris • On April 30, 2017 Pvris released their new song Heaven from their anticipated new album All We Know Of Heaven, All We Need Of Hell. It’s been a long time since we’ve heard new music from Pvris, but it was certainly worth the wait. Less than 24 hours after the release of the song on a Live BBC broadcast, we received a music video for the song as well. It’s in black and white, it seems to match the setting of the teaser trailer they uploaded a week ago. It starts off very slow and almost somber with the piano being played by Lynn, as she starts off singing the first verse, mixed with some electronic beat in the background. Lynn leads into the chorus with a powerful lyric “You took my heaven away”, which is the title of the song. Drums enter the song in the middle of the chorus and they’re extremely powerful and matched the chorus precisely. While Lynn is walking around in what seems to be a abandoned mansion, her band mates are following closely behind under black veils. Flashes of Lynn in a bedroom flash in and out, while continuing to sing the chorus and verse two. While Brian is suddenly being suffocated with a plastic bag and Alex is having what seems to be a heart attack. Lynn is shown with a knife in her back and her shirt being torn apart by interpreted ghosts. The music video ends similar to the way it began, with a slow somber sound. Overall I thought the music video was very powerful and directed very well. It was certainly very aesthetically pleasing. I enjoyed the story and how it really brought the song to life. I would definitely recommend you go check out the music video for Heaven, by Pvris. (My very first public review, I’m still learning) @thisispvris