#PDP-8/F
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Digital Equipment Corporation PDP-8/E, /F, and /M, 1972.
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Game dev skills roadmap (DRAFT1)
"From the top to the bottom and then back up again"
F# + C# (Unity, "Nu", FNA or whatever else fits me best there) -> Godot's GDScript + C (C23 Edition?) -> SBCL (Common Lisp, together with the "Trial" game engine) -> PDP-15 + PDP-8/e PAL (aka programming things in low-level Assembly & iterating on all things low-level hardware down to Unit Record Equipment & analog triode-logic... ) -> Zorua (my very own tribble-based Data Processor Architecture) -> DEC Alpha-tier computer system (possibly for a collaboration with Tuxedo Computers?) ;
Projects to try out using that roadmap
Dice tilecrawl terrain with MegaOCEAN NPCs (PixelCrushers + Unity)
First person perspective games (Juicy FPC, Qodot... in Godot)
Responsive "desktop" modular addventure (Legal-Paper-Zine Flatgame... in the "Trial" game engine)
"The Elder Scrolls 2: Daggerfall" total conversion for my retro-futuristic constructed world
Zelda1+Zach-like "software toybox" as virtual "social" filesystem?
PDP8/e + PDP15 retro first person perspective "dungeon crawler" (see from retro Usbourne programming books' collection... and derive from there)
?
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By • Olalekan Fagbade Shaibu’s Governorship declaration renews fresh crisis with Obaseki in Edo Fresh hostility is brewing between Edo State Governor Godwin Obaseki and his deputy, Comrade Philip Shaibu, over next year’s gubernatorial contest. The deputy governor will declare his intention to succeed his boss today in Benin City, the state capital, on the platform of the Peoples Democratic Party (PDP). However, the declaration will pale into a flexing of muscles between Shaibu and his boss at Eterno Hotel, Aiguobasimwin Crescent, off Ikpokpan Road, Government Reservation Area (GRA), where Obaseki’s supporters are also converging for a meeting. Shaibu’s declaration is coinciding with the fourth meeting of ‘Finish Well Group,’ which is the main structure of the governor in Edo PDP. While the meeting of the group kicks off f at 7:30 a.m, Shaibu’s supporters are expected to storm the same venue at 8.am. A source close to the deputy governor said: “It (the group’s meeting) was merely posted to disorganise us, but we remain unshaken.” Shaibu, who hails from Edo North Senatorial District, has been at loggerheads with his boss, who has not endorsed his bid to succeed him in next year’s election. The deputy governor, who had earlier reiterated his loyalty to Obaseki, who hails from Edo South, has insisted that he will contest for the poll. However, Obaseki is believed to be rooting fora Lagos-based lawyer, Asue Ighodalo, who hails from Edo Central, as successor.
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Significant Events 1960-1975 that could’ve effected branding.
1956 Japan becomes member of the UN.
1960′s - UK - For the first time, virtually all houses had electricity.
1960′s - UK - The first supermarkets opened – mainly in town centres. Now you could buy all your food in one shop.
1960s popular music began to diversify and more sub-genres emerged as the worlds of R&B and Rock 'n' Roll became more profitable.
1961 Soviet Cosmonaut Yuri Gagarin becomes the first person in space. One month later, Alan Shepard becomes the first American in space.
Live trans-Atlantic satellite television via the Telstar satellite was made possible in 1962.
1962 The first computer video game, Spacewar, is invented.
1962 The Beatles release their first single, "Love Me Do," in the United Kingdom.
1962 Sam Walton opens the first Wal-Mart store in Arkansas.
1963 United States President John F. Kennedy is assassinated by Lee Harvey Oswald.
The Beatles began their career. They leapt to fame in 1963 with 'Please, Please Me'.
1963 U.S. Civil Rights Leader Martin Luther King Jr. gives is famous "I Have a Dream" speech.
1964 The first successful Minicomputer, Digital Equipment Corporation’s 12-bit PDP-8, is marketed.
1964 NASA's Mariner 4 space probe successfully approaches Mars and becomes the first spacecraft to take images of a planet from deep space.
1964 The Ford Motor Company begins to produce and sell the Ford Mustang.
1964 Tokyo hosted the Olympics, marking the first time the Games were held in Asia.
BBC 2 went on air in 1964 and was the first channel to have colour in 1967.
1965 Sony markets the CV-2000, the first home video tape recorder.
1965 The Vietnam War escalates and opposition to it begins to mount as anti-Vietnam protests become more common.
1965 Mary Quant designs the mini-skirt in London and it becomes a fashion craze.
1966 The first episode of the popular television show "Star Trek" airs.
1966 The Soviet Union's Luna 9 unmanned spacecraft lands on the Moon.
1966 All cigarette packets in the United States must carry the health warning "Caution! Cigarette smoking may be hazardous to your health."
1967 Rolling Stone publishes its first magazine issue.
1968 The first public demonstration of the computer mouse, video conferencing, teleconferencing, email, and hypertext.
1968 The first manned Apollo mission, Apollo 7, is launched by NASA.
1968 Japan surpassed West Germany to become the second largest economic power in the world.
1969 Arpanet, the research-oriented prototype of the Internet, was introduced.
1969 Neil Armstrong and Buzz Aldrin become the first men to arrive on the Moon during NASA's Apollo 11 mission.
1969 The Woodstock music festival takes place in New York and features such acts as Janis Joplin, Jimi Hendrix, Jefferson Airplane, and The Who.
1969 The popular children's television show "Sesame Street" debuts.
1969 Student protests against the Vietnam War and American use of bases on Japanese soil culminated in a short-lived takeover of Tokyo University.
1960′s - UK - Most homes had televisions by the end of the decade.
By the 1970s Japan ascended to great power status again. Japan had record high economic growth during the Japanese economic miracle.
The best-selling car of 1970s was the Ford Cortina.
Pocket calculators and digital watches first went on sale in the 1970s. By the end of the decade, they were cheap enough for most people.
It was only by the middle of the 1970s that more households had a telephone than did not. Even in 1979 only just over half of households had a family car.
1980 Japan became the biggest motor vehicle producing country in the world with 11,042,884 motor vehicles compared to the USA's 8,009,841.
1983 The domestic North American video game market crashes, allowing the Japanese industry to take America's place as the world's largest video game market.
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Update Kasus COVID-19 di Kaltim per tanggal 18 Juni 2020 jam 12.00 wita Penambahan kasus dengan hasil Negatif sebanyak 5 kasus Kutai Kartanegara 2 Kasus Kutai Timur 3 Kasus Penambahan kasus yang dilakukan pemeriksaan laboratorium sebanyak 33 kasus Kutai Barat 20 Kasus Kutai Kartanegara 2 Kasus Kutai Timur 7 Kasus Paser 1 Kasus Bontang 2 Kasus Samarinda 1 Kasus Penambahan kasus terkonfirmasi POSITIF sebanyak 8 kasus a) Kutai Barat 1 Kasus 1) KBR 27 (Laki-laki 28 tahun) merupakan OTG pelaku perjalanan dari Surabaya yang akan bekerja di Kutai Barat Kasus dirawat di RS Siloam Balikpapan b) Kutai Kartanegara 2 Kasus 1) KKR 64 (Laki-laki 29 tahun) dan KKR 65 (laki-laki 51 tahun) merupakan kasus OTG kontak erat KKR 63. kasus dirawat di RS Pertamina Balikpapan c) Kutai Timur 1 Kasus 1) KTM 44 (Laki-laki 62 tahun) merupakan kasus PDP warga Kutai Timur yang berobat ke RSUD Taman Husada Bontang dengan hasil rapid test reaktif. Kasus dengan co-morbid Hipertensi, Stroke Hemoragik dan menggunakan ventilator serta dirawat di ruang Isolasi Covid di RSUD Taman Husada Bontang d) Paser 1 Kasus 1) PSR 21 (Laki-laki 43 tahun) merupakan kasus OTG warga Paser yang akan mutasi kerja ke Kutai Kartanegara dan melakukan pemeriksaan Covid-19 di Balikpapan. Kasus dirawat di RS Pertamina Balikpapan e) Bontang 2 Kasus 1) BTG 14 (Laki-laki 51 tahun) merupakan kasus ODP pelaku perjalanan dari Jawa Timur dengan keluhan Demam, batuk, Sesak nafas, serta memiliki gambaran Pneumonia. Kasus dirawat di RS Pupuk Kaltim Bontang. 2) BTG 15 (Laki-laki 54 tahun) merupakan kasus ODP pelaku perjalanan dari Jawa Timur dengan keluhan batuk dan sakit kepala. Kasus dirawat di RS Pupuk Kaltim Bontang f) Samarinda 1 Kasus 1) SMD 64 (Laki-laki 48 tahun) merupakan kasus OTG warga Samarinda yang akan bepergian ke Tarakan. Kasus dirawat di RS Pertamina Balikpapan Penambahan kasus terkonfirmasi SEMBUH sebanyak 18 kasus Berau 12 Kasus Kutim 2 Kasus Paser 1 Kasus Balikpapan 3 Kasus . Source @dinkesprov.kaltim @promkeskaltim . #Balikpapan #Samarinda #Surabaya #Tarakan #Berau #Yogyakarta #Jakarta #Medan #Makassar #Bali #Penajam #TanahGrogot #Bontang #Wartabpn #Kabarbalikpapan #Bandung #Malang https://www.instagram.com/p/CBk_eTCnbXz/?igshid=69dznqs0eois
#balikpapan#samarinda#surabaya#tarakan#berau#yogyakarta#jakarta#medan#makassar#bali#penajam#tanahgrogot#bontang#wartabpn#kabarbalikpapan#bandung#malang
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Nuevo Huawei Mate XS: pantalla flexible para un móvil plegable que evoluciona con más cámaras y mejor procesador
Nuevo Huawei Mate XS: pantalla flexible para un móvil plegable que evoluciona con más cámaras y mejor procesador
Que no pare la fiesta de los plegables, 2020 nos va a traer muchos teléfonos de pantalla flexible. Samsung ha renovado su apuesta con el Samsung Galaxy Z Flip, Motorola tiene su Razr y Huawei, después de que su Mate X original no pudiera salir de China, acaba de presentar en Europa su evolución: el Huawei Mate XS. Con 5G integrado en el procesador.
El nuevo teléfono plegable mantiene el diseño del móvil original, también su sistema de plegado: la pantalla flexible saluda al exterior mientras se extiende de tamaño móvil a tablet al desplegarse el teléfono. Es un diseño que facilita la delgadez del dispositivo, también su usabilidad; por más que tenga más riesgo de daños ya que el panel está constantemente expuesto al exterior.
Ficha técnica del Huawei Mate XS
Huawei Mate XS
Pantalla
OLED 8 pulgadas desplegado 6,6 pulgadas frontal (plegado) 6,38 pulgadas trasero (plegado) 2.480 x 2.200
Procesador
Kirin 990 5G
Versiones
8GB/512GB Soporte para NMCards hasta 256 GB
Cámaras
40 megapíxeles gran angular, f/1.8 16 megapíxeles ultra gran angular, f/2.2 8 megapíxeles telefoto 3x (hasta 30x en zoom digital), f/2.4, OIS Cámara ToF (profundidad)
Conectividad
Dual 5G/4G Wi-Fi 5 Bluetooth 5.0 NFC Lector de huellas en el lateral
Batería
4.500 mAh Carga rápida 55W
Dimensiones y peso
Abierto: 161,3 x 78,3 x 11 mm Cerrado: 161,3 x 146,2 x 5,4-11mm Peso: 295 gramos
Versión de Android
Android 10 con EMUI 10.0.1 (sin aplicaciones de Google)
Precios
2.499 euros
Una evolución del Huawei Mate X original
Comparando las especificaciones del primer plegable con este Huawei Mate XS podemos apreciar una evolución en el dispositivo, pero tampoco unas mejoras demasiado impactantes en términos de especificaciones. El fabricante sí ha mejorado la pantalla flexible y sus mecanismos, algo imprescindible en este tipo de teléfonos. Más allá de aquí, ha incluido una cuarta cámara (ToF) y ha actualizado el procesador: del Kirin 980 y módem 5G Balong 5000 pasamos a un Huawei Kirin 990 con el módem 5G integrado. Esto debería arrojar más potencia, un menor consumo y una notable mejora en la Inteligencia Artificial.
En Xataka
Huawei Mate X: pantalla plegable y 5G para ganar 2019
El Huawei Mate XS es un dispositivo que apunta a incluir lo mejor de los smartphones y también de las tablets. Plegado ocupa bastante poco espacio mientras ofrece pantalla por delante y detrás, también en el costado; lo que le permite aprovechar las cámaras tanto para hacer selfies como para fotografiar cualquier escena con solo darle la vuelta al teléfono. Y también se puede extender el uso a tablet ya que el Huawei Mate XS se despliega desde las 6,6 pulgadas de diagonal a las 8 pulgadas. Sin ningún tipo de notch que estorbe la visión.
El desempeño fotográfico aspira a ser de gran nivel gracias a la cuádruple cámara trasera incluida. El Huawei Mate XS mantiene un sensor principal de 40 megapíxeles con una apertura f/1.8; incluye un gran angular de 16 megapíxeles con apertura f/2.2; y no prescinde del telefoto: 8 megapíxeles con zoom 3x óptico y estabilizador mecánico de imagen. Además, Huawei incorpora una cuarta cámara ToF para así mejorar los retratos.
Con 4.500 mAh, y carga superrápida de 55 W, el nuevo teléfono de pantalla flexible se sube al podio en lo que a capacidad de batería se refiere, al menos dentro del segmento de los móviles plegables. Y completa el elenco de características con Android 10 y la capa actualizada del fabricante, EMUI 10.0.1.
Precio y disponibilidad del Huawei Mate XS
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La marca asegura que el Huawei Mate XS saldrá en España durante la tercera semana de marzo. Al siguiente precio:
Huawei Mate XS 8/512 GB: 2.499 euros.
- La noticia Nuevo Huawei Mate XS: pantalla flexible para un móvil plegable que evoluciona con más cámaras y mejor procesador fue publicada originalmente en Xataka Móvil por Iván Linares .
Xataka Móvil https://ift.tt/32lnu8F
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LEARNBLR #6, the MINIX 3 book + full-stack madness
Hy comrades, Klara here with a closer to final ZealOS color ricing. And yes I finally got the MINIX3 book at home a few days ago. Quite happy of such as I intend to dive deeper into such once I am ready, alongside the "NAND to Tetris" companion book.
The current context & study program timings won't stop me from learning of the strenghts and drawbacks of much existing infrastructure and designs, as I still feel like a vast niche market is still left up to grabs as far as computation goes. And customizing so much of a tech deque of computational framework would be preferable to the affordable but ethically doubtful option to bear only to hacking such a exisiting one. No offense to such tinkerers as they still deserve much of my praises and in fact, I do aim forward to such tech enthusiasts worldwide as to redemocratize direct & transparent technologies.
So let me explain. Before the nineties, we had way less quantities of memory, but we got more variety and a few direct computation brands (Commodore 64, Apple II & DECmate III being sample computer systems I think most when I think of such terms). Right now, we got some nice standards and memory abundance but now much is abstracted away from even developers, systemic issues plague the homogeneous market of 64-bit architectures and a handful of similar contemporary legitimate concerns to debate over.
I decided to bring such change by my hands, and while I still am seeking people who are quite deeper into computing hardware (most likely electronics but alot of historical hardware methodologies are to be expected) and analog medias of days almost gone now.
It is still extremely early but I take major hints from the TempleOS' main forks that are ZealOS & Shrine with additional inspirations like Windows 3.1x GUI, MINIX3/PLAN9 standards, DECmate III+'s all-in-one package, Intersil 6120 processor family & openPOWER + openSPARC architectures.
Quickly summarized, it is a 12-bit tribble home computer system, and the MVP (minimum viable product) would probably contain around 144KW (32-144 kilo-tribbles but I prefer kilo-word for better interoperability with bytes and nibbles) of "live" RAM memory. And it's primary goal is to host a retro-optimized multimedia OS that has a similar feel to other 8-bit new wave micros. It has twelve generic 12-bit registers that are not conventionally named (A to F & U to Z letters as such generic register names) and four special registers akin to the PDP-8-inspired Intersil 6120's.
But remember, the main goal is less to make it big computing framegmeted mess initially (like how Linux distros and kernel are as of right now), but rather to give ways for the computer enthusiasts and non-English communities to take ownership of their computer as to learn/tinker all sorts of cool workflows. And yes, that includes slavic tech communities of the Russian kinds, amerindian peoples, Inuits and constructed world peers. Part of why I chose 12-bit as the word rather than 8-bit is exactly to ease in encoding of customized charsets (think of such as a alternative to UTF-8) and of course to learn to tinker differently than just throw the usual 8-bit bytes around. Still aiming for 8-bit (& also 6-bit units because of some worldbuilding-relevant samples) compatibilities eventually but that's far in the roadmap.
Small extras for those who read to the end of this article:
#maskoch#servitor#16^12#TempleOS#MINIX3#NAND to Tetris#retro computing#customization#taking commisions#computer hardware manufacturing#computer graphics
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PDP-8/F ? And human leg.
https://ift.tt/2zDxG1o
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एक क्लिक में पढ़ें 24 मार्च दिनभर की बड़ी खबरें
New Post has been published on https://apzweb.com/%e0%a4%8f%e0%a4%95-%e0%a4%95%e0%a5%8d%e0%a4%b2%e0%a4%bf%e0%a4%95-%e0%a4%ae%e0%a5%87%e0%a4%82-%e0%a4%aa%e0%a4%a2%e0%a4%bc%e0%a5%87%e0%a4%82-24-%e0%a4%ae%e0%a4%be%e0%a4%b0%e0%a5%8d%e0%a4%9a-%e0%a4%a6/
एक क्लिक में पढ़ें 24 मार्च दिनभर की बड़ी खबरें
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11:15 PM लॉकडाउन पर लोगों ने नियम तोड़ा तो गोली मारने के आदेश दिए जाएंगे: तेलंगाना सीएम केसीआर
11:05 PM बिहार में कोरोना वायरस के मरीजों की संख्या बढ़कर 4 हुई
10:28 PM भारत में कोरोना वायरस से संक्रमित मरीजों की संख्या 557 हुई
10:02 PM CM योगी का ऐलान- लोगों के घरों तक पहुंचाया जाएगा दूध और जरूरी चीजें
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09:28 PM लॉकडाउन के दौरान सब्जी, फलों की दुकानें खुलेंगी
09:22 PM लॉकडाउन के दौरान पुलिस, पेट्रोल पंप, बिजली और गैस सेवा जारी रहेगी
09:18 PM लॉकडाउन के दौरान राशन की दुकानें और मेडिकल स्टोर खुले रहेंगे
09:15 PM लॉकडाउन के दौरान सरकारी और प्राइवेट दफ्तर बंद रहेंगे
09:11 PM लॉकडाउन: गृह मंत्रालय ने जरूरी सेवाओं से जुड़ी गाइडलाइन जारी की
09:05 PM जम्मू कश्मीर: पाकिस्तान ने पुंछ जिले में LoC पर तोड़ा सीजफायर
08:33 PM 21 दिनों के लिए भारत में लॉकडाउन, घरों से निकलने पर पाबंदी
08:30 PM देश में कोरोना वायरस से संक्रमित मरीजों की संख्या बढ़कर 552 हुई
08:27 PM कोरोना मरीजों के इलाज, देश के हेल्थ इंफ्रास्ट्रक्चर के लिए 15 हजार करोड़ रुपए का प्रावधान: पीएम
08:26 PM देश की स्वास्थ्य सुविधाओं को बेहतर करने के प्रयास जारी: पीएम मोदी
08:20 PM आवश्यक वस्तुओं की आपूर्ति के लिए उपाय किए गए: पीएम मोदी
08:15 PM कोरोना वायरस के संक्रमण चक्र को तोड़ने के लिए कम से कम 21 दिन अहम: पीएम मोदी
08:10 PM तीन सप्ताह तक जारी रहेगा लॉकडाउन: पीएम मोदी
08:09 PM देश में पूरी तरह से लॉकडाउन एक तरह का कर्फ्यू ही है: पीएम मोदी
08:08 PM घरों से बाहर निकलने पर पूरी तरह से पाबंदी: पीएम मोदी
08:07 PM आज रात 12 बजे से पूरे देश में लॉकडाउन: पीएम मोदी
08:02 PM कोरोना वायरस से बचाव का एकमात्र तरीका सोशल डिस्टेंसिंग: पीएम मोदी
08:00 PM ��ीएम नरेंद्र मोदी देश को कर रहे हैं संबोधित
07:46 PM गुजरात में कोरोना वायरस के मरीजों की संख्या बढ़कर हुई 35
07:31 PM रात 8 बजे देश को संबोधित करेंगे प्रधानमंत्री नरेंद्र मोदी
07:03 PM उत्तर प्रदेश में सभी बैंक सुबह 10 से दोपहर 2 बजे तक खुलेंगे
06:51 PM देश में कोरोना वायरस के मरीजों की संख्या बढ़कर 551 हुई
06:41 PM यूरोप में 2 लाख से ज्यादा कोरोना वायरस से संक्रमित मरीज
06:11 PM एक साल तक के लिए टोक्यो ओलंपिक टला
06:02 PM टोक्यो में होने वाला ओलंपिक-2020 टला
05:50 PM पंजाब में 30 हजार लोगों को आइसोलेट किया गया
05:42 PM दिल्ली में आज से कर्फ्यू: सीएम अरविंद केजरीवाल
05:23 PM सरकार ने ICU उपकरणों के निर्यात पर रोक लगाई
05:06 PM दिल्ली में कोरोना वायरस के मरीजों की संख्या में कमी: अरविंद केजरीवाल
04:47 PM दिल्ली-एनसीआर के कई इलाकों में तेज आंधी के साथ हल्की बारिश
04:32 PM देश में कोरोना मरीजों की संख्या बढ़कर 536 हुई
04:13 PM उत्तराखंड: कोरोना वायरस के कारण चारधाम यात्रा मार्ग पर काम बंद
03:54 PM हिमाचल प्रदेश में राज्य सरकार ने लॉकडाउन के बाद लगाया कर्फ्यू
03:51 PM ईरान में कोरोना वायरस से अब नई 122 मौतें
03:44 PM पश्चिम बंगाल में 31 मार्च तक बढ़ा लॉकडाउन
03:21 PM जम्मू-कश्मीर में 2 और पॉजिटिव केस मिले, कुल मरीजों की संख्या 3 हुई
02:57 PM कोरोना वायरस का खतरा: पाकिस्तान में भी 31 मार्च तक सभी ट्रेन सेवाएं बंद
02:44 PM आधार-पैन लिंक की तारीख 30 जून तक बढ़ी, पहले 31 मार्च थी डेडलाइन
02:42 PM आधार पैन लिंक की डेडलाइन 30 जून, विवाद से विश्वास स्कीम भी 30 जून तक बढ़ी
02:38 PM देरी से टीडीएस रिटर्न पर अब 18 की जगह 9 फीसदी चार्ज लगेगा
02:34 PM वित्तीय वर्ष 2018-19 के इनकम टैक्स रिटर्न की अंतिम तारीख 30 जून, 2020 तय
02:12 PM उमर अब्दुल्ला ने कहा- नेताओं की रिहाई और 4G इंटरनेट सेवा बहाल करे सरकार
01:52 PM कोरोना वायरस: हिमाचल प्रदेश के कांगड़ा में अगले आदेश तक कर्फ्यू
01:29 PM आज शाम 5 बजे हेल्थकेयर प्रोवाइडर्स एसोसिएशन के साथ पीएम मोदी की वीडियो कॉन्फ्रेंसिंग
01:15 PM 25 मार्च को मध्य प्रदेश कांग्रेस पार्टी के विधायक दल की बैठक निरस्त
12:56 PM सीएम योगी का ऐलान- कल से 3 दिन के लिए पूरे उत्तर प्रदेश में लॉकडाउन
12:50 PM कोरोना पर राहुल का ट्वीट- मैं दुखी महसूस कर रहा हूं, इसे रोका जा सकता था
12:37 PM 2 बजे केंद्रीय वित्त मंत्री की प्रेस कॉन्फ्रेंस, आर्थिक पैकेज का हो सकता है ऐलान
12:17 PM चंडीगढ़: कर्फ्यू के दौरान मनी माजरा खेल कॉम्पलेक्स अस्थायी जेल में तब्दील
11:32 AM कोरोना: चुनाव आयोग ने राज्यसभा चुनाव टाला, 26 मार्च को था मतदान
11:22 AM मध्यप्रदेश विधानसभा में शिवराज सरकार ने हासिल किया विश्वास मत
11:21 AM चुनाव आयोग ने टाला राज्यसभा चुनाव, 26 मार्च को होना था मतदान
11:15 AM उमर अब्दुल्ला की नजरबंदी खत्म होने पर PDP ने की महबूबा मुफ्ती की रिहाई की मांग
11:07 AM कोरोना महामारी पर आज रात 8 बजे देश को संबोधित करेंगे पीएम मोदी
10:57 AM वुहान सहित हुबेई प्रांत में लगे यात्रा प्रतिबंध हटाएगा चीन
10:26 AM कोरोना टेस्ट के लिए देश में बना पहला किट, 6 हफ्ते में किया तैयार
10:05 AM पुणे की एक फर्म ने तैयार किया कोरोना टेस्ट के लिए किट, ICMRने दी मंजूरी
09:51 AM मुंबई क्राइम ब्रांच की बड़ी कार्रवाई, 14 करोड़ रुपये के फेस मास्क जब्त
09:32 AM शाहीन बाग के बाद जामिया को भी खाली कराया, प्रदर्शनका���ियों के सामान ले गई पुलिस
09:12 AM लखनऊ: कनिका कपूर की दोबारा हुई जांच, COVID-19 टेस्ट पॉजिटिव
08:46 AM दिल्ली: सीलमपुर में सीएए विरोधी प्रदर्शनकारियों को हटाया गया, स्थिति सामान्य
08:11 AM कोरोना से अब तक 10 लोगों ने तोड़ा दम, हिमाचल के कांगड़ा में एक शख्स की गई जान
07:54 AM देश में कोरोना के सबसे ज्यादा मामले महाराष्ट्र से- अबतक 97 कोरोना मरीजों की रिपोर्ट पॉजिटिव
07:39 AM कोरोना से पूरी दुनिया में अब तक 16 हजार 381 लोगों की मौत, 3.67 लाख संक्रमित
07:19 AM दिल्ली के शाहीन बाग से हटाए जा रहे हैं प्रदर्शनकारी, मौके पर भारी पुलिस फोर्स तैनात
06:55 AM लंदनः इंग्लैंड में भी लॉकडाउन, उल्लंघन करने पर लगेगा करीब 2600 रुपये का जुर्माना
06:26 AM कोरोना वायरस: हरियाणा में आज से 15 जिलों में लॉकडाउन लागू
06:24 AM कोरोना वासरस: बेंगलुरु में शराब की दुकानें 31 मार्च तक बंद
06:07 AM कोरोना वासरस: आज से घरेलू उड़ानों पर रोक, कार्गो फ्लाइट पर पाबंदी लागू नहीं
05:45 AM भोपालः विधानसभा में विश्वास प्रस्ताव से पहले स्पीकर नर्मदा प्रसाद प्रजापति का पद से इस्तीफा
05:38 AM कोरोना वायरस: मध्य प्रदेश के भोपाल और जबलपुर में आज से कर्फ्यू लागू होगा
05:02 AM WHO कार्यकारी निदेशक माइकल रेयानः भारत कोरोना पर अपनी आक्रामक कार्रवाई जारी रखे
04:58 AM UN संयुक्त राष्ट्र महासचिव एंटोनियो गुटेरे- पूरी दुनिया में तत्काल प्रभाव से लागू हो युद्ध विराम
04:07 AM कोरोना वायरस: हरियाणा में आज से 15 जिलों में लॉकडाउन लागू
03:01 AM कोरोना वायरस: केरल में 31 मार्च तक लॉकडाउन, राज्य की सीमा होगी सील
02:05 AM कोरोनाः नियमों के उल्लंघन करने पर कोलकाता में 255 लोग गिरफ्तार-पुलिस
01:14 AM भोपालः आज सदन में पेश होगा शिवराज सिंह चौहान सरकार का विश्वास मत
01:03 AM भोपालः आज से शुरू होगा मध्य प्रदेश विधानसभा का नया सत्र
12:30 AM कोरोना वायरस: राजस्थान में आज से सड़कों पर प्राइवेट वाहनों के निकलने पर रोक
12:23 AM चेन्नईः मलेशिया से लाए गए 113 लोगों को क्वारनटीन किया गया
Tamil Nadu: A special Air Asia flight landed at Chennai Airport today, after evacuating 113 persons including one woman, from Malaysia. All passengers are being shifted to the Indian Air Force facility at Tambaram Air Force Station near Chennai for quarantine. #COVID19 pic.twitter.com/7QtfmuhuMr
— ANI (@ANI) March 23, 2020
12:22 AM चेन्नईः एयर एशिया के विशेष विमान से मलेशिया से 1 महिला समेत 113 लोग लाए गए
Tamil Nadu: A special Air Asia flight landed at Chennai Airport today, after evacuating 113 persons including one woman, from Malaysia. All passengers are being shifted to the Indian Air Force facility at Tambaram Air Force Station near Chennai for quarantine. #COVID19 pic.twitter.com/7QtfmuhuMr
— ANI (@ANI) March 23, 2020
12:07 AM पेरिसः फ्रांस में कोरोना वायरस से 186 और मरे,मरने वालों की संख्या बढ़कर 860 तक पहुंची-AFP
12:04 AM गुजरात में 31 मार्च तक लॉकडाउन का ऐलान, धारा 144 भी लागू
12:04 AM कर्नाटक में 31 मार्च तक लॉकडाउन
12:04 AM कोरोना वायरस के संकट के कारण ग्रेटर नोएडा यमुना एक्सप्रेस-वे बंद
12:04 AM उत्तराखंड: आज बैंक और सभी एटीएम सुबह 7 बजे से 10 बजे तक खुले रहेंगे
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Huawei Mate Xs Hardware Is a Solution, but There’s Still a Problem
There’s a lot of buzz about folding displays right now; in the US, we have the OG Samsung Fold along with the new Samsung Z Flip and Motorola Razer flip-style phones from which to choose. Huawei dazzled us last year with the China-only Mate X. Today, Huawei has introduced its next-gen Mate Xs with almost worldwide availability.
The original Mate X was never available outside of China, but if you were ever able to get your hands on one, you would have loved it. The hardware was solid, and it felt great in hand; the screen was gorgeous and functional — open or shut.
The Huawei Mate Xs continues the Mate X’s dual-screen design with a 6.6″ main screen and a 6.38″ secondary screen; when you unfold it, the Mate Xs opens into an 8″ tablet. Unlike the Samsung Fold which puts its folding display on the inside when tablet mode isn’t in play, the Mate Xs folding display is on the outside when the tablet is folded into phone mode.
The Mate XS will sport a Kirin 990 5G processor along with an improved Falcon Wing Design. This is a flagship phone, so Huawei has loaded it with other high-end features like a SuperSensing Leica Quad Camera system with a 40-megapixel main camera (wide-angle, f/1.8), a 16-megapixel ultra-wide-angle camera (f/2.2), an 8-megapixel telephoto camera (f/2.4, OIS), and a 3D Depth Sensing Camera. Of course, this camera system will include a combination of OIS and AI Image Stabilization and up to 30X hybrid zoom. The Mate Xs also supposed to take insanely good low-light photos. The Mate Xs will ship with 8GB RAM and 512GB user memory, and it has a 4,500mAh battery.
The Huawei Mate Xs supports Multi-Window, which allows you to have two apps open, displaying side by side at the same time, and these apps can interact with each other. You can drag text, images, and documents from one app and drop them into another app. You can even use the Floating Window feature which allows you to open a third window to take care of small tasks (think using a calculator or to respond to a text message) without exiting either of your other two open apps.
https://consumer.huawei.com/content/dam/huawei-cbg-site/common/mkt/pdp/phones/mate-x-s/img/video/huawei_mate_xs_multi_window.mp4
I handled the Mate X extensively (well after its launch), and I loved how the metal sidebar that holds the cameras, charging port and other hardware becomes a natural grab-point when holding the Mate Xs as a tablet.
Everything about the Mate X was absolutely elegantly done, and yet Huawei still found room for improvement in the Mate Xs — not only on the camera and software side, but they also managed to upgrade the Mate X’s Falcon Wing design (the hinge of which has 100+ interlocking parts) to be even more durable while giving a full 180-degree fold. A button opens the folding screen, and when you close it, there is a satisfying click; it’s all just so well done, I have nothing but praise for the hardware design.
https://consumer-img.huawei.com/content/dam/huawei-cbg-site/common/mkt/pdp/phones/mate-x-s/img/video/huawei_mate_xs_video_all.mp4
And while the idea of the Mate Xs’s huge 8″ tablet display being folded to face the outside on two sides seems scary for klutzes like me, Huawei says their display is durable. Does that mean you won’t scratch it with your fingernail if you get too aggressive? Probably not, so I would still be gentle if you get to fondle one.
By now, you might be thinking, “Okay — where and when can I get this thing?” Well, hold up a sec. The price is going to be €2,499 ($2,702.88), and you’ll be able to get it just about anywhere but the US. The elephant in the room that might put the brakes on any gray-market purchases is the fact that while the Mate Xs runs on EMUI10.0.1, an Android Open Source Project-based operating system, it does not run Android like we are used to here in the US … at all. You won’t be able to install any of the Google mobile apps that many of us expect to find on our Android phones, nor could you access Google Play from the Xs (or any Huawei phone released after the middle of 2019).
To get around that (huge) app distribution limitation, Huawei has created its own official app distribution platform, the Huawei AppGallery. Huawei says that its AppGallery is now available “in over 170 countries/regions with 400 million monthly active users.” You’re not going to find Gmail, Google Maps, Google Calendar, or heck — any other app that has anything to do with Google in AppGallery, though, and for many that will be a huge (and understandable) deal-breaker.
Could you live without Android as you know it? Could you function without Google-specific apps? I’m not sure, but for a phone/tablet like this, I’d be willing to try! What about you?
via Huawei
from Joseph Rushing https://geardiary.com/2020/02/24/huawei-mate-xs-announcement/
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Buzz Aldrin’s Race into Space (and Space-Program Games in General)
“Demography is destiny,” wrote the French sociologist Auguste Comte in the nineteenth century. That truism has been taken to heart by many in the time since — not least by our political classes. Yet it applies equally in the world of the arts and entertainment. For in any free market, the nature of production is dictated as much by the consumers as by the producers.
Certainly this is true of computer games. Throughout the 1980s and 1990s, they were largely the province of a rather specific demographic indeed: single white males between the ages of ten and thirty from relatively privileged socioeconomic circumstances, with a bent toward intellectual rather than active pursuits — i.e., the stereotypical “nerds” of pop culture. Computer games reflected the tastes of these boys and young men in other kinds of entertainment and leisure-time hobbies: Dungeons & Dragons, Star Wars, jet fighters, World War II, action movies, heavy-metal music, fast cars, and, when they could get a glimpse of them, fast women. Although I too have liked all of these things to a greater or lesser degree at some point in my life — I did, after all, grow up as a member of exactly the demographic in question — their extreme prevalence in the cultural ghetto about which I write has often left me searching, sometimes in vain, for games with a different set of values and antecedents.
But this article is not about one or more of those interesting cultural outliers. It’s rather about an interestingly scanty subgenre of games which seems like it ought to have been perfect for the demographic I’ve just described, but that for some reason just never quite took off. Specifically, I speak of games based on the realities of space exploration in a contemporary context, as opposed to the outer-space fantasias of Star Wars and the like. After all, just about every nerdy teenage boy goes through a race-for-the-Moon phase at some point. (And why not? Has humanity ever embarked on a grander collective adventure?) Further, games on this subject would seemingly have fit in well with the broader craze for realistic simulation, as manifested by everything from F-15 Strike Eagle to SimCity, which had taken a firm grip on the industry by the end of the 1980s.
And yet there just weren’t many simulations of this particular type, and even fewer of them that did very well. It strikes me that it’s worth asking why this is so. Was there something about this subject that just didn’t work as a game, or are we dealing with a mere historical accident here? Let’s begin with a brief survey of the field of earlier games that did venture out into this territory before we turn to the one that will be our main focus for today. To help in doing so, we’ll further divide the field into two categories: vehicular simulations of spaceflight and games of space-program management.
The earliest game of the former type actually predates the personal computer. Created on a big DEC PDP-8 by a Massachusetts high-school student named Jim Storer, inspired by the real Neil Armstrong’s nerve-wracking manual landing on the Moon in 1969, the very year it was first programmed, Lunar demanded that you set your own landing craft down gently before your fuel ran out. Implemented entirely in text — you simply entered the number of fuel units you wished to burn each turn in response to a changing textual status display — it inspired dozens of clones and variants, most going under the more accurately descriptive name of Lunar Lander. By the dawn of the personal-computing age in 1978, David Ahl was able to write in his landmark book BASIC Computer Games that Lunar Lander in all its incarnations was “far and away the most popular computer game” of them all. It was even converted into a graphical standup-arcade game by Atari in 1979, in which form its quiet, cerebral tension made it an incongruous outlier indeed in an arcade full of shoot-em-ups.
Other programmers got inevitably more expansive in their ambitions for spaceflight simulation after Lunar Lander. By 1986, with the release of Spectrum HoloByte’s Orbiter, they had graduated to offering up a complete Space Shuttle flight simulator, covering all the stages of a mission from liftoff to landing. (Sadly, it arrived just in time for the Challenger disaster…) In 1992, Virgin Software published an even more complex and complete iteration on the concept, entitled simply Shuttle.
Yet neither of these later simulations came close to matching their simplistic predecessor in popularity. Their subject matter, it seemed, just didn’t quite work as a hardcore simulation. A simulation of a jet fighter flying into a war zone — such as the popular and long-lived Falcon series which Spectrum HoloByte produced after Orbiter — offered an intriguing range of tactical possibilities which a simulation of a Space Shuttle did not. A fighter pilot flying into combat is lord of his domain, in complete control of his airplane; the outcomes of his battles are entirely up to him. An astronaut flying into space, on the other hand, is merely the tip of a long spear of cooperative hierarchy; situations like those last few minutes before the Eagle landed, when Neil Armstrong was making all of the decisions and executing them all alone, have been vanishingly rare in the history of space flight. If, as Sid Meier likes to say, a good game is “a series of interesting decisions,” this fact makes spaceflight as it has existed so far in our historical reality problematic as the subject of a compelling simulation. Too often, Orbiter and Shuttle felt like exercises in rote button-mashing — button-mashing which you were expected to do exactly when and how ground control told you. Perhaps you weren’t quite the spam in a can the test-pilot peers of the earliest astronauts had so mocked them for being, but it sure felt that way at times. “As strange as it may seem,” wrote Computer Gaming World magazine of Orbiter, “a lot of flying the Shuttle is boring — a lot of pushing buttons, running computer programs, and the like — and it shows.”
In light of this, it’s telling that arguably the most entertaining of these spaceflight simulators opted for a less hardcore, more impressionistic approach. Apollo 18, developed by the Canadian studio Artech and published by Accolade in 1987, posited an alternative history where at least one of NASA’s final trio of cancelled Moon missions actually did take place. In keeping with Artech designer and theoretician-in-chief Michael Bate’s concept of “aesthetic simulation,” Apollo 18 portrayed a mission to the Moon not as a holistic vehicular simulation but as a series of mini-games, jumping from the perspective of ground control to that of the astronauts in space whenever it felt the need. This more free-wheeling, almost cinematic approach, combined perhaps with the fact that going to the Moon is inherently more exciting than releasing yet another whatsit from the Shuttle’s cargo bay in low Earth orbit, made the game a more riveting experience than its Shuttle-centric peers. Still, even it ran out of legs fairly quickly; once you’d worked through the steps of getting to the Moon and back once or twice, there just wasn’t much motivation to do so again.
So much for simulation. In the category of strategic space-program managers, we have an equally mixed bag.
Just as with the venerable Lunar Lander, one of the very first attempts to portray the contemporary conquest of space in this way was also the most successful of its era, in both financial and artistic terms. I wrote at some length long ago about 1984’s Project: Space Station, an earnest effort, masterminded by a fellow named Laurence Holland who would go on to become LucasArts’s flight-simulator guru, to portray the construction and operation of a commercial space station in Earth orbit. Both space stations and private enterprise in space were much in vogue at the time, thanks respectively to President Ronald Reagan’s announcement of plans to build a station called Freedom in his 1984 State of the Union address and the realities of a terminally underfunded NASA whose priorities shifted with the political winds — realities which would insure that Freedom itself never got off the drawing board, although it would gradually morph into the joint project known as the International Space Station. As I wrote in that older article, Project: Space Station, which blended an overarching strategy game with light vehicular simulation, came heartbreakingly close to greatness. But in the end, it was somewhat undone by a lack of feedback mechanisms and poor command and control — weaknesses which, it should be said, feel more like a result of the limited 8-bit hardware on which it ran than a failure of design in the abstract. But whatever its failings, it was by all indications reasonably successful in its day, enough so that, when its original publisher HESware went bankrupt within a year of its release, it was picked up at auction by Accolade and re-released by them in the same year they published Apollo 18.
Alas, Project: Space Station‘s immediate successors would prove markedly less rewarding as games to play or products to sell. Space MAX, created and self-published by a former Jet Propulsion Laboratories engineer named Tom Keller in 1986, poured on the detail at the expense of playability, until it came to resemble one of NASA’s long-range planning tools more than a computer game. And Karl Buiter’s Earth Orbit Stations of 1987 buried a very appealing premise, focusing more on the mechanical details of building a modular space station than had either of the earlier games of its type, under an atrocious presentation layer which Computer Gaming World described as “a textbook case of how not to design a [GUI] interface.” And after those two less-than-compelling efforts, the strategic space-program-management subgenre pretty much dried up.
This, then, was the underwhelming state of contemporary-spaceflight games in general in 1993, when Interplay published a new take on the subject matter bearing the name of one of the most famous astronauts of all — in fact, the one who had actually been sitting there beside Neil Armstrong when he was making that hair-raising landing on the Moon. Like Apollo 18, Buzz Aldrin’s Race into Space chose to turn back the clock to those glory days of the Moon race rather than focusing on present-day space stations engaged in the comparatively plebeian labor of developing new industrial-chemical compounds and new medical treatments, important though such things undoubtedly are. The managerial perspective it adopted, however, had more to do with Project: Space Station than Apollo 18. A noble effort in its way, as indeed were all those games I’ve just written about, its own points of failure have perhaps even more to tell us about game design than theirs do.
Fritz Bronner
The driving force behind Buzz Aldrin’s Race into Space wasn’t its astronaut mascot — no surprise there, right? — but rather one Fritz Bronner, a less famous American whose name would have fit perfectly to one of the German rocket scientists who helped Werner von Braun build the Saturn V rocket that sent men to the Moon. In the early 1980s, as a young man with dreams of becoming an actor, Bronner spent many an evening playing a variety of tabletop wargames and RPGs with his buddies in his home state of Florida. On one of those evenings, he had just finished an RPG session when he turned on the television to see a rocket launch on the news — an event he always watched with interest, being a self-described “space fanatic.” The thought process he went through then, with his mind still addled by game systems and dice rolls, will waken immediate recognition in anyone who has ever played Race into Space. For the most fundamental mechanic in that game has its origin right here:
The game player in me suddenly wondered what the odds were for a successful launch. The next thought I had was the chance of failure. I formulated in my mind a guess on the total number of [successful] launches versus failures. I quickly concluded that out of ten previous launches, nine of them were successful. Just before liftoff, I rolled the percentile dice and rolled below the range, which indicated to me that the launch would be successful. A few minutes later, another satellite reached orbit. I was elated that I had come up with a pseudo-model for launch success.
Immediately I wondered how a manned launch would work. I started to play with some rough mathematical figures. I selected a one-stage rocket and a two-stage rocket and then realized that I would have to devise a safety factor for a capsule. I think I came up with around 85 percent for the capsule. Then I plunged into what mission steps would occur in spaceflight. I rolled the dice on a three-step suborbital flight and to my excitement it worked! Suddenly each step of the mission was monumentally important. I became tense as I rolled the dice. It reminded me of the flavor of the early spaceflights.
I called [my friend] Steve [Stipp] over and told him of my successful suborbital flight. After his own successful flight, we both gleefully started scribbling notes on possible payload weights and additional mission steps. Soon we had scraps of paper filled with my horribly drawn stick figures of capsules that were lofting astronauts into space.
At this point, it was success or total failure on a mission step. We both realized that it was too crude and unrealistic for a rocket to always blow up on the pad. There were cancelled launches and aborts that should be considered. We laughed and played and scribbled more notes and sketched drawings for several hours, and then folded it up and forgot about it for several years.
In 1985, Bronner’s acting dream took him from Florida to New York City. His wife was working as a long-haul flight attendant, leaving him with plenty of solitude for contemplation in between auditions there in the big city. A television documentary called Spaceflight refreshed his memories of playing that improvised dice-throwing game of space launches. Just as importantly, it shifted his thinking toward an historical perspective. What if he made a game about the space race of the 1950s and 1960s, with one player in the role of the Americans and the other of the Soviets, each trying to be the first to reach the Moon? Each player would have to research the technology necessary for each stage of the endeavor, then test it with a live launch. The tension that would make for interesting choices was clear: that between researching everything exhaustively to achieve the best possible safety rating and pushing the timetable to beat out your opponent. At bottom, then, it would be a “press your luck” game — an evergreen in tabletop game design, but implemented here in the service of a thoroughly unique theme. For the next couple of years, Bronner continued to develop and refine the concept, even sending samples to many board-game publishers, albeit without managing to stir up much interest.
In 1987, Bronner’s acting dream took him from New York City to Hollywood. While he would never become the movie star he might have imagined back in Florida, he would carve out a solid career for himself as one of the film industry’s unglamorous but indispensable utility players; he would take bit parts in dozens of movies and television shows alongside starring roles in hundreds of commercials, and eventually also take on small-time writing, directing, and producing gigs. A year after arriving in Hollywood, he wrangled a meeting with the Los Angeles-based Task Force Games, best known for their Star Fleet Battles tactical space-combat games which took place in the Star Trek universe. He finally got a positive response from this publisher, and soon signed a contract with them to publish the board game Liftoff!.
Liftoff! made its public bow in the summer of 1989 at the Origins International Game Expo, one of the tabletop hobby’s two biggest American events, which happened to be held that year right there in Los Angeles. The reaction to Bronner’s game at Origins was cautiously favorable, but it never translated into much in the way of sales in the months that followed. Task Force Games had been bought by the computer-game publisher New World Computing the year before they signed the contract with Bronner; it was for this reason that they were in the Los Angeles area at all, having been moved there from Amarillo, Texas, to join their new parent. Yet the relationship wasn’t living up to either partner’s expectations. Profits, which tended to be scant at the best of times in the tabletop industry, had become nonexistent, as the expected synergies between the computer and the tabletop business failed to materialize. In 1990, Task Force’s founder John Olsen scraped together enough funding to buy his company back out from under New World and moved with it back to Amarillo. Necessity forced the downsized entity to focus its resources on Star Fleet Battles, its most well-known and marketable franchise. Liftoff! died on the vine.
But Fritz Bronner wasn’t willing to let his game go so gently into that good night. Although he had never owned a computer in the past, his arrival in Hollywood had coincided with the beginnings of a buzz from the more forward-thinking members of the media elite about the future of interactive video and multimedia computing. It certainly hadn’t been lost on Bronner when signing the contract with Task Force Games that the company’s parent was a publisher of computer games. In fact, he had tried to interest New World in a digital version of Liftoff! repeatedly, but could never really get their attention. Fortunately, his attorney had assured that the contract he signed with Task Force/New World gave them just one year to develop a computerized version, if they wished to do so; afterward, those rights reverted to Bronner himself. He soon bought his first computer, a used Commodore Amiga 500, to consider the possibilities. In the summer of 1990, he started talking with a young programmer named Michael K. McCarty. At year’s end, the two of them formed a company which they named Strategic Visions, and began working on a demo to show to publishers.
It perhaps says something about the zeitgeist of gaming on the cusp of the multimedia age that Bronner and McCarty elected to make their demo a non-interactive video rather than an interactive game. From the start, Bronner’s vision for the project had been to move the mechanics of the board game onto the computer essentially intact, then spice them up with lots of video footage from the archives of NASA and the Soviet space program. His timing in this respect was perfect: the fall of the Iron Curtain helped immensely in getting access to the latter’s videos. Meanwhile the fact that all of the footage was the product of government agencies, and thus released into the public domain, helped in another way. Less positively, this overweening focus on the multimedia aspects of the project, which would continue throughout its duration, would rather distract from some worrisome flaws in the foundation of the actual rules set — an issue we’ll return to a bit later.
In the short term, though, the non-interactive demo served its purpose. In contrast to the relative lack of interest the tabletop design had garnered, the proposed digital version attracted lots of publishers when Bronner and McCarty brought their demo to the Summer Consumer Electronics Show for private screenings in June of 1991. The videos Bronner showed of rockets soaring and exploding were well-nigh irresistible to an industry all abuzz with talk of interactive movies incorporating just this type of real-world footage. Over thirty potential partners viewed the demo reel in the course of the show, and several of them came forward with serious offers.
Bronner settled on Interplay Productions for several reasons: they were also Los Angeles-based, always a nice advantage; he got on well with Interplay’s head Brian Fargo; and Fargo had immediately run with an idea Bronner had mentioned in passing, that of signing up Edwin “Buzz” Aldrin — by far the most gregarious and ambitious of the Apollo 11 astronauts in terms of media and marketing — to lend his endorsement to the game. Indeed, Fargo already had Aldrin on board when the contract was signed in August of 1991. Thus did Liftoff! become Buzz Aldrin’s Race into Space.
Aldrin’s direct participation encompassed nothing more than marketing — he regaled a long string of trade-show attendees and magazine editors with his well-worn tales of landing on the Moon, while saying next to nothing about the game itself — but it did lead to the computer game’s most significant substantive addition to the board game. Bronner added a roster of astronauts to be recruited and trained, who manifested differing strengths and weaknesses and even differing personalities which could cause them to be more or less effective when combined into crews. The idea and approach are so similar to the astronaut management found in Project: Space Station that one suspects they must have been inspired by that earlier game. That said, I have no proof that this was so.
Otherwise, though, Race into Space is a fairly straightforward re-implementation of Liftoff! rather than a major expansion upon it. In fact, some parts of the board game are actually trimmed away, such as the ability to play as the head of a fictional European or Asian space agency, which Bronner had included in order to allow up to four players to gather around the tabletop. Race into Space, on the other hand, is limited to two players, each of them controlled either by a human or the computer.
Pitched to Interplay with an absurdly optimistic six-month development timeline, Race into Space ran over that estimate by a factor of three. Indeed, it became the first game in history to get two feature-length previews in Computer Gaming World, one in January of 1992 and one in December of the same year. An early decision to switch development from the fading Amiga to MS-DOS didn’t help matters; nor did Strategic Visions’s need to rely on Interplay’s art team for most of the non-digitized graphics, work that got done only as time allowed betwixt and between other in-house projects. Most of all, though, the project began just a little bit too early, before the typical consumer computer was quite able to live up to Bronner’s multimedia ambitions. Even the version of the game that finally did ship on floppy disk in March of 1993 was heavily compromised by the limitations of its storage medium, with digitized still photographs standing in for most of the videos the original demo had promised. Players would have to wait for the CD-ROM version, which didn’t arrive until fourteen months later, to truly see the game as its designer had imagined it.
Race into Space is played in turns lasting six months each, beginning in 1957 and stretching until either 1977 arrives or someone manages to land on the Moon. Economics will play a big role in your success or lack thereof; you’re provided with a semiannual budget which increases only gradually, with the completion of major milestones according it a more substantial boost — especially if you manage them before your opponent — and catastrophic failures having the opposite effect. This approach is rather ahistorical on the face of it — in a classic example of throwing money at a problem until it bears fruit, the budget of NASA in particular was dictated more by the achievements of the Soviets than by the agency’s own accomplishments — but is probably necessary for Race into Space to work as a game.
As the game goes on, you build up your program’s facilities — adding things like additional launch pads to let you carry out more launches per turn.
Still, the core of the experience remains what it was when a young Fritz Bronner first started experimenting with the idea of a space-program-management game in the early 1980s: watching with bated breath from mission control as your rockets go up, hoping each successive step will go off without a hitch to get you your next mission milestone. Said milestones encompass everything from launching the first unmanned satellite — the game begins in the year of Sputnik — to the Moon landing itself. Yet, beyond the first few milestones at any rate, they don’t break down into a mere linear progression of steps to be mindlessly walked through. You can combine milestones into one mission; for example, you might make your first flight of eight days or more duration the same one where your astronauts first execute a space walk. And you can also skip some of them entirely, if you’re pressed for time and are willing to forgo the budget boosts with which they tempt you; the aforementioned space walk, for example, isn’t even strictly necessary for a Moon landing.
Most importantly, Race into Space lets you implement not only the historical method of getting to the Moon — that of employing a space capsule which orbits the Moon and a separate landing craft to take part of the crew down to the surface — but also a number of other approaches that were discussed at the time, such as an all-in-one-spacecraft approach (this requires developing a monster rocket that makes a Saturn V look like a kid’s toy) or even a reusable space shuttle (this requires both an enormous investment of time and money and a really slow opponent). The variety of alternate histories the game allows is not infinite — more on that momentarily — but is enough to provide for at least a few interesting and even educational playthroughs. If nothing else, you’ll walk away from your failed attempts to rewrite history with a better understanding of why NASA chose the approach they did.
Achieving firsts is extremely important because it increases your program’s prestige — which in turn leads to an increase in its budget. If things go too disastrously wrong, you can even be fired from your post as program director.
But alas, Race into Space soon begins to show those cracks in its foundation which I alluded to earlier, which are partly born from the lack of a clear sense of its own goals as a game. One can imagine at least three abstract approaches fitting into the general framework of “a managerial game about the race to the Moon.” One would be a heavily experiential game, in the spirit of Michael Bate’s aesthetic simulations, de-emphasizing the competitive aspects in favor of taking the player on a journey through those heady early days of the space age. Another would be a replayable game of hardcore strategy, in which the fiction of the Moon race functions as a mere thematic skin for the mechanical underpinnings which quickly become the player’s real focus. And still another would be an open-ended sandbox, a learning tool that lets the player experiment with many different approaches to landing on the Moon and to spaceflight in general.
Race into Space never firmly commits to any one of these approaches, but rather feints toward all of them in various places. The end result is a confusing mishmash of elements that are constantly cutting against one another. The heavy reliance on photographs, video, and sound clips from the period in question seem to push it into the experiential camp, but its board-game-derived mechanics and relatively short play time — a full game usually takes no more than two or three hours to play — pull it in the second direction I outlined. And so the cognitive dissonances start to add up. The video clips lose their appeal when you’re forced to click through the same ones over and over, every time you play, even as it remains debatable whether the mechanics are really compelling enough to make it a game you want to return to again and again under any circumstances; there are really only one or two best paths to follow to get to the Moon, and once you’ve found them there’s little reason to keep playing. Meanwhile the game’s educational sandbox potential, while by no means nonexistent, is also sharply limited. True to its board-game roots, Race into Space doesn’t simulate spaceflight at all beyond rolling dice against an arbitrary set of success-or-failure percentiles. In terms of spaceflight hardware, it lets you mix and match a set of pieces it provides for you, and pour money into each piece’s research to push its reliability percentage up, but it’s nowhere near sophisticated enough to let you develop your own components from scratch. Here too, then, it feints in a promising direction without going far enough to truly satisfy over the long term.
Yet this sense of confusion about what Race into Space actually wants to be constitutes only its second biggest problem. Its biggest problem of all doesn’t require as much design philosophy to explain: the darn thing is just too darn hard. Something is badly off with the math behind this game — something you sense more than you can know. Playing it quickly begins to feel like that memorable montage of exploding and misguided rockets from the film The Right Stuff. You can recover in fairly short order from failed launches in the early phases, when you’re mostly launching unmanned craft, but they turn devastating when they start chewing through your astronaut corps like a wolf in a chicken coop. Failed missions not only destroy the morale of your surviving astronauts, causing them to perform worse, but knock the reliability of the failed component almost all the way back to zero, forcing you to research it up again from scratch. This of course makes no sense in strictly logical terms; in the absence of any new inputs, a defective component should be defective to exactly the same extent on the next flight. Rather than conveying the rounds of investigation and soul-searching that always accompanied a real loss of life in the space program, as it was doubtless intended to do, this mechanic just furthers the impression that the game is out to get you at any cost. The fact that the computer player mysteriously seems to be able to cut more corners than you without killing astronauts by the dozens contributes strongly to the same impression.
Screens like this one appear distressingly frequently, almost regardless of how thoroughly you research and develop your components. Either the real NASA was incredibly lucky, or something is off inside this game’s numbers. Perhaps a bit of both?
Unkind though it may sound to say, I can’t help but suspect that Race into Space‘s issues in this area reflect a fundamental misunderstanding of statistics on the part of a younger Fritz Bronner — a misunderstanding that somehow never got corrected through all his years of working on his game. A mission does not, as one might initially imagine, have a chance of success equal to the reliability percentage of its dodgiest hardware component. On the contrary: the various components actually undergo reliability checks at various times — often at multiple times — during a mission. Therefore even a stack of components which have all been researched up to a reliability of 95 percent still has a substantial chance of failing in some more or less disastrous way on a more complex mission. And yet you simply don’t have time to laboriously research every component up to its maximum reliability, which for many of them is substantially below 95 percent anyway. You’re in a Moon race, after all. You have to roll the dice. Small wonder that so many players over the years have advocated save-scumming — that dastardly practice of saving and reloading until the dice roll your way — as the only practical way to play. That, or play a two-human-player game, but just click through your “opponent’s” turns without doing anything. Playing that way, you might just be able to get to the Moon before 1977.
So, despite the historical verisimilitude it works so hard to inculcate via its video clips and all the other period-specific touches, Race into Space‘s mechanics lead to a simple game of luck at bottom, and one where the odds are stacked against you at that. There is no opportunity to jump in and make decisions when a mission starts to go wrong — no chance, in other words, to improvise your way through a drama like the Apollo 13 mission. You’re a mere helpless bystander from the moment a mission begins until it ends.
The game’s delight in making its players’ rockets go boom provoked such howls of protests from early purchasers of the original floppy-based release that Interplay soon released a patch to tweak the numbers somewhat — although still nowhere near enough in the opinion of most. The very fact that Bronner felt able to manipulate the numbers in this way, of course, demolished any remaining belief players might have harbored that the numbers had any real historical basis at all. Clearly they were strictly arbitrary. Bronner never did achieve a balance that felt both playable and true to history. And that failure makes it difficult to consider Race into Space as a whole as anything but another interestingly failed attempt at making a game out of real-world space exploration.
Race into Space sold in reasonable numbers for Interplay, but never huge ones, especially after word of just how frustrating it could be got around on the street. Thus none of Bronner’s plans for sequels, which he had publicly discussed at some length in the run-up to release, ever got off the metaphorical launching pad. Strategic Visions soon folded up shop, and Bronner continued his career in Hollywood. He’s never designed another game.
Ironically, the sequels Bronner discussed may actually have made for better games than this one. One idea, for example, would have focused on a manned mission to Mars. Removed from the context of real history, not being surrounded by all those grainy old video clips reminding players of what once was, such a game would have been able to exist entirely on its own terms, and may have wound up feeling more satisfying because of it even if its mechanics had been left largely unchanged.
As it is, though, Race into Space displays that most telling sign of an ingenious game idea with questionable execution: players lining up with ways to fix it. Their efforts were confined to the realms of speculation and hex editors until 2005, when, the rights having reverted to Fritz Bronner, he generously released the game and all of its source code under the General Public License. In the time since, a small community of enthusiasts has continued to port and refine the game on a sporadic basis, but it’s never managed to garner a critical mass of developers or players. Ditto an attempt at a full-fledged commercial revival of the concept by the wargame publisher Slitherine, which arrived complete with the original game’s astronaut mascot in 2014 under the name Buzz Aldrin’s Space Program Manager.
While Race into Space‘s most specific, practical design mistakes aren’t too hard to identify, the more generalized failings of it and its peers in the scanty tradition of contemporary-space-program games do rather prompt one to ask another question: is there something about the subject matter itself that causes it not to work as a satisfying game? I believe I’ve actually done a reasonable job of answering that question already for the case of spaceborne vehicular simulations: as I noted near the beginning of this article, an astronaut in space just doesn’t have enough independent agency in most situations to make for a reasonably realistic simulation that’s also engaging as a game. But what of the other broad category of games I’ve addressed today, the one to which Race into Space belongs: that of space-program managerial games?
For a long, long time after Race into Space, one might have been forgiven for assuming that space-program managers as well were indeed nonstarters as satisfying games. But then, in 2015, a game called Kerbal Space Program came along to prove such naysayers wrong. I don’t usually write about modern games here, but I will briefly outline the premise of this one.
The titular Kerbals are a species of furry green aliens who run a space program of their own on their planet of Kerbin. Despite their cartoony cuteness, said space program itself is simulated with meticulous attention to detail, including all of the particulars of physics and aeronautics which Race into Space so conspicuously lacks. Players with an interest in rocketry or aeronautical engineering can and do lose years of leisure time to it. It may or may not be a game for you, but it is, by any objective definition, an impressive piece of work, far more intrinsically fascinating than any other that I’ve written about today.
And how does it accomplish this feat? One obvious answer is that it knows what it wants to be first and foremost: a sandbox for exploring the practical possibilities and limitations of space travel using the technology of our own recent past, present, and near future. A dedicated modding community has helped the designers to graft on additional layers of competitive strategy and economics for those who want them. Nevertheless, the game’s central delight remains that of creation and discovery. Kerbal Space Program is, in other words, one of the preeminent sandbox games of our time. And it’s completely comfortable with itself in that role, being free of the cognitive dissonances of Race into Space.
This stronger sense of itself is certainly one of the secrets to Kerbal Space Program‘s success. And here’s another: having noted earlier that the proposed non-historical sequels to Race into Space may have led to more compelling games, I’ll now submit Kerbal Space Program as Exhibit One in evidence for that argument. Freed from the weight of all that real human history, existing as it does in a world of cartoon aliens, it can just be a game.
Games can be great tools for exploring other lives and other times, but sometimes you just want to play. History, after all, doesn’t occur for our ludic amusement. Every wargamer knows that the number of unaltered historical battles that lead to good games is very small indeed; most real battles have their outcomes foreordained before they even begin. Perhaps the Apollo program and the Space Shuttle and the International Space Station and all the rest just don’t have the right stuff to make a worthy game. But that’s okay — because it means that, instead of recreating the storied past, we can imagine an exciting future. That goal is at least equally worthy — and, as Kerbal Space Program so thoroughly illustrates, it’s something that a game about space exploration can most definitely do, and do well at that.
When you play Race into Space as the Americans, each turn begins with a newscast from “Carter Walcrite” — a nod to Walter Cronkite, the television anchorman whose dulcet tones were the voice of the space race for many Americans, whom a number of surveys revealed to be the most trusted person in the United States during the turbulent 1960s. (I’ll leave the comparisons with contemporary attitudes toward journalism as an exercise for the reader…) Although the inclusion of all this loving period detail is wonderful on one level, on another it can be oddly stultifying to your attempts to write your own history.
(Sources: the books The Buzz Aldrin’s Race into Space Companion by Fritz Bronner, Designers & Dragons, Volume 2 by Shannon Appelcline, and BASIC Computer Games by David Ahl; Computer Gaming World of August 1986, March 1987, October 1987, February 1988, January 1992, May 1992, December 1992, and August 1993; Strategy & Tactics 212. Online sources include Leon Baradat’s comprehensive Race into Space site, the article “The Buzz is Gone” at The Escapist, and Steve Stipp’s homepage.
You can download the current open-source edition of Race into Space for free, or purchase its spiritual successor Buzz Aldrin’s Space Program Manager.)
source http://reposts.ciathyza.com/buzz-aldrins-race-into-space-and-space-program-games-in-general/
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The Chase Files Daily Newscap 8/31/2019
Good Morning #realdreamchasers. Here is your daily news cap for Saturday, August 31st, 2019. There is a lot to read and digest so take your time. Remember you can read full articles via Barbados Today (BT), or by purchasing a Saturday Sun Nation Newspaper (SS).
WAY FORWARD – A major step has been taken towards having a medical marijuana industry in Barbados with the piloting of the Medicinal Cannabis Industry Bill 2019 in the House of Assembly yesterday. Minister of Agriculture Indar Weir piloted the much-touted legislation in a comprehensive presentation during the opening session of the House.Up front he dismissed fears surrounding the legalising of marijuana by explaining the Bill was not intended to decriminalise cannabis that is used for recreational purposes, but to make way for Barbados to secure a stake in the global medicinal cannabis business that is projected to reach US$100 billion in trade in six years.The minister said the move to develop a medical marijuana industry represented a paradigm change in the process of wealth accumulation by Barbadians, since the industry provided for nationals to have a major stake in the business.(SS)
PARTY RAPS GOVERNMENT FOR HANDLING OF TOURISM AFFAIRS –The People’s Party for Democracy and Development (PdP) has given the Barbados Labour Party a failing grade with respect to matters on tourism. The verdict was handed down by the party’s spokesperson on tourism and regional and international transport, Scott Weatherhead on Thursday in the Leader of the Opposition’s office in Parliament.“We believe the Government is doing a really poor job of managing the tourism sector given the restructuring of the various tourism entities of Government-owned and managed state owned enterprises now together, along with some of the other projects legislated to come online, many of which have been stalled. “Some have been badly handled, particularly the Hyatt project and the acquisition of lands. You don’t go about a project like that where Government goes and acquires private lands ostensively and then leases those lands for another private hotel,” he charged. (SS)
DEXTER JAMES & QEH PART WAYS - Dr Dexter James is no longer at the helm of the Queen Elizabeth Hospital (QEH). In a media release tonight, the Board of the QEH said the two parties “have mutually agreed to part ways”with effect from today. James was appointed Chief Executive Officer (CEO) of the hospital In October 2009 and was tasked with leading the transformation of the 600-bed tertiary care teaching institution. He has been on sick leave since February 27, 2019.
STILL NO WHERE TO GO – Germaine Felix is caught in limbo with the Welfare Department, the National Housing Corporation (NHC) and a landlord who wants her out of her house now. She claims that this morning when she went to the Welfare Department to ask for assistance to acquire food and school supplies for her children, she was told that her plight could not be heard until September 23. Her initial appointment for August 26 was cancelled due to the passage of Tropical Storm Dorian. “I even fill out a paper to get uniform for them this morning. But because the lady tell me I got to come back, them can’t go to school when school open because I don’t have nothing for them. “If I got to wait until the 23rd school wouldn’t be opened already? I supposed to get a food voucher but I got to wait all until the 23rd and I ain’t got nothing home for them to eat,” she said. In addition to not having food in her house, the utilities have been turned off because Felix has been unable to pay her bills. Then, earlier this month, Felix received yet another notice from her landlord giving her and the children 14 days to get out the house. But, the St Lucia-born who contended she has nowhere to go with her children who were born in Barbados said that while she was sent to the NHC to fill out an application form weeks ago, she was told that no housing was available. She said officials at the Welfare Department told her to find a house and they would make the effort to assist her in paying the rent. However, according to Felix, she was not finding any potential landlord who was willing to enter an agreement with the Welfare Department. “It is hard for me to get a house. I went to a gentleman and he said welfare does take too long with the rent money and he don’t want to wait. But I still looking around. I just need a house to get out of here. I ain’t got no water, I ain’t got no light. “I got to be going at people and asking them for water. The truth is I don’t want help all the time, it is until I get back on my feet. As long as I get through, I will give somebody else that really need help. I just need the help,” she said. It was in July when Barbadians became familiar with Felix’s urgent appeal for assistance after she declared that the owners of the King Street, City house had given her an eviction notice because she owes thousands of dollars in rent. At that time, the cleaner said she was struggling to feed and clothe her three children, aged 17, nine, and eight, because her just over BDS$100 per week wage was barely helping her to make ends meet. The mother had admitted that she had been unable to pay her $800 monthly rent and other bills since the father of her two younger children, who signed the contract to rent the house, left days after they moved in on March 1, and had not been giving her any money to assist with running the household. “I just want to get out of here. You can’t wash no dishes, you can’t bathe, you can’t use the bathroom, the light turn off this morning. If I could have done better I wouldn’t be in this position. NHC saying they don’t have any house but people still going and getting help. I stressed and the children taking on the stress too,” Felix said. “Every minute them asking me ‘you get somewhere mummy? If you don’t get somewhere we will be on the road’. Every minute them peeping to see if the landlord coming to put us out. That ain’t good for these children. That could mash up them heart,” she added. When contacted this evening, an official who is familiar with Felix’s case said that her claims, as it relates to the Welfare Department, would be investigated as soon as possible. (BT)
BODY IDENTIFIED AS RAHIM WARD – A mother’s worst fear was realised today. Barbara Dorant-Layne broke down after identifying the body taken from a shallow grave at Walkers, St Andrew, this afternoon as that of her son Rahim Ward. The 22-year-old of Cottage Grove, St George, had been missing for a week, and police and Barbados Defence Force soldiers did the third search for him this morning in the rugged terrain near the St Andrew Parish Church. The body was discovered around 6 a.m. in a disturbed area, and just before 4 p.m., Dorant-Layne and other members of the family were allowed to view it. She was heard saying: “them killed my son; them killed Rahim”. His grandmother Virgene Ward, one of the last people to see him alive, and other family members, were also at the scene.(SS)
HOT HEAD IN TROUBLE OVER MESSAGE – On Thursday, Jason Renaldo Ashton declared his head was hot and that was why he told a man “what I had to tell him”. Yesterday, he railed at the “unfairness” meted out to him and declared: “I feel I gine kill myself.”Ashton was back in the District “A” Magistrates’ Court yesterday, after he appeared initially on Thursday.The 31-year-old, of Brittons Hill, St Michael, admitted he used a computer to send the electronic comment: “I want you to stop messaging my phone, you f****** idiot or let me come and pelt some bullets through your house,” on July 31, and he intended to cause or was reckless as to whether he caused annoyance, inconvenience and distress.(SS)
ST. JAMES MAN CHARGED WITH DRUG TRAFFICKING – Police executed a search warrant at the home of a St James man and discovered almost 250 cannabis plants growing. Members of the Drug Squad of the Royal Barbados Police Force arrested and charged Jerry Nathaniel Haynes, 47, of Halls Village No. 1 on Wednesday for possession of cannabis, possession with intent to supply, trafficking and cultivation.They seized 243 plants ranging in height from one foot to six feet and loose quantities of cannabis were also dfound.The 32.9 kilogrammes of cannabis has an estimated street value of $131 600. (SS)
LEVI BACK ON TRACK – Levi Cadogan is aiming to make a stunning return to track and field after a two-year ban for doping. The Bajan Olympic sprinter resumed training on Wednesday after he was cleared earlier this year following a two-year ban.In 2017, the former Carifta Games silver medallist, who made his Olympic debut in Rio 2016, tested positive for the banned diuretic and masking pill furosemide.The National Anti-Doping Commission (NADC) initially ruled for Cadogan to be sidelined for 24 months but he appealed to the court of Arbitration for Sport (CAS) and his drug sanction was reduced to 20 as a first-time offender. (SS)
HOLDER STALLS INDIA – India captain Virat Kohli and opener Mayank Agarwal stroked half-centuries but West Indies skipper Jason Holder responded with a terrific display of pace bowling, as the home side shared honours on the opening day of the decisive second Test yesterday. Sent in at Sabina Park in excellent conditions, India reached the close on 264 for five, with Kohli top-scoring with 76 and Agarwal getting 55.Well placed on 157 for three at tea, India lost both Ajinkya Rahane (24) and Kohli inside the first hour following the resumption, but Hanuma Vihari carved out an unbeaten 42 and wicketkeeper Rishabh Pant, an unbeaten 27, to deny West Indies any further success in the session in a crucial 62-run, unbroken sixth-wicket partnership.Low-keyed in the Antigua opening Test which West Indies lost by 318 runs inside four days last week, seamer Holder sprang to life in the humidity of the country’s capital with a haul of three for 39, including the prized wicket of Kohli. (SS)
That’s all for today folks there are 122 days left in the year Shalom! Follow us on Twitter, Facebook & Instagram for your daily news. #thechasefiles #dailynewscaps #bajannewscaps #newsinanutshell
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Increasing demand of the Digital Signage from financial institutions and banks will enhance the growth of the Australia Digital Signage Market
According to the new market research report by Industry Arc, titled “Australia Digital Signage Market By Offering(Displays, media players, services, software for network, media revenue); By End user (Retail, Telecommunications, Banking); By Display technology (LCD, PDP, OLED, LED, front projection, and rear projection); Forecast(2018-2023)”, the market is driven by the growth of opportunities in the financial sector.
Overview of the Digital Signage Market in Australia
The growth of the digital signage market in Australia is increasing continuously with the shipments of players and displays from manufacturers is expected to grow by 10%. New businesses are installing signage for the first time, while existing users are upgrading their signs. In Brisbane, many retailers are installing digital displays in the stores and are adding additional signage in stores which are already using digital signs. With the improvement of technology, more retailers will upgrade their old systems and choose to use more advanced applications of digital signage.
Selected Regulatory Analysis Done in the Full Report:
The retail segment is the fastest growing segment in the Australia Digital Signage Market. Many retail chains and shopping centres have installed digital signage systems. With the sale of digital signage displays, media players, software, and content management, the market has displayed a stronger growth in the past one year. In the corporate segment, digital signs including the high definition video walls are used in CBD office towers, lifts, and car parks. The telecommunications segment is expected to grow big in the future due to its ability to control and monitor elements of the network, including mobile, apps, and carriage.
Selected Driving Factors Mentioned in the Full Report:
Rapid growth of the retail segment in Australia will drive the demand for digital display systems during the forecast period.
Increasing demand of the digital signage from financial institutions and banks will enhance the growth of the Australia digital signage market.
The public transport sector has also undertaken outdoor signage rollouts in the train stations in major cities and domestic airports in Australia. This factor favours the demand for the digital signage.
Digital signage is helping businesses in introducing smarter and cost effect breed of IT solutions that can improve the business performance.
Request for table of contents of the full report by providing your details in the below link:
https://industryarc.com/Report/18361/austrailia-digital-signage-market-research-report-analysis.html
Key Players of the Australia Digital Signage Market Telstra, NEC, and Entwined Solutions are the key players of the Australia Digital Signage Market. Telstra is the largest telecommunications company in Australia which uses digital signage to provide high impact digital media messages which are targeted by the time, location, and market segments. NEC provides in store advertising and communication platform that combines the point of existing Point of Sale (POS) and inventory data with customer information to provide targeted messages. Entwined Solutions provides digital signage solutions which can cut costs, increase workforce productivity and improve customer services.
Australia Digital Signage Market is Segmented as Below:
Increasing market opportunities in the financial sector will drive the demand for Australia Digital Signage Market.
A. Australia Digital Signage Market By End User 1. Retail 2. Telecommunications 3. Banking
B. Australia Digital Signage Market By Offering
1. Displays 2. Media players 3. Services 4. Software for network 5. Media revenue C. Australia Digital Signage Market By Display technology 1. LCD 2. PDP 3. OLED 4. LED 5. Front projection 6. Rear projection
D. Australia Digital Signage Market Entropy
Company Profiles 1. Telstra 2. NEC 3. Entwined Solutions 4. Company 4 5. Company 5 6. Company 6 7. Company 7 8. Company 8 9. Company 9 10. Company 10
More than 10 companies are covered in this report
D. Appendix: Abbreviations, Sources, Research Methodology, Bibliography, Compilation of Experts, Disclaimer.
Related Reports:
A. Digital Signage Market https://industryarc.com/Report/15018/Digital-signage-market.html
B. Mixed Reality Market https://industryarc.com/Report/15029/mixed-reality-market.html
F. Appendix: Abbreviations, Sources, Research Methodology, Bibliography, Compilation of Experts, Disclaimer.
What can you expect from the report?
Australia Digital Signage Market Report is prepared with the Main Agenda to Covers the following 20 points:
1. Market Size by Product Categories 2. Market trends 3. Manufacturer Landscape 4. Distributor Landscape 5. Pricing Analysis 6. Top 10 End user Analysis 7. Product Benchmarking 8. Product Developments 9. Mergers & Acquisition Analysis 10. Patent Analysis 11. Demand Analysis (By Revenue & volume) 12. Country level Analysis (15+) 13. Competitor Analysis 14. Market Shares Analysis 15. Value Chain Analysis 16. Supply Chain Analysis 17. Strategic Analysis 18. Current & Future Market Landscape Analysis 19. Opportunity Analysis 20. Revenue and Volume Analysis
Does IndustryARC publish country, geography or application based reports in Australia Digital Signage?
Yes, we do have separate reports and database as mentioned below
1. Australia Digital Signage Market (2018-2023) 2. Australia Retail Digital Signage Market (2018-2023) 3. Australia Telecommunications Digital Signage Market (2018-2023) 4. Australia Banking Digital Signage Market (2018-2023)
Talk to one of our sales representative about the full report by providing your details in the link below:
https://industryarc.com/support.php?id=18361
Does IndustryARC provide customized reports and charge additionally for limited customization?
Yes, we can customize the report by extracting data from our database of reports and annual subscription databases. We can provide the following free customization:
1. Increase the level of data in application or end user industry. 2. Increase the number of countries in geography or product chapter. 3. Find out market shares for other smaller companies or companies which are of interest to you 4. Company profiles can be requested based on your interest. 5. Patent analysis, pricing, product analysis, product benchmarking, value and supply chain analysis can be requested for a country or end use segment. Any other major customizations can be discussed with our team and can provide a separate quote based on your requirements. You can drop an e-mail to [email protected] to discuss more about our consulting services.
About IndustryARC:
IndustryARC is a Research and Consulting Firm that publishes more than 500 reports annually, in various industries such as Agriculture, Automotive, Automation & Instrumentation, Chemicals and Materials, Energy and Power, Electronics, Food & Beverages, Information Technology, and Life sciences &Healthcare. IndustryARC primarily focuses on Cutting Edge Technologies and Newer Applications in a Market. Our Custom Research Services are designed to provide insights on the constant flux in the global supply-demand gap of markets. Our strong team of analysts enables us to meet the client research needs at a rapid speed, with a variety of options for your business. We look forward to support the client to be able to better address their customer needs, stay ahead in the market, become the top competitor and get real-time recommendations on business strategies and deals. Contact us to find out how we can help you today.
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Things to focus onto?
Braindump: { Halloween, libre software, life long learning, aesthetic creative assets, cartoons, fighting back Wilsonism, vintage soft grunge techs, 1910s, law of attraction & assomption, subliminals, autism, affirmations, Unix porn aesthetics, TempleOS, moodboards, wholesome, Portal 2, Helluva Boss, 0x10c, Servitor, INTP(-T), history, customization, handwriting, Jucika, slidesona and slideshows, civilization games, Pflaummen, Maskoch, Maskutchew, 16^12, conlangs, Black Bear, Her Camera, Klara, transfeminity, magick, witch, FreeCiv, exploration, pawnsonas, software toys, far far away future, dying universe, degenerate era future, Quake, Lisp, Tribbles, DECmate, PDP-8/E, dark pastel aesthetics, B&W, 35mm, wooden amber, Commodore, Sherman Fairchild, OUYA aesthetics, Hooven shoes, Reich, AutisticAngora, hydralisk98, trans pride, LGBTQ+, meme, CSS3 coding, HTML5 coding, C programming, retro tiny programs, Uxn, Gyo, Konrad Zuse, time travel, shapeshifting, opinions, Discord subliminal community, YouTube subliminal community, positivity, Ea-Nasir, ANSI, PETSCII, paper tape, paper cylinder worlds, collages, assembly programming, Oswald the lucky rabbit, vintage media, videostore, public library, dice, math rocks, mundane fantasy, Angora (world), Magritte, Tolkien, Vivziepop, Furudeki, content curations, compilation, video editing, vector art, photo edits, index card catalogs, zines, hardware modding, logic gates, multimedia, soft grunge, dark aesthetics yet empowering positive moods, apocalypse, documentaries, CRT, Sifteo, SEGA Dreamcast, SEGA Dreamcast VMU, Zepeto, Instagram, Tumblr, Mastodon, DuckDuckGo, Wikipedia, Deviantart, Toyhou.se, Librewolf, Brave, Build2 game engine, Quake 1, ASCII, UTF-8, textmode, text art, typewriter, selectric, word processor, analog tech, living computer history museum, custom dumbphone, libre mindset, dnd, pathfinder, talespinner EU the free TTRPG system, GURPS, dungeon crawl, hex crawl, knowledge explorer, alternate history, alternative software, DIY stationnery, font making, typeface craft, dark aesthetic ladies, angelcore, webcore, monotone icons, GUI theme pack, web design, custom cursor, custom sound effects, real life photography, relaxation, affirmations, mindset detox, flat retro yet layered style, animated agents, dark colors but bright themes, Windows 3.11, NeXTSTEP, SPARC workstations, BASIC programming, Unix philosophy, Parmenides, Philosophy, studies, study, *-blr, magazines, MIDI music, creative writing, poetry, Turing machine, Lambda calculus, game modding, Neocities, Geocities archived web pages, Fish shell, Bash shell, Zsh shell, cool-retro-term, Cathode, new iMac Yellow/Mint 24", logic operators, parentheses everywhere, Python programming, C++ programming, F# programming, CTSS (OS), ITS (OS), Multics (OS), Atari-style graphic design, Ural soviet computer, bitwise operations, tiny to the core minimalism... };
Hexes Selectric:
Focus: Knowledge exploration with aesthetic slideshows
Aesthetics: Soft grunge with yet dark-ish components (Versatile theme packs with my color scheme)
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