#PART OF ME LITERALLY WANTS TO GIVE HIM OMORI AND MAKE HIM PLAY IT

[strxnged]

my brother is getting home in an hour and AKLSHLASALSHASLHK im gonna make him play so much Video Game

[theultimatekamehamehavoc]

Kiss

Flowers

Extra thoughts cus I like typing :))))

Kiss - Wanted to not have it on the lips, both to save my skin cus I don't trust myself with drawing that. Also I will forever have my personal headcanon Byakuya hating that kind of kissing cus saliva is grody to him. I am totally not projecting here to some extent. Also, I feel he totally complained after Makoto pulled this stunt cus of course he did. Makoto's used to him being a bit of a whiny bastard though so he didn't take it to heart. Also, cus it caused me so much redraw pain, just Byakuya's eyes. I dunno why they were so tricky for me to get and I'm still mixed on how I drew them in the final but still! So many redraws on the eyes. Specifically the one closer to Makoto cus it just looked off and I wanted to avoid it hitting a tangent line wear Makoto's hair meets Byakuya's face. Ah, tangent lines. How you make me die just a little inside.

Flowers - The sketch makes me so happy. I would have left it as just the sketch but I rendered it which took way longer than the other drawing because my set up isn't the best and flower crown. So many flowers ;-; Damn was it worth it though. The color choice and sketchiness is giving subtle Omori vibes too which makes sense since I AM still playing the game. It was bound to bleed in somewhere. Also, I had to show it plus a little doodle I made since they're in each other's arms and could totally use it against the other. Makoto is literally holding the heir's face. Byakuya has his hands around Makoto's waist. It is but an inevitable. It kind a just looks like a goofier version of the first sketch though since subtle details like that are hard. Though, at the same time, Byakuya looks like Makoto told him the funniest joke in the world so I count that as a win even if it's not what I was going for. The guy looks like he's laughing like an Animal Crossing villager. Meanwhile, Makoto's giving out the most precious giggle ever and mmmm my heart. Why do I do this to myself?! One last detail I wanna note is that yup. The everlasting bracelets are back! This time, Makoto is clearly wearing his. Gosh. Even though those bracelets are probably SO hard to match outfits with since they're red and gold colored, it's so cute drawing them with them on. It warms my heart so freaking much. These dorks! Edit: I totally didn't edit some parts cus I wanted to gush more about my art. Like, I promise I'm not self absorbed even though saying that just makes it look worse ( ;﹏; )

[princesable]

wwait please do tell ur issues with omori if u feel like it. as a somewhat omori enjoyer (<omocat sucks) i wanna see others' opinions as well

ok on my puter here u go. im not gonna write out like. an essay im just gonna list things out in bullet points because thats easier for me so sorry if this is hard to read/understand. quick side note i've played this game around 3 times because i love showing it to people so they can get mad about it with me. i feel like this is important because ive like. actually played the game and not pulling all of this out of a cut down letsplay (also just so no one gets mad at me i pirated it) but also my memory is awful. i am planning to play it again and actively take notes so i can write something more coherent. also putting it under a read more because i didnt realize how much i had to say about this

the story sucks tbh. like its an interesting concept that could have been done in an extremely impactful way but i felt nothing. like i didnt care about mari and i didnt care about sunny because he had like. no personality outside of "silent main character everyone likes". like if you dont care about mari the whole story falls apart. it relies very heavily on you caring about the two of them which is FINE but they do a really bad job of making me actually give a shit.

hero got like fucking nothing in the story and that bothers me like. outside of sunny we should have seen how mari's death impacted him the most because. you know. THEY WERE DATING? but we never get to spend time with hero. like all he is is "the nice one" i wish we got to see. anything with him but i swear they just weren't allowed to have him express emotions that werent extremely mild or something. actually now that i think about it it feels like hero was an after thought in like. everything. his dream word ability is barely used and when it is it feels like anyone could have done it. have it literally just be that he can flip switches is stupid. you could remove hero from the game and it would impact nothing.

AUBREYYYYYYYYYYYYYYYYYYYYYYYYY the church confrontation scene was like. GENUINELY GOOD? and then after that they just forget to do anything with her. like it pisses me off how that scene was actually good and the only part that genuinely got me to feel anything and then she just gets nothing. like her "bully" scenes are pretty good and i genuinely sympathized with her but it kind of felt like. you werent supposed to? idk if that makes sense because you totally WERE supposed to feel bad for aubrey but having the kel high fives directly after multiple scene where you make her cry felt so. fucking weird. maybe that was the point idk. aubrey's my favorite character i wish omocat knew how to write

SPEAKING OF KEL. I REALLY REALLY DONT LIKE HOW THE GAME TREATS HIM. he's supposed to be the comic relief but like. EVERY joke is either "kel is gross/stupid" or "aubrey is mean to him for no fucking reason" and it gets old really fast because he's just a kid??? like him and aubrey are just mean to each other thats their whole thing which is FINE i GUESS but its not funny?? its just incredibly mean spirited and not fair to him as a character. why couldnt he have just been silly without the game seemingly hating him for trying to have fun. like most of his moveset is based around being annoying its. its weird man idk. also the fact this is a fucking item in the game

when i got this for the first time i put my head in my fucking hands man this sucks.

Basil. basil could have been an EXTREMELY interesting character but hes just so. whiny. it gets old really fast. the final fight with him was pretty good i guess. i dont have much to say about him sadly because i just like. dont remember. nothing with him stuck with me. OH WAIT the black space bit where you repeatedly kill him in extremely gruesome ways was. kind of fucking weird. because hes 10. it was unnecessary like if you REALLY wanted the fact that sunny is trying so hard to repress anything that reminds him of what he did to be represented through basil dying you could have just done it a couple times idk. weird scene.

ok moving on from characters the art is. a lot. its very hard to tell the dream world party members apart because omocat just has really bad same fact syndrome, it doesnt help that they all have the same color palettes. speaking of color palettes why do the overworld sprites white wash kel and hero. its less noticeable with hero but like. come on man its not hard to color pick your own art

still on the art the fact everything moves is fun in concept but REALLY distracting in execution. theres been multiple fights (specifically sweetheart, the king crawler and humphrey) where i've gotten awful headaches and had to take a break because i felt sick from all the movement lol. also the animation for releasing energy does NOT help who thought making the screen shake that much was a good idea dear god. like seriously this game needs to have some kind of warning

using sweetheart as an excuse to talk about how the dream world its such a fucking slog. i UNDERSTAND the point is that sunny is doing everything in his power to not reach the truth so he creates roadblocks but oh my goddddddd its so annoying to constantly have the plot take a backseat so we can go to a wedding or go to a casino or GO IN THAT STUPID FUCKING WHALE. the fact that there is a fucking mod that removes the humphrey segment should say enough. like that part in particular was soooooo fucking bad. its so boring. the humphrey fight has THREE FUCKING PHASES. I DONT KNOW WHO THOUGHT THAT WAS A GOOD IDEA BUT THEY SHOULD BE KILLED. ITS AN AWFUL EXPERIENCE

the emotion system is an interesting idea but i wish they did more with it. once you figure out that everyone has one theyre best with you stop playing with them. it stopped being fun to battle because its just make aubrey angry -> make sunny sad -> make kel happy -> have hero do fucking nothing -> hit them. idk maybe they could have had like. special emotions for boss fights?? im not sure how that'd work but i wish they added little twists every now and then to keep all the battles from feeling the same.

the real world isnt much better honestly. all the aubrey shit made me angry and the battles are so weirdly unfair its just not fun. like it doesnt penalize you for losing real world battles but its like. idk they suck. also the fact it doesnt tell you food doesnt heal you in the real world fucked me up when i first played because i was so used to the dream world i spent all my money on soda and then spent the entirety of the real world on like 1 hp i cant add spoilers on tumblr so animal harm/death and suicide warning for this next part. if you dont want to read that theres nothing else after it so youre good to just stop reading now

i dont like the black space. like i briefly went over it in the basil segment but it left such a bad taste in my mouth. especially the part where you are seemingly "forced" to cut your fucking cat open as it begs you to free it and the only way to not hurt it is to kill yourself?? ok.

speaking of which the fact the only way to leave the dream world and wake up is to kill yourself complete with a little sound effect is weird to me. idk man omori is 10 im not exactly keen on watching a child kill himself several times.

honestly the games handling of suicide is gross to me. obviously i dont think you should never talk about suicide i think its a very important topic but they way its handled in omori is almost. glorified? idk if that the right word. omori/sunny can kill himself so many times in this game and i just found that a little weird. also basil can kill himself and you can see his body just. sitting there. ok im running out of writing steam if i think of anything else i'll make another post or you have any follow up questions let me know im gonna go watch scott the woz

[the-bugs-under-ur-skin]

Yandere Kel, Sunny, Aubrey and Kel Having Their First Kiss HCs - Omori

ALL OF SUNNYS SPRITES SUCK SO JUST IMAGINE THAT HES SHY AND NOT SAD

[yandere Kel x reader]

-Kel is already clingy and affectionate so the thought of actually kissing isn’t really foreign to him

-however, it really depends when it comes to Kel

-he’d either go straight into the kiss by kissing you when you guys confess to each other

-or chicken out and either wait for you to kiss him first or somehow get pushed into it by a friend

-if he were to kiss you first, he’d be giddy and confident

-like i said, he’d probably kiss you either as a confession or after the confession so he’s already on cloud nine

-he’d probably pull you into a hug and then he’d immediately take you with him to go on an adventure/date 

-the kiss was also probably more on impulse then him trying to make it more romantic or anything

-but he’s hyped up about it for the rest of the week, telling everyone he sees how happy he is

-if you kiss Kel first, he’d still be giddy but a little shy too

-pretty much every time he gets a kiss from you he’s excited so there’s nothing really shocking about that

-but he was probably caught off guard since he wasn’t really expecting you to kiss him first

-he’ll be uncharacteristically quiet at first; the first thing you’ll probably hear from him is an awkward laugh

-but he’ll start speaking again soon, albeit with a bit of a stutter

-he’s always up for affection though, no matter who kisses who first

-this is one of the ways to really cement Kel’s obsession with you

-with every big romantic gesture that happens throughout your relationship, it makes him more and more unhinged

-hopefully you didn’t think a kiss would tone him down because now it’s just going to get harder to get away from him

-and Kel just continues to be blissfully oblivious to his own toxicity, instead focusing on how to give you more and more of his affections

(i had to hand edit this btw)

[yandere Sunny x reader]

-Sunny is surprisingly shy about the whole thing

-he always keeps a poker face on, and yet the thought of kissing you makes his cheeks burn red and his hands shake ever so slightly

-if Sunny were to kiss you first, he’d try to make it special

-like during a sunset while you two are hanging out or maybe after he takes you home from your first date or something

-you could probably tell that he’s thinking about it too because he’s shifting a little and avoiding eye contact

-he’ll probably try to run away from the embarrassment after he did it, but he’d probably just run around the corner and then watch you from afar to see how you feel about it

-if you were to kiss him first, he’d be both excited and a little nervous

-he probably wasn’t expecting it even though he’s been trying to plan out his first kiss for awhile

-he’s less embarrassed if you did it though, and that embarrassment is replaced with giddiness

-he’s still very flustered, but not enough to run away or anything

-the thing Sunny is nervous about is how you feel about it

-he’s less confident about it because he barely got a chance to plan it, so he’s worried that you’re not going to like him or something

-but other than that, he’s ecstatic

-very pleased with the fact that you just couldn’t wait to kiss him

-no matter who kisses who, it’s probably the first time you’ve seen a more vulnerable part of Sunny

-you can either handle him with care or take advantage and manipulate him

-he doesn’t care which one you do, he just couldn’t handle you leaving him after something like this

-he thought everything was fine; or at least fine enough for you both to finally kiss

-all he wants to know how he can fix it and who’s actually at fault for ruining your relationship

-he knows that neither you or himself can be the problem, so he has to figure out who ruined his first kiss

[yandere Aubrey x reader]

-Aubrey is more shy about it than she admits

-she probably has daydreamed about it once or twice, even before you both were dating

-she probably doesn’t worry about it being some big romantic event because she “just wants to get it over with”

-she’d honestly be over the moon if your first kiss was at a dump, she just wishes she could get the nerve to actually kiss you

-if she kissed you first, she would probably try to play it cool

-it’d be after a small date or maybe just a hang out with her gang

-and while you both are alone she’ll just give you a quick kiss

-she’ll try to play it off by just walking away or speeding off on her bike

-but the moment she gets home she’ll be monitoring her phone like a crazy woman

-she wouldn’t hesitate to track you down to get a response from you

-if you kissed her first, she’s both caught off guard and a little euphoric

-she would take awhile to finally kiss you so it’s not like it’d be shocking if you just decided to go for it

-she would be take aback though, but she tries to shake off the shock and play it cool

-but you’d probably know how she actually feels since not only would she be blushing, but she’s got a very genuine smile on her face

-not a smirk or anything, just a soft and sweet smile

-no matter who kisses who, that brief affection that you two share always fills Aubrey with complete euphoria

-in that moment she’s sky high and full of adrenaline, this is the happiest she felt in a long time

-Aubrey’s reaction is actually more wholesome than you’d expect

-granted, she does still obsess a little more over you

-but it’s more of the sweet kind than the murderer possessive kind

-don’t get it twisted though, Aubrey has a short temper and could lash out your or her friends at any moment

-so just let her relish in the moment for awhile, okay?

[yandere Basil x reader] 

-Basil has definitely thought about kissing you before, honestly it’s almost all he thinks about

-there’s just something about him that makes me think he cuddles and kisses his pillow and imagining its you he’s while trying to sleep

-since he wants to kiss you so badly, i think he tries to hype himself up by talking to himself in the mirror

-keyword is tries because even his own delusions can’t convince him that he’s ready to actually kiss you

-i do think that he’d eventually be able to do it, but you’d have to be really patient 

-if Basil were to kiss you first, he’d be very anxious and tense

-it would probably just be a quick peck on the lips because i don’t think he’d work up the courage to actually do much more

-you could kiss him more if you want! it would probably be the best way for you to respond to him

-you can also just tell how shy he is, not only is his face red but his legs are visibly shaking

-but even though he’s more nervous than both Sunny and Aubrey combined, i think he actually wouldn’t run away after kissing you

-sure, he’s avoiding eye-contact and trying to hide his face a bit, but he just wants to see how you react right here and up close

-if you kiss Basil first, he’s still jittery but now for a different reason

-there’s just so much visible joy on his face in that moment

-not only did you want to kiss him, but you also wanted to kiss him so badly that you couldn’t wait for him to start something

-i can imagine him covering his mouth afterward and giggling a little

-he feels like he shouldn’t be this surprised you kissed him because he was literally waiting for you to kiss him ever since you both met

-but i guess there was still a bit of doubt he tried to ignore

-but that doesn’t matter now, that doesn’t matter at all!

-you kissed him and he’s never been happier

-it’s the new thought that constantly plagues his brain, Polly probably notices how Basil will start randomly blushing even when absolutely nothing is happening

-he won’t be getting over his first kiss anytime soon, he’ll cherish the memory until he dies

-so please kiss him more, he doesn’t mind when or where he just wants you to kiss him until he can’t breathe

-whoops... was that too far? he’s sorry, he only wants what you want, of course!!

[geolato]

THE POST @frog-in-a-jumper

Ok so there are two ways my brain is taking me. I'm probably completely wrong so this will be fun to read later that's why I'm making it a post. I hope it makes sense I'm literally just dumping my thoughts.

Ok so one way is like, completely literal. Basil is someone/the representation of someone from the real world that Sunny/Omori has a connection to (this is completely deltarune but maybe sibling in a way? like you know how we're all like Ralsei is the representation of Azzy in the dark world? something like that).

My other is that Basil is like an imaginary friend of some short? Or represents like all the things Sunny/Omori is leaving behind by moving out? Idk both of these ideas are not very concrete and have many holes in them, i haven't had enough time to prossess the game much.

I genuinely think that all of Omori's main friends exist in the real world except for Basil- i think he represents something.

Other than that. White space is definitely some short of trauma-prossessing place or something along those lines (i dont know enough about trauma to describe it so im sorry if i did it wrong). I kinda knew that before I picked up the game. Definitely made up, and I think Sunny uses this place and his alter-ego Omori to just escape reality. (Also got slightly spoiled ab this- it seems that escaping reality is kinda holding him back).

I don't know what the creature is or what they want but i love them but i feel that they are part of the whole my fears are keeping me awake at night narrative to which, same, Sunny, I too have weird thoughts at night and that's why I don't play this game before I go to sleep.

I generally and from the spoils I got, got the feeling that Sunny basically needs to stop being afraid and closed off, cause that makes things worse both for him and me (more jumpscares). Like, he keeps spending time with all his friends in white space and yet he won't talk to them irl even though they clearly miss him (Kel at least). I don't know what happened that made him like that tho (probably something that has to do with Basil? Maybe Basil kickstarted Sunny's trauma and now he's just reliving the whole situation via white space, a place made to protect him that is now turning against him etc etc).

Anyway I'm just mumbling at this point. If I think of something else I'll add.

How did I do? Probably not good? Give a score? Idk.

[askomori]

Since mod is offering hot takes I’d like to know what in your opinion is most likely to be the actual ending. Not by what you’ve read on the internet but judging from your own thoughts and your own experiences with these kinds of feelings. Do you genuinely believe Sunny would head out to talk to his friends? Do you think it all would be enough to get him to confront his past? Or do you think he’s more so destined to stay locked up in his bedroom and his dreamworld?

LONG POST............... KEK

>Do you genuinely believe Sunny would head out to talk to his friends?

honestly, not until sunny starts healing from everything that happened. he didn’t leave the house for 4 years even though kel never stopped trying to check in on him. even if all his friends received the truth well and didn’t hold it against him, that severe habitual isolation doesn’t go away overnight. maladapted coping mechanisms that arise from ptsd, especially ones that overtake your personality, take a tremendous amount of willpower to overcome. he would need years of working through the trauma in therapy.

he wasn’t ever a sociable kid, he was sort of awkward and uncomfortable around other people. mari was the one who helped him make friends, and you can see throughout the photo albums that he got more comfortable around them. its terrible that she had to die in that way because not only is mari not there to support him anymore, but the guilt is driving him into total isolation.

because i understand him well, i can identify that a lot of this is explained by schizoid personality disorder. (one thing this criteria list i attached below doesn’t explain well is the description “desires” nor “enjoys”. the misconception comes from, by nature of the disorder, being unresponsive to therapists, and often they may outright say they don’t want relationships because they’ve given up. it definitely presents that way though, and sunny definitely presents that way, with dropping out of school and not responding to kel’s attempts to help him.

i needed to clear this up because otherwise id get a bunch of people who don’t understand the disorder going “but he had friends when he was younger!”) 

^the criteria for reference. (more on szpd if you’re interested: https://www.ncbi.nlm.nih.gov/books/NBK559234/). 

(authors note: i love the flat affect representation because i never see that in media) (another side note: i love the juxtaposition of sunny’s flat affect and omori’s extreme emotions. its very accurate to someone who is terrified of showing emotions due to a trauma that involved them)

>Do you think it all would be enough to get him to confront his past?

luckily, moving out of the house that mari died in will be really good for him. and moving towns will also help him learn how to go outside again, because he no longer has the extra hurdle of worrying about seeing his old friends like he did for years before he told them the truth. he has space to sort through his feelings at his own pace without the unintentional pressure sunny felt because of his friends (ahem, kel) who were just trying to help and wanted him to be happy.

after finally getting the weight off his chest about the truth, he has a good start on confronting the past. there will be ups and downs, but i believe in him.

>Or do you think he’s more so destined to stay locked up in his bedroom and his dreamworld?

in the bad ending, yes. but in the true ending he accepted and embraced omori, the part of himself he thought was irredeemable, the part of him he was in his own psychological civil war with. (jfc this visual made me cry.)

 i know this isn’t a fluffy feels good answer and it made people mad when i answered this in a fandom server haha... but its realistic. to gloss over the painful truth of this game is to flat out disrespect the themes it portrays. this game is a tragedy, its not pleasant, but that’s what its like when you go through trauma and debilitating mental illness. its not realistic to just have one conversation in the hospital and all of a sudden everyone lives happily ever after. his friends will need time to process the truth as well.

but! i believe in everyone to resolve everything that they went through. they can bond through their shared pain and understanding each others perspectives, and i know they’ll come out the other side stronger.

—

EDIT: I JUST REALIZED you asked if the real world events of the game were realistic. yeah fr when he left his house and stayed out all day and then did it again thrice i was like ok he built different... i could never

but if kel was knocking on sunny’s door every day since he learned sunny was moving, then it is a possibility sunny would give it a chance and would have built up the courage after a while because “im moving in 3 days so why not”.

remember: waiting for something to happen?

—

EDIT 2: so i’m playing the hikikomori route and i like af that the player gets that choice. so far, this route is accurate too. i highly recommended playing both routes.

—

please do not be ableist in my askbox in response to this! i will literally crazy murder you!!!

[retphienix]

Alright, this is gonna be tough because I desperately want to say so much for the game's sake and my own, but it's just so much.

At least the playthrough as a whole exists to show a lot of those things, and there's no shame in some of the impacts the game had for myself going unsaid :)

LONG POST INCOMING, NO 'READ MORE' BECAUSE IT'S RELEVANT TO THE POST AND NOT AN AFTER-THOUGHT

CLICK 'J' ON YOUR KEYBOARD TO SKIP. (Sorry mobile users)

8:48 - Do you have any idea how good a step forward it felt to smash the repressing bulb?

9:50 - So I'll get ahead of myself because this fight shows a lot of the visuals that play into this: Something being the manifestation of guilt for Mari is so incredibly visualized.

Between the base 'Something' being extremely close to the shadow she cast and including the one visible eye that bore down on Sunny and Basil after the hanging, to the stairs incorporating into the design.

The seaweed and spider are more general anxieties though they do circle back to Mari since she saved Sunny, but those two forms don't feel as directly related as the stairs (heights) and base 'Something' forms and what they represent for his repressed guilt.

Could be wrong ;) Tell me what you saw in the forms of 'Something' if you'd like to expand on them :)

12:39 - Just to prove the point before you get to fully see the truth- Something morphs into the figure of Mari hanging. It doesn't fully demonstrate the "eye" aspect yet, but still I just wanted to say kudos on the way 'Something' is shown visually. Formless for a reason, and that form becomes more defined as you understand what it is, exceptional damn thing.

15:43 - Basil's part in all of this makes me so damn sad. Plenty to say later (obviously), but he harbors so much guilt, wants forgiveness so much, and is so (not shown yet) desperate to believe in Sunny's innocence while knowing but not comprehending the truth. The fact he harbors his own 'Something' due to the guilt of all this is heartbreaking, these kids endured a hell no one should. Losing someone so important to you and harboring the guilt and fault of it when nothing of the sort was intended. A childish fight with raised emotions got out of hand and all this came of it.

Hell.

16:30 - I absolutely adore how the photo album is used for this reveal.

Absolutely incredible execution that's specific to this story and its characters and makes piecing (literally) this together tense and grim.

22:27 - I NEVER SPOKE TO OR INTERACTED WITH THE THING IN THE CENTER OF THIS ROOM AND I'M A NORMAL AMOUNT OF UPSET ABOUT THAT >:( lol

29:41 - Okay.

So this reveal as a whole is so unbelievably well paced and incredibly hard hitting.

All game long there's a weight of having lost Mari. Repeatedly it's told that she killed herself and no one can understand why and everyone (MYSELF THE PLAYER INCLUDED) is looking for meaning in little moments, seeking out hints that maybe she was suffering or depressed or this or that.

And while that has gone on FOR THE ENTIRE GAME there has also been this uneasy weight surrounding Sunny/Omori. Visions of Mari twisted and deformed into phantoms of horror.

For the most part I assumed it was just him coping with having lost his sister and maybe a dialogue on how when she was alive he was in her shadow (in his mind) and now that she's gone he remains there?

That was the best I could figure, more or less. But it continued to seem more and more malicious in design and MUCH more 'heavy' in how it's presented as a shadow behind Omori/Sunny throughout his adventure and life.

The weight and 'overshadowed' looks of the scenes felt more and more foreboding and less like a simpler "I'm living in her shadow" story, but I couldn't figure out what it was.

Then these pictures come out and piece things together.

The final result:

Sunny and Mari fighting. (Context appears to be his growing disdain towards playing. It's stated he loved playing, but it's also shown that he begins to dislike how much Mari is dragged away for classes and the like up to and including playing. So my read was that Sunny was upset that their fleeting time together was dedicated to the recital and broke his violin in an emotional blur and the fight occurred.

Alternatively it was accidentally broken and both of their emotions were running high as it happened)

Mari falling to her death.

Sunny and Basil carrying her upstairs and tending to her.

Sunny breaking down as it sinks in.

The visions having Basil say "It's going to be okay" by the bedside. (I perceive that as a memory of what Basil was saying as he tried to manage his emotions during the event)

Sunny and Basil carrying her back downstairs and to the backyard.

The makeshift noose.

And finally the sight that burned itself into Sunny's eyes of her hanging after it was all said and done.

Just holy shit to it all in how it's revealed and handled.

Stories have twists all the time, and I ain't gonna make some bold claim like "Most unpredictable!" "Best twist!" "What a twist!" or whatever, though that'd be funny.

I just want to say this twist worked BEFORE the reveal as a foreboding sense of unease and curiosity- it lent itself to intentionally vague and easily misconstrued explanations, basically- instead of it outright misleading you beyond the characters that believe the lie repeating the lie, it allowed you to mislead yourself.

It did the twist the right way! And well! YOU trick YOURSELF! The people repeating the lie are being lied to or have motivation to repeat the lie! The GAME isn't lying (as so many twists handle it) the game is giving the world reason to mislead and allowing you to be mislead!

Now am I yelling affirmations for the way things SHOULD ALWAYS BE! YES! BUT THAT'S BECAUSE IT'S NOT AS NORMAL AS IT SHOULD BE! lol

31:40 - All the "You will really miss them"s hurt :(

33:25 - Right out the gate, a spoiler for what isn't here:

I looked up the alternate endings of the neutral route and my heart hurts to know Sunny doesn't stick around and Basil dies :(

34:00 - BASIL BEING OVERWHELMED WITH DENIAL AND GUILT AS HE ATTEMPTS TO MENTALLY PROTECT HIS VIEW OF WHO HIS FRIEND IS BY INVENTING A SECOND PARTY THAT DID THIS IS SO FUCKING REAL AND AMAZINGLY DONE.

And it explains the name behind the 'Something'.

'Something' behind you did it. There's 'Something' behind you, isn't there.

'Something' all around us, that potentially being the truth comin' in.

When 'Something' ruined my photos, Basil repressing protecting Sunny by destroying the proof.

Just expertly done.

'Something' being repression of the memory and impending guilt. Dannnng.

36:26 - It's 24 hours after I beat the game as I type all this so here's a gag.

Here's the part where Basil beats some sense into his friend, because after this Sunny gets knocked out and wakes up 200% improved and ready to save Basil from his own guilt by releasing them both from the secret.

So basically Kel dragged us out of bed, then a couple days later Basil beats us up, and that's how Sunny gets better :^) Game Over.

38:46 - This fight made me feel utterly terrible, a highlight being the energy bar saying "Everything is going to be okay".

or at 40:17 - when Basil pokes out Sunny's eye and the screen does this? That's an underutilized but always awesome visual.

41:12 - I THOUGHT I WAS DEAD AT THIS POINT :)

Because just before entering Basil's home on this night you see his Grandma's ghost here. So seeing Sunny here told me "WELL. YOU FUCKED UP!"

42:25 - Like I said, beat some sense into Sunny.

Here's the mental side of things where Basil's beatin' told Sunny to go remember the good times and confront his inner self and I'm being partially facetious because there's plenty to say about what's coming up.

43:15 - Goosebumps every time due to the sincerity and hope of this.

43:40 - Hug for anyone needing that.

51:11 - I could cry again and I just might before this post is done being put together.

This accident was never meant to be.

55:09 - Timestamp is arbitrary, I won't go over every flashback but I do want to say what a beautiful way to use these photos. To relive the memories? To find the strength to overcome and all that? After all these years of suppressing memories? DANNNG I love this game.

1:04:09 - I stepped in poop.

1:04:15 - Barefooted.

1:04:22 - I embraced my failure.

1:12:00 - The violin.

1:13:00 - "The anxious feeling-" "They believed in you" "No matter what you didn't want to disappoint them" I'm filled with love and gonna cry about it.

1:14:00 - So an important theme in the game, as if it has just one, is Sunny suppressing emotions and demonizing himself.

Obviously the ending shows him breaking free from both but I think it's important as hell to look at how he builds up to being able to.

After all the dark moments show him as a bloodied monster, demonstrate a perceived lack of remorse for what he's done (as in he sees himself so poorly that he says "I must not have felt bad about it, I'm a monster", not that he actually doesn't feel bad about it, that he thinks he shouldn't because he's bad), have him stab dream Basil to protect his repression of the memory, the build up to breaking free from that is him remembering the good in him through the lens of his friends.

Both in the real world and in revisiting the memories within the photos.

He hears about the good in himself that he has pretended isn't there and finds the power to overcome this deadened shell he's made.

He learns how to forgive himself by finally remembering he's worthy of forgiveness and is more than his mistake, that even the person he grievously harmed would want him to forgive himself and would understand the mistake didn't define him.

1:15:15 - Just because you did something bad doesn't make you bad, to put it more eloquently than my rambles. He had to learn that.

1:19:20 - I've done this fight 4 times.

You may be wondering why 4 times, it ain't like I replayed the game a ton or anything.

The short of it is:

1) For the good ending :)

2) To see what happens if you go "up" in the hospital- it's a dead end- I assumed it'd be a bad ending. So I got the good ending again :)

3) For the bad ending.

4) FOR THE GOOD ENDING TO WIPE THE HORRIBLE FEELING IN THE PIT OF MY STOMACH AWAY FROM THE BAD ENDING :)

In doing so I did get one layer deeper on the BG of Omori in the fight, here it is:

And I learned on the fourth run that the fight is simpler than I gave it credit lol, Cherish refills your juice, so there is no reason to use Encore. You can get to the end (and deeper more easily) by just using the triple attack and Cherish and Calm down when necessary.

1:29:00 - A summary of the fight is that it's extremely impactful emotionally, but very obviously isn't a "Fun fight". It's great mechanically and story wise for what it's trying to do :)

I'll just say it here: I'm surprised there wasn't an end-game "Omori" fight, you know, in dream world? Because combat is SO good in this. I am lead to believe that the Omori route where you never go outside in the real world has more bosses and zones and would fill what I just implied I wanted- but you're also railroaded into the Neutral endings which are both sad :(

And honestly? That makes sense and I applaud the decision :) Embracing the fantasy world for more 'fights' isn't exactly the path to recovery. Also and I know someone will be bothered I say this because *I'm* bothered I'm saying this- it makes sense since a big predecessor did the same thing lol.

Undertale Genocide has new bosses and a harder end game challenge (Sans) while being the worse ending, while the good ending has a flashy and story/emotionally impactful final fight that isn't as challenging because challenge isn't the point of the morals being explored.

I just bring it up because it's interesting, has a parallel, and after fighting Omori 4 times I really REALLY wanted to do an end-game fight in Dream World.

1:30:00 - forgive me as I cry again. goosebumps and more.

OH NO~!

DRAT!

So I use a cheap video editor and I use the free format of it which limits to 720p and I didn't think twice of it.

I recorded at max, but downgraded after editing.

At 720p you can't see the detail that made me break down crying!

At 1:31:55 Sunny's eyes go wider as he sees Mari as they finally get to experience the duet in this dream state (White Egret Orchid, this is real and happening, I'm taking this to my grave :'( ) he sees her smile and that smile made me break down, but in the 720 it's blurry :(

That's on me, I could have posted the scene raw in HQ but I didn't know it'd compress just enough to be invisible :(

still. that duet scene can make me cry on command. just because of that alone, but also the entire thing.

1:33:42 - Sunny breaks from his shell and feels his emotions again.

1:37:07 - I wish every game would end with a mirror to see yourself.

The 'Despite everything, it's still you' vibe just cements all the growth and experiences that have happened as so much more real when that happens. Bonus points because mirrors in Omori are a time bomb where you can be reminded of the guilt following you- and this one is safe. This one is pure and clean. You did it.

1:37:50 - As I said earlier, going up does nothing. Dead end.

1:39:00 - I have to tell you something.

Simple ending. And yet slams me like two trucks. I'm so proud.

1:41:00 - Post credits scene.

This is so heartwarming and their smiles are the purest thing in the entire world.

1:42:50 - BAD ENDING RECORDING.

All I'll say on that is the bad ending made me feel terrible inside. Give up, live in your bubble, and subconsciously end it all so you never have to confront reality again.

My gut felt heavy to be honest.

And the fact that THAT is when Bo En Time is played is INCREDIBLE.

Having the sky shift like that gave goosebumps and cemented my dread.

Just seeing it now has me feeling very poorly.

Okay. Video done.

Now for general thoughts.

First off this White Space cycle has been going on for YEARS with Sunny only getting worse as he suppresses things more and more and the reason he found the strength to overcome is because of his friends and I'm gonna yell about it.

THE REASON SUNNY IS BREAKING FREE CAN BE DIRECTLY POINTED AT KEL THINKING "FUCK IT, I'M ABOUT TO LOSE A FRIEND, AND I DON'T WANT TO"

And I just think that is sweet as hell. The strength was inside himself, but the problem itself caused Sunny to demonize and not trust himself- he needed someone to break him free and help convince him that he's not irredeemable. And boom.

The way this game handles Denial and even gives it physical form with the 'Something's that both Sunny and Basil harbor is just awesome.

I touched on it but combat in Omori is very, very good.

I've said it here and there as I played and I feel like going at length in the finale post is pointless because this isn't a review but to put it concisely.

Types changing mid-combat, the character archetypes being so well defined, the follow up system, combat in Omori is some top notch turn based RPG stuff.

Like up there with the greats, the timeless masterpieces. This is GOOD fighting. So it was surprising the good ending didn't emphasize it- I explained why that makes sense, but even still! It'd probably be lesser for it (as explained previously) but it's interesting they practiced that restraint for the message they wanted to send.

Repeatin' that Mari's smile in the recital made me cry. Burned in my brain.

I'm still surprised I got the post credits scene because I DID water the plants a lot but when the game showed me them all dead I assumed that was the fail condition.

I genuinely do want to try the Omori route some time down the road. I hope I get around to it.

I am slightly dissuaded just because the Omori route only gets the neutral endings which are not Good To Be Blunt :(

But I want to see what dream content there is and I hear there are other bosses!

Other small bits from my notes:

Replacing denial (the black bulb) with hope (the white bulb) was good as heck.

The imagery of the 'Something' is so top notch- using the shadow of her body combined with the piercing gaze of her single eye- MY GOD.

The fragility of life being so present- between memories of near death experiences, to the way in which Mari dies, to the ease at which either Basil or Sunny can end the game. It's tense and heart-wrenching.

The way the 'Something' behind Sunny almost always shadows over him like an ever present weight.

Tearful, hopeful, pure, kids enduring a guilt metric tons heavier than their bodies could ever handle and finally, finally moving beyond it.

I said more in a personal post, and I'll reblog that.

Honestly, just timestamping through the video took it out of me and got the point across.

Omori is a wonderful game.

It's definitely a favorite for me, high up there on my list.

Between the themes, the gameplay, the humor, the ending.

This is a good one.

And now I get to end having experienced all the care and love in this title, that's such a sweet thing.

Now I know this finale post is a mess, illegible even. I have gotten sloppier as I've begun embracing just 'experiencing and rambling' and perhaps my formatting with change yet again until I find something more easily shared.

Despite that. I want to thank any who popped in on this playthrough.

This was a good one, a highlight of the blog for sure- and I'm always happy when I see some people enjoying the absolute mess I toss online when I do one of these :P

So thank you for your time, and thank you to any ridiculous enough to read my nonsense here.

Have a good one :)

And just as expected I feel I've said nothing and barely touched the surface as the post-game-head of mine does a poor job lol. Even still :P

[cassyapper]

OKAY IVE ACTUALLY PLAYED TWO SESSIONS SINCE MY LAST POST SO IM GONNA COMBINE THEM HERE SORRY FOR THE LENGTH BUT,,IVE COME SO FAR I DONT WANNA STOP NOW

this is gonna be very messy cause i WILL be jumping back and forth as things come back to mind so uhh pls enjoy this absolute ramble <3

anyway. i continued playing omori and boy do i have some Thoughts

so first session; i went through the pyre(something i forgot the full name sob) forest/sprout mole village/sweetheart’s castle in one go and let me TELL YOU. DOING THAT WAS FUCKING INSANE I WENT NUTS holy shit.

so anyway.

pyre forest!!!! the lil race against the big spider coming after u for disturbing the smaller spiders mechanic was very fun i had a lot of fun figuring out the best routes to take. i know normally mechanics like that lead to ppl getting frustrated cause u have to keep retrying but i had a lot of fun!!!! sum annoyance but good natured type, th kind that just makes u try harder u know? i just enjoyed it JKFN;FN; candles in the foggy forest....now That is an aesthetic

the rare bear scared the fuckin shit out of me i remember it didn’t attack me straight away so i was like “aw (:” but then when i press x on him it takes me to a BATTLE SCREEN AND SUDDEN THAT MF IS TERRIFYING I WAS LIKE WHWHWHWHWKJDNJ. very funny i honestly wished i recorded my reaction

also omori is afraid of drowning...................................i am breathing heavily. i think whatever happened to mari is related to at least one of the things omori is scared of. so either heights, spiders, or drowning it seems. spiders doesnt seem super likely as a contributor to her death, and while falling from a height is more realistic, such a senseless way of dying doesnt seem to rlly fit ? with the vibe i get from the kiddos in the real world. which makes me think maybe drowning/otherwise suffocating is how she died...but we’ll see. also due to the forgotten library part, we know omori explicitly feared spiders/drowning before mari died so it’s also probable im jus talking out my ass here but still,,,,thoughts

also this motherfucker?

literally fucking terrifying. IT’S BODY IS MADE OF SUCC’D SPROUT MOLES...i still have no idea what exactly it was doing to them but jesus h christ!!!! evil and fucked up. do not feel bad for curbstomping it

sprout mole village!!!! very cute, im v excited to send that one dude his brother’s care package. i like how, when theyre not lost, sprout moles can be real endearing lil guys,,,theyre not my fav lil enemies but (:

also for some reason omori is the first game ive played where i really care about getting achievements ? so i literally did the back and forth on my save file just to get all the season sprout mole achievements JKDJFJ;. i ended up sticking w spring tho before moving on for real cause spring is my fav season irl (:

also i felt SO BAD for cutting down that one sprout mole’s chistmas tree he was just trying to celebrate but i wanted to see that present and coincidentally becoming a christmas ruiner was an achievement so all’s fair in love and war i suppose

ALSO. th fuckin plant monster thing under the scientist sprout mole’s room. major little shop of horror vibes from the design, absolutely adored it!!!!! originally i did  just cut the wire holding the piano over it, ending it in one go, but i was very curious abt it so i reloaded a save file to actually fight it and

i know it only spread that gas to make the kiddos happy cause being happy reduces attack i think ? it decreases attack/defense but seeing the kiddos smile so much was nice (:

however

omori...sunny....son boy.........u good ?

and now. sweetheart

the way the sprout moles completely adore and depend on sweetheart gives me such awful evil vibes and combined with such a luxurious background was fucking incredible

sweetheart herself, speaking of. bitch (sorta affectionately, certainly not derogatory)

i talked to every sprout mole in the audience before taking my seat and i literally dont know why. even when i picked up the pattern of where the unique dialogue could be found (usually the sprout moles farthest right) i still talked to all of them......just in case ? i have no idea. i dont know why i did that. i feel it’s important that i note it tho

LMAO SO WHEN SPROUT MOLE MIKE DID THE MINUTE OF SILENCE FOR YE OLD SPROUT MOLE

I LITERALLY FELT SO FUCKING BAD LMAO I WAS LIKE OH MY GOD NO!!!!!! I DID THAT!!! I KILLED HIM!!! OH MY GOD!!! I WONDER HOW AWKWARD OMORI KEL HERO AND AUBREY FELT IN THE AUDIENCE HOLY SHIT THEY HAD FRONT ROW SEATS TO SPROUT MOLE MIKE’S MOURNING!!! MY GOD FJKFN;;

also sprout mole mike describing 3′7″ inches as ”towering” was the FUNNIEST shit i have ever seen. also i have to wonder, since sweetheart made up the whole show of sweetheart’s quest for hearts in the first place, if she was seriously down to marry a sprout mole if one suited her fancy. jus v funny to me honestly. SPEAKING of sweetheart’s dating patterns I NOTICED THOSE FEM SKELETONS IN THE DUNGEON!!!!! BI SWEETHEART!!!! SHE’S JUST AS DOWN FOR GIRLS AS SHE IS BOYS

i know TECHNICALLY not everyone is in the dungeon for failing to be a good enough suitor but STILL...COME ON. THIS WAS BEFORE WE KNEW THAT. SWEETHEART BI I WILL DIE ON THIS HILL

anyway

when the lights when out and lightning struck the third contestant, i knew Immediately something was gonna go down. and when the mustache sprout mole was like “oh yes!! u!! in the striped pjs!! u absolute beast ur perfect!!!” i KNEW hero had just been selected as the replacement i was goign completely fucking nuts i was like OH MY GODNFNG; HIS HEART IS ALREADY TAKEN BY MARI!!!!!!! STOP

i ended up taking so many screenshots during this part cause i was going feral so here take a glance just cause i love, uh, hero

OUR HERO IN SHINING ARMOR DJLBH;KFJB

also GOD FUCKING DAMMIT IM SHORTER THAN HERO

hero shaking on the stage when he was introduced...oh my HEART....IM SO FOND FOR THIS BOY WTF!!!!! DKJDN;N

this is not really NEWS to me since it’s implied hero is tall but like come ON..... sorry just every time i find out a character is explicitly taller than me i need to huff about it, moving on,

HERO FUCKS

sorry i just have so many screenshorts during this aprt cause i was going fucking crazy but

literally terrifying! sweetheart bathes in that shit!! christ!

is blood good for ur skin? i imagine, so long as like...gore isnt in it and it’s solely blood it cant be BAD necessarily......but good ? regardless very fucked up. besides the fact that well, uh, BLOOD, blood is also sticky as hell. ur telling me sweetheart willinglhy bathed in that shit? disgusting. at least thin it out

anyway I HAD SO MUCH FUN DOING THE PUZZLES AT SWEETHEART’S CASTLE....FROM THE DUNGEONS TO THE KITCHENS TO THE BALLROOM TO THE LIBRARY TO THE GARDENS JUST EVERYTHING!!!! IT WAS SO FUN I ENJOYED FIGURING IT OUT SO MUCH IT WAS LITERALLY DELIGHTFUL...I LOVE THIS GAME SO MUCH THE GAMEPLAY IS SO FUCKING EPIC I LITERALLY HAVE SO MUJCH FUN.......OH MY GOD I JUST. INCREIDBLE!!!! FUCK

also the lil sir maximus bit.........i honestly felt really awful over having to kill them ): i think i even tried running once but it wouldnt let me...it hurt man ): they were just a family....

um but anyway,

i think it was rlly sweet how aubrey protested to the wedding cause she was worried abt sweetheart,,,like i cant rlly explain it idk how to put it into words,,like sweetheart is clearly not mentally well and having an episode, and aubrey being the only one to say “hey what ur doing is self-destructive and isolating” just mmmh. she cares a lot,,,and *i* care aubrey

also sweetheart’s battle theme fucking SLAPPED...SO GODDAMN HARD IM STILL QUAKING OVER IT....FUCKING BANGER YO!!!!!! INCREDIBLE

ah but alas

BASIL........I NOTICED THAT IT WAS HIS GHOST/SHADOW DURING THE EXIT FROM OTHERWORLD AS WELL BUT JUST FUCK

im so worried about basil ):

and it being so obvious that none of the others can see...........them asking omori if he’s okay.....oh my god. i go nuts

and then...the forgotten library part

i literally cried, again, oh my fucking god

these kids loved each other so much they ADORED the time they spent with each other and im QUAKING to know WHAT HAPPENED TO MARI......HOW DID THE FALLOUT GO. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

i know there are multiple endings to this game and on god i am not QUITTING until i get the happiest ending there is for these kids im literally a goddamn fuckign mess oh my god

MARI SHWOING UP IN THE LIBRARY AT ONE POINT AND LEADING OMORI...........IM LTIERALLY GOIGN INSANE OH MY GOD OH MY GOD OH MY GOD HE LOVED HIS SISTER SO MUCH HE’S SO CLEARLY LOST WITHOUT HER I CANT FUCKING DO IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I NEED TO KNOW WHAT HAPPENED. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

GOD

okay sorry i just. ive said ti before but the grief in this game is so real and palpable and it aches, it aches so bad. also the white egret orchids in the library...i see u

but regardless.... session two real world electric boogaloo

LOVE that kel is like “so i need to run errands but u wanna come with me right? of course u do!” like fuck i rlly do. kel is just so delightful i would literally do anything to spend time with him

ALSO i noticed u can just refuse to open the door both times kel’s knocked now and it makes me wonder....if u could choose to ignore kel ? and then venture out urself or just ? i wonder what would even happen if u chose to not open the door. im CERTAINLY not doing it myself at the very least not this playthrough but i am curious...i bet that’s how u get a bad ending, by not talking w kel

but anyway....

aubrey and her gang not saying anything in the pizza parlor........i jus think abt that is all

ALSO!! pet rocks!!!!!!!!! LOVE this lil thing it’s so cute. jus rock paper scissors it babey

speaking of lil bits, love all the mini quests in the real world...it’s just rlly fun and builds up this cute lil town........it also makes me think that whatever happened to mari cant have been anything except an accident, bc no one comments on what a tragedy it was to omori. like if it was murder, there’s no way such a horrific situation wouldnt engulf the town for a bit and sweep over it for weeks at least, but that just doesnt seem to have happened. this is def me reading too into it tho;; point is neighbors nice (: also i got the seashell necklace and i go apeshit

ALSO......THE FUCKING...........CHURCH. I VISITED WITH KEL ON A COMPLETE WHIM CAUSE I WAS CURIOUS IF THE PASTOR WOULD TALK MORE ABT AUBREY BUT NO. INSTEAD HE TALKS ABT THE WEIRD VIBE FORM THE GRAVEYARD HE’S GETTING!!! AND THE DUDE WHO CHILLS IN THE GRAVEYARD SAYS SHIT ABT THE SPIRITS GETTING READY FOR SOMEONE TO JOIN THEM!!!! BITCH WAHT THE FUCK

THERE’S NOF UCKING WAY THIS ISNT ABOUT BASIL. THERE IS NO!!! WAY!!!! I SWEAR ON GOD IF BASIL DIES I WILL LOSE IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ESP CAUSE THERE IS LITERALLY NO OTHER WAY HE COULD DIE EXCEPT SUICIDE THAT’S WHAT IT HAS BEEN IMPLYING OVER AND OVER I GO NUTS I GO APESHIT NO NO NO NO!!!!!!!!!!!!

FUCK

OKAY SORRY I JUST. HHHHHHHHHHH

baby has acquired baby

kel’s family is rlly cute,,,,v heartwarming. i trust them

i do worry abt like...the stark difference between recognizing kel’s accomplishments and hero’s...i just idk. i just keep thinking abt that bit in kel’s story abt hero’s depression when his parents focused on hero and ignored him, and i just. kel’s family is good People but i worry if kel has a good support system...i jus........): i am watching

ahh THE BASIL MISSING PART MADE MY HEART LITERALLY FUCKING DROP..I WAS SO FUCKING PANICKED I WAS LIKE OH MY GOD THIS IS IT BASIL IS DEAD

THANKFULLY HE WASNT BUT HOLY GOD HOW THAT WHOLE SITUATION PANNED OUT MADE ME GO NUTS!!!!!!! BASIL...AUBREY...HER GANG.......FUCK OH M YOGD OH MY GOD OH MY GOD

THANK G O D I SNOOPED AROUND KEL’S HOUSE BEFORE LEAVING I WOULD HAVE H A T E D TO FIGHT THEM ALL AT ONCE IM GLAD I WAS ABLE TO JUST PEPPER SPRAY THEM JESUS CHRIST

oh my god kim like asking for aubrey all concerned before deciding to trust her and leaving.....kim i diagnose u with lesbain

the whole fucking. basil almost drowning scene. i seriously feel like ive changed like as a person over it. i am thinking . i am thinking. i am only evee thinking about mari and how omori just loved her so much and how the thought of her gave him strength. th pic of her ghost holding omori’s hand in the water made me cry

MMMM BUT. HERO!!!

I DIE I DIE I DIE HE’S SO PRETTY FUCK ALSO HIM PICKING UP BASIL WOOOOOOOO THIS IS WHAT IVE BEEN WAITING FOR THAT’S WHAT IT’S ALL ABOUT YEAHHHHHHHH

god i feel so bad about leaving aubrey tho. shes so clearly not okay and she so clearly did not mean to push basil in and oh my GOD I JUST...PLEASE....PLEASE CAN WE JUST TLAK TO HER I NEED TO TLAK TO HER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I NEED TO FUCK

the ghosts of omori and aubrey on the swings made me cry out like i had been physically assaulted

AHH BUT THEN TAKING BASIL HOME AND WHILE HE’S IN HIS BED HE JUST SAYS “oh sunny...there’s not way out of this...is there?” I LITERALLY GO BUCKWILD APESHIT INSANE STUPDI!!!!!! BASIL YOURE PUTTING UP A LOT OF ALARMING FLAGS HERE!!! PLEASE DO NOT FUCKING DIE!!!!!!!!!!!!

FUCK. CHRIST. HELL. SHIT. THIS GAME IS DRIVING ME FUCKING CRAZY

GOD

oh my god but the day ending with hero and kel sleeping over at omori’s house...im kdnd im jkdim im not uhm okay THEY BUILT A BLANKET FORT PLEASE..I LOVE THEM

goddd hero going into the piano room....playing sum........and then asking omori abt the song he and mari used to play on violin...and then THE TITLE SCREEN MUSIC STARTS PLAYING....HI. HI HELLO HI YOU CANT FUCKIGN DO THAT HI!!!!!!!!!!!!!!!!!!! FUCK YOUFBJFGJNGN;EJNE; IM GOIGN NUTS

also the name omori comes from the piano.............interesting...i wonder why sunny likes being called omori in the dreamscape...

god but omori not having a srs hallucination cause he’s w his friends and he feels safe...im gonna sob

However. i did glance into the bathroom mirror. AND INSTEAD OF THE EYE MF IT’S A DISTORTED AS HELL GHOST MARI???IM SO FUCKIGN SCARED. IM SO SCARED. WHAT THE FUCK. WHAT THE FUCK? CREEPY AS HELL!!!

ohh my god this GAME

so finally i ended up in whitespace again. do NOT like that omori is completely alone in the world!!! what the FUCK!!!!!!!! I AM SO SCARED AT ALL TIMES. im literally about to go play sum more tho after dinner so i will see what happens. god i jsut......this game is so fucking good it has me by the balls dude. SO glad i decided to play it bruh

anyway thanks for reading all of this if u did, it’s an absolute monster ik and ur a real one

[dillydallydance]

Let’s say I synced my year on the lunar calendar, which will give a kind of excuse for this year’s delay in publishing lists (an exercise that still tickles my rational/irrational relationship to music).

This year saw the beginning (and then a complete neglect) of dddance+microclimat office playlists. The year in music then revolved much more than usual on single songs, one-hit discoveries, music blogs, spotify+deezer recommendations, etc. A few numbers explanation: In a way the list could have been quite long, but here are the 100 most played/curious songs. Ranking mattered only for the first 75, so it starts in alphabetical order. This is a much different exercise than ranking albums: I focus on replays, songs I shared, songs that were contagious to others.

Here is the playlist in full:

via SPOTIFY

ALSO ON DEEZER HERE

Adult Jazz – Eggshell

Bess Atwell - Cobbled Streets

Cass McCombs - Opposite House

Drake - One Dance

Explosions in the Sky - Desintegration Anxiety

Flume - Smoke & Retribution (feat. Vince Staples & Kučka)

Francis and the Lights - Friends (feat. Bon Iver)

Griefjoy - Scream Structure

Her - Five Minutes

Honus Honus – Santa Monica

Justice - Safe and Sound

La Femme - Le Sphynx

Lady Gaga – Joanne

Mark Pritchard - Beautiful People (feat. Thom Yorke)

Masasolo - Really Thought She Loved Me

Midnight Faces - Heavenly Bodies

Miya Folick - I Got Drunk

Nicolas Jaar - Killing Time

Niki & the Dove - So Much it Hurts

Plants and Animals - No Worries Gonna Find Us

Two Door Cinema Club - Bad Decisions

We Are Wolves - Wicked Games

Wilco - If I Ever Was a Child

Wild Beasts - Get My Bang

Wild Nothing - Reich Pop

75. Adele - Send My Love (To Your New Lover)

Always start the list with a pretty good joke. I know this album is 2015, but this single is 2016, and I danced on that in the office, sang it in a Karaoke in Tokyo and here I am a single-only Adele fan !

74. Rihanna - Work (feat. Drake)

73. Leonard Cohen - You Want it Darker

72. Larry Gus - At Your Desk

71. Moby & The Void Pacific Choir - Are You Lost In The World Like Me

70. Childish Gambino - Redbone

69. Car Seat Headrest - Fill in the Blank

68. Suuns – Translate

67. Radiation City – Separate

66. Preoccupations – Anxiety

65. Massive Attack - Voodoo in My Blood (feat. Young Fathers)

64. Bat For Lashes - Sunday Love

63. Animal Collective - Golden Gal

62. Islands - The Joke

61. James Blake - I Hope My Life

60. Kendrick Lamar - untitled 06 | 06.30.2014

59. The Avalanches – If I Was a Folkstar

58. Yeasayer - Gerson's Whistle

57. Peter Bjorn and John - Breakin' Point

56. Palace Winter - Positron

55. Prism Tats - Death or Fame

54. Deakin - JUST AM

53. Funeral Suits - Tree Of Life 

52. Los Porcos - Do You Wanna Live?

51. Dinner - Turn Me On

50. Bibio – Petals

49. Local Natives - Past Lives

48. Izzy Bizu - Someone That Loves You

47. LUH – I&I

46. The Kills - Doing It To Death

45. Blood Orange - “Best to You” (ft. Empress Of)

44. Cullen Omori - Synthetic Romance

43. Metronomy - Back Together

42. Methyl Ethel - Idée Fixe

41. PJ Harvey - The Wheel

40. Father John Misty - Real Love Baby

39. Mind Enterprises – Girlfriend

38 Devendra Banhart - Middle Names

37. Money - You Look Like a Sad Painting on Both Sides of the Sky

36. James Supercave - Virtually a Girl

35. Christine and the Queens - It

34. Beyonce - Formation

33. Austra - Future Politics

32. The Palms - Push Off

31. Michael Kiwuanuka - Love & Hate

30. Porches - Be Apart

29. The Weeknd - Starboy (feat. Daft Punk)

28. Globelamp - Controversial/Confrontational

27.The 1975 - Somebody Else

26. The XX - On Hold

25. Yoko Ono - Soul Got Out of the Box (feat. Portugal. The Man)

24. Anohni - Drone Bomb Me

23. Kanye West – FML

22. Júníus Meyvant - Color Decay

21. Operators - Cold Light

20. David Bowie - Blackstar

19. Julien Doré - Le Lac

18. Rae Sremmurd - Black Beatles (feat. Gucci Mane)

17. Jarryd James - Do You Remember (feat. Raury)

16. Andrew Bird - Left Hand Shake (feat. Fiona Apple)

15. Hamilton Leithauser + Rostam - In a Black Out

14. Georgia - Move Systems

13. Empress Of - Woman Is a Word

12. Beck – Wow

11. The Last Shadow Puppets – Aviation

10. Glass Animals - Life Itself

Glass Animals discuss How to be a Human Being with sass and swag, tackling the ridicule of some scenes of “life itself”, with a sense of derision felt equally in lyrics, synths and guitars. You can bounce your ass off as he admits “I can't get a job so I live with my mum / I take her money but not quite enough / I make my own fun in grandmama's basement / Said I look mad, she said I look wasted”.

09. Edward Sharpe & The Magnetic Zeros - Hot Coals

This band involves quite a bunch of people, but rarely do they connect as much as they do on "Hot Coals", a jazzy, expansive number that breezes through a tickled intro, sexy and lively arrangements, percussive transitions, a piano-horns climax and a quiet landing that revolves around one of Alex Ebert’s rare displays of seriousness and humility (he’s usually quite annoying). The line "Stay the fuck in my heart" is aggressive, while the massive build-up is softly supporting it. The song is in full possession of the band’s collective skills.

08. Damien Jurado - Exit 353

Visions Of Us On the Land marks the end of a prolific album trilogy. Jurado’s voice is unique: tearful and brittle on acoustic songs. It’s also interrogative and existential, when he tackles the grandeur of of a spiritual journey, as on “Exit 353”. “You were with me all along / I let go and you held strong” is a transcendent contrast to the final part of the song where he acknowledges, in a loop, “I was alone there / I was alone then”. His state of grace, on the land, in the country, or within himself, becomes ours in a true grasp of communal beauty.

07. Loney Dear – Hulls   +    SOHN – Rennen

I don’t know how to characterize Loney Dear’s music, especially as I discovered him with “Airport Surroundings”, a song quite at odd with the rest of his catalogue. But this guy can haunt with all sorts of minimalism (hear the early “Harm” and “Distant”). ‘Hulls’ does that in a ferocious way, disturbing with piercing pulses and sharp words about estrangement. It climaxes subtly, sharing in part the tortured violence of not being loved back.

“Rennen” from Sohn picks up the same mood as with his previous album, Tremors. It’s isolated (this time literally, as Christopher Taylor secluded himself in Northern California to record his new album). It’s icy, nocturnal and pretty damn soothing. As the rest of the album again shows him to be clumsy in motives and styles, his voice is self-assured of its beauty, and emerges as one of the most pristine foreground to the kind electronic anxieties he puts forward.

06. Radiohead Burn the Witch – Daydreaming - Decks Dark - Present Tense

I always use the stupid first-grade imagery of music that makes you float, but if a band truly has the power to challenge gravity’s configuration, Radiohead reshuffle again the palpable arrangements of upright rock/electronic music, with guitar, bass, synth and drum sounds all muddled to uplift Yorke’s newfound transparency. It’s not to say that the band settled on a desirable balance between clarity and ambiguity, but a few, scarce moments of contrast bring the most rewarding seconds on the album: as “Identikit” is set afloat by Ed’s back vocals (and that choir!), Jonny conflicts the tones up and down with one of his crudest electric solo (see also the final of “Decks Dark”, with raw bass and guitar lines framing an highlight on the album). It’s Jonny too that, bringing magnificent string orchestrations, makes the record sound pastoral and idyllic even in its gloomiest moments. The contrasts are truly atmospheric, and serve as a support to a clear theme of “lightness”, persistent in the lyrics (am I really writing about Radiohead and lightness?). “Present Tense” offers such mutation in the singer’s cynicism, in a way that one can actually believe him when he sings “Don’t get heavy / Keep it light and / Keep it moving”, backed with some of the loveliest and charming music ever penned by the band (choir vs. echoed vocals vs. old-fashioned continental fingerpicking). Such words ultimately make me the most liberated too, as if I’ve watched old cousin struggle for more than 20 years, reaching a point where he embraces enlightenment: “With my spirit light / Totally alive / Totally released”.

05. M83 – Solitude

The retro-looking music of M83 always toyed with a form of adolescent, dream-like purity. It’s lovely when it’s innocent and doesn’t make sense. The whole world discovered that it could also be exhilarating with 2011’s “Midnight City”, or saturated with immature happiness on Hurry Up, We’re Dreaming. M83 gives the music for those who want to feel small and silly in a big world. But this year’s Junk also proved that the cool-irony gets clumsy when that vintage obsession is overblown. Yet, “Solitude” is all that: it’s excessive and immoderate. It’s superb, grandiose, melodramatic, and lavish. And to the credit of Gonzales, it’s also immensely skilled and savvy.      

04. The Tallest Man on Earth – Rivers

A sweeter voice, less Dylan, evermore Matsson. Fingerpicking magic. The song is delicate and poignant. The bareness of its first half is slowly lifted by soft horns and subtle piano notes. This guy is steadily good.  

03. Whitney - No Woman

At the moment when I feel that indie music has not many ways left to re-characterize itself (indie is a ‘character’, right?), two former Smith Westerns guys come out with the perfect indie-folk song, making that indie thing as relevant as ever. And they do so without reinventing a single ingredient: a vacillating falsetto, inexpensive Em-A-G chords known for bringing down cynicism in an instant, a mythic-american narrative of isolation and drifting the land looking for a sense of purpose. It’s solitude without pathos (thanks to those horns). It’s sad and beautiful. It’s humble and hopeful. It knocks you down in less than 4 minutes, simple, competent and candid. I shared this song the most this year, usually with the same immediate response: “yeah, I’m hooked too”.

02. Frank Ocean - Pink + White

The fact that I’m not so passionate about R&B or soul music kept me unreasonably distant from Frank Ocean. It trickles down also (shamefully) as an involuntary estrangement with some of the most relevant black voices elevating the contemporary cultural discourse. I mean, I can go to sleep to Billie Holiday’s “Strange Fruit” and wake up to Kendrick’s “Alright”, but I missed out on the latest of D’Angelo, Miguel, and yes, Solange and Beyonce. “Channel Orange” is revered on every sides of the universe, but it surprisingly never gave me the thrills. I read of how much of a talented singer-songwriter he is, and can’t deny any of the praises thrown at his relevance and his voice. But a few blogposts from him also hinted at a profound humanity, which kept me curious to whatever he (seldom) chooses to sing about. And here I am in 2016, finally joining the collective applauses, abusing of his ineffable empathy, worshiping the true beauty of his sensibility. Compared to the previous album, the R&B tag isn’t that obvious, probably due to the album’s deliberate minimalism. He dissolves any need for labels, cuts instead his flesh open, and makes his bowels sing along some of the most creative melodies of the year. It’s raw yet meticulous, comforting yet secretive, avant-garde yet immediately rewarding. Blond ended up as one of the albums I replayed the most this year. The combination “White Ferrari” and “Seigfried” are so well crafted in introspection and intimacy, it’s like you can hear him bleed (also, thanks Jonny Greenwood). I’m guilty of choosing also the duo of “Ivy” and “Pink+White” in particular, especially as the latest is the most immediately likable song here. But damn, how willingly am I grooving along the pristine voice, breezing with the chill and sensuous summer melody. It’s 2016’s song for walk-grooving on bass and piano tempos, set adrift on dreamlike lyrics and imageries. This is smooth smooth smooth. I’m glad I’m now fully onboard with this Ocean guy.

01. Bon Iver - 33 "GOD"

What the fuck is this guy singing about? “Holocene” was arguably one of the prettiest songs of the last decade, but there is this line about “laying waste on Halloween” that makes it surprisingly mundane. The whole ‘mood’ of such songs aligns with the Divine, yet any attempt to dissect it (maybe no one should) shows rather a collection of references to everyday places and times. It is an undeniable signature of Justin Vernon that whichever mediums he works with (may it be the resonance of elementary guitar chords, the cold echoes of autotune, or stretched electronic pulses), human-scale alienations will dominate, and will be collected into a transcendent ‘mood’. And for me Vernon is exactly that: not much of a skilled musician, but a skilled collector, a curator. Fragments of sounds and words are built in such a universal and relatable image-space; vaporous lines draw contours of quotidian episodes; passages are momentarily crafted between memories and estrangements. He gives order to what are merely fleeting impressions of the world. In “33, ‘GOD’”, when Vernon juggles aptly from sacred allusions (“I could go forward in the light”) to everyday realisms (“Well I better fold my clothes”), his questions, struggles and uncertainties briefly take shape as an engaging and responsive ghost figure. The most enduring appeal of Vernon is to do so without veering into overconsciousness, without sounding like a self-professed guru of ‘crystal healing’ bullshit (or in the case of this song, “bird shit”). Like most, I breastfeed shamelessly on the allusive accessibility of the opening piano line, or the immediacy of words like “I’d be happy as hell if you stayed for tea”. But later these tangible trajectories quickly dissolve in foreground/background disorienting dialogues. Vernon’s vision traces a mythical path in such conflicting suggestions, a path that varies with each listening, and probably will vary with the next albums to come. His voice, as always, will remain the only trustable, guiding structure.

In only 10 years, Vernon positioned himself as that father figure, for me and the music industry. Has it been only 3 albums? He gave voice to many with his own festival in Eau Claire, and assured his presence through numerous collaborations of all scales (from Kanye to this year’s Francis and the Light). Bon Iver were once revered as an easy folk band, but it appears ‘logical’ and ‘in line’ with this ascension that “22, A Million” is their most experimental and obscure record. It’s quite claustrophobic in fact compared even to the cabin made “C Em Am Em” sing-along progressions. This voluntary opacity isn’t a surprise also for bands struggling with 2nd or 3rd albums, panicked with stardom (or grammys). The result is too often a naive form of conceptual obscurantism, a way to shout something like: “People give me credits, but I’m not obvious. I’m genuine. I’m fucked up. I’m a dark creator.” To be honest, it is slightly the case here: the album’s cryptic visuals and song titles are mysterious (or fucked-up) for about 2 minutes, but perdure as uninteresting, unnecessary packaging gimmicks. Still, the album, and “33, ‘GOD’” in particular, ranks on the good side of the catchy-experimental trend, as Vernon got us accustomed to use his pervasive vulnerability as the code-cracking tool to float over the opacity of his text. It is an intimate, subtle, relationship, and here again his trademark voice will succeed to draw you as close as always.

LISTEN TO THE COMPLETE PLAYLIST HERE

via SPOTIFY

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