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[survivalist-anon]

Log 14: An expensive and deadly game

Las Vegas: 11:37 A.M

The Paris Casino: The Security Suite

Sleen was briefing Selene on the day's schedule as always. Closer to repeating the same schedule as a form of control rather than for occupational instruction.

"-when Tulio ropes you back up, you'll land on this platform right here and the lights go off, also, Kathy quit this morning, so you'll have to step in as Artemis this show as well. Can't for the life of me figure out who's going to be Orion now 'cus my nosey brother juuuuuust wanted to ruin my show again.", pouring himself a sizable serving of gin and tonic.

A frustrated huff from Selene was all it took, she had cursed under her breath in Comorian, than slowly to French, "tu m'esclaves comme si je n'avais pas d'âme, gros cochon fumé".

Sleen shuffled his shoulders in depraved glee, "oooooh I just loooove it when you talk all Frenchie like....makes you sound attractive too. Hehe", Sleen obviously couldn't speak the language of course, it was the only way Selene could ever be truly free from his influence.

Her sharp, glare, brightened by her piercing ice blue eyes, a rare trait in for home country. Stabbing Sleen with her gaze, "if you like it so much, why not hoard the prostitutes that are walking the streets....Au lieu de moi...", her time with Sleen was closer to imprisonment than anything. She has been lucky that Sleen enjoys the idea of tormenting her with sex.

She had been fixing her hair, braided into tight cornrows for the character. Since she had begun, she has been dying her hair a stark white with small strands of blue and silver. Unfortunately for her, she had to always be in character.... especially for Sleen.

"Oh come on sweetheart, why would I want to two bit, dime a dozen whore when I can have the goddess of the moon, the fairy of the dawn...and now.... the huntress of the night, besides you have something Kathy doesn't, a pretty face and a fine 'derriere'...", taking a long drag of his cigar, he looks at Selene like he was looking at a pork cutlet.

From the vanity mirror, she could see him starring at her, "You know. Sleen....I'm still off limits.....you wouldn't want my..... sponsor.... finding his best purchase soiled .... wouldn't you?", considering Selene's origins, her sponsor was an anonymous off shore individual. Paying Sleen to keep her in Las Vegas in the meantime, before being shipped back to some other country for her to pay her services.

However, like Sleen's appetite for third servings at the buffet and money, he's been taking an extra portion for himself. At least in regards to poor Selene, his plan is to purchase her from her sponsor, so he can have her no strings attached.

Sleen's more upbeat mood had soured to frustration. "Mmm...yes....good old Mr.Fe...what a stupid nickname....anyway....you should be greatful, my little bird of paradise. I know you have to go out for some shopping right? I'll have Hans escort you....", he leans close to her face, laying his chubby hand on her arm, "so no funny business...you got it? 'Mo ne mi'?". He slowly walks to his bodyguard, "lose her again....I'll make you lose your balls.". He leaves the bulky man and Selene alone.

She had no expression on her face she couldn't have. She felt like mawling everything in sight like a revengeful caged, lioness. But one thing that had kept her from expressing her fury.

A little sign of hope. A note

'Meet me in Rome. Where the circus is internal. For us to meet in darkness.'

~Mr.Crow.

Just the lingering vision of seeing the tiny, handwritten note had nearly given away her thoughts.

"Let's go Hans...I just need to stop at the dressing room."

As the two go down to the employee theater entrance, the game begins.

Selene walks to her usual spot, the twins where there ready for her signal. "Bonjour.", she picks up a signal lipstick.

The twins head straight to Hans.

"Hey big boy, whatcha doing tonight?", Magan cooed.

"hmmm your so big and strong, do you work out", Angelina began to hang her arms around Han's neck, ready to nuzzle him.

"Ladies, I'm working right now.", he probably knew what their angle was. Suddenly, one of the stage hands comes up to him.

"Hey you big lug! Whatcha doing with my girl?", Magan's official boyfriend had come from the gym early.

"Quincy! I was just haven a conversation.", she now had to act fast.

"I don't have time for this bullsh-", it was then he realized that Selene had disappeared. "Fuck the boss is going to kill me for this. Alright you assholes, wheres the girl?!", he demanded.

Magan, Angelina, and several other staff members were silent. One of the members of the back stage staff, had rope.

"Hope you like BDMS big guy....", a stage hand jokingly said.

~~~~~~~~~~~~~~~

Caesars Palace 12:05 p.m

As I stand quietly within the currently unopened teacher for one of the performances at Caesars Palace, I ponder what to say to Selene. To express that there was no time to waste....and that we must disappear this week.

The longer it takes, the more difficult it will be.

"I'm telling you homes, Hans is not going to be that stupid to fall for the same trick again.", Tulio sat watching on guard with me. A true companion in crime.

"I had the rest of the cast in on it.", I responded.

I swear he almost had a heart attack.

"What?! You crazy! Sleen is gonna get people fired for that!", he had a point.

I couldn't help but conduct my own brand of chaos, I've already invested William Sleen from his background history down to his most recent purchases.....one thing is for certain....he can not afford to attract the attention of law enforcement... he already has enough on his plate given his criminal record. "As per union law, he can't just fire the whole cast....he knows he can't.". I could see Tulio had now begun to understand my gambit.

"Ah yes, hehe, fire the whole cast, the casino loses money ....good thinking Wick. Say, are seriously still interested in beating that Mark guy? Seriously for someone in the military, he's got some chip on his shoulder.", Tulio's warning was not to be taken lightly.

Airman Mark is...a careless maverick....to say the least. It is not an uncommon trait amongst those to take to the skies. I myself have been criticized for the very same reason.

"Yes. I refuse to let some low ranking pilot gain the upper hand against an experienced flier like myself.", over the years my arrogance has become more unbecoming. Yet it is a shame I must bare for the sake of my own sanity.

*click clack, click clack*

There she was, my night sky, my moonlight. "Tulio, she's here, make sure that the coast is clear and that our inside man is ready.", to Tulio, Selene was no where to be seen. I personally could hear her entering the casino hall from yards away amongst the other gamblers and patrons.

Looking around, he decides to trust my instincts. "You got it Wick.", he leaves to one of the hidden employee doors.

I await for Selene. I could see her, smell her sweet aroma, feel her presence. As hidden as one can be, my eyes laid upon a woman with a dark hooded jacket, moderate heels, and eyes of starlight. Her smile, petit yet so bright.

"Selene.", all I could breathe was her name.

"Mon corbeau.", her touch upon my arm sent every follicle of hair on end in anxious passion. Her lips upon my cheek, my upon hers. "We must go.", her whispers were like a shot of adrenaline to me.

We take flight to the dressing room theater, hiding ourselves in the comforting darkness of the backstage of the Colosseum theater.

If we could not make love in our false Paris, than we shall make love in darkness.

~~~~~~~~~~~~

Downtown Vegas, within the bowles of the Trump Towers.

A meeting commences between another party within the dark underbelly of the city's crime syndicate.

Tapping his foot furiously, Sleen waits for his connection, "c'mon c'mon c'mon, where is that giant freak?! He better be here with my money.", the sudden scrabbling of claws, gnashing teeth echo and footsteps heavy enough to crack the pavement bombard through the empty halls of the basement level parking lot. "G'Ah! Who's there!? I'm armed!".

The low, grumbling laughter, "Arm'd? Yus call dat be'in Arm'd?! HA!", a large, tall, very smartly dress "man", surrounded by his own wall of guards, with two women oh so gently wrapped around his arms, steps forward just enough to obscure his face. "Dat ain't evens nuff to even scare Scruffy.", referring to his oddly shaped and gnashing "dog". Who's only desire is to take a bite out of Sleen.

"Oh! N-nice d-oggie-seriously what the actual fuck is that thing?", his momentary fear dampened by the logical side of his perspective.

"SHAHT IT, you 'ave it?", the voice boomed.

Sleen shakingly handed one of the guards the finest, smuggled tobacco one could get. "ok here you go Mr.Green. hehehe. Now where is it?", although a coward, the one thing to stoke his courage was money.

"hmmf, 'ere, just make sure you spen it soon. It ain't cheap yus knows.", a large heavy bag is handed to Sleen.

"ok .....but how am I supposed to use it if I ain't even allowed to open it??", Sleen had never once questioned his connection. All he knew when was to bring these teeth to Mr.Fe's man in San Diego California, then money would be granted in equivalent to its value. He knew what Mr.Green understood about the bag's contents is that it CAN be used a currency.

Mr.Green gave a horrible, yet cheerful grin. "Ha! Yur problem! Not mine, just make sure da scrap at South Point gets fix'd. I ain't losin to no "El Nino", sounds like a CHUMP." he snapped his fingers, him, the wall of guards and his lady friends left Sleen, by himself in a dark, dank basement area.

"....sheesh...what an asshole.", he quickly leaves the basement area and into the nearest elevator. As it goes up, a class from his phone blares through the music. "Yeah? What is it?.......WHAT DO YOU MEAN HE QUIT?!? He can't quit on me how's am I supposed to be running around without a meat shield like Hans?!?! Who's going to be my thug now?!", it was one of the stage hands back at the Paris Casino.

"Look, boss, ain't his mom and I sure as hell ain't his damn babysitter either. He just left and quit.", Angelina was currently sitting on the trunk of one of the staff's car, ready to drop Hans off at the nearest strip club. The banging on the top of the trunk nearly makes her lose her balance and popping her chewing gum. "Wooh!".

Sleen, heard something in the background, "what was that?", he interrogated her through the phone.

"Just a rat passing by, really did spook me.", she looked to her fellow staff members, all giggling at the illegal mischief they have committed.

Sleen....knew something was going on. "....is....Wick there?....and WHERE IS SELENE?.", his patience has run thin by this point.

"I don't know boss, she's with some of the girls at the mall or something, I don't have the budget to be spending on what they can afford.", blowing another bubble.

The cogs in his head had turned a little, "I'll pay you triple in what I'm paying you now...to tell me what the hell is going on.".

This was anticipated even by Wick. "Oh...hmm...me AND Magan get triple.....", covering the mic part of the phone, giggling with her sister. "....and...I'll tell where Wick is."

His grin widened into a grimace..."good....now...spill it."

~~~~~~~~~~~~~~~~

Caesar's Palace: 15:25 p.m

We had just finished another beautiful performance between the two of us. Laid upon my bare chest, and I on the chaise couch.... admittingly a size too small for my given size.

A satisfied sigh from her was evidence of my love for her, but I must tell her before we may not have another chance before Sleen finds out. "Selene, we must leave the city. You must escape."

She gasped, "Wick, is it not too soon? Sleen will hunt us down for certain. I fear what he is going to do with you.", she laid her head on left heart, hearing my hearts beat.

"I know mon épervier. Please trust me in my urgency. Even if my plan does not fully work....I can make sure it will....the great goal is that you can escape unharmed.", I speckle a few kisses on her head. "I would die to make sure your story is told, to make sure you're back home with your family. Safe and sound.".

Her eyes lit up brighter than I've seen. "Mon corbeau. You have been brushing up on your French.", she guilded me with lips under my jaw.

"Tout pour toi mon amour", our lips embraced each other. "All for you.".

We check the time, we both had to leave back to the Paris Casino for the show. "Oh dear, two hours before 'showtime'."

It was a struggle to consider the performance a show by this rate. "Let us leave in separate times. You need to meet with the girls at the shopping center here in the casino. I'll meet with you later.", we parted with another embrace.

End of log 14

@kit-williams @barn-anon @egrets-not-regrets @gallifreyianrosearkytiorsusan @walking-natural-disaster @starfrost740 @squishyowl @sleepyfan-blog @lawnchair86

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[reushq]

ABOUT

Full name & known aliases: Hyacinth Partan. Faction: Arcadia. Occupation: Former Delos Film Studios employee, former creative director, actor. Age: 33. Gender & pronouns: Cis man, he/him Faceclaim: Robert Pattinson. Can be seen: Surfing Tala, the news & trying to catch up on things he missed, listening to Apollo’s album, flipping a chip between their fingers, ignoring his parents’ phone calls, dodging Ganymede’s questions.

STATS

Influence  ☆ ☆ ☆ ☆ ☆ Charisma  ★ ★ ☆ ☆ ☆ ☆ Protection  ☆ ☆ ☆ ☆ ☆ Information  ★ ☆ ☆ ☆ ☆ Experience  ★  ☆ ☆ ☆ ☆

CODEX

(tw: addiction, violence)

If anybody was born to be in front of the camera it would be Hyacinth. Humble and charismatic, there weren’t a lot of people with anything negative to say about them. They could be a little too much to handle at times but they made up for it in their work ethic. A cheerleader of some sort, you could always find Hyacinth supporting and helping their co-stars. Meeting Apollo Rhea was like completing a puzzle that he didn’t know had a piece missing. It began the happiest and longest relationship Hyacinth has ever had, and included being almost adopted into the Rhea family as a whole. If only Hyacinth’s secrets weren’t the cause of it’s slow downfall.

It started innocently enough, one night that turned late at a local casino, celebrating another finished film that would become a success. Hyacinth was in the company of friends, playing cards on the table, when a big win awakened a rush of adrenaline the likes of which they’ve never felt before, a rush that Hyacinth would continue to chase. Looking back, there was never any explanation for why they continued their pursuit, but maybe it was in their eyes, the anticipation, the need to feel that rush over and over again, fighting, to just taste it one last time. However, it was never one last time for them. It was always one more game, another deal– maybe one more time and the rush would be within reach again.

The public, their friends and their loved ones never knew anything was wrong. The money they earned in their occupation only helped fuel their illness. Hyacinth would say they were going elsewhere only to end up at the casino once again. It controlled their whole life to a point where their own money was gone, but the need for that rush remained, deeply rooted, and the only solution– a solution that made Hyacinth hate themself a little more– was to steal money from their lover, a person that never once questioned their loyalty.

Three years ago it all came to a boiling point. In the Tartarus casino they could win, the desperation in their eyes was obvious. But they lost once again and unfortunately it seemed like this was one loss too many. The loan sharks they’d used to continue their games at the casino were expecting to get paid and they weren’t taking no for an answer. Trying to stall for more time didn’t help either, the threats they received leading to them getting beaten up when they were unable to pay. Hyacinth was beaten so badly that he needed to be taken to a hospital, where his parents were contacted and took it as a sign and an opportunity. 

You see, Hyacinth’s parents never liked the Rheas, and despised the close relationship their son had with the infamous family. Their hatred was only fueled further when they blamed them for what happened on that night in Tartarus. The only logical step they saw in order to protect their son was to put in him in a private hospital in Arcadia, where he’s spend the last three years in a coma.

CONNECTIONS

Familial connections: N/A.

Professional connections: Artemis (former collaborator, rebuilding the formerly close friendship). Ganymede (parasite, think they know everything). Orion (if all else fails, hopefully their ticket to the Arcadian film scene). Sisyphus (no longer works in the Tartarus’ casino biz, interesting). Zeus (former boss, looking to get back in their good graces). Social connections: Apollo (maybe his heart never stopped beating for them). Athena (former friend, loved their energy). Ares (easy to annoy, share fond memories). Circe (old friend, much smarter than he is). Dionysus (closest confidante, missed them dearly). Menelaus (Former friend, would’ve preferred if the film never happened than to be replaced). Zagreus (last person to see them alive in Tartarus three years ago– probably didn’t cause any trauma, right?).

ORIGINAL CHARACTER WRITTEN BY R.

[dgcatanisiri]

Tried to make a brief summary of the issues of Mass Effect Andromeda’s handling of queer men and how it relates to why we’re (broad use here) upset with the Legendary Edition failing to provide better representation than the originals, and it kinda turned in to what amounts to an open letter for BioWare.

So, what the heck, here it is.

A little personal background. I spent my high school life completely in the closet. After graduating, I had a new computer and the opportunity to play a new game. The game chosen was BioWare’s Jade Empire. Still a fairly recent release, and I was a big fan of Star Wars Knights of the Old Republic, also by BioWare. So, being a young gay man, still uncomfortable and uncertain of who I was, I was very excited when I got to play this game that would allow me to play a gay romance, a romance that featured two men. I burned through two playthroughs of the game within less than a week, enjoying that rush of acknowledgement that yes, gay guys could be the hero. It was a massive affirmation for me at the time, something that said that my sexuality was not going to prevent me from being the hero, which legitimately was a message that I felt like most media was giving me to that point, because gay men barely appeared in anything other than guest roles for an episode or two on a TV show, but certainly not in video games. That game, that experience... I’ve said for years that it had cemented me as a BioWare fan for life.

If I say that now, it is a statement with a few caveats.

The history of the failure of Mass Effect 1 and Mass Effect 2 to provide any male/male romances is well documented. I was excited, very eager to romance Kaidan Alenko in Mass Effect 3. But even then, I noticed that there were things that were lacking in the romance. It was noticeable, for instance, that the basic dialogue between male Shepard and female Shepard was unchanged, if either was starting a new romance with Kaidan. The thing that always felt... WRONG about that was that if I’d had the option to begin a romance with him in the first game, I would have. Yet there’s not even a bit of dialogue that even references that inability, no comment of “I didn’t think you were available,” or anything of the sort, nothing to say that, say, Shepard was interested in Kaidan at the time, but didn’t believe he’d be receptive, didn’t want to damage their friendship, something of the sort. There was even a cut in the romance scene, where female Shepard will sit in Kaidan’s lap before being lifted up and carried to the bed, but with male Shepard and Kaidan, just fades to black. And then in the Citadel DLC, while all the other pairings walked in to the casino arm in arm, male Shepard and Kaidan are leaving plenty of room between them. There’s also the absence of any cuddling as they return to the Normandy.

To say nothing of the lack of Steve Cortez during the story segments of Citadel – he is not part of the big team entrance to the apartment, just spontaneously appears in the lounge room. He doesn’t participate in the briefings, and he is not a casino date, despite being part of the assembled team. Cortez also suffers from the fact that his romance spends so much time on how he needs to move on from the death of his husband, Shepard can come across as predatory towards him, trying to push him out of his grief and his pants. Due to the lateness of his arrival in the story, in game three, as opposed to game one or two, there is significantly less time to establish him as a person – beyond his past as a pilot and the death of his husband, we gain almost no concept of his personality or personal history.

I bring all of this up to help set the stage of what was expected when Mass Effect Andromeda was nearing release. Mass Effect had been full of problems of representation of queer men specifically (not that they were perfect on the count of female/female relationships either, because there’s plenty to talk about there, but as I’m not a lesbian or bisexual woman, I don’t feel comfortable talking about their experiences for them). While there were flaws, Dragon Age, what is often considered Mass Effect’s sister franchise, HAD managed to provide male/male romances in every iteration of that franchise.

In fact, considering that Dragon Age’s most recent installment, Dragon Age Inquisition, had been put out with a lot of fanfare about the first gay male companion, who was considered rather popular in the fandom, and the game itself receiving the Game of the Year award that year, indicating that, if there was any risk in the business sense of providing representation of queer men, it was negligible at most in the bottom line of that game, the attitude of a lot of gay men in the lead up to Andromeda’s release was some variation of “okay, Mass Effect has been flawed, but BioWare’s learned from their past mistakes, and they’re coming off the heels of a hugely successful game that had a gay character whose gayness was front and center in his storyline... We can expect that things will be fine, and we don’t have to worry.” That was the dominant attitude I found in a lot of my queer-oriented spaces.

But we started getting uncomfortable as the developers remained cagey about romance options in Andromeda – there were Twitter responses to “we’re concerned about Mass Effect’s history of gay representation, we would like to know about the options” that came out as “we checked and yep! They’re there!” These responses came across as flippant and even tone-deaf – the reason that the question was being asked was because of prior failures to be included, and not simply a desire to get all the details before launch.

As the trailers started coming out, the questions continued from the fans, and the response from the developers... continued to be uncomfortable. When asked directly for a listing of romances prior to release, the response was that the developers wanted players to learn as they played, that “the fun is in experiencing it!” This was a specific response when it was learned that the romance options could be flirted with regardless of orientation, but they would shut it down. Despite the fact that the trailers DID include content from certain romances – specifically, the male Ryder/Cora and male Ryder/Peebee romances.

This was uncomfortable for a lot of queer players like myself because it spoke to a lack of consideration of what it is like to be queer. In many places, it is a serious question of safety to even put yourself out there to find a partner, to flirt with someone openly unless you are already certain that there is a chance for a positive response. There are places where a queer person flirting with the wrong person can get them harassed, assaulted, even killed for doing so. Even in the safety of a virtual construct of video games, these are honed instincts that queer people have developed. And no matter how many times we would say this to the developers, no one seemed to understand. Likewise, the fact that the trailers felt free to show off heterosexual romances, but not queer ones felt... questionable.

Then, finally, firm details started coming out, and... There were problems. Early data-mining said that there was an even split of romances between orientations. But there was a bit of discomfort around the reveal that the gay characters, Suvi and Gil, were limited to the ship, rather than being companions who would accompany Ryder on missions. There is a history of companions being given more involved storylines and involvement than secondary characters. It also didn’t help the disappointment from queer people who’d been eager for Cora or Liam as romances, who were firmly established as straight (Cora herself had a popular lesbian following).

That discomfort increased when it came out further that, ACTUALLY, Jaal would not be available for Male Ryder. This caused a lot of upset. Now it was a case where there was NO M/M squadmate romance option. This on top of the group of fans who were uncomfortable with the idea that, in a sci-fi series, gay men couldn’t romance an alien, while this had become a staple of the series, considering Liara, the character from a species described as equivalent to Star Trek green-skinned Orion girls, had been available for straight men and lesbian/bi women from ME1, and straight women got in on the act with Garrus and Thane in ME2, on top of straight men also getting Tali.

This got worse when the achievement listing for the game was released and there was an achievement for “romancing three different characters.” Meaning that it was absolutely impossible for a gay man to play the game and get this achievement without playing a sexuality other than his own.

This is why I led with my experience with Jade Empire, why it was so affirming to me. Because to hear all this, ten years later, to see what had been so affirming to me a decade prior be functionally dismissed, be shown to take a secondary position at best... It hurt.

And the game proper did not help that feeling at all.

So first we meet Gil Brodie. Engineer of the Tempest. One of the first things we learn about him is that he has a close friendship with a woman named Jill. And then he immediately tells us that one) she is a fertility specialist, and two) she “says [he’s] part of the problem” because he won’t have kids the natural way. This is immediately setting off red flags to me – I can think of plenty of my friendships where we give one another grief for various things, but I would never think of introducing any of them to someone else with that fact. So my reflexive thought in this situation is “what kind of a friend is this really?”

And then, as the game goes on... This is the only thing that Gil’s conversations involve, the prospect of having kids. We do not learn much more about him, just have him talking about considering the idea. The lock-in for his romance requires Ryder to meet Jill, who Gil again says that she will talk his ear off about his “civic duty” to reproduce, a fact that makes those earlier red flags wave higher and more furiously, because who DOES that to a total stranger? And this is passed off as being “charming.” This leads to the culmination of the romance, where Gil says that Jill has decided she wants to get pregnant and she wants Gil to be the dad.

There’s... A LOT going on here, so let me work through this. First, one of the few things Gil says as a bit of establishing his character is that he is impulsive, that he joined the Andromeda Initiative, the journey from the Milky Way galaxy to the Andromeda galaxy without really thinking through what it would mean, that it was a one-way journey with no way to back out once he’d gotten there. So this is already saying to me that this is not a person who really SHOULD be a parent, at least at this point in his life.

We also get a couple of emails from him in-game that paint him as putting in thirty-six hour workdays into the engines on the Tempest, that he cares about and puts a lot of time into those engines. So when I think about him as a father, I see him having to give up something he’s deeply passionate about to do it, because the Tempest is certainly no place to raise a child – they can’t exactly put a playpen in the cargo hold, for example.

This would be one of the first things that I would think of as a discussion element, but... it’s not there. All that we get is a couple of casual comments about how Gil should know that bringing a child into the world is a big thing, something that shouldn’t be done lightly. But this is framed as Ryder questioning Gil’s fitness to be a parent at all, rather than questioning if he’s thinking this through and having considered this enough to be ready to take on this responsibility, or if it’s even something that he even wants.

Because that’s the other big thing here – this is not Gil’s idea. This is not something that he makes clear is his desire. No, it’s Jill who has decided that she wants to get pregnant and use Gil’s sperm. For all that he matters in this whole thing, he might as well be a turkey baster. He’s basically an accessory in his own story, because he goes in to this with all the passion of a math equation: “The Andromeda Initiative is a colonization effort. Therefore, the idea is to have babies. Therefore, I should find some way to reproduce.” This isn’t him having a passion or desire to have kids, just it being “something you do.”

This is, genuinely, a failure to understand the character who was being written. Gil’s writing reeks of having been written by someone who does not know what they are talking about. There is an element to the gay experience that is not innate but learned. When we realize that having children is not a thing that will just happen, that if we want this to happen, it will require a lot of additional steps, there are many who will simply say “this isn’t for me, this is more work than I’m willing to put in to for this.”

Now, Gil could have been someone who had decided it was worth it, but that butts up against the idea of him being impulsive, that he doesn’t think things through. There is no time given to focusing on the reason he decides this is the right choice for him, to the point that many players felt that this was not Gil’s decision but something that Jill was pushing, that she expected him to jump on her command. Because we have so little of Gil, as a character and an individual, but plenty of him talking up her, this “friendship” feels toxic to many.

Just about everyone I have ever spoken with about Gil is deeply uncomfortable that literally, the only way that he will not have a child at this point is if a romanced Ryder stops him – if I am playing a game where I don’t romance him, I actively just stop interacting with him at a certain point so that this never comes up, because this does not come across as happy. It comes across as forcing a gay man into a heteronormative experience to satisfy some traditional idea of “man and woman, raising kids.”

And, as the cherry on top, if you do tell Gil that you’re not comfortable having kids – a very real thing, whether gay or straight – then, unlike other romances, Gil and Ryder do not share a kiss at the finale of the game. And, during the last conversations on Meridian, the only thing Gil even brings up is Jill being pregnant, whether or not it’s his child.

This is what “representation of gay men” amounted to in Mass Effect Andromeda. A homophobic story that was about a gay experience written by someone who is not a part of this community and does not know or understand the experience personally, going through the motions of development when really, all that is cared about is the end result. To say that most of the gay men I know who have played this game find this homophobic is to undersell the point.

It doesn’t help that, of all the Tempest romances, Gil also clocks in with the least amount of romance exclusive material – a few flirts, the romance lock in and scene, and being able to stop Gil from having kids. Other than that, his friendship and his romance are virtually identical.

Speaking of, the romance scene consists of a make out session that fades to black, before coming back in with Ryder and Gil, shot from about shoulders up, briefly wrapping up their conversation that preceded the fade to black. This is noteworthy when the heterosexual romances between Ryder and their human love interests, as well as Peebee and Jaal, the former having a similar body model to naked human women, just blue, and Jaal, who is naked at other points in the game, have much more involved romance scenes – Cora’s in specific received special attention.

All of this, individually, may have just been reflective of time crunch and other external pressures – we all understand the realities of game development, that for all the ambitions that go in, when the deadlines are nearing, something has to give. But taken collectively... The kindest question is to ask why all of the “give” happened in regards to the gay man?

The end result with Gil honestly feels like he was written in response to the bad faith arguments that had come up in the period after the name for the game was revealed and it was made clear that the game would follow a colonization effort. There were a contingent of people who said that “there shouldn’t be gay people coming along, a colonization effort needs to reproduce.” This is a bad faith argument from homophobes, trying to justify why they don’t want gay people in “their” games. In answering their question, the question they only “ask” in order to explain why they don’t want to have gay people in the game without saying that, it comes across as catering the gay content for a heterosexual audience. It should go without saying that this is a bad position to take.

So, that’s Gil. What about Reyes? Well, Reyes himself is bound to a single planet, which, again, points to a minimizing of how much content he will even get, since his content can only be accessed on this single planet. Likewise, Reyes, as a character, is someone who falls in to several old, tired tropes with regards to bisexual men – he is a shady, untrustworthy character, in this instance literally a criminal, meant to be evocative of the “dashing rogue” archetype. This is a characterization that has often been BioWare’s go-to with regards to bisexual men, because we see this archetype drawn on in Jade Empire’s Sky, Dragon Age Origins’ Zevran, Dragon Age 2’s Anders, and even elements exist in Dragon Age Inquisition’s Dorian (even if he is a gay man). It’s a well that BioWare has frequently tapped when it comes to a romance option for queer men, to the point that it starts to feel like BioWare in general believes that this IS what queer men are.

There’s also the questionable portrayal of Reyes that leads to a description of the trope “the depraved bisexual,” an explicitly bisexual character who uses sex and sexuality as a manipulative tool, that they treat others as simply there to be their toys. Over in Dragon Age Inquisition, one of the romance options was specifically NOT made bisexual in order to avoid this trope, but Reyes himself seems to be a candidate for that trope all the same.

All this, and, again, the romance options for gay men were unequal to those for everyone else. This prompted the campaign #MakeJaalBi – Jaal was, notably, the character initially assumed to be the bisexual male companion, and on release, his romance was heterosexual exclusive. But datamining revealed that there was code for him to be romanced by male Ryder. Indeed, on release, it was noteworthy that Jaal could not even be flirted with by male Ryder. Liam had a distinct turndown for male Ryder, a couple of them, depending on when Ryder flirts with him. Jaal had no such turndown.

And this worked. BioWare released the patch for Andromeda that gave Jaal a bisexual romance. However, this was the only change that Mass Effect Andromeda received in regards to the issues of the romances before support for the game ended. While it was seen as an improvement, it was also questioned why this was the only change, when... Well, I spent the better part of two pages outlining the problems of Gil’s portrayal.

(I feel I would be remiss to not mention there was also a character, Hainley Abrams, who would, upon interacting with her, proceed to deadname herself to Ryder, as if that is the only way to establish that a transgender person is trans. This was also changed in a patch after the trans community complained, and, in conjunction with the above, led more than a few people to wonder if the Andromeda script had been looked over by any queer sensitivity readers, given the earlier issues with Gil. This does go out of the scope of everything else in this discussion, but it is worth mentioning.)

When Mac Walters says players will talk about how Shepard is each of theirs, that every individual player approaches Shepard as being “their” Shepard, he isn’t wrong. He says the characters, and the relationships we have with the characters is the heart and soul of the series, he isn’t wrong. And yet... When I play the trilogy, my heart and soul are being torn apart, because I do not get to see myself in the trilogy. I am not there in this story, at least for two thirds of the way. And in that third that I am there, I feel like I am cared about less than my counterparts who are heterosexual.

The idea that “making” characters available for same sex romance changes them is like saying that there is some inherent difference in a person because of their sexualities. While it’s true that the experiences of queer people does offer different perspectives on matters, it does not fundamentally alter the person, the individual that we are. It does not change our heart and soul. Restoring the bisexuality of characters like Jack, Jacob, Ashley, Thane, or Tali is not changing who they are. Making Kaidan bisexual in ME3 did not change who he was, and restoring a romance between him and male Shepard in ME1 would not change him either.

Every game has some cut content surrounding queer content specifically, and a great deal of that content is specifically for gay players like myself. I said at the beginning that I once thought of myself as a BioWare fan for life, but that now comes with caveats. The caveats are pretty simple – while the games produced by BioWare once felt affirming, now they feel like they’re only grudgingly allowing me to be there. That if I must be there, I should just take the scraps I’m given and be content with that, rather than being treated as an equal.

I like to think that this is not the message that the people at BioWare wish to impart to their players. I like to believe BioWare’s statements of wanting to be an inclusive and welcoming environment for their players, regardless of gender, race, sexuality, orientation, whatever identity and label one chooses. But based on the experience of the last four games, of the Legendary Edition perpetuating the homophobia of over a decade ago... I have a hard time believing that.

BioWare games once made me feel like I was equal to the straight heroes across my media. Unfortunately, I don’t feel that way about their games anymore. Not when, after having the opportunity to restore the bisexuality of Kaidan – of multiple characters, really – in the Legendary Edition, I am still being told that offering representation for people like me is something that only comes grudgingly.

And if that’s what I see now... What does it say about what the future of the franchise will offer? If every game in this series involves fighting for content that, in particular, heterosexual players will see offered as the rule, what motivates me to want to continue to be invested and involved in this franchise?

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