#Or earned the disrespect

[azulock]

Day eleven, almost at the end, now all that's left is to check up on the oh so flammable Gävle Goat! Yall know I'm very much in the give Reo therapy club, so here we are, come on, he deserves love and support. Also, yes, I have a very casual relationship with my father, why you ask?

summary. when take the holiday to finally bring Reo to meet your father, he is overjoyed - but at the same time, he is just as anxious. A part of him insists that your father won't like him, despite your assurance that everything will be just fine. Still, he worries, but maybe he just has to accept that some things are worse in his head than they are in reality.

pairing. Reo Mikage x Fem!Reader

wordcount. 739 words

11. Family Christmas Dinner - Reo Mikage

"But what if he doesn't like me?" Reo whined as you pulled him down the snowy street. "I mean, I'm sure he knows you c-"

"Reo," you cut him off, turning to him and taking his hands in yours, "love, you are getting caught up in your thoughts. What did your therapist say about that?"

"Ah," he paused, sighing before looking up at you. "That I should focus on what is real."

"Right," you assured him, squeezing his hand in support, "and in this moment, what is real?"

"The birds in that tree, the snow on the ground, you," Reo looked around, counting the things surrounding him until his eyes met yours again, his hands returning your gentle squeeze.

"Good, good," you soothed him, taking one step closer so your faces almost touched. "Besides, if my father decides he doesn't like you, he can take that up with me. This is my life, he doesn't get to make the choices, and I love you."

You were right, he knew it, and despite doubts still swimming in his mind, Reo felt safer by your side. When you'd first brought up the idea of spending Christmas with your father - since this year his wife would be spending the holiday with her daughters - he was equal amounts excited and terrified.

Since you lived far from your father, and you were always so busy, he hadn't had the chance to reach this milestone in your relationship yet. So he was happy, overjoyed, but he still couldn't help the fear that he would cause a bad impression.

"I know, but," he grumbled, biting his lip as you came to the front door, "you should have let me buy a better gift at least."

"Reo," you laughed, shaking your head as you pushed the key in the door, "that would make my dad think you believe you can buy people with money. That wouldn't have helped your case. Now, we are going in."

You waited for him to nod before opening the door, calling out for your father once safely inside. From the stairs to your side came your father, poking fun at the both of you for dressing so nicely when you'd just be spending the day indoors with him.

You rolled your eyes and snapped back, telling him he should dress a bit better for the holiday, before coming up to him for a hug. It was shocking to see the casualty of your relationship, but at the same time it was soothing, the type of easy affection Reo had never known in his family.

But before the thoughts of his family could dominate his mind, Reo felt himself being pulled back to earth, pulled by your father into a hug that he awkwardly tried to reciprocate as you scolded the old man for not respecting people's spaces. When your father pulled back and rolled his eyes, Reo could clearly see how you two resembled each other in more than just appearances. Quickly, you stepped in, getting the introductions out of the way.

In all truth, Reo had come ready to have to try his best to impress your father, he'd come ready to try and charm his way out of a judgmental stare. What he didn't expect - despite your how you'd told him before - was to find a laid back man who poked fun at Reo whenever he'd be at a loss for words and who acted as if he was of as little importance as any other person on the street. In a way, that made him feel more at home than he could ever have imagined.

"And here I thought she was ashamed of me or something, 'cause she never brought you around," your father laughed as you shook your head with a groan.

There was a moment of pause, as the words spoken as a joke resonated deep within Reo. But quickly he laughed along, a genuine, true laugh. He could still remember the difficult nights, where he sat alone thinking the same thing - that he hadn't met your family yet, because you felt ashamed of him.

But now he could see it wasn't true. Where he'd come anxious, expecting a protective father who knew Reo wasn't good enough, he found a man who trusted his daughter's choices, and welcomed him like family. Yeah, maybe you - and his therapist - were right, some disasters really only exist in his mind.

shout out to: @fivenightsatwhoreville @minarinnn @loser-vxbez @pinksodacan

[icedenceladus]

maybe I’m being presumptuous but if the issues are limited to PWHL Minnesota rather than being widespread in the league, I’ll eat my left shoe

[joeey-dee]

Unpopular opinion but Felicity didn't deserve the career she had and didn't work for it, it was just handed to her by men she was involved with. She was severly underqualified and had no understanding of a company's hierachy and zero respect for anyone, including her superiors. It wasn't badass, it was cringe.

She was promoted from simple IT worker to EA of the CEO not for talent, not because of her experience, not because of her degree, not because of her professionalism (which she was entirely lacking) but simply because Oliver was an idiot who didn't realize the issue of "If I'm going to be Oliver Queen CEO, then I can't very well travel down 18 floors every time you and I need to discuss how we spend our nights." could've been easily taken care of by the CEO requesting she travel up the 18 floors to come see him at his office, where they could privately discuss how they spent their nights. You're the boss, have the employees come to you, not the other way around. No need to give her one hell of a promotion she didn't even appreciate.

It was absolutely no surpise Isabel and most of QC drew the conclussion she was sleeping with Oliver and got the job because of that. Her wardrobe changed from professional to too short, colorful and tight dresses, she openly disrespected her boss every chance she got, in front of other employees, his business partner (who was trying to take the company from him), and even clients. Why should anyone respect Oliver in is role as CEO if not even his EA showed him any respect and tried to demean and ridicule him any chance she got? And regularly pointed out that he'd dropped out of college? She was so ungrateful and acted as if the job was beneath her, not understanding just how important an EA for the CEO and their work is. People spend years to reach that position and it was handed to her for nothing while she was in her early twenties, overgoing more qualified personal in senior positions. It's no wonder QCs employees harbored animosity towards him. His choice was very unprofessional and the way Felicity behaved made Oliver look like a joke and not someone to be taken seriously and knew what he was doing.

Also, she was then responsible for Oliver losing the company. Showed zero loyalty towards him by taking the job his rival who took the company from him offered, then sleeping with said man to get back at a grieving Oliver and a rise out of him. (And can we just take a minute to dissect the fact she got mad at him for 'not caring about Sara, his Sara's death' but then expected him to get over it right this second and jump in a relationship with her, make it make sense! Do you want him to grieve the woman he'd loved for eight years or do you want him to pretend he doesn't care and get involved with you right away? Make up your mind woman!) Using Ray to get what she wants. Ray hands the company over to her even after the shitty and disrespectful way she treated him, used him really, while she had zero qualifications to run it. She got the company because she was sleeping with Ray. And Ray later on in Legends regrets that choice after she ran it to the ground.

Felicity never considers offering the company to Thea, after she and Oliver broke up. Oliver might not have wanted it but Thea may have and she'd been a great choice. Felicity uses the company's scientific discoveries for her own personal needs, does a really bad job with the board who obviously neither like nor respect her, she hasn't earned her position, she might have gone to MIT but she doesn't have a business degree, any understanding of how an international company like QC is being run and lacking the people skills to potentially make up for her lack of knowledge nor is she willing to listen to and learn from other people because she feels she knows best, she graduated from MIT! What do those people with their business majors and years upon years of experience in the field know compared to her IT knowledge from MIT?

Felicity literally slept herself into the position she was in and it was no wonder she wasn't respected by the company's board and employees. She'd done nothing to earn that position or their respect.

Let me know what you guys think and if I'm alone with this opinion on the matter. It just always bugged me how little respect was shown for the position of an EA and how unrealistic Felicity's rise in the company was. One degree isn't interchangable with another and it doesn't matter how prestigious the college you graduated from was if your degrees aren't in the field you now work in. You might be the most knowledgable about computers but that doesn't mean you know how to run an international billion dollar company and she obviously didn't.

[pedripics]

Vinicius to Gavi, during their bout in the Clasico: “But on Monday, I’m going to win the Ballon d’Or”

gavi has the chance to do the funniest thing ever

[wynndigogh]

If you needed a reminder, a sign, or permission:

Having boundaries or being direct isn't bad.

I was honored to have this conversation over the weekend with a friend I have not seen in 2 yrs. The advice was needed and welcomed. A heart and spirit healed.

I love the saying, walk softly but carry a big stick. Be capable of winning the fight but also capable of choosing when the fight is the only course left.

[elizabeth-mitchells]

actually one of my favorite parts of s2 so far has been that Misty almost completely gave up her obsession with Coach Ben. like. she's an ally, guys. he said he was gay, she processed the information, and she suddenly started respecting his boundaries

[masked-alien-lesbian]

Aaaannndd that's why they don't respect you, dipshit

[astralleywright]

still thinking abt this post bc like, while i agree overall and also get why they drew this specific conclusion, i think the idea that characters should be studied in a vacuum completely removed from other characters in the story kind of fails in the opposite way? people are highly social creatures whose self is tremendously influenced by (or even completely in response to) the people around us, and a good story will reflect this. like, you COULD analyze imogen and laudna as characters while completely ignoring their relationship to the other, but then you have removed one of the biggest motivations for most of their choices and development. but also that post is right as this is not actually what a lot of shippers are doing. a lot of shippers are interested near exclusively in the existence of romantic/sexual attraction and slotting characters into the shippy fanfic tags or tropes or memes they like the best, and will actively ignore or even contradict who a character actually is to do so. but i think actually analyzing a dynamic (not just determining if you want them to kiss or not) is a great way to better understand the characters involved and i did not want its good name besmirched like that

[envolvenuances]

like it's not that people particularly like me or respect me. torn opinions on whether I am a self hating bisexual repressing my attraction to men or a self hating lesbian repressing my truth (I am a confident bisexual women with a preference for other women and enough age to admit men didn't make me happy). but I am taken more seriously and the reactions (especially from the neoliberal rebranded homophobia crew) are less aggressive. almost like I passed the ritual served my time as an object to men. a concerning amount of people on every social circle and political opinions still seem to believe lesbians have to "just try it" "just to be sure". otherwise they are either infantilized as eternal virgins who never reach complete womanhood. or vilified as fetishist predatory towards women in what is so obviously mere punishment for their complete proud and certain rejection of men. everyone is so lesbophobic it's unreal

[whateverthedragonswant]

This might be a hot take but I've gotta get this off my chest:

I have seen so many times in the past two years the point being made by a particular section of the fandom that Sam was the hero of SPN, the "Luke Skywalker" of the series as Kripke himself stated, and that the finale ending made sense for not only Sam getting to live but also for Dean's ending. And in the very same breath, it's mentioned that the show was always about the brothers, no one else, that's what Kripke always wanted, etc., but this argument is always made from a very pro-Sam slanted/skewed anti-ship (and sometimes anti-Dean) point of view without taking into consideration of just how much the story of SPN evolved even before Kripke left the show.

Like say what you will about Sam being the hero of the story, and I'm not going to disagree with you about that being Kripke's original intention because you're right. Sam was the main protagonist; that's clear from the outset of the series. The whole first season is everything being told from Sam's POV. It's evident in every single episode in how each case has resolution thanks to Sam. He is made to be the hero. The whole arc of season 1 is about Sam being dragged back into this world due to his desire for revenge for what happened to Jessica which turns into something more aka Sam is naturally a hunter and he wants to help people/help his family->Dean. It's even Sam in the season finale that chooses a different way compared to John's quest for revenge by choosing Dean/his family over his revenge.

So, yes, you're right when you say in the beginning of the series that Sam was the hero/main protagonist. Absolutely. But what is not being mentioned/realized is that somewhere along the way, during Kripke's era, Dean's own story within the series became just as integral to the main story like Sam's as did their relationship as brothers. Kripke developed the story to include both. They both become essential to the main overhead arc of the entire show. The whole reason John and Mary even got together (through Heaven's intervention as per SPN canon) was to bring about both Sam and Dean's existence. Dean becomes the complement to Sam's role. We find out that Sam is the chosen vessel for Lucifer, and then we find out Dean is the chosen vessel for Michael, which leads to the showdown between Heaven and Hell essentially through the two. Both have a decision to make; both are tapped on the shoulders by both sides (i.e. Cas/Ruby); both are essential to the main plot while having their own separate arcs/journeys. Dean is no longer a side character or even the "Han Solo". His story is developed and we not only see his own hero's journey that he has to go on (when physically separate from Sam for example; going into the future though this is still intertwined with Sam's journey itself; going back in time, etc.) but his own desires, thought processes, relationships (outside of Sam), are also brought into the forefront for his story. Can this happen with side characters? Sure. But that's not what happens here because Kripke not only develops/beefs up Dean's story but also interweaves it with Sam's very carefully, to the point that the show doesn't work without both characters. Hence, Sam is no longer the sole main protagonist.

Which is why, for example, Dean is the one to kill the YED even though Sam had been determined to make YED pay for what happened to Jessica. And Kripke masterfully balances the main plot between the two as the show develops, so much so that we get payoff for Sam's journey (which leads up to Swan Song but I'll get to that in a moment), by fulfilling big plot points such as his killing Lillith and setting Lucifer free. He even still gets the hero's end by choosing to sacrifice himself to save Dean and the world in 5x22. Kripke beautifully takes Sam's original journey and tweaks it in such a way that while Sam had his dad's training and a similar quest for vengeance, he made a different decision and he did that while having much more on his shoulders (literally the weight of the world) than John ever did. And we still get payoff for what was initially set up way back in season 1. We get a close out to the Jessica story line, to Sam's powers story line, all of it, before Kripke dipped out.

And in the same fashion, we also got a closeout to Dean's story line. If he would ever get out of hunting, would he allow Sam to go into that dark night alone, would he be the same as John -- all of it.

So the ending to 5x22 absolutely makes sense. And we get: Dean surviving and going to live a "normal" life & Sam making the sacrifice (as the hero the series started out with) while also somehow surviving & making his way back to his brother. That's Kripke's ending. Now to be fair, Sam making his way back to Dean more likely had to do with them setting up the next season, but ultimately he wasn't dead after throwing himself and Michael into the pit.

Then in the later seasons, which some fans like to exclude or dismiss (but it's still part of Sam and Dean's official story), their stories were still integral to the main story but they had also evolved to include other characters (such as Cas, Jody, Donna, etc) and they had developed over the next ten years. So when looking at the series as a whole, Dean and Sam's endings in the series finale do not make sense. Kripke already got his ending in 5x22 and the show moved past that, and quickly set out to dismantle it in 6x01. This theme continued and the idea of free will became the center stage even more than it had in the first five seasons. By the time the last season rolled around, Dean and Sam had different desires, their stories had not only been completely intertwined to make both of them the main protagonists but both the heroes, and how their ends/hunting boots were hung up in the end would both matter.

So if you watched all of the seasons, 15x20 doesn't make sense. Because Dean and Sam wanted very different things by that point, they had both built relationships with other characters (Cas and Jack were the biggest ones but those two were not the only ones), and their story had effectively changed.

And if you didn't watch any of the later seasons (or you dismiss it), 15x20 still doesn't make sense because this wasn't the ending Kripke had for the seasons 1-5 Sam and Dean. If anything, it felt like it could have been 1x02 instead of the Wendigo episode, ending Dean and Sam's story in two short episodes with nothing in between.

That does not make sense.

Imagine we were discussing the show Buffy the Vampire Slayer. We all know how that ended (I'm talking TV only, not the comics). Buffy saved the world, she survived (finally!), and she was free from Sunnydale. Now imagine she had been killed off. Not only would it feel redundant but it wouldn't feel like a true ending for the story told over the past 7 seasons. What would have been the point of her being resurrected in season 6 then? What would have been the point of her relationship with Spike, Dawn, and the others? Could Joss Whedon have made it into another hero's sacrifice (instead of Spike doing the heroic/redeeming sacrifice), that she got Dawn, Willow, Xander, and the other Slayers ready to defend the world that she would die saving? Sure. But again, when you compare that ending to her story, it doesn't really make sense. There is no payoff, for the viewers or for the character of Buffy. She had earned that ending, the freedom from the Hellmouth and from the burden of being alone as the only Slayer (aka Chosen One). Which is why we get that great shot in the end:

Willow: "Yeah, the First is scrunched so...what do you think we should do, Buffy?"

Faith: "Yeah, you're not the one and only Chosen anymore. Just got to live like a person. How's that feel?"

Dawn: "Yeah, Buffy, what are we going to do now?"

The hero, who had already made the hero's sacrifice more than once, finally earned the ending that she wanted: freedom and the ability to choose to live her life for herself. The burden of being The Slayer had been removed and spread out to others (effectively building a network, hold that thought for a minute), she was no longer alone, she had defeated the Big Bad (which was effectively the Hellmouth since it kept creating/calling to these other Big Bads she faced over the years as well as the monsters she started out fighting), she might have more to face in the future, but it's up to her now what she wants to do. She is given the choice aka free will and that's what she earned after everything she had gone through during the duration of the show.

That's an ending.

This isn't:

Death wasn't supposed to be their ending. While some might be able to turn to you and say 'but they end up in Heaven together, they're at peace', that doesn't make it a payoff ending, for the viewers (early seasons only or all seasons) or for the characters of Sam and Dean. That's not effective storytelling. Neither ending was heroic or earned.

Dean dying, while again wouldn't make sense given the story, could have been painted as heroic if it happened during the battle with Chuck for example. Their final battle with the ultimate Big Bad. Even though they both died heroically quite a few times before this, it could have been done and while ultimately disappointing, it could have been the hero's end for Dean (just like Sam's end in 5x22 was the hero's end for him). This death wasn't heroic; instead it was from vampire stunt guy #4 who apparently juiced before that scene getting an upper hand on the hero and impaling him on a piece of sharp rebar. During a milk run hunt. Now imagine if that were Sam. Ask these people who think that by the end of the series that Sam was the only hero, ask them if that happened to Sam instead, would they still be praising the finale? Or imagine that was Buffy. That she survived like she does, the Hellmouth in Sunnydale was finally gone, only to be killed by a random forgettable vampire who she had faced off with in the first season and got away, only to suddenly return and take the hero out, thus negating the payoff/earned ending she and the viewers got. Doesn't make sense, right?

Now imagine if say Dawn was killed off in a similar way (though tbf Dawn's role was not the same as Dean's in the story) or during the battle, and we see Buffy living her life through the years, getting out of slaying, having a family which consists of a daughter she names Dawn, wearing her own Party City wig and looking at a picture of Dawn all teary-eyed, dying in her sleep as an old lady, and then reuniting with her in Heaven. It doesn't work. Not only because Dawn had a very different role in the show when it came to the main story but also because it DOESN'T WORK. What kind of hero's end is that? What payoff is that? Is it great that Sam gets to choose to get out of hunting and have a family? Sure. But that's not where his story was headed, in later seasons, or even during Kripke's era.

Going back to the network thing I mentioned with Buffy, Sam had done that. Not only were there strong hints of leader!Sam near the end of the series, but he had effectively built a network of hunters for a time until Alt!Michael killed them all. But he and Dean still had a network going through Jody, Donna, Claire, even Jack until he turned God!Jack. Wayward Sisters might not have taken off when it first aired but the point was made: a hunter network still existed. And these characters, this network, even though not shown in the finale, still survived no matter what happened with Sam and Dean in the end. Why is this important? Because not only does it extend the hunting universe, but it also removes the burden from the heroes' shoulders. So they could have gotten out of hunting if they wanted to, just like Buffy could have laid down her axe (or stake). The heroes had earned it.

So for Dean to die on a random hunt and for those few to say that it was being foreshadowed this whole time with Dean's quotes (from before season 15 btw) and a proper ending to his story...they really don't know what show they were watching or how storytelling works in general. Because when they say that, they negate Dean's whole arc of season 15 (while also negating his whole series arc). Dean was angry in the beginning of the season because he thought not only had his free will been taken from him, but also because he thought he hadn't had any free will this whole time. There's a reason why he says what he says to Cas in 15x02. There's a reason why he was so gung ho on letting Jack sacrifice himself, and only once once Sam and Chuck say what they say in 15x17 does Dean make a different choice: his family (and the world) vs his own desire (his idea of free will, not fully realizing that he's actually utilizing it by making that choice). It's only when he chooses not to kill Chuck in 15x19 that he is completely self-aware and that he is using his free will to make a choice. A choice that affects how the Big Bad is ended/defeated. "That's not who I am."

He was given the hero's choice and he made it. And his decision was the right one that had payoff from not only the events in 15x17 and 15x18 but for his overall story. That's why what Cas says to him in 15x18 about who he is as a character was so important. It set Dean up to not only have self-realization but to also act upon it. Think about how many times over the years Sam and other characters have told Dean this about himself but he never really believed it. Why? Because he hadn't reached that part of his journey yet. Because he hadn't reached the end of it yet. So it makes perfect sense how 15x17, 15x18, and 15x19 play out. This is the appropriate ending battle for not only Dean but Sam as well:

This was the hero's sacrifice they made. They could have been killed from Chuck beating on them as he did. He could have chosen to snap his fingers at any point. They made the sacrifice in order to get Jack the time and energy he needed to power up to overpower Chuck. And they never stayed down no matter the pain, no matter the potential of their deaths at Chuck's hand. They refused to give it up. This is why Sam helps Dean back up and why they're laughing/smiling. Because they know that no matter what happens to them, Jack/the world is going to win. "Why are you smiling?" "Because...you lose." And their sacrifice not only hands victory over to the new generation aka Jack but also instates the new God who replaces Chuck aka The Big Bad of the entire series. EVERYTHING ABOUT THIS SCREAMS HERO.

So it's not only payoff for Jack's story (as well as Chuck's) but also for Sam and Dean's. And both brothers were the heroes. Which is why Sam tells Chuck that he loses and Dean tells him that they won. Why both of them tell Chuck about their plan that they formed together (and Jack doesn't say a word). Which is why Chuck says he's going to die at both of their hands, both Sam and Dean look at each other, and then Dean makes the choice not to kill Chuck. "See, that's not who I am. That's not who we are." Because they both were the heroes and main protagonists of the series. Something that Kripe had set up long before 5x22.

"What kind of an ending is this?" One the heroes had earned. Chuck as the Big Bad wanted violence and death, an ending he would be entertained by. And even for an ending he hadn't imagined for himself (where he loses), he still expected a grisly death at the hands of the heroes. Had either Winchester done that, then Chuck would have gotten what he wanted and it wouldn't be the heroes' end that they had earned.

This was the ending that Sam and Dean earned:

The choice to continue on if they wanted or to get out of hunting for good. To go see Jody, Donna, and the girls, or go get Cas out of The Empty, or go on milk run hunts for a while, or even to go to a freaking baseball game (screw you, John!); the point is it was their choice. That's what they had earned by the end of the series.

The ending that Chuck earned was not only the worst he could imagine but it was punishment for everything he had done. Both brothers say as much:

Sam: "I think it's the ending where you're just like us. And like all the other humans you forgot about."

Dean: "It's the ending where you grow old, you get sick, and you just die."

Sam: "And no one cares. And no one remembers you. You're just forgotten."

This was not the heroes' ending or the ending both characters had earned/deserved:

This was:

For the ones who insist that Dean's sacrifice was the right ending for his story and that he got a new Heaven as a reward are incorrect. Heaven wasn't what Dean wanted, not before he got what he earned.

For the one who insist that Sam's ending was right for his story and that he got to have a family and choose to get out of hunting as a reward are incorrect. Sam wanted Dean to be a part of that life (however it looked) and he had no desire to get out of hunting by the time the series came to an end.

15x20 is not the right ending for either Winchester.

And for those who say that Dean hadn't become one of the heroes in the series or that the finale was right because Sam was the sole main protagonist by the end (or even Kripke's ending in 5x22) clearly weren't paying attention. Not only did Sam not get the heroes' end or the end he wanted and earned, but neither did Dean who had been developed into the other main protagonist of the series, by the series creator himself before he left the show.

Bonus:

15x20 was not their real finale and here's how you know:

Next shot (after cutting to black):

Nothing after it.

SPN:

Next shot (after fading to black):

And then:

(while still in costume, the two leads thanking the fans and then the crew/bridge drone shot complete with show music)

Compare this to how 15x19 ended as well. We get the montage, the drive off shot, and then the scene from 1x01 of Sam shutting the trunk of the Impala as Dean watches. Then cuts to black.

That's their finale.

[princeofuchiha]

Me reading or hearing the word Sir in media: Okay. A word. Nothing wrong here. Professional vibes.

Me, writing the word Sir: Oh god this is humiliating he can't say that.

[saspitite]

"uhmmm actually its fine for me to deadname and misgender you because respect is earned! i dont know you, so you havent earned my respect!!" okay. but you've heard of basic respect right. you know, what every single human being deserves. the bare minimum. not being a complete fucking asshole.

if all respect had to be earned, even the absolute bare minimum, then that means i could just start harassing and attacking random people in the streets. because they havent earned my respect! i dont know them! why should i respect them?!

yeah. you realize how that sounds?? you realize that theres such thing as basic respect and that every single fucking human being on earth is owed it??? why do you think someone's entire identity doesn't count as basic respect when it is, quite literally, their identity? fuck off

[animoogus]

I love Niles and Daphne's love but I just think Niles deserved to have at least 1 gay experience.

[aztr0punk]

me when im trying to have a good day but my stupid fuckass disrespectful mother comes out her face randomly with some horribly timed idiotic shit where she omits herself from doing wrong (wrong is all she knows how to do):

[persephonbee]

"respect is earned" actually no, disrespect is earned. basic human respect comes free with your existence. treating people with disrespect because you think they haven't earned the right to be treated like a person is a way to earn my disrespect tho