#Only to suffer I guess.

[saturnscherie]

༄ Gojo, Nanami & Choso

All three of them, without hesitation, put their lives on the line to protect the youth of someone else they cared about.

The same youth they couldn't have for themselves because it was destroyed by the corrupt society of Jujutsu Sorcery.

Being forced to witness their loved ones face unjust suffering because of that corrupt society, is what ruined their youths.

If Gojo didn't love Geto, he wouldn't understand why he needed to protect the students he chose to raise.

If Nanami didn't love Haibara, he wouldn't understand why he needed to protect the sorcerers who were younger than him.

If Choso didn't love his younger brothers, he wouldn't understand why he needed to protect Yuji, the brother he only knew for two months.

This is why they weren't afraid to die. Especially, if it meant they had the chance to prevent another youth, from getting stolen.

And…all three of them would die…doing just that.

It seems at that moment, death wasn't so bad because all three of them were able to die, with a smile.

They were finally reunited in the afterlife, with their loved ones, who were waiting patiently for them to arrive.

I'm not sure if the three of them watched from the afterlife, but a part of me wishes they knew, just how much their efforts to protect someone else’s youth, would pay off in the end. ♡

[hehether]

Reverse! AU where most of them don't have no killing code, and Jason is a priest 🧍‍♂️

Vampire king Dick's dad was Edward Cullen Battinson trust me

[sheikfangirl]

Alternate Totk headcanon: Puppet Zelda won and and broke Link. He got entirely consumed by hatred and despair and is beyond saving now. No hope, no heart, unredeemable. Link is Puppet Zelda's corrupted knight. He is Dark Link.

[gazspookiebear]

Ugh I'm so sleepy. Eepy man. Enjoy this shit I cooked up in ten minutes.

You wake up, only to find yourself just as tired as you were a few hours ago. Your eyelids are heavy, and you're fighting back sleep with every blink. Exhaustion wracking your body with every movement.

You feel Simon groan and sit up next to you.

"Mmm... five more minutes?" You mumble sleepily, shivering at the sudden lack of warmth.

"'M sorry love, we've gotta get up"

"Please? I'm so tired..." You whine quietly

"Negative," he says, chuckling at your miserable pout.

"Please, Si?" You say it so sweetly. The nickname you rarely used. His weakness.

A moment passes before you finally hear a response.

"Fine."

You grin, knowing that you've won. He lays back down and wraps his arm around you, pulling your back to his chest. You close your eyes and sleep quickly overtakes you.

Of course, it was never just 'five more minutes'. Simon called your work shortly after and informed them that you wouldn't be coming in today. However that works.

[skrmbrks]

i wish for peace in our lifetime, i wish for love to seep into every crack of this planet, i wish for it to penetrate every heart and soul. i wish for brutality to face its end, i wish for evil to turn to light. i wish for us to create such a place where cruelty cannot resurface. i wish for communities without borders, i wish for human and nature to be reunited by love and protect each other.

[shrews-art]

Pain reminds us that we are alive or something I guess

[dreamyelectronicmusic]

Sabotage

“I see the way you look at him,” a voice startles Wille out of his reverie, “when you think he can’t see you.”

He glances over his shoulder at the man joining him in the chilly air on the terrace of Felice’s penthouse. The sounds of the party going on inside the apartment waft in through the narrow gap in the sliding door. Perhaps Wille should feel caught out or embarrassed, but he can’t be bothered. He turns back to face the Stockholm skyline.

“Sorry,” he murmurs. “I didn’t mean for you to see that either.”

Simon’s boyfriend steps closer, leans his elbows against the balustrade next to Wille. They stare at the city lights together.

Read more under the cut or on AO3

“You’re still in love with him,” Ben says after a moment, his tone more sympathetic than accusatory. It can’t be easy, Wille supposes, to start dating someone and find out that their ex is still part of their friend group, especially when their relationship had been as public as Wille and Simon’s, but Ben has never treated him with antagonism.

“I’m afraid that once you’ve started, it’s impossible to stop,” he says. The bottle of beer he’s brought with him to the terrace is cold in his hands and long since empty. He picks at the label. “But I think you already know that.” He’s seen the way Ben looks at Simon, too, and he recognises the feeling.

The corner of Ben’s mouth quirks up. “Yeah.” He looks down at his hands, a little bashful and more than a little smitten. “I do.” Good. Simon deserves nothing less than absolute devotion.

Wille takes a deep breath and releases it slowly through his mouth. “You have nothing to fear from me,” he says. “You – you’re so much better for him than I ever was.” The truth of it has long lost its sharp edge. “It’s good to see him happy. I have no intention of getting in the way of that.”

It took him and Simon a long time to get where they are now, to build something resembling a friendship on the charred wasteland left by their relationship. It’s the only good thing Wille has left. He won’t do anything to sabotage it.

The door slides open again. Laughter reaches Wille’s ears, Simon’s pearly giggles easy to pick out. Wille smiles. It’s all worth it, if he gets to hear that sometimes.

“Excuse me,” says Malin. Wille squares his shoulders, knowing his brief respite is over. “We really should get going, Your Majesty.”

[ghostpajamas]

damocles ; sword perspective

uncropped + detail closeups

[shuuhui]

autumn season

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[cornertheculprit]

Athena: Hee hee hee. You were so cute! ...And who's THAT fine-looking young man?

Apollo: That's Nahyuta, back when he used to smile.

[...]

Apollo: These pictures sure bring back memories. Nahyuta is cheerfully smiling in this one. That quiet smile he gives in court now seems almost fake by comparison.

[...]

Apollo: [...] (Before he goes, I'm going to turn back time by righting the wrongs that have been done. I'm going to restore Dhurke's freedom... ...and return a real smile to Nahyuta's face! I'm going to win this case. I just have to!)

[...]

Apollo: ......... (Dhurke, I hope you're watching. I proved your innocence... ...Nahyuta's smiling again... ...and that revolution you've always dreamed of... is finally happening.)

apollo's repeated reflections on nahyuta's smile throughout turnabout revolution and his desire to bring a real one back to his face instead of the fake one he's used up until then......augh. it's so fun to me

[violent138]

This is such a monumentally stupid thought, but can you imagine Gotham making eager Olympic bids because the city's leadership is always and dependably going in the opposite direction as the needs of its citizens? Mercifully every time a bid is made it is unanimously and immediately shot down as the social media discourse explodes over it, well before any truly costly and insanely time consuming endeavours like walling off the Narrows or cleaning the Gotham harbour can be undertaken.

[kaythefloppa]

If Season 7 is going to have it be a recurring theme of character-focused/emotionally driven stories then uhm, when is an episode centering around a certain redeemed villain as well as covering the Rex-shaped hole in said villain's redemption arc going to happen?

I'm waiting.

[m1ckeyb3rry]

My question is to the Minister for Nagi Seishiro and I ask— i finally remembered my question hahahah

What’s your thoughts on Nagi’s psychology and outlook in life?

The thoughts of him telling Reo “means you matter to your parents” is hitting me hard. Had me thinking of [redacted] but in a different hard-hitting context.

AHHHH HIII OKOKOK so idk this is probably an unpopular opinion because everyone likes taking nagi’s character at a very surface level but i think almost everything about nagi can be very easily explained if you think of him as someone who is very gifted but suffers from parental neglect

symptoms/signs of parental neglect:

image sources: [1], [2], [3]

there’s plenty of examples of nagi showing all of the symptoms i highlighted throughout the manga, epinagi, and his light novels, so i won’t add in screenshots because i’ll hit the image limit 😭 but it seems to me that while a lot of people headcanon nagi as not caring about anyone and wanting to be alone, that one line about how reo’s parents’s suffocating parenting style means they “care” about him, however misguided it may be, proves that he does want someone to love him and look after him, considering his own parents never really did so. it’s mentioned that he and his parents had a “friend-like” relationship but you can NOT have that kind of relationship with someone you are meant to raise!! (that doesn’t mean you can’t be friendly and supportive with your kids, but you need to be responsible for them in a way that friends aren’t so that they can grow up into well adjusted adults)

incidentally this is also why i like him and barou together and why i think nagi really shines around barou — barou’s probably one of if not THE first person to not only pay consistent attention to nagi but to do so in a way that sets and maintains boundaries (as in, not letting nagi get away with anything the way other characters do). it’s annoying to nagi in the way that getting yelled at by your parents for misbehaving is annoying to you in the moment, but at the end of the day it’s good for him and what he has been missing for much of his life

[starrysharks]

i want to delete my twitter account so fucking bad

[beastblade69]

well that's fucking awesome. all of the damage russians have done to our electric infrastructure can be repaired in one year minimum. IT'S GONNA TAKE MORE TAHN ONE YEAR TO REPAIR ALL OF THE ELECTRIC STATIONS RUSSIANS HIT WITH THEIR MISSILES. AND WE AIN'T EVEN TALKING ABOUT CIVILIAN OR ANY OTHER INFRASTRUCTURE. ONLY ELECTRIC ONE. MORE THAN ONE YEAR. AND WE ARE STILL NOT STRUGGLING ENOUGH IN ONLINE PEOPLE'S OPINION. FUCK OFF