#One Year Later
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aceissomunster · 5 days ago
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if u can find all the easter eggs in this ill give u a cookie or something
txtless + lines + ref below the cut
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blueinkjpeg · 3 months ago
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They match each other’s freak, I fear
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thelailasblog · 2 months ago
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herzzgeist · 1 month ago
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This one means alot to me. This is my one year mark of making digital art. I'm so happy about my progress and I hope to improve even more.
Thank you to everyone who’s supported me and gave me kindness throughout those 365 days of arting for and with you. 🤍
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pigeon-corner · 29 days ago
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RAHH I FINISHED IT
1 year later redraw/reanimate
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deadlilmoon · 2 years ago
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Oh he’s so in love
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wingedcat13 · 1 year ago
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Princess in a Tower
[Note: this one is *not* Synovus, or any particular prompt. First person, implications of violence and familial abuse, and a one-off for real I promise!]
They have not yet mopped up all the blood, when I enter the throne room.
It is not the first time I have seen the room itself, but it is the first time I’ve had a chance to inspect it. Earlier, it was still filled with the chaos of our siege; the screams of mortal men and metal against metal enough to distract from the pretty mosaics on the walls.
I ignore the remaining smears of viscera. The bodies have been removed, which is the most important bit. They will all be identified, and depending on how well the people they died to defend behave, may even see proper burials. Loyalty is a virtue, even when it is to the wrong people.
Of course, to the people bound and kneeling in this room, I am the wrong people.
As I stalk through them I hear whispers between the sharp footfalls of my sabaton’d boots. Some are muttered prayers, or incoherent cries. The rest are my names and monikers: Domine of the Northern Reach, the Wyvern-Wraith, Death-in-Red. Some get the title wrong, translating it into the local customs, and I am named both ‘Prince’ and ‘Princess’ in an air of confusion. My soldiers will correct them later.
By the time I reach the dais, only one person has been brave enough to utter my given name.
“Elith Frenaye.” Four syllables, but an infinite amount of venom. That’s to be expected. At least the pronunciation is correct.
“Archinard Holbrooke.” I greet the man who was King here only a few hours ago with quiet grace and decorum. As he has dropped my titles, I am under no obligation to grant him his - particularly not when the titles he would expect are no longer his to claim.
The now-former King of Kescil is shorter than I expected, even granting the fact that he’s on his knees. He’s doing his best to keep a straight back, and his chin up, balancing as though he still has to account for the weight of a crown he’s already been relieved of. At nearly sixty, he looks remarkably fit for both his age and status; most nobles are showing their excess by now in unpleasant ways.
Archinard is balding, but he’s taken to it with grace. He isn’t the most muscled man I’ve ever faced down, but he seems to still care for himself. Still has most of his teeth, from what I can see of his sneer. Good. It’s always pathetic to execute someone people can’t even recognize as a king without their robes and jewels.
Archinard also isn’t stupid - he knows that’s his fate. He raises his chin again, and the mental image of him doing that on the headsman’s block is all that keeps me from punching him when he demands, “What have you done with my wife and daughter?”
Steadfast. I remind myself, simply staring at him while I take the time to put myself in order. The fight is over, but my nerves will take days to settle properly. Steadfast. Sure. Serene.
“Nothing yet.” I answer, politely casual as I walk past Archinard. My cape swings into him as I pass, and I swear for a moment he wanted to bite it. Perfect. “Though pretending ignorance won’t help any of you here. Yes, yes, you managed to hide them away from me.”
I turn to face the crowd again, and settle myself into the throne. My voice is steady, unhurried, and unworried, as I add, “For now.”
I don’t clarify that I will find them, or make threats. I don’t need to. There’s a moment where none of the Kescilians even breathe, and saying more would only tarnish that moment of fear. Even Archinard has paled, though his bluster will return in a moment.
Only if he’s given the chance, though, and I don’t intend to grant him that mercy.
I lean back in the throne - my throne, now - and as plush as it is, the thing is damned uncomfortable. Maybe that’s part of why Archinard is the way he is. I’ll never ask. There’s more important things at hand.
“Archinard Holbrooke.” I repeat, and where before my voice was quiet and polite, now it is pitched to carry. I was not born to inherit this throne room, but I was born and raised to a crown. All of that training is evident in the seemingly effortless diction in my voice, a layer of fraying velvet over steel. “You are relieved of the duties of Monarch of Kescil. Your life has been remanded into my care. As I am merciful, I will grant you a choice.”
‘Merciful’ is stretching it, in this instance. The crowd likely expects me to give him a choice of how he’d like to die, or perhaps a chance to try and claim mercy for his Queen and the Princess.
“You may accept these changes with dignity, and retire as Ledan - Lord - Holbrooke, with a moderate compensation from your people, in recognition of your service. Or you may be executed as the last King of Kescil.”
The first offer is tempting, but this isn’t as much of a choice as it appears. Demoting the King to a noble may allow him to think he can reclaim his crown later, but it also opens him to punishment for years of mistreatment by his now-fellow nobles, who do not need to fear a crown’s reprisal. Compensating him from his own treasury makes him complicit, and the common folk won’t forget that he took the chance to run with the gold. Recognition of his service is a joke.
Whether it’s in a rebellion, at the hands of his own vassals, in a common folk mob, or by an assassin, I will see this man dead. It’s only a matter of how long he wants to live, and in what comfort, before the axe - metaphorical or literal - falls. Perhaps I am only offering him a choice of deaths.
“I am a King.” Archinard declares, “So I was ordained, and so I will die.”
The smile I give him in return is bloodless. “As you wish.”
—-
I do not execute Archinard immediately.
If conquest was my true reason for being in Kescil, I would have. My armor was still bloodstained, I had my sword, and the man was already bound and on his knees - it would have been incredibly simple to just end it then and there. But I have promised his death to another, if she wants it, and I will stand by that promise.
My excuse to the masses is that I want to make a ‘proper’ example of him. There are speculations that I want to execute the entire royal family at once, to ensure there are no mistakes, no accidental inheritances. Others think I’m torturing the man for fun behind closed doors.
I have a few retainers who know the truth of my purpose here in Kescil - I keep at least one of them with me, always, as a guard for both my body and my sanity. That first night, the four of us share a room, prepared to sleep in shifts in the parlor of a suite, all piled in the center of the floor.
“Better than camping.” Chirps Valentine, setting up his bedroll on the plush carpet.
“Worse than camping.” Counters Ames, who distrusts the textiles and would prefer a carpet of leaves to sleep on.
Ash doesn’t bother to chime in on that debate, just exchanges looks with me over their heads.
“It is camping.” I tell them both, shoving one end of a couch - there were four of them in this room, four. Not to mention the chairs and cushions and footstools and, ugh - further against the wall. If there were hidden passages, no one would be creeping in easily.
“You know,” Valentine muses from the floor, his head propped on his chin, “I can’t wait to hear the rumors after tonight. What about the rest of you? Fan favorites? Particular conspiracies?”
Ash folds her legs beneath her, and starts stripping off her gloves and boots. “That’s not fair to Elith.” She protests around a mouthful of leather as she struggles with a strap. No one tries to help her; we’ve all learned better. She’ll ask if she needs it. “Given she knows what’s supposed to be spreading.”
“Girl-Prince invades castle, hosts wild orgy in celebration.” Ames announces.
While I’m still wrinkling my nose at that, Valentine smacks Ames with a pillow, “It’s ‘Princess,’ you foghorn, not girl-Prince.”
Ames allows the blow to knock them flat, even though I’ve seen them take much worse without so much as a twitch. “I just repeat what I’ve heard.”
“There’s no way they’re already speculating about her sex life.” Ash disagrees, “We just got here.”
“People always speculate about my sex life.” I correct her wearily. “They call me girl-Prince as an insult, Ames, you know Kescil’s weird about these things. And I were to have a celebratory orgy, I would have invited far nicer company than you three.”
“Ah,” says Valentine, smug, “But would they have accepted? Or would you have been dropping trou with just us-“
“Thank you, Ash.” I say mildly, over the sounds of Valentine being smothered.
“We’ll find her, Elith.” Ames tells me, suddenly serious. The other two stop as well. “You know we will.”
The sudden focus of their attention is more than I can bear right now, even benevolent as it is. I exhale slowly. Steadfast. Sure. Serene.
I manage a smile. “I know we will.”
None of them stop me as I roll my shoulders, checking the fit of my armor is still right. I haven’t taken it off yet, though we did clean the worst of the day’s stains off of it earlier - the rest won’t come out without sanding the chain and plate, and that takes longer than I want to be without it, right now.
“I think I’d like to see more of my new castle.” I remark, purposefully light. “I’m going to go for a walk.”
Ash moves to start replacing her boots and gauntlets, and Ames opens their mouth, but it’s Valentine who’s quickest to his feet.
“I’ll go with you.” He says, cutting off the other two’s chance to claim escort duty. If I let them, they’d still come along, but four people in the halls will have everyone still in the castle up and trying to spy. I’m not certain Valentine and I will avoid that outcome either, but at least we have a better chance.
We walk the halls of the Royal residence, avoiding one particular room. It turns out to be a quiet night.
I don’t sleep at all.
—-
They find the Queen on day three.
We’re taking an early meal in the banquet hall when word comes, carried by a page who’s had to learn the castle’s floorplan faster than anyone else. She skids into the hall, nearly flipping over a bench that’s been left askew by its last inhabitants. When she spots me, she all but climbs over the tables to get to me.
Ames, my companion for the next few hours, is halfway out of their seat with a bread knife before I recognize the page, and settle them with a hand. Even then, they don’t sit, but scan the crowd behind the page, in case she’s being chased.
“Domine!” The page pants, almost throwing herself flat at my feet. “Ser Thorrun sent me, an urgent message. Immediately there and back with a reply, Domine, he seemed sure you’d send one.”
“Peace.” I tell the page, holding out my hand for the message. My food is forgotten - Thorrun is the one in charge of sweeping the castle for any hideaways who are still here. I have four others, each tasked with a different cardinal direction, leading searches in the areas around the castle for those who fled. So far, those searches have only turned up a few servants, and the odd nobleman.
While I read Thorrun’s note, I pass the page a goblet of water. It’s brief -
Q in Weave, A+U.
Rather than send a reply, I rise. The page spills half her water down her front, and looks up at me, gasping. Ames pats her on the back.
“Take me to the Weaver’s quarters, please.” I say. I can only hope it comes across as calm.
—-
A castle goes through a truly preposterous amount of linens. Back home, the weavers and the seamstresses share a compound building, but have separate work spaces they’re free to use as they wish. It leads to arguments and lost items of clothing on occasion, but the Textiline - like a housekeeper, but head of weavers, sewers, spinners, and launderers in the Royal employ - has never complained.
I would be ashamed to show them this place.
Part of it is our fault, yes - hanging curtains are a good place to hide someone with a sword if your opponent is in a hurry, or a moron who doesn’t know to look for boots. The simplest way to avoid that is to prod them with your sword as you pass by, and that leaves a lot of holes. A lot of baskets overturned to ensure no one is crammed inside one.
But there are no windows here, meaning the whole room is lit only by candles, leaving the entire room stuffy and reeking of tallow and lye. The weaver and the seamstress must sit back to back if they hope to have any room at all. There are all sorts of cabinets around, yes, but the doors can’t all be opened at once, and it must be a headache to get anything sorted in here.
But part of the reason for that is evidently because some of these compartments have layers. And behind a second layer rack where garments can be hung, there is another false back, and there is where they found the no-longer-Queen of Kescil.
By the time I arrive, Ser Thorrun has cleared the workers from the area, and has the woman bound, sitting on the weavers’ bench.
“Tabithica.” I greet her flatly. She looks offended to hear her given name. She cannot reply, given the gag. “I presume she still has her tongue.”
The last is directed towards Ser Thorrun, a wiry man who has crammed himself into a corner to give me the space I am due. He glares at Tabithica.
“Wasn’t mine to take.” He grumbles, one hand on his sword hilt. There’s no room to really swing in here, let alone draw, but I appreciate the gesture. And that his other hand is where he can reach a knife.
“So it isn’t.” I agree coolly. A quiet request, denied. This woman is not mine to kill either, but I am holding the privilege for the one who does have that honor.
Thorrun just nods, and takes the hand off his sword hilt to point out where Tabithica was hiding. “I’ve been having some boys pace out the corridors and rooms.” He explained. “Dimensions didn’t add up. None of the mortar looked fresh, so figured there was a hidden something or other back here. Found it.”
I step forward to inspect the place that has been a Royal bolt hole for the past three days. It is rank with ammonia - evidently she did not have anyone to empty the chamber pot, even if they did bring her food. There is a bed, and a quilt, and no one else here.
I knew that. Thorrun would’ve searched the room already, would’ve told me if there were signs of her. But I could not help but look.
“Wait in the corridor.” I tell Thorrun tonelessly. He manages to kneel in the small space, bowing his head to me. He asks no questions.
When Thorrun has left, and Ames has entered in his place - the wrinkle of their nose is brief, and shows they share my opinion of the place - I straddle the end of the bench Tabithica is sitting on.
For a moment, I simply stare at her.
Will she be more likely to give me answers if she thinks I won’t understand them? If I’ve threatened her? Or, like her husband, will she want to gloat and bluster and threaten me in turn?
Something about the gleam in her eyes reminds me of iron.
I reach up one hand, and she remains still rather than flinch away. Her breath quickens a fraction, but she keeps her eyes on me, not my hand. Not fearing or cowering from a blow. Pride? Stubbornness?
The gag comes loose with a simple gesture, and I let it fall as it will, sitting back again to examine this woman who once was Queen.
For a moment, we sit in silence. I will break it eventually, if I must, but for now I am content to study her, as she is studying me in return.
She takes the offensive: “Fighting over scraps now, are you?”
It’s a reference to how my parents had referred to Kescil - a kingdom of scraps, not worth the taking. Economically, they were right. Kescil was never going to have the forces necessary to pose a threat, but they also didn’t have anything our people needed or even wanted. So for years, we let them be, and simply didn’t care whether they lived or died.
“I do not need a reason.” I say softly, and as far as she knows, it’s true. I’ve certainly seemed to kill for less. But an answer like that is still to put myself on the back foot, even with a backhanded threat woven in.
Tabithica bares her teeth, “Thorns and horses, Domine.”
My title is spat with derision, but it is the words that are the insult. Ames stirs behind me, showing the anger that I cannot.
When I was yet young, my father went riding. This was not unusual. He forged through a thicket. This was not unusual. Shortly thereafter, his horse shuddered, and died. And the unhorsed consort found himself set upon by bandits shortly thereafter.
That part was unusual.
Investigations had determined the thicket had been doused in poison it did not naturally produce. Had he taken any scratch from a thorn himself, he would have met the same fate as his horse. Instead, it was a bandit’s dagger that took his life. But the thorns are still what killed him - had the horse lived, he could have outrun them easily.
It’s unlikely the event was arranged by Kescil, but I can’t fault Tabithica for trying to take credit.
“I’m not going to kill you.” I tell her calmly.
She laughs, a thoroughly unhappy sound. “Not yet?”
“No.” I seem to agree. She expects me to threaten her with torture and fates worse than death. “I haven’t killed Archinard yet either.”
I could’ve kept that bit of information from her, but I want to know instead.
There isn’t even a flicker of relief. If anything, Tabithica seems annoyed. Interesting.
“So be it.” She sighs, “I suppose he’s gone and committed us both to dying anyway, then.”
“Where is Galatea?”
Stupid of me, really. But I don’t have time to play games with this woman - I don’t care for or about her, or her husband, and only tangentially about her country. I could’ve tried to come around to it another way, but that would’ve taken time and effort I wasn’t willing to spend on a gamble.
Tabithica looks taken aback for a moment. Her head cocks slightly, considering. Then her expression becomes decidedly vindictive. “Dead.”
Ames stiffens. I do not react.
“That’s a shame.” I inform her, as though I’ve been told the last of a wine vintage has been consumed. “As she is the only one who may bargain for your release.”
Tabithica raises her chin, but I ignore her. Instead, I rise, turning to Ames, and putting my back to the fallen royal.
“Toss the room. Ensure there are no more hidden doors.”
“And her?” Ames asks quietly.
I look over my shoulder, and think again of how small this space is, how lightless, and airless. I meet Tabithica’s gaze.
“Put her back.”
��-
On the fifth day, my inner circle is restless.
We, all of us, know exactly how long a human can survive in depravation, and we are reaching the limits of what an ill-prepared hiding place would provide the missing Princess. With provisions, she could likely last quite some time, but…
None of us have faith that such a hiding place was arranged.
I have stalked the rows of the dead thrice, made a point of speaking to every survivor and servant. My searchers have been cautioned to not be blinded by assumptions of gender, of hair color or cut.
Thorrun’s men have paced out the entirety of the castle. They’ve found a few other hidden holes, but no one within them - living, anyway, one did contain a skeleton from either some long ago siege or murder - and there are fewer and fewer places to look. Younger, agile folk have taken to exploring the rooftops. Every barrel in the storage rooms has been opened, even those that have spoiled fermenting wine or beer.
And I am unspeakably proud of her.
—-
On the seventh day, I finally enter the Princess’s quarters myself.
They’re at the top of the eastern tower, windows facing the dawn. Its light cuts through in thin stripes, divided by the protective bars and slats that prevent any enterprising climber from coming in. Or any desperate princess from throwing herself out.
The stairs are narrow and winding. The walls are only now taking on a hint of dust after a week without tending. There is a dumbwaiter, built into the middle of the tower, but it is at the base level, and empty besides.
I have been avoiding this place. I came through it once, during the initial siege, hoping to find her here - and when we found it empty instead, I’d restricted all access to it. I could say it felt intrusive to walk through her bedroom, to search through her things for clues as to where she might have gone.
But in truth, it makes me furious to see this prison.
Every step feels like a purposeful insult. Every sign of care taken with the carpets and cleaning is another reminder that she must never have been alone. The light of the dawn rising every day to tell her she was still here, could go nowhere else, couldn’t even sleep in-
Enough. There will be recompense.
But the watch heard noises here an hour ago, and that means someone has broken my edict. Possibly, it is a bird that got past the bars, but if it is a person, I’ll at least have a target for my increasingly frantic rage. Because I have not found her. I promised I would. I will.
So yes, my steps grow heavier at the top of the stairs. I am somewhat distracted, scowling, when I open the door and stride into the room.
I pay for my distraction immediately.
The rugs are decorative, lavish, and layered across the stone floor atop the rushes. One of them had been moved, and I had not noticed until it was yanked out from under my feet. My stride is long enough, and I had been moving quickly enough, to avoid being sent back down the stairwell, but even still I lost my footing.
The fall stole my breath. The collision of my head with the floor briefly stole my sight. But I could still feel it when hands grabbed at my legs, pulling the knife from my boot and climbing up my body until its blade could be pressed to my chin.
“Move and I’ll carve out your heart.”
It was a growl more than a sentence. Sounds forced through gritted teeth. My vision was returning, blurry yet, and I could not discern one feature from another. Instinctively, my hand had risen to catch the wrist of the knifehand, and by that grace alone I still had a throat capable of speech.
“My heart is claimed.” I rasped in reply. There was clattering, a shout, from lower down the stairwell - someone must have heard my fall. “The neck you’ve earned, if you’re quick.”
Another growl of frustration - my captor did not wish to be caught, it seemed - and the weight on my chest was briefly removed. I flung myself to the side before it could come back down, knife point first.
Twisting away, I blinked the last of the blurriness from my eyes, and came up on my knees. I found myself looking down at my attacker, who was still sprawled on the rugs she’d used to force me down. Long hair in a messy, ratted braid, a dress with wide skirts that hung oddly, the fear and fury in her voice -
The determination in the wild swing she took for my legs, torquing to move, dragging her legs behind her.
“My heart is claimed by a girl of stone.” I gasp, barely avoiding the knife’s edge. “I’ve come to bring her a fine carriage.”
The woman stops, panting from exertion. When was the last time she ate? Truly slept?
She wavers for several long heartbeats, not dropping the knife. Her voice is watery when she corrects me, “the finest carriage, you idiot. I told you the passphrase was too long.”
—-
I insist on making sure Gal eats and has a chance to bathe before we talk. She insists we speak before she’ll sleep.
Arranged in her wheeled chair, she looks like a portrait half-come to life. The skirts of her dress are tailor made to hide the atrophied legs, to lay nicely in the chair’s confines. Her spine is straight, hands folded, and she does not fidget. She looks more regal than either of her parents ever will, wherever they’ve gotten off to. I’ve stopped caring.
(Ames and Ash are on guard duty, while Valentine runs the word that the Princess has been found. My orders were the inverse, but they decided it was better to have two on guard - this would be the time to kill me, after all.)
“You should’ve told me it was you.” Gal scolds me, picking off a piece of bread to throw at me.
“Like you told me you were the Princess of Kescil?” I retort, blinking involuntarily as it nearly finds its mark.
Gal turns up her nose. “I had to be sure you did not covet my title.”
“And I to be sure you did not wish to trap me.” I reply dryly. There is no sting in my words, though, no true animosity. Nor in hers.
The situation is far from ideal, and I am very aware that I am, in essence at this moment, her captor. But the reality of it all has faded away, because she is here. My Gal is safe.
Maybe my friends were wise to leave two on guard.
She drops the offended act, instead staring at the tablecloth. Her expression turns drawn, and tired. I’m on the verge of trying to convince her to sleep again when she asks,
“How many are dead?”
The thought of lying to her is barely a flicker - I can’t. “Seven hundred and twelve.” I say quietly. “Excluding pending executions, and those who may yet die from their wounds.”
She looks up at me, “And how many of those were your soldiers?”
“Two hundred and five.”
Her gaze drifts away from me, and she is quiet for a moment longer. This time, I leave her to it.
“I killed them.” She says flatly.
“No. I am the one who declared war.”
“Because of me.”
“It was hardly something you asked for.”
“But I am the root cause, am I not?” She glares at me, her tone challenging even as her shoulders start to curl inwards.
“Absolutely not.” My voice is firm. I’ve taken my share of blame for deaths before, and I will consider the two hundred soldiers who died under my command my burden to bear - but the dead of Kescil are not on her head. “If you insist on a root cause, it is the King and Queen who failed Kescil - in ordering their people to fight, in not ensuring they were adequately trained and armed, and-“ my voice gentles, “-in failing their daughter.”
“I put the pen to paper.” She says quietly.
“And I swung the sword. As did they.”
I know it isn’t enough. She’ll wonder how many of their men went to fight in the name of their Golden Princess - the delicate beauty they were taught to treasure and protect. She may never be free of the memories of constant haranguing, that she was helpless and failing her family and nation for faults that were not her own, and the substitutions her mind will make about how she was, in the end, the downfall of her country.
But Galatea Holbrooke was not theirs to keep.
“Well.” She says, after a few more heartbeats of silence. Her voice is brittle at first, but smooths out just as she smooths the tablecloth. “Then I suppose we should discuss terms, Domine Hawk.”
The addition of my title to the pen name I used to write her - chosen after one of my hunting hawks nearly took down her messenger pigeon - is a needling I quite deserve.
“Whatever you desire, Galatea of Kescil.”
She raises her brows at that, “Such trust, Domine. What if I desire your title instead?”
I smile, leaning forward on the table, and for once, I don’t clink. My armor has finally been doffed, and sent for a good proper scrubbing. “Then that can be arranged, though you’ll have to be more specific. I have several.”
“And if I want them all?” She’s leaned forward too, her eyes narrowing.
“In the traditions of the Northern Reach,” I say carefully, suddenly unable to look her in the eyes, “I cannot bequeath my titles to another, nor can they be taken from me by anyone but my Liege. But… they can be shared. With a spouse.”
When I glance back at Galatea again, she’s wrinkled her nose. My hands flex, curling inward as my stomach sinks.
“You just had to go and beat me to it.” She complains, slumping back into her chair. “Six months - six! - to get you to tell me your hair color, but sure, propose within the first three hours we meet in person.”
She groans dramatically, pressing a hand over her eyes, as I slowly straighten. “That’s - not quite an answer.” I hedge, “though I understand if you wish time to consider, of course, circumstances -“
“Circumstances!” Gal snorts, giving up the last of her propriety. “My bird, you cannot possibly have earned your titles by being this shy.”
But there’s a laugh in her voice, and when she uncovers her face, I can see a sparkle in her eyes.
“Do you know what I thought, when I was hiding from your soldiers, not knowing it was you and that I was safe the entire time?”
“About that-“ We still didn’t know how she’d been hidden.
“Oh.” She waved a hand, “There’s a closed off landing about halfway down the shaft, there’s still a ledge inside just large enough for me to fit. I climbed down and back up again.”
Gal shrugs, as though she hasn’t just told me she’s done that with only the strength of her arms, and alone.
“I thought it was a shame I couldn’t even live long enough to tell you to your face that grey is spelled with an e, not an a.”
“It can be either-“ I start, before cutting myself off with a sigh. We’d been over the topic at length before, in previous letters. I’d cut a page out of a dictionary to include it and nearly been banned from my own library.
Gal just tilts her head, and waits. Her hair is loose now, mostly. She’s mentioned wanting to cut it before - I can’t wait to see how short she’ll choose to go.
“It was much less complicated, when I was simply your Hawk.” I admit quietly.
“And when I was a simple village Gal? Neither of us were exactly spy material, you know. Where would I have learned to read as a village child? Where would you have found paper and books as a hunter’s child?”
I can’t help but laugh, “Some things we just wanted to believe. But there is a difference, between a noble and the heir to a country. I promised you my help when you thought I had little more than a bow and a hunting bird - and I meant it.”
She sighs, “And I just wanted you to know who I was, before I disappeared.”
Her final letter to me had been written in haste, explaining that she could no longer lead me on, and that all contact between us had to end. She’d signed it with her full name - the first she’d ever used it. When word came that the King of Kescil had decided on a suitor for his daughter, I understood.
But then, from Gal’s letters, I knew a lot more about the King than I suspected most of his subjects had.
“I knew who you were, Gal.” I assure her, and watch her eyes widen before she catches my meaning. “I just didn’t know your full name.”
“As I knew you.” She agrees, “Enough to know you’d be foolish enough to show up if I asked you to.”
“It seemed… prudent.” I say, tracing a pattern on the tablecloth. “And if you want, I will leave. I can’t bring back your army, but I can leave a contingent of soldiers-“
“Elith.” She says, exasperated, and the sound of her voice saying my name freezes me in place. “You promised me the world, little bird. Did you mean that too?”
“I did.”
“Then I do.”
“…what?”
She rolls her eyes at me. “I’ll marry you, Death-in-Red, Wraith-Wyrven, and whatever else it is you call yourself. Because my heart was claimed by a hunting bird, and I’ll not let it fly away.”
Her half of the phrase to identify ourselves to each other, if we ever did meet.
“After all.” She says, picking at her bread again, “You did fight a war for me.”
—-
[Thank you for reading! If you’ve enjoyed, consider checking out my other writing, both here on tumblr and on Ao3! You’ll find links in my pinned post on my blog, if I haven’t come back to update them here.]
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savethegrishaverse · 10 days ago
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youtube
It has been one year since the cancellation, but it has also been a full year of fans campaigning to bring back our beloved Shadow and Bone and get the Six of Crows spinoff greenlit!
This timeline shows various accomplishments from November 2023 to now. Check out all we have accomplished in just one year and give yourself a pat on the back. Be proud and look forward to the year ahead. We never stop fighting.
Editor: Simone Berry @shadow_storm_rising
Song: 'Grounds for Divorce' - Elbow
Watch it on our YouTube channel: https://m.youtube.com/@savethegrishaverse
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mia-ugly · 9 months ago
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You were just a dog. I know this. I promise I know this.
And still - during the hardest and loneliest time of my whole life, you didn’t let me turn into dust. You got me up and got me outside and we put one foot in front of the other, over and over again, until somehow three years had gone by. Until loneliness was just background noise, like ships calling to each other on the river. Like gravel under my boots. One foot in front of the other, until we found ducks, or a whole rotten onion, or something dead, or somewhere new and bright and green. 
You were just a dog, and still - there is a weight on my chest where you used to sleep. It's so much heavier than you were, a crushing weight, not a warm one, not a weight with a beating heart. But you, beloved goblin, taught me how life tugs us forward by the wrist. So with this weight on my chest, I will get up and get outside and put one foot in front of the other until this pain turns into background noise and all that’s left is love. Maybe I will even find a new green place. I will be holding you with me when I get there. 
You were just a dog but you were a good dog. 
You were my good dog.
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wispinaut · 4 months ago
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I’M BACK FROM THE DEAD RAHHHH
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Yeah I don’t really have anything else to say. Well, I am gonna try drawing the rest of the characters too so stay tuned for that I guess.
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blue-tailed-artist · 11 months ago
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One year later and I'm still drawing them, my first ever rise drawing exactly a year ago.
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thelailasblog · 3 months ago
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honeybeebaaz · 23 days ago
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Screaming, Sobbing , Vomiting as carlos puts his hand on cecil's knee and cecil put his head on carlos's shoulder, he just wANTED TO SEE him!
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jusvn · 2 years ago
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a dollop of milk and seven sugars
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sparkbirdmusic · 1 month ago
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one year ago I had 57 daily listeners (<1000 monthly) and a foolish dream I’d clung to obsessively for 15 years. I had no clue how much things were about to change
queer neurodivergent artists, keep doing your unique underappreciated thing
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fanficsiwillneverwrite · 3 months ago
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Gravity Falls: See You Next Summer
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What is the scariest part of growing up? Is it the process of you changing and growing, or is it seeing the people closest to you also change? I thought I had all this stuff figured out last year, but the world is chaos, crazier than I could ever imagine. Crazier than Bill could ever create. I’m terrified of what the future holds for me, for everyone.
I thought I’d be happy being back. And I am. I’ve actually been counting the days. The guys back home are still and will always be brutes (bullies, despite everything) and the girls want nothing to do with me. But now going back, I don’t know. I can’t explain it. I can’t wait to see everyone. But…
Who will I become, even after everything? And is it wrong for me to admit sometimes I do want to see this world burn? I’m not going to… obviously I don’t actually want to
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In my worst moment can I still trust myself to make the right decision? I don’t know.
Grunkle Ford says not to worry, about him coming back. I’m not sure I believe him. I’m not sure he believes himself. I think, maybe…
Well, think of it this way:
Like the sun is meant to set and then rise again the next morning, like a flashlight is meant to give you light when there’s only darkness, Bill is always going to find a way to come back.
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Dipper stops his shaking hand, deciding to look out the window before the thought consumes his mind. Sometimes he obsesses over it. He dreams about shaking his stone hand and seeing the world collapse into utter chaos. It’s always a trick. He never means to actually do it. But he can just get so angry sometimes…
“You seem so quiet,” reflects Mabel beside him, a glue stick in one hand and a polaroid picture of a blurry tree in the other. She’s scrapbooking their journey back to Gravity Falls.
The song Mr. Rager starts on the radio. Dad turns it up, nodding his head to the beat. He remains unaware of the weirdness that is Gravity Falls. He remains unaware of Grunkle Ford and the truth behind the Stan brothers. It’s safer this way, Ford says—Dipper isn’t too sure. It feels wrong keeping everything from him.
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He closes his journal. “It’s just–”
“We’re winding down here, kids,” dad tells them as they pass a sign saying, ‘Gravity Falls: 5 miles,’ and Dipper adjusts Wendy’s hat. It reeks of sweat and generic men’s body spray. Just another part of growing up. All perfectly natural, dad tells him after Mabel teases him about it.
The thought is already gone. He moves on, no longer dwelling on the world’s impending doom, and him being the possible cause of it. They’re one year older, which means one year wiser. Right?
“It’s… nothing,” he tells her.
Mabel, not quite believing him, continues scrapbooking as Dad starts singing along to the song, even though he doesn’t know the words. And Dipper looks down at his journal: the big dipper is glued onto the cover to embrace his own anomaly, like Ford.
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A nervousness settles within him. He pictures Bill tipping his top hat and holding up a martini glass in his honor. Here’s looking at you, kid, he says.
Dipper shivers, blinking the thought away. His attention returns to the window. The blurry trees are all that he sees. He begins nodding his head to the beat of the song with his dad. It’s all in his head. It’s all in his head…
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