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oleander-neruim · 10 months ago

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Hello hello!! Absolutely pumped for the Myth’s Voyage AU :DD!!

What made you pick certain characters for certain roles? I’m particularly interested by Owen as Antinous 👀👀

Bare with me this is gonna be a doozy

I'll be honest. It all started with me being real emotionally attached to p!Will & me falling down a rabbit hole of associating the song "Open Arms" with him because- even if I'm not fully read on p!Will's story & character- the way I've come to view him is a relatively forgiving and optimistic type of person. So him as Polities came natually.

I also have a frequent habit of doing a thing where when I associate one character to one song/character of a musical, I start to try and figure if there's way to fit in other characters.

I believe what came next was Sausage and if I recall correctly, that was due to 1. Me just liking Sausage all together and 2. Me seeing him as the most "Captian-Like" guy in pirates. Also revolving around headcanons, others' interpretations, and maybe an artist or two's ways of drawing him. After that, Joel & Hermes as Penelope and Telemachus came pretty easy. I've also played around with previous ideas of "What if Joel was in Pirates SMP" and added in my constant Empires Brainrot ™️, that all just fell into place.

I believe Lizzie was my first established God cos. Giant fish/ocean associated person, yk. And then Jimmy as Polyphemus due to fishy relations and then I think Fwhip was actually my next one due to the "silly & unhinged" vibes I got from Epic Hermes. Then with a lot more stubborn brain storming, more and more gods fell into place as I started following an Empires Season 1 pattern with the Gods

Krow was also a fun one to workshop in cos I also don't know much about his Canon character but what I do know & just the fascination I've gotten with him, I thought he fit the role of Eurylochus pretty well. Mostly on the side of more of a survivor when it comes down to a "You vs Me" mentality & leaning more on aggressive tactics when it comes to handling certain situations. He is one of the ones I'm certain doesn't fall into complete Canon-type of personality, but I like how my au's Krow is a lot.

Now. The fun situation with the suitors and Ithica in general.

I can explain a bit further if anyone's interested, but the way my storyline worked out is that there's actually no Herons that are part of Sausage's crew in the story. They're either still on the Faction Isles or traveling elsewhere. Having said that, when I came around to figuring out Antinous, it was right when I was finding out very bare-bones about him. And given that the Heron characters will ideally be characters shown on "Ithica" I was working to see if anyone would fit that roll.

Having said that, Antinous was noted down in my "Working-Out" list with the note of "Mr. Steal your wife and kill your son" and while discussing my character plans with my partner, we started to joke about Antinous being Owen. Given her more player-esque personality, at the time I figured it'd be a decent fit- or at least a place holder- for a character who I started to think was just someone wanting to court "Penelope".

However, thinking more on it & finding out better how Antinous plays in this story, I started getting more invested in the idea of Owen still being him. The idea of Owen becoming a villain, manipulative with his charm and almost vindictive in her motives just started to appeal more and more to me.

When this takes place, it's 20 years since the rough-end of Pirates SMP, following Epic the Musical's timeline. A lot can change in a person in 20 years. Seeing the Factions fall, loves in your life die or disappear, people coming into power that you feel either don't deserve it or are strangers who don't understand all that's happened here or you feel are too weak irresponsible to handle it. It can grate on a person, certainly.

P!Owen is, once again, another character I'm unfortunately not fully familiar with, though that may change if i have a chance to watch his pov in the future. And who knows, maybe I'll workshop the story, change e!Owen's personality or motives, maybe even choose someone else entirely to fit the role.

But as it stands, the idea of e!Owen, 20 years in the future with heavens knows how much baggage and pent up anger and frustrations left on his shoulders starting to get desperate or almost hungry even for some sort of control or power or just even a sense of stability in her life just seems to be a very interesting & fun-to-work-with storyline to me.

Thinking about seeing Owen getting aggressive and animalistic and breaking that carefully-crafted facade of charm and control when it comes to fighting and trying to kill someone just. It's so interesting and fascinating in my mind, you've no idea.

And, again, I'm awfully weak to villain Owen nonesense so that certainly doesn't help.

There you have it. My essay & a half summary over some of my reasonings.

Again, things are always subject to change and sometimes I get a little Silly with my trains of thoughts but, hey, it'll be fun either way. If you're interested in me trying to explain my through process for more characters, feel free to ask, I just figured I'd keep this as short as i can physically manage. If it comes off as a bit rambling or you want me to clear anything up, you're always welcome to ask. It's technically super late for me so my writing compression might be a bit off.

Tl;Dr, I zone out to music and play "Song Association Games" too much & Owen as Antinous started off as a silly joke but now it's eating my brain whole so ¯\_(ツ)_/¯

#i spent my whole 30 minute ride home writing this goodness #hope this helps (i may be insane its fine)#writing this was actually so much fun im gonna be nuts with this au #VoyageQueries #A Myth's Voyage AU #pirates smp #pirates smp au #ollie answers #🪽

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skittikyu · 10 months ago

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Now with Relationship Chart !

(more info under the cut)

Gangle and Jax (feat. Kaufmo)

I imagine when Stilti was still non-sentient, they were pretty close with Gangle, Jax and Kaufmo because of their respective performance and visual artistic interests (Stilti has music and Gangle has theatre, then Jax has animation and I'm assuming Kaufmo draws like his counterpart seems to have done in the pilot). Stilti was also somehow programmed (whether on purpose or by accident) to be a lesbian, so she's never been entirely certain if her attraction to the girls in the carnival was always part of her code (like how Kinger and Queenie's marriage was) or if it was part of the whole becoming-self-aware thing. Either way her (onesided in canon, in doodles I'm the law and they'll smooch if I decide to make them) crush on Gangle has been a thing as long as she can remember.

Post-sentience their friendship has become the epitome of "it's complicated" because Stilti feels every emotion on the spectrum towards her, sometimes all at once. Part of that is the nature of their ai not being built to handle said emotions healthily when they're that strong (see: level of a normal human's), the other part is how Gangle tends to treat them now. They still have good moments, but the second there's even a bit of friction it's like she's a child and they're an iPad that's screen isn't working. Even when it's good, it's too good, and then it's bad. There's no winning in this hellish existence.

Her close friendship with Jax has also deteriorated, but at least they're on the same page. As for Kaufmo...well, he's gone now, but it was probably the same near the end.

The Other AI

I'll start with Zooble and Pomni since there wasn't much of a change in how Stilti felt about them pre to post sentience and vice versa. Part of that was her gravitating more towards the other artistically-inclined characters (likely programmed to do so as a base stat) as I described above, but also sm-baby said that the order of sentience gained in the carnival is the same as the order the humans arrived to the circus in canon TADC, and those two are the most recent arrivals according to Goose. I haven't given a definitive entry time to Stiltikyu in the circus' order of arrival because I still want more info on the exact timeline, but what I tell people when they ask is "after Ragatha, before Pomni", so probably a little before/after Gangle and/or Jax - thus same applies to carnival Stilti.

In short, before sentience they didn't really have reason to interact but were probably cordial to one another, and after sentience, Zooble and Stilti mostly kept to themselves, so she didn't really form a bond with them, nor Pomni (who I keep jokingly giving reasons to avoid them).

Is there resentment for her helping a human? Jealousy that they're closer to Gangle now and get to see her more authentic self? Both? Who knows...

Anyway, onto Ragatha and the royal couple !

Pre sentience, Stilti liked Ragatha just fine. She was a sweet and loveable dolly meant to get along with all of them. Post sentience, it depends on the day. They're both perfectionists in their own areas and they understand and respect that (a good sense of rhythm fortunately makes them very predictable, so it's unlikely for them to change their routine and potentially trigger her), but some things are just out of their control. I imagine they really only spend time together in group environments like the game nights.

Queenie and Kinger, Stilti adored pre-sentience and loved performing for them. With the former gone, that sentiment is still true for the latter, it's just...more challenging. At best. At worst it's emotionally taxing having to deal with anything from an empty shell of a broken man to an unrecognizable tyrant. Luckily (the AI's closest equivalent to) neurology is on her side and they're usually able to calm him with his (and her) "frequently played" data.

The Humans (+ minor AI)

I took Caine (and by extension, Bubble) off the non-sentient chart because he doesn't arrive until after Pomni is already sentient, so like I explained in Pomni + Zooble's section, he and non-sentient Stilti would have never encountered eachother. She probably likes him a fraction more than an ordinary human for his, let's call it "above average" interest and skills in music. Unfortunately he's still a human. He's also the reason for no swearing + probably a serious Kidz Bopification of her original soundbank of songs. So yeah, poor guy still gets the same emotions as the AM hatred monologue. Bubble they don't really pay attention to, though. They honestly might confuse him for a gloink or even her own plasma unless/until he starts talking.

Since I imagine Caine did amazing at their level due to his music theatre background, Able "Plot Armor" Eden (/affectionate) probably set a world record. Stilti has nothing bad to say about the guy if they somehow only interacted when they were pre-sentient, and post-sentience the only thing she'd hold against him is he's a human - a perfect human but nonetheless still human. The jury's out to lunch on whether or not they even remember him, but even if she did, they kind of just assume he's either dead or long gone from the game, and even if she somehow found out Zooble is keeping him as a pet after he got stuck on Kinger's level, you'd need to put how little they care under a microscope to find it.

If anyone actually made it to the end, thank you for coming to my TED talk

Carnival AU and template belong to @/sm-baby !

#the amazing digital circus #tadc #carnival au #tadc oc #tadc sona #tadc self insert #tadc caine #tadc bubble #tadc gangle #tadc zooble #tadc kinger #tadc ragatha #tadc jax #tadc kaufmo #tadc pomni #tadc queenie

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lvnatiq · 4 years ago

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Random Relationship Headcanons | Felix Escellun x gn!reader

a/n: Hey ! On todays menu I am serving you modern au relationship headcanons. I know for a fact that I can’t write headcanons AT ALL yet here we are, out of spite I will keep trying until I can manage to write good shit. I’m going through a chaotic time in my life so please be patient with me 😭

I’m currently working on tattoo artist! reader x Felix headcanons and college!enemies to lovers one-shot. Knowing that Felix’s fav trope is enemies to lovers, I will post it hopefully before his new chapter drops. I used most of the hcs that were sent to me but if you couldn’t see yours, then it will probably be used on the other works.

No beta we die like men.

warnings: curse words, nsfw under the cut, random sage moments, felix being a ‘the neighborhood’ song basically.

You persuade him to start an Instagram account, and because of his family's popularity, he quickly gains followers. His account is practically empty because he would rather spend his time stalking your account on Instagram. You noticed the emptiness and wanted to take him out and take some photos for his account, which turned out amazingly. He is a little camera shy, so be patient with him.

You like to watch him apply his eyeliner but he finds it so stressing to do under your gaze. He used to be able to do it easily, but it has now become one of his most difficult tasks. You wanted to ask for his assistance in applying eyeliner to you in the hopes of making it simpler for him; he agreed but quickly regretted it when he realized how near your faces would be. You with your eyes closed, waiting for him to drag the line as he was only thinking about how bad he wanted to kiss you.

Felix has a Polaroid of you and stella in his wallet I said what I said.

When it comes to himself, he can be a pessimist, but when it comes to you, he is the most loving and positive boyfriend you could ever ask for. You have a dream ? He is ready to help you achieve it. Do you want to change in your life ? Go for it, He’s more excited than you are.

He can be quite insecure at times when it comes to your relationship because he feels like you deserve the world but the world is too big for his tiny hands. Will his cuddles be enough ? God he hopes so.

He almost cried when you told him you loved him for the first time. He's also baffled as to how you might feel the same way about him.

Drunk Felix is really clingy and honest. Whatever he can’t say sober drunk felix can and definitely will.

“May the stars let my death be between your glorious thighs amen-“ “Felix-”

Felix is weird but it add to his charm. It’s not unusual for you to wake up in the middle of the night and find the pillow besides yours empty. In the dead of night, you will find Felix munching on some weird ass food combinations.

He also has a habit of doing things that are extremely adorable without even noticing it. Like walking around the house in his oversized shirts, his hand clutching at the cuffs whilst the other one sheepishly rubs his eye.

“Can I lay on your lap ? I promise I won’t fall asleep. I just need to rest for a little.” His voice is so soft and hushed. “Of course, come here.” He throws himself onto you as he comes hopping on his tip toes.

He falls asleep on his desk too often, so you have to carry him back to his room, where he snuggles against you while you lead him there. Once he's in his room, he insists that you stay with him, so you wait until he falls asleep as you play with his hair, and he wakes up thinking it was all a dream.

I firmly believe that Felix’s love language is acts of service. Like making you coffee and bringing you random snacks as you work or wrapping you up in fluffy blankets whenever he catches you slacking on the couch.

He's been romanticizing anything and everything since he met you. When he sees beautiful flowers, he wants to bring them to you, but he also believes that their beauty stems from the fact that they are alive, so he argues and stresses a lot when deciding what to do in simple situations like these.

His edginess belongs to his impulsiveness and his style only at any other situation he's a complete softboy.

And I'm certain he knows a variety of card tricks. He enjoys showing off, and he enjoys it even more when you become fascinated and beg him to share the trick.

If you're a morning person, you'll probably spend your mornings alone in solitude, finishing work before the day begins, but if you're a night owl, you and Felix will go out for night walks and Felix would go out for night walks, sharing headphones to play some music, enjoy each others presence and develop a habit of watching the sunrise together.

Felix makes you playlists at the most random times and with the most random names. Until one day he sent you a playlist at around 4 a.m called “you”, filled with his favorite music. He usually sees music as a safe space for himself and now that you are his safe place too it’s only appropriate for him to do so. This only further proves how he spends his time thinking about you.

I feel like Felix would have what most would call "attachment issues" but it’s mainly because of his protective tendencies. This is not to say that he’s this "overly jealous toxic" character; rather, he has never had anyone to truly call his own in his entire life so he would do anything to protect it.

Felix is also big on astrology, so if you want the perfect birth chart, he'll give it to you. Also he owns a lovely deck of tarot cards, and if you ask him for a love reading, he can't manage to keep his words and feelings to himself so he modifies your reading according to him and his desires. Let the boy abuse his powers for the sake of love.

His style could be described as dark academia, his wardrobe mainly consists of dark colors, lots and lots of blazers and a lot of oversized shirts. He also loves jewelry so he owns a lot of rings and chains. Just so you know, if you're wearing any of his rings, his heart is doing cartwheels.

Is it obvious that he loves it when you place your hand in his and play with his rings with your fingertips.

Spoil him. Buy him that baby blue hoodie with cat ears.

“Ah, you look adorable.” “Isn’t it a bit too b-big ?” “You could say that. Do you mind ?” “No, I like it that way.” “I would know.” You smirk followed by felix’s gasp. “If you so desperately wanted a cat boy you know you have me right ?” Nudging your shoulder, Sage leapt into the conversation. “What is he talking about ?” Felix grumbled, only to notice two fuzzy triangular fabrics on top of his head as he brushed his fingertips over it.

He’s obsessed with your hands, kissing your knuckles, drawing circles in your palm. At a certain point it became an involuntary gesture he does it quite often without realizing.

He’s also canonically extremely blushy but he would never admit it. You’re convinced he uses some sort of make up because it is not possible for the pink dusting his cheeks to look this good.

He insists that you’re cold even in the warmest weathers because he wants to see you in his coat.

Sage forces Felix to take his thirst trap Tiktoks.

He really appreciates it when you add to his herbal tea collection without him noticing and he considers it a sign of affection because he takes his tea very seriously.

He loses it when you call him baby he gets flustered and frustrated but it’s all because it rolls off of your tongue so nicely that he can’t get enough of it.

Felix owns a broad collection of scented lip balms some of them are tinted. You didn’t hear this from me.

He never once took anything the Sage says seriously until he saw how well you two got along. He never thought that he would be standing there taking relationship and flirting advice from the frat boy.

Felix is a complete asshole when he wants to. He’s very verbal about it too. Consistent sarcastic remarks and eye rolls. I mean it runs in his blood, look at Escell.

You love it when he suddenly whips out the confident Felix, it’s not a daily occurrence you know.

When Felix is concentrated, he’s lost and there’s almost no way you or anything else can distract him. So it’s time to grab some colorful hair clips and ties to fuck around with his hair.

Felix is not the best at verbally expressing his gratitude towards you. He doesn’t know what he would do if you weren’t there for him at the lowest points of his life where normally he would close himself and bare the weight of his family problems and personal life issues that he can’t seem to get out of. Now he has you, someone who’s willing to listen to him and offer him a warm embrace when he needs the most.

While you to play games together, when he wins he wears that iconic shit eating grin of his with pride looking at you through the corner of his eye. “Shit, what do you want me to say to that felix ? Perhaps I should call you master now that you won ‘one’ fucking round.” He is praying that the screen light is covering the fact that he is a blushy mess after hearing you say that.

NSFW

I cannot stress this enough but he is extremely vocal in bed. Whining, trying to restrict himself from making too much noise but failing miserably.

Muffled pants, choked sobs and lots of pleasure infused tears.

He loves getting praised during sex but what he loves more is to get praised after it’s all over. Like you telling him how great he was, how well he behaved, how good he made you feel. He experiences sub drops a lot so please assure him that he did well :(

He’s into power-play but not in a submissive or dominant kind of relationship, it’s more of a psychological thing where the fact that he can see how good he makes you feel gives him a rush of confidence and adrenaline.

I believe that this motherfucker is a masochist, pain makes him more excited than getting an update on his favorite author who went on a year long hiatus and that is saying a lot.

Bite him. Scratch him. It is so stimulating for him he can reach his high just from those actions.

Fuck do anything to his ears bite, lick, pull, blow on it. He is extremely sensitive so anything you do will basically drive him out of his mind. It will most definitely lead to him trembling beneath your fingertips.

You must think that you are the only one who is such a tease but you’re wrong. Felix teases you quite often mostly to direct your attention towards him or to keep your attention on him. He’s quite greedy when it comes to you and your hands on his body. Unbuttoning unnecessary amount of buttons on his shirt to show a little skin that he knows you’ll notice. Playing with his necklace placing the chain between his lips dragging it towards the inside of his bottom lip teasing the metallic charm with the tip of his tongue. He definitely ain’t oblivious he knows exactly what he’s doing and he makes sure that you know exactly what he’s doing.

When he’s in the mood he will tug the hem of your top meanwhile his eyes are glued to the floor or graze the temples of his glasses between his lips, his teeth lightly nibbling the pointy edge. He loves to play dumb too. When you question him, he acts like he doesn’t intend anything and that you need to get your head out of the gutter.

At the end of the session Felix looks divine. Drool leaking down from his bottom lip to his jaw line towards his neck, his bangs sticking on his sweat coated forehead, his chest rising up and down quickly. His eyes rolled at the back of his head, his hands still clutching tightly to the sheets. Faint whimpers and deep breaths filling the air.

Leading up to the after care, his shy self returns. He buries his face to your chest hiding his blushy cheeks beneath the palms of his hands.

He likes to experiment a lot and you are his favorite subject.

It shouldn’t be surprising to find random kink definitions or role-play ideas on the search history of your laptop. After all Felix just asked for it to write an email, that’s all there is to it. That’s until you offer to try them out.

He doesn’t act upon his jealousy, what he does instead is that leaving marks on you especially around your neck and your chest where he knows it will show. Don’t cover them up if you don’t wanna deal with him.

“People just don’t appreciate art anymore.” “Felix these are, hickeys.” “Oh so now you are judging my art medium ?” “Since when proving Sage that I got railed by you is a form of art ?”

I didn’t see anyone point this out but whenever he is in the sub space he tends to be more on the bratty side. He starts of shy but his confidence builds up as the tension rises. Meaning that you should be ready to get your patience tested.

When you two are in separate places your suggestive words and tone leads up to phone sex, which Felix secretly fantasized about a lot. What made everything even more dirty was the fact that you didn’t know that he was laying on your bed surrounded by your scent and humping your pillow. Once you come back home you are greeted with a fresh pair of sheets on your bed. Apparently Felix decided to do you a favor and clean your room as well as the the whole house. He’s crossing fingers that you don’t notice because he knows that he’ll never hear the end of it.

Felix knows a lot about sex but his knowledge is based upon fiction rather than experience. So, naturally, he is more interested about learning specifically how your body responds to certain actions, what you enjoy and what you’re interested in so teach him. He’s a good student and oh well he’s a quick learner.

Pull his hair pull his hair put his hair pull his hair pull his hair pull his hair pull his hair pull his hair.

When he settles between your legs as he ties his hair, he places the hairband between his lips and looks up at you with half lidded eyes. It’s his definition of torture.

Even though he doesn’t give off that vibe, he is very freaky if you would’ve known what his AO3 tags consisted of you would agree.

Tag list is open

#felix escellun #felix #fictif felix #last legacy #fictif #fictif last legacy #nyx hydra #felix escellun x reader #felix x reader #mc #felix fictif

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legitimateluffy · 4 years ago

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One Piece Animation Thesis: East Blue

If you would prefer to follow via the master Google Doc, [HERE] is the link! This will be updated as we go through the arcs and is currently planned to be updated weekly!

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Whew hey everyone!

So this is the beginning of a project that I have had in the back of my mind for quite some time and finally decided to start working on. A quick rundown of what this actually is, it’s a somewhat showcase of the animation found within the main One Piece anime (so, no movies/specials/filler arcs between canon arcs etc. although that may be something I will attempt to tackle one day if this does well). This will also include some insight into the anime industry and essentially give some insight on behind the scenes and why certain decisions are made as well as giving names of the hard working animators to their respective scenes. Hopefully this whole thing will continue to give a bit of insight into the One Piece anime as I believe that it is greatly under appreciated and while criticisms of it are valid, there definitely needs to be more of an understanding as to why the anime is the way it is. This will be a long journey ahead so please bear with me! Let’s get started!

The One Piece anime, including movies and specials, is animated by Toei Animation, and they are responsible for many other famous animated properties and adaptations, including Digimon, Dragon Ball/Z/GT/Super, Sailor Moon, Toriko, Gegege no Kitaro among many others. They animate many different series and have a big load to take on. This is something that will be touched on later, because it greatly affects the anime in later years. But for now, I’ll be going through the arcs, starting with the East Blue saga. The East Blue saga is made up of episodes 1-53 (including some filler) and consists of quite actually not that many noteworthy animated scenes, even though it covers many arcs (Shells Town, Orange Town, Syrup Village, Baratie, Arlong Park, LogueTown). Animation throughout this portion of the anime was quite limited, using minimal movement and taking appropriate shortcuts where necessary. Scenes are also quite hard to tell exactly who animated what due to the style consistency. There are a few noteworthy scenes though, but first I would like to introduce the rough structure of how the anime is made. An important part in animation is someone who is the character designer, someone who essentially designs the characters and in this case, attempts to replicate Oda’s style for it to be easily animated. During this part of the anime, the character designer is Noboru Kizumi who would continue to be the character designer for the anime for the next 10 or so years. These are the some of the sheets he made for the main characters:

This is something I’ll continue to showcase as we continue to go through each of the arcs, showcasing the strawhats as they pop up in the story. When the time comes, we will also compare the changes of style and why things have changed. But for now, I’ll just present the first designs.

One Piece at this stage was very cartoony and had quite a different style, especially compared to a lot of the current anime/manga at the time and it still continues to have a distinctive style to this day. Following these sheets allows for a good sense of continuity, which is very important with anime. If anyone out there attempts to draw something without looking at a reference, it’s not going to look quite as well as we want it to. So in using a reference, we can have a better grasp as to how the character looks from certain angles, heights compared to other characters, facial expressions and more.

In order to keep these characters looking somewhat similar so as to not disrupt the viewer’s experience by seeing jarring styles, someone works as a Chief Animation Director. They aim to ensure that characters remain consistent throughout the episode, and that they are on model. So, how is this achieved? Well, we’ll have a look at the process on how something is conceptualised and then put to screen.

Initially, a script is conducted. Going through the manga, people take what is deemed necessary material and put it into script format. It is important to note that as the anime and manga continue to go on for years, the gap between the anime and manga release shortened significantly, resulting in pacing issues. Keep this in mind for later as this is something I plan to touch on. Then a storyboard is created, having very rough lines in order to convey what is to be created. Here is an example:

A good storyboard can make or break an episode, as it dictates angles, how long scenes linger on screen, etc. Once the storyboard has been decided on, the animating can begin. Scenes are appointed to animators, where they create something called Genga. This is done on paper, similar to how it’s done in other parts of the world. Here are some examples of older Genga:

Even though times have changed and anime has become digital, with some animators now exclusively animating digitally, the anime industry still uses Genga, using paper and pencil to create their scenes. Here are some examples of newer Genga:

Once the Genga has been created, the Chief Animation Director will go in and correct what is necessary to ensure that the style remains consistent. Others may also help participate in this process, such as an Animation Supervisor. Here is an example of a Genga being corrected to ensure that it remains consistent in style:

In doing something like this, some animators can animate great action and keep their lines rough to save time, and an Animation Supervisor can clean it up and make it look good. After this has been completed, the Genga is then made into what is called Animation Cels. This is not exclusive to Japan, as for decades this is a process that has been used. This is a transparent sheet that had the lines and colours painted on, and is then photographed over painted backgrounds. Yeah...A long and dubious process indeed. This is not common place anymore due to how time consuming it is, and with the rise of digital, creating colours, effects, filters and backgrounds are much faster and easier to accomplish. Here are some examples of One Piece animation cels:

I would have much preferred to share cels directly from the anime itself and not the movies but they are quite difficult to come across and have more than likely been sold off from Toei long ago. But they will suffice, as it gives a good idea as to what they look like.

But voila! Animation has been created! All that’s left is music, sound effects and voice over and you’ve got yourself an anime. Wonderful. Easy right? Yeah, not exactly. All of this takes time and patience. And this is something that needs to be remembered. Time. A very important keyword in the animation industry and a lot more important than the word budget that likes to get thrown around. Due to One Piece being a long running weekly series, the animators have a lot less time than, say, My Hero Academia or Demon Slayer, two very prominent seasonal anime. These series do not have more money shoved into them, more budget, than One Piece that results in higher quality and consistent animation, a problem the One Piece anime definitely faces further down the road. Here’s an example:

Michelangelo is one of the most famous artists of all time, due to his remarkable attention to detail in his works present in the High Renaissance period. One of his most famous works is the Statue of David, an incredible piece of work that was worked on for 3 years. However, if you were to tell him to replicate it but say, give him a month, he’s not going to get anywhere near the same results as the piece where he spent 3 years on. It would be quite rough around the edges, and quite rushed. No matter how much money you throw his way, he still won’t be able to get anywhere close to those results. And this is the same with any artist, including animation. This is a big misconception in the anime community, and that is that as long as you throw money at people, they’re going to end up creating incredible works, regardless of the poor time management. That is just not how it works.

This does seem like quite a ramble, and it’s already quite long prior to even reaching the main aspect of this whole project, in which I showcase animators, but this is important background information that needs to be understood prior to delving in. With that very long introduction, let’s now get to showcasing animators!

Some of the animators that were present on many early One Piece episodes include:

Kazuya Hisada, Masahiro Shimanuki, Naoki Tate, Jin Inaba, Tadayoshi Yamamuro. Please note, there are many others involved animating wise, but these are some key names, and ones that will develop and evolve as the years go on.

Kazuya Hisada is someone who will pop up later and fulfil a more important role in the series, but in the early days he created some great scenes with some snappy timing, while using lines to help convey impact. He is found throughout early One Piece, however due to the limited animation and consistent style thanks to Noboru Kizumi, he can be difficult like most during this era to spot.

Hideaki Maniwa is more prominent in his animation, being more pronounced due to his camera movement on his characters. He uses subtle smears usually on impact to further enhance the idea that whoever is being hit, is being hit HARD. He also created the most animated piece of early One Piece in episode 23 where he creates seemingly natural movement of the background of the ship and water, making the sea feel powerful and heavy.

So what have we learnt so far.

Well, there is a lot of hard work that goes into the production of an anime series, and that is no different with One Piece. Early episodes for the most part had not too many interesting scenes animation wise, and the animators essentially got the work done in order to produce and release the series week to week. It will continue to be a bit of a slow start, with arcs like Alabasta and SkyPiea being similar in the regard of not many noteworthy scenes however, we can begin to see the cracks of emerging stars and evolving styles that will later become staples within the series.

This is it to the first of what is hopefully a long and engaging project! So far it has been quite a read and very lengthy and I apologise for that. Hopefully from here on out we should be able to successfully get through more animators and styles become more distinct and animation continues to evolve. Next up I intend to cover Alabasta.

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A massive thank you to everyone who has participated and uploaded at Sakugabooru! Without it, I would not have been able to make nearly as much as I have without all the hard work in identifying and tagging animators’ work! Most of the footage used to showcase these animators has come from there! I simply just turned the videos into gifs for an easier showcase.

I would also like to issue a big thank you to Animators Corner! The staff listing really helped me in determining who worked on what episode to identify animators and their works!

#one piece #anime #opgraphics #gif #if you could please share this!#would love for this to be spread thank you!#op animation thesis

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dakt37 · 4 years ago

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Avengers Assemble - Feral Outlaw Stony

So I've been expanding on this concept I doodled before Christmas, where Steve goes with Tony into the no-tech dimension at the end of season 3. Probably a lot of stuff isn't canon-compliant (beyond the obvious change that is), but "It's an AU so I do what I want" rules apply. Anyway.

The tl;dr is: The two of them spend a little time puttering around the weird no-tech dimension, and then get absorbed into Battleworld. They become explorers, helping people out and falling in love along the way.

(Once again, I feel like someone must have had this idea already, but I’ve never looked.)

Cut for excessive rambling.

~~~

Not all the areas we see in the show are present in Battleworld when Steve and Tony first arrive, so the boys spend most of their time traveling around, mapping the place out as it expands. A lot of my ideas rely on them still having little-to-no access to modern conveniences. Obviously someplace modern has to show up for them to get their hands on a pickup truck and a motorcycle, but I’m picturing a post-apocalyptic junkyard that’s been picked clean of anything obviously useful. They get the vehicles working by sheer force of “I’m Tony-fucking-Stark.” But like that fully functional NYC area is way too convenient, so it’s not around yet. (tbh I’m not even sure if it’s an alternate NYC or theirs, in which case it wouldn’t show up until the other Avengers do anyway)

They get the low-down on the "Battleworld" concept by eavesdropping on one of Beyonder's* welcome speeches. They realize that they are uniquely off the grid, because Beyonder didn't know they were in the no-tech dimension when he added it to Battleworld. They decide it's advantageous to maintain this secret status, but they're still Avengers™️ so they can't NOT help out wherever they can. But they don’t stick around any one place for long. Basically, they become vagrant vigilantes in addition to surveyors. They get a lot of their “stuff” (clothes, tools, toiletries, etc) as payment for odd jobs, or gifts from grateful locals they rescue. They get some food from populated areas as well, but also rely on foraging and hunting while on the lam. They have definitely eaten dinosaur at some point.

(*He doesn't get the nickname "Beyonder" until the other Avengers show up. In this AU Steve and Tony refer to him as "The Entity" or "Suspenders." You can probably guess who tends to use which.)

On top of the survival story, it's also a getting-together story. Steve and Tony flirt and pine and bicker and flirt some more, until a squabble turns into a confession and they finally start kissing. There’s plenty of time for “it’s cold in this wasteland and we only have one blanket, oh no,” but they’re firmly established as romantically involved by the time the other Avengers show up and they have the final showdown with Beyonder.

Anyway a lot of the AU notes I've been making are about the functional side of their Big Camping Adventure. So here's a bunch of lists about vehicles, gadgets, and navigation.

Vehicle stuff:

If Tony is riding passenger on the motorcycle, he can clip his repulsor boots into special footrests that reroute the energy and give the bike a speed boost.

The bike has a tow cable. Steve can harpoon things using a spring-action firing mechanism, including cliff faces to help him scale steep terrain. The cable can also be uncoiled manually, like when Tony takes flight while holding the end so he and Steve can clothesline hostiles.

Steve can stick his shield several places on the bike depending on what’s convenient. On the front as a windscreen/battering ram, on one side for easy grabbing, and even on Tony’s backpack so Tony can snuggle in properly while riding passenger and keep both their backs protected.

They probably don’t even need a ramp to get the bike into the bed of the pickup. Steve just picks it up and puts it there.

The evolution of Marsha (the truck) into a full Hulkbuster-style mech takes a long time. For the majority of their time in Battleworld, it’s just a truck with an ever-increasing number of weird add-ons.

Marsha can function as a tiny camper home. The cargo bed liner is a false bottom, which can be pulled up and rearranged to form a cover/roof. Underneath the liner, the actual truck bed is about a foot deeper, with most of that storage space taken up by a mattress and bedding.

Tony can pull a cable out of Marsha’s steering column and plug it directly into his arc reactor. This unlocks extra features and weapons. He generally has things balanced so that Marsha drawing power doesn't affect him any more than his armor drawing power would. But on rare and desperate occasions, he can overclock and hurt himself. Steve of course hates when he does this.

Turnabout is fair play though: at least once, something else damaged the arc reactor, so Tony plugged into Marsha to draw power from the battery for his electromagnet while he repaired the arc.

Gasoline can be difficult to procure, so both vehicles are hybrids. Tony just keeps adding new power conversion elements as they go along, based on what they can find.

F in chat for Tony’s armor:

Tony dismantles the armor he’d been wearing when they first went into the no-tech dimension.

Obviously he keeps skeletal versions of the repulsor boots and gloves in-tact enough to function.

He also keeps most of the helmet, for when he’s riding with Steve on the motorcycle. Mostly because Steve insisted. It's gutted of tech though, so if the faceplate stays as part of the design, the eyes are just holes (like in the classic comics).

The rest of the pieces are kept in a large packing trunk.

Tony repurposes some parts into useful gadgets for himself and Cap, plus the odd toy for other Avengers (like Widow’s new stinger gauntlets) because he’s optimistic like that.

Electronics use precious metals like gold and copper, so Tony scrapes some out to pay for things in certain areas of Battleworld, like the cowboy town or the pirate area. He might also barter with other general bits like wires and screws, but he avoids parting with any actual full tech.

Plug-n-play Gadgets

Since the power draw for Tony's electromagnet is actually fairly minimal, Tony makes use of the arc reactor as a charging station, mostly when he sleeps. It's not like there's a corner store they can drop by to get a pack of batteries. Things he charges include (but are not limited to):

Flashlight for Steve. The bulbs for it came from the eyes in the Iron Man helmet. Note: Tony doesn't need a flashlight himself because he can turn up his arc brightness apparently, lmao.

Camp stove. Steve questioned Tony building one for a hot second because hello we can build campfires to cook over? But then it’s raining and they're in a cave and Tony is like, "if you fill this space with smoke I will divorce you before we're even married." And Steve is like "camp stove wow yes okay." Also they had camp stoves in WW2 so honestly it was simply a Himbo Moment to disregard the virtues of one in the first place.

Walkie talkies. I know they had Avengers comms but I like the aesthetic of walkie talkies more. Maybe the comms relied on satellites that they obviously don't have anymore or something.

Navigation:

Speaking of a lack of satellites, the GPS in Tony’s armor is rendered useless. Steve is real smug about it and pulls out his old-fashioned compass. But Battleworld also doesn’t have proper poles, so it just spins wildly for a few seconds and then points at Tony’s electromagnet. Not to be deterred, Steve declares, “Well, you’re never lost if you can find Polaris.” They look up and realize that the night sky, despite having stars and a moon, is not at all arranged the way it is on Earth.

Tony takes this as a Challenge. He builds a sextant, then spends the next several nights in a row muttering math under his breath as he painstakingly creates a hand-drawn star chart. This, combined with landmarks, becomes the primary way they orient themselves as they roam around Battleworld.

Many nights, Steve and Tony lie in the bed of the pickup together and make up constellations named after other Avengers and friends. Steve makes a copy of Tony’s star chart and sketches artistic renditions of the constellations on top. To close this post with an interesting visual, here’s an example of what Tony’s star map might look like vs what Steve’s would more resemble:

#avengers assemble #avengers assemble AU #battleworld AU #Feral Outlaw Stony AU #stevetony #dakity yaks #Dakt rambles about Avengers stuff #long post

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break-slash · 4 years ago

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Puzzleship JP & KR Fancomic Recommendation List

UPDATE (19-12-2020): Added two more artists and two more titles on the Japanese lists!

I don’t consider myself as someone very tidy and organized, but I just like making lists of the things I love, somehow. Hence this post. I haven’t been in the fandom for long but I thought I’d share some of my favorites primarily from two sites: pixiv and postype. Most of the postype ones are behind paywall, and I will mark them differently.

Some of my favorites come from the same artists, so I’ll also link their pixiv profile on top of my favorite work of them.

(I actually bookmarked a lot and picking them isn’t an easy task, so I will update this step by step. If you see only a link of an artist, that’s the reason, but I can guarantee you will love their works! Feel free to recommend me yours through reblogs or DM as well!)

Japanese

Artist: CYHGM

She is a Chinese and is more active on Weibo (she posted tons of puzzleship there, but my Mandarin is beyond rusty so I could only cry in despair lmao), but she has two fancomics that I absolutely adore of. Those two mentioned fancomics are:

The Past and The Future. You can check my translation for this one here. It tells about Atem who gets transported to 3000 years later before his coronation, and that’s where he met post-canon!Yugi. Just... everything about this comic is so wonderful. I teared up at the last page, not gonna lie ;_;

The Pharaoh and The Fairy: An Ancient Egypt-slash-fantasy AU featuring the S0/TOEI casts. The fairy Yugi was saved by Atem, and it’s an obligatory for fairies to grant their savior’s wishes. However, Atem doesn’t exactly have something he wants of, and this confuses Yugi on how he should repay him back. Pure undiluted sugar, and fairy!Yugi is just so cute.

Artist: Fushitas

Arguably one of the most popular Puzzleship fanartists in the JP fandom (look at their number of followers on Twitter, man), but maybe it’s also due to the fact they were in AoT fandom too. They’re mostly active on Twitter, and if you also watch Zexal, they draw tons of Yuma-centric pairings too. They have released lots of books, and their prices on the reseller sites are... well, let’s just say, unbelievable. Just to show how famous they are.

From everlasting to everlasting: Set after DSOD. A mysterious figure appears in front of Atem, claiming to be his queen. Everyone in the after life somehow acknowledges this person, which makes him even more confused because he’s the only one unaware of this. On the living realm, Yugi who is on the way to his home got hit by a truck (isekai much??) and when he woke up, he suddenly plays the role of Atem’s queen. I’ve always adored Fushitas’ drawing, and this is no exception. The story is pretty simple, but is still good! The ending of this comic is everything I’ve always wanted from the canon lol.

The King’s Guest: Ancient Egypt AU. The councils are starting to get worried because Atem shows no interest in marrying someone, so Shimon opens up a “chance” sort of for civilians to become “someone for the Pharaoh to talk with”. The civilian Yugi takes this chance right off the bat, and stuff happens? This one is just so sweet and the misunderstanding later in the story kinda cracks me up. I really love the way they build the two’s chemistry in here.

Artist: usi

They only draw two puzzleship fancomics, but both are so good and explores the themes I’ve loved from the pairing.

The Lotus’ Devil: Set post-canon with a flashback. It tells about Yugi’s regret in the past where he wanted to show Atem a small pool supposed to be full of lotus flower only to arrive seeing them not blooming. Fast forward to the post-canon, he found out that there’s actually a monster residing on that pool. I really, really loved the ending scene of this one.

Who’s The Detestable, Fortunate Guy Here: I think this is set sometime in the canon story, although the exact timing is unclear. It’s a short comic of Yugi asking Atem to pretend to be his date and go on a “dating practice”. A very pleasant hurt-and-comfort kind of story, and who doesn’t love a story of them dating anyways? :”D

Artist: Houzuki Anzu

She doesn’t draw much YGO, but she has some Arc-V and 5D’s fanarts too if you watch the series!

Hourglass: Sets after the Memory World arc. Yugi keeps hearing a strange sound inside his mind, and he finds out there’s a huge hourglass standing there, guarded by the will of Millenium Puzzle. Apparently, the hourglass is linked to Atem’s remaining time in the living realm? Anyways, the ending of this comic might look like a cliffhanger, but I personally think it isn’t. I love the theme this comic picks to explore and the way it is presented.

Present: Same setting with Hourglass, but this one focuses more on Atem sorting out his feelings about the Ceremonial Duel and what he has learned from Yugi in general. It’s a very nice extra detail that the canon slightly lacks of, and I just love... bittersweet stuff in general haha.

Artist: Chiriko

Are you the type who wants puzzleship to be full of happiness and fluff and nothing else? Well, she has a number of comics to fill that need! I actually love all of her works, but if I have to pick, these two are my favorite:

...Don’t Ever Leave Me Again: A short story about Yugi having a nightmare of where he was stuck in the fire accident at Otogi’s store. Well... this isn’t a fluff sort of, but it’s... a happy ending still? /shot

[Untitled]: A dialogue-less comic, but this is the sort of post-canon what-if that I really, really like. Atem stroking Yugi’s face while sleeping is just... so soft man....

Artist: Komori Nea

Their art style was one of those that’s very noticeable and has a certain charm on it. They are pretty active on Twitter, and even draws puzzle comics once in a while that haven’t been uploaded to pixiv (which is why I recommend you to check their twitter gallery too haha)

The Soul Stays Awake: Post!DSOD. Atem comes back from afterlife in hoping that Yugi would be as happy as he is, but months after, Atem’s existence still hasn’t been registered on Yugi’s life just yet. Another post!DSOD take that I like which involves the fear of another farewell and uncertainty, but this is a good hurt-and-comfort. I swear, it’ll hurt you just... for a while. :”)

The Attack’s Aim: Set during the canon series. A short comic mostly portraying Yugi’s hidden strength but also the tenacity of duelist that is not only targeted toward the opponent, but also to Atem, without the person actually noticing it. The last page of this one is so... soft and gentle I had to put it into this list.

Artist: caf

Often draw with S0/TOEI style, characters and characterization in mind. Their coloring in illustrations is so soft, plus artists who specialize in S0/TOEI style can’t be found so easily. Their comic style is not a manga-like one and they write the dialogues with handwriting, but if you can read hiragana and write and understand how kanji works (so you can write it on translation machine), their comics are easy to understand!

magenta: S0/TOEI AU where Yugi and Atem are two separate person. A short comic of Yugi lying under the rain as Atem searches for his whereabouts. I really love the way they portray the rain and the atmosphere surrounding the scene. Or maybe I’m just biased with rains in general, ahahaha.

Yuugi and Mao’s Stay Home: Same AU as above. Our two boys has to face the same shit we do IRL in this comic, which is quarantine. Atem offers to cook something for Yugi since he can’t eat outside. You love seeing Yugi eating stuff? This is a perfect comic for y’all.

Artist: Kkyut

Artist: Kayu(i)

Others:

Gemini: As Atem comes back to the living world, Yugi faces the dilemma of having being separated by “his other self” physically and mentally. A short comic, but the lines the artist used are so... beautiful. Like, the way they describe Yugi’s loneliness?? Just hits the park so much.

Until The Hourglass Runs Out: Set after the Memory World Arc. As their farewell day goes closer, Yugi decides to give Atem a full control of his body at school so he could spend his time with Jounouchi and the gang more. However, things don’t go as smooth as Yugi had expected. If you like that little teeny weeny pain before the Ceremonial Duel, this comic perfectly suits the taste.

see you sometime: Post-canon. Mahaad offers Atem a chance to meet Yugi in the living realm one more time, but with several conditions. Firstly, he could only stay for a day at maximum. Secondly, Yugi won’t be able to remember who he spent his time with after Atem hangs out with him. Thirdly, Yugi will not be able to “recognize” this Atem; he will only be registered in Yugi’s mind as a new classmate. A bittersweet comic in whole, but seeing the two having fun like a normal teenager would just makes me grin.

After The Rain: A dialogue-less comic, so everyone would be able to read this right away. A short comic of the two, but still very cute and wholesome!

The Tropics of Horus: Post!DSOD, Atem has to chase Kisara who lingers around Kaiba’s soul and he needs Yugi’s help to bring Kisara back to afterlife, but he has his own ulterior motive. This manga is so dialogue-heavy and might be hard to dissect especially if you don’t understand JP grammar and context, but the time spent trying to understand the meaning behind every words will be worth it. That much I guarantee. Just... everything about this comic, and how Atem’s “ulterior motive” connects to our boys’ adventure in canon series are so well planned. You can also purchase the R18 version in a form of the book here (toranoana)

Christmas Day: S0/TOEI puzzleship hint (dark puzzle???). There’s something in store for Yugi in Christmas, but this one might surprise Yugi a lot. It’s not that the prompt of “Atem gets separated from Yugi temporarily” is uncommon, but it is still a sweet one and makes you smile throughout the pages.

Korean

All titles mentioned here are not free unless mentioned otherwise. Also I don’t understand Korean except being able to read Yugi and Atem’s name, so my story interpretation might be wrong. If you understand Korean, I’d really love for you input! ;_;

You can check out on how to buy comics from postype here

Yugi’s 2020 Birthday Anthology: Rain and After End

This is an anthology consisting of four titles, but they share the same (or similar) setting where Atem is reincarnated, but he doesn’t remember his past (or has not yet, depending on how the story portrays it). Some are age-gap (adult!Yugi and high school student!Atem), so you might want to consider that if it’s not your cup of tea.

To Like Someone is to...: Age-gap setting. Mostly tells about how Yugi deals with his feeling as the reincarnated Atem in front of him turns out to have a feeling on him. I like how the story’s conclusion is that Yugi will sort it out slowly while also teasing Atem how he’s “too early” to date Yugi w.

In A Circle: A story about how the two met through an online chess game. Iirc Yugi works in a game company and Atem is sort of a famous e-sports player in this setting. There’s a lot of dialogue in this one and the app sometimes can’t process them very well, but I liked what I can understand from it! not very convincing is it haha i’m sorry i shouldn’t have done this

Familiarity: Age-gap setting, where Yugi becomes Atem’s caretaker. The comic mostly focuses on how Atem notices how kind (or too kind) Yugi is sometimes, but there are times where he feels distant. The plot where Atem gets into a fight with the other kid in his school because the kid mocks Yugi, and how Yugi just... accepts it even when Atem doesn’t want to say his reason of punching the kid is just.... god... I love this kind of age-gap setting like this I guess ;_;

Touchdown: Age-gap setting, but Atem is older in here (university student). The two goes to Atem’s university festival and they think about their own feeling when they got separated. On their way to drop Atem off, he confesses to Yugi, but Yugi is still unsure on his overlapping feeling between the reincarnated Atem and the Atem he knows. Make sure you play Motohiro Hata’s Rain and Aimer’s After Rain during the car scene to make the “rain” mood works even better :”)

Others:

Try For Point: A continuation of Touchdown, where Atem (like, the one from the past) visits Yugi in his dream and helps Yugi in sorting out is his feeling toward his reincarnated self. Atem’s advice is so sweet and there’s one certain line from this comic that I remember very deeply - there’s a part where he says, “If you don’t pull out the card, you won’t know what card it is, right?” to help Yugi clearing out his hesitancy ;w; at this point, I curse myself for not being able to understand Korean

#puzzleshipping #blindshipping #ygo #im sorry if i can't make a precise description...#will be updated regularly as i scan through my bulky bookmarks

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shirophantomvox · 4 years ago

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I need to get something off my chest….

Ok, let me preface this post by saying I know I am going to ruffle some feathers in this post and that’s ok. A few of you (thank you) have been questioning why I haven’t been posting as much and I have to be honest. I am beginning to run out of ideas to write about since the Hxh and Voltron fandoms are out of touch and both are becoming toxic as hell. I’ve also been received a lot of stupid criticism (not really critics but stupid opinions that don’t matter) I expect fandoms to be toxic (which is sad as fuck) but some of you act as if you have no fucking life at all. Do not send me anon messages that are non-analytical because I will clown you. To start off this rant, I would like to address issue #1.

Some of you have been sending me anonymous messages about how I depict Hisoka, how I write about him and so on. I’ve seen other people do the same thing to certain artists and writers. I want to make something PERFECTLY clear. In my fan-fictions, my drawings, or whatever the fuck I choose to do, I can depict him anyway I WANT.

I can change his skin tone if I want.

I can make him fall madly in love with my OC if I want.

I can make him an all star football player if I want

I can dress him in a crop top and jeans if I want.

Shit, I can make him wear a jogging pants and a hoodie or in boxers if I want.

With this part ⬆️, I haven’t seen this on Tumblr per say but I have seen it on Twitter.

It is my “world” and my depiction, I can do ANYTHING I want.

Some of you feel the need to harass other STRANGERS on the internet about how they draw Hisoka and his character so differently than the show. Isn’t that the point of having an imagination? Some of you fly off the handle because someone dare says that they do not like your art or whatever. Freedom of speech exists! And if you’re constantly spamming someone because they disliked your artwork…? Get a fucking life. How do you expect to work in animation studios or write for one if you can’t take criticism?

Shipping was a fun aspect for me once I began to embrace my love for anime but now it's a whole thing that makes me angry. I’ll say this once and no more. If someone wants to ship Hisoka and Machi, LET THEM. If someone wants to ship Hisoka and Illumi, Let them. If someone wants to ship LANCE and ALLURA, LET THEM. FYI, some of y’all’s hatred towards Lance and Allura isn’t setting right with me and feels like borderline racism. For those of you that have this hatred towards Allura without reasonable evidence and claims that she’s racist you need to touch grass. For the life of me, you “stans” not fans have been showing your asses for so long it makes me sick. Some of you have gone to far out of your way to threaten voice actors because your ship wasn’t canon. Some of you on this website have such toxic views and hate towards Allurance it makes me wonder do you think they’re not compatible or are you racist? It’s ok to dislike a ship but y’all be expressing that you DESPERATELY HATE Allurance. I saw a TikTok video about why shows like Voltron destroyed itself: Link 1 and Link 2 (about Animal Crossing hairstyles).

Let people do what they want. I see most of you do not have a life at all and probably cannot function in everyday society if you sit on the internet and say “…..you need to go to therapy if you ship Hisoka and Machi.” I’ve seen bullshit like this. And yes, If you’re triggered, I’m talking about you. I think the sad part about it is the people doing this are young-to grown adults. Shouldn’t you be working? Or in School? Or, IDK, figuring out the rest of your life? Because of this, I only support canon relationships. If the context clues and evidence provides, I’ll ship them.

There are some ships I do not like but guess what? Do I go out of my way to harass people who ship something I don’t? NO. Maybe it’s because I actually have a life 🤔. I forget that most of you are keyboard warriors and wouldn’t ever engage in half of the shit you do online.

Lastly, stop telling black cosplayers that they cannot cosplay as (ex: Sailor Moon) because they’re black. Um, excuse me? I’ve seen countless TikTok videos where Black women especially get told that they can’t cosplay as a certain character because the character isn’t black. Most of you that partake in this behavior are NOT allies to POC and are just as racist as your grandfathers. If you are guilty of being racist towards ANYONE in this community, you need to fucking excuse yourself and leave, disrespectfully.

Ok, I am done. Now that I’ve got this off my chest, I will hopefully be posting soon.

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shizzlinghotbrason · 4 years ago

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ok so nearly everyone in the fandom is doing this and as sad as it is that we need to remind these simple things to people, I feel the need to talk about this too.

I won't make this too painfully long because I know y'all most likely already know this and I just wanna put out a basic list of shit you should always follow in the fandom. But for those who don't, a lot of fan content creators, be it artists or writers or just general fans trying to enjoy their time, have been leaving/quitting the fandom.

Why are they leaving, you ask? Toxicity. Toxicity nearly everywhere. People can't hold respectful debates or discourses on interesting topics regarding characters/the books/ships anymore without someone toxicly stating that only their opinion is correct, and going off on anyone who has different opinions carried with a lot of aggressive, rude and shallow behaviour. Fanartists have gotten death threats and are scared of drawing art for the Riordanverse without getting anxious af.

Now the thing is, having done those (eXcepT for the death threats) doesn't automatically make u an entirely shitty person. Maybe you made a mistake and came off as rude without rlly meaning to. That's okay. Here's how to identify if u ever did so, and to change that behaviour. Again, it's okay to make mistakes, but we rn as a fandom srsly need to try to turn things around.

Some basic shit you should remember being a part of the fandom:

• NO NSFW STUFF WITH MINORS!!! That means fanarts, fanfics etc. But here's the shocking thing- when someone does this, you can actually hold them accountable WITHOUT SENDING DEATH THREATS AND CROSSING THE BOUNDARIES! Cuz doing that only makes YOU stoop just as low. Pl e a s e remember that always and be respectful whatever you do.

• That being said, ppl are allowed to write nsfw stuff IF said characters are aged up, aka 18+. Ofc, it's a must that they put a content warning beforehand because many people may not want to read that. BUT, if you don't want to read it and if they've aged up the characters so nothing's morally wrong or gross, then please do NOT hate the author in the comments, do NOT report their post/account. Seriously dude, they gave warnings, if you don't want to read it just scroll past it's not that hard. Unless it's with minors, you shouldn't be reporting innocent ppl's accounts like that.

• one thing that I've seen a lack of in the fandom are trigger warnings. I've seen several fics whose covers are literally of blood. And entire chapters were written with intricate graphic descriptions yet with no trigger warnings or a tw wayyy down in the caption. you never know what may be triggering to someone if a lot of ppl see ur content but the least u can do is put trigger warnings on the most common stuff. I get that it may look aesthetically matching if it's a murder mystery sorta fic but isn't the well being of people more important?

• look I'm not saying you're not allowed to have opinions, but the problem is when you start treating your opinions like facts. I can't count the times I've seen someone state their opinion like it's facts and then trash on other's for having a different opinion. PEOPLE ARE ALLOWED TO HAVE DIFFERENT OPINIONS. Stop attacking people for liking Jason more than Percy or vice versa, there's no rule that you absolutely have to like one or the other, ppl can like who they want. When you're stating UR opinion, it would be nice if you used stuff like "I personally think that..." or "... that's just my opinion" because again, Ur opinion is just that, not a fact.

• if you can't have discourses or discussions about certain topics respectfully and nicely then don't have them. if someone's done nothing wrong but state their opinions and you don't like it, don't go attacking them. if you don't have anything good to say, shut up and just scroll past. it's not that hard. we don't need any more negativity in the fandom. If you feel like you're about to snap, mute or block the account you don't like and move on with life. But for the love of GOD don't go out of your way to be agresive or hateful to ppl. They have feelings too and run fan accounts for fun, not to get upset and hurt.

• when a fan account owner has made a post saying what they think of a certain topic, and you comment saying you think they're wrong and they reply that you didn't get the point of their post, then chances are you most probably actually did not understand what they were saying. when this happens, pls don't go on forcing ur opinion onto them as if you got what they meant when you didn't. Maybe next time when someone says you didn't get what they were saying, ask them nicely to explain it to you instead of going off like that?

• firstly, shame on you if you've ever run a hate account. just why? how much more negativity do you want to add? if you come across a hate account please please report it and block it and tell your friends to do the same. if you're targeted in a hate post, I'm so sorry, please know that they're shallow ppl just trying to make you feel shitty, you're dont have a trashy fan account; what they say is false and done purely to spite. report and block them.

• I know Rick has written a lot of racist bullcrap and hasn't batted an eye when we complained about them, but that still doesn't give you the right to send him death threats. Again, no death threats to anyone, yikes.

• don't use fanart that's racist. don't repost them either. Piper has feathers in it? don't repost it. also if you can't exactly and properly credit artists, don't repost their art saying "credits to the artist". I've done that before too but now I understand that's not right.

• also, while we're at it, can we all please universally agree on non-racist fanon stuff and get rid of racist canon stuff? like Piper and feathers, and piper & hazel with colourful and golden eyes, Piper's stupid not like other girls behaviour, and all the other bullshit Rick has put into the books. We as a fandom don't accept it and pretend they do not exist, no racism in this place 🥰‼️

• ppl are allowed to have their own headcannons, it doesn't matter what's cannon. Don't go "but in the books it's.." because in the books there's a lot of shit, and besides, if someone wants to headcannon Percy as brown? black? totally alright! they're allowed to do so! don't go bUt pErCy iSnT pOc iN tHe bOoKs. same goes with sexualities and etc headcannons. as long as they're not erasing the already representation of a minority, it's okay to have headcannons of your own. Like Hazel is canonically black and we should respect that and bring out the best of that, yk what I mean?

That's all I have to say for now. I'm usually a very light-hearted cursed meme account on here but things are getting out of hand. I was wanting to make my 8 yr old brother get into the Riordanverse fandom but seeing the situation of the fandom rn scares me. We need to think about the kids in the future who'll be in this fandom, whose lives will be changed and shaped by these books. Surely, the older people in the fandom before us would be utterly disappointed at what it's become and it's our job to constantly look out for the fandom.

If you're leaving/have left the fandom, I'm so sorry that it got to that point, but ur wellbeing comes first, do what you feel is necessary to feel better, all of us send lots of positive vibes towards your way! and to the peeps who've still decided to stay in the fandom and use their account to talk about this issue, I cannot express how thankful I am of you for doing such an important thing right now. And to everyone - as Harry Styles once said - treat people with kindness.

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good-omens-classic · 5 years ago

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Hi Good Omens fans, ever since making this blog, and trawling through the archives for old art, I have been thinking again about trends from before the TV-show, and the way people draw Aziraphale and Crowley. I wanted to make this post addressing it but this is not “discourse” or to start a fight, in fact I would be perfectly content if all I did was make people think critically about what I am about to say and not even interact with this post at all, but I feel like I need to say it.

Talking about any racist undertones to the way people draw our two favorite boys usually makes people dig their heels in pretty fast. This is not a callout post for any artist in particular, this is not me trying to be overly critical of artists especially since they have more talent and skill than I do, and I’m going to address some common counterpoints that I frankly find unsatisfactory. Let’s just take a moment to set aside our defensiveness and think objectively about these trends. It took me a while to unlearn my dismissive attitude about these concerns so maybe I can help others get over that hurdle a little faster. Now let’s begin.

I’ve been kicking around the Good Omens fandom since maybe 2015 and for art based in book canon, whether it was made before the TV show came out, or because the artist is consciously drawing different, original designs, I’m going to estimate that a decent 75% of all fanart looks like this

Aziraphale is white and blonde and blue-eyed while Crowley is the typical “racially ambiguous” brown skin tone it’s become so popular to draw podcast characters as nowadays.

And the question is why? With the obvious answer being “it’s racist,” but let’s delve a little deeper than that.

A common thing I hear is that people get appearance headcanons fixed in their mind because the coverart of the book pictures the characters a certain way. My first point is this only shifts the question to why the illustrators drew them that way, when there aren’t many physical descriptions in the book. My second point is that while there definitely are cover arts that picture Aziraphale as cherubic, blonde, and white and Crowley as swarthy, dark-skinned, and racially ambiguous...

(side note: why is Crowley’s hand so tiny? what the hell is going on in this cover?)

It’s much more common for the covers to simplified, stylized, and without any particular unambiguous skin tones

I don’t know about the UK but the most popular version in the United States is the dual black and white matching covers

And while you could make an argument that the shading on Crowley’s face could suggest a darker skintone, it seems obvious to me that lacking any color these are not supposed to suggest any particular race for either of these two, and the contrasting colors are a stylistic choice to emphasize how they are on opposite sides. If anything, to me it suggests they are both white.

In short I simply do not buy the argument that people are drawing Aziraphale and Crowley this way because that’s how they were represented on the cover art of the book. If you draw them the way they are on the cover then whatever, I don’t care, but I don’t believe that’s what’s driving this trend.

The second thing people will say is that Good Omens is a work of satire, and it’s based in Christian mythology which has this trend of depicting angels as white, and it is embodying the trope of a “white, cherubic angel” paired with a dark-skinned demon for the explicit purpose of subverting the trope of “white angel is good, dark demon is bad” since Aziraphale is not an unambiguous hero and Crowley is not a villain. “It’s not actually like that because Crowley isn’t a bad demon, and Aziraphale isn’t actually a perfect angel” is the argument. This has a certain logic to it and allows some nuance to the topic, but to this I say:

Uncritically reproducing a trope, even in the context of a satire novel, is not enough to subvert it. Good Omens is not criticising the racist history of the church, and while the book does have some pointed jabs at white British culture (such as Madam Tracy conning gullible Brits with an unbelievably ignorant stereotype of a Native American) it is not being critical of the conception of angels as white and blonde or the literal demonization of non-white people. That’s just not what the book is about. So making the angel white and the demon dark-skinned, playing directly into harmful tropes and stereotypes, is not somehow subversive or counter-cultural when doing so doesn’t say anything about anything.

Please consider fully the ramifications of the conception of white and blonde people as innocent and cherubic and dark-skinned people as infernal and mischievous, especially in modern contexts...

Black people are more likely to be viewed as violent, angry, and dangerous. Priming with a dark-skinned face makes people more likely to mistake a tool for a gun. Black people are viewed as experiencing pain less intensely by medical professionals. Black men are viewed as physically larger and more imposing than they actually are. The subconscious racial bias favoring light skin is so ingrained it’s measurable by objective scientific studies, on top of the anecdotal evidence of things like news stories choosing flattering, “cherubic” pictures of white and blond criminals while using unflattering mugshots for non-white offenders.

This is why I say that if you’re going to invoke the “whites are angelic” trope, you better have a damn good subversion of it to justify it, because this idea causes real harm to real people in the real world. And Aziraphale being a bit of a bastard despite being an angel, I just don’t see that as sufficient. I am especially cautious of when it’s my fellow white fans that make this argument, not because I believe they do this out of any sort of malice or hatred of people with dark skin, but because I know first-hand it stems from a dismissiveness rooted in not wanting to think about it for too long because it makes us uncomfortable. Non-white people do not have the luxury of not thinking about it, because it’s part of their life.

Now the strongest textual evidence people use, in the absence of much real descriptor, is this:

"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong; Heaven is not in England, whatever certain poets may have thought, and angels are sexless unless they really want to make an effort"

This piece of art has circulated in the fandom for so long I don’t know the original artist and it’s been used for everything from fancovers to perfume. This is where I found it and it’s one of the first things that come up when you google this quote about Aziraphale.

Doesn’t it just feel like this is the man that’s describing, some blonde effeminate gay man? Well guess what, there’s the “blonde as innocence” trope rearing its ugly head again, because the stereotype of gay men and effeminacy as being a white and blonde thing is--ding ding ding you guessed it--racism. And why would intelligent suggest a white and blonde person, except if the stereotype of a dark-skinned person is less intelligent?

Now the point of “people assume Aziraphale is British” is another sticking point people will often use, claiming that the stereotype of a British person is white and blonde. I guess this has some merit, since the British empire was one of the biggest forces behind white colonial expansion, and it seems disingenuous to assign “British” as “nonwhite” as soon as we’re being satirical, in the same way I found it distasteful that the TV show made God female when so many of the criticisms of the church are about its misogyny and lose their teeth as soon as God is no longer male.

However consider that 1.4 million Indian people live in the UK. I heard a man say aloud once that the concept of a black person having a British accent was a little funny, as though Doctor Who doesn’t exist and have black people on it. And I’m not overly familiar with the social landscape of the UK, but I understand they’re experiencing a xenophobia boom and non-white Brits aren’t considered “really British.” The stereotype of non-white people not being British only exists because of reinforcement in media. If you really want to be subversive, drawing Aziraphale as Indian goes way further than drawing him as white IMO.

Now let’s talk about Crowley. He is almost always drawn with a darker skin tone than Aziraphale, even when they are both white, and while I’ve outlined above how this is problematic on terms of linking light skin with innocence, I think it does have an extra layer. I think it also has to do with the exotification and fetishization of brown skin and non-white people.

This artist’s tumblr is gone now but their art is still on dA and while it’s definitely beautiful and well-done, I think this is a very good example of what I’m talking about.

Crowley and Aziraphale necessarily contrast each other, so describing Aziraphale as “British” might suggest that Crowley is “foreign-looking.” I also know *ahem* that the fandom generally thirsts over Crowley to hell and back, so making him a swarthy, tall dark and handsome is not necessarily surprising.

An interesting thing happened when the TV show came out, and everyone started drawing Michael Sheen!Aziraphale and David Tennant!Crowley more and more often: It’s not ubiquitous, but it does happen that sometimes artists will draw David Tennant’s skin darker than it actually is. The subconscious urge to see Crowley with dark skin is for some reason that strong for many people. And I really encourage people doing this to think about why. Not naming any names but I’ve working with fanartists before for collabs who I had to ask to lighten “bad guy” demon’s skin tones because it looked like they were making the skin darker on purpose to make them look scarier. This person is a perfectly pleasant person who tries not to be racist! And we both still fell into it accidentally, and it took me a while to notice and point it out, because the ingrained stigmatization of darker skin is pervasive yet often goes unnoticed.

What is the solution? I don’t know, and as a white person I’m not really qualified to make that call. Do we draw them both with the exact same skin tone? Is it better to make them both white? Should we make both of them non-white? Should we only make Aziraphale non-white? I am consciously aware of the fact that the Good Omens fandom is mostly white people, so most of the art we make is being both made by and consumed by white people, so I don’t feel comfortable saying “draw these characters of color specifically” because that can also veer into fetishization territory very quickly. This is not specific to good omens but I think we should pay attention to what fans of color say in all fandom spaces and weigh our choices even if they seem insignificant. And it’s important to realize that fans of color will not be a monolith in their opinion either, and it’s our responsibility to recognize that everyone can be affected by racism and social issues differently, the same way all women are affected by misogyny differently so just because one woman says such as such is misogynistic and another says it’s not. I’m sure there are non-white fans who think it’s perfectly fine to draw Aziraphale as white and Crowley as ambiguously non-white. I’m not saying they’re wrong. And I’m not saying you can’t reblog this kind of art, or that people who make or made it should feel bad about themselves. But so often this sort of thing goes unaddressed just because people don’t like thinking about it, and well, avoiding hard questions never really goes well I think.

#?#voice of mod #?????

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cupidquinn-moved · 4 years ago

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Consider: Harleen Quinzel is a budding musician that moves from the suburbs to Gotham in order to get her break. She’s technically impressive but performs relatively bland and innocuous music. However, Harleen is pretty and blonde, plays the guitar and keyboard very well, and easily books small shows in coffee shops and bars. I kind of imagine her style during this period as Tori Amos lite. Like if someone really liked Kate Bush and Tori Amos and wanted to write a movie or TV show about an artist that made similar music but had to make it for the Disney Channel.

The concept follows Harleen’s persona changing. She starts using the stage name Harley Quinn, experimenting with electronic music, more aggressive lyrics, and starts dressing herself more provocatively (I don’t necessarily mean sexy by noting this, just literally, she wears eye catching colours, unusual styles, and outfits. Very much the style from BoP. However I’m a little conflicted with how to go about it. On one hand, something I like to do with AUs is to mirror canon somehow. Obviously, that brings up the Joker question. Do I fit him in at all? Is a version of him still in his life? Is Gotham still Gotham Gotham or just Gotham, a big city with all the joys and downfalls of a big city. And if it’s still Gotham Gotham, what’s the same? Is there still a Batman and all his rogues? As a narrative, is it hacky to fundamentally change Joker for the sake of mirroring the canon relationship if all parts don’t change? (ie: There’s still a Batman and the rest of the fam. All the rogues aside from Mr. J). Having lived in big cities, I can honestly say, danger is a part of life depending on where you live in said cities. Being relatively poor most my adult life, I usually lived in the “bad parts” and I’ve been visited by violence more than once. I guess what I’ve trying to say is though I don’t believe big cities are the virtual war zones from the minds of conservative fear mongers, I don’t think it��s outside the realm of possibility that living in a large, dangerous city like Gotham (which I believe is based on a cross between the pre-gentrified NYC of the 70s and 80s and some of the high crime cites in New Jersey) can change a person. Even without engaging in a relationship a criminally insane clown. (continues under cut cuz it got stupidly long)

So. Here’s two ideas:

1) Harleen catches the attention of the guitarist of a local rock band called Joker. They recently lost their singer and the guitarist in question, Jay (see what I did there?), thinks she has a certain je ne c,est que, and flatters her into the job. In order to fit the band’s vibe, he forges a new persona for her, encourages her to change her style, her attitude, and basically enables a part of her she’s always repressed (basically call it commentary on how women are discouraged from being loud, taking risks, and drawing attention to themselves). Sliding seamlessly into her new role of Harley Quinn, her wild onstage antics and raw talent, Joker began to experience real success. There’s a relationship between her, but he’s very manipulative and emotionally abusive, always eager to remind her that she’d still be performing in coffee shops and the underground if he hadn’t discovered her. Eventually, though, Jay becomes jealous of the attention Harley gets as Joker begins to make real gains in the fame game. Previously, he had been the one that garnered all the attention and he wasn’t one to relinquish it so easily. Also, you know, sexism. So anyway, Harley liked to drink and partook in a drug or three from time to time, but was far from an addict. Knowing that there would have to be a democratic vote to get her out, Jay begins to encourage her into crazier stunts both on and off stage, framing her habit with substances as much more self-destructive. Eventually, Jay’s machinations pay off and she was kicked out of Joker. So she goes solo....

2) Harleen is changed by both Gotham’s danger (in this case, everything is the same aside from her) and the music industry. Basically, a commentary on how it treats women and her frustration with the constant insistence that she’s talented but she needs to be more to make it. More glamourous or a sex pot. There’s no such thing as respect in superstardom for female artists, after all. Maybe Harleen scores a manger that tries to groom her into being the next Lady Gaga or Kesha. They keep pushing and pushing her to do things she’s not entirely comfortable with. Eventually she fires him after a particularly traumatic event (idek, maybe he crosses a certain line in his treatment of her or after a performance that pushes her boundaries to the breaking point), and having been under so much pressure to present and act in a certain way, Harleen kinda just snaps and decides ‘fine, you want a provocateur sex pot, I’ll give you a provocateur sex pot’ but only on her own terms. She remakes herself as “Harley Quinn” and y’know, does just that.

In my mind, the one with the Joker band is a more fuller AU and maybe there’s no Batman. The second one, everything is the same except for Harley. Maybe. Idek, I kinda leave that up to my partner, especially if they’re part of her canon, giving them room to either dream up a new identity within an AU or stay the same. *shrugs* Anyway, I’m very sorry that this got so lengthy and if you read all this you’re a champ.

#au wool gathering

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carryonsimoncarryonbaz · 5 years ago

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New Fic!

I initially wrote this fic for the Carry On Countdown deleted scene/ missing scene prompt but didn’t manage to finish it/edit it in time. Then I thought I would use it for the Carry On Big Bang, to have an actual FINISHED fic ready before deadline for once. But I wasn't sure if there was enough inspiration for an artist in this fic. And I'm impatient when I have a finished fic in my files. And I had another idea for COBB. So here it is--a canon based, gap-filler of the night they went searching for Nicodemus.

I Follow You

Simon

I’m sitting in this posh car of Baz’s and flipping through the radio stations. There’s not much music at Watford, not since the Mage banned electronics. I stop at the station playing Christmas carols.

It’s not felt like Christmas at all this year. The days have blended together so the fact that it’s almost Christmas has caught me by surprise.

I’d be hiding out in the den with Agatha if I’d been at the Wellbeloves. Their big party is on Christmas Eve and it’s always a madhouse there in the days leading up to the actual event. Mrs. Wellbelove never liked us underfoot.

Well, she didn’t like me underfoot. And Agatha hated helping Helen dust, so we’d skive off as much as we could.

I’m relieved Baz told his step-mum we’d miss the evening meal tonight. I guess relieved isn’t quite the right word. I’m a bit gutted to miss the food but thankful to be spared another awkward encounter with his family.

I suppose I’ll have to sit through Christmas dinner with them. Won’t that be a treat. I wonder if Baz will try to make me wear coat and tails, the tosser. I’d look like a damn penguin, I would.

And he’d look like a fucking prince, the prat. I can just see it. I shake the thought out of my head.

Baz is taking forever.

I look out the passenger side window but there’s no sign of him.

I’m glad he said I didn’t have to go in with him. His aunt Fiona creeps me out. She looks so much like Baz but with sharper edges somehow. Looks at me like she’d burn me to cinders with her eyes if she could. Baz has threatened to burn me to ash more times than I can count but somehow his eyes never look quite as disconcerting as hers do.

I can’t sit still. I think about getting out of the car to stretch my legs but I don’t want to risk locking myself out. Merlin, I’d never hear the end of it from Baz if I did. I’ve not got my wand to magic myself back in, even if I could spell it open without some disaster happening to the car itself.

Not something I’d particularly want to explain to Mr. Grimm.

I tap my fingers on the armrest.

What could be taking so long? He’s supposed to ask her about Nicodemus, not stop for tea and biscuits and a bit of a jaw.

I pull at the collar of my jumper. I don’t really want to stretch it out but the neck is snugger than I like.

Not that it’s even my jumper. It’s Baz’s. Soft and posh, a pale Nordic blue. Even smells like him.

Baz insisted I wear something other than my uniform. Said I looked twelve in my Watford gear, which is rot.

At least he let me wear my own trousers. Imagine the laugh of me wearing his posh jeans—too long in the leg and too tight in the arse, no doubt.

He does look imposing in the suit he’s got on. It fits him just right, like all his clothes do, the wanker. The only clothes that fit me like that are my Watford ones. In the summers I just make do with trackies, t-shirts and baggy thrift-shop jeans.

But even my magically fitted Watford clothes have never looked anywhere near as sharp as Baz’s stylish togs. Looks right fit he does.

Dr. Wellbelove let me borrow one of his posh suits one Christmas. I wasn’t as tall or as broad in the shoulders then. It looked good. I looked good. I looked like I belonged there, next to Agatha, even if the suit hung a bit loose.

I didn’t look like I belonged last night at Pitch Manor. I looked out of place—flushed and stammering, my wrinkled school uniform starkly plain against all their posh clothes. Even with Baz wearing jeans, rather than the waistcoat and silk scarf I’d always imagined he’d wear to lounge around at his ancestral home.

Like some brooding protagonist in a Gothic novel.

I didn’t belong there yet somehow it still felt like they were trying to make me feel welcome, odd as that may be. Mr. Grimm didn’t say much after greeting me, but he didn’t make any snide comments or asides about the Mage either. Baz’s step-mum just kept passing me platters of food and giving me these fleeting little smiles when I’d pile more on my plate. I couldn’t say no. I always thought Cook Pritchard’s food was the best, but this was even better than the meals at Watford. I had to pop my trouser button before the pudding last night.

I wasn’t going to pass on eating that trifle.

Baz

Fiona was painfully resistant to providing much information about this Nicodemus. There’s more to his story than she’s telling me, that’s for damn sure.

Who would go to the vampires? It doesn’t make sense. A Mage has power in and of himself. Magic gives us so much. Why trade that to become a pariah and an outcast?

An eternal life being ostracized? Sounds more like hell. I think the immortality rumors are complete rubbish. We’d be overrun by vampires if they were true (I don’t want them to be true.)

All I know for certain is that we have to go to Covent Garden. Fiona spilled that at least. I should be able to sniff them out. Follow the scent of a fresh kill.

I hate that.

I hate that they’re out there, lurking in the shadows. Preying on some poor sod who had too much to drink. Some girl who made the mistake of walking to the tube station alone.

I can’t save them all. I can’t save any of them.

Not by myself. Not even with Snow. What are we going to do—take on an entire pack of vampires on our own? I think the fuck not.

No. It’s not the time for retribution. I need to know the truth about what happened. Why my mother seems to trust this Nicodemus when Fiona—who was his friend (or more) (I don’t want to think about that)—can barely bring herself to speak his name.

I need answers. I can burn it all down another time.

Although this may be the only time I have Snow at my side.

On my side.

He’s all agitation and tumbled curls when I get in the car. “Did she tell you anything, Baz?”

“She told me enough.”

“What’s that mean?”

I sigh as I start the car. “It means I have an idea of where to find him.”

“So we’re off to the vampire lair, then?”

I give him a withering look. “No, Snow, not yet.”

“Well, why the hell not? You know where to look now, yeah?”

“I’d rather find them after they’ve fed. They might not be all that interested in me but you look like a tasty snack.” In more ways than one, but I keep that thought to myself.

He does though. Snow looks fabulous. He looks gorgeous all the time, but the sight of him in my clothes—there’s an intimacy to it that’s threatening to wreck my composure.

Breathtaking. That’s what he is.

Even now, in this old jumper of mine. It stretches over his broad shoulders, hugs his chest, in just the right way. The colour brings out the blue of his eyes.

I want him to keep it.

I know that’s stupid. But I don’t wear it and the thought of Snow having something of mine—something that brushes against his skin, that soaks in the scent of him, that is tangibly my own and now his--that’s tantalizing, I must admit.

I’ll make sure he takes it with him when he goes.

Fuck.

I don’t want him to go.

But what reason do I have to convince him to stay once we get answers from Nicodemus? None, really.

Not unless I can find a way to draw it out. Keep the truce going through the winter break. Make him stay by my side as we puzzle this mystery out.

Entice him with more of Daphne’s cooking? That actually might work. He’d certainly not stay for me.

Snow’s voice interrupts my fantasies of toasting New Year’s Eve with him at my side. “So what’re we going to do then? Just drive around until what, dinner time?”

My tone is sharper than I intend when I answer. “No, you berk, we’ve got research to do.”

Simon

So now we’re at the British Library. I’ve never seen so many books in one place. Entire floors of them. Galleries full. It’s a world of books.

Baz is striding around as if he owns the place, pulling books off the shelves, foraging through catalogues, going up on tiptoe to reach the higher racks.

I’m following behind, carrying books. I can barely see over the towering pile he’s burdened me with. “Can I put these down somewhere? Nab a table for us or something?”

Baz frowns, places two more books on the stack in my arms, then narrows his eyes at me. “You’d have to stay at the table, to make sure the librarian doesn’t reshelve them while I keep looking.”

“It would be a treat to stop following you around like your own personal book Sherpa.”

I think Baz almost smiled. His lips quirked up and it wasn’t a sneer for once.

“Fine, Snow. Your Sherpa duties are suspended. Find a quiet spot, and I’ll join you in a bit.”

There’s precious few people here besides us.

I suppose most people don’t willingly spend their Christmas holiday in a library. Baz looks as if he couldn’t be happier. It’s odd to see him so . . . well, maybe content is the right word? He’s more at ease here, almost smiling to himself as he pulls books out, carefully flipping through them, and then putting them back on the shelf. I think he actually patted one a moment ago, before setting it aside.

I can’t help but think of how similar he is to Penny. They’re both absolutely gone when it comes to books. Can’t get enough of them. I’ve been to Penny’s house before—I’ve seen how she gets when her mother brings home a load of new books.

Baz has that same gleam in his eye right now. But softer somehow, like his edges have been smoothed a bit.

Merlin, maybe the trick to getting him to soften up is to surround him with books. Distract him from his plotting to end me.

Although he’s not done much scheming since our truce. I haven’t had that feeling from him at all. It’s odd. Unnerving in a way.

I kind of like it.

Which is bollocks, because as soon as we’ve figured things out everything will go back to how it was. Stinging comments. Dirty looks. Spats about the window, the bathroom, the smell of my magic, my dismal inadequacies as a mage—all the miserable interactions we usually have.

Baz joins me a short time later, a tower of books in his arms. He pushes one pile toward me and keeps the other for himself.

“Any mention of vampires, Snow. That’s what we’re after. Get to it.”

And with that he buries his nose in the book he’s holding and it’s research time.

Bloody hell. He is just like Penny.

We leave an hour later with our stash on the table slightly diminished. Baz has pocketed at least three of the books and he’s ignoring my outraged looks.

“You can’t take those,” I hiss at him.

“It’s the British Library, Snow. It’s meant for all of us.”

“To read the books, you privileged prat, not steal them.”

“I’m not stealing. I’m borrowing. That’s what libraries are for, in case you’ve conveniently forgotten, Snow.”

“So you’re telling me you’ll bring them back, then?”

“I’m not a barbarian.”

“I’m sure you’re breaking some law.”

“It’s our tax dollars at work on the upkeep here, Snow. And I highly doubt they’ll miss them.”

“You’re insufferable.”

“You’re overly self-righteous. It’s tedious.” He turns and raises one eyebrow. “Come along, now. We’ve not got all day.”

My stomach rumbles as we make our way to where Baz parked his car (illegally, I might add) (he spelled the no parking sign invisible, the wanker.)

I hope our next stop is dinner.

It’s not.

Our next stop is the fucking British Museum.

The Reading Room to be exact. Baz pilfers a few more books. I end up arguing with him again. He’s trying to get me to hide one of them under my jumper.

“Listen. You can’t just do this. You can’t just take those books.”

“I told you, it’s research.”

“it’s treason, is what it is.”

“Are you going to tell the Queen, Snow?”

I huff and make him steal his own books. I’ll not be party to theft against the Crown, for Merlin’s sake.

The museum closes and we wander around until my stomach rumbles loudly again. Baz rolls his eyes.

“Well, I don’t see why the vampires get to have a meal before we go searching for them and we don’t,” I complain.

“Ugh, fine.” He waves an arm around the square. “Find a place. Just not a chippy. I don’t want to get grease stains on the books.”

“Oh, now you’re worried about the books.”

We find a place where I can get a curry and some samosas. Baz doesn’t order anything. He sits across from me, sucking on his fangs and flipping through the pages of some dusty leather tome—the one he was trying to get me to pilfer.

I expect this is why he’s never had a girlfriend. At least none that I’ve heard about. Can’t imagine many girls would be up for dates that involve library research, outright larceny and being ignored all through dinner. Not bloody likely, even if he is all posh and fit.

Baz slams the book shut, startling me just as I’m scooping up the last remnants of my tikka masala.

He stands up. “Come along, Snow.”

He’s out the door in an instant. I don’t know how he moves that fast.

I scramble to follow him outside. “Are we going after the vampires now, then?”

“Would you keep it down? I don’t need our business broadcast through all of Bloomsbury,” Baz hisses as he sweeps past me, heading down the street in the direction of the car (illegally parked again) (it’s getting to be a habit, this criminal activity of his.)

I buckle in and narrow my eyes at him. “So Covent Garden, then? That’s where she said they hang out?”

Baz glances at his watch (I swear to Merlin it’s a fucking Rolex). “Bloody hell. How can it only be eight o’clock?”

“What’s the problem? It’s dark out. The vampires should be on the prowl by now.”

I get another eye roll. The similarities between Baz and Penny are really starting to grate on me.

“No, Snow. They won’t start this early. It’ll be close to midnight before they’ve got easy pickings from the drunks heading home for the night.”

I frown at him and cross my arms over my chest. “How do you know this?”

Baz sighs. “I don’t know anything. It’s just conjecture. It’s sure to be a damn sight easier to lure someone into a dark alleyway late in the night, rather than when commuters are still crowding the streets and club goers are just heading out.” He meets my gaze, eyes grey as the winter sea, but lacking their usual spark. “It’s how predators work, Snow.” His shoulders sag as he leans back in his seat.

I think of all the times he slipped back into our room late in the night. I think about the hollowed-out rat corpses in the Catacombs. I think about the night I found him down there, fifth year.

I decide not to push Baz on this.

“So what’re we going to do now? Rob another library?”

That gets the flash back in his eyes as he directs a glare at me. “We’re going to go to the feeding grounds.”

That sounds sufficiently ominous.

It’s not what I expect.

It ends up Baz means the various dance clubs scattered around Covent Garden. The clubs that spill out drunk and boisterous revelers at all hours of the night. Revelers who need to catch buses or the tube or flag down taxis in the dark and twisty streets. Pretty girls who may not notice the unnaturally pale skin of their dance partners in the multi-colored strobe lights of a dance bar. Carousers who eagerly take the offer of a ride home from the bloke who’s been sitting next to them at the bar for the last few hours, making pleasant conversation about Arsenal.

Baz

There are a surprising number of people out and about in Covent Garden tonight, considering it’s Christmas Eve. It takes me an inordinately long time to find a parking spot. We could have walked from the restaurant, as Snow keeps unhelpfully reminding me, but I prefer to have the option of a quick getaway, should things turn ugly with the vampires.

This was probably a mistake, coming here with him.

Snow continues to badger me as we get out of the car. He’s far too hung up on this and I simply don’t have the patience for it.

“Crowley, Snow, it’s not like I spend all my time plotting your downfall. I do have a life that doesn’t revolve around you.” Not quite a lie but close enough.

“But dancing? You go dancing? You can’t be serious.”

I can’t believe this is what he’s fixated on. I give him a withering look. “It’s called having fun, Snow. Ever tried it?” I want to take the words back as soon as I see his face fall. Of course he hasn’t. His life has been an endless shuffling from care home to care home, except for when he’s at Watford where he spends any free time he has training as the Mage’s boy soldier—honing his skills as a weapon of destruction.

I feel like an absolute wanker. But I can’t take it back now. I can never take back anything I say to Snow. It stays there, written on both our souls in indelible ink.

Simon

“You can’t be serious,” I say. “I’m not going to a dance club.”

“Then you can sit in the car and wait, Snow.”

Well, I’ll be fucked if I let him go sneaking off on his own. I trot down the sidewalk after him. “Baz, this makes no sense.”

He whirls back to face me, the streetlights highlighting half his face, the rest of it shadowed. “Then let me explain it to you using small words. We go to the club. We watch for suspicious activity. When we see someone acting dodgy we follow them out.”

“But what if they’re… I mean, what if they’re...”

“Spit it out, Snow.”

“There’re dodgy people at clubs who aren’t vampires, is all I’m saying. They’re not the only ones who might be willing to get up to dubious behaviour in a back alley, if you get my meaning.” My face is hot. I can feel the heat rush all the way up to my ears.

Merlin, this is fucking awkward.

I can tell as soon as he realizes what I mean. His mouth drops open and his eyes widen. He schools his face rapidly and drops his eyes, making a show of adjusting his cuffs. “Well, we’ll try to make sure we don’t interrupt anything . . .”

He trails off.

“Right. Good luck with that.”

He squares his shoulders then lifts his gaze up to mine, eyebrows lowered, eyes hooded. “I trust that I’ll be able to recognize the difference.”

“You’d have to be bloody psychic.”

“Trust me, Snow, I’ll have a better clue than you will!” There’s a harshness to his tone and a pained expression on his face.

And now I’m the one making a realization. He can sense them. Or at least he thinks he can.

Has Baz ever met another vampire? Other than the ones that Turned him? Not like he actually met them, of bloody course. Doubt they bothered with introductions first.

So I don’t know if he’s ever come face to face with one since and I don’t quite dare ask him right at the moment.

I’ve got to get through this night with him. Antagonizing him isn’t the way to do it.

I can’t believe I’m agreeing to this. But I do know one thing--I’m not letting him out of my sight, not with other vampires around.

“Fine. I’ll trust you on this, Baz. But so help me, I do not want to stumble onto some randy couple getting it on in a back alley!”

I don’t particularly want to blunder into a vampire feeding on a victim either but at least I’d know what to do in that situation.

“Point taken, Snow. I’ll try to ferret out the blood-sucking versus the cock-sucking before your delicate sensibilities and virgin eyes are irrevocably sullied.” He stomps away, still managing to look effortless and graceful, while I scurry in his wake.

“You are such a fucking arsehole.”

I follow him across the street to the club and isn’t it just typical that he bypasses the regular line to queue up at the VIP entrance.

The bouncer greets him like an old friend. “Ah, seems like it’s been ages since you’ve been here.” He peers over Baz’s shoulder at me. “Not your regular company tonight, eh? The boys off for the holiday?”

The boys? Oh. He must mean Dev and Niall. Seems Baz keeps company with his minions even when he’s away from Watford.

“Unavoidably detained in the country,” Baz drawls, then slips the guy a tenner as he sweeps past him, motioning for me to follow.

I’m gobsmacked.

Baz has practically admitted he’s a vampire, but somehow the revelation that he frequents dance clubs is harder for me to fathom at the moment.

“Shut your mouth, Snow. It makes you look far too thirsty. And I don’t mean for a drink. Someone will be whisking you into a back alley, if you don’t watch yourself.”

I sputter for an instant but I’ve got to keep my wits about me, because Baz is already striding toward the bar and I don’t want to lose him in the press of people.

He’s back, drinks in hand a moment later. I take the one he passes me and eye the glass dubiously. “I don’t drink, you know.”

I get a raised eyebrow. “Good to know you’re so virtuous, Snow.” He takes a sip from his own and gestures at my glass. “It’s soda water and lime, you utter berk. I’m not about to let either of us get muddled tonight. We’ve got to keep our wits about us, challenging as that may be for you.”

I take a cautious sip and relief floods through me at the bland taste of the soda water. I swallow the whole thing down.

“You’re a barbarian, Snow, really.”

“I’m thirsty is all. Those samosas were a mite salty.”

“Well, I’m not about to go get you another drink. That’s all I need tonight, you skiving off to the lav right when things get interesting.”

“Piss off.”

I turn away from him and take a moment to look around the club. I’ve never been to one before. It’s not the kind of place for a care home day trip.

The music is loud, the bass beat so intense I can feel it thumping through my chest. It’s early in the night but there are still masses of people here, hovering near the bar, gathered around high tables, pressed against each other on the dance floor.

I can’t say it fits with what I imagined, but I’ve never really thought much about places like this either.

I can honestly say I never imagined Baz at a dance club. I’m still a bit staggered at the thought.

I’ve lived with Baz for over seven years and I’ve somehow managed to discover more about him in the last twenty-four hours than in all that time before.

It’s unexpected. Everything about the last few weeks has been.

I move closer to Baz, going up on tiptoe so I can reach his ear. I probably don’t even need to bother, what with his vampire super senses, but I do it anyway. “So you weren’t kidding when you said you hang out at places like this? On a regular basis?”

I can’t tell if it’s the glow of the lights or if his face gets flushed at my question. He doesn’t turn to look at me and he doesn’t answer right away. I bump his shoulder lightly with mine, to encourage him.

He tilts his head down, bending close to my ear. I can smell his posh shampoo when he does. His hair is falling forward a bit, not quite as pristine as it was a few hours ago. It tickles my cheek.

“I wouldn’t go so far as to call it regular,” Baz says. I don’t expect him to say more after that but he does. “It gets quite boring in Hampshire over the summer.” He pauses and then I feel his breath against my skin as he continues. “It’s just a lark. Dev, Niall and I come up for the night on occasion, have a few drinks, a few laughs, burn off some energy dancing. For fun.”

I think about that. I think about Baz doing something for fun. I don’t think I’ve ever really thought about Baz doing anything for entertainment--other than finding ways to humiliate or enrage me.

It makes me feel odd, to think of him here, standing under the flashing lights. Grinning at Dev and Niall, letting his face relax into something other than a sneer. Making his way to the dance floor, as graceful and fucking ruthless as he is on the pitch.

I can almost see it. See him swaying to the music, shirt partially unbuttoned, head tilted back, eyes closed as he moves to the beat.

It’s right warm in here.

I can feel a trickle of sweat trail its way down my back. I dart a glance at Baz, who looks as cool and collected as he did when we left Pitch Manor. He raises his glass to me and smirks.

My face heats up. I jiggle the ice in my glass and sip a few of the drops that have melted.

We stand, shoulder to shoulder, pressed together by the growing crush of bodies around us.

Everyone looks pale and washed out under these lights. I don’t even know what I’m looking for. I don’t even know what a normal vampire looks like. I mean maybe they’re like goblins—fit buggers? Posh and fit, like Baz?

I’ve got no idea.

I don’t have much time to think about it. There’s a bloke standing right in front of us, all wavy blonde hair and tight jeans, with his silky shirt half unbuttoned. He’s smiling but it’s not at me. He’s only got eyes for Baz. I can’t quite catch what he says but Baz gives him a polite smile and a shake of his head.

The bloke shrugs and walks away, turning his head to wink at Baz before disappearing into the masses of people on the dance floor.

I’m whirling in Baz’s direction as soon as the guy shoves off. “Did he . . . did he just hit on you?”

Baz gives me a side-long look, then leans down so I can hear him. “It’s a dance club, Snow. He asked me to dance. It’s what people do here.”

I’m still reeling from that when a girl sidles up to Baz and starts batting her eyelashes at him, twirling a strand of her dark hair with one finger and going up on tiptoe to make herself heard. It also makes her lean forward and flash a bit more of her cleavage in his direction.

He gives her the same smile he gave the bloke and the same shake of his head. She darts her eyes at me and then back to Baz before resting her hand on his forearm and nodding in my direction. He shakes his head again but his smile’s gone this time.

I wish I’d heard what she said to him. I hope she’s not going to turn around and talk to me now.

I needn’t have worried. She’s off a moment later, without a backward glance.

I scan the people around us, take in the bodies moving on the dance floor, and then I pause for a moment to really look at Baz. To take in the sight of him, as if I were seeing him for the first time.

As if I didn’t know what an absolute prick he is.

He’s striking, with his grey eyes and his shiny dark hair. That aristocratic nose (I’m likely the only one that can see the bump on it) (I put it there.)

How he carries himself, the set of his shoulders, so self-assured. The way the fabric of his suit clings to him, hugs every curve, accentuating his long legs, his slim yet powerful build.

He’s breathtaking, if you don’t know him, isn’t he?

Baz shifts, breaking my concentration. He gazes down at his watch and tilts his head at me. I can see his lips move, mouthing the words “let’s go.”

Seems it’s time to hunt down some vampires.

I almost regret it, when we leave the club.

For a moment I could forget the rest of it. For a moment we were just two blokes having a night on the town together.

Baz

I don’t know how many times I’ve come to these clubs to exorcise Simon Snow from my brain. I don’t know how many times I’ve danced with faded copies of him, in a vain attempt to pretend he’s the one with me.

I finally have him here, at a club, within easy reach. Steps away from the dance floor and inches away from my arms and it’s nothing like my fantasies.

We’re not here together. Not really. We’re not even here as friends.

We’re here hunting vampires.

We’re searching for clues about my mother’s killer.

We’re here because we’ve been forced into this uneasy detente.

No more than that.

I look at my watch. It’s early yet but I can’t stand being here any longer.

Not like this.

Not when I can feel every beat of his heart, every thrum of blood in his veins, the heat of his body next to mine.

I can’t even let myself look at him, for fear he’ll see the yearning in my face.

I bump him with my elbow, just to savor that one brief instant of contact.

His eyes meet mine. “Let’s go,” I say and then I turn away.

#carry on #simon snow #baz pitch #snowbaz #gap filler fic #london #time between Fiona's and finding Nicodemus #dance clubs #covent garden #my fics #my writing

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pikapeppa · 5 years ago

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5 Questions For Writers: Where The Winds Of Fortune Take Me

Thank you for inventing this lovely meme, @serial-chillr!! And for the tags from so many darlings: @faerieavalon @johaeryslavellan @elveny @solas-disapproves @dafan7711!

Who hasn’t been tagged yet/who haven’t I seen their answers yet? @midnightprelude @river-of-asgard @hollyand-writes @lyrium-lovesong @the-rogue-mockingjay @obvidalous @mrscullensrutherford @barbex @aban-asaara @larissafae, I’ll tag more in round 2 if I think of others!

I will complete this for both my megaWIPs, but first: Where The Winds Of Fortune Take Me (i.e. pirate AU with Cullen/Piper Lavellan and Fenris/Rynne Hawke). Here we have answers from myself and from our genius creator and artist @schoute!

1. What was the idea that started the story?

Schoute: Every summer I start feeling the overwhelming need for high seas adventure, and usually go and float our city’s local river, sometimes in pirate garb. This got me thinking this year about how PERFECT Piper would be as a pirate. So I began brainstorming with another mutual and it took off from there.

Pika: There are a couple of things that led to this idea becoming a reality. First of all, Schoute was telling me about her pirate AU idea, and because I am trash who feels the shameless need to tag along with Schoute’s every amazing idea, I started thinking about what Rynne and Fenris’s roles would be in the pirate AU, and we both got overexcited.

Secondly, earlier this year we started doing Friday art/writing trades where I would write her something and she would make me a beautiful art, because having something to look forward to on Fridays made our day jobs suck less LOL. When the pirate AU idea arose, I just had to write it for Schoute because SHE FUCKING LOVES PIRATES SO MUCH AND I LOVE HER SO MUCH.

So this became our joint project and Friday trade: I write her a chapter of Winds, and I’ll usually give her an idea for the chapter art without spoiling the entire chapter, and she has continued to draw beautiful FenRynne art for me (which sometimes doubles as the chapter art).

TLDR: SCHOUTE IS A GENIUS.

2. Did you make an outline? Have you stuck to it?

Pika: hahahaahahah. So basically I had Schoute throw down all her pirate AU ideas into one document that we share. That document has the very broad strokes and plot points that she thought would be neat, as well as character arc stuff for Pipes and Cullen. I have a separate document with the more structured outline that Schoute doesn’t see because I don’t want to spoil it for her. I’ve said it before, but this fic is the least planned thing I’ve ever written; for most of it, I only planned it 1 or 2 chapters ahead, usually for certain “episodes” (e.g. rescuing Cullen, the Rialto celebrations, the Kirkwall battle on the docks) but no further.

At this point in the story, I don’t know what’s going to happen in the next chapter, but we have an endpoint that we need to aim towards; so basically, I know where I’m going thanks to Schoute, but I don’t know how I’m getting there, so it’s pretty... non-planned lol.

3. What’s your favorite part of your story?

Schoute: I LOVE ALL THE VOICES OF THIS STORY. Everyone shines so clearly into their own and Pika’s ability to tell multiple stories at once is INCREDIBLE and has been such a joy to see unfold.

Pika: the romances. THE ROMANCES. I just love writing the babes meeting and falling in love and smooching and sexxing. I LOVE ROMANCE AND SMUT OK, I HAVE NO SHAME.

4: Who is your favorite character and why?

Schoute: I'M SO FUCKING BIASED. But I love Cullen. The way Pika writes him is so spot-on, and his growth and development of character over the story has been thrilling to read. (Also I LOVE Piper but that's obvious)

Pika: Also fucking biased, but Fenris. I worked so fucking hard on his character for this AU; I wrote and rewrote parts of his backstory so many times to get him to where I wanted him. This version of Fenris is more hardened and in some ways even more hurt than in canon because he remembers exactly what’s happened to him and everything he lost before he came to the Lady Luck. It’s been both a heartbreak and a joy to write his evolution and his gradual softening once Rynne came bursting into his life. It’s also been a total pleasure to write Piper and Fenris’s friendship, because they FINALLY got their moment to shine together in this fic (they meet in my and Schoute’s canons and in our modern AU, but they don’t get the chance to really become friends).

5. Did anything happen that surprised you as you were writing? A plot point, or characters’ actions, etc?

Pika: Rylen becoming a character with a voice? HAHAHAH. I’ve said this before but I just needed one of the navy dudes to have a name in the first chapter and I was like “oh Cullen recruited Rylen and he used to be a Templar so ok he can be a navy dude”. Then he ended up becoming Cullen’s ride-or-die BFF and Best Boi Wingman™. Otherwise, since I HAVE NO IDEA WHAT I’M DOING, everything is kind of a surprise LOL.

You can read Where The Winds Of Fortune Take Me here on AO3!

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bigskydreaming · 5 years ago

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remypix said: So. How do we get you to become the main writer for Dick at D.C.?

LOL! I appreciate the flattery, but tbh, I don’t really see that ever happening. Its something I’ve thought about a LOT, to be honest, and went back and forth on for years before I ultimately arrived at the conclusions I did and figured out what it was that I really want and what matters the most to me as a writer.

So the following ramble is just my train of thought on all of that, in case its of interest to anyone else for whatever reason. LOL, no scraps of meta to be gleaned from this particular wordvomit-bomb, so don’t feel you’re missing out on anything by skipping past it, its pretty much just how I went about working through my own personal priorities in terms of career goals as a writer, before settling on what path I want to take ultimately, and what paths I’m not really interested in working towards.

But yeah....although I absolutely invested a LOT of time and dream real estate in envisioning my future writing for DC or Marvel someday, came up with entire Giant Size lineups of my own X-Men characters I couldn’t wait to make canon and actually wrote out honest to god To-Do lists for things I wanted to do with certain characters once I got my grimy little hands on them before anyone else had a chance to realize what a mistake that’d been to allow.....

Now, tbh, I don’t really see that as ever being likely....largely because its no longer a career goal I have any real interest in pursuing.

Not because I don’t aim to write professionally - I’ve made a living at it before, and expect I should be able to manage to again once I’m out the other side of my living situation of the past few years where my body only tolerates my attempts to get it to like, function, for a few hours at a time. Writing professionally is a hustler’s game, lol, its not enough to just do the writing, you have to be prepared and able to follow up on any opportunities that come your way quickly and that’s just not in the cards right now.

But I know how to do it, have done it before, I know how to network and while there’s no such thing as guarantees, there is such a thing as my single-mindedness and refusal to quit even when I probably should, so with that thrown in and all other factors considered, I do think I COULD potentially work my way up to at least a trial writing gig at either Marvel or DC someday, if I focused my efforts on that career direction specifically. Like its possible, I think my skills are at the requisite level, I’ve got the drive, etc, etc.....

But I just don’t see myself likely to set myself on that course ever, at least not any time soon. Not as something I’d need to commit to for a considerable period of time in order to break in and land the right opportunity, because the one thing I know myself well enough to know I lack completely and totally.....is my willingness to ‘play the game.’ The politics that go along with working in a corporate creative environment like Marvel or DC, particularly at the very bottom rungs of those corporate ladders, where I’d inevitably start out and need to kiss a lot of asses to have any chance of someday working my way far enough up the ladder to have any real kind of creative control over what I was writing.

*Shrugs*

Part of the problem is, as much as I love the characters DC has to play with, I do not love the structure that playground is formulated around. Like I’ve talked about a fair amount recently.....for years now, a huge creative problem with DC’s content is how disparate and isolated the various characters and franchises are kept from each other.......and while I know I COULD come up with stories that worked within those kinds of limiting parameters, I wouldn’t really WANT to, you know?

Like as much as I love the idea of writing Dick professionally, making canon stories for him.....in all likelihood, I wouldn’t even have the option of bringing in most of the other characters I’d want to draw upon as supporting elements in those stories. Dick is my favorite member of the Batfam, granted, but like I;ve said before, I do actually like all of them, when written well. I don’t WANT to write a Dick Grayson who’s kept isolated and solitary by editorial mandate, and at most allowed a guest appearance by one or two other Batfam members, as long as its kept brief and nothing significant enough to potentially impact their own storylines occurs in those appearances.

And you just can’t really write a family like that, at least not well. Not without being severely hampered, to such a degree that even if I did find workarounds to allow me some pagetime with the characters I needed/wanted to include, figuring out a way to make that work creatively within whatever limitations are put forth, like, that would no doubt be stressful and exhausting and the complete opposite of the entire POINT of creative endeavors in my opinion.

There’s not really a whole lot about that scenario that I’d enjoy, that would make the experience worth the time and effort it’d take to get to a point where its even a possibility......and chances are, it’d be more likely to sour me on the whole creative process of dreaming up and writing stories about this character I love so much, and potentially even leak into my ability to enjoy him, just because of how much personal negativity I now associated with it.

And then the other aspect of things is just.....there’s a degree of game-playing that’s expected and even required of working as a writer for major companies like Marvel or DC, where you’re one little cog in a very big machine that quite frankly, doesn’t give a damn about your opinions beyond thinking you should be really careful about not expressing any that potentially reflect badly on them or any of their content....not if you want to KEEP working for them for any length of time. Trust me, I’ve known writers and artists who’ve worked for both companies, even known some pretty well, and I wasn’t kidding about the ass-kissing that falls under the heading “job requirement” thanks to a lot of the egos that sit very high up on the creative ladders there, and in key, critical positions that mean you can’t afford to piss them off or seem overly critical of them or their own content or work.

And that’s just....not me. Not anymore, anyway. Don’t get me wrong, I’m more than capable of holding my tongue when necessary, and doing and saying the right things to advance in those kinds of environments. Like I said, I’ve done it before, and quite well, and for years. Hell, forget the writing for a second, just in my acting career alone....working as an actor is nothing BUT networking, and to get and keep any kind of jobs at all you have to be just as good at that side of things as you are at actual acting, if not better, and well, I worked pretty steadily. I know how to network, how to keep my mouth shut, how to DO it and just focus on my end goal and where all that networking is hopefully going to lead me to.....

I just don’t WANT to, anymore.

Because it really is exhausting. And more than a little soul-crushing. I absolutely LOVE acting, as in the actual craft, just like I love writing, and creating in all kinds of forms. But the hierarchies of bullshit and egos and completely unnecessary power plays that go hand in hand with a lot of the professional work in those fields, is just......really, really draining.

I’m not someone who likes keeping my mouth shut when I feel I have something to say.....having things to say is for me a huge, integral part of what draws me to story-telling in its various forms in the first place. And for me, that doesn’t begin and end just with what I write and act in myself, it also applies to the atmospheres and environments AROUND what I write and act in and where I write it and act in it. I love big, immersive shared universes like DC and Marvel because of their scope, their potential, the inter-connectivity of it all, and just how BIG it all is, and how big it allows stories to be, how big it allows various characters and their impact to be. But to actually be a PART of one of those myself, on any level, to be one of the pieces that make up its whole, my work a representation of it and thus all of it, to some degree, a representation of me....it wouldn’t be enough for me, to just be proud of what I create in that environment, I’d want to be able to also be proud of what my work is a part of, the other pieces surrounding that.

And the reality is just.....for all that I like about Marvel and DC, there’s a shit ton I don’t like, and most of that falls under the header of specific tropes and trends and MINDSETS. And I don’t need things to be perfect, or ideal, or exactly as I want them to be personally, I really truly don’t.....because nothing is perfect, and unlikely to ever be perfected within any person’s lifetime. I know that. I understand that. But a lack of perfection doesn’t mean that things can’t constantly be worked on, improved upon, made BETTER, at least heading in that DIRECTION.....and the thing is, I don’t bitch about the various things and trends and mindsets I dislike in my fandoms, in the media I consume and enjoy, like, just to do it. Just to be negative. For me, criticism exists in order to point out existing flaws or areas where something is lacking or could be improved upon.....so that at least the OPTION of improving upon those things even exists.

If you truly think there’s a flaw in something, something that makes a story or character or creative work less than it could be, holds it back, limits or detracts from its enjoyability at least in some small ways.....the one and only guarantee that exists, is that there’s not even a chance of those things being worked upon, tried a different way, being CONSIDERED by their creators or even just given more thought when creating along similar lines in the first place.....if like, nobody who has a problem with it as is ever like, MENTIONS having that problem with it, or seeing it as being lacking, or less than it could be, in these specific ways. To improve upon a thing, one must first be looking at what could stand to be improved upon, and SEEING it as something to potentially make better or do in a better way, instead of just....exactly the way it was already made.

Criticism is integral to making things better, stronger, MORE than what they already are, and I honestly think the truly great writers and artists of all kinds are the ones who are not just open to criticism, but who THRIVE on it. Who see it not as a judgment, but an opportunity. Who take whatever they can get from it and know how to leave behind the parts that have nothing useful or productive for them.

And Marvel and DC are just....not environments that I see as being all that open to hearing criticism, whether from outside or inside. In fact, I think that’s a huge part of the problem both have, something that’s stagnated them considerably......they’re never really improving upon any of the many areas they’re criticized for, because they refuse to hear that criticism, regard it as having any validity, and when you won’t even LOOK at something that needs improving upon as something that you acknowledge as needing improvement, FOCUS on improving, make that criticized flaw something you focus on rather than ignore, so you can LEARN from its mistakes rather than deny any mistakes exist at all....

Then the only way anything ever gets better at all, whether a little bit or a lot, is by pure blind chance, by just happening to not make the same mistakes next time out or because you focused on a new direction and were lucky enough to avoid stumbling into any particular pitfalls.

And that’s just....not appealing to me at all, even a little bit. Not something I care to be a part of, and I think its a waste of my time or energies, to work for a company that has a lot of problems that I see very specific areas that could be made better and not just for the sake of pointing out flaws, but because I also see various ways they could do things differently and potentially improve upon things......but working for a place who churns out content I think has a lot of flaws, or that I see and hear other people pointing out and commenting on those same flaws and others I didn’t see myself at first but saw after they were pointed out.....and yet knowing that company more than likely wouldn’t be receptive to hearing any mention of existing flaws, but would rather I just keep my mouth shut and just focus on my own story, no matter how I worded any criticism of the broader universe or directions or went about trying to raise said criticism or float it out there even as a hypothetical to consider......

Nah. No thanks. Not for me.

I know how to play these kinds of games because I was raised playing them and surrounded most of my early life by nothing but game-players, people who played games with everything from the truth, to peoples’ lives, to social issues and politics, all of it was the same and they played games with it all just because they COULD. And I was tired of it a loooooong time ago, and at this point in my life, especially looking back on the last several years that I can’t help but view as largely wasted, because I flat out didn’t even have the OPTION of doing any of the things I wanted to do, was so consumed by day to day survival to such a massive degree that there literally wasn’t even the possibility of trying to work towards the longterm or do anything to advance any of my various career paths or goals.....like, that’s over three years now, going on four, that have just come and gone with nothing to show for them in terms of things I really want for myself and my career, things I actually want to do, things I want to say, stories I want to tell, NEED to tell....and in light of that in particular, like, I honestly can’t stand the thought of wasting potentially years more of my life keeping my mouth shut about things I see problems with purely for the sake of towing the company line, when literally NOBODY benefits from allowing problems to exist unacknowledged and just fester and grow and become entrenched.....not even the company itself.

*Shrugs* It just seems wasteful to me, and I’m already chafing at the bit as is to get back to a level of health and energy and focus, not to mention financial security/stability enough that I can even START moving forward with my actual careers again, working on selling and putting out there the kind of stuff I really want to put out there, put my name to.....it honestly just makes me shudder, thinking about the likelihood of wasting years more of my life in service to priorities that aren’t mine and that I don’t agree with, for the sake of egos I have no stake in, just because the company in question is full of people who are perfectly content with everything they create as is, who don’t aspire to ever be any better than they already are, are okay with already having PEAKED......just so long as it means they don’t have to listen to anyone insinuate or outright state something that everyone already claims to already be aware of and thus shouldn’t actually be all that hard to hear: that perfection doesn’t exist, its unattainable for everyone, and thus the things they’ve created and are working on right now....aren’t....perfect. Meaning, by extension.....they could be made better. Improved upon. Grown or evolved or honed into something that reaches MORE people, resonates MORE strongly, touches MORE hearts, changes MORE minds.

Why don’t people, artists, want that for themselves? For their work, that they put so much of themselves into, expend so much time and effort to make? I’ll never understand. Can’t relate.

And the real kicker for me, the thing that ultimately helped me make up my mind on this awhile back, and more than that, make my PEACE with the possibility of never getting to work professionally on these characters who mean so much to me already, even though I think theoretically I’m capable of it, could potentially make that a reality....

Its that....I don’t HAVE to waste that time, catering to those other peoples’ priorities, just to tell the stories I want to tell. Aiming for that particular path, constraining myself in ways I’m not really comfortable for the sake of people I don’t really like and messages I don’t actually agree with.....its not actually anything I need, and doesn’t actually offer me anything.

I do love Dick Grayson and other existing characters, and want to write them the way I truly see them, and immerse them and surround them with other characters I like as well and think SHOULD be around them, supporting them, their narratives entwined with them......and I already can do that with fanfic. *Shrugs* I can write the stories those existing characters inspire in me, that I really want to tell, and not worry about the oversight or by-committee mandates or approval of uncreative DC higher-ups holding me back or limiting me or telling me I can only use certain characters and only to certain degrees or in certain ways. I can scratch that itch, I can put those out there without DC, and an audience exists for them, and always has and always will. Yeah, its a limited audience, compared to the platform DC has and the greater number of committed fans their Brand Name and existing properties help direct to every new writer who works for them or new story or new characters....no fanfic I write will ever reach the number of eyes Tom King’s or Scott Lobdell’s stories get in front of.....but honestly? I’d MUCH rather have a limited audience, than be limited in the stories I can tell.

And as for reaching wider audiences, getting my content, my stories out there in front of more eyes.....I have my original content for that, and I’m fully comfortable and confident in my ability to create characters and build immersive worlds that can be just as compelling as anything existing, whether that’s actually self-confidence or hubris, lol, who knows and who cares. Point is, I love DC’s characters but I don’t NEED them in order to have characters to play with, and I don’t need to try and break into a playground that honestly seems full of a ton of crap for every square foot I’m ACTUALLY interested in and there for.

I can make my own, and have, and will continue to do so. I’ve got my own superhero universe called The Ellis Eighteen that I’ve been building most of my life and might not have the history or scope of DC’s decades of existing content and hundreds of creators, but its still more than enough content to keep me busy for the rest of my life, even just that one universe of mine alone, and when my problem with that particular project is not having enough time or energy as is to write all the stories I already want to write there with just my own characters and universe and narratives........there’s absolutely no reason for me to settle elsewhere.

Because similar to what I was saying about why I’m okay with writing just fanfic for Dick, even if that puts a ceiling on how far I can ever go with that......its about personal priorities and everyone ultimately needing to figure out what matters most to them in terms of personal ambitions and longterm goals, and in a world where nobody can ever get everything they want all the time, exactly on their terms.....figuring out where you’re most willing to cut losses and what you most strongly feel you need to do your way.

My own original superhero universe could be the best thing anyone’s ever seen and leaps and bounds above anything DC or Marvel create, and it doesn’t matter - the mere limitations inherent in creating new characters and universes in an already saturated market, the struggle to compete with household names and give people a reason to direct even a second glance towards characters they’ve never heard of when there are four different titles out this week containing even just one of the characters they already know and love and have been reading for decades, the basic math of one individual creator’s content never in a million years ever going to have the real estate or reach that even the least popular and worst written of DC’s titles enjoys just because association with all their other established and proven content gives them an automatic boost that I’ll never be able to match or replicate on my own with original characters....all of that is real, and a factor and things I’ve considered and accepted.

Because at the end of the day, I decided the most important thing for me is bottom line, I like telling stories. But I like telling MY stories, the ones that only exist because I came up with them and thus will never exist for anyone else unless I write them the way they read to me in my head, the stories that CAN’T exist without me to tell them. And I like to tell my stories my way, in the sense that they may not be perfect and they might have areas of their own in which they’re flawed or lacking or could stand to be improved upon, but they at least don’t make the mistakes I see as mistakes in others’ work, and they prioritize the things that are important to me, and tell the messages I want to tell.

And with all that in mind, I would much rather devote myself towards walking a much longer, much harder road with absolutely no guarantees of ever gaining the kind of audience I might have if I worked for Marvel or DC......as long as it means that for all its drawbacks, every step I take on that road, I get to take while telling MY stories, MY way, the way I think they were meant to be told and without people I don’t respect or agree with backseat driving as I tell them, trying to give me directions as if they know how to get to where I want to go with my stories better than I do myself.

Compared to having a (comparatively) shorter even if no less difficult road to GET to a place where Marvel or DC hired me to write for them....at which case they’d shuttle me off in whatever direction they wanted to send me on a shortcut that admittedly gets me to a much wider audience in a much shorter time, and with far more guarantees of profit and thus a smoother ride.....but every step I take on THAT road, I ONLY ever get to tell the stories they allow me to tell, the ones that they like personally, and only after I’ve run them by them for approval first, and reshaped it into the form THEY want it to have and read the way they want it to sound, before ever reaching a single other person’s ears, with that vast audience only ever getting to read those versions of the stories I came up with....rather than the versions that read the way I originally wanted them to, that tell the stories I REALLY wanted to tell.

Again - its not about not being willing to compromise or settle or an insistence on things being the way you want them to be and no other way.

Its about the fact that everyone has to decide for themselves what they’re willing to compromise and what they aren’t - because it is OKAY to have things you’re not willing to budge on, you’re not rigid or unreasonable for having SOME things exist as dealbreakers for you, that make or break whether you head in a certain direction when a multitude of other directions are open and available to you.

And similarly, its up to the individual to figure out for themselves WHERE they’re willing to settle and in what ways....and where and in what ways they have to stand firm because settling there means sacrificing too much of what’s most important to them.

Like I said, for me, personally? The journey and the destination are the same thing. Whether I’m acting or writing, I view it as just different forms of story-telling. THAT’S the career I secretly dreamed of even as a child.....it was never that important what medium I told the stories through or logistics or superficial elements....the important part was the story, that was the point, that was the endgoal. *Shrugs* That’s all that’s really most important to me, priority uno at the end of the day: finding ways to go through life maximizing my ability, my freedom to spend my time telling stories, MY stories, the ones only I can tell because I’m the one that came up with them and they don’t exist outside my head, and telling them the way I truly want to tell them, the way they seem to me are MEANT to be told - because there’s only so far and only certain ways you can deviate from a story as you initially conceive it before it becomes actually a different story, that says something other than what you actually meant for it to say.

Big audiences and large royalty checks and movie deals and getting to use characters that others created but I fell in love with and see myself in all the same - all of that is great and has its place. But to me, the stories themselves are the point, they’re what any story-telling skills or talents I have seem FOR....

And if I’m going to bust my ass telling as many of the stories that pop into my head as I can, to the best of my ability, in hopes of them reaching the most people in ways I WANT them to reach people, resonate with them, speak to them, always trying to become better with each story I tell, each criticism I’m given, not out of some expectation I’ll ever actually craft a ‘perfect’ story or some sense of moral superiority, but rather just because stories IMO are meant to be enjoyed, and the better each story is, the more people are likely to enjoy it and what else is even the point of story-telling if you ask me personally...

Well. I’m just saying. If I’m gonna put in the best work I can either way, put in the time either way, and basically spend the majority of my effort, time and life telling stories one way or another.....

I’m sure as fuck only doing all of that so I can tell MY stories. Not someone else’s stories.

Because when writing for DC, even for the chance to write characters I’ve loved for most of my life....also means having to shove each story I want to tell through a woodchipper that shaves it down according to someone else’s priorities, expectations and rules for how and in what ways I’m allowed to use which characters and to what ends or what degree - or worse yet, a whole COMMITTEE of someone elses - when all of that is going to whittle away whatever story I WANTED to tell, to such an extent that by the time it actually ends up in front of readers, it stands as much chance of being the story one or more of them actually wanted out there as it does of still being or saying anything I actually wanted or intended.....

Then as much as I used to dream about writing the X-Men or Green Lantern or Nightwing as a kid.....now, I’m more than comfortable saying nah, hard pass. I’ll go my own way with my own characters in terms of professional content and output, even if it never gets me as far as working for Marvel or DC might. And it costs me absolutely nothing to do so. I lose nothing in making that choice.

Because for me, its the alternative that would actually feel like settling.

And if any writers out there prioritize differently or choose differently or see all this differently and writing Dick or Bruce or Jason or some other existing character is still the dream, and the goal they still focus on working towards....there’s absolutely nothing wrong with that, as long as its what works for you, and aligns to what YOU prioritize as most important for your career, art, goals and how you want to spend your time and effort as a writer.

#long post #but when are they not #honestly

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papa-1-rights-activist · 5 years ago

Note

Could you tell us some things about your characters?

thank you so much for this ask :D sorry for such a late response, but ngl i got very excited and started writing shit down as soon as i saw it, but then it turned into an entire essay and i had to cut down a ton of stuff until i decided to write it in a list of some sort kjhgkjfgkfg

currently i have like 11 fan characters in total so i will start with 4 to not infodump too much at a time

and i’ll admit that literally all of these guys were made for shipping purposes, but they all have different personalities and dynamics with canon characters. i’m such a sucker for writing couples, so many things to explore, that’s like my favourite thing ;w;

it got very long so imma put it under the cut \o/ (hopefully it works bc tumblr has been pretty unpredictable lately)

sorry if it’s probably way more than just “some things” but i couldn’t help it, i just love these guys so much and i don’t get to talk about them often u v u

e n j o y ~

imma start with the one you guys are more familiar with

Lucas

one of the cardinals in Ghost’s church

Mexican

in his late 40s (like 46-47)

hardworking, ambitious

pretty composed

huge „your teacher from english class who’s also a dad” energies

his character can be summed up to, as someone has said, „he’d kindly but sternly correct your shitty posture”

currently takes the 3rd place of most „best employee of the month” awards (Copia is 4th at that time)

he and Copia start off as rivals for the 2nd place (bc no one can beat whoever is the 1st)

but wouldn’t you guessed it, they end up dating

Lucas has a fair collection of various rodents, including rats. Actually, he’s the one who infected Copia with love for them. Luc prefers ferrets (that’s a rodent right kjhfgkjgh)

he doesn’t really get angry, but when he does he really goes off

he writes poetry, which is actually very, very bad, but Copia loves it to bits which makes Luc feel validated to write more

because his language is so similar to italian, Lucas can implement a lot of spanish into his conversations with Copia, while the other will reply in italian and they will still understand each other (ofc there are some exceptions that result in miscommunication, but that just makes it all more fun)

Copia shared with him that he’s writing music for his album (even tho he wasn’t supposed to tell anyone) and Lucas was more than happy to help him in the process…which was mostly moral support and a few suggestions.

he loves calling Copia “cariño”, “mi amorcito”, “mi alegría” and other cute names in spanish

once Lucas mentioned he used to play flute and Copia immediately decided to include a flute solo in one of his songs, so Luc could play it. Unfortunately things didn’t go as he planned and he had to change it to sax solo

The thing about Lucas is that Imperator sees him as a threat. She’s been plotting with Copia to get him to papacy for a long time, but in the end she isn’t the one who decides who will be in charge, so Copia has to work hard to deserve it. He was already a hard worker, but unfortunately Lucas works harder. It creates this dillema for Copia, bc on one hand he does want to become Papa and in order to do that he has to get rid off competition. But on the other he loves Lucas and he wants what’s best for him.

(i’ll probably post the pic above in a separate post with other doodles, i just wanted to show sth new and relevant)

Elise & Greg

Imma put these two together bc it’s impossible to talk about one without the other.

they work together in a company that takes art commisions such as paintings & murals and their restorations. They’re both pretty skilled in those departments, except Elise specialises in art restoration while Greg specialises in murals and frescos. And ofc one day they’re hired by the church.

they’re both pretty good at painting (but the thing about restoration is that you don’t have to be a great artist to do that, it has more to do with chemistry tbh)

They live together and have been very good friends for a few years now

they both went through some traumatic events in their lives, but maybe i’ll leave that part for another day (or i’ll leave it in my fanfic they’re from that i need to finish ;w;)

they’re very supportive of each other, but also they like to mess with one another

their chat is filled with horny texts about other people

Elise

34 years old

British

a bit awkward, tends to stutter when nervous

very sweet overall, feels the need to be everyone’s therapist

autistic, which shows mostly through her sensitivity to certain textures

hates onions (bc the texture is awful)

gets very emotional very quickly when she sees cute animals. She will use her baby talk to speak with them (which is sth that Copia does too with his rats and once he catches her doing that as well, he feels less embarrased about it)

Cirrus was the first one from the church to actually talk to her and show her around, making her feel a bit more welcome in an unfamiliar place

she talks through her sleep. A lot. Copia finds it very amusing…and adorable.

she discovers that Papa III has fallen hard for her friend way before he himself realises that, but then she’s also the kind of person to not see her own feelings for someone

she finds working on restoration quite relaxing. It’s sth she can fixate over and do for hours (even tho it’s not recommended)

a bit of a workaholic

another thing she finds relaxing is sitting in a corner somewhere warm and doodling people she sees around the abbey (mostly those she finds attractive lol so mostly Cirrus and Copia)

eventually ends up with Copia and Cirrus in a poly relationship

she also finds Cumulus cute, but the ghoulette isn’t interested in another romantic relationship. the one she has with Cirrus is enough for her.

Elise’s relationship with Copia is basically two dorks trying to impress the other while trying not to be too obvious about it, while her relationship with Cirrus is bisexual equivalent of „shy nerd has a crush on a cool girl leading the cheerleaders squad and shopes she doesn’t know. She knows.”

(had to doodle sth real quick bc i can’t believe that i don’t have a single good pic of him lol)

Greg

37 years old

Polish (bc ofc he is)

pretty stoic, might come off as cold

he gives cute nicknames to people he likes (in polish ofc)

he’s actually pretty cheesy and wholesome, but you wouldn’t know that bc he shows his affection through a language that no one understands (which is what he wants, he doesn’t want others to know he actually cares)

has some trust issues, so it’s harder for him to become friends with people

huge Scorpions fan. no, like really, he’s obsessed and will share his music taste with whoever will listen (which is mostly Eli and Papa III lol)

knows a few words in italian, but mostly those related to art after he’s been studying it for a few years. He doesn’t speak it, but he can read it.

he owns a guitar signed by Kirk Hammett (his musical crush)

he’s the kind of guy who will call the person he likes „my dear”, „my love”, „sweet pea” in his mother language and then tell that person it means „dickhead”, „loser” and „lazy ass”

his stay at the abbey is just laying under the ceiling and doing fresco for most of the day, visiting Elise in her art studio and dealing with Papa’s bullshit

Papa eventually starts coming up to lay beside Greg on the construction and watch him work. They tend to just lay in silence while a mix of Scorpions and ABBA plays from the radio. There’s barely any space for a second person, but Greg would lie if he said he didn’t find it endearing.

one time Greg fell off the construction and broke his leg bc of that dumbass (but it’s his dumbass uwu)

anyway he eventually starts dating Papa III

Papa purrs to Greg in italian and Greg speaks sweet words to him in polish (tho it took him a lot of time to get comfortable with that)

their relationship is your typical „1 brain cell and 1 dumbass” and under certain circumstances simply „2 disastrous dumbasses”

they once burnt down Elise’s apartment on accident and the only things they managed to save were the art supplies and Greg’s guitar

anyway

here are these guys in comparison to their partners in this silly style, bc all the other drawings are outdated ;w;

Melea

45 years old

American

fashion designer commissioned byt the Ghost’s church

huge fan of old rock

for a long time her relationship with Papa III was purely professional. He came to her studio, she took some measurements, they discussed what he would like and then he left and they didn’t see each other until the next meeting to try the outfit on, to make some changes, or for another project.

well that is until she asked him to stop putting his face paint on so he wouldn’t ruin the fabrics

i share this popular headcanon that Papa III is pretty self conscious about his clean face, so it was kind of hard to convince him at first

eventually their sessions became that much more personal because of that

she’s a bit superstitious, believing that some things may cause bad luck

collects crystals with good energy

she’s in a way a modern witch…but it’s not like she tries to be one

knows french fairly well, which allows her to talk to Papa (who also speaks it) when they don’t want others to understand them.

huge mum energy

loooves watching conspiracy theories. Sometimes she will pick one of the more ridiculous ones during her sessions with Papa and will argue and try to convince him it’s true, making it seem like she fully believes it, even if she doesn’t – just to fuck with him

and a few times she actually did convince him. Then had to tell him she wasn’t serious and oh my god the millenials aren’t killing the pillow industry by going vegan

anyway at some point they start dating which eventually leads to them getting married ;w;

her relationship with Papa is very soft and romantic. they have the same energy as Morticia and Gomez in regard of how loving they are to each other

also some chibis of these two bc again, all the other drawings are a bit outdated ;w;

#asks #sweet-marionette #it was so much fun \o/#my art #ff talk #art talk

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