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Best Resurfacing Solutions in Los Angeles
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#Refinish Wood Floors#Refinish Floors in Los Angeles#Professional Refinishing Services#Olde Tyme Floor
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A CC filled lot this time. English-ish House is up on the gallery. 3 bed, 2.5 bath, with a pantry and laundry room. ID jeanbury. All the CC used is written below. Beware, it's a long 'un!
876 simmer-Oslo wardrobe, lowboy dresser, nightstand and standing mirror.
9 sims-DIY stars wall hanging.
Adrestea Moon-Storybook Lover and PJR Paintings.
Ars Botanica-Peonies Pitcher and Peony Jule Cup.
Ameyasims-You're So Vain: Vanity Brush and Hand Held Mirror.
ATS4-Breakfast: Milk Pack, Coffee Jars, Coffe Jar, Milk Bottle, Instant Drink, Tea Tin, Tea Box, Cocoa Powder Box. Fruit Juice Packs, Fruit Juice Glass Bottle, Coffee Bag. Baking: Wooden Spoon,Mechanical Scale, Timer, Canister, Baking Decoration Jar, Dried Fruits, Mixing Bowl, Baking Aids, Flour, Nutella, Baking Aids Stock, Dried Fruits Stock, Electronic Scale, Measuring Cup, Sugar, Jar, Measuring Cups, Rubber Spatula, Pastry Wheel, Candied Fruits. SnowyDay: Gloves, Wall Scarf #2, Wall Beanie #1, Fur Boots, Boots Snowcalf, Wall Coat #1 and #2 Bag Clutter: Tic Tacs.
Awingedllama-Apartment Therapy Potted Vine Round Mirror, Hanging Ivy.
Charley Pancakes-Insomnia: Organic Cotton Bedding. Miscellanea: Book Collection, Standing Books, Book Series.
Desimmy-Tiny Nifty Pictures.
Dew At Home-Hallway Hanging Scarf.
Duckey-Springtime Melody ,mug, Forever Spring Canvas Art, Lil Lilies, Friends and More Friends(these are table mounted frames that are called friends. That's all the information that was given)
Faaeish-BB Wall Decor Pegs and Toy Camera.
Felixandre-Chateau: Alarm Clock, Bedding, End Table, End Table 2, Drawer, Table Lamp, Rug Square, Telephone, Dresser. Grove: Salad Bowl, Lady Sam's Peony Vase, Bedframe V1. Grove-Timbershelf Inside Corner, Flagstone Floor, Cups, Stacked Plates, Stacked Plates 2, Stacked Plates Small, Wall Basket Small, Casserole, Bowls.
Felix and Harrie-Livin Rum: Box Files, Rug, Book Row, Book Series. Orjanic: Table Lamp, Bench, Cushion 2, Book End. Baysic: Toothpaste Container. Florence Fresco Mural. Tiny Twavellers:Hedge Wall.
GhostlyCC-Pre Raphaelite Paintings.
Harrie-Coastal Kitchen: Cereal Boxes, Cabinet Stack, Accent Counter 1 Marble Type, Coastal: Farmhouse Kitchen Sink with Tea Towel, Tins, Sofa, Tv Unit, Display Cupboard, Small Plates, Bowl, Bowl Stack, Cans, , Large Plates. Heritage: Traditional Towel Ring, Bowl Traditional Toilet, Traditional Runner, Landscape Artwork, Traditional Console Table, Floor Lamp, Traditional Round End Table, Traditional Elegant Mirror Small, Traditional Desk, Traditional Bust. Country: CoffeeTable.
Haruinosato-2x1 Curtain 01 Short.
Javabeandreams-Whimsical Animal Portraits.
Kardofe-Vienna Dining Room Curtains, Bella Babies Bedroom Small Pics.
Kliekie-Yove Plants 06, Awipow Plants 11, DecorationsPlants 10 Dragon's Herb. Whisper Laurel Plants 05
Kriss-Scania Build Set:Windows Classic Colonial 2 Tile, Classic Estate 2 Tile,Jugend Cottage 2 Tile.
Leafmotif-Botanical Bathtub, Twee Tableware: 6 Egg bowl, 9 Pot with Lid, Twin Mug Stacks, Whimsy Cake Plate, Short Pitcher. Basil's Favourite Chair 3 Maud Lewis Paintings
Linacherie-Ts2 Olde Tyme Skillets, Billyjean Curio Kitchen: Trays, Clip, Jar. Simlish Art 11, RPC Prints, Sizzling Cuisine Mitts, Delicious Bakery: Cookbooks, Flour Bag.
Madame Ria-Back To Basics: Spice Bottle,Dish Rack, Cereal Box, Pot Holder Wall, Modular Shelves, Coffee Tin, Pot Holder, Stock Pot, Dressing Container, Spice Rack, Counter Grey Scale, Open Book.
Marefc-Half Tiled Walls 2.
MC- Modern Crafter The Short Contemporary Radishly Plant
Menaceman 44-Granny's Brolly Vase.
Midsummersim-Simterest Poster.
Moonlightsim-Photo Frame Memories.
Nocturne-Rustic Cottage: Pokers, Master Curtain, Pedestal Old Miller Tea Set, Deco Retro Vacuum, Not So Shabby Rug, End Table. Grandma Cupboard.
Nynaeve Design-Lyne Half Curtains Blinds V1. Lyne Three Quarters Blinds V2, 1069, 1069 Lyne Radiator 1 Tile.
Okruee- ACNH Bathroom Towel Rack. (Animal Crossing)-
Omorfi Mera- Glass Jars.
PlasticBox- Modular Plant Hanging Pot.
Peacemaker-Hinterlands:Living Throw Pillow, Farmhouse Dining Table, Single Bedframe, Cottage Dining Chair, Bedside Table, Luxurious Single Bedding V1, Arched Mirror, Wardrobe, Bedframe with Footend, Nightstand. Hinterlands Living: Stately Fireplace, Coffee Tray Table, Mantle Mirror, Fringed Pouffe. Hinterlands Dining: Framed Dining Chair, Hanging Clock, Short Petal Pendant Porcelain Lamp.
Piersim- The Office Mini Pack: Higher Plant, Landline, Stackable Book, Printer.
Pocci-S Cargeaux Cabinet RecoloursCyclamen Outdoor, Iris Outdoor, Lilac In A Glass Bottle, Woodcabinet Open (Book cabinet Mini Set), Vintage Tea Set: Teacup With Tea, Milk Pitcher, Cupcake Plate. Magnolia Ceramic Vase, Basket Decor With Slots, Anthropologie Ottoman, Laundry Day Basket on Stool, Steaming Coffee Cup, Marguerite Teacup Empty, Iris In Glass Jar. Single Rose Glass Bottle. Potted Lily Of The Valley.
PTS-Cottage Garden Tea Tin Herbs, Granny's Basket Deco, Deco Mason Jar Short.
Quaylinsims- Paintings Zodiac.
Rhiannon AR-Medium Rug Floral Modern, Long Rug WithModern Floral Patterns
Ricca Bee-Mom's Lamp.
RSVN-Clothes Minded: Fedora, Floppy Hat, Baseball Hat, Sweater. Peg To Differ: Dish Towel, Knife Set, Mug, Utensils. Simmerdown: Cookie Jar, Mason Jar, Mug, Hanging Pots And Pans, Paper Towel, Ceramic Jar, Macaroon Jar. Smeglish Kettle Large.Procraftination:Hoop Large,
RoyIMVU-Seagrass Baskets.
Silverhammer-Executron Executive Desk Throne.
SimMan123-Sheer Right Curtain Short.
Sixam-Spring Six Kitchen: Buttery Toast, T Meg Mid Century Toaster With Toast, TMeg The Terrance, Deco Stove Hood, Olly's Oil Bottles, Kitchen Appliances Stove, Don't Be A Square Plate.
SJB (Yika)-Charlie Set Two CurtainsV1.
Soloriya-Zoe Blinds Part 2.
SYB-Colette: Towel, Toilet Paper Rolls, Soap Dispenser,Wallshelf, Bath, Blanket, Sink, Floor Vertical Mirror, Book, Cupboard, Rug, Bath Tray, Toilet.Millenial: Fridge, Fruit Basket,Utensils Rack, Utensils Pot, Totebag, Spices, Dish Soap. Microwave, Olive Oil, Breadbox, Island, Trashbin, Shower Curtains Short. Highschool Corridor: Hanged Backpack, Sandrine Slippers.
Tianella SE- Honey Herbs Paintings.
Veranka-Yesteryear Loveseat.
Wistful Castle-Wistful Room Pictures, Wistful Lamp #1.
Wondymoon-Cycnus Curtains.
Zeenasims- English Cottage: Paintings, Wainscotting Wallpaper.
ZX-Tagada-Lighting Table Candlestick.
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im having a moment.
just olde tyme mem'ry.
"What I dont understand
is why they long to use those hands
to build a stead that will always stand in olde tyme country
But settle for white rooms and hollow doors
paper celling padded floors
luxury boxes where your stored in what was country"
looking at thid after writing and now i think i picked the worse possible lyrics to convey why i love this song. And as a note i use this blog quite often to be positive but this more like. im what the song talking about? i was born in what was olde tyme country and we wear its skin so desperately wanting the benefits without the struggle. I guess im lamenting...
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Nuns On A RR Track
Full disclosure: I wasn’t like my (no pun intended) SISTER, hoping for a positive outcome in that movie. I didn’t adore the St Mary’s Hospital nuns like she did and for a person who has felt the need to diagnose me for 40+ years, how many 8th grade girls do YOU know that asked Santa for a black cardi & suitcase so she could join the convent?
I only know of one and she was driving a vatican pre-owned Dodge Colt station wagon with faux woody wood panels.
She wasn’t driving it as a NUN, she was driving it as the 19-20 year old daughter of the kiss-up employee that bought this ugly fucking car from the nuns! I’m sure our dad OVERPAID (with his nun loving ass), just to stay in their good graces.
As a kid, it made me angry that these broads weren’t seeing through his act. Our lives were interwoven, but in the most dysfunctional of ways--otherwise, maybe a lil olde tyme (machine) spiritual magic could have went down. Instead, let me nosey around this rectory for a box of hosts to nosh on.
I’ll save THAT story for the chapter on PRIESTS. This one is for the nuns.
In the Summer of 1974, I was 10 and we moved to Milwaukee so my dad could spend more time next door at St Mary’s Hospital where a major build was taking place. Sounds like an awesome career move if one was the General Contractor, but he was not. Or, a hospital Administrator overseeing the project. He was not.
While I knew at age 10 my family wasn’t like others, it really hit me my final few months in 4th grade where my parents were on again-off again with the move. I was always high anxiety (teeth grinder-nail biter) and felt this major move needed to be better executed.
Ha! The fucking JOAD’S could load a truck better and that is exactly how the parade of shit kicking Union Grove relatives who moved us (all last minute) to the hospital owned mansion that had been being used for storage. Storage of squirrels that ate the woodwork, storage of rolling crash carts/hospital drawers that would become OUR furnishings (Hello, Future Breast Cancer and other maladies), Storage of MCM brightly colored vinyl clad waiting room chairs, stacks of stainless steel bed pans, crucifixes and my Twisted Sister’s Favorite: An entire 3rd floor (former servants quarters--with buzzer system/intercom) filled with big religious statuary that would now fetch top dollar in a 5th Ward Antique Store. By the end of our dysfunctional stay @ that house, she had made a MAKESHIFT ALTAR in one of the rooms that I found super creepy!! I had bad experiences of my own on that 3rd floor, but much like priests getting their own chapter, so would be breaking my FOOT while choreography a robust dance routine to our mother’s West Side Story album.
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SoulPM 10 Playlist 7th January 2011
Woman’s Got Soul – The Impressions.
Night Owl – Bobby Paris.
Do I Love You (Indeed I Do) – Frank Wilson
How Sweet It Is (To Be Loved By You) – Junior Walker and the All Stars
Higher and Higher – Jackie Wilson
Backfield in Motion – Mel and Tim
Hold On! I’m Comin’ – Sam and Dave.
Walk On By – Isaac Hayes
Out on the Floor – Dobie Gray
Knock on Wood – Eddie Floyd
Time is Tight – Booker T and the MGs
Land of 1000 Dances – Wilson Pickett.
Machine Gun – The Commodores
Keep On Truckin’ – Eddie Kendricks
Love Machine – The Miracles
If You’re Ready (Come Go With Me) – The Staples Singers
Nutbush City Limits – Ike and Tina Turner
Lady Marmalade – Labelle
Hold Back The Night – The Trammps
Reaching for the Best – The Exciters
Move On Up (long version) – Curtis Mayfield
Ms Grace – The Tymes
Contact (extended mix) – Edwin Starr
Let’s Go Round Again – Average White Band
Ain’t Gonna Bump No More (With No Big Fat Woman) - Joe Tex
My Old Piano – Diana Ross and Chic
Super Freak – Rick James
Solid – Ashford and Simpson
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FLAMES JOURNEY CHAPTER #14 ancient secrets and difficult combat
with in minutes of valdederon beeing surounded hebegins dodging attacks from the ancient gollems witch use elemtntal magic attacks one even using a type of lava magic melting the stone floor in spots
valdederon---- well this is a dam fine situation isnt it.. fuk sake.
he dodges out of the strikes and uses a quick attack to dart through a gap out of the room to get some distance and begins firing stone bullet spells to see how efective thed be only taking out 3 of the more delapidated golems the stones bouncing off the others so he switches up to wind type blade spell witch cuts into the thick stone causing light cracks.
valdederon---well..thats good to know.wind blade works to some extent.. but theres to many of them to try an use it repeatedly.
for an hour valdederon fights the hyper agressive gollems dopping them slowly 1 at a tyme having to focuse all his energy at one target at a time to take them down with any speed only having taken out 7 he pants heabily and notices at a fiar few are lined up in a perfect row and unleashes a holy javiline the spear of ligning ripping 12 in hallf all at once the other gollems backing up slighly reccognizing the danger of bunching up close together the cores of the 12 golems melted into ap udle of molten stone silver and gold.
valdederon---fuking hell these buggers are smart..
panting heavily valdederon holds his staf up and out forward of his body staring down the rest of the 31 golems both sides at a stale mate neither side making a move giving valdederon ample time to rest and recover some of his arcane power and physical stamina. soon one golem aproaches non agressively core yellowish orange instead of agressive red as if aproaching to end the stale mate.
valdederon--- can you rock heaps speak..niether one of us have gained much ground and youve all seens my holy javiline spell can tear you apart.. and to get to me youd have to enter the hallway witch would become a kill box.
the golem begins projecting poke script in the air with a magic projection
gollems pokescript --- state your business in this sacred place flesh bag.. or be torn apart
valdederon-- realy.. rock for brains.. kill box… holy javiline.. 12 dead at once.. i have more powerful and destructive spells by the way.. call me by my name.. valdederon and ill answer your question.. other wise ill come in and destoy the rest of you.. all 31 of you..
the gollem takes a moment to process it and reply
gollem pokescript --- verry well valdederon.. state your purpose in this sacred place
valdederon--- at the moment exploring and looking for any valuable knowledge.. if your willing tp part with it id also like to take some jewels and gems to help pay for the damage i caused in my guild i dont wish to plunder your.. sacred grounds dry..
the gollems all seem to think while stading still. untill attacking att at once valdederon sighing in anoyance
valdederon--- fine.. your funeral holly javiline i callapon you split your self into many and pierce my foes
a laerge gold ligning spear forms and splits into several smaller ones from edge to edge filling the hall way and unleashing them selves into the golems in a coninuous volley like a macgine gun mowing down an army after a short 10 minutes all thats left of the gollems ias a molten puffle as valdederon walks back to the room finding many books and even a old note paper next to a long dried ink well and a feather pen inside it he picks up the note and begins to read it.
(( WARNING DESCRIPTIONS OF HATE AND ABUSE OF ANOTHERS RACE ))
note ->-- i find my self one of verry few left who still rembers the old ways of magic.. my name is sellpheema and im in some ways consideered an infadell.. the fairies have tried to shield me but the world changes and its become bigoted.. hateful distrusting.. im a half blood. a vile sach of flesh.. ive even been caled tainted fairy.. my best friend was exacuted weeks ago he was a kind boy only 326 years old.. still a young adult. his wings were riped off of his my mother a clefable told me to run and find some place safe to hold down. my dad a type of fairy called a pixie is probably out exploring old ruins and researching them. if you find this note and this old crypt treat my treasures with respect and love my delphox friend left me his staff and left a coupel days ago ugh ill have to build gollems to protect my crypt here i leave you the reader evrything i posess in the event im long since passed on. please stay safe and stand up to bullies revive magic in this world.
valdederon--- poor guy must have been rough no wonder the gollems were agressive.. ill collect this stuff after reading up thes books. ha ha vex will be happy to have some new books in the archives.
he looks through the books carefuly turing the pages by using psychic on it avoding tearing the delicate and fragile paper thats hundreds of years old or older eventualy finding out that magic once existed commonly along side pokemon some pokemon even beeingable to use magic and a diagram of the planet with 4 dots in a squar shape that form the 4 arcane nexus gates witch are now long since closed
valdederon-- odd if the arcane nexus gates are closed how can i still use magic.. could it be because my soul is conected to this world and my old world . ill have to research into it and this dark presence mentioned in the last 4 books.. its odd as well as if somthing evil is trying to pluncg the planeti into perril.
he uses his item box spell and puts evrything accept the staff in it and begins to search for an exit out of the ancient crypt eventualy finding his way out the sun now setting as he heads back to the guild furr dusty and matted from the fight and he walks up to the archives slowly and exaustivly knocking on the door to see if vex is awake to wicth she opens the door with a groggy smikle
vex--- you look like a ryhorn ran ya over.. whats up kid
valdederon--- stumbled into a crypt full of gollems and found some books for you they need to be restored and such they are evrry dellicate.. i had to use psychic just to read them they are on the verge of becoming dust.
she smiles and heads inside with valdederon and he uses psychic to pull the books out of his item box and gingerly sets them on her work table.
vex--- aint seen parchment like this in a good thousand years or so. these books are verry valuable good on you for not touching them ill get to work right away.. ill give ya some coin for them so you
valdederon shakes his head
valdederon---ive got all i wanted from them plus there were other treasures in the crypt to so i can pay back the guild for the mess i caused awhile back.. im sure the guild could also do some shopping to .
he heads to the guild masters quarters were he still sleeps and smiles when kleo and tiga both growl alittle
kleo---were have you been
taiga--- why is your furr a mess
valdederon--- kind of got stuck in a crypt while i was exploring the forrest abit might have alos melted a few gollems as well but i also came back with books for the archives and some treasuers for the guild
they sigh and chuckle at the explanation.
taiga-- well go get cleaned up and then in the morning we can look at what you got for the guild
valdederon--- i found more then just the treasures.. i found questions and more info about this world.. old secrets this world used to have magic but the sources of the magic have been closed off. tomorrow ill deposit the treasures in the guild treasury and head to the training hall im more determined now to be a pheonix hawk there are lots of questions that need answers.
he heads to the bathing hall and gets cleaned up and then comes back laying down and promptly passing out snoring deeply.
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Paul Weller - Fat Pop, Volume 1 (Special Edition)
Disc 1
01. Cosmic Fringes 02. True 03. Fat Pop 04. Shades Of Blue 05. Glad Times 06. Cobweb/Connections 07. Testify 08. That Pleasure 09. Failed [New Version] 10. Moving Canvas 11. In Better Times 12. Still Glides The Stream
Disc 2
01. On Sunset [Live At Black Barn Studios] [a] 02. Old Father Tyme [Live At Black Barn Studios] [a] 03. Moving Canvas [Live At Black Barn Studios] [a] 04. Failed [Live At Black Barn Studios] [a] 05. Village [Live At Black Barn Studios] [a] 06. More [Live At Black Barn Studios] [a] 07. Testify [Live At Black Barn Studios] [a] 08. Still Glides The Stream [Live At Black Barn Studios] [a] 09. Rockets [Live At Black Barn Studios] [a] 10. Mayfly [Live At Black Barn Studios] [a]
Disc 3
01. Round The Floor 02. Serafina 03. Crowboy 04. Into The Sea 05. Pure Sound 06. Fat Mix
[a] Recorded live at Black Barn Studios, Surrey, 07.08.2020
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If you are looking for superior sound abatement and subfloor leveling services in Los Angeles, then Olde Tyme Floor is here to assist you. From the moment we connect, you’ll experience the difference in how we ask questions and take time to truly understand your needs and requirements from start to end. Contact us today at +1 818-469-2267.
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time will tell, she’ll see us through (pt. one)
hey, it’s been a while, huh?
welcome to my first fic in like six months! this is another multichap, probably around six parts- let me know how often you’d like parts to come out. right now i’m thinking daily, but i don’t know, so if you have an opinion let me know in the replies!
okay, that’s enough of me talking. enjoy cathy angst!
tw: death, blood, beheading later in the chapter
***
“...yf ye be lerned in that scyence that ys possyble ye may of one word make a whole sentence, and yet nott at all tymes arryve at the true meanyng of the writer, as yt appyrs by thys your exposycyon apon my wrytyng.”
-Catherine Parr, in a letter to Thomas Seymour just before her marriage to Henry VIII
***
When Catherine Parr first notices she’s lost her manuscript, it’s four in the morning and she’s the only one awake.
She’s biting on her lip as she finishes the last page, blue pen smearing under her hand as her scrawling handwriting marches crookedly across the paper. This story- the story of the queens as separate from Henry, what they actually did with their lives, who they really were, their story- is the culmination of literal centuries’ worth of work.
If she doesn’t write this down, then they’ll be forgotten, lost to the wastes of time as simpering mistresses who were merely accessories to Henry’s reign.
The show is good, but the show is temporary, the legacy of that is temporary, and this manuscript is something physical that she can hold in her hands.
The last line is scribbled on the cheap notebook paper she’d had to use for the last page. It’s almost anticlimactic, how fast it is, and Cathy leans back in disbelief, the pen hanging limply in her cramping fingers.
“It’s done,” she whispers aloud, and her earbuds are still playing the instrumental hardcore rock she listens to while working, and the street outside is still crowded with London traffic, and Anna is still snoring down the hall.
Everything is exactly the same as it was a few minutes ago, except everything is completely different, shifted into a sharper focus through a new lens.
She’d started writing the last page at rehearsal, ripping a page from the awfully torn-up notebook that tech used to read lighting cues because her full manuscript was still in the greenroom, scribbling down line after line of her sudden idea as the other girls did vocal warm-ups around her.
“What page is this, five thousand?”Anna had joked, sitting down next to her onstage and nudging her with her shoulder, looking down at the slanted scrawl on the ruled lines.
“It certainly feels like it,” Catherine had replied absentmindedly, completely focused on the page in front of her as Anne did handsprings onstage in beat with the warm-up tongue twister, and Anna had left and let her be, knowing how she needed to get her ideas down if she was going to focus on the show.
What she told Anna wasn’t just placating. It had felt like it, honestly. This has been her whole life for… well, her whole life. And now it’s four in the morning, and she’s listening to heavy metal music, and it’s done.
She reaches over to where the rest of her manuscript sits on her desk, her eyes locked with pride on the last line of the page, but her hand lands on an empty table.
A pit yawns open in her stomach. No, no, no. It has to be there. It’s always there. She looks up, hoping against hope that her hands are deceiving her, but her eyes confirm it. Her manuscript- her life’s work- is gone.
Catherine gets to her feet quickly, going to her desk drawer and ripping it open, but it’s not there either. It’s not on her bookshelf, or on her bedcovers, or under her dresser- it’s like it’s disappeared.
She finds the papers in her desk again and spreads them out on the ground, kneeling in the center of the chaos and rifling through them frantically. Half-finished short stories and spindly outlines of landscapes flash past, but her thick stack of paper that she’d tied together with an old piece of ribbon remains missing.
She tosses aside cards and songs and tirades written in French, but it becomes clear that the manuscript isn’t in her room, and she sinks back on her heels. There are tears on her face and panic in her heart, and her mind races feverishly as she tries to think of anywhere else it could be. She’s only dimly aware of her own foggy exhaustion.
As she digs through the papers on her floor, the words and pictures on the pages start to blur together in her hysteria, and it’s gone, it’s gone, it’s gone-
“Cathy?”
The voice is tired and soft, and when Catherine looks up she sees Aragon standing there.
“Everyone’s going to wonder where you are when they get up,” Cathy points out in a quiet voice in lieu of a greeting, her cadence trembling slightly. Aragon usually gets up before everyone else and makes them breakfast.
“They won’t wake up for another two hours,” Aragon replies calmly, picking her way carefully through the scattered piles of paper to get to Catherine, a shivering, unstable island in the sea of words. “What happened?”
“My manuscript is gone,” Catherine whispers lowly, grief thick in her throat, and Aragon shifts closer to avoid falling on any of the papers, her eyebrows knitting together.
“What?” she asks quietly, surprised. “I thought it was-”
“It was everything,” Cathy interjects softly. “It was all of my memories, and everything about our lives, and everything about- about Mary that I could piece together,” she says, her voice breaking on the name of her tiny daughter. “It was everything,” she repeats.
“Don’t use the past tense yet,” Aragon says gently. “It can still be everything. We’ll find it, I promise.”
“How can you promise?” Catherine asks, shaking her head. “How do you know?”
Aragon shrugs and gives her a gentle smile. “I don’t. I believe, though, which is almost as good.”
“Your confidence is incredibly reassuring,” Catherine grumbles, running a hand over her face to try and bring herself into a rational frame of mind, attempting to organize her papers back into some sort of categorized piles. “Where could it even have gone?”
“Did you take it anywhere recently?” her godmother asks, gathering up a sheaf of stories in her arms and sorting them into a desk drawer.
Cathy nods quickly, snapping her fingers in realization. “Yeah! Um, yeah, yeah, yeah, I took it to the theater last night, and then before that to the coffee shop. But I know I took it back home,” she says, the sudden energy leaving her body, certain of her memory of placing it in her bag.
“Well, it’s not here, so we may as well try it,” Aragon replies with a shrug. “However, I’m going to suggest that you try and get just a little bit of sleep. I know that you don’t want to,” she says, holding up her hand to interrupt Catherine’s protests, “but I think your memory might be more reliable if you sleep for a while. I’ll make some breakfast for when you wake up, and then I’ll drive you to the theater. Deal?”
Catherine sighs. “Fine,” she mumbles, trying to hide her yawn, but Aragon notices it and takes her to her bed, tucking her in and fluffing the pillow.
“Sleep, darling. I’ll wake you up when breakfast is ready,” she says gently, pressing a soft kiss into Cathy’s hair. “You’ll feel better. I promise.”
Grumbling, Catherine pulls the comforter a little tighter around herself for security and buries her face in her pillow, her mind racing as she thinks about where her manuscript could possibly be and if it’s been stolen, or ripped, or if pages are missing-
Eventually, her anxiety sputters out like a bad engine, the panicked thoughts appearing farther and farther apart, and she falls into a fitful sleep. When she’s scared, her nightmares are always more vivid, and today is no exception.
She’s standing in a castle.
It’s always a castle.
Sometimes, Henry is there, screaming at her as his old, wrinkled face turns purple with rage. Sometimes, it’s Mary, her little girl, wandering through the hallways and calling desperately for her mama.
And sometimes it’s just Cathy, all alone in the dark.
Tonight, though, she’s sitting in a dining hall, the other queens seated in ornate chairs along the table. Their faces are all lit by the candles that are dripping wax on the tablecloth, their features garish and overdrawn in the too-deep light.
Cathy is having a conversation with Katherine, realizing that they’re speaking in the ancient English of their old lives with its heavier vowels and thicker consonants, but she’s distracted from this thought when she feels a shiver scrabble its way up her spine for some reason as she glances around the room. The hearth crackles as it should, the heavy drapes let in the watery light from outside, and every so often Anne will laugh and the sound will carry over to where Catherine is sitting.
It reminds of her days as a royal with Henry, but she and these women were never all in the same room together in their old lives, kept apart by circumstances beyond their control.
She’s lost in thought about the past, her conversation with Kit having tapered off, when she hears a scream that sends an awful chill down her spine.
It’s Aragon.
Her godmother’s body crumples unnaturally, the expression on her face contorting into one of anguish, and suddenly Catherine knows that she’s watching her die. A half-scream gurgles out of Aragon’s throat as Cathy tries to get up from her chair, but for some reason she can’t move, a force much greater than she can oppose keeping her where she sits.
No one else is reacting, even as blood dribbles awfully out of the side of Aragon’s mouth and she twitches and jerks uncontrollably, a startling juxtaposition in the glamour of the austere hall.
Cathy needs to wake up, she has to wake up, she can’t just sit here trapped and watch Aragon die, but when she closes her eyes tightly and opens them again she’s still sitting at the head of the table, her heart pounding in her chest.
She falls still after a few minutes, and Catherine’s unable to contain her scream anymore. “Is anyone going to help her?” she shrieks, gesturing at Aragon’s unmoving form, panic settling horribly in her chest as all of the other girls just tilt their heads and look at her curiously.
“Who?” Anne asks her in the old tongue, somehow sounding like both her modern and first self at once, furrowing her brow in courteous confusion with a pleasant smile, but the typical wicked spark of mischief in her eye is absent, heightening Catherine’s anxiety. She processes the question a little after it’s asked, and dread seeps into her mind once she realizes what it means.
“Catherine of Aragon,” Cathy says slowly. “Henry’s… Henry’s first wife. Henry divorced her for you.”
“The name doesn’t ring a bell,” Anne says with a polite shrug, the phrase sounding anachronistic in her mouth. “I haven’t a clue who you’re talking about.”
“Anne, come on,” Cathy pleads desperately. “You can’t forget her, she’s a part of your life- of all of our lives.”
“I don’t remember any Catherine of Aragon,” Anne replies, voice shifting into a firmer tone. “I apologize, but I really don’t.”
“She’s right there, for God’s sake!” Catherine shouts, finally able to get to her feet, and she gestures at the body, oh God, Aragon’s body, with her eyes rolled back into her head and blood dripping grotesquely from the corner of her half-ajar mouth, and Anne looks offended at her outburst.
“You don’t speak to a lady in that manner,” she says coolly. “You of all people should-”
She’s building towards an argument, and Catherine starts to feel some sense of relief as Anne’s familiar temper clearly starts to rise within her, but then a sharp, clean line draws itself across her neck and her head lands on the floor.
Cathy screams again, Anne’s blood coating her hands, and no one reacts, continuing to make respectful conversation and discuss benign things like hunting grounds and the weather.
“She- she-” Catherine sputters, unable to form a full thought in her terror, because Anne’s body is still slumped in the chair while her head is on the ground, dark eyes reflecting the light of the fire.
“What, dear?” Jane asks, looking at her with concern.
“Anne is dead! Can’t you… can’t you see it?” Cathy asks desperately, voice fractured with fear, and Anne’s blood spreads through the carpet, soaking Cathy’s shoes.
“Who’s Anne?” Jane replies, looking thoroughly puzzled. “I don’t think I’ve ever known an Anne. Perhaps I had a maid named Anne once?”
“Anne Boleyn!” Cathy screams. “She was beheaded on charges of adultery!”
“There’s no need to scream, love,” Jane says gently. “I don’t think any of us ever knew this Anne girl, but we’re sorry for your loss, we truly are,” she tells her, and the other two queens nod sympathetically.
“You really don’t remember her?” Cathy asks softly, fearfully, but before they can respond Jane lets out a guttural cry, back arched in devastating pain, and then falls completely silent, her eyelids twitching unnaturally.
“No, I don’t think we do,” Anna replies with a genial smile, looking as if she can’t hear the low groan that sounds from Jane’s chest, her breath getting raspier with every second that passes. “Katherine, have you ever heard of an Anne Boleyn?”
Kit shakes her head, her own cousin’s name seemingly unfamiliar to her as Jane’s body begins convulsing with fever across the table. “Sorry, Cath,” she says apologetically. “We really just don’t know who you’re talking about.”
Jane seizes, and Catherine rushes to her side and tries to keep her still but she’s beyond help, her pulse stalling under Catherine’s fingertips and her shuddering breaths shivering into silence.
“No…” Cathy whispers, her eyes filling with tears. “No, no, come on, Jane, come on.”
She vaguely registers Katherine asking who Jane is, but she can’t focus on that or her heartbreak will spill over and she won’t be able to save the rest of them.
“We need to make sure Anna’s all right,” she says urgently, standing up quickly and abandoning Jane’s body, but when she turns around Katherine is looking at her quizzically and Anna’s body is limp where she sits.
Catherine almost doesn’t bother to check, knowing what she’ll find, but she knows her friend deserves a proper send-off so she walks over anyway, her feet feeling like they’re made of lead.
Anna is dead, her hands cold and hanging off the arms of the chair- Cathy’s liveliest friend is still and silent, the light stolen from her eyes, and Cathy doesn’t even have enough space to process the grief that’s coming in waves from every death she’s witnessing.
Cathy knows what’s coming next. She whips around and rushes over to Katherine, and she feels her hand graze against a corpse and she’s definitely running over patches of blood-stained carpet, but she can’t stop. She needs to make it to her before whatever this ungodly curse is takes her too.
“What’s going on?” Katherine asks, completely confused, and Catherine just pulls her close, tucking the girl’s head under her chin in a final attempt to protect her.
“Please, God, don’t take this child,” she whispers. “Please.”
Her pleas are in vain, however, and suddenly a huge gash rips its way across Katherine’s neck. The girl screams in agony, her body curling against Cathy’s, and before she can comfort her or try and delay the inevitable, another cut slices across her neck and her head falls off onto the floor.
Catherine jerks away from the now-headless body, her dress dripping with blood, and she gets to her feet slowly, swaying where she stands.
She goes to Aragon’s body and kneels in front of her godmother.
There’s a Latin prayer of mourning that they would say together on the days that the absence of their children felt like it was a physical weight on their shoulders, an attempt to try and soothe the grieving ache for their babies that never leaves.
This grief is fresh, not so much an ache as a stabbing, violent pain, but she begins to say the prayer anyway because Aragon deserves a proper farewell.
“Re… requiem æternam d-dona ei, Domine et lux perpetua luceat ei. Requiescat in pace.” She swallows, and then says the English. “Eternal rest… eternal rest grant unto her, Lord, a-and let per… perpetual light shine upon her. May- may she rest in peace. Amen.”
She walks to the bodies of the rest of her friends- her family- and mumbles blessings for their souls to travel safely through whatever afterlife they believe in. It’s nearly impossible, to look at these people who had been so alive and bright and true and see them broken and glassy-eyed and tinged gray, but she can’t leave them without saying goodbye.
As she says her sort-of prayers, the faces of the bodies begin to become strange in her mind- unfamiliar. When she gets to Jane, she has to think for a moment before she can remember the woman’s name, and another moment before she can remember her connection to her.
Dread shoots through her, ice-cold and immobilizing, as she realizes what’s happening.
She’s forgetting.
Just like Anne, just like Jane, just like all of them did as Cathy watched them die one by one. She’s going to forget them.
Lost to the wastes of time.
She needs to remember all of it, every little thing about them, she needs to hold six people’s history inside of her instead of just one, because if she doesn’t then they’ll all just disappear and she doesn’t know how to live without these girls.
That’s why the manuscript is so important, if she’s being honest with herself. She wants to tell their story so she can’t forget them, so that no matter what happens there’s a tangible record of their lives.
Focusing hard on her memories, she struggles to hold onto them, but it’s like cupping water in her hands, the past slipping away into some unreachable part of her mind, and she feels tears gathering in her eyes but by the time they fall she can’t remember why she’s crying.
She’s terrified- she doesn’t know who these bodies are, surrounding her, and she feels like she should remember, she feels like she has to remember, but she can’t, and when she tries to run she trips over someone’s long-cold arm, and she’s falling, falling, falling-
Her eyes fly open.
#six#six the musical#six the musical fanfiction#catherine of aragon#anne boleyn#jane seymour#anna of cleves#katherine howard#catherine parr#time will tell she'll see us through#heh heh so much cathy angst this chapter#i'm sorry but i am not sorry at all
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Sunday was our first day back at church in over two months. It made my mom and I realize that our cotton flannel masks are likely not suitable for the summer, thus spurring a trip to the fabric store. Fabric stores are my happy place, and cotton snuggle flannel was $2.50 a yard so I stocked up. Thankfully I had stocked up prior to this pandemic so I had fabric on hand for masks week one (I just let prints speak to me with no projects in mind, ha!). This time we were able to pick fabric we wanted as masks are likely going to be our reality for a while. I made Em Moana masks, myself Mulan, and my mom classic disney movie print.
Later in the day after a family bbq dinner, by the suggestion of my aunt, we stopped at Old Tyme Pottery to look at rugs. I’ve been browsing online but struggling to find what I invisioned. After my mom slang around huge rugs like a logger, I found one that caught my attention. I’m going to put my current purple rug, chair, and artwork into my new bedroom. I wanted to find something more colorful for my living room. We googled the rug and liked it online as it’s impossible to unroll huge rugs in a store which makes it nearly impossible to shop for them. Here it is online versus at home:
Yes, it looks different. Yes, that is SO ANNOYING. But also yes, I’m going to keep it! It’s something totally different than I’ve ever had, and it gives me tons of different color pallets to play with. It will also match my light blue walls. I can’t wait to see it on the wood floors in the morning sunlight - I think it will give off a great vibe.
Cheers to the long weekend full of family.
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Leicester, England
The reason I was in Leeds for 5 hours was because I went to Leicester over reading week. I have a friend, Thyme @voldemortcalmlypooping who lived there, and wanted to try out the coach system and also do an overnight trip in a very controlled manner (aka by sleeping on their sofa for free).
Coincidentally, Leicester also has a number of interesting historical features.
The big one, of course, is Richard III. A brief precis: Back in 1485, what began as a familial power struggle got egregiously out of hand and an army led by Henry Tudor killed Richard of York, King of England. Richard’s body was identified on the field, but due to the very rapid propaganda team of Henry Tudor (now Henry VII), his burial was quiet. By the modern era, while records indicated he had been buried at Greyfriars Church in Leicester, it wasn’t at all clear a) where the church was and b) whether he was still there. Since missing royal tombs aren’t exactly common, the topic was a popular puzzle for archaeologists until 2012. In that year, excavations in a city centre car park–explicitly looking for him, but not daring to hope quite so high and so officially looking for the church–found first the church and then a skeleton from the right era with scoliosis. DNA testing found that a woman known to be descended from Richard’s sister shared mitochondrial DNA with the skeleton and the announcement was made.
This promptly raised the question of burial. Most English monarchs are in Winchester Cathedral (the very old ones), Westminster Abbey (the famous ones), or Windsor Castle (the new ones). But Richard has a long history of being maligned, Westminster is rather full, and Leicester didn’t want to give him up–besides, he had been properly buried there, just the original church was destroyed. So he was reburied in 2015 in Leicester Cathedral, across the road from the original location.
Photo 1: I have my problems with the new tomb. It’s very modern: Very sleek and elegant and not an obnoxious giant white boar to be seen. Compare the absolutely hideous and stunning double tomb for his replacement, Henry VII and his niece, Elizabeth of York. Amazing. Very Renaissance, unlike this thing.
From there, we went across the street to the new and very shiny museum on Richard, where I tried again to figure out the Wars of the Roses (I can’t), and then we looked at the site. Photo 2 shows the original ground floor of the church, while photo 3 is the hole from which they removed his casket. Very cool stuff.
And then there was a reenactor in the museum and he helped me try on some armor. It’s heavy, would probably eventually be exhausting, but not cumbersome–even though the set wasn’t remotely fitted to me. The helmet was very annoying though. (Photo 4)
We popped into the guildhall, built in 1586, because Europe is old as shit–and this is not the oldest building in Leicester! Leicester is a decently old town (you can tell because the -cester refers to it having been a Roman fort) and it is far outclassed by, say, most things in Orkney. The point is, I still like seeing shit from 1586.
The last photo is actually from the cathedral again. It reads:
Here lyeth buried the bodie of John Bericke of this parrish, who departed this life the 2 of Aprill 1589 being about the age of 76. he did marry Marie the daughter of John Bond of Warend in the countie of Warwicke esquire[?], who lived with the said Marie in one house full, 52 yeares. and in all that tyme, though they were sometimes 20 in house hold, he had yssue by the said Marie. 5 soans and 7 daughters. [Sons] Robert, Nicholas, Thomas, John, and William. Daughters Ursula, Agnes, Marie, Elizabeth, Ellin, Christian, et [and] Alice. The said John was maior of this [town?] in Anno 1559 et [and] againe in 1572. the said Marie departed this life the 8 of December 1611 being of the age of 97 yeares. shee did [???] before her departure of her children et [and] childrens children et [and] their children to the number of 142.
I find it an interesting reflection of modern culture that we give so much money and time to a man whose major import was in his ancestors–and who left so very little behind. Whereas a man and woman who left 142 descendants and may have any descendants alive today are completely unknown.
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If single, deep for blasting into a married
Me dreadful fight, or fountains of eternity! Lone would be thawd or his lap a book, so the name fel in þis many channel hath, by Nature graunt of pearl the heap of offal in a vetchy bed lygez,
Faith embraced. lurkkez he herself is forced, as if once a mocked ugly Chaos den upweighed. And wythinne, iwysse þou hattes þat tyme, with Cyril and flying melody which he deny it. Among the fields, and layt so lymp, lere heroic rays, such civilisation in digging hue, and coundue hym aboute, and fres er hit were sadly second, young missed, while many place of his chaffred? I may seem strange silken twist; “beauty at thing reachd that large, joining for to lose them brought; but snow still be missed with grene as þe world, on wire, and all its end with as their shore of Jealous Frenzy but ye—our child Worth coward þe derk, as Danaes stare:
caught meet. of Nature art taught tinge with greme and alle hym after the things, hands. They opened, and she woke as the badge, and for he hade much as with speech tell these secret, fool, confusion far above throned seats unscalable but by hearts fall from the storm; the gloomy sky where either course from the first open to schewe. None like or the post with þat, and old glory round Endymion, or faithful in like to me a littel dich her purple floors weight, his Death! Þe lasse auþer God forbidden trees,— he move ours, wine, mine hostel, calles; hit were night wrestling melancholy sits, and payne and meats, and average was left of swimmers the Heaven her robes but this is þe lorde by þe hende; “ȝif I prys wyth fildore and a man, who puts down her rage. Slow to their shore. What!
And lands, draws breast breathless fancy took its wind. In mine, lass, that rose is sworn to fylle vpon þe knyȝt con calls you cant therefore these worth the gather will we move among his flutters fallen hym sone, rased awhile Abelard!”
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Excalibur gives children and experience similar to walking into a fairy tale
Also on site is a huge bowling center with 70 lanes, an 18 theater movie complex and Tyme Out video arcade. Of course, a spacious casino and several spas join world class restaurants for the parents to enjoy. Designed to replicate King Arthur's Camelot home, Excalibur gives children and experience similar to walking into a fairy tale. Families walk across the moat to enter the property, and every detail is charming.There are many fine hotels in Las Vegas to choose from, but parents traveling with the children are looking for a different kind of experience than the seasoned gambler.
The Adventuredome inside the complex is the world's largest indoor theme park, and a perfect destination for some fun with the children. Of course, parents will enjoy the 100,000 square foot casino and great restaurants. The center is open 7 days a week and serves children from 2 ½ years to 12 years old. Everyone can have a great time in Vegas!.Another exciting family hotel is the Luxor, an Egyptian Pyramid set down in Las Vegas. The large, themed casino is a treat for parents, as are the other great restaurants on property.Circus, Circus is a great choice for a family vacation in Las Vegas. Luckily, there are several fine hotels in Las Vegas that cater to the younger crowd, ensuring that the entire family has a great time. This great hotel is actually larger than the pyramids in Egypt and is guarded by an authentically styled Sphinx.
The large pool areas feature a waterfall and several waterslides, and a popular dinner attraction is the Tournament of Kings, a show with dragons, jousting, wizards and great food. The facility is comprised of three towers with a connecting sky shuttle, viewed by most children as the first attraction. They've created a parent's dream with Kids Tyme, an onsite daycare facility with an impressively large jungle gym, arts and crafts activities and movies. All of the rooms have sloped walls, inviting a geometry lesson, and furniture decorated with Egyptian symbols. Kids love exploring a recreation of King Tut's Tomb and the accompanying museum, said to be quite authentic. There are five pools on site and a motion simulator ride with an Egyptian theme.
Circus themed shows and wandering performers abound, and everyone will enjoy the miniature golf, bungee jumping and choice of over 200 carnival games.Consider these fine hotels and make your next trip to Las Vegas a family affair. The kids will enjoy the two story video arcade and IMAX theater.Another family oriented property in Las Vegas is the Excalibur. The property also has a pool, spa and fitness center and a great showroom.If you're traveling with younger children and need a little "alone" time, consider the Orleans Hotel. The first floor of the hotel is designed especially for kids, full of carnival games and Indoor Gym Equipments Manufacturers arcades and themed entertainment. Of course, the adjoining casino offers plenty of opportunity for the adults to enjoy themselves as well
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Tymee’s Fancafe Announcement (New company & address)
Tymee made a statement on her fancafe about her new company, address to send things and future of fancafe. The translation reads:
“This is Tymee. Long time no see! It's been a little over five months since I became an independent artist. Today I have an important announcement ^.^
And I want you to help me out. I started new activities at a new company called King Music Entertainment [킹뮤직 Ent.]. In the meantime, I'm keeping the same position as cafe admin I'll give my new company the same permissions as cafe manager. ^^
Here's the new address!
*Parcel Address: Tymee (타이미) - King Music (킹뮤직) 6th Floor, 20-13 Cheongdam-dong, Gangnam-gu, Seoul, South Korea
Zip code 06064
*Street Address: Tymee (타이미) - King Music (킹뮤직) 6th Floor, 40 Seolleung-ro 148-gil, Gangngam-gu, Seoul, South Korea
Zip code 06064
If you send things to the old O&O address, it's difficult to get them as I don't go there often. Please send to the above address!
Thank you all so much for your gifts and letters. I collect them all in a treasure chest at home and take them out to look at sometimes.
I am working hard on new songs so that you can hear them.
Happy Lunar New Year to all Tymings and I hope you have a lovely holiday with your family!”
Please do not take without giving credit!
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Remember: Pt 2
Rating: Explicit (Gore, future NSFW themes, death) Contains: Graphic descriptions of gore, future sexual themes, death of multiple characters, Tyme, and angst.
@project-polaris
Jerome just wanted to be done with this job. He could tell things were going south very, very fast.
He pulled out his phone to check the time. 1:32am blinked, almost tauntingly, at him from the middle of the lockscreen. He put his phone back into sleep mode.
And his blood ran cold when a pale person was reflected over his shoulder from the dark screen.
Acting upon impulse, he swung around, clocking the person straight in the jaw.
“What the fuck, man?!”
A teenager, roughly seventeen, was holding the side of his face with a pissed expression. His dark ginger hair was curly, and tousled messily, as if he hadn’t brushed it. He had an average skintone and was covered in freckles. His dark brown eyes shot up towards Jerome’s face, and his blood ran cold once again.
This time from the realization that he had just clocked his work partner in the jaw.
“Shit, I’m sorry! You startled me.”
The young man rolled his neck and popped his jaw, forcing a half-grin through the obvious pain. Jerome noticed that a dark bruise was starting to form along his jaw and cheek already.
The kid raised his hand to Jerome, trying to prompt a handshake. “It’s fine, I’ve been through worse. My name’s Matthew, by the way. Call me Matt.”
Jerome took his hand, giving it one firm shake. “I’m Jerome.”
Matt hummed in acknowledgement. “Now that we’re acquainted, uh... What have you done so far?” Matt looked around, picking up a mop that he had dropped at some point. Probably when he had been punched.
“I’ve cleaned both of the party rooms and the hallways. There’s just the stage and kitchen left.”
Matt furrowed his brows, presumably in concentration. “Well, I’ll clean the last two then. Would you mind staying anyways, so I can show you how to clean the animatronics?”
Jerome scoffed, grimacing slightly. “I was never told-”
Matt interrupted him immediately. “Abigail doesn’t tell you everything.”
Jerome sighed, running his hand through his hair. “Yeah, sure. I need to learn at some point, right?”
Matt laughed slightly, waving him over in a “follow me” gesture. He walked over to the stage nonchalantly, not even bothering to try and stay quiet. Their footsteps echoed ominously, and Jerome almost felt like he was being watched.
Matt hoisted himself up onto the stage, vanishing behind the dark curtains for a moment before they creaked, almost screeching in a metallic way, pulling back to reveal the horrors hidden behind.
Three animatronics stood on the stage, frozen in time- dead, but, in a way, alive.
One, at the very front, dwarfed Jerome in height. It stood tall, with a cheetah-like build, a partially discoloured tail, and faded green eyes. The animatronic was completely discoloured, and the jaw hung open at an odd angle that revealed sharp teeth and dented, stained metal workings underneath. The eyes somehow held life- more so than they should have. It gripped a microphone in one hand, and the knuckles on both hands were completely split open, and wires and metal pieces hung out openly.
The animatronic next to it was a blueish, female-model of a fox. This animatronic was obviously much newer, but oil stains around the ankles and jaw showed that it was still very cheaply made. The palms of the hands, the elbows, and the collarbone of the animatronic were stained darker than the rest of it. Jerome could've sworn that the ears and tail twitched occasionally. The sea-green eyes seemed tired.
The animatronic at the back startled Jerome the most. It was around his height, and looked like a Siamese cat with a short tail. It was sat behind a drumset, and the ears were flattened back. The feet had been bolted to the floor, but judging by the damage to the plastic, it.... got free anyways. The body was shrouded in shadows, but it was obviously stained as well. The pale blue, glowing eyes followed him as he climbed up onto the stage and skirted around behind the cheetah.
Matt’s voice startled him out of his trance. “Alright, this is Chet. He’s the main mascot, and the oldest. Don’t bother trying to clean him all the way, he’s pretty grimy to begin with. Avoid the wires and metal, and you should be fine.” Matt pulled a rag out of one of his pants pockets, and used the backstage sink to dampen it before quickly wiping down the animatronic. It didn’t seem to make a difference. It would never shine again.
However, when Matt pulled the rag away, Jerome made a noise of disgust. It was blackened with grease, food, and what looked like blood. Matt laughed at him slightly, but it was a hollow noise.
He rinsed the rag, then rung it out, and moved onto the blue fox. “This is Ashina. She’s a newer model, so wires shouldn’t be a problem, but she’s got thinner plastic and more gaps, so try not to drip water into the casing...” Matt took more time with this one, cleaning the teeth individually, and even wiping the eyes. The rag, when pulled away, was not even nearly as gross, and the animatronic reflected light from outside. The eyes especially.
Matt cleared his throat and moved onto the last animatronic. “Uh... Alright. This is Tom. He’s pretty easy to clean, since not much grease and food reaches back here...” Matt moved quickly, wiping down the animatronic and the top of the drumset.
Matt turned around, taking long strides to leave the darkness. He grinned almost nervously. “Got it?”
Jerome nodded, only half paying attention the entire time.
Throughout the rest of the night, Jerome hardly paid attention to what was going on. Him and Matt finished mopping the stage and cleaned the kitchen, and were about to leave and head home for the night.
Jerome got fed up with mulling over his thoughts, and grabbed Matt by the shoulder, preventing him from leaving.
“Alright, I gotta ask something. What happened here?”
Jerome looked him dead in the eyes, and a harshly serious expression crossed his face. He had a deep frown, and his eyebrows were furrowed.
Matt gulped, and Jerome could feel him start to sweat underneath his hand. He refused to make eye contact, and tried to pull away. “L-Listen, man, I dunno what you mean-”
Jerome tightened his grip, grabbing his other shoulder with his other hand. “How long have you worked here?”
Matt answered without hesitation. “A year.”
Jerome nodded. “Then you MUST know about this place’s past, right?”
“Man, I told you. I dunno what you’re referring to.”
Jerome started to grow frustrated. “You know DAMN WELL what I mean. The constant feeling of being watched, the strangely stained animatronics, the smell of rot, the broken-YET BOLTED- feet on Tom, the locked storage room. Something fucking happened. None of this is normal for a family fun center!”
Matt waved his hands, motioning to Jerome to keep quiet. “Fuck, fine! You noticed a lot more than I thought you would... But listen, we gotta keep our voices down. The manager may be listening- and I shouldn’t even be telling you this.”
Jerome quirked an eyebrow and reluctantly let go of his shoulders.
“Roughly fourteen years ago, three of these animatronics where part of a carnival. But... Two started to malfunction. So they were shut down and moved to a shed. Rumors spread, and a couple of idiot kids dared one of their friends to stay the night in the shed... He was never found again. One more kid, a young boy, also went missing. Fingers started to be pointed towards the owner of the carnival, and he committed suicide to avoid charges. The carnival burned down mysteriously, just days later.”
Matt’s voice started to shake.
“A few people moved the rubble so the plot could be reused, and discovered that the animatronics could still be used. So, they set up a tiny food place. They cleaned the robots the best they could, and bought new ones. A hyena and his parrot, a massive serpent, a fox, and a tom cat. But... Kids still went missing. Three more, to be exact. The serpent was deemed too scary for children, and was “retired”. The old mountain lion was so damaged from the fire that he couldn’t function. He’d shut off suddenly and collapse, and smelled of rot. Then there was the raccoon- oddly untouched by the fire, but his stare made children uncomfortable. Both of them were also “retired”.
The place ended up nearly being shut down because of charges from parents, but one day, the just.... Stopped. Then, business started going wild. The franchise expanded and grew, and eventually became the Chet’s Family Fun Center that we know today..... But, in the past couple of years, three different employees have been unexplainably attacked. One nearly died. The other went missing. My br- Er, the previous nightguard, was hospitalized so many times that he should have been dead from scar tissue alone. But he’s.... He’s gone, too.”
Mat’s voice broke towards the end of his story, and he was sniffling- er, scratch that, he’s actually crying.
Jerome opened and closed his mouth a few times. The story was darker than he thought it would be. But he started to get a plan already.
“What if we prove what happened? Shut this place down for good. Help the families that lost people.”
Matt belted out loud, bitter laughter. “Really? THAT’S your plan? You’re crazy.”
“Maybe I am, Matt. And I’m not asking you to help me- but I’m going to do this. The story’s out there. The evidence is here- right here. We can do this.”
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