#Oh Gwang-Rok

[seouldramaspot]

The Atypical Family – A Touching Tale of Superpowers and Human Struggles

"The Atypical Family" (Korean: 히어로는 아닙니다만) is a 2024 South Korean television series that blends the fantastical allure of superpowers with the poignant realities of everyday life. Starring Jang Ki-yong, Chun Woo-hee, Go Doo-shim, and Claudia Kim, this JTBC drama aired from May 4 to June 9, 2024, capturing the hearts of viewers every Saturday and Sunday evening. Additionally, it is available for streaming on Netflix in selected regions, making it accessible to a global audience.

The series revolves around Bok Gwi-ju and his family, who once possessed unique superpowers. However, due to chronic diseases and the pressures of modern life, they find themselves losing these abilities. The narrative takes a turn when their lives intersect with Do Da-hae, a mysterious woman with a keen interest in their family.

Main Characters

Bok Gwi-ju (Jang Ki-yong): Gwi-ju can travel back in time to revisit happy memories. Unfortunately, after his wife's death, he loses this ability as he grapples with depression and can no longer find joy in his past.

Do Da-hae (Chun Woo-hee): A mysterious figure whose fascination with Gwi-ju and his family brings new dynamics into their lives.

Bok Man-heum (Go Doo-shim): Gwi-ju's mother, whose insomnia prevents her from using her "precognitive dreaming" superpower.

Bok Dong-hee (Claudia Kim): Gwi-ju's older sister, who once had the ability to fly but lost it due to struggles with obesity.

Supporting Characters

Bok In-a (Park So-yi): Gwi-ju's daughter, a thirteen-year-old girl isolated from her family and classmates.

Eom Soon-gu (Oh Man-seok): Gwi-ju's father and the only family member without any superpowers.

Baek Il-hong (Kim Geum-sun): Da-hae's mother.

Grace (Ryu Abel): Da-hae's younger sister.

Noh Hyung-tae (Choi Gwang-rok): Da-hae's uncle

At its core, "The Atypical Family" is a poignant exploration of loss, identity, and resilience. The superpowers in the series symbolize personal strengths and coping mechanisms that the characters gradually lose due to life’s adversities. Gwi-ju’s battle with depression and his quest to rediscover happiness is a narrative that resonates deeply with many viewers, reflecting real-world struggles with mental health.

The series also tackles issues such as body image, family dynamics, and the sense of isolation felt by those who are different. Each character’s journey is a testament to the human spirit’s capacity to adapt and find new sources of strength and joy.

"The Atypical Family" enjoyed impressive viewership ratings, averaging 3.778% nationwide and 4.418% in Seoul. It consistently topped viewership charts, underscoring its popularity and the emotional connection it forged with its audience. These ratings reflect the show’s ability to attract and retain a dedicated following despite being broadcast on a cable channel, which typically garners smaller audiences compared to public broadcasters.

The original soundtrack of "The Atypical Family" significantly enhances its emotional impact. With beautifully composed pieces by artists such as So Soo-bin, Lee So-ra, and Yi Sung-yol, the music resonates deeply with the series' themes. The OST includes:

Part 1: "Walking with You" by So Soo-bin

Part 2: "I See You" by Lee So-ra

Part 3: "Laputa" by Yi Sung-yol

Each track captures the essence of the characters' journeys and the show's emotional beats, making the viewing experience even more immersive.

"The Atypical Family" is a standout series that deftly blends the fantastical with the deeply personal. It offers a unique perspective on the superhero genre, focusing not on epic battles but on the intimate struggles of a family facing extraordinary challenges. The series' compelling performances, intricate character development, and heartfelt storytelling make it a must-watch.

For fans of Korean dramas and those new to the genre, "The Atypical Family" is an unforgettable journey into the complexities of human emotion and resilience. Be sure to catch it on JTBC or stream it on Netflix to experience this remarkable tale.

Honest Comment: At first I didn't know the other actors I only knew the male lead, at first I was confuse of the story like how it happens I will not spoil but it is Fantasy about super power but it is different. Its only 12 episode but it is worth the watch I like the plot the tense and how the story goes. I recommend this series It is worth it.

[animaniacal]

@syolen @kakikaeru HIKO FROM HEALER IS THE FORTUNE TELLER IN FAITH??? DID WE KNOW THIS???

[kdramafeed]

[weeguttersnipe]

You were quite notorious… But even the detectives who beat you up were tired of beating you, cursing at you that you were disgustingly tenacious.

Healer, ep 7 (Korean tv series, 2015)

[justharuthings]

KDRAMA.

My Top 5 Korean-Drama Recommendations:

1. Chicago Typewriter

2. Remember: War of the Son

3. Tunnel

4. D-Day

5. Class of Lies

Disclaimer: I am NOT A FAN of romantic comedies, so most of my kdrama recommendations are all under the genre of crime, mystery and thriller.

5. Class of Lies (2019)

Network: OCN

Genre: Crime, Mystery, Thriller

Episodes: 16

Plot (by AsianWiki):

Ki Moo-Hyeok (Yoon Kyun Sang) is a lawyer with a high winning rate. He only cares about money. Due to a murder case at a high school which he deals with, his reputation as a lawyer hits rock bottom. In order to regain his good name as a lawyer, he sneaks into the high school and begins to work as a temporary teacher. He tries to reveal a secret which the students have. In so doing, Ki Moo-Hyeok gets involved with Teacher Ha So-Hyun (Keum Sae Rok). She is P.E. teacher who loves her students. Ki Moo-Hyeok and Ha So-Hyun then face the students' secret.

Thoughts/Conclusion:

As I am writing this, this is the latest kdrama I have watched. This was recommended by my friend and I remembered myself including this in my list of kdramas ‘to watch’ way before, but hasn’t been able to, yet. Hahaha!

In all of the dramas I’ve watched (with the same plot as this one), this one stands out the most because of its ending ㅡ open-ended. Yes, there were still some unanswered questions, but that is what made this drama intriguing. I love how realistic the approach of the drama is in interpreting the story. That not everything gets resolved, and in this drama too, the ending with Yu Beom Jin left us with many unanswered questions.

4. D-Day (2015)

Network: JTBC

Genre: Medical Drama, Disaster, Romance

Episodes: 20

Plot (by Wikipedia):

Lee Hae-sung is a surgeon who is transferred from one of the best hospitals in Seoul to a rundown hospital with no ER. After disobeying his previous hospital director, Park Geon, he then meets Jung Ddol-mi, an orthopedic resident from Busan who came to Seoul to transfer a patient. Ddol-mi tries to meet professor Han Woo-jin, a cold robotics surgeon who works in Hae-sung's old hospital who saved her life when she was younger before going back to Busan. However, she is stuck in Seoul after trying to save a patient. Meanwhile, a sinkhole appears in Seoul followed by a big earthquake that blocks all access to the city, causing phones, electricity, and water to not function. Hae-sung teams up with Ddol-mi to treat people, but soon medicine starts to run out.

Thoughts/Conclusion:

If I will recall, I think this is the first medical kdrama I have watched? I watched this because of Lee Sungyeol of INFINITE is casted in this drama and also because of the plot. But as I go on, I found myself so absorbed in the series.

What I liked about this series aside from the plot are the actors and actresses. They all did well in portraying each character, but I have to say, Kim Young Kwang really stands out for me. He has put a lot of effort in expressing his emotions into his character and it felt so real.

3. Tunnel (2017)

Network: OCN

Genre: Police Procedural, Crime, Thriller

Episodes: 16

Plot (by AsianWiki):

In 1986, Detective Park Gwang-Ho (Choi Jin Hyuk) desperately tries to catch a serial killer. He chases after the serial killer and goes through a tunnel. On the other side of the tunnel, Detective Park Gwang-Ho finds himself in the year 2017. The serial killer has resumed the killings that began 30 years ago. Detective Park Gwang-Ho works with Detective Kim Sun-Jae (Yoon Hyun Min) and Professor of Criminal Psychology Shin Jae-Yi (Lee Yoo Young) to catch the killer.

Thoughts/Conclusion:

I was actually torn between Tunnel and Signal, but I decided to include Tunnel in my Top 5 kdrama recommendations because it tackles criminal psychology as well as criminal profiling and I have been very interested in those things lately. What makes this series intriguing is that, it shows how psychopaths and sociopaths are developing in the society.

2. Remember: War of the Son (2015)

Network: SBS

Genre: Legal Drama, Crime, Thriller, Mystery

Episodes: 20

Plot (by Wikipedia):

Seo Jin-woo has a special condition called hyperthymesia which allows him to remember almost every day in perfect detail. While his father, Seo Jae-hyuk on the other hand, developed an Alzheimer's disease, making him lose his memories. When Seo Jae-hyuk was wrongfully convicted of murder, Jin-woo vows to prove innocence of his father. Four years later, Jin-woo becomes a lawyer to put the real criminal behind bars but bribery, corruption, and betrayals would not give him an easy road to justice.

Thoughts/Conclusion:

This series has been my top 1 kdrama ever since I have watched it, but Chicago Typewriter happened (well, I’ll be talking about this later). I came across a clip from the first episode of the series in Facebook. It was the scene on Jinwoo and Inha on the bus while identifying the culprit who stole something from Inha. I was intrigued about it and how Jinwoo has sharp memory and remembers everything.

What I love about this drama is the refreshing new plot and the characters, oh, let’s not forget how good Nam Goong Min portrayed his character as Nam Gyu Man. He really showed excellent acting skills to the point that even the viewers will hate him SO MUCH. Hahaha.

1. Chicago Typewriter (2017)

Network: TVN

Genre: Historical, Fantasy, Comedy, Romance

Episodes: 16

Plot (by Wikipedia):

The series depicts three resistance fighters who lived during the 1930s Japanese occupation of Korea, and are reincarnated into the present as a best-selling writer in a slump, a fan, and a ghostwriter.

It is an epic story of comradeship, friendship, love and betrayal that lasts 80 years. As the trio of writer, ghostwriter and fan race against time to find the truth of the past that haunts them, will their discovery affect their present?

Thoughts/Conclusion:

This is actually one of the recent kdramas I’ve watched during this enhanced community quarantine and I just have to say that this is actually one of my regrets in life (ok this is exaggerated lol but anyways). I regret not being able to watch this during the release which was last 2017. But it was actually on my ‘to watch’ list at that time. I’ve seen the plot and it made me curious, so I waited for it to finish before actually starting it, but I wasn’t really able to watch it because I got busy with school.

THIS. IS. SO. SO. SO. SO. GOOD.

As I’ve said above, Remember: War of the Son used to be my top 1 kdrama of all time, but after watching Chicago Typewriter, I changed my mind. Okay hear me out, I’ve seen A LOT of kdramas with new and interesting plot, but they haven’t topped Remember yet, but Chicago Typewriter just did, and I really mean it.

For the story, there were times where I felt that the story-line was moving slow. I mean, I wasn’t expecting it to be fast-paced but there were really scenes that I think have been dragged too long and not that important. But aside that, everything was SO GOOD. YES. IT WAS SO GOOD.

I love how series unfold the genuine friendship between the three main characters during the 1930s Japanese occupation of Korea – Seo Hwiyoung, Ryu Soohyun and Shin Yul. The storytelling throughout the drama is also good, even though they were constantly shifting timelines between 1930s and the present.  

The OSTs in the series were also GOOD. I tried listening to it after I watched the drama and I swear, listening to Satellite by SALTNPAPER and Writing Our Stories by SG Wannabe brings back all those emotions you’ve felt while watching it.

[kpop-kdrama-kvariety]

Click Here To Watch ‘With You Tomorrow’ With English Subtitles! 

[namjhyun]

Tomorrow with You Episode 07

“Yesterday is gone. Tomorrow has not yet come. We only have today. Let us begin.” - Mother Theresa

YAS! Character development! Thank you, show, for this episode. I have been waiting for this moment to arrive and it’s finally here: for once Soo-joon chose to stay in the present and figure things out on his own, instead of going the easy way out by traveling to the future. THAT’S how you do it, because really what does it matter if you know the when if you can’t understand the what.

The entire episode was kinda painful to watch because I fully understood where Ma-rin was coming from and why she was angry, but it was Soo-joon who had to stop playing dumb. In many ways. After today’s episode I can pinpoint exactly what was bothering me about this character and it was that somehow, after the accident, he got stuck in time. He got stuck as the child he used to be when life, work, friendship and love is pushing him to step up and be a man.

Luckily, Soo-joon is smart and proactive enough to make things work when he wants to. It wasn’t whatever or not he is in love with Ma-rin (he’s been for a while now) is how he choose to show that love. And today he took humongous steps towards becoming a better husband and person.

It’s no wonder Ma-rin fell sick trying to figure out all her husband’s secrets. Whatever she thought he was having an affair with his best friend or that he was a spy, in her mind anything was possible because she really didn’t know what to expect since Soo-joon never truly shared himself with her.

Whatever happens in the (short-term) future, I hope they keep this dynamic they have reached, where they can talk about the important things and be honest to each other.

As for the future, you know what I mean, it’s unclear to me what will happen. I believe Soo-joon and Ma-rin will figure it out somehow and I much prefer to stay in the present and work things out now than to travel to the future and stress for something that may or may not happen. After all, the future Soo-joon travels to is nothing more than a possibility according to his actions and emotions in the present time.

I also enjoyed the character development we got from the rest of the cast. Starting with Se-young and the end of her long time crush on Soo-joon with the help of Ki-doong. I agree with him on this one, she was too obvious and really has no business being all attentive to a married man whatever his wife is in the same space of not. I hope she can get over it sooner rather than later.

On the other hand, I’m pretty sure Doo-sik knows something about Kim Yong-jin’s future that will affect Soo-joon and Ma-rin in a negative way, and that’s why he’s working on him. But he was surprised himself when Yong-jin refused to leave the Soo-joon’s company and go behind his back with Doo-sik’s investment. He did not see that coming. Why do you think he’s doing this? What could possible be so bad for him to meddle with Yong-jin?

Today’s episode was a real treat, despite being bittersweet but it seems like that’s the tone of the show. With a mix of melancholy. That’s fine, I’ll take it as long as Ma-rin and Soo-joon live happily ever after.

And with the vacuum cleaner... so, it’s like two years until I can get it, right?

[chltlssbtm4793]

Oh Gwang-rok I met in Cannes

With 'All the People I'll Never Be' (originally: 'RETOUR A SEOUL' · 'Return to Seoul') officially invited to this year's Un Certain Regard category, the 75th Cannes Film Festival Actor Oh Gwang-rok, who visited the Cannes Film Festival, held a press conference with 30 domestic media visiting Cannes on the 22nd (local time) at the Korea Film Council (KOFIC) booth.

'Return to Seoul' is a work depicting the process of a 25-year-old woman, Freddie (Park Jimin), who was adopted at her young age, returning to the Republic of Korea where she was born and searching for her biological parents. It was directed by Cambodian-French director Debbie Shu, who received attention at the Cannes Film Festival and Berlin Film Festival, and co-starred with Oh Gwang-rok, Heo Jin, Kim Seon-young, and Park Ji-min. Oh Gwang-rok played the role of Freddie's biological father, who has a quiet personality in the play.

Oh Gwang-rok, who said, "I was very curious about this movie. It's good to visit Cannes with this movie," said Oh Gwang-rok, the only Korean director and actor attending the Cannes Film Festival this year to step on the red carpet for the opening ceremony. In particular, he and his wife attended the red carpet this time, and the fact of their remarriage was known belatedly. But for Oh Kwang-rok, the red carpet itself was no different from the Busan International Film Festival or the Cannes Film Festival. "The interest in Korea is real," he pointed out.

Oh Gwang-rok also went on the stage for the screening of 'Return to Seoul' and expressed his extraordinary affection for the movie. At the press conference that day, the story about Ki Seung-jeon's 'work' blossomed. The start was a contact from the representative of a domestic cooperative production company, and Oh Kwang-rok decided to appear without receiving the finished script. Oh Gwang-rok said, "When I introduced the broad content and the director, I said, 'Why don't we work together?

Oh Gwang-rok said, "Personally, I think this film is well-packed with the energy of the director. There are points that are suddenly omitted as the story unfolds, making you imagined, but I also thought it was very artistic. Shin Jung-hyun's music is also filled." He emphasized, "It's not obvious, and it boasts a completely different style and structure in front of conventional wisdom. It was a hot creation for us."

#먹튀검증#먹튀#먹튀사이트#먹튀검증사이트#먹튀검증커뮤니티#토토사이트#토토사이트검증#토토안전놀이터#토토사이트추천#먹튀사이트 검증#토토먹튀#먹튀신고#먹튀제보#먹튀검증업체#먹튀 업체#토토 사이트 먹튀 검증#먹튀 검증 토토 사이트#토토 먹튀 사이트#토토사이트 먹튀검증#토토 먹튀 검증#토토 검증 사이트#토토 먹튀검증 사이트#카지노사이트#온라인카지노#바카라사이트#파워볼#파워볼사이트#엔트리파워볼#파워볼먹튀#카지노먹튀

[nourhaannehab]

Healer

Kim Moon-Ho (Yoo Ji-Tae) is a popular reporter at major broadcasting company. One day, he learns the truth of a case that took place in the past. He intentionally approaches people who are related to the case and helps them. While doing so, he agonizes over the truth and beliefs.

Meanwhile, with the help of Kim Moon-Ho, internet reporter Chae Young-Shin (Park Min-Young) and Seo Jung-Hoo (Ji Chang-Wook), known as "Healer," grow into real reporters.

Ji Chang-Wook

Park Min-Young

Yoo Ji-Tae

Kim Mi-Kyung

Oh Gwang-Rok

[asia1one]

دانلود سریال کره ای انتقام شیرین 2 Sweet Revenge بازیرنویس فارسی

♦ دانلود سریال کره ای انتقام شیرین 2018 2 Sweet Revenge ♦ ♦ پخش آنلاین , دانلود موسیقی متن و زیرنویس ها تا قسمت آخر ♦

♦ دانلود سریال کره ای 2 Sweet Revenge ♦

♦ مشخصات سریال کره ای انتقام شیرین ♦ عنوان: انتقام شیرین / Sweet Revenge عنوان کره ای: 복수노트 2 ژانر: عاشقانه، فانتزی، کمدی کارگردان: Oh Seung Yul نویسنده:Han Sang Im شبکه پخش:XtvN تعداد قسمت ها:16 تاریخ شروع پخش: 13 آگوست 2018 کیفیت: ۴۸۰-۷۲۰ ♦ خلاصه داستان ♦  داستان سریال انتقام شیرین درباره یک دختر نوجوان به نام اوجینا (آن سو هیون) است که با دادن اسم هر شخصی به برنامه‌ی توی گوشیش میتونه ازشون انتقام بگیره. اوجینا به این شکل قصد داره از همه کسایی که توی مدرسه براش قلدری میکنند انتقام بگیره و حسابشون رو برسه… یادداشت انتقام 2 (به انگلیسی: Revenge Note 2) همچنین بیشتر شناخته شده با عنوان انتقام شیرین و یا Sweet Revenge نام یک سریال کره ای محصول سال 2018 است. این سریال با بازی آن سو هیون، ساموئل، کیم جی یونگ، پارک هه جین، جی مین هیوک و کیم سو هی در 16 قسمت 60 دقیقه ای و در ژانر جوانان، عاشقانه، فانتزی، کمدی برای شبکه کابلی XtvN کره جنوبی تهیه و تولید شده است. سریال کره ای انتقام شیرین توسط هان سانگ ایم، کیم جونگ سان و شیم می سان نویسندگی شده است و کارگردانی این سریال برعهده اوه سونگ یول و سو جه جو بوده است. ♦ بازیگران سریال کره ای Sweet Revenge ♦

Ahn Seo-Hyun Kim Ji-Young Park Hee Jin Seo Yu-Ri Sung Ji-Ru Oh Ji-Na Oh Sa-Na Kim Eun-Hee Kim Sun-Hee Oh Kang-Dong

Samuel Ji Min-Hyuk ] ] Kim So-Hee Seo Ro-Bin Seo Je-Yi mother of Ro-Bin&Je-Yi father of Ro-Bin&Je-Yi Geum Soo-Ji

Song Soo-Hyun Park Seo-Yeon Lee Ji-Hyun Shin Joon-Hang Jo Young-Sun Bae Shin-Ae Jung Bo-Ra Ha Rok-Hee An Mi-Nam Na Na-Ri

Koo Ji-Hye Park Shi-An ] Jo Jung-Eun Yoon Seo-Young Mo Ra-Hae Baek Joo-Ri Jo A-Ra Park Saem-Na Ko Min-Joo

Park Ji-Hoo Lee Ho-Jin Hong Dae-Ui Lee Joon-Young Song Tae-Min Lee Ha-Yan Kim Soo-Geun Park Soo-Ro Kang Ha-Joon Han Sun-Soo

Lee Jae-Baek Jung Young-Hyun ] ] ] Ha Ji-Man Ban Yi-Deun Im Ba-Reum Lee Myung-Tae Heo Ki-Chan

Kim Ye-Eun ] Park Dong-Bin Jung Jung-A Hwang Tae-Gwang Maeng Sa-Rang Ko Jin-Sang Lee Dae-Ro Jung Jung-A Choi Kang

] Soo-Ji's mother ♦ لیست موسیقی متن های سریال Sweet Revenge ♦ Part 1 01. Jude (주드) of Big Star - KISS KISS Part 2 01. Feeldog (필독) of Big Star, Samuel Kim (사무엘) - Time to Shine Part 3 01. Hwang Yerin (황예린) - Only I Don't Know (나만 모르게) 02. Ji Min Hyuk (지민혁), Kim Yoo Jung (김유정) of Laboum (라붐) - Rise Up Read the full article

[koredizisivefazlasi]

Tomorrow with You

Adı: Tomorrow with You 

Hangul: 내일 그대와 / Naeil Geudaewa

Tür: Fantastik, romantik 

Yönetmen: Yoo Je-Won

Senarist: Heo Sung-Hye

Yayıncı: tvN

Bölüm Sayısı: 16

Yayın Tarihi: 3 Şubat 2017 -

Yayın Günleri ve Saati: Cuma ve Cumartesi 20:00

Süre: 60 dak.

Dili: Korece

Ülke: Güney Kore

daum: 7.6 / 10 mydramalist: 8.2 /10

Konusu:

Bir zaman gezgini ve onun eşi arasındaki aşkı konu almaktadır.

Oyuncuları:

Ana Karakterler

Lee Je-hoon - Yoo So-Joon Shin Min-A - Song Ma-Rin Kang Ki-Doong - Kang Ki-Doong Park Ju-Hee - Shin Se-Young Baek Hyun-Jin - Kim Yong-Jin Kim Ye-Won - Lee Gun-Sook Oh Gwang-Rok - Shin Sung-Gyoo Lee Jung-Eun - Cha Boo-Sim Jo Han-Chul - Doo-Sik 

son bölüm reyting: 1.094%

[weeguttersnipe]

Happy? Ah, why do I get a stomachache whenever I hear those words?

Healer, ep 7 (Korean tv series, 2015)

[dramacurrent]

Even though Ma Sung and Gi Bbeum have found each other again, things are not as easy the second time around.  Will their fated connection be enough to draw them back together?  Devilish Joy Episode 2 gives us more questions than it answers.  (We are doing this people!  We are going to recap all of Devilish Joy.)

Recap Devilish Joy Episode 2

We open where we left off in the last episode.  Gong Ma Sung(Choi Jin Hyuk) stands over Joo Gi Bbeum(Song Ha Yoon) and demands what she is doing with her camera.  Gruffly, he orders her to hand him the camera and reaches out his hand.  As he does, his sleeve pulls up and Gi Bbeum sees for the first time the tattoo of the memory flower on his hand.

Memories swarm back to Gi Bbeum of their day together and seeing the memory flower.  Unaware Ma Sung doesn’t remember her, she hides her face.  But Ma Sung is still fixated on the camera.  When she doesn’t give it to him, he pulls it from her hands and sends it flying to the floor.  In the same instance, the camera breaks and Gi Bbeum’s bag of stinky fish splatter at their feet.

Ma Sung scolds her and turns to leave.  But, seeing the expensive camera broken, Gi Bbeum leaps to her feet and yells at him, “Hold up, Mr. Gong Ma Sung!”

Ma Sung’s countenance shifts in surprise.  “Did you call my name?”

“Yes! Don’t you remember me?” Gi Bbeum barks.

“Are you so important to be worth remembering?”  Ma Sung asks her and turning to go steps on one of her many spilt fish.  Angrily he tells her to clean them up.

In that moment, jerk cameraman arrives to see his camera in shatters on the floor.  He yells at Gi Bbeum while she stands numbly apologizing.

Back in his office, Ma Sung trashes his soiled shoes.

Later that day, Gi Bbeum sits across from her friend Ko Nan Joo(Lee Soo Ji) (Aw, it’s the pig-tailed assistant.  Note: we will be calling her Nan Joo from now on.) and sorts her fish.  She tells Nan Joo about meeting Ma Sung.  Nan Joo doesn’t seem at all surprised that Ma Sung didn’t recognize Gi Bbeum.  She is convinced he did remember her, but didn’t want to admit it considering how differently Gi Bbeum is from back then.  Gi Bbeum decides her friend is right.  “Whatever!” she tells her.

Gi Bbeum tries to give her friend some of her fish as a “thank you” for helping her set up her clothing store when she didn’t even have money for rent, but Nan Joo is less than thrilled to accept the smelly red gurnards.  She carries the bag of fish at arm’s length into the other room.

Walking home, Gi Bbeum discovers tabloids pasted on the side of a building advertising “Joo Gi Bbeum’s Closet: Amazing Sales.”  embarrassed for people to see how fall she has fallen, she begins to tear the sheets from the wall and window.

That night, Ma Sung is dropped off at home by his secretary chauffeur.  But before he goes in, his driver asks why Ma Sung is not wearing his shoes.  “I threw them out,” he grumpily tells the man and asks for him to buy the exact same shoes for tomorrow so he isn’t confused.

At her home, Gi Bbeum’s younger brother, Joo Ja Rang(Kang Yoon Je,) cooks red gurnards for dinner while Gi Bbeum watches.  Gi Bbeum asks what happened to the gas to their stove, and he tells her it was turned off by the company.  Gi Bbeum doesn’t seems totally surprised.  Continuing to cook, Ja Rang asks if she is not scared of the sea now, seeing as she went out on a boat today.  “I’m more scared of not catching fish.”  She tells him honestly.

Their conversation is interrupted by the sound of Gi Bbeum’s younger sister, Joo Sa Rang(Kim Ji Young) pushing their very drunk father in a shopping cart.

The siblings sit down to eat their fish dinner while their father(Oh Gwang Rok) lies on the floor beside the table.  Randomly, he pops up to quote pieces of poetry at them.  As their dad falls back asleep on the floor, Gi Bbeum notices the rude words on her younger sister’s shirt: “What are you looking at!?!”  Motherly, she tells her to not wear the rude shirt and instead to wear something from Gi Bbeum’s store.  As she pulls clothes from her backpack, Ja Rang notices the crumpled tabloids at the bottom of the pack.  He is annoyed, but Gi Bbeum makes light of them, telling him she is saving the paper for recycling.

At his own home, Ma Sung is also eating dinner.  Ironically, the menu for tonight is red gurnard, which (hilariously) annoys him.

Before bed, Ma Sung goes to his room of notes to write down his memories for tomorrow.  He is careful to detail each part of the day, but when he gets to his meeting with Gi Bbeum, he tells himself.  “It is a blessing to forget about such incidents,” and leaves her out.

Back at Gi Bbeum’s house, she heads to bed in the room she shares with her younger sister.  Laying down on the bottom bunk, she wistfully stares at the headshots of her former self tucked in the bars above her head.

At precisely 10pm, Ma Sung lays down to sleep.

We watch as the light around him darkens and then reemerges with the dawn.  As is his custom, Ma Sung awakes and goes to take a shower.  But as he stands under the water a memory of Gi Bbeum from yesterday flashes through his mind.  Startled, Ma Sung stands dripping and wonders who the woman is in his mind.

Now on a mission, Ma Sung rushes to his Memory Room to read over his notes from yesterday.  But, of course, there is nothing to be found about the mystery woman.  Still more baffled, Ma Sung calls his secretary to come quickly.

The secretary arrives carrying Ma Sung’s replacement shoes.  Ma Sung hands the man a sketch he has drawn of Gi Bbeum with her mound of fish and camera parts.  The driver wonders if maybe the woman was just a nightmare of Ma Sung’s.  But Ma Sung reminds him that he hasn’t had a dream in three years. After determining it wasn’t a dream, he realizes excitedly that Ma Sung remembered something for the first time.  (I’d disliked this guy before, but his reaction is so genuinely happy for Ma Sung I might have to change my mind.)

Across town Gi Bbeum enters jerk cameraman’s office cautiously.  She tries to give him clothes for his family as a peace-offering, but jerk cameraman won’t even let her near him.  The broken camera’s lens alone will cost him almost $2,300 to replace.  Gi Bbeum is very penitent and promises to buy the lens for him.  Jerk cameraman accepts her offer but fires her anyway, convinced she brings bad luck.  Gi Bbeum relents, but only if he promises to delete the embarrassing video he took of her.  Angrily, he barks that the video was deleted when the camera broke.  (I smell a rat.)

Calmly, Gi Bbeum heads to work at her shop, “Fantastic.”  Her phone is filled with text messages from people, but they aren’t customers with orders.  Instead, the phone rings with one hateful anti-fan text after another.  Without expression, she replies a reminder to them to only text with orders.

At the same time current star Lee Ha Im(Joo Yeon) sits in her van taking selfies on her phone.  Her assistant begs her to exit the van for the shoot, but Lee Ha Im keeps the door locked.  She calls him on his phone to tell him she won’t come out today because the dust is too heavy.  The assistant tries to relay her message to the director but is only told to try again.

Outside the van, Nan Joo and her team stand impatiently waiting for the spoiled starlet.  As they do, Gi Bbeum calls Nan Joo’s phone to tell her she has been fired.  Nan Joo is actually relieved she isn’t working for jerk cameraman anymore — she was sure he was a con artist anyhow.  Gi Bbeum assures her he wasn’t.  However, Nan Joo is not convinced and questions whether Gi Bbeum made sure the embarrassing video he took of her was deleted.  Gi Bbeum assures her he wouldn’t upload it.  (I have a bad feeling about where this is going.)  Since she’s jobless now Gi Bbeum asks if she could work at Nan Joo’s shop every day now, which Nan Joo emphatically answers her she can.

They hang up, but Nan Joo forgets to end the call.  Gi Bbeum continues to listen as Nan Joo’s team begs her to not let Gi Bbeum work with them.  Annoyed with them, Nan Joo defends her friend vehemently.  Sighing heavily, Gi Bbeum she presses the end button on her phone.

At Ma Sung’s company, his aunt stands in her office talking with her advisors and Ma Sung’s secretary and doctor.  The advisors tell her that her son, Ki Joon(Hoya), left the US early and has arrived in Korea already without her knowing.  Mom is furious and tells them to freeze his credit cards.

Her face now slipping into a smile, Aunt asks them how Ma Sung is doing.  They tell her of the “Healing Village” he is creating for dementia patients.  Although a good intention, they are concerned that the village will not be profitable.  She then turns to ask Ma Sung’s doctor how Ma Sung is doing physically.  He tells her honestly that he is not improving.  Turning her attention, she asks Ma Sung’s secretary, to ask for his schedule.  (This woman is giving me the creeps.  Every time she is around she is trying to put down or control Ma Sung or Ki Joon.)

Downstairs Ma Sung tries to lead a meeting on his new “Healing Village,” but his mind keeps distracting him with the memory of Gi Bbeum.

After the meeting ends he goes to visit his doctor.  The doctor is confounded to hear about his new memory, but Ma Sung has a theory.  (I forget Ma Sung is a neuroscientist too.)  He believes that the reason this memory was saved is because of a special relationship he must share with the mystery woman.

Afterwards, Ma Sung asks his secretary to locate the woman in his drawing. But the secretary is incredulous and scoffs that Ma Sung has become weirder lately, first with the new shoes and now this.  Baffled, Ma Sung retorts that he bought his own shoes in Milan long ago.  But the driver assures him he asked him to buy an identical pair yesterday.  Ma Sung shakes his head, wondering why he asked for replacement shoes.

Across town, Ki Joon stands in front of his entertainment agency building, sighing happily.  As he does, Lee Ha Im’s van pulls up to the building.  Ki Joon immediately recognizes her as the woman his mom slapped at the beauty shop and happily tries to start a conversation.  Lee Ha Im, however, isn’t interested.  But when she tries to enter the building, she can’t remember her password and Ki Joon has to let her in.

Inside, Lee Ha Im talks with her manager about some new scripts she’s been looking over.  (Gasp! It’s Gi Bbeum’s horrible manager from last episode.)   She isn’t happy with the scripts she’s been offered, insisting that she can only star in a “masterpiece.”  Her manager cruelly puts her down, even comparing her to Gi Bbeum when she threatens to end her contract.  Lee Ha Im is finally annoyed but subdued.

Upstairs, Ki Joon enters his entertainment agency just as his manager tells an assistant how he hates Ki Joon and wants to humiliate him.  But Ki Joon only hears “humiliate” and thinks it is a joke.  He eagerly tells his manager he ran into Lee Ha Im downstairs.  The manager is impressed, but Ki Joon declares she really wasn’t as pretty in person, nothing like Gi Bbeum.

However, his manager doesn’t agree and tells him that the only way their tiny company will survive is if Ki Joon can sign Lee Ha Im.   Ki Joon pouts that he thought he was going to be a big star for them.  But the manager tells him that he can’t make a comeback right now and suggests he give up and crawl back to his mom.  When pressed, they admit Ki Joon’s company is broke.  It is then that Ki Joon realizes his mom has cut off his funding.

Back at his office, Ma Sung is puzzling over his new shoes when Ki Joon calls his phone.  He tries to ignore the call, but Ki Joon bursts through the door, surprising him.  It is the first time Ki Joon has seen Ma Sung since the accident three years ago.  They bond for a moment before Ki Joon adorably (and hilariously) begs his cousin to buy him lunch.

On the way they fuss about everything from the menu to the car music.  But Ki Joon has a special surprise for Ma Sung.  Instead of a restaurant, he takes him to his entertainment agency, “Star Entertainment.”  Ki Joon starts to tell Ma Sung his tale of financial woe, but is interrupted immediately.  Ma Sung saw this trap coming from miles away.  He may have money, but he is a doctor not a real estate investor.

But Ki Joon persists.  There is someone he needs to save.  Ma Sung is intrigued at that choice of word, but Ki Joon will only tell him it is someone who was wrongfully framed.  Ki Joon brings all his cuteness to bear and begs his cousin to invest in him.  Ma Sung finally asks how much it costs; at which point Ki Joon launches at him in a hug.  (Aww, loving the bromance here.)

Moments later, Ma Sung signs the contract over lunch.  As Ki Joon stuffs his mouth, Ma Sung questions him about the strange memory he has had today.  Through his food, Ki Joon declares it must be an unrequited love that is causing Ma Sung to keep thinking about her.  Perhaps she is his lover?  (This kid is smarter than he acts.) However, Ma Sung is unamused.

After lunch, Ki Joon drops Ma Sung back off at work just as his phone rings.  It is the manager’s assistant with terrible news.  The embarrassing video of Gi Bbeum is online.

Around town Gi Bbeum’s brother discovers people watching the video and calls to warn his sister.  Too late Gi Bbeum rushes to jerk cameraman’s office.  The building is empty.

At the same time, Ma Sung discovers his secretary watching the clip.  The man shows him the video, but instead of laughing like everyone else, Ma Sung is startled to recognize the woman from his memory.  The driver laughs in amazement when Ma Sung tells him this is the woman they are searching for.  How can they be searching for THE Joo Gi Bbeum?

But, having lived out of the country before his accident, Ma Sung has no idea who Joo Gi Bbeum is.  The driver pulls up an old news video to watch from when Gi Bbeum was accused of killing Min Hyung Joon.  The newscaster explains that even though Joo Gi Bbeum was found not guilty, her image was ruined and all her supporters and sponsors turned on her.  His interest piqued, Ma Sung asks his secretary to look for Joo Gi Bbeum.

Not long after, the secretary returns.  He has discovered Gi Bbeum’s online store, a phone number where she can be texted to place orders, and her home address.

Later at home, Ma Sung stares at the note with Gi Bbeum’s contact info.  After hesitating, he throws the note to the ground — only for it to stick to his foot.

Back at their store, Nan Joo scolds Gi Bbeum for not confirming the video was deleted.  As Gi Bbeum literally pulls her hair in frustration, a text message alert rings on her phone.  It is Ma Sung with a message: “Can I place an order?”  When she doesn’t respond right away, he adds “20 pieces of clothing.”

But Gi Bbeum can’t imagine anyone would place an order with her right now and ignores his text.

When she still does not answer him, Ma Sung sends another text, “I mean, 50 pieces.”  Now Nan Joo and Gi Bbeum really think he is crazy.

Deciding it is still not enough, Ma Sung sends a final text.  “100 pieces!”  This does it.  Nan Joo and Gi Bbeum bounce with joy as they realize what a sale like this means for them.  Trying to keep her voice calm, Gi Bbeum calls her new customer.

“Hello, I’m from the Fantastic Shopping Mall” she cheerfully chirps when Ma Sung answers.  Her voice stays business like as she confirms that he really wants his large order, but outwardly her whole body riggles with joy.  He confirms he does want his order, which send the two girls into thrills of excitement.

“But I do have one condition.”  Ma Sung interrupts their joy to announce.  “The owner of this cellphone, so in other words, the owner of this shop must deliver the clothes herself.”

Thinking this a very suspicious request, the girls tell him that it isn’t possible.  But when Ma Sung threatens to cancel his order, Gi Bbeum immediately relents and agrees to come herself.

After hanging up, Nan Joo wonders whether the customer is some sort of weirdo to make that request.  But Gi Bbeum karate chops her in reply.  “I’m more concerned about not getting any orders!”  She snaps and hurries off to gather the order.

Soon after Gi Bbeum crosses town carrying a big black bag full of clothes.  She calls Ma Sung’s cell for directions.  However, instead of directly telling her where his house is, Ma Sung sends her through a series of ridiculous lefts and rights and up flight after flight of stairs as a test of her character.

Finally in front of Ma Sung’s house, Gi Bbeum moans to herself, “Of all places.  I used to live here.”

Seeing her outside his door, Ma Sung nods his head.  It really is the girl from his memory.  The door open, Gi Bbeum pulls her black burden awkwardly inside.

But when she raises her eyes Gi Bbeum is astonished to see Ma Sung is her mystery buyer.  “You’re the one who placed the order?”  She says in amazement.

Inside Ma Sung continues to test her patience by ordering her to pull her load of clothes to the bedroom and then the bathroom.  But when Gi Bbeum goes to the various places without needing to be told where they are, he becomes very curious.

Gi Bbeum doesn’t want him to know she was the previous owner, though, and tells him that house plans are all very similiar.  Ma Sung doesn’t buy it.

“You know me, don’t you?”  He asks her directly.  “This is a very important question to me so answer me seriously.  I feel like you know me.  Perhaps did we used to date?”

But Gi Bbeum misunderstands his meaning, assuming that he is asking because he is a flirt who can’t remember her from among his many dates.  “We didn’t date.”  She snaps at him.  Still annoyed, she wonders aloud if it bothers him that he broke the camera lens yesterday.  This triggers a memory of the camera breaking for Ma Sung, and he offers to pay for the damage.

Gi Bbeum tells him the totals for the camera lens and the clothes he ordered.  After transferring the money into her account, Ma Sung tells her that he doesn’t really want the clothes afterall.  He had called her to ask a question and he believes the reward was enough for the cost of her time.  She can “throw the clothes out”, he tells her.

Tearfully Gi Bbeum asks if he will regret his decision.  (I spy a deeper meaning.)  But Ma Sung retorts that he won’t regret what he won’t remember tomorrow.  (I know that this answer makes sense from his perspective, but from from Gi Bbeum’s viewpoint, ouch.)  Before leaving with her clothes, Gi Bbeum straightens and tells Ma Sung that although these clothes might not be worth anything to him, they are her a matter of survival to her.

But standing outside his house, Gi Bbeum is far less brave.  She crouches down in the street and reminds herself not to cry.  (Sniff! I’m not crying, you are.)

On street in front of Gi Bbeum’s home, Ki Joon sits watching the road.  When suddenly Sa Rang slams down on his windshield making him squeal in fear.  She glares at him through the windshield with eyes of death before pulling off and heading inside.  But Ki Joon is undeterred and runs after her.

“Is this where Joo Gi Bbeum lives?” He asks her.  Sa Rang retorts that it is her house before turning to go.  As she leaves we see her shirt again rudely states “What are you lookin’ at!?!”

Just then Gi Bbeum herself comes walking down the road awkwardly dragging her black load.  Ki Joon’s smile explodes across his face when he sees and goes running toward her.  “You’re still shinning as ever, my first love.”  He says happily.

However, Gi Bbeum has no idea who he is and pulls back in confusion.  “Who are you?”  She asks.  In reply he tells her they were in a drama together five years ago and that they even kissed.

At that Gi Bbeum does start to remember.  In flashback we see a much younger looking Ki Joon awkwardly chewing his nail as Gi Bbeum creeps playfully up behind him.  But instead of telling Gi Bbeum he loves her, Ki Joon fouls up the line and says he “persons her.”  At that the director cries cut in exasperation…apparently this isn’t the first time.

Back in the present, Gi Bbeum really does remember him, which delights Ki Joon no end.  Ki Joon notices her bag of clothes, and Gi Bbeum admits “some weirdo” bought them and then didn’t want them.  She figures that she seems pathetic for bringing the clothes back.  But Ki Joon assures her she is just thrifty.  Gi Bbeum says she isn’t sure what to do with the clothes, at which Ki Joon beams.  He has the perfect idea.

Cut to Gi Bbeum and Ki Joon driving up to a street full of homeless people.  Moments later the people dance in joy as they wear Gi Bbeum’s new clothes and the givers give eachother a high five.

Back in his study, Ma Sung is again trying to write in his journal.  But he can’t stop thinking about Gi Bbeum.  He reaches a hand up to feel his heartbeat.  “That woman has a way of making people feel uncomfortable,” he notes.

Moments later we see Ma Sung sitting in his car.  Strangely, He is wearing sunglasses even though it is night.  He reacts as a car’s headlights pass in front of his car.  “What am I doing?!”  He asks himself, but ends up driving anyway.

On the road in front of Gi Bbeum’s home, she and Ki Joon are saying their goodbyes after their fun afternoon.  After she leaves, Ki Joon does a happy dance.  He could not be happier to have been with his idol.  “I’ll make you big again.”  He quietly promises.

Before Gi Bbeum can reach her house, though, Ma Sung arrives at the door.  He walks into the front yard  and heads up to the curtain door.  But before he can know Sa Rang screams “It’s a thief!” at the top of her lungs.  Ma Sung is confused and laughs that she thought he looked like a thief.  But cocky Sa Rang insists he did and tells him to get lost before walking around him to go inside.

Just then Gi Bbeum’s dad comes up drunk as ever and accuses him of eating the ramyun from the bowl in his hand.  Ma Sung assures him he did not eat the ramyun.  Dad decides to believe him and let him “pass.”  By now Ma Sung is very confused and turns to leave, but Dad calls him back for a lecture on the dispossal of cigarette butts.  (Bwahaha!)  When Ma Sung assures him that he doesn’t smoke, Dad again agrees to let him “pass.”  Again Ma Sung turns to go and again Dad calls him back to ask if he knows how much government spending is wasted on trash people don’t sort properly.

Before Dad can “pass” him again, Gi Bbeum comes up and sends Dad inside.

After seeing Dad is safely inside, Gi Bbeum turns to ask Ma Sung what he is doing there.  Ma Sung doesn’t answer though, and instead questions her about who the people are that he just met.  Gi Bbeum answers him but then demands how he found her.  He tells her that he found the address on her website.

But Gi Bbeum flatly responds that she never put her home address on her website.  Skirting the issue, Ma Sung tells her he came for the clothes he bought.  Gi Bbeum tells him that she doesn’t have them anymore, which Ma Sung assumes means she sold them again.  He marvels at her amazing survival skills.  But he isn’t mad.  If she doesn’t have his clothes, he will accept a few minutes to talk with her instead.  (Awkward lover boy is adorable.)

Gi Bbeum refuses to talk to him for even two minutes.  Ma Sung feels very put out by this and scolds her for not even talking to him when he has gone through so much hardship to come here.

“Why should I have to waste my precious time on you?”  Gi Bbeum snaps back.  “I can’t even spare one second.  I don’t want to.”  (You tell him, girl!)

Ma Sung is flabbergasted and wonders at her confidence in ignoring him, especially considering the position she is in.  Gi Bbeum assures him that confidence does not come from the environment, but the heart.

“So this is why people hate you so much.”  Ma Sung softly observes.  “Because of your unwarranted confidence.”  (Too far, Ma Sung.  Don’t you dare hurt our tender girl.)  He notes her many anti-fans, finally deciding there is no way he would have aquainted himself with someone like her.

He leaves, but Gi Bbeum follows pounding after him and throws the bag she was holding hard against his back.

“What are you doing?” He asks her.

“I’d like to ask you the same thing.  What are you doing?”  She snaps back.  “Why?  Are you angry?  Hurt?  Like me, do you feel it is unfair?  Evil jerk.”  Ma Sung sputters at this, but she continues, “Why didn’t you show up that day?”  By now she has Ma Sung’s full attention.  “You even kissed me,” she tells him.

Ma Sung is astounded and repeats, “I kissed you?”  But Gi Bbeum assumes that he can’t remember because he doesn’t want to.  Ma Sung begs her to be more specific, but Gi Bbeum angrily tells him she shouldn’t have to remind him.

“It’s because,” he tells her sadly, “I can’t remember that I’m asking.”  But Gi Bbeum misunderstands believing he is a playboy.  She firmly warns him never to fall in love and hurt someone with his memory again.  She adds for him to never acknowledge her again, even if they see eachother.

“Is this how we broke up?”  He asks her quietly.  “Did you try to push me away while I tried to stop you?  Well, now it is time for you to decide.”

“Decide what?” She huffs back.

“Whether it would be okay for me to remember you tomorrow.  Or if I should erase you.”

At this Gi Bbeum breathes in sharply.  Her eyes drift down to the tattoo of the memory flower on Ma Sung’s hand.  “Don’t remember.”  She tells him and walks away.

Ma Sung nods his head, but his eyes follow her sadly as she goes up the stairs back home.

My Thoughts:

Although I am still in love with this show, Ma Sung’s personality change has really been for the worse.  It feels like his dementia has affected every part of his character and caused him to be rigid and rough — like every other snotty kdrama chaebal.  I am really ready for Devilish Joy to return my happy puppy.

Also, the way he interacts with Gi Bbeum is strange.  I get that he is self-concious about his inability to remember and has gone to great lengths to keep it from being noticeable, but come on!  EXPLAIN IT TO HER!  She has no idea that he can’t remember her so she completely misunderstands everything he says to her.  If he really thinks that she has this deep connection to him he might want to rethink his way of treating her.  Does he expect her to want to know him after he harrasses her and tells her she isn’t worth remembering?

Ki Joon on the other hand is entirely adorable.  I love how he manages to find the greatest joy at the smallest thing, like when Gi Bbeum remembered his name.  And I don’t even mind how obsessed he is with her, although it does border on stalking, because he is more of a daddy long legs than a full on stalker.  Seriously, this kid has a heart of gold.

The exact opposite is Ma Sung’s aunt.  This woman is giving me chills in the biggest way.  The way that she secretly watches and controls every part of her son and Ma Sung’s life feels so wrong.  And seriously, why is Ma Sung’s doctor even telling her everything she asks?  What happened to doctor/patient confidentiality?  Ugh.

But it is interesting to me that all of our characters in one way or another tie into a theme of protectiveness in this drama.  Ma Sung’s aunt showed it by being overprotective of her boys; Ki Joon showed it through his obsession with restoring his “first love” to her former glory; Gi Bbeum’s friend and family had it constantly; and Ma Sung showed it most of all in the first episode when he was drawn to Gi Bbeum because she needed rescuing from the gang of thugs.  If she hadn’t need him he might never have been attracted at all.  And then we saw it again when he saved her from drowning and was oddly protective and sincere about promising never to leave her.

I wonder how much further the drama will take the protective theme.  It would be nice to see if they can tie it into Gi Bbeum’s relationship with Ma Sung more.  Maybe Gi Bbeum could use some of her bright spunk to protect Ma Sung from himself and others…especially that weirdly protective Aunt.

So what did you think of Episode 2 of Devilish Joy?  

Read More:

Recap: Devilish Joy Episode 1

  Recap: Devilish Joy Episode 2 Even though Ma Sung and Gi Bbeum have found each other again, things are not as easy the second time around.  

[korefilmleri]

Autumn Sonata //  가을 우체국

Çıkış Tarihi: 19 Ekim 2017 

[namjhyun]

Tomorrow with You Episode 08

I wish every episode would be like this one, even when I know this was the calm before the storm. And yet, I can’t help but feel like I want Soo-joon and Ma-rin to make it through and live this life. A life where they can fight and work things out, where they can be careful and awkward around each other, have make up sex and say I love you. I am really cheering for them.

The entire episode was a beauty and super hilarious. We got to see our leads navigating a new kind of understanding with one another and finally confirm their feelings for each other. I love how Soo-joon finally spoke up to his closest friend about how he can’t and won’t leave Ma-rin, and even told her to her face how he was feeling at that moment.

Do I think he needs to be telling to present Ma-rin the same things he told future Ma-rin? Yes, but the difference is that future Ma-rin knows things and is in a place where Soo-joon can be fully honest with her. I thought it was a lovely scene outside the bread shop, because it somehow gave future Ma-rin a reassurance that her husband still loves her, that he is still trying to make his promise good to grow old and happy together.

As for Soo-joon, he started the episode by taking huge steps towards having a better relationship with Ma-rin and I like how he kept it up through the entire hour. Smart cookie also realized where the rumors where coming from and cut it from the root by confronting in a really hilarious way to Gun-suk.

Speaking for which, Gun-suk seems to be a little more weary of her husband in this episode. What was that face she made when she overheard his phone conversation? What did she look a little freak out by him?

And what about Yong-jin? I know he is kinda of a good man, but I also know he is been push by ambition and the need to prove himself smarter than Soo-joon, which means he might be making decisions that are not only devious but also might have deadly consequences. Cue to: Doo-sik.

So, Doo-sik is indeed Ma-rin’s father. And somehow he seems to know things that Soo-joon doesn’t even when they both have the ability to travel to the future. Doo-sik is trying to make sure Soo-joon and Ma-rin have a good future together (just like our lead) but he is more shady about it. Why not tell Soo-joon he is his father in law?

It seems like he is working Yong-jin to leave the company so he can save Se-young’s father and in the process assure his daughter’s happiness with her husband.

On the other hand, does Soo-joon only find out things related to his business? Didn’t he ever try to find out about his friends’ personal lives? Why doesn’t he know about Se-young’s father? Does he think is better to not know these kind of things? Couldn’t he figure out what happened to Ma-rin and him faster hearing from the people around him and from her? This is were the rules of time-travelling get a little confusing to me.

I also enjoyed having confirmation about Ki-doong’s crush on Se-young, who is as dense as Soo-joon when it comes to feelings. Can’t she see he is sad she’s leaving? That he is sad Se-young doesn't even consider him when it comes to her life so much so that she choose to live the country and not even try to make a clean cut and life with all her other people? I know she probably needs this but I have to say it’s really painful to watch Ki-doong going through this.

Future Ma-rin’s comment on whatever Se-young should not leave the country felt dismal and gloomy and I know it has to do with Doo-sik’s plan to stop Yong-jin but with how things are going, I just don’t know if they will be able to.

What do you think will happen next week? Will our couple manage to manage to have a happy life and protect the ones they love? I hope so!

[chltlssbtm4793]

Actor Oh Kwang-rok interviewed at Cannes Film Festival

Actor Oh Gwang-rok attends a press conference for the movie 'ALL THE PEOPLE I'll NEVER BE' held for the domestic media on the afternoon of the 22nd (local time) at the Korea Film Council (KOFIC) booth at the Palais des Festivals in Cannes, southern France. They attend and pose for a photo shoot.

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