#Ofmd missing moment

[saltpepperbeard]

you ever think about how ed echoing “you wear fine things well” to stede was probably him being like “that compliment has stuck with me all these months and has nestled right next to my heart just like the red silk did—just like you did. and i was so overcome by it and so touched and so shaken and anyway i think we should kiss about it actually, because you have no idea how much I wanted to kiss you about it the first time around, and standing here in the moonlight with you now brings me right back to that desire, and i feel as safe and warm with you now as i did then, so my lips against yours is a thing that’s kinda long overdue.”

yeah. Yeah.

[arsenicflame]

so. anyone else think this moment was gonna lead to rebound sex? just me???

[pilotlala]

The Missing Inn Scene

I’ve been thinking about the missing scene where Ed and Stede decide to open an inn together. Of course I wish we had that scene! But I’m going to argue that it would be extraneous and completely unnecessary. Perhaps I’m just trying to convince myself. But hear me out. 

I had a great acting and directing teacher who emphasized that the most pivotal moment in a play, the moment that must be highlighted, is when the main character makes the most important decision they’ll make. It’s a useful lens of analysis. In the first season, this moment is, “His name is Ed.” Stede realizes he is in love, and decides that he is willing to take the scary unknown road to fight for this love. 

In season two, don’t we need to see Stede make this decision to give up pirating and open up an inn with Ed? No! Because of course, Stede is not really the main character in season 2. As Pirate Daddy Jenkins has discussed in interviews, Season 2 is much more about Ed’s journey. And Ed’s journey is a bit less straightforward than Stede’s. I thought for a moment that Ed’s pivotal decision was to retrieve his leathers. But no, that was a decision made in anger and resignation. This whole Ed thing isn’t working out. Better bring back Blackbeard, he gets shit done. It is an important moment, because he does realize that he can’t truly rid himself of Blackbeard. Blackbeard is a part of him, a useful part of him. When the shit hits the fan and he needs to fuck some people up and find Stede, he needs Blackbeard. 

But. Of course. The pivotal moment is not retrieving the leathers. It is, “YOU WROTE ME A LOVELY LETTER!” This is the moment where Ed fully allows his walls to come down, believe truly that he is loved by Stede as Ed and Blackbeard, that he was always loved by Stede, that this love is real. Even though Stede has tried to show him that he will always be there, that he won’t leave again, that Ed is safe with him, Ed still felt unstable in his shifting world, thinking he needed to change more to be loved for real. The letter revealed what Ed wanted to believe, but was too wounded to internalize. Stede’s love was there, was always there, unwavering. 

Both Stede and Ed need to remove themselves from the fast-moving intensity of their relationship to understand what they have in each other. They needed to see that their vision of a safe, comfortable life-back with Mary and the kids, or working as a fisherman-was never real. It was a place to hide when the uncertainty of trusting another person with all your vulnerabilities and hopes and dreams became too scary.

So back to the missing scene of the decision to open the inn. Where’s the dramatic tension in this scene? We all know that Stede would move heaven and earth to be with Ed. And now Ed knows it too. Perhaps for a moment in episode 7, Stede gets a bit carried away by the fame and admiration. But he learns quickly that this is all fleeting. There was never a question of whether Stede would follow Ed to the place Ed needed to be. We don’t need the scene. (But of course I still want it.)

[scariercnidaria]

i know theres no overlap between the ofmd and the metal gear fandoms bc the izzyhaters would all kill themselves if they caught a glimpse of the revolver ocelot fanbase. i promise you izzy is not nearly the evillest old queen getting scrunklified and babygirled despite crimes against therapyspeak twitter out here. literally my last war criminal boyfriend hypnotised my other war criminal boyfriend into commiting rpf identity fraud of his own, separate war criminal boyfriend. Among Other Things.

[sweet-bazzle-bean]

Familiar Places

Crowley/Edward Teach | 17,000 words | Rated E

After watching Aziraphale leave him, Crowley decides to try to sleep off the grief. A terrible nightmare makes his powers go haywire and he accidentally travels back in time to 1717 where he finds himself in a bar in Tortuga. He shares a drink with a man named Ed who he seems to have a lot in common with. A lot in common with. The easiest way to comfort each other and distract themselves is to spend the night together.

“Why are you miserable?” Ed asks sharply.

“Now that’s not fair,” Crowley points at him over his glass. “I asked you first.”

Ed blinks at him.

“Why would I talk to you about it?”

“Because I’m here,” Crowley shrugs, “and no one else is.”

keep reading on AO3

[sandinthepipes]

No but hear me out. Because good omens and ofmd are fulfilling basically everything that they need to, I’m LOVING aus.

I’ve never liked alternative universe or headcanons that were too far out of the canon compliant because i needed the basics to be fully accomplished first. I needed fiction to fix and complete what canon didn’t so I read mostly canon compliant, but that need was never getting filled because canon still wasn’t fixed, no matter what.

Now? Oh baby I’m having the time of my life. For the first time in my life I get what you all saw in flower/coffee shop au long ago. IT’S EXHILARATING. I feel like this is too much power, I’m never gonna stop.

[marblenarwhal]

there is a sadness that permeates ofmd s2. it feels post apocalyptic in an uncomfortably real way. there are a lot of beautiful, painful moments. it reminds me of my early 20s and the friends i had, who eventually moved or drifted away.

like, there was a golden time when things are simple and you were there but you missed it. you didnt stop and appreciate it. or maybe it was never that simple, and it's just the nostalgia making you feel that way. but youre different now or maybe youre the same but everyone else is different, and youve all been through so much, youve lost people and youve hurt each other in ways that were casual and careless but caused ripples that shifted things in a frustratingly, achingly imperceptible way you dont even know how to fix. and now you have new people, and maybe some of the same people, and you keep trying but you cant recapture those golden moments of the past because it was lightening in a bottle. so you just have to keep going and in five years you'll look back at this moment right now and think, man. those were the good times. and everything is different now.

[innieirving]

oh my god i've had such a shitty weekend that in order to cheer me up, my dad fixed my computer and now i've been distracting myself with baldurs gate 3 to feel better

BUT NOW THAT I ACTUALLY CHECK SOCIAL MEDIA YOU'RE TELLING ME THAT OFMD S2 TEASER IS DROPPING TOMORROW?????????? HUH???????????? WHAT NOW?????????????? OH MY GOD???????????????????

[louisinart]

Yall I continue to have such complicated feelings about the start of season two

Mainly that it was well articulated, funny, beautiful television that provided a grounded and realistic perspective on life and heartbreak and also that was REALLY INTENSE and I would have liked a WARNING Jesus CHRIST

[arsenicflame]

i need someone to make me a cut of the second half of ofmd s2 but only with the bits i want to rewatch so i can simply pretend the other sections do not exist and that i enjoy the show again

[wingstobetorn]

Somehow, my dad never fails to miss obvious gay moments unless they're fucking or making out or something

[latinkraken]

THAT'S HIM RIGHT THERE

No fear, no self-doubt, no nonsense. Just his heart pouring out from his eyes, giving himself directly at Ed.

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[piratecaptainscaptainpirates]

Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.

Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.

You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.

You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.

And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.

OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.

[mikacanica]

If you're taking ofmd requests, could you please do ed giving steed a rose and then they peck on the cheek or something. I just feel like that would be cute. Np If you're busy though 😊 (I love your stuff btw)

in love 🥰

I wish season 2 had more of the quiet tender moments. It wasn't a big deal to have so much missing since I thought season 3 would make up for it but then we got canceled *sob*

[fuckyeahizzyhands]

Info compilation from the How To Fuck Off With Con O'Neill workshop :) ❤

The online workshop took place June 29 2024 for LGBTQA+ charities :) ❤ you can see the more public part of it on youtube :).

Izzy and OFMD:

Con's start with Izzy: 'Izzy wasn't in the pilot episode of Our Flag. So when David approached me Izzy was just a thought, a husk yet to be formed. David said to me he saw him as a Salieri type character - the character from Amadeus, or Iago, a man in the shadows. And I agreed absolutely but also, I saw him as a man desperately, painfully in love, so his passion and his anger and his fear and his love all erupted in his expletives. I loved him from the off, I loved his directness, I loved his fearlessness, his pain, of course his fabulous use of profanities.'

Izzy swallows: At one time Con has a sip of water and then points at the glass of water and says, 'Izzy swallows. Still makes me laugh every time I hear that.' (There is a Izzy swallows t-shirt Con did for this charity :)))

Twat (doing the part of the workshop on 'fuck, shit and twat':) 'Now, 'twat' belongs to Izzy. Sometimes with an actor, you find a costume that fits you like a glove or something a line of dialogue opens the door to your character. For me, with Izzy, it was 'twat'. The first time I said it as Izzy it exploded in my fucking head. Because fundamentally Izzy is a twat man. [Con smiles widely] Also an ass man but that's a whole different workshop.'

Con improvised the rancid, syphilitic cunt: 'In Season One I was terrified about ad-libbing and improv which I've said many times. We had great writers and everything I needed was on the page. Except for the day 'daddy' came to visit. I have no idea where that line came from, no idea which part of my dark perverted psyche it interrupted from but as soon as it was out, it was out. In Season Two, again, everything I needed was on the page. Our writers are... were... are... will always be... spectacular. They gave Izzy such beautiful stuff and I will be forever grateful to them, to David Jenkins and the whole cast and crew, and to you lot for your continued support. But then towards the end of the shoot, we were filming the tavern scene with me and Erroll AKA Ricky. And it was the 'belonging to something' monologue, which was so beautifully writte it took my breath away. And we shot many, many takes and I was tired and emotional. And I knew we had it... nearly. There was something missing. There was a beat. A moment to end what was really Izzy's epitaph. And then our brilliant director Fernando came up to me and whispered in my ear, 'We'll do one more take. Let him go.', and we started the take and I could feel myself getting emotional. This was Izzy's big moment. It had to be right. It had to be right. And then as we reach this final line, instead of what was written, I heard Izzy say, 'And you are a rancid, syphilitic cunt.' And to my dying day I'll never understand how we got that on the Telly, but we did. Because sometimes in life, only a rancid, syphilitic cunt will suffice.'

What Con suprised the most in the OFMD fandom: 'The art. The art has blown my fucking mind. It blows my mind every day. What is nice... when you've been around as long as I have and you... you know, I love what I do and I am blessed to be able to do what I do and I have done it for a long time. And every now and then you get casted or you have the opportunity to play somebody who you fall in love with and that is not always the case by any means. But it's so gratifying when you fall in love with somebody who is complicated and difficult and flawed, when an audience also finds him and loves him. What was beautiful for me with Izzy is... Izzy is not easy to love and you all had to fight hard to love him. But it's worth it. Fundamentally what he is is an ally. Fundamentally what he is is what we have all been at one point in our lives. In love with somebody who doesn't love him back. And it's those flaws in his character that make him compelling and interesting. And the art is all about him, not about me. Very few people are drawing me which is fine but it's lovely to see the love for him, because I fell in love with him really quickly and I'm so delighted that people have fallen too. And some people hate him, but fuck it, what can you do? You know, the only way to get people to always love everyone you play is to play Santa Claus. And unless the Santa Claus is a big queer, fucking, leather-wearing fucking fucker then I am not interested in playing him.'

Con got hate on social media for playing Izzy - sb said that ppl loved Izzy earlier than Con thinks and Con said: 'I know that people did but I was getting quite a lot of hate on social media. But you know, fuck it. I am a big boy. I can take it.' (honestly, fuck those people, what person goes off spewing hate to an actor for playing a role, wtf?!)

Izzy is a great First Mate + how his meeting with Calico Jack went + why the whole thing with Stede and Blackbeard takes Izzy so much by surprise: 'Izzy is mathematically good at his job. He's a great first mate. And when he is asking anyone for help it's simplistic and straight to the point. There is no emotion. It's not: [subserviently] 'Can you do me a favour?' It's all straight down the line. It is unemotional. And that how he is with Jack, that is how he is with everyone. He's just... he's really fucking good at his job. You know, that's how he operates within the boundaries of his work. He is very unemotional. So he was very specific and very: ' This is what I need you to do. This is why I need you to do it. And you owe me.' Because everybody owes Izzy, because he's so good at is job. So... you know... it's... David and I spoke about that early on that he's just... the reason the whole thing takes izzy by surprise with Stede and Blackbeard is because he can't work out why Blackbeard would fall in love with THAT guy. Because that guy doesn't compute. He's crap at his job, he's a crap parent and he's bit of a... you know [waves hands] - it doesn't compute. So that's why he has such trouble with it. Because it just doesn't make sense. It does later. In Season 2. In Season 1: no, can't work it out. So yeah. Sorry there is no great reveal though, but yeah it's pretty much: 'This is what I want you to do and this is why I want you to do it.''

Con's personal thoughts how Ed and Izzy came to meet: 'They've known each other since the start. And I think they were young men together. And I think they were always kind of soulmates on that level. And that they've grown together as pirates. And the great understanding is Izzy is the best first mate ever. But he's not as good a captain as Blackbeard would be and he knows that. And Blackbeard knows that without Izzy he's not as good a pirate. So they've had that mutual respect. And everything else that happened... which is up for discussion as in the intimacy or the sex or whatever or the love or not love or the no sex or the whatever, that's all secondary to that relationship, the relationship is a work relationship. But they're pirates and everybody fucks on a pirate ship. Allegedly.'

Con's favourite scene to film in OFMD: 'Everything with Taika was just lovely. Because he's such a great scene partner. And his work is very similar to how I like to work so it was always joyful and easy, easy to work with. I really got to enjoy working with Rhys more and more and more, and the more our relationship became clearer, I really enjoyed working with him, and you know, and anything with the gang. Because they are such good actors those guys and girls and they thems. They're just... And I loved watching them, as well, I loved... because Izzy is a watcher. So I used to sit back in all those big group scenes be able to watch these truly gifted actors do their thing. And those of them that were brilliant at improvising were genuinely brilliant at improvising. That's not something I do very well so it was really inspiring to watch somebody deliver on levels of that brilliance. But my very favorite scene would be... would be the death scene. Because it felt... as a scene it felt perfect. On the level of Blackbeard and Izzy it just felt perfect to play. And I also enjoyed the 'Oh, daddy' scene because that was unexpected. To myself in that scene. And everyone else on the set it has to be said but the look of horror when that first came out of my mouth was kind of fun.'

This is Con's first experience with a fandom: 'I have never experienced a fandom before. Not by choice but I tend not to do the sort of shows that would l end themselves to fandoms. Above maybe Uncle? But Uncle kind of... people gravitated towards Uncle a long time after we finished it. And they only gravitated towards Uncle through Our Flag. It's not a choice that I don't do things that have the possibility of fandoms, it's just I've never considered it and then this came along.'

Izzy said he loves sb twice in his life: 'I think he said I love you twice in his life. Once to Blackbeard - and then he doesn't say, he says 'I have love for you'. And once to the other person who we will not talk about at this stage.'

Izzy + Stede in S2? - Question: 'Did you intentionally act maybe as if Izzy was kind of falling in love with Stede? Because we just get that vibe. It's like all this... there are so many pictures and little looks and it's fantastic.' --- Con: 'No. I think a lot of it is about a) Izzy seeing Stede becoming a better pirate. And also, I think my... I always loved working with Rhys but I thought Rhys exploded in Season 2. So I think possibly a lot of that is me not being able to hide my admiration of how Rhys grabbed it by its horns and smashed the fuck out of it in Season 2. Stede isn't Izzy's type, let's just leave it at that. I don't think. Now I'm sure people who ships Izzy and Stede together are going to hate that and I'm not saying that they don't, I'm just saying on the surface Stede is not Izzy's type. But he could have been... in the right circumstances.'

The most suprising inspirational thing that has happened to Con through his OFMD journey: 'The most inspirational thing was just working with a group of actors who was so comedically adept. And so supportive of those of us who weren't. And realizing that in comedy, it takes all different approaches. And you can be funny without being comedic. And that revelation was huge to me. It's something I've taken away. It's something I will absolutely endevour to include in my work from now on. Is that you don't have to be... you just have to be truthful. And if the moment is comedic then it is comedic. And that's what I've learned from Samson and... I think Samson is one of the best actors I've ever worked with. I think he's so deeply authentic. Nathan. Vico. Samba. Just really wonderfully talented organically funny people. And yeah that's what I learned, that you don't have to put on red nose and flippers to be funny.'

If he could spend a day with 1 member of the OFMD crew: 'Obviously Blackbeard is the obvious answer. But, I think, this might be a little provocative, but I think Izzy had a very soft spot for Nathan - Lucius. That grew and grew and grew. So if we're talking Season Two I would say Lucius. And Season One I would say thank Fang, beacause is his little buddy. But, yeah, I really like what developed between Lucius and Izzy.'

Con and Vico's hike: 'Come for a walk, they said. It will be lovely, they said. It's an hour, they said. Four fucking hours later, having climbed mountains and being attacked by eagles and sharks, we eventually ended up back in the place we started because Vico said they knew where we were going and they didn't. Also, Vico wanted me to take... I don't know if Vico ever said this but I'm gonna say it, once wwanted me to take film of them climbing down in rockface and they got so fucking freaked out halfway down, that they lost their cool. And now for Vico to lose cool it's pretty huge. I was laughing so much that the camera was shaking and they never posted that. There's a piece of footage of Vico rockclimbing, losing their cool and me just howling with laughter at the other side of the camera but the never printed it. But yeah, also it was... because I hadn't seen them for a while and Vico is one of my favourite people on the Earth. And it was lovely to spend that time with him even though I hated them because it was four hours.' (actually footage is here and photo here :D)

Izzy ship that Con would like to see more art of: 'I was always surprised it wasn't more of Izzy and Jim. For me, that is the kind of yin and yang of the same person I was very surprised that didn't make the top 10, really.' /fan comments on Izzy and Lucius and being closeted/ Con: 'I don't know if Izzy is so much closeted sexually, he's closeted emotionally. I think his leaning, sexual leaning as in attracts is towards the Blackbeards, the Jims, that kind of... [Con raises hands in fists]... kind of macho kind of thing... but we all have our softer moments so maybe Lucius is in there. I don't know. But the instinct would be... I would think more Jim and Izzy.'

If they had more time what scene he would like to have filmed: 'I would have liked more swordplay in Season Two as I enjoy doing it. And I like the idea of Jim and Izzy having a duel.'

Response from disabled fans about S2: 'Vastly positive. You know, it's always difficult to play somebody who becomes disabled because obviously, you're acting. And all I could do to qualify it was read up as much as I could on amputations at that time. And we... like for instance, there is a scene where I am putting out candles with the sword, and the original routine was much more fluid. And I had to sort of say my piece which was the leg would not have healed sufficiently for him to put enough weight on it to do these movements. And, so that's just one instance where you had to honour the situation rather than just be gung ho about it. But, yeah, I can't say I think we did well because that is not my call, but I never wanted to be blasé about it. So I did as much due diligence as I could do, within the confines of when I found out and the filming schedule.'

Izzy's motivation in the S1 Izzy provokes Ed scene: 'Do you know what? It's been a while. He wants to provoke Blackbeard into becoming Blackbeard again. That's what he wants to do and he succeeds because Ed grabs him by the throat, it's a violent act. And that's what Izzy's trying to achieve because he feels like Blackbeard has gone soft. And he achieves it. He achieves what he wants to achieve. And, it's the catalyst that brings Blackbeard into his other self. Shakes him out of Stede. So. Yeah. I mean, it's a really interesting question. I can't unpick it in the time we've got. As I always said about Izzy is complex as he's flawed. He's not always emotionally connected by any means. The only thing Izzy is absolutely clear about is his job. And this question is not just about his job, it's about his emotional connections. So that would take me more time and I'd have to rewatch the episodes because I've done a few things since, so it is not as clear to me, the motivation.'

Izzy's hair in Season 3: 'It was always work that decided about my hair. I've never been particularly interested in my hair. I've had my head shaved, I've had a perm, I've had it long, I've had extensions put in, it has been blonde, it's been red, it's been black, it's been gray, it's been peroxide, it's been a blah, but never from my choice. I would like to go white-gray though for something. I would like to try that. Because I'm going grey. That would have been Izzy's hair in Season Three. There's a little snippet.'

How much input Con had on Izzy's outfit: 'Overall, very little input into the outfit the costume. I'm very much a practical actor so if there's anything on the costume that if the character like Izzy is - he's a practical man - if there's anything on the costume that he wouldn't use, he wouldn't have it. So that was a little bit back-and-forth. But both designers of Season One and Season Two were brilliantly collaborative. And I think it's the best costume I've ever had and I am the only actor in the entire show whose costume never changed, apart from the last episode with the british army uniform. So yeah I feel that costume spoke volumes.'

Other:

5 fucks and 1 cunt: Con says that when he filmed Dancin' Thru the Dark (1990) one of the BBC execs said, 'As this is a BBC film, we're only allowed five 'fucks' and one 'cunt'.'

Con's tattoos: 'I do not have any tattoos but I'm gonna get one this year.'

How many doggos would Con have tf he had adequate space and resources: 'This one [Con's doggo Cooper] won't accept any other dogs. Because Cooper's a rescue dog from Hungary. And he was a feral dog for some time. And he's okay with dogs outside of the house but when any dog that comes into the house it's war. So I think once he goes to doggy heaven - which isn't gonna be for at least 50 years - we will... I've always liked the idea and I want - now that we got a house with a big garden - I want dogs. Ideally two. But probably ideally eight.'

Con's favourite movies: 'I'm a big shark movie nerd.' + 'I'm a horror guy.'