#Not a lot just forever by Adrianne Lenker just started playing in my head I am NOT okay
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chiefcroissantdeanbanana · 1 month ago
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pvp civilization spoilersss belowwwwwww like deadass the ending is the first sentence
I wonder what Tabi felt when she slashed Evbo, not with the sword, but with her axe?
Was it for her mission? For the greater good? Or did her feelings get to her? That she faltered, she hesitated, she doubted herself? To permanently kill someone who did everything to save you, that clung to you endlessly no matter what you did.
She can deny it all she wants, but deep inside she knows. She has come to care about him, for better or for worse. She has to see him again, with his dead eyes that glimmer with hope, with his shaking hands that grip his sword so tightly, his scars that adorn his face, the wounds he took for her. What can she say to him, after seeing him once more, knowing that the truth is out?
"So get it over with. Show me I mean nothing to you", his voice echos in her mind. His tear-filled voice, with a hint of anger, the betrayal she can feel, the sadness she can see. To face someone who did everything for you, just to kill him once again. You were no different from the others, weren't you? But no- this is different, it's... It's for the greater good! If it means killing him... Then kill him she shall.
Here's the thing though, spending almost your entire journey with that person can do things to you. Maybe she got attached. Just a little, but just enough to give him one more chance at life.
The axe slashed through his body; his eyes widen after getting his expectations turned around.
Why?
"Maybe you did mean something to me." she spoke with a hushed whisper, only saying it after the fog disappeared. Never admitting it to his face out loud, he can only think of reasons himself.
She could never say that she grew to care about him, but it's alright.
After all, actions speak louder than words.
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silknspice · 18 days ago
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GOOD FOR THE HEART
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country! vi x reader fluff, angst, smut (18+), slow(?)burn, wc. 13.6k
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synopsis: an intimate bond forms between an ill farmer's daughter, desperate for a taste of the outside world, and the helpful part-timing cowgirl at the farm. OR vi wants you bad, and what better way to get to know you than sneak you around town?
content warnings: illness, NOT read over, foul language, smut so mdni/18+, fingering r!receiving, controlling parent, health worries, fainting, slight insecurity, emotional rollercoaster but a fun one!!
soundtrack: my girl (the temptations) | our love (curtis harding + jazmine sullivan) | | we’ll never have sex (leith ross) | pillow (malcolm todd) | close to you (carpenters) | not a lot, just forever (adrianne lenker) | cool about it (boygenius) |  pancakes for dinner (lizzy mcalpine)(this sounds sm like vi to me) | kiss me (sixpence none the richer) | i bet on losing dogs (mitski)  aftercare (listen post-fic): force of nature (lizzy mcalpine)
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Vi could strip naked right here, right now. 
And with her well known spontaneous personality, she would. Especially under the hundred degree heat that preys upon her and forces the girl’s freckled skin to glisten. But a: she’s with her siblings (enough said), and b: she’s working outdoors at the Laurier’s farm. Meaning only a handful of yards away, tucked in that blue, yellow, and white idyllic house covered with blooming botanical life, stands Mr. Laurier’s orphic daughter.
That’s all Violet’s ever heard about you, from children playing on the street to adults roaming the town shops. Ever since her adoptive father suggested she take this summer job before she goes back to focusing on her college work. Ever since her siblings and family friend jumped to tag along after Mr. Laurier decided ‘the more the merrier’. 
All that’s been filling Violet Lane's ears is information about you, or, the lack thereof. How you’re always locked up in that big residence. How you used to roam the town just like any other little rascal until five years ago, at the age of thirteen, when something out of her knowledge occurred. How stunning you look in a sundress. She tried to block that one out. 
“Why is it that Mylo’s drivin’ the tractor and not me?” Powder complains, pulling her clenched hand from the bag of chicken feed and tossing it on the ground for the horde to gobble. 
“Last time you tried to drive something I started praying.” Ekko throws out. His bun shaped hair bobbles as he finally pulls that one stubborn carrot from the ground and places it in the basket. 
“Besides Pow,” Violet starts, lifting a heavy brown box onto her shoulder and cradling it with just one arm. “You’re doin’ fine taking care of the animals. Mylo would be scaring them to death.” The pink haired girl sighed out, looking around.
Her gaze landed on the decorated porch, and she pursued. Vi set the last of the boxes down with a soft grunt before straightening her back and lifting her arms, clasped at the fingers, over her head to get a well-deserved stretch. 
The worker’s completely regretting her chosen position as the door swings open, and she looks heaven right in the eyes. 
You stand there in a white lace sundress covered in a juicy red pattern of cherries, a smile sweet enough to give a sugar high plastered on your stunning face. Vi’s gaze flickers down to your feet covered by red country boots. Above those are your soft looking hands holding a gift basket. When she’s done examining you, her blue-gray eyes trail their way back to yours– and it’s like whiplash. Once again, she’s blinded by those pearly whites and the tasty perfume radiating off of you. God help me, is the only phrase filling her mind because damn you’re ethereal. 
“Hi there, cowgirl.” You’re going to send Vi into cardiac arrest with just your voice. Thankfully, she realizes she needs to respond, and quickly wipes the dopey grin (that she wasn’t aware she had) off of her face. 
It’s not like everything is peaches and cream on your end. The girl’s tight white t-shirt is grasping onto her glistening biceps, her pretty bright eyes and the freckles that decorate her nose make her look blessed by the sun, and seeing such a beautiful yet handsome woman in a cowboy hat is doing foreign things to your stomach. ‘Wow’, is all your wandering mind formulates.
“Hi there, miss Laurier,” she copies you in her lower voice, and you notice the slit on her lip as it curls up into a soft smirk. You shake your head at her words with a polite smile, insisting she call you by your name, which you offer up. She repeats it once perfectly, claiming it ‘rolls right off the tongue’, and you crack a smile. 
“My father informed me that you’re the new help around here for the summer, so I decided to bake somethin’ for the five of you.” You’re sticking out the basket, decorated with a pink bow on top, for Vi to take. She does and quickly takes a peek inside. Five snickerdoodle cookies and one large cherry pie. You do stay on theme, and so, it starts.
“Thank you, cherry.” she cracks a smile that sends a shock down your body, and gently tips her hat.
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Fourteen searing days pass on that farm, days filled with laughter, hard work, and the smell of life from the surrounding plants. 
But not for you. 
For each of those fourteen days, for the past one thousand eight hundred and twenty-five days, you’ve sat sideways in your window with your back against one side and your legs propped up on the wood. You read, journaled, book pressed flowers (that you had to sneak out front to get), took much needed resting breaks, tended to your pet lamb Daisy, and watched Footloose. Your sock-covered feet subtly shuffled side to side as if you were mimicking their dance moves in your head. 
Vi watched as you sat there all those days in your open window. Half of your body out in the fresh air and half cooped back up inside like the past five years of your life. It was as if you yearned to experience life completely outside the window, but you couldn’t. And so, you completed your daily activities the furthest away you could get. 
Until your eighteenth birthday came along. 
“Lord, can you focus instead of stalking your ‘cherry’,” Ekko mimics the pinkett’s voice with the last two words, wiping his forehead with the back of his hand. 
“Bet she wants to pop her cherry.” Mylo snickers at his own joke, earning a slap to the nape from Claggor.
“Last warning Mylo. Don’t talk about her like that.” she replies firmly, furrowed brows making a little scowl. 
Claggor shakes his head softly, letting the tension between his siblings diffuse before speaking. “You know, you should do something other than just stare at her all day. It’s getting sad.” 
“Like?” the cowgirl responds with crossed arms.
“Ask her to hang out, obviously.” Powder pipes up, petting a sheep as she prepares to guide it inside the barn. “She’s always lookin’ so lonely. Swear the only time she smiled this past week was when you complimented her on those blackberry muffins she baked us.” 
“You know she’s not supposed to come out, Laurier said so. Pretty sure that’s why she stays upstairs, can’t even come out on the porch when we’re here no more.” Violet huffs.
“You think he thinks we’re a bad influence on her?” Ekko ask in confusion. Because truth be told, no one knew why you stayed locked up in that bright house, like a princess trapped in a tower. People knew better than to ask your father, and of course, they couldn’t get to you. Maybe it was time for someone to be your knight in shining armor.
“Doesn’t matter, he’s not even here right now.” Mylo insists. 
So, after a long back and forth conversation of weighing the possibilities, Violet’s shoved over to the shrubs in front of your second story window. You notice her when she’s there (you’ve been sneaking glances at her every so often), shifting your position so that you can look down on her as she calls out your name.
“Afternoon, cowgirl,” you coo, tucking a piece of hair behind your ear. 
“Hey there, angel,” she simply replies with that signature smile, and your hands clench the frame you’re leaning on a bit tighter. “We’re done with the chores for today.”
“Oh. Well, get home safely.” you hum, eyes dropping in what Vi hopes is discontent, because her next words will cheer you right up. 
“Actually, we’re not headed home just yet. The five of us are headed out into the woods over there for a little.. chat." The glowing sunlight illuminates her face as she nods her head to Mylo, who’s allowing the brown paper bag to peek out of his backpack and into your vision. Alcohol. “Would you wanna come with us? Won’t take up too much of your time, I promise.” she asks with a cool voice but a pounding, fearful heart. 
No.
Or at least, that’s what you were supposed to say. It’s what you’d normally say. As much as your ill heart ached to connect with others, as much as you wanted to venture out of your home, as much as this strawberry-haired helper made you want to explore new things you’d only ever seen in movies, your answer always had to be no. 
But, unbeknownst to the others, today was your birthday. You had cautiously lived another year, and instead of feeling fulfilled, you only wonder how many you have left. 
You wanted to live, not survive.
You stared in contemplation before backing up, shutting the window and rushing out of the girl’s sight. 
Vi dropped her head down to the shrubs in front of her. It’s over. She blew it. 
“You scared her!” Ekko teased, making the girl whip her head around to show an angry stare. But the displeased expression faded faster than it formed when the creaking of that back door met her ears, and Powder gasped in joy and disbelief. 
“Lead the way.”
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The walk along the trail of the woods to a more secluded area with cut wood stumps as seats was anything but quiet. Powder was talking your ear off about everything mechanic she worked on, treating you like you were from the middle ages rather than just sheltered. Claggor and Mylo were leading, causing the group numerous wrong turns and unplanned ‘shortcuts’ (they’d gotten lost along the way). Vi walked with Ekko on her left, quietly pumping her up and giving her the confidence she’d need to ‘make her move’. 
But despite the various noises, she couldn’t hear anything. Because strolling to her right was you, the girl she’s been infatuated with since first glance. She’s trying to be discreet, examining the way your hair falls, your scent, the way you press your lips together in thought before answering a question. It took the platinum blonde boy next to her elbowing her side before she came back to the real world. 
“I call first sip,” Powder squeaks, to which Violet scoffs, making a quip about how she’s only sixteen and scolding anyone who attempts to offer her the bottle. The bluenette brings up the fact that the others aren’t even the legal drinking age either, but it’s shut down because ‘an adult is an adult’.
“We’ll bring a juice box for you next time.” Mylo smirks, taking a long drag from the bag before offering it out to you. 
Despite the soft urge, you shake your head, because you know your limits. Your heart’s limits. Despite the fact that you’re ignoring the sweatiness of your palms and feeble limbs. 
Mylo hums. “Two juice boxes, then.” 
“Mylo–” Vi scolds, finally coming out of her trance. 
But her anger is cut short at the sound of a hearty chuckle coming from your mouth. And it’s the first time Vi’s ever heard you laugh. Genuinely laugh. It’s enough to bring stars to her already-bright eyes.
The conversation continues as the sun and clouds pass by. Eventually, the others are in a heated debate about the best character in some film you’ve never heard of, leaving you and Violet to shyly shift your attention towards each other.
“I’m glad you came. I noticed you.. don’t get out much?” Her tone is the gentlest it’s ever been. 
“I’m glad you invited me.” You easily avert her indirect question. It eats you alive, the want to tell her everything about you. How you have a “bad heart” as your father gently put it, and now you live your days mundanely so as to not risk triggering anything fatal. But the desire to live just one day in normalcy is stronger, and so you change topics. 
“You have very big muscles. I like them. Is that why you do most of the lifting things rather than herding cattle and such, like other cowgirls?” 
Vi feels her cheeks get toasty at the compliment and your almost-awkward forwardness. But you can’t help it, you’ve hardly had conversations with anyone but your father the past few years, let alone a handsome girl so close in age. It doesn’t matter much though, because Vi loves it.
“Not a real cowgirl. I’m only good for lifting what others can’t.” She chuckles a bit. “I just happen to own a horse— and I wear the hat of course… maybe the belt’s a little cowgirl-like too, but that’s all.” 
You smirk because that makes her a cowgirl in your book, but you politely hum and say nothing. 
The girl shifts her position to turn towards you more, and you swear your heart stops when one of her manspread knees leans against your crossed ones and makes no attempt to move. She examines your behavior, and when she sees the ghost of a smile on your lips, she leans on her opened legs slightly to get more comfortable.
“So what do y’ do in that big house all day, angel? Must get lonely.” 
These nicknames are doing terribly good things to you. 
You hum. She’s completely correct, but the last thing you want is for her to pity you. “Bake a lot, shop in the catalogs, watch movies, write in my books.” You shrug. “Oh,  and I take care of my Daisy girl.” A smile graces your perfect lips. 
“That your dog? Never seen her around,” she asked with questioning brows.
“No,” you giggle, sending Vi into heaven. So beautiful. “It’s my lamb.”
A beat passes before she responds, a glint in her eye. “So I should be calling you Bo Peep?” she jokes. 
You laugh, knocking your knees against hers in playful scolding. Simple words, simple touches, a simple gathering that may be day to day life for anyone else in the town. But for you, this was the best thing to happen in years. 
“Daisy’s a sweet name, matches her sweetheart of an owner.” she compliments you, and you graze your hand over your heart because you can’t decipher why it’s speeding up. “We sound real rugged compared to you. Our dog’s name is Rusty. Powder ch–” 
“Hey!” 
A deep, raspy voice calls out from behind you. A few of you whip your heads around to see the source of the noise, whereas others stand out of shock as the man comes into your sight. “What are y’all doing on my property? Get over here!” He’s moving quickly towards the group, and Ekko’s the first to move his feet.
“Time to go,” Vi says hastily, standing. Without thinking, she takes your hands and pulls you to a stand. “You a good runner?” 
No. I don’t know. I haven’t had anywhere to run in years.
That’s what you should’ve said, but as stated earlier, a life of normalcy for today. And so, you lie.
“Sure– yes, yes.” 
Vi nods at that, tightening her grasp on one of your hands as she rushes to exit along with the others. Your hands stay intertwined as the pair of you dash through the greenery, avoiding unfriendly hanging branches, jumping over logs, and ducking under leaves. 
You’re terrified. The same glistening sweat that forms in your clammy hands makes another appearance on your forehead. A prickle crawls its way up your throat, and suddenly you’re hacking into your elbow as the cowgirl guides you close to her body while you near the edge of the woods. Your little red problem pounds against your chest as if it’s begging you to stop, to give up before it does, but you can’t.
The man moves quickly, but he’s no match for adolescents of the countryside. By the time you reach the fields of your farm, he’s nowhere to be found. 
Powder’s hollering and cheers of victory sound broken, doubling and distilled, coupled with a soft ringing sound and pressure around your head that only grows the longer you stand. The only thing you can hear clearly is your quick panting. That deep red blood is draining from your head and blazing heat is left in its place. 
A blurry and distant Violet comes into your impaired vision, and you feel the soft sensation of her cupping your face with worried hands. “Cherry?” 
Your mind’s swirling with thousands of sensations, and your terrified breaths grow increasingly shallow until you can’t fight to stay awake any longer, falling into the arms of Vi. There’s yelling, someone scooping you up into their protective arms, orders being thrown around as you’re rushed towards the house, then silence. Complete and utter silence. 
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The female lead is on your screen twirling and rolling her hips with glee for the third time this week, and you wonder if you'll get a chance to dance like that.
It’d been three days since you fainted after running from the farmer down the trail, three days since you’ve seen Violet (or any of the farm helpers), and three days since you’ve felt that inexplicable warmth in the pit of your stomach. 
While you rendered unconscious, Vi and the others scrambled to get your limp body inside. They laid you out on your bed, arguing about whether or not to call for help, because they had no clue what was wrong with you.
Of course, you woke up a couple minutes later as you always do. You were confused and terrified, but strictly instructed to rest by the friends who promised they’d stay until your father arrived. Fatigued even more than normal, you complied.
When your father arrived home an hour later, he stumbled upon Powder placing an ice pack on your sleeping head, Claggor and Mylo pacing the room in worry, Ekko attempting to research what exactly would have caused your current state, and Violet looking sick to her stomach as she cradled your soft hands in her rough ones; praying to whoever’s up there that you’d be fine. 
Needless to say, once they’d confessed to leaving for the woods and running back (leaving out every bit alcohol related), he’d been beyond furious, placing you on total lockdown for recovery and demanding the helpers avoid the farm for a couple of days. After you’d gotten your medication in you and recovered after a full day of rest, he chewed you out too. ‘You know I’m just trying to keep you safe.’
But you didn’t want safe anymore, you wanted life. 
And Violet walked right through your front door. Literally.
The pinkette runs a hand through her fluffy hair before securing the cowboy hat back on her head. Her eyes are searching the house for the kitchen when they land on you, and a wave of relief washes over her.
“Hi, angel.” 
Your heart speeds up, and this time, you don’t need to question it. 
“Hi Violet,” you coo shyly, standing from your comfy position on the couch and making your way over to her, hands clasped behind your back. 
She wastes no time cradling your face in her calloused fingers, the pair of your soft breaths filling the silence as the girl looks over you, finishing her personal assessment before swiping a thumb across your cheek in gentle comfort. 
“I was so worried about you,” the whisper fell from her lips without shame. 
“I’m fine, really.” you speak in the same tone, leaning into her sweet hand.
“No, you’re not.” That catches you off guard. “When your father saw what happened he panicked, said something about your heart and thought you were…” she let your mind fill the blank with a glint of pain in her blue-gray eyes. “You wanna tell me what’s going on?” 
Your eyes drop to the floor, and before you have time to think about it, you speak. “I’m sick. The bad kind of sick that doesn’t just go away after a couple days.” you can’t look her in the eyes as you speak, just placing a finger to your chest. “I have a ‘bad heart’, as my father puts it. Don’t have a lot of energy, can’t do much without getting too overwhelmed, dizzy spells and such..” 
You expect to see a crack in Vi’s sweet eyes, a sign of distaste, of regret for caring about a broken girl, but her gaze only softens and a tender hand moves a piece of hair from your face. 
“That why you’re cooped up in here?” she asks, even though she knows the answer. You nod. 
It’s silent for some time, and the two of you enjoy the other’s presence in such a milestone moment. 
“I have somethin’ for the five of you,” you finally speak, pulling from her affectionate grasp. She nods, wiping the worry she feels in the pit of her stomach away so that she can be there for you. You stroll into the kitchen with the cowgirl behind you, opening and rummaging around the fridge as she takes a needed seat at the marble island. 
She looks over your attire. A big bright red sweater hangs off your shoulders that covers your shorts, and a white bow in your hair that brings a smile back to her face.
You turn back around, setting down a tiffany blue cupcake platter and perfectly made white-frosted cupcakes with a purple design in the middle. You then pull out some tupperware, transferring cupcakes into it as Vi speaks. 
“They’re Violets,” she says in surprise and you giggle, only nodding your head. 
Marry me she thinks, before coming up with something more plausible to say. “Is this what you’re studying in college? You're gonna be a chef or somethin’ angel?” 
You pause before barely shaking your head. “Not goin’ to college this year.. my father says I need a gap year before ‘making any big decisions’,” you scoff, because the truth is he just can’t let you go. “Worries me though. He won’t go out and buy me any textbooks or anything, I’m gonna go stupid.” you whine.
Vi presses her lips together, clearly sharing your discontent with the situation. 
“Well, I know you’ll do great when you go. There’s already a strong brain in that pretty head of yours,” she grins. 
A smile forms against your will as you look up at the girl. 
“You think I’m pretty, Violet?’ 
She responds quickly, like the words spilled out of her heart rather than being formulated in her head. “I think you’re gorgeous. Whoever’s up there took their time making you.” 
Comfortable silence ensues as the room’s filled with pounding hearts and warm faces of passion. Finally, you finish packing up Vi’s cupcakes and place the box in front of her. She thanks you, looking to the side in thought before an idea flickers across her face. 
The girl rises, lifting the hat from her head and leaning over the marble to place it atop your surprised head. She doesn’t wait for your reaction as she picks up the cupcake box and a wooden crate from the ground (what she should’ve been doing in the first place). “Keep that safe for me until tomorrow, cherry.” 
“But isn’t tomorrow your day off?” you ask, flicking the front of the hat so it’s above your eyes.
“Yeah. I’m coming to see you tomorrow.”
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The sun couldn’t set and rise fast enough. 
You waited in so much anticipation that you woke up an hour earlier, practically shoved your father out of the house with his breakfast, and spent any extra time at a mirror fixing an out of place hair or switching your outfit for the fifth time. 
You don’t know why you do– why you care so much. But before you can think too hard on it, the sound of someone pulling into your driveway blesses your ears and there’s six soft knocks at the front door. 
And so it starts with you and Vi seated on the floor between the couch and the coffee table. Your backs lean against the lower portion of the soft matter, and Vi pulls out a book. Four books, to be exact. One for each core subject.
You furrowed your brows in confusion, looking from the pile of literature to the fluffy haired girl. 
“I was thinkin’ I'd bring some textbooks to you since you can’t get ‘em yourself. I’m in my second year now so I won’t be needin’ these ones anymore.” She somehow speaks with both suave confidence and warm-faced fear in unison. “We could make it a thing, y’know. Preparing for classes together.” 
“Yes!” You speak with starstruck orbs. 
Violet laughed with relief, because if she had to be completely honest, that wasn’t the only reason she was here. She didn’t need this time to prepare, maybe a quick refresh before the year started, but she definitely didn’t need to be studying during summer. But if it gave her a chance to connect with you, she’d study until her brain burst. 
The helpers’ off days were Monday, Wednesday, and Friday. So that’s when Violet would pack her books, hop in her truck, and haul ass to your farm. Each session was the same. You’d start out in comfortable silence reading your separate texts and answering questions or jotting notes down, then Violet would make a stupid joke about a picture in the book or get sidetracked by your bookshelf of dvds in front of her, and minutes later the room would be filled with fits of laughter, fuzzy brains, and your books completely discarded. 
“‘Dirty dancing’? Damn cherry, your father know you watch this stuff?” Vi grins, sliding the movie case back into its spot along the brown wooden shelf. 
“It’s not that kinda movie, Violet. It’s like.. set in the sixties.” you huff, holding back a smile at her playful words. The pinkette takes her seat next to you on the couch, manspread legs and a cunning smirk just inches away from your face.
“And what exactly is ‘one of those movies’, doll?” she teases.
You scoff.
“I’m sheltered, not stupid.” you play, a soft hand coming up to push against the girl’s arm. 
Something flickers across the pinkette’s face before suddenly, she’s on top of you. 
You’re pushed onto your back against the plush couch as pure muscle weighs above you, powerful hands swirl at your waist before your laughter fills her ears and your hand shoots out to grab at one of her arms. The pair of you struggle for power, pushing back and forth, twisting bodies, and yelling out competitive quips. 
Finally, you smush the palm of your hand against Violet’s face, momentarily stunning her before the stronger girl grabs both of your wrists and pins them right above your head. 
Soft panting and awestruck eyes decorate the both of you. The air is tighter, every inch of your body is suddenly aware of your positions, and no words are exchanged as you savor the feeling of her touch. God you feel weak, but you don’t know whether to place the reasoning on Violet or your heart. 
Violet’s about to lose it, because with the way your sweet eyes are trailing up her body to her face, her heart is clear. 
She wants– no, craves you. Bad. 
It’s quiet for a moment longer before Vi clears her throat, reluctantly letting go of your wrists while moving back to stand. 
“We deserve a study break.” the cowgirl hums, crouching and examining the lower levels of the bookshelf. 
“We haven’t even been studying,” you throw back and fix your skirt while sitting up. Vi finds the record she’s been searching for, pulls it from its sleeve, and adjusts the player.
“Okay smart ass, we deserve a break.” she grins and the stylus hits the circular item. 
A soft, sensual song makes its way through the air. It’s older, a woman singing softly about her lover’s perfection, and you warm at the thought of a special someone fantasizing about you to the tune. 
Vi stands in the middle of the spacious room, and when you don’t move she waves her arm. “C’mere.”
You stand (a little quicker than you should’ve), and make your way over. She wastes no time, gently moving one of your hands to her shoulder and intertwining fingers with your other. As for your free hand, she tenderly places it on your waist, looking for any discomfort in your face. All she’s met with is big eyes of wonder and god, she’s screwed. 
“Just follow my lead.” she’s speaking sensually under the music, thumb rubbing at your waist. 
“Oh please, I could dance circles around you.” you quip.
“I’m sure you could, doll. But it’s a slow dance, so we work together.” Your bodies move closer as she speaks, making you smile and lose the sassy attitude for a moment. Just a moment.
Angelic vocals encase the two of you. There are only sounds of that and gentle side steps before you speak once more. 
“Did you know it was my birthday?” You stare straight into her eyes.
“Wait, what?” 
“The day we went to the woods. Is that why you asked me to come? Because it was my birthday?” you tilt your head.
She blinks twice before huffing a laugh. “No, I didn’t know. This mean I made you faint and get in trouble with your pops as a present?” 
You smile to yourself at the coincidence, holding her hand a bit tighter. 
“Have you danced with someone like this before?” she asks.
You shake your head before pausing. “Well, once with my mother, but I was very little.” 
Vi’s eyes soften a bit more. “Is she..?” 
You nod. “It happened when I was eleven. She had the same problem as me, that’s why he’s so protective.” Your voice is soft as you refer to your father. “I understand him, I really do, but I’m just so tired of being separate from the world.”
The girl can only nod, the hand around your waist snakes around to your back and pulls closer until your bodies are almost plush against each other. 
“Thank you for trusting me with that,” she whispers. And suddenly, there’s soft giggles. You’re laughing because the tough, suave cowgirl you know can be such a sap. 
Your laughter dies down and you shake your head before placing it between the crook of Vi’s neck, softening into your sappy cowgirl. “Talk to me about something good,” you hum.
“I’m takin’ you out on a date Friday.” 
Your eyes widen and you pull your head back to look her in the eyes.
She stammers and mentally groans because you’re the only one who could ever make Violet Lane stammer. “Well– if you say yes.” 
No.
That’s what you’re supposed to say, and what you should say. Not because of your father’s influence, not for your safety, but because you’re afraid. Afraid of the trouble you could get Vi into, of dealing with the unknown, but most importantly you were afraid of hurting her. 
While you aren’t bedridden, your life is fragile, and the thought of being a burden to Vi was heavy and present. How long could she stand you until she got tired of your neediness? How long until she’s tired of hearing about all the things you can’t do? She’s spontaneous, reckless, fun, and you thought she deserves to end up with someone just like that. Someone you’re not. 
But right now, you want her, and she needs you, so you give her what you can. 
“Of course,” you agree with a genuine, toothy smile, and the pinkette sighs of relief. 
The song finally comes to a stop. 
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For the first time, you’re glad your father works all day long, because there’s no way you could sneak someone as loud as Powder around your house. 
Her squeals of embarrassment and your laughter echo from the kitchen throughout every room of your home. Your canvases and paints are neglected as you point an accusatory finger at a message on her screen. A message from ‘Ekko <3’. 
“I knew it! The way you talk to each other– ‘Oh Ekko! You’re just so smart,’” you mock her, making the girl’s face change colors faster than you’ve ever seen. 
“I do not say things like that!” She yells back, making you giggle harder. “And we aren’t dating.” 
“Why not?” you whine. You clasp your hands as if a plea is about to fall from your lips when a ding rings throughout the room. You look down and gasp. A message from ‘Lux <3’. 
You pause, eyes flickering to the girl. “Do you have everyone saved with a heart?”
She shakes her head. 
“Just those two?”
She nods. 
“Oh, this is just like the movies!” Your laughter repeats like a loop. The girl groans at you and moves her phone to the other end of the marble countertop. “I’m kidding– awhh, Powder!”
She shakes her head. “This conversation is all the way over.”
It takes a moment for your giggles to die down, and soon you’re nudging the bluenette’s shoulder with yours gently. “You’ll make the right decision, just don’t waste time overthinking it. Follow your heart.” 
She raises her eyebrows, picking up her paintbrush. “I could give you the same advice.” 
You scoff out a laugh, gaze landing on your taunting medications in the corner of a counter. “My heart is fighting itself. Wants two different things at once. Certainly can’t have both.” 
“Then follow your mental heart, not your physical one.” 
You pause, brows furrowing as you look at her with suspicious eyes. “Did Violet..” 
Powder shakes her head before you can finish. “No. She can keep a secret, especially for you. I connected the dots on my own,” she shrugs, swiping an electric blue line across the clean canvas. “Y’know, the meds, how protective your father is. Once, on one of your bad days, I looked through a window and saw you sitting down a third of the way up the stairs looking all dizzy and breathless. You fainting just tied it all together,” she hums. 
You burn holes into the ground with your utterly ashamed gaze.
“I don’t want anything bad to happen to you, but you should live the life you want rather than being trapped in one you yearn to escape. And you can count on that big baby to protect you.” You let out a little laugh, nodding at the younger girl’s sweet words. 
“Oh yeah, she wanted me to give you this. Dummy forgot it yesterday.” 
Powder sets the brush down and rummages around her tote bag that lays on the counter, pulling out a tiny black velvet box and handing it to you before turning back to her self-proclaimed masterpiece. 
Your heart swells in the best way possible, and you flick open the little clasp to reveal a thick golden ring with two red dots and a green leaf in the middle. It’s accompanied by a small white note with bright red writing.
‘Happy birthday, cherry.’
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“I knew they were together!”
You stare out of the windows of Vi’s truck into the town square. Your gaze is fixed on Miss Medarda and Mister Talis, who are sitting suspiciously close to each other on a bench near one of the decorative fountains. 
Vi fixes her dark brown hat as a laugh escapes her. “No way, he’s always chatting up this guy– one of the professors at U.P.” Vi refers to her college, and it takes you a second to understand. 
“His hand was on her thigh, Violet. That was pure romance.” 
Vi pauses, seemingly focused on the road ahead, but the lightbulb look behind her eyes that appears makes you think otherwise. “Yeah, yeah, we’ll see who’s right.” she jokes after remembering she hadn’t responded. 
Vibrant sunlight hits almost every inch of the truck and illuminates the town that passes by as the pinkette turns down a road surrounded by greenery. You spin the gifted ring on your finger once, then twice, out of nervousness. It’d been years since you left your house for anything but the doctor’s, let alone a date. A thousand and one possibilities whirled through your mind, but were quickly flushed out at the sound of Vi’s voice. 
“I see you got your gift,” she smiles, eyes flicking away from the road down to your ring and back. “I like how it looks on you.” 
She was skilled at putting up a flirtatious and unbothered front, because on the inside you had her absolutely melting. Out of all ten options, you chose to secure her gift on your left ring finger. 
You’ll be the death of her, no doubt. 
“It’s perfect,” you look over to her with hearts in your eyes. “Thanks, cowgirl.” 
She nods, eyes flickering back down before she takes her right hand off of the wheel and down to thumb the end of your shorts. “I like these too, real damn pretty.” 
You giggle, and somehow the swarm of butterflies in your gut doubles in size, because instead of returning to the wheel, the girl’s hand is delicately placed onto your inner thigh. Her calloused hands gently cup your skin, and she’s grateful you can’t read minds because she’s terrified of your potential reaction.
You can’t fight the smile that crawls its way onto your warm face. The only thought that runs through your mind is how this is even better than the movies.
“Well I hope I’m dressed well enough for whatever we’re doing today. Wish you woulda told me.” You finally reply, softening under her touch. You swear you hear her let out a little sigh of relief. 
“That’d ruin the surprise. I’ve gotta wow you.” she sends you a wink and your laughter fills the car with joy. 
It doesn’t take long until you’re pulling into the driveway of Violet’s house. It’s beautiful, all brown and white with flowers out front that Powder planted herself, high school graduation yard signs, and fresh open space. Still, a panicked look sets on your face. 
“Wait, wait, Vander’s gonna see me– he’ll tell my dad,” you stammer.
Vi cuts the engine, gently taking a hold of your chin to redirect your gaze as she speaks reassuringly. “Hey, hey. He’s not here you worrywart, won’t be home until late tonight.” Your eyes soften and you sigh. “Besides,” she starts, “we’re going over there.” 
Just past the house is a matching white and brown barn-esque building. Stables.
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“She’s so big!” you yell with awestruck eyes as Vi pulls the red roan out of the stables by the lead. “What’s her name? When’d you get her? Wow I’ve never seen one of these up close, mama was afraid of ‘em and my father doesn’t ride.” You speak at rapid fire making Violet snicker. 
“Slow down,” she instructs, standing between you and the hairy beauty. The girl takes your hand, placing it on the horse’s shoulder, giving you the okay to pet. “Her name’s Gunner, she was my fifteenth birthday present, and I can’t imagine your pops getting anywhere near a horse.” You playfully hit her with your unoccupied hand. 
“Gunner,” you whisper, “badass.” 
Vi chuckles, because swearing sounds so foreign to you.
“You ready?” She asks, slipping her black riding helmet on your head.
“Wait, what?”
“You think I brought you here just to stare at her?” she smirks, completely mesmerized by your face while tightening the straps of the protective gear. “We’ll go slow this time, I promise. Okay?” 
The promise of this happening again makes your heart flutter, and all of the gears in your brain stop spinning before you respond, “Okay.”
She helps you onto Gunner, patting the small of your back before hopping up right behind you. Her warm arms snake around your waist and grab hold of the reins in her hands. Her muscular front is smushed against your back, her head placed inches to the right of yours. 
“Now, gently squeeze his middle with your calves,” she instructs.
You obey, and the red roan begins its walk. It’s slow, peaceful, but such a new experience to you that a sweet gasp of surprise falls from your lips. 
The two of you sit in silence, appreciating the comfort of each others’ presence and warm golden light shining upon you as the beauty of nature captures you. In the green pasture of Vi’s fields, you feel like you’re breathing for the first time in five long years. 
Gunner simply walks for a few minutes as you point out pretty flowers that you pass and Violet mentally compiles a bouquet for you. Vi’s talking about her years as a kid in this field. When she’d lost (and found) her favorite toy bunny out here, or dared Mylo to walk through the vast field at the dead of night. Suddenly you’re begging to see some baby photos. 
It’s at this moment that everything’s easy. Vi’s admiring everything about you with eyes of love when–
Gunner’s neigh sounds like a shriek of terror when three birds zip past, spooking the roan into a 180 and bolt away before Vi can make it out of her trance. 
You yelp from the sudden change in speed, almost slipping off of the animal, but Vi’s there to keep you securely fastened against her as she takes control of it. Just as fast as it changed, Gunner’s speed slows to a stop. You can feel just how tense Vi is as she speaks. 
“Shit. I’m so sorry, doll. She gets spooked so easily and– god, I’m sorry for scarin’ you.”
It’s silent for a moment. The scariest moment of the pink haired girl’s life, because she can’t see your twinkling grin that spreads from ear to ear before you laugh. 
“That was so cool!” you beam, leaning forward to pat at the horse. “Not so badass though, huh?”
After a few more apologies and you repeatedly telling Vi that it was fine, you two decided it was best to turn in for the day. 
You sigh, sitting against the short wooden fence. “I wanna rest for a minute, that okay?” ‘I need to take a rest, I don’t have any energy’ is what you actually mean, but you choose not to worry her. 
She wastes no time plopping down onto the grass next to you, eyes raising to the baby blue sky. She gives you a few moments of silence, sneaking glances at your face every so often, before speaking. 
“Powder and Claggor were talking about how awesome it’d be if we took you to a Seraphine concert. Think you’d like her music a lot.” she hums, smiling to herself. 
“And one day, I'm gonna take you line dancing so we can settle our little debate once and for all.” Her grinning face is inches away from you and her overpowering scent of amber and musk ensues. 
“Oh really?” Your voice is soft as your head turns, looking Violet up and down with half-lidded eyes. “I think..” 
You quickly mount Vi’s lap, pushing the girl onto her back and pinning those muscular arms right beside her head with both of your hands. You’re both all giggles and grunts, and even though there’s no way you’d stand a chance against her in a real tussle, she lets you win. 
You lay there, one atop the other in a field of colors. The tension is so thick that not even a knife could cut it, and your grip softens when tender hands reach up to cup your face, a thumb stroking your cheek. The sun, her hands, her sparkling blue eyes, and the love radiating between the two of you has you all but melting. You’re leaning down, inching closer each second, and just before Vi’s dreams come true, you stop. 
You pull back with newly glossy eyes, dismounting the girl while whispering apologies that get lodged in your throat. “I’m sorry, I’m sorry.” 
You want nothing more than to connect your lips and hearts, but you were so afraid. How long until she resents you? How long until it’s over? You’d grown accustomed to heartaches, but never heartbreak.
But Violet craves you more than plants crave water, she needs you more than the Earth needs the sun. You just don’t know it. 
“Hey,” she whispers, sitting up and holding your chin as if routine. “Look at me, angel.” 
You comply with built up tears that threaten to stain your cheeks. 
“You don’t have to apologize for something like that,” she consoles, never looking away from your softened eyes. “We can go as slow or as fast as you want, okay?” 
You wipe your tears with the side of your hand, choking out your words. “I just– I don’t want to disappoint you.” I don’t want you to hate me once I’m gone. 
“Disappoint me?” She stiffles out a laugh. “You don’t know how bad I want you. But I’ll wait until the end of time if you ask me to, hell, I’d lasso the moon and bring it down if you wanted.”
That makes you sniffle and let out a breathy laugh, bringing Violet some relief. The girl slowly inches forward to make sure you’re completely okay with it before placing a warmhearted kiss to your forehead. It’s quick and simple, but causes an eruption of butterflies in your gut. Soon, your troubles are forgotten. 
“Let’s get you home, yeah?” 
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“What’d I say about keeping this door open?” Vi raises a brow, leaning against the doorframe as she stares at an unbothered Powder who’s doing her mascara, and a flustered Ekko. 
“Must’ve been the wind.” Powder mutters.
“She wouldn’t listen!” He raises his hands in innocence from his position on a neon pink beanbag.
It’s silent before the three burst out in laughter, and Vi’s shaking her head as they catch their breath. 
“Hurry up though, we’re gonna be late to Laurier’s.” 
“Not today, Vi.” Vander’s voice bellows from behind her, making her turn her head with furrowed brows. “He gave the five of you a day off.” 
A smile graces Ekko’s lips and Powder is whooping in the back, but Vi’s lips drop into a subtle frown. 
“Awhh,” Powder coos, “poor Vi doesn’t get to see her girlfriend today, how ever will she live?” 
The teens snicker, but the pinkette notices the uneasy look on his face, the one where he has something to say but just can’t spit it out. “What?” 
The burly man runs a hand across his beard with a sigh. 
“His daughter.” The entire room pauses. “She's terribly ill today, bedridden. He’s staying home to watch over her so there’s no need for far–”
Vander doesn’t get to finish his explanation, because Vi’s pulling the keys from her pocket and rushing past him towards the front door. 
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It takes almost running three red lights and a long, torturous talk with your father about being able to speak to you just for an hour, but at your bedroom door stands Vi, taking off her hat to look at you with big worried eyes. “Cherry,” she calls out. 
You feel absolutely horrendous. 
Your breaths are shallow, your ankles feel swollen beyond belief (you thanked god Violet couldn’t see them from under the blanket), and your eyelids weighed a thousand pounds, threatening to drop from fatigue. 
“What’s going on? What can I do?” she asks, wasting no time walking over to your pretty bed and taking a seat right next to you. 
You shake your pillow-elevated head, laying on your side to face her with a soft smile. “Can’t do anything, it’s just a bad day.” You reach a hand out to grab her calloused one and intertwine your fingers. “Just glad you’re here.”
“How’d you get past my father?” you whisper, relaxing into the soft matter.
Vi huffs out a laugh, readjusting to lay down as she speaks. “Convinced him that I’m extremely knowledgeable in this area because I’m studying to be in the medical field. So he thought it’d be fine if I watched over you while he feeds the cattle.” 
You giggle with a teasing look. “Oh yeah, what have you learned?” 
“Cherries are good for the heart,” she says all ‘matter of fact’ like. “They have potassium and antioxidants to reduce inflammation.” 
“I should be the one calling you cherry, then.” You hum. You don’t know how much it means to Vi to hear that she’s ‘good for you’.
It’s quiet again, and you spend time shamelessly looking over every inch of the girl’s face, landing on her powder-blue orbs. “You know, your children would have some beautiful eyes.” 
“And yours would be beautiful all around,” there’s not a trace of doubt in her voice. “What would you name them?” She asks and throws out silly names as you look around in thought, “Batman? Lice? Maddie?” 
“How is Maddie as bad as those names?” 
“I just don’t like it!”
Your giggles fill the room before you shake your intertwined hand. “Maybe either.. Josie or Clementine? They sound.. warm. Safe.” 
Vi nods, pulling you closer into her chest and draping an arm over you that cradles your back, “Josie it is.”
Your ears burn as you nuzzle into her. “And we’ll live in a big pretty house in the city, surrounded by noise and culture and life.” You wished so badly. 
“We?” Vi asks.
“Me, Josie… and you.” You look up at her with the last of your body’s strength. “If you’ll join us.” 
That spark in Violet’s stomach has grown to a full fire heating her body. Her dream girl’s lying in her arms, talking her ears off about their hypothetical future together, all while looking up at her with pupils blown wide as if she’s your knight in shining armor.
“Of course,” she agrees, “but we’ll have to bring Rusty and Gunner along.” 
You snicker with a nod. “Sounds perfect.” 
There’s a glint in the girl’s eyes as she trails her hand up your back to the soft skin of your face. “A pretty house, an adorable daughter, my rascal animals,” you let out a weak laugh, “and my pretty girl to share it all with.”
Your heart skips a beat. “Yours?” you tease.
“Yeah, mine.” 
She’s tracing meaningless patterns on your neck with one hand while tucking a piece of hair behind your ear with the other. And god, whatever this feeling is it’s too good, too sweet, too sensual. Your waiting lips are slightly agape in awe, and it doesn’t take long before Vi whispers, “Can I?” 
This time, ‘yes’ is the only word that pops into your brain and slips from your mouth as Vi’s lips crash into yours. 
Her lips are melting into yours with so much intensity that it’s hard to keep up. You let her take the lead while your scents, minds, and tongues mix together in a bundle of passion. Her grip around you never loosens. Fingers thread through your hair, and her slightly chapped lips dread leaving yours, because your kisses are the air she needs to breathe. 
A whine falls from you when she reluctantly pulls away from your sweet mouth, placing four chaste kisses on your cheeks, nose, and forehead. 
“You need to rest,” she coos, peppering your forehead with another (much needed) kiss, and keeping the close proximity as her arms wrap around you. There’s no argument, because the adrenaline rush from her kiss is wearing off and that wave of exhaustion snakes its way back. 
There you lay, bodies intertwined and souls tying as the sound of Vi’s healthy heartbeat lulls you to sleep. 
Once you’re out, you stay sound asleep as Vi hesitantly leaves your bed.
You stay sound asleep as she trots downstairs where your father places weights of guilt upon her, claiming he knows you two have been sneaking around, and it’s her fault you’re in this current state. 
You stay sound asleep as he demands she doesn’t return to the farm, permanently. 
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With every inch of your worn down heart, you hate Violet Lane. 
And while deep down you know that’s not the slightest bit true, you still act like it. 
When you woke up the next day, the birds singing and a beaming face as you skipped downstairs to hug your father good morning, the last thing you expected was to hear the all too confusing news that Vi had quit. Along with the rest of her siblings and friend just an hour after. 
Unfortunately, you were none the wiser, and slowly sulked up the stairs and sank into your bed where you cried yourself back to sleep. 
For the first couple days, it didn’t make sense. The way she looked at you with those big puppy dog eyes, her tender care, the ways she spoke to and about you, it all seemed so real. It had to be real. 
On day three, you decided that acting was just one of her many skills. 
By day four, you had it figured out, or so you thought. Vi was a flirtatious asshole who wanted nothing more than some street credit for kissing the untouchable, locked up, sick princess right under her overbearing father’s nose. Coming to and believing such a conclusion felt like a stab in the side, and the knife only twisted when you factored in the fact that the others must’ve known about this, which is why they left alongside her. 
You thought you’d become accustomed to all of the heart pains in the world, but you were wrong.
Tears fell from your eyes like a waterfall until they grew dry, your baking pans yearned to be used but were shoved away into a cabinet, and what hurt the most was knowing your father was right for keeping you locked up all these years. You weren’t free, but you were safe. 
Finally, on day five, you’re engulfed by the plush matter of your couch when there’s six knocks at the door and someone’s calling out for you: “Cherry?” 
You scoff at her audacity. 
When you storm over and yank open the door with the meanest glare Vi’s ever seen from the prettiest girl she knows, you’re met with Ekko leaning against your white picket fence with his arms crossed, Powder standing next to him with a worried face, Claggor and Mylo relaxed against Vi’s bright red truck, and said truck-driver right in front of you looking absolutely sick. 
And you slam the door right in her backstabbing face.
“Seriously?” Vi huffs out, earning a stifled laugh and whistle from Mylo.
“Go away, Violet.” You yell through the door, voice the sternest she’s ever heard.
“Fuck no. What’s going on?”
“Why don’t you tell me?” you counter, back pressed against your barrier. “You got all that you wanted from me, and then you quit and disappear from my life. So why are you back, huh?” 
You’re lucky you’re packed with pent up anger, because tears are bubbling in the corners of your eyes and yelling is the only thing keeping them from spilling over.
“What?” the pinkette's completely taken aback, because she has no clue what you’re on about. 
“That’s not–” she sighs, lowering her voice before speaking. “I’ll never get enough of you. I’d take a thousand kisses and so, so much more if you’d let me, but that’s not why I see you, angel.”
Your eyes soften and hurt brows furrow because damn, she’s a good actress. 
“And I didn’t quit. That afternoon when you fell asleep, your old man practically dragged me out of your house and fired me. Said I caused your symptoms to worsen. I thought I’d lay low for a few days– and believe me when I say these were the hardest days of my life, but I didn’t want to get you in any trouble.” 
Your bottom lip is bitten red until you finally cave, creeping the door open just enough to show your face.
“You promise?” you ask, and Violet’s heart is aching. 
“Cross my heart.” she replies.
That’s all it takes for you to swing the door open and jump into her arms. She stumbles back in surprise before applying the same force, arms wrapping around your waist as she melts into yours cradling her neck. 
You’re sniffling, taking deep breaths before you speak. “Really thought you left me,” you croak out. 
“You’re not getting rid of me that easily.” she teases, placing a tender kiss on your forehead as you giggle and blink away tears. 
“Now go get changed, we’re going out,” a grin tugs at the corner of her lips when your happy eyes make contact with hers. You blink, an idea flashing across your face, before pulling her inside by the wrist, yelling “just a minute!” to the others, before hastily shutting the door. 
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Violet’s eyes graze over every last atom of your body as your hips sway in front of her, babbling with Powder about who knows what, because she hasn’t been focused since you dragged her into your bedroom ‘innocently’ needing help with your outfit. 
She stood in your doorway curiously, thinking she’d only be there for a second, maybe you’d never been to a rodeo and needed advice. 
That was, until you paused at your walk in closet, a cheeky smirk on your lips that Vi desperately wanted to taste as you nod your head towards the bed. “Sit.” 
And she obeyed, manspread legs at the edge of your bed as you walk infront of her with a few items on white hangers. All frills, lace, denim skirts and shorts, and Vi’s reasonably concluded she died and went to heaven. 
“I could wear..” you shift the hangers around, “this with this skirt, or maybe these shorts and.. ooh, these boots match my panties.” You get a rise out of seeing the usually suave girl short circuit at the words that bless her ears. Definitely in heaven. 
But Vi came to the realization that she was, in fact, alive. Because her heart truly stopped beating when she helped you settle on your pieces, threw her a sugary sweet “thanks, Vi,” did a casual 180, and stuck your ass out to drag your skirt down painfully slow. 
Oh, those boots do match your panties. 
Now here you stand in a lacy red top, denim shorts that have her thanking god for your creation, and matching cherry red cowgirl boots that graced her eyes the first day you met. 
Neverending chatter fills your ears from other attendees, the overwhelming scent of kettle popcorn from a nearby booth stuffs your nostrils, and you see Ekko nudge at Vi, saying something that you can’t hear over the bluenette beside you talking your ear off about the stunning horses she sees. 
Suddenly, Vi’s walking up to you and smushing her hat onto your head with her famous smirk. “Keep it safe for me, doll?”
You nod mindlessly, a hand coming up to fix its position on your head. 
“Where ya goin’?” Powder calls out to the platinum blonde boy who’s ushering Vi to hurry up.
“Our annual face off,” he throws her a wink, and the girl’s rolling her eyes with a playful scoff. 
Before you can even ask, she’s locking arms with you and dragging you along to an even more crowded area. There’s various groups of people surrounding a blocked off area containing a big, black, circular inflatable mat. And directly in the middle is a mischievous brown mechanical bull. 
“Are they..” and your question is deemed useless when Ekko mounts the hairy machine, pumping his hands up in motion for the crowd to whoop and holler. Of course, they do. 
Ekko does good, to say the least.
One hand grips the bull while the other is thrown up into the air as the machine thrashes him and his white locs every which way. The intensity increases as it tauntingly speeds up, thrashing harder, and spinning recklessly. Finally, he’s bucked off, rolling to a stand and flashing his pearly whites as the crowd cheers.
A giggle falls from your mouth as your hip nudges Powder who’s in complete awe, and she warms in embarrassment. 
Vi and Ekko fake tension, sending joking competitive glares as they switch places. Now it’s the pink haired cowgirl that’s mounting the mechanical animal. 
You never thought you’d be admiring this sort of thing, but Violet’s never fails to twist your stomach in knots.
With a hand gripping the bull and the other resting on the back of her head, she bucks her hips back and forth to counter the thrashing machine. She’s focused, her sculpted muscles flexing as she holds on tight, but a cocky smile is plastered on her face with teeth biting down on her rosy lips. 
Surrounding girls (including yourself) are wooing at the sight. 
Vi makes it through the most chaotic shakes and spins as the bull finally comes to a controlled stop, and you’re cheering louder than you ever thought you could. 
“Woo! Hell yeah!” you cry out. The girl’s cheesing harder than ever when she hears your support, and the smile lasts all the way over to a fake booing Ekko who rolls his eyes and slips her a twenty dollar bill from his pocket. 
You and Powder unlock arms to move over to the riders. A chuckle of amusement spills from you, and you’re securing Violet’s hat back over her fluffy hair. “That was real impressive, cowgirl.” 
“Yeah?” she coos. 
“Yeah.” The atmosphere grows heavier, each of your eyes searching the other’s like there’s treasure to find. But your little staring contest as Claggor speaks. 
“Earth to lovebirds,” he hums politely. “You coming?” 
You’re quick to nod, but Vi gently holds your wrist, making you pause. “Actually, I wanted to show cherry around some more. Catch up later?” She asks, but she’s already pulling you away before Claggor nods in agreement and the group goes in the opposite direction as you. 
You speed up, feet coming into step with the girl who’s needily pulling you. Her silent prayers are answered when she spots a more secluded area behind a building and some fences. 
“Vi,” you snicker, cheeks warming in nervousness, “what are we doing?” 
She hums through half lidded orbs, hands finding their place on your hips and hastily pushing you against the wall that covers the two of you from the eyes of others. You’re looking up at her with the sweetest glint in your eyes and it’s driving her absolutely mad. 
“You said I was real impressive, right?” Her voice is smoother, breathier. 
Ohh.
You tilt your head, teeth chewing on your abused bottom lip before you mutter. “That’s right.. think you deserve a reward, huh?” 
“Exactly what I was thinkin’, sweetheart.” 
The newfound nickname is sending a shiver up your spine that transforms into a blazing warmth when Vi’s lips fit into yours like puzzle pieces. This time, messy limbs are thrown over each other. Your hand travels from her hands that are cradling your heated face, down to her abs (making her shiver as you scrape your nails across), to tangle in what pink locks aren’t captured by her hat. 
A strong hand makes its way around your waist, pulling you dangerously closer to rub against her body. God, she’s good at this.
“Vi..” you’re finally able to whisper as she trails kisses along your jaw and down to your neck. You can feel her smirk against the area where she peppers you with affection. 
And it’s perfect.
Not just the way she’s kissing you, or the fact that you’re kissing at all. It’s the environment, the feelings, the friendships that you’ve made with the others, the fact that for today, you’re living a normal life. It’s the fact that for a moment, you can cheer on your friends in a competition, you can lock arms with a friend and woo over others, you can get lost in passionate kisses with a girl and not have another care in the world. 
You wished it could stay this way forever. 
You lose all sense of shame, letting a soft grunt slip from your lips at the feeling of teeth and a ‘pop’ on your neck. It’s only a matter of seconds before both of your eyes widen and Vi’s pulling back with a crooked smile on her face. 
“Did you..” 
She wordlessly eyes the red-purple love bite forming on the back-side of your neck, just below your ear. 
“Violet!” you drag out with a whine, sending her into a soft fit of laughter. She feels guilty, but you’re just too cute. 
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You have a love-hate relationship with the neon lights that are beaming throughout the spacious room that brings more noise than you’ve heard in the past five years– maybe more than your entire life. 
On one hand, the flashing colors are starting to give you a major headache. On the other, the red glow that decorates Violet’s face as she grins down at you has your insides doing summersaults. 
Nevermind. You love the lights. 
“C’mon y’all,” Powder calls out with a chipper expression. Ekko’s standing properly in line and his blue haired companion, who’s already freestyling, spins out of control and squeals up a storm. 
“You ready?” Vi’s words kiss your ear as she holds both of your hands, pulling you out to the dance floor. 
“Are you?” 
Your sass has her laughing, and she brings her tongue out to wet her bottom lip. “Follow my lead, cherry.” 
And for a few moments, you do. All of the surrounding crowd dances the same to the upbeat, fast-paced country song that pierces your ears, so you replicate Vi’s mixed steps and cute little head tilts with her hand on that chocolate hat. 
But then the song changes, it’s more passion filled and fiery. All it takes is Powder spinning out of line and shamelessly making her own moves before you’re formulating the steps in your head. From movies you watched religiously to mindlessly shuffling your own feet late at night, you danced for the little girl who longed to have fun, who longed to be free. 
You’re clicking the heels of your boots against the ground, moving your hips as fluid as water, and bringing your hands up just for them to slide down your sides with a heart-stopping smile tugging at your lips. 
Violet’s in awe, because her girl’s fearless and full of smiles, and she couldn’t be happier for you. 
And there’s no doubt in her mind that this is the only girl she’ll ever want, need, crave. 
She whistles, looking up and down with the most amused expression you’ve ever encountered. “Jesus, alright you win, doll.”
“Yeah?” The tease comes out a bit breathless, but you play it off as dancing too wildly.
You look at the pink haired beauty through thick lashes. Inching dangerously closer as you sway, Violet’s hands have a powerful hold on your soft waist. You stumble over your feet once, then twice, and she notices. 
“Slow down there cowgirl,” she chuckles, but her gaze is tender under the carefree mask. “You alright?”
It’s unbearably toasty in the room, and you feel two times hotter with each passing second. But you don’t want it to end, so you wave her off, throwing out an “I’m good!”
But you’re not, and it’s evident on your face when the small ‘headache’ turns to tight pressure smothering your scalp, and you’re losing your balance as you search for an exit. 
“I just need some air,” you mumble, turning your head. The room shifted under your feet, vision blurring in a haze. You took three measly steps forward, and on your fourth, you crumbled.
Your body gives out under you, and Vi’s right there to catch you when it does. Her arms snake around your waist to hold you up before she lifts you in her arms with big eyes and wavering lips. 
“Shit. Ekko, come here! Powder, go get Mylo and Claggor.” 
The five haul ass to Vi’s truck, the pinkette tossing her keys to Ekko as he and Mylo hop in the front. She, Claggor, and Powder take seats in the bed of the truck. When you finally come to, your back is laid against Vi’s worrisome chest, and you get the fresh air you were looking for from the speed Ekko’s driving to get you home. 
But when you pull into the driveway of your home, there’s already a car waiting for you, and there stands your father with his arms crossed and pure fury in his eyes. 
And you’re in so much fucking trouble. 
The others attempt to plead your case, in good ways and in bad, as the man scolds everyone in sight.
“Mister, we just went out to dance.” 
“She’s not a child you know, you can’t keep her cooped up here forever.”
“Please just understand.” 
Everything goes in one ear and out the other, because in the chaos silently sits you and Violet. You’re still breathless, and this headache is gonna last longer than you want it to, but you relax into the warmth of Vi for one last time. 
You pull back, ignoring the spike of pain that flashes across your brain, and turn to the girl with a tight lipped smile. “I’m sorry, you guys should just go.” 
She looks pained, like she wants to say something, she wants to help. But she nods, placing a chaste kiss to your temple just as you’re sliding out of the truck bed and over to your father. He hastily drags you inside while you bid farewell to your moping knights.
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With every inch of your worn down heart, you love Violet Lane. 
And you’re not an idiot, you’re sure she loves you too. 
That’s what makes coming to a conclusion impossible on almost every level. 
Your physical heart says this is the most idiotic decision you’ve made in your entire life. You’ve had worse symptoms than normal, you’re putting yourself in danger in the name of ‘fun’, and the thought that’s lingering in the back of everyone’s mind is one you can’t ignore: just how long will you make it? 
Your mental heart says this is the best thing you’ve ever done. You’re happy, you’re in love, you have real friends, and you’re finally starting to see the point in living. Not just from a tv screen or the books your father supplies, but through your own eyes and experiences. And even though your father seemed overbearing, you know he’s afraid. He’s taken on all of the worry and stress so that you don’t have to. If you wanted something to change, you had to take the leap yourself. But you’re not sure you can.
There’s six knocks at the door, and you stay seated in your position on the couch. “It’s open,” you call out.
The clack of familiar boots enter the room, and a wave of musk and amber suffocate you when Vi walks past you to sit at your side. 
It’s silent. Not your comfortable, daydream filled state of silence that Vi could watch you in forever. It’s awkward, strangulating silence, and she can’t take it.
“Yesterday was..”
“...amazing.” “A mistake.” 
You speak at the same time, eyes flickering at each other's response. 
“What are you talking about?” Vi asks, setting her textbooks down. You don’t miss the newfound waver in the back of her voice. 
You don’t respond. You don’t want to go through with this conversation.
“..Is this about the hickey?” she flashes a strained smile, “I’m sorry if he saw it, doll. Reall–”
“This isn’t a joke, Violet.” you finally speak, eyes strictly trained down on your fiddling hands in your lap. The tears are bubbling at your eyelids and that itchy, sore feeling is crawling its way up your throat. 
“Then what is it about? You and your dad? Look, I can talk to him, I’ll make things right.” Her voice is increasingly wavered, desperate, scared. 
“Our–” you inhale a shaky breath, “– this, us, whatever we are is an inconvenience. An inconvenience to my father, an inconvenience to my health, an inconvenience to you.” Your voice breaks with the last word. “I’m a burden Violet, face it.”
You can’t see it with the tears blurring your vision, but Vi’s shaking her head in horror. “No. No, what are you going on about? You aren–” 
“God just face it, Vi. All you wanted was to love a girl and you got a defective one.” You spit the words out like they sting on your tongue. “Soon, you’ll be annoyed by everything I can’t do and bored of everything I can.” 
“Maybe we’re just not…” you can’t continue as silent tears transform into quiet little sobs. 
Vi’s heart aches as she kneels down on the floor in front of you, examining your now puffy eyes and tear stained cheeks. She wants nothing more than to kiss the pain away, but first she has to fix that worrisome little mind of yours.
One hand intertwines with your anxious ones, and the other reaches up as rough fingers delicately hold your chin, a soft thumb rubs back and forth against your cheek. She whispers out your name with a voice that’s holding back sadness of her own. When you’re finally ready to look at her, she smiles delicately.
“You don’t know how bad I want you. But I’ll wait until the end of time if you ask me to. I’d lasso the moon and bring it down for you if you asked.” You recognize her sweet words from your first date, and you’re weakly melting into the palm of her hand that’s sliding to cup your face. 
“I meant it then, and I mean it now,” she whispers. “I will never be annoyed by what you can or can’t do– god, I'd sit here and talk to you about slugs all day everyday if that’s what you really wanted.” That has you scoffing, fighting back a smile at her silly words. 
“Love isn’t about the activities you can or can’t do, it’s about a connection, our connection, and what we do with it. So, you can get rid of me if this is all true and that’s what you really want, but I will never stop loving you.” She’s speaking so sweetly, and before she even finishes her sentence you’ve made up your mind. 
“You’re good for my heart, cherry.” 
Those are the last words she can get out before you’re throwing yourself forward and locking lips with the love of your life. 
It starts off slow, soft, an apology for the rollercoaster of emotions and blunder of nonsense you put yourselves through. Then, Vi’s hands are cupping your face and the back of your head while yours are thrown around her neck. It’s needier, sloppier, and her tongue slipping into your mouth shows it’s moved from an apology to ‘let me make you feel better’.
You hum into the kisses with pleasure, but you wanted more. Needed more. Without hesitation, you slip a hand under Vi’s tight t-shirt, running a hand up and down her abs.
The action sends a shiver down her spine, and you gasp in surprise when the sculpted girl wraps your legs around her waist and lifts you into her arms. 
You’re giggling as she walks up the stairs and into your bedroom. Your litter smooches down her jaw and to that neglected neck, mimicking what she’s done for you. Vi slips a hand under the back of your shirt, making you hum into her neck at the warmth. 
Pop.
A devilish grin graces your angelic face when you pull back, eyes flickering from Violet’s to the bruise on her neck. 
The girl grins, catching your mouth in a wet kiss. “You’re asking for more, y’know,” she warns, and her lustful eyes are turning your brain to mush.  
“Good. I want more. Need you all over me,” 
Your confident words are canceled out by a sweet gasp that leaves you when Vi bucks her hips. 
“You’ve gotta say it then,” she orders.
“Say.. what?” 
She chuckles. “Tell me what you want, baby.” 
You swear there’s a pool of slick in your underwear. 
“Want you to fuck me till I cum, please please please,” you beg, hiding in the crook of her neck.
“Fuck,” is all she can choke out, because she’s never wanted wanted a girl this fucking much. Your begging is all she needs to hear before she’s stripping you out of your top, unclasping your pretty bra with one hand, and flipping you over onto your back. 
You’re throwing your head back with a soft moan, running a hand through her pink strands while Vi latches onto one of your rock hard nipples. Her hand trails down your abdomen and to your pretty little skirt. The fabric slides down your legs and off your delicate ankles, and the girl’s gawking at your panties. 
“Vi, please please,” you moan in impatience. 
She lets out a cruel chuckle, fingertips pulling down the fabric that’s completely drenched by your arousal. 
Holy fuck. 
She’s moving faster now, pulling her shirt over her head, and you don’t have a chance to drool over her bare muscles as she sits against the headboard of the bed and pulls you back by your hips into her lap. 
Your back’s pressed against her chest, and she pulls your legs apart making cool air attacking your lips. One arm hooks under your knee and holds tight, making sure you stay perfectly spread for her. 
“Suck,” she whispers, and two of her calloused fingers are shoved in your mouth. You swirl your tongue around the nubs, letting drool pool around them as Vi looks down at you like she wants to ravish you. 
“Wanted to touch you like this for so long.”
Her fingers are dragging out of your mouth and down to your sensitive slit to your swollen clit. You’re already messily bucking your hips against her as she pushes soft circles against your bundle of nerves. 
She relishes in the way your eyes roll back before she decides she’s done being a tease, sinking her wet fingers into you three full knuckles deep. 
“Violet– holy fuck yesyesyes,” you whine, quickly closing your legs at the newfound pleasure. But Vi’s pulling them right back apart as she pumps into you faster.
She peppers kisses on your temple, whispering sweet nothings about how you’re ‘so damn pretty’ and she’s been dying to see your ‘fucked out face’. 
“Yeah, oh fuuck.” you squirm under her control, a knot of passion and pleasure building in your gut. 
“Yeah? Yeah, baby?” She speaks breathily. The way she’s mocking you and the depth her fingers are reaching is sending you right over the edge. Your toes curl while writhing pleasure shoots through your body, and all you can see is stars. 
“Fuck fuck, I’m– hah,” 
Vi’s shushing you softly, keeping her speed and strength as your cunt tightens around her fingers. 
Your moans are like angels blessing your ears as you cum, gushing on her skilled fingers. 
The only noises in the room are your exhausted pants, the slick of your cunt as Vi pulls her fingers out terribly slow, and the bed shifting under the absence and reappearance of pure muscle. 
Except this time, the pinkette’s knelt in front of the bed. 
She pulls you to the edge by the soft skin of your thighs, and piercing blue eyes joined by a warm pink tongue threaten to have you wheel-chair bound by morning. 
“Let me clean you up, angel.” 
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Despite being near nothing but muscle, Vi’s bare body is incredibly comfortable. 
“And he made a giant splotch of paint on the wall with his ass.” 
You gasp, choking out a little giggle of shock as Vi tells you stories of her childhood, specifically all the stupid situations they got themselves into. The just-right bath water is engulfing your intertwined bodies. Vi’s fingers are threading through your hair as your head rests on her shoulder. Your body sits in between her legs, and your arms lazily drape around her waist. 
“How mad was Vander?” you ask.
“He just… laughed. I’ve never really seen him mad, just disappointed at times.” She shrugs. “He knows kids make stupid mistakes, learn, and grow.” 
You hum, nuzzling further into her. “I hope I’m that calm when I’m a mom,” 
You pause.
“If I’m a mom.” 
That strikes right through Violet’s swollen heart, and she shakes her head, holding you a little closer. 
“You’re gonna be perfect.” She reassures. “Josie.. Gunner.. Rusty, Daisy, and our big beautiful city house are going to be so lucky to have you. I’m so lucky to have you. Never gettin’ rid of me.
You smile against her skin, placing a loving kiss. 
“Even if it takes ages for my pops to understand?” you mutter. 
“I don’t care if it takes a millennium.” she states confidently, a tender kiss graces your forehead before she looks you in the eyes.
“I love you, cherry.” 
And this time, you’re done holding back.
“I love you, Violet.” 
Your fingers, hearts, and lips intertwined as you share your most passionate kiss yet, one of the many for years to come.
Five years, to be exact. 
And five years later, as the blood refuses to circulate throughout your body and your heart ceases to beat, you die in Violet's arms.
Through her sobs and shattered heart, she can only smile at the fact that all the way until your death, she helped you truly live.
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peppersjam · 5 years ago
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My Top 10 Albums of 2019
2019 presented me with a handful of incredible events and memories (I turned 30, I got married, etc.), while also serving me a big challenge (my partner is temporarily living on the other side of the country). In a poetic world, these things would have a significant impact on the music that I listened to and loved, but no, not really. This year is pretty on the nose for me, music-wise. Oh, except that I got really into Taylor Swift in the second half of the year.
Before we hop into boring Steve's boring top 10 list, let's revisit the 2018 list. The only album on the list that I barely listened to in 2019 was Cardi's Invasion of Privacy. Everything else gets at least semi-regular spins, although I'd elevate Historian, boygenius, and Big Red Machine above these others.
My biggest disappointment this year was Charli XCX's CHARLI, which is a solid album, but it didn't grab me nearly as much as Pop 2 did a couple years ago. It hasn't stuck in my rotation.
Runners up:
Bon Iver - "i,i" (I love it when I listen to it, but for some reason I'm not often compelled to listen to it)
Ariana Grande - "thank u, next" (Staple of early 2019, but fell off)
Carly Rae Jepsen - "Dedicated" (Great, but I'd rather listen to E•MO•TION)
Taylor Swift - "Lover" (Some true standout tracks, like Lover and Paper Rings, but too many cloyboys and CRJ rip-offs)
Weyes Blood - "Titanic Rising" (I could see this growing on me over the years, like a Radiohead record)
And the pre-2019 albums that should've made my respective yearly lists:
Beyoncé - "4" (2011)
Beyoncé - "BEYONCE" (2013)
Big Thief - "Capacity" (2017)
Big Thief - "Masterpiece" (2016)
Perfume Genius - "No Shape" (2017)
Snail Mail - "Lush" (2018)
Taylor Swift - "Red" (2012)
10. Big Thief – U.F.O.F
Early in the year, I "discovered" Big Thief. I don't know how I missed them before. Specifically, the song "Masterpiece" got right up in my brain and has been hanging out there since. Then Big Thief gave us U.F.O.F. which was yet another great Big Thief album. See #3 below.
9. Andrew Bird – My Finest Work Yet
Look, I'll stop putting Andrew Bird records on my end-of-year lists when he stops making them.
Andrew Bird turned a corner with the release of Are You Serious where he basically acknowledged that he was now going to work with other people and write scrutable songs. It was a good album, but My Finest Work Yet refines this Andrew Bird 2.0 and delivers some of his... finest work yet ("Sisyphus," "Manifest," "Olympians"). While I still prefer earlier Andrew Bird (A Nervous Tic Motion into Fake Palindromes into Measuring Cups... my gosh, that's 10 incredible minutes of music), I understand why he's moved on to something else.
8. JPEGMAFIA – All My Heroes Are Cornballs
I've been in a rap rut. Kanye is putting out self-indulgent gospel albums. Chance and Drake are boring now. JAY Z is working with the NFL.
But the rut is mostly a lack of imagination on my part. There's a lot of rap out there that hasn't made it through my naive filter, and I want to seek more of it out in 2020. Case in point: JPEGMAFIA. He's weird, political, funny... all the things that the aforementioned rappers aren't (or at least, aren't anymore). All My Heroes Are Cornballs is the most hypnotic rap album I've listened to in years. The glitchy beats and effortless flow makes it impossible to turn off mid-album.
7. BROCKHAMPTON – Ginger
GINGER is a proper follow-up to the SATURATION trilogy. While Iridescence had some good tracks on it, the overall experience was jarring (not without reason, given what the group was going through with Ameer). GINGER reads (ok, plays) like an album in a way that the Saturations never did. While it may be spiritually linked to the Satursation, it's a complete departure sonically. Even though it's more constrained and less bombastic than their hits from that era, it feels much bigger and, ahem, More Important. That might not be to the taste of some of their fans, but I'm happy to have both versions of BROCKHAMPTON in my music library.
6. Lana Del Rey – Norman Fucking Rockwell!
Music publications couldn't get over the fact that on NFR!, Lana, yes LANA DEL REY, was wordsmithing at a high level. Is it that hard to believe that someone would become a better poet as they gained more life experiences, inching closer to the mystical 10,000 hours? Some of the praise may have gone a little overboard (and, frankly, seems rooted in a narrow, misogynistic view of Who Can Do Music Good™️™️™️), but I agree with the underlying principle of the praise: that this is a collection of well written and well performed songs. It has my favorite album closer of the year, "Hope Is a Dangerous Thing for a Woman Like Me to Have - but I Have It." I get chills just thinking about it.
5. Clairo – Immunity
I enjoyed my first listen.
On my second listen, I wondered if it was maybe too simple. I didn't listen again for several months.
But then, when I was working from Pittsburgh the week before Christmas, I listened again. And I couldn't stop listening. It's simpler music than many of the albums on this list, but it appeals to me for the same reason I had a fixation with Snail Mail's Lush this year: it's incredible that songs that sound so "simple" (and I truly do not mean simple in an insulting way) can still be different than anything we've heard before, and can still transfix us in new ways. Behold ye, the power of combinatorics!
4. Vampire Weekend – Father of the Bride
Channel Orange to Blonde was 4 years. There's nothing you can do to get your favorite artists to make music faster. There's some beauty in that... that if an artist is financially successful enough, they don't need to rush.
Modern Vampires of the City to Father of the Bride was 6 years (i.e., 20% of my lifetime). But at least there are no duds here, and "Harmony Hall" might sneak into my hypothetical favorite-songs-of-all-time pantheon.
3. Big Thief – Two Hands
Oh, but then a few months later, Big Thief gave us another album. They started working on it right after they finished U.F.O.F, which tracks based on every interview I've read with Adrianne Lenker. She talked about the insane touring and album release schedule they've been on in the past four years, but her point wasn't "I'm getting tired," but rather "let's see if I can do this forever." I saw them play at The Fillmore after they released Two Hands and I got the sense that Adrianne has to make and perform music. She was uncomfortable engaging in the standard nearly-identical pleasantries that artists share with the audience. She was shy. She was surprised to find that we were hanging on her every word and chord. It was relatable. She's the closest to a genius I've seen in an indie rock band in the last several years, although I'm sure she'd hate anyone calling her that.
That genius produced Two Hands, an affecting indie rock record that practically demands that you close your eyes because you need to experience it and only it.
2. Tyler, the Creator – IGOR
This year, I listened to IGOR over and over again. The hooks, verses, beats, and vibe are all infectious. Boring Steve says "hey, look, it's just a great album." I don't have a deeper thought about it. I eagerly await Tyler's next project.
1. Nilüfer Yanya – Miss Universe
This year, like 2009 a decade ago, was an exciting year to be an indie rock fan. Vampire Weekend and Bon Iver cemented their elder ("elder") statesperson statuses, Big Thief came into their own as a true force of nature, and acts like Clairo and Nilüfer made me extremely jazzed about the Ghost of Indie Future.
Nilüfer has a unique and delightful voice that punches through some really fun songwriting and arrangements. Like, what a dumb, awesome lyric:
Although I cannot tell if I'm paranoid
Or it's all in my head, it's all in my head
Miss Universe is her debut full-length album, and it's a lovable and off-kilter thesis statement for what I assume will be a lovable and off-kilter music career. I can better explain why some of the other albums on this list are great, but suffice it to say, the system rewards unique performances.
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wmucradio · 8 years ago
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Q & A with Gabrielle Smith of Ó (formerly Eskimeaux)
On April 12th, I attended a show at the Black Cat featuring the band formerly known as Eskimeaux* as the opening act, followed by Why? It was the first time I had been able to see Gabrielle Smith and her gang perform live, so I was very excited. The show was incredible, and the band was very tight. Every pause or idiosyncratic beat was facilitated expertly by Felix and Gabrielle, followed by head nods and curtsies between Oliver and Jack. The band is a joy to watch live, as you can see and feel their chemistry in every song. The set included many of my personal favorites, along with a few previews of new material. Following their set, I met with Gabrielle for a “brief” interview that ended up lasting over an hour. I can only speak for myself when I say this, but our correspondence felt more like catching up with an old friend than it did an interview. Gabrielle Smith is honestly one of the most pleasant human beings I have ever had the pleasure to meet. I have transcribed questions from the interview below.
*Since this interview, the band has changed their name to Ó. This came to fruition following a confrontation with Inuk throat singer, Tanya Tagaq, in which she made clear that the term “Eskimo” is considered derogatory by much of the Inuit population.
 Q: What music did you grow up on?
A: When I was growing up my parents were really into Carol King, the Carpenters, and I grew up in choirs. So I was always performing, thinking about, and singing really weird hymns. A lot of Hallelujah and stuff like that. And my grandma is a pianist, so she would always play really good classical stuff.
Q: Was that when you started with music making? (Like when you were a kid, through choir, or did you do other things?)
A: Yeah, it was between that and I took violin lessons when I was growing up. But I didn’t really think of it as “making music.” I feel like when I was little I didn’t understand that choir, and orchestra, and Ace of Base were the same thing. There was this really big separation for me between musician, which I didn’t understand as being human, and the product. I sort of knew phonetically El-ton John and Ce-line Di-on, and Ace of Base. But didn’t understand that they were people until I was much older.
Q: Was it sort of like finding out that Santa Claus isn’t real?
A: It’s kind of the same thing. You’re like “Oh my god, someone made this. This is like art, I guess. Woah.”
Q: Are you still coping with that realization?
A: It’s kind of hard to. I feel like making music and doing this has made it clear that musicians are human beings. But I still didn’t connect some of my favorite ones. Like Why? for example. I was like “I could probably meet so-and-so if I networked this way.” Or “I bet this person through this person knows person X.”
Q: So it’s still kind of non-people with artists that you’re into?
A: Yeah. I mean, especially ones from my younger years.
Q: Did you have any specific female influences in your life when it comes to songwriting or even getting into instruments?
A: Yeah. Definitely Bjork was a huge one. Joanna Newsom. So amazing. So amazing. It’s unreasonable. I remember hearing her for the first time. There was this kid that went to a different high school. I thought he was so cool. He had a band, and wore scarves, and was very glam. He had “The Book of Right On” on his Myspace page, and I was like “What is this? I’ve never heard anything like this before. This is so amazing. It’s kind of annoying and it’s so brilliant. And the lyrics are so amazing. And I’ve never noticed lyrics before. And holy sh*t.” It was a huge realization. So, Joanna Newsom. Really big one. And probably Greta, from Frankie Cosmos.
Q: I was actually going to ask you about shaving your head. Because I know you’ve done it, she’s (Greta) done it, and so has Adrianne Lenker from Big Thief. I was wondering if it was significant in some way or if you all just did it?
A: So, I was on tour with Oliver’s project, Bellows, and Felix’s project, Told Slant, and The Hotelier. Pride Weekend happened and my friend Meghan shaved her head, and I was like “Wow. You look so hot and cool. I just think I need to know if I could do it.”
Q: Are you into any other art form? Because I know that you went to University of the Arts.
A: For like a second. I went for like a month. It was so bad. Not that the University of the Arts was bad, I was bad. I just felt like they… First of all, I wanted to go for animation. And they were like you could go for animation or you could go for film and we’ll give you a half scholarship. And I was like “okay, what’s the jig here?” And I never found out because I only stayed for a month. I basically got offered to go on a tour with this band, and then I said yes. And then I called my parents from Indiana. And I was like “I’ve been on tour for a week, and I’m not in school. So…”
Q: How did they take that?
A: They were really pissed, obviously.
Q: When did they finally come around- Have they come around?
A: They’ve come around. They came around. I mean, my parents have always been really supportive. But they really, really, came around after Frankie Cosmos played at the MOMA. That was the moment, they were like “Oh, this is cool.”
Q: Was it a hard decision for you?
A: I didn’t like it at all. I was miserable. We were just watching Westerns, and it’s so unreasonable. There were kids in my class that had turtlenecks and low pony tails. It was like the black turtleneck with the round glasses, the low pony tail, and the beret was what really pushed it over the edge for me. You can do anything you want. You can dress that way and it’s totally fine! I just think that sitting in a class talking about which Western is the best in the summer, while wearing those things. And that being said, it was really air-conditioned, so I kinda wished I was wearing it too. But I didn’t give in. My point is that these kids just took themselves really seriously. And I feel that the point of art school is that you’re supposed to unlearn everything you know so that these professors can say “this is how you do it. This is what art school is all about. This is the technique you never knew. If you don’t allow us to fully give you what we know, you’ll just waste your money here.” But these kids were like “my name is Remington.” I don’t know how else to explain it. It was just a vibe that I got. The kids were just super like “I was the weird kid in my town in New Jersey.” That’s also fine. I don’t know, I feel really stuck-up saying all this, but. My priorities were just elsewhere. I also think I wasn’t ready to go to college, realistically.
Q: Were you trained on the instruments that you play now, or were you self-taught?
A: I took piano lessons very minimally from my grandma. It was nice, except I was an asshole. She was teaching me about all these important things like scales and I was super not interested in what she had to say. I was like “Piano sucks.” It’s super overwhelming. It looks like nothing, so it’s just really weird. But lo and behold, I play keyboard in Oliver’s band. Well, I play synth. It’s more like pushing a button and turning the knob. I do know the chords!
Q: How was growing up in New York? Did you feel like you had a normal childhood?
A: I think so. My parents work so hard. My dad is a lawyer. And my mom’s had a bunch of different jobs, but they’ve always in the finance department of whatever thing she’s doing. Right now, she works at this humongous insurance company. I think they insure business, so like malpractice insurance. I only know this because I worked there for a little while, and they gave me this really fancy title. I was a “Junior Financial Analyst.” However, I was scanning W-9 forms and digitizing their clientele. I was basically a scanner.
Q: It’s fine. I just gave myself a job. My sister has this madrigal group so I made myself their “administrator.” But now I’ve actually started to do things!
A: What are you doing?
Q: I’m booking a gig for them! It’s crazy.
A: Wow, a madrigal choir. That’s so cool. I love that.
Q: My sister’s all about renaissance music. I’ll be listening to my music in the car and she’ll just be like “can I put on my recital repertoire?” and I’ll be like “Oh my god, okay fine.” And it just completely ruins my day, but it’s fine. She’s actually really good, so I don’t mind. But I don’t really like other people’s voices.
A: There was one day where for a few minutes we listened to Gregorian chants. And it was so amazing. Jack is really into this mash-up artist named Neil Cicierega. He just came out with a new record Mouth Moods. So, you should totally check it out.
Q: Is it what it sounds like it’s going to be?
A: Yeah. Well, he’s really about All Star by Smash Mouth.
Q: Why is everyone all about that song?
A: It’s just what it is.
Q: SO confusing.
A: It’s just the most amazingly horrific pump-up jam. You’re just like “yeah, I think I can do whatever I set out to do today.” So one day, this guy, Neil Cicierega, decided to mash up the YMCA to the Inception soundtrack. It’s really moving and really emotional. So we’ve been pranked a lot with that. You should just listen to it. It’s bad to describe it. You should listen to it even though you shouldn’t.
Q: I understand. Back to All-Star, the radio station played All-Star for 24 hours straight once.
A: That’s like two- two stories about that. One day, we tried to listen to Build This Pool by Blink-182. We tried to take the 45 minute challenge. We made it like 10 minutes I would say, but we had to stop. The other story is that I used to go to this camp, called Camp Lohikan. It was on the New York/Pennsylvania border. It was a really shi*ty camp. But the camp owner thought it would be really funny to play Hero by Enrique Iglesias for a full day over the loud speaker for the entire day of camp. So I forever know all the words to that song. We tried to cover Hero actually. We learned it one time, but forgot it since. So, we’ll have to learn it again!
Q: If you weren’t doing music what would be doing? What would your dream job be? Because I’m assuming this is your dream job.
A: It is my dream job, definitely. Well, I have this back-up plan. Which requires a lot of money. So it’s not really a good Plan B. But my friend and I are super passionate about animals. She works at the ACCT in Philadelphia. It’s a kill shelter, but her job is getting animals to rescue. So she calls rescues all day to promote animals that are ready to be adopted. She’s very cool. We have this pipe dream to have an animal sanctuary. And there was a moment this year, I guess it was last year, where I was just feeling super down on everything. I was like “What the f*ck am I doing? Why am I doing this? What does this mean? This is super weird. Well, you know. This is such a weird job. And it’s based on validation which doesn’t always come. Or like when you’re not on an album cycle, what are you doing? You’re just living your life and it’s weird. And I grew up in a choir, so being like “listen to me” is a weird impulse that I don’t really possess naturally. So anyway, I was having this whole moment of crisis, and then I called up my friend. We were talking about it and saying “we could just have an animal sanctuary.” And she was like “There are a bunch of goats in my job right now. You should come down and pet the goats.” And I was like “I can’t come down, because if I pet the goats I’m going to take them home.”
We discussed the pros and cons of having a goat as a pet in New York City, but decided that it probably wouldn’t be a good idea. However, according to Gabby, a goat would likely be one of the few animals that would understand her dog. She’s had her dog, Frankie, for 4 years. He’s a smallish pitbull-esque dog that a lot of their neighborhood kids are scared of. However, Gabby stated that he’s a very good “muffin.” We talked a little bit about the Chinese zodiac, along with the origin of the line “2011, the Year of the Rabbit.” (It was a “really good rhyme” that was incidentally true!) This led to a discussion about reading horoscopes and being a Taurus.
Q: What do you embody about a Taurus?
A: Well, we’re really stubborn. And we love food and money. And aren’t really good about either of those things. In that, because I have such a high standard for what food should be like, I’m really picky about quality. Though I’ve been trying to get better because obviously touring is a nightmare. It’s more of just like an “oh my god, this texture is disgusting” type of thing. I’m really weird about food. Like, I don’t like fruit. Yeah, none of it, it’s gross. I mean, I like lemons and limes.
We discussed the correctness of calling lemons and limes, “fruits.” Ultimately, we decided to be honest and call it what it is. They’re more along the lines of sauces and stuff to make lemonade with. Lemonade, according to Gabby, is just “sauce in a cup.” Back-up Plan C for Gabby may well end up being “Cup Sauce” lemonade. She’s even come up with the slogan: “Buy it. Do you like it?” A slogan that I immediately shot down and told her that she’d likely need to hire a better PR person. Gabby then brought up her stage banter during her set and said it’s not very good at selling. I, however, disagreed. Her understated and meek “thank you’s” perfectly compliment the direct tone in her songs.
She did tell the crowd earlier in the night that she was in a really bad mood. An issue that started earlier in the day with a looming phone call that she had already pushed back. The ride to DC was also stressing her out, and causing her to be angry and grumpy. (Something that I could never imagine!) She was able to turn it around though, and it ended up being totally fine. There were also some issues with the voltage of her second-hand Japanese amp. She was getting shocked during soundcheck but the sound guy helped her out with all the technical bullsh*t!
Q: Have you ever felt that you’ve had something to prove, because you are a female musician, to people who might know a lot about the technical stuff and things like that?
A: I think that I did when I was younger and first starting. I feel like I was really, really, adamant about being my own producer and recording everything myself. And whenever I enlisted the help of other people, it was as an arrangement kind of thing. I had a really big, well it wasn’t a really big deal, but I had this other bandmate who was a man. For a while, it was just the two of us. And a lot of times, people would come up to him, asking him questions. Or they’d be like “producer, Him, and songstress, Gabrielle Smith.” It was just like “Ew. F*ck. Uh, no.” So it took a lot to kind of re-write that. But, that being said, I am super, super, lucky. All of my friends have been supportive and treat me as an equal even though most of them are male. We all share secrets about songwriting with each other, and it’s this super reciprocally nice supportive process. So I’ve been in a bubble basically, for my whole coming up time. (She’s referring to her music collective here.) It’s been easy in that way, but I do think that people, even on this tour don’t assume- like, I work my own merch table, and a lot of times people are like “oh, is this the opening band? Are they good?” And they just assume that I’m not in the band. Most times, people generally know who we are before we get there. Yeah, it’s been really chill, to answer your question. I feel like it was harder when I was younger, but now I don’t really care, so I don’t think about it.
Q: What are you working on now?
A: I feel like, usually all of my songs have already come out before we come out with an official record. So yeah, this time, we have a whole record written. I’ve written a couple more songs on this tour that I want to see if they’re better than some of the other songs. Because some of them are kind of like- they’re good, but they don’t make sense on the record.
Q: Is there a theme that they’re not fitting?
A: Well yeah. The record, I think, the overarching theme, is sort of the opposite of O.K. Where O.K. was very like “and this moment is this, and I’m in love with this person!” and “ this moment is this, and I like you.” And “this is how you’re affecting me in this moment.” It was very descriptive of external observation and how I was feeling about them. The new songs are a lot more internal, and more about trying really, really, hard to exist in the present and not being able to fully be there. It’s a lot more impressionistic. There’s more color rather than nature. It’s a lot more internal and hard to escape yourself kind of feeling.
Q: And this was around the time you were having your “goat moment”?
A: Oh yeah! So sick- I’m gonna call it that from now on.
Her hope is that the band will hit the studio after this tour and the next tour (w/ Frankie Cosmos). She’s hoping they’ll be done tracking the record by July, and that it’ll be done and ready to release by the Fall. She’s very excited about it. In a new song, there’s even a visual of a goat that is trying to stand on a moving truck bed, but is having a difficult time standing up. She was hoping they would play this new song on tour, but they couldn’t due to instrumentation needs.
Q: What’s your favorite part about coming to DC?
A: Well, usually. This is going to sound like a humble brag, but I’m really good buddies with Bob Boilen. He’s the best, and so nice. Kate Tempest is in town, and he was like “I’m so sorry, I can’t come to the show. Usually you know that I’d come make it work, but you’re playing at exactly the same time as Kate Tempest. She never comes here, so.” And I was like “it’s totally fine,” but now I’m really sad. We just like chill. He’s so chill. The last time I saw him, Eskimeaux came here and played at Rock and Roll hotel with Japanese Breakfast, and he stopped by the NPR office. And we had written this Christmas song the night before that we performed on All Songs Considered. It’s really good. I actually stole- for one of the new songs that we played tonight, I realized that I actually stole one of the melodies and chord progressions from the Christmas song. And I had to text Michelle and be like “I hope this is okay. I’m really into this song that I just wrote, but I know that I stole the “Christmas tree-ee” part, and I know that it’s maybe not chill to do that. And she was like “oh my god, it’s fine.”
We then discussed the fact that interning at NPR’s Tiny Desk is my dream, our love for HBO’s Bored to Death, and methods for figuring out the name of someone you’ve forgotten. If you’re wondering, the right way to do it is by introducing another friend to the aforementioned forgotten friend, and just hope that they’ll say their name.
Gabby told me about her favorite things about touring: amazing food and being touristy. (Places that she recommended include White Sands National Park and Meow Wolf in Santa Fe.) Along with seeing friends from other cities and getting to tour with bands that are super inspirational to her.
“This is so surreal, and it’s really amazing that I was able to get so out of it that I was in a bad mood.”
When I told her that it was completely human to feel bad, and that she shouldn’t be apologizing or feeling bad for feeling bad, she said something that made me realize what an amazing artist (and person) she is.
“I just want so badly to not normalize this experience at all- and have it be this overwhelmingly amazing thing.”
We talked a bit more about the pros and cons of touring. According to Gabby, the worst thing about tour is that she’s not as available to be a good friend. It’s hard to be like “just so you know, I’m still your friend. Tell me if you need anything, I love you.” Another things is navigating her coffee addiction.  Something that started when she was working at a coffee shop in New York. She told me a bit about her experience there, which she asked to have off the record. She now drinks two cups a day, but Oliver is on a very rigorous coffee schedule. She goes along with it, but now has gotten into buying tinctures, so that she won’t need coffee as much. Apparently they taste like sh*t, but she’s been putting it into Kevita. (Which is basically just “bubbly cup sauce.”)
Q: Super weird question, but would you be willing to take a mirror selfie with me?
A:
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Written and transcribed By No Boys Allowed DJ Ava Mirzadegan
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independentartistbuzz · 6 years ago
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Indie 5-0: 5 Questions with Carli Naff
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Meet Carli Naff: The artist who is making a big name for herself in 2018. As she shares with the world her new video for "Clean," we must say we have been enticed by the artist. The track and video are equal parts dream that Carli has carefully crafted...and we couldn't be more pleased with the result. Stopping by for an exclusive Indie 5-0, we sit down with the artist to get the inside scoop.
1. What is the inspiration behind your new single, and did you draw the piece from a personal place?
My new single, like all of my songs, did come from a very personal place. I tend to write lyrics that just tell very specific stories of what happened to me. I’ve found that the more specific I am, the more poetic the words seem to someone who wasn’t there. This song, Clean, was a product of the heavy, painful feelings that came when i allowed myself to stay stuck in a toxic and addictive pattern with someone who I loved, and the even worse (but temporary) pain that came when i finally decided to break the pattern. This song was kind of a bridge between those two feelings. A turning point if you will!
2. When creating the song, how long did it take to accomplish from start to finish?
Let’s see, I wrote the song on my acoustic guitar in March or April of 2017 and after trying out a few different versions of it with my producer, we had the final rough mix by Jan 2018. Then we had to record vocals, mix, master, etc. So all-in-all from conception to birth it was only about a year and a few months! Not too bad. Feels like forever ago that I wrote it though!
3. At what age did you realize that music is a career you wanted to pursue; what was your 'ah-ha' moment?
Music has always been a part of my life in different ways. I did a lot of choir as a kid and started voice lessons at a young age. I did musical theatre as a teenager and in college, and even studied vocal performance and music education for awhile. But I couldn’t figure out how I wanted to make music my career. I was in New York for a couple years auditioning as an actor and actually feeling pretty lost for awhile. I had never even written a song of my own until a year and a half ago, so stepping into myself as a singer-songwriter didn’t happen until I was 25. And the “ah-ha” moment was more of a slow burn. I started writing, then I started playing music with a friend around Queens, then I wrote more, and then all of a sudden I was like,” oh this is definitely it.” It snuck up on me, but I had no doubt in my mind that this was what I was always meant to do. It was a gut feeling I had never had before.
4. Who are your musical inspirations; what artists inspired you to start your career and find your musical passion?
My biggest inspiration in writing this first album was Adrianne Lenker of Big Thief. I discovered her music right when I’d finished my first couple songs, and I felt such a strong connection to her lyrics; the way each song was an intricate poem, but still had a melody that would stick in your head. She puts her blood into her songs and I felt that. Vocally I’ve always been inspired by Jeff Buckley and the way he communicated emotion through his voice and range, and I think that shows up on this album as well. As a kid I listened to a lot of bad pop music and “radio” alternative— but I think it gave me a tendency to write catchy choruses which I like about my songs! So I won’t feel bad about that ;) Im also a total sucker for harmonies having been in choirs all my life, and from hearing my parents’ folk records as a kid (America, Eagles, Fleetwood Mac, etc). I actually tend to overdo it with harmonies, so I tried to find some balance on this EP.
5. What other treats do you have in store for us this year? Can we expect more music?
So many treats!! I’m putting out my first EP and I’m so excited. I’ll be putting out at least one more single from that album as well as a couple music videos in the next few months, followed by the EP itself which is called Horrible Talker. It’s my first record ever and I’m very ready to finally be sharing it!
Watch the video here: https://youtu.be/fGc3qWK4eNM
Links: Facebook: http://www.facebook.com/carlinaffmusic Website: http://carlinaffmusic.com Instagram- https://www.instagram.com/carliandthecarls/
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