#No one else knows he thinks this because it is arguably insane

[rooolt]

Cracking myself by imagining the teens (including hermie) all hanging out and like going to the movies or something and norm forcing hero to come and drive them everywhere and Taylor convincing himself it is an elaborate triple date situation that just no one else is talking about

[lilislegacy]

something i feel like we don’t talk about nearly enough is the fact that percy is healed by water.

it’s so normal to us because it’s one of the first abilities we discovered he has. and it makes complete sense. but like… he’s the only demigod with that ability. jason doesn’t get healed by a gust of wind. hazel doesn’t get healed if she touches a diamond. nico doesn’t get healed if a skeleton gives him a hug. annabeth doesn’t get healed if she walks into a library.

like percy could be stabbed in the chest multiple times, he could break every bone in his body, he could be slammed in the head resulting in a crushed skull and hemorrhaging, but get him to some water fast enough and not only is he good as new in no time, but he’s stronger and freshly rejuvenated.

it’s insane when you think about it. no one else can do that. do you know how hard it is to kill percy? even if he’s not near the ocean, he can be healed by rivers and lakes and streams and ponds and all sorts of water sources. water recharges him. it makes him immediately stronger.

that’s a huge reason why i argue percy is the most powerful demigod. yes, he’s shown he has incredible super strength and super speed. yes, he’s a legendary sword fighter - arguably the best one alive. yes, he has control over air, land, and sea. (deadly hurricanes with heavy winds and thunder and lightning, huge volcanic eruptions, earthquakes, tsunamis, floods, etc.) yes, he’s capable of mass destruction. yes he can single handedly cause natural disasters and mass casualties. and yes, he’s capable of controlling people’s bodily fluids, including their blood and saliva. he is terrifying

but even if someone manages to beat him, he dips one toe in some water and he’s immediately healed and even stronger than before. whether the injury is internal and external. he’s healed all on his own. no ambrosia or nectar or external remedies necessary.

guys. percy is insane. he’s way overpowered.

and i love it.

[sans-enjoyer]

Inanimate Insanity Episode 16 Spoilers!!!!

its been like, two days since episode 16, and people are already arguing about Mephone's age. He is a child, and this didnt come out of nowhere guys, he's always BEEN a child:

^post from 2018!! 5 YEARS ago!

^Brian reposting art (amazing art btw<3) where Mephone is described as a CHILD and drawing in a childish way.

^Brian saying that Mephone is so young he doesn't even know how to SPELL.

Now; heres some stuff ive been hearing in argument against him being a child.

"Cobs is infantilizing him." I agree with this to a certain extent, he is acting like Mephone is a child who cant comprehend anything like an abusive parent. but thats where it stops. Children can ALSO be infantlized! But aside from that, Cobs even says; "I forgot how young you are!" Parents don't say that to their adult children, because it makes no sense unless Mephone is a child.

Secondly, why would Brian and Justin be doing the same thing? They say he's young!

"He has an adult voice." Robots don't hit puberty! This means nothing. Unless youre saying that the creators implied hes an adult because hes voiced by an adult, well i'll have to refer you to the images above.

"He hosts an entire show." Arguably not very well, also again, he's a robot, and also, theyre on an island! its not like you need a permit to film on a random island in god knows where. Any child can "host" a show if they have enough determination, general knowledge of how they work, and equipment, and would you know it Mephone has all three! He knows how they work because he watched them in meeple, and he can generate any equipment he needs.

"He's a robot, he doesn't have an age." True..? sort of...? But the thing is, being legally defined as a child is based off your mental capacity. Children arent as mentally/emotionally intelligent as grown adults, because they don't have the life experience nor the capacity to be. Mephone barely has ANY life experience, he grew up in Meeple, and then started the show immediately after leaving. And obviously, in Inanimate Insanity (and all object shows), robots are almost always sentient beings, unlike real life.

"He's much more mature than a child, especially one that couldn't spell." Debatable! First of all, he thinks things like 'going to jail for one day' and 'the calm down corner' are terrible punishments, like children. If you tell a child to go sit on the stairs for 5 minutes and frame it as a punishment, they will take it as serious as anything else. Secondly, he literally decided to make a random species of bat.. things? fight to the death because they ate his four month old ice cream. No mature person would do that... Thirdly, abused children ACT more mature than others because they HAVE to be. Abused children are not ALLOWED to act like children. They have to be mature for themselves because who else is going to be? Who else is going to take care of you when your parent doesn't? But that doesn't mean they arent still a child.

So now we tread into questionable territory. Is it okay to deny the idea that he is a child at all costs, just so you can ship him or sexualize him? There is really no other reason why you would deny that he is a child.

Now obviously; lets not harass anyone who has drawn ship art of him or sexualized him in the past. This stuff was not commonly known, most people thought he was an adult. But if you look deeper, he isn't.

Thanks for coming to my ted talk, if anyone reads this far (￣^￣)ゞI know I usually only post art, but this is an important topic to me as i am very hyperfixated on Mephone4 i swear i can't control it guys!!

Feel free to make any counter points, im open to discussion, but i am also very set on this opinion. Have a good day everyone!!☆

[coralhoneyrose]

Why Chrom Fire Emblem is The Husband of All Time: An Essay

SO. There was a screenshot going around of a reddit thread asking about how Chrom has managed to maintain such lasting popularity as a Fire Emblem husband even 6 years after Awakening came out. Given how beloved he still is another 5+ years later, I could not resist taking the opportunity to talk about just what I think makes him so great and endears him to players.

Character Introduction:

Let’s start out the same way Awakening does—with Chrom’s in-game introduction. This is one of the immediate ways Chrom sets himself apart. The game boots up and before anything else happens, Chrom is there expressing his unshakable faith in the player character. You take down the Bad Guy™ together, he turns and gives you this wide, puppy-ish smile and then you push him out of the way to take the hit from an oncoming spell in his stead. Right away you know this is someone your player character cares about deeply—and clearly that care is returned, because he’s immediately running over to make sure Robin’s alright.

Of course, as we all know, things go south very quickly after that. But as the cinematic plays out, and you proceed to watch yourself stab him in the chest, the *first* thing he does, the very first words out of his mouth are: “this is not your fault”. Chrom has just been completely blind-sided and arguably betrayed by his best friend, possibly his spouse, and his immediate instinct is to absolve Robin of guilt. He is literally more concerned about Robin blaming themselves for what happened than about his own imminent death. That alone tells you so, SO much about the depth of their relationship. It tells you both how deeply Chrom cares and how well Chrom knows Robin too. And not only that, but his final request, the ONE and only thing he asks of Robin before dying is that they will promise him they will escape from this place. In his last moments, his single “selfish” wish is for Robin to assure him that they will do what they can to survive. Chrom’s final request is for Robin to give him the comfort and peace of mind he can only obtain through the assurance that even though he won’t get out of there himself, Robin will. He just wants to be able to die believing they’ll take care of themselves and be alright—and knows them well enough to realize that unless he makes them promise, they likely won’t.

AND THEN. And then!!!! You jump cut to Robin waking up in the field with all the sunshine and Chrom’s smiling down with the softest expression and his ridiculously blue eyes. He lifts Robin up by the hand and pulls them right up to his face (because he has no concept of personal space, apparently) and OUUuuggh.

Those scenes in direct sequence make me so insane. You get Chrom’s life ending with Robin immediately followed by Robin’s life starting anew with Chrom. Chrom’s unwavering faith in them and his eagerness to extend his hand and bridge the gap between them from the moment they meet until his last breath. The warmth and kindness and love that Chrom treats Robin with is communicated so effectively in the first few MINUTES of the game it honestly makes me feel unwell. Showing how profoundly Chrom cares for Robin immediately endears him to the player. And he only gives you more reasons to love him as the game goes on.

Personality:

There can be a tendency in some corners of fandom to simplify Chrom to just being either a generic prince charming type character or a lovable himbo. I’m not here to police how other people enjoy him, but I will say that those characterizations fail to get at some of the aspects of his personality I find most compelling.

Chrom is deceptively nuanced. While there are certainly ways in which he aligns very closely with the standard jrpg protagonist, I suspect that a lot of his enduring popularity is the result of the ways he deviates from it too. He is brave and loyal and cares deeply for his friends, yes. He has profound conviction in his ideals and strives to do the right thing, as is typical for that archetype…but what makes Chrom so lovable is his determination to keep trying to be good in spite of the ways it does not come easily to him.

We see this in the Valm arc, when he’s struggling to reconcile his own beliefs about justice with his sister’s ideals for peace. We hear echoes of it when he talks about the horrors the Ylissean people endured at his father’s hand and how despite that, he has never been able to understand how Emmeryn forgave them for the cruelty they once directed her way. He has so much admiration for his older sister’s ideals despite the fact that peace is not his first instinct. 

When Emmeryn first sacrifices herself, Chrom is consumed with grief and rage, and it takes some time for him to understand why she made the decision she did. “Peace above all else” is just not how he’s programmed to operate…yet he wants it to be. If you count the drama CDs as canon, then that serves as another excellent example as well—where the message of his sister’s sacrifice is so lost on him that his first instinct is to respond to it with violence and prejudice and hatred directed at the very people she sought to reach out to. For a moment there, we see him veer from the person he wants to be towards what we as the player can only assume is the person his father left him afraid that he would become.

And yet he finds his way back. He stumbles, he lashes out, but his love for his friends and fear of losing more of those he holds dear is able to help him course correct.

I love that tug-of-war in him. I love that we get glimpses of the darker paths he could have gone down and that there are tangible consequences for his mistakes. Early in the game, we see Chrom lose control of his temper and how Gangrel and Aversa are able to take advantage of that to officially declare war on Ylisse. Chrom later tells Gangrel that were he alone, he can imagine losing himself in that need for vengeance but reiterates that it’s love that is able to keep him from succumbing to that.

And it’s not only that he’s able to stop himself from being horrible—his losses are the catalyst for him coming into his own as a leader. He’s able to pick himself up and hold himself together to see their troops through the rest of the war. And he manages that despite the fact that in the course of mere days, he lost both his home and his most important person and has been freshly saddled with the duty of ruling an entire country. That’s…a lot. And really goes a long way in demonstrating Chrom’s incredible strength of character and conviction. We get some wonderful moments of vulnerability where he confesses to being riddled with doubts about his own capabilities and worthiness, but in spite of that, he is still determined to try to be the person that Ylisse needs him to be.

All of this leads me right into another wonderful aspect of Chrom’s personality, which is that he is just…so driven by emotion. He feels DEEPLY, and while the narrative definitely uses that as a way to hurt him and force him to grow at times, something that really stands out to me about Chrom is how the story isn’t here to send a message that it’s wrong for him to be that way. Chrom’s big feelings are one of his greatest strengths in addition to his greatest weakness—they’re what saves his life and ultimately Robin’s too, if you go the sacrifice ending route.

And ya know what? I honestly think that’s such a breath of fresh air. I love how much he does NOT embody the emotional disconnectedness that you see pushed a lot of times with stereotypical masculinity. I love that he is the hero, and he's gallant, and very traditionally "manly" in a lot of senses…AND that he's also very emotional and guided by his heart. If you’re playing with f!Robin then you wind up with a really refreshing inversion of gender stereotypes from that: in which Chrom is the emotional decision maker and Robin is the more calculating and logic driven of the two.

Beyond his big heart, I can’t talk about what’s so charming about Chrom’s personality without touching on the ways he embodies a certain level of gap moe as well. Chrom is so stern and serious, as well as quite charismatic when he’s speaking from a place of passion. But on the flip side of that, we get to see him as an absolute bumbling mess when he’s out of his element. He’s easily embarrassed / flustered, self-conscious about his appearance, and often socially awkward where romance is involved. While these traits may seem of minor importance compared to the whole rant above, I think they’re really important for humanizing and rounding him out.

There are lots of other nuances to his characterization that go a long way in fleshing him out too. Despite being a prince, Chrom is blunt and completely unmindful of formalities. That, along with his impulsivity, definitely gets him into trouble sometimes. He’s melodramatic and blisteringly sincere. He’s a little bit clumsy and doesn’t know his own strength. He has a dry sense of humor and can be surprisingly funny. He’s optimistic and trusting—not due to naivete or stupidity but because he has decided that giving people chances and believing the best of them is an important value to him and one that is worth embodying in how he lives his life. 

Lucina’s presence in the story and his immediate and complete acceptance of her is an extremely effective way of demonstrating what an incredible father he is too. Honestly, he just has really wonderful relationships and deep admiration for a lot of the women in his life and that absolutely earns him points in my book (and I suspect in many others’ as well). When you look at all of that together, I don’t think it’s hard to understand why he’s so beloved.

Design:

Slightly less serious note here, but I think it warrants discussion regardless because character design absolutely contributes to player’s feelings about and interpretation of a game’s cast members.

And Chrom is…well, he’s eye candy, honestly. He’s got the nice, exposed arm, the messy blue hair, the completely nonsensical outfit he somehow manages to look handsome in anyway (his questionable sense of fashion is a charm point, okay?). Add in the square jaw and the surprisingly long eyelashes and he’s just. He’s very pretty. Idk what to tell you. Bonus points for the summer scramble cg where he has the most inexplicably flat butt of all time. And I really do believe that some of the oddities of Chrom’s design lend memorability to him and go a long way in setting him apart from other lords in the series with similar design concepts. The insistent asymmetry across many of his outfits, the fact he’s showing a little skin, idk it just WORKS. Chrom is hot, I don’t make the rules.

Relationship with Robin / the Player Character:

Last but not least, I want to talk about Chrom’s relationship with Robin.

I touched on some of this in his character introduction already, but Chrom is just…the biggest Robin stan. If Robin has only one fan then that is Chrom. If Robin has no fans it’s because Chrom is bleeding out on the floor with lightning in his gut. 

He just has such deep respect and admiration for them. He values Robin’s opinion and insight and thinks so highly of them and their ideas, often serving as an enabler in many cases (setting the boats on fire, the volcano, etc.). Chrom’s faith in Robin is SO unshakable that when his daughter tells him that Robin is going to be magically controlled and forced to murder him, his response is, “That won’t happen because Robin and I love each other so much that everything will somehow be okay. No, I will not elaborate.” And ya know what? He was RIGHT. Their bond DOES wind up being so strong that it’s able to change fate. The narrative is quite literally validating his slightly ridiculous insistence that him and Robin just care about each other The Most of Anyone Ever. He is Robin’s biggest advocate from the moment they meet when he defends them from Frederick’s suspicions all the way to the game’s close when he either assures Robin that their life was worth preserving or, as in the case of the sacrifice ending, that he will spend the rest of his own life searching for them until they return.

Honestly the fact that Chrom was willing to potentially risk dooming the whole world to the fell dragon’s awakening 1,000 years down the line just so he doesn’t have to lose his comfort tactician is WILD. For the game’s hero to literally say “we don’t have to defeat this evil for good, the people of the future can figure it out” JUST so he can keep Robin is absolutely unhinged behavior and I love it. I think it’s incredibly humanizing that he’s a little bit selfish about the people who are most important to him…that despite his willingness to sacrifice himself or run headfirst into danger, he draws the line at losing Robin because he’s already lost his most important person once and he’s not going to let it happen again. Chrom and Robin absolutely come across as a little codependent and a lot obsessed with each other and personally I wouldn’t have it any other way.

And then there’s his love confession to Robin. GOd...

I think that’s the most flustered Chrom appears in any content in the entire game…and it’s because he treasures their friendship so deeply that he is petrified about messing it up or saying the wrong thing. I love that he goes into their S support dead set on NOT telling Robin what is going on but the second he realizes that Robin is under the impression he doesn’t care about them or like spending time with them anymore he is so horrified and desperate to correct that line of thinking that he blurts out the full love confession on the spot.

He’s SO earnest throughout the whole thing, but then at the end he hits you with the whole “this is the best day of my life”, and the “You are the wind at my back and the sword at my side. Together, my love, we shall build a peaceful world, just you and me” (thank you Matt Mercer for your services), and the cg image of him staring right at Robin with what are basically heart eyes and. I just. There were no survivors.

That’s not even their only proposal / love confession scene either! The fact that the game gives us an entirely separate alternate proposal that’s more serious in tone is the icing on the cake. How many ships out there can say that they get not one but TWO canon proposals that are both that good? Truly no one is doing it like chrobin.

Closing Remarks:

Chrom is a well written and nuanced character who struggles and grows over the course of the story while always remaining true to himself and his ideals. His intense and unending trust, admiration, and love of Robin endears him to the player from the moment the game begins all the way to its conclusion. He is kind and good while still being fundamentally flawed (and it doesn’t hurt that he’s very handsome to boot). Bearing all that in mind, while the message of Awakening may be that nothing is inevitable, Chrom’s conceit and execution were always going to lead to MANY of those who play the game coming to love him and pick him as Robin’s husband…and there may be no greater evidence of that then the fact I’m out here writing all of this eleven years after the game’s release.

[ennard-is-near]

Do you…Do you guys think Scott Cawthon knows what a frontal lobe is? Do you guys know what the frontal lobe is? Because I feel like some people don’t know how much brain that is.

Like holy shit (Brain facts below the cut)

Okay hi welcome to brain facts. So the fascinating thing about human brains is that the basic stuff is in the brain stem and towards the back of the brain, so things like breathing, digestion, and other stuff you do without thinking about it are all back there. The more complex stuff is in the front. Your frontal lobe in particular controls your speech (in an area called Broca’s area I think), motor function and personality. Less severe damage can result in lack of social awareness or increased impulsivity. But we aren’t talking about “less severe” damage so let’s get to the good stuff.

In the 1840s sometime, a man named Phineas Gage had a giant ass metal pole blown (with some sort of explosive gunpowder) through his head (entering under his cheek and exiting the top of his head) and survived. I don’t really think I can do justice how insane this is, but google it if you want to see a photo of a guy holding a rod that went through his head and a couple recreations of it. Gage was alive after this, and was mostly fine except for he had severe personality changes and intense epileptic seizures. What I’m getting at with this is that because the rod shot through his frontal lobe (FNaF reference) he was fine and actually survived about 13 years (just with the personality of an asshole) before he died of a seizure.

A lobotomy was an extremely popular practice in the 1950s that was intended to cure mental illness. Of course nobody knew what was going on back then so really sometimes they were just “curing” like hysteria or melancholy or whatever. The procedure, in its most popular form, involved sticking an ice pick up through a patient’s eye socket and just scrambling their brains (The frontal lobe) with it (extremely simplified). This often resulted in severe damage to their motor and speech skills, their personality, their thinking, etc. But it did make most people easier to deal with, so that’s good I guess. Arguably the most famous lobotomy patient (victim) is Rosemary Kennedy, JFK’s sister.

Okay, this is a FNaF account actually. So I’d like to call attention to a couple things Phone Guy says in reference to the Bite of ‘87. He says that Jeremy survived “without a frontal lobe” which is completely wild but like…probably possible? However it would lead to like total paralysis and complete inability to form coherent thoughts. And while in The Week Before, Ralph does say something about him “not talking anymore. Or doing much else.” And everyone does act like it’s a completely wild thing that he survived (which it is) but I feel like we should probably chalk “without” up to hyperbole, though you don’t have to if you don’t want to.

But even with it still like…partially intact some symptoms of severe injury to that big chunk of your brain are: short-term memory loss, loss of motor (both gross and fine) and speech skills, completely disorganized behavior and thinking, intense personality changes, creating false memories (confabulation, which sounds like a word I made up but it’s not) and probably the wildest one called anosogonia, which is where you just don’t realize that something is wrong with you (or the extent of it)

All this to say: nothing, really. I just really wanted to talk about this.

[shannonsketches]

I noticed that the element of the triforce that the individual characters are supposed to represent, is also their weakness. Zelda's wisdom is being stifled by doubt and lack of experience; she's eager to learn, but her zeal is not enough and relies on faith and Link to save the day. I'm not implying that wisdom and faith cannot go hand in hand, but she needs to be able to represent her element more. Maybe her wisdom is knowing when to wait and allow someone else to bear the task? But it takes away too much initiative from her. Ganon's element is power but he's the one who ends up losing almost every time. And Ganondorf on his own, isn't powerless! He's a king, he knows magic, he can wield almost any weapon, he's patient, conniving and intelligent and knows how to make best with what he has. He isn't weak! And yet, the whole split happened, because he was feeling powerless.

They locked themselves in a self-sabotaging cycle that's powered by doubt.

Yeah! So one of the reasons I really love the Triforce lore is that it’s a three-way mirror that reflects both what the user has and also what they need (very wizard of oz).

Ganondorf is a very powerful man, physically, and magically.

Politically, though, he’s next to helpless, which is an awful thing for a king to be. He’s a king of thieves in OoT, because the Gerudo are not a wealthy or thriving nation there. In-Game they don’t have a local living area like the other regions (or even a store — just one floating bombchu salesman in the middle of the desert) — they’ve got a post-war fortress full of guards, and a temple that is being used as a secret base Hylians can’t get to.

Consider also, Ganondorf is the most highly decorated of the Gerudo, and he’s not decked out in gold. He’s wearing mostly iron and topaz. Nabooru and Twinrova are the only ones who have gold fixtures/jewelry along with the higher ranked guards for their protective elements (which is why I think it could arguably be pale bronze or yellow brass, which is a common and highly durable gold alternative).

The Gerudo are implicitly just surviving in OoT, and Hyrule speaks of them like they’re monsters (except for the one guy in town who has a fetish). More than that, WW establishes that his real grief comes from the weather, which any mortal is powerless to control.

So Ganondorf is powerful as a person, but powerless as a king, which is literally the only thing he was born to be.

Be that as it may, though, he is a well-loved king, and a survivor, and a thief, so he also has to embody both wisdom and courage too!

Zelda is the most obvious mirror to Ganondorf. She is a very powerful woman politically and magically, but physically-- compared to Ganondorf -- she's terribly meek. That's the obvious read, that they're 1:1 Parallels, but her real weakness lies in her courage.

Zelda (in OoT) leans on her massive political power -- In the child timeline, she literally sees a foreign dignitary executed before he does anything wrong, based on a recurring dream she has.

Do you know how insane that is? Do you realize how powerful she is?

Ganondorf is not just some guy -- he's a foreign KING. He's a KING that a TEN YEAR OLD had EXECUTED based on VIBES.

And we think she embodies wisdom because her vibes were (as we, the audience know) correct. But it's actually because as an adult, she understands that none of it needed to happen that way. That the only reason Ganondorf was able to pull off his stunt and get the Triforce at all was because she tried to control the situation, sending Link to gather everything Ganondorf couldn't get himself and put it all precisely where Ganondorf needed it to be.

Despite being a child at the time, by the end of the story, by the time she's Sheik, Zelda is taking full responsibility for what happened, and is doing everything in her now extremely limited power to fix it. She's so sorry to need Link, and at the end of it all is desperate to give him another chance to be a kid, and to be innocent, and to be happy, because she realized so quickly that she never should've involved him, visions be damned. She knows none of it was his fault or his business, and she's mortified that she dragged him into it in her own attempt to control the weather.

These other two items shift in other games -- WW and Twilight Princess show us a Zelda with tremendous courage and very little power, physical or political. And then the Wild's era, despite removing the Triforce narrative, shows us a Zelda with immense power and terrible guilt and insecurity -- her power locked behind her fear, and she is only able to access both when she embraces courage.

Which brings us to Link.

Link, on the surface, is a third wheel in a chess game between ancients. But the reality is that he's the base of the prism. He's the foundation that reflects both of the others.

There are MANY different personalities for Link, and personally my favorite gag is that Link is simply too stupid to be scared, but that's just a gag -- because something I've come to really enjoy and respect about him is that he consistently displays fear. Link embodies courage because he is full of fear and chooses to fight anyway. Link leads a good life. He is comfortable, he has family, he has friends, he knows peace. What makes Link courageous is that he is willing to give up his access to all of that if it means that everyone else keeps theirs.

Link will lock himself in a room with the apocalypse if it means he's the only one who gets hurt, and it's not because he believes this is his sacred duty, or his life's purpose -- he'd much rather be at home chasing chickens around or riding his pony through some pretty scenic route -- it's because he is so full of love for other people that he's willing to give up anything to keep them safe.

Link's not very powerful, but he is also unburdened by any desire to be powerful. Link's not very wise, but he is unburdened by any desire to be wise. Link is content in who he is, Link is happy to keep things simple. But Link is so brave that he becomes a leader, which actually makes him the most dangerous of the three.

Courage, unburdened, is fucking terrifying. To both Wisdom and Power. Because, unlike Wisdom and Power, Courage is contagious.

Link can empower and inspire and reveal truths others might not have been able to find on their own. Link doesn't need charisma or brutality. Link can build armies just by being observed.

"But Sketches, you haven't really said anything about how Link reflects the other two." It's subtle! But he does. I see it like this:

• Ganondorf reflects Link's relentless determination, refusing to stand down in the face of impossible odds. In this way, they're connected by their power and courage. • Zelda reflects Ganondorf's burden of being born in a crown, forcing them to learn leadership, and how to use their recklessness strategically, as children. In this way, they're connected by their power and wisdom. • Link reflects Zelda's sense of love for the faceless innocent, and her dedication to protecting all who can't protect themselves. In this way, they're connected by their courage and wisdom.

Because the inherent configuration of the triforce requires those connections to be balanced -- Separately they are overwhelmed by their traits. Ganondorf is willing to sacrifice everything he is in order to reach his goals, Zelda is so pre-occupied with preventing prophecy she ends up instigating it, and Link is so ready to step in and help that he never considers the consequences.

Every single one of them, left to their own devices, would rather see themselves destroyed than fail those who may or may not be relying on their success. They're all very similar, highly reflective characters who all represent compelling foils for each other and yes, display how their unfettered strengths are also the thing that damage them most.

[solid-white]

Character analysis of Engineer but I'm heavily assuming things:

Majority of people assume Engineer takes on a fatherly role for the team, and it makes sense! He calls people son and even cares for the Administrator when she's sick, he also heavily supports the team when they need it.

But the thing that people get wrong is that they think he's sane when I'd argue he's the MOST insane person on the team, and incredibly intimidating at that.

Medic can be easily assumed to be the most insane person on the team, he's obsessed with scientific progress, has the intelligence to think outside the box, and he's also strong when compared to the rest of the mercs physicality. But he also has moments where he clearly cares for everyone in his own way, he wouldn't have made the rest of the team invincible nor would he have played the long con with the classic mercs if he didn't care. He also doesn't have ANY taunt voice lines.

Pyro is also one of the more insane mercs; they're fully aware that they're killing people; why would they close the present box and just blow bubbles at it? Medic wouldn't see it happen and it doesn't make sense when put into Pyro's perspective.

But again, they don't have any voice lines that involve mocking someone, they also deeply care for the mercs AND despite how they're introduced, everyone knows they don't mean TOO much harm.

So with all of that out of the way, I'll get straight into the analysis. The reason why I claim Engineer to be the most insane and intimidating one is because of his voice lines and his introduction in meet the engineer.

At first we assume he's calm and chilled out because of the way he speaks, he's soft-spoken and doesn't yell as much as the rest of the mercs. But then there's moments like this, where he smiles when someone's arm is shot off by his sentry.

And this when it zooms out and the campfire is actually Sniper on fire.

His voice lines also give way to just how intimidating he can be towards the team. At least with the rest of the team their taunts are for the most part tame/playful in a way that makes it seem like they're playing around, but with Engineer? You have lines like these:

Unlike Soldier who isn't fully aware of himself most of the time and kills because of his militaristic values, Engineer's arguably the one in the team who gets the MOST joy out of killing people (and is fully AWARE of it), he's a """loose""" cannon when compared to everyone else. Add his god complex and intelligence on top of that and if TF2 were a different genre, he'd be a terrifying slasher serial killer.

That isn't to say he doesn't care, he acts serious when it comes down to it:

Spy gets praise for trying to give everyone their last dream they wish to fulfill, but Engineer was the one who brought it up. Respectfully at that.

So while he gets the most joy out of killing, is intimidating, and has a severe god complex, he's also the most caring one and wants the best for everyone.

So no, he isn't the most sane merc, but he IS a """good""" man (I'm using good loosely since he's a serial killer). Although not as """good""" as Heavy when compared.

[bugsbenefit]

hellfire in s5, and how it's Really not looking good for the members

the hellfire club is, in my opinion, one of the most obvious set ups for s5 and i never see enough people acknowledge how blatant the show actually is with it. because it's a directly addressed ongoing issue that slowly worsens over time and directly threatens three main characters (Dustin, Lucas, and Mike), at Least

there's a clear structured progression of the threat getting worse, with a major part of the s4 Hawkins plot being only Jason and his team chasing Eddie down, and by the last episodes of the show the rest of the town sides with them and joins the objective. however, we never get any consequence of the town agreeing with Jason, aside form the kids parents getting reaction shots looking insanely worried. the only thing even resembling partisan participation is a dogwalker (the same man that agreed with Jason first and then caused every other member in the town hall to also agree) informing Jason and co about there being someone in the Creel house. a single character ratting someone out is not pay off for a scene that rallies the entire town with anger and fear. especially because he was the First one to agree with Jason, arguably the next reaction, in parallel to the town house scene, will have everyone else also involve themselves

and everything Jason actually said in the town hall looks INFINITELY worse by the end of the season because he not only died the same day (how odd that must look), the town was also hit by a severe earthquake. (and hell-gates open in town but we don't know how people will react to that yet, or if it will even be immediately obvious to them)

like. it's a Terrible look. and with Eddie being dead now, the main target that represented the hellfire club in s4 and got the primary share of blame is now officially un-prosecutable

s4 also goes out of it's way to associate Lucas, Dustin and Mike explicitly with the hunt on Hellfire, ages before the whole town gets involved

Lucas is put on edge by the basketball's team hostility towards his friends constantly and has to actively lie his way out of the line of fire multiple times. the basketball team is also looking for Dustin to question him about Eddie's whereabouts, even going to his house where a confrontation only doesn't happen because he's not home. and they even manage to go out of their way to drag Mike into it despite him being out of town, when Jason starts a conversation with Nancy specifically to threaten her and then asks about Mike right after

which leads to the other thing; not only are all the kids already on Jason's radar, he's also getting more and more direct with the fact that he doesn't just want to have a nice chat with them (culminating in actually physically attacking Lucas by the last episode)

and if them setting all of the kid members of hellfire up for a bad time wasn't obvious enough, it's also fascinating to see the posters of hellfire we get over the season also show a clear shift in focus

when we see the hellfire club year book photo for the first time the focus is on Eddie. he's who Jason sees as the main culprit and when we get a close up of the burning poster we see Eddie

but when we see the hellfire club photo again 4 episodes later the focus isn't on Eddie anymore. not in dialogue and not visually

the shot is from the Wheeler's pov (Karen's specifically), and the only part of the picture that's in focus is the far right corner, with Mike and Lucas. (makes sense that's her son that's currently being implicated in satanic murders). Eddie never gets unblurred, he's not who the audience is supposed to look at in this shot. verbally Jason is also explicitly blaming the whole club now. it's not just Eddie who's "crazy" and killed Chrissy, it's the whole club who's responsible (it's also very notable that he's handing out yearbook photos of the whole club, not just Eddie. a really distinct prop choice. everyone in town now not only thinks hellfire is directly responsible for multiple ritualistic murders, they also know Exactly who's in the club)

and looking back at the season in hindsight, there's actually more than enough instances that would make the members of Hellfire look kind of guilty, or shady at best, even if someone were to do some research. there's multiple instances of hellfire members lying to the basketball team about hellfire member's whereabouts which definitely doesn't make them look more innocent in the team's eyes. not only do Eddie's band members try to brush them off, Nancy pretends to not even know about Hellfire when Jason asks about Mike, and Lucas goes out of his way to keep Dustin and Eddie's locations from them by deliberately lying and sending them to wrong locations

and that's on top of the entire montage of Dustin and Mike trying to find a substitute player for a single game on the same day a student with no previous affiliation to Eddie Munson dies at his trailer? that looks Horrible in hindsight. especially with them asking pretty much every other student, from almost every club, while both prominently wearing hellfire shirts. if anyone actually remembers them and thinks about the events post Chrissy's death they could definitely make some assumptions

it's just bad looks all around. and that's not even mentioning how they have the potential to look even worse in s5. if it got out Lucas was with Max when she somehow died and broke all her bones? would look horrible. or Dustin now associating with Eddie's dad? and we don't even know how he'll fulfill Eddie's wish to "look after the little sheep"

and even Mike, who didn't even have the chance to attract suspicion post e1 due to being out of town has a whole thing going on with his image paralleling Eddie, with being the other DM and having his s4 style be directly in reference to Eddie's looks

while there's building hostility towards the hellfire members, and the focus (both visually and vocally) switches more to the members Other than Eddie, by the end of the season there just hasn't been a chance for the townsfolk to respond to Jason's speech yet. they all agreed with him, but everything immediately went to shit the same night. however, even the last few minutes of the show, that always have the most direct foreshadowing for the next season, include a shot focusing on the rise of religion and the fearmongering that started with Jason's speech

which serves as a great reminder that the entire town hall just agreed with Hellfire being a satanist cult they need to stop

s4 ends with the hellfire set up being one of the most explicitly obvious plot threads that are about to be a problem for multiple main characters in s5. like the few other obvious established about-to-be struggles: the gates opening, Vecna still being alive, Max being "gone"; we've gotten a full set up there but no payoff yet

and then there's obviously the question of what the people would even DO in s5? they all agreed that Hellfire needed to be stopped, so... what now?

on one hand there's the interesting concept of the town refusing to help the protagonists but they could also be acting as a hostile force against them

say anyone tried to warn the town about the upside down or it's creatures, the chances of people listening to them talk about actual "demons" and reacting in any positive way is probably near 0. even if you saw a Demogorgon nibble on your neighbour an hour ealier, would you really listen to someone you think intentionally opened the Hellgate that let the creatures through in the first place?

but then there's of course the active antagonistic angle they could also take. Jason was calling for Hellfire to be actively opposed and stopped, not passively. and the show Does go out of it's way to show the overcrowded weapons store in multiple shots post Jason-speech

we're supposed to know these people are armed going forward. whether they're buying them to go hunting, or wanting to go shoot Eddie Munson, the weapons are there now... also ignore the 7 separate hellfire wanted posters in the opening shot of the store alone 💀(it's actually 9, i didn't circle the two that are cut off in the bottom corner. that whole board is just plastered with that one photo)

(the implication of what the guns are for couldn't be more obvious if they tried. again, also the scene where Jason tries to intimidate Nancy and directly asks about where Mike is. also the scene where Erica and co try to hide from the basketball team members in the store. the scene features, guns, hellfire posters everywhere, and characters specifically asking about the whereabouts of a member while other people are actively hiding)

and the weapons could play out in a positive way in s5 too, say the lady from next door gets hands on involved and takes shots at the Demobats in her front yard

but the reactionary, scared, and angry town that blames a specific small group of people for everything that's happening could also lead to MCs having to actively worry about getting shot by someone they've seen at the supermarket for 10+ years on top of the supernatural threat

TLDR: re Hellfire, none of these members will have a good time in s5

Edit (because i forgot to include these images and am silly)

Hellfire even makes it on the local news by the end of the season

and in line with the focus shifting from Eddie to the other hellfire members, the news anchor then goes to say that Eddie Munson is presumed dead after the earthquake but that that isn't enough for the town. the news even mentions the conspiracy theory that the hellfire murders CAUSED the earthquake. so anyone who hasn't heard Jason's speech, now they're getting it from a "reputable" source too. call that high quality journalism, let's throw the local highschoolers under the bus

we're supposed to remember the fear of the "satanic cult killing children" that Jason spread to the town. it's still there. and it's not just in the local town hall anymore, its being broadcast on live television. so just in case you didn't catch wind of who caused a "gate to hell" to open in your suburban neighbourhood the first time, the news anchor thankfully tells you who everybody Says is responsible, it's the 14-18 year old satanist serial killers duh

[actual-changeling]

This was supposed to be a short little Folie à Deux meta, but several hours of writing, thinking, and script research later, and suddenly here we are.

Welcome to this glimpse into my insane mind.

So! Let's go on a little journey and discuss the ending of season five, because Folie à Deux not only sets the foundation for The End but actively makes it so much worse than it could have been.

In the previous episodes, Mulder has been ditching her and blowing her off more and more, he keeps doing things behind her back without telling her, they keep having fights about belief vs. hard facts, and then, at the beginning of that episode, what happens?

MULDER: I must've done something to piss him off. SCULLY: What do you mean? MULDER: Get stuck with this jerk-off assignment or have I finally reached that magic point in my career where every time somebody sees Bigfoot or the Virgin Mary on a tortilla I get called to offer my special insight on the matter? SCULLY: You're saying "I" a lot. I heard "we." Nor do I assume that this case is just a waste of our time. MULDER: Not yours, anyway. There's no reason both of us should go to Chicago. I'll take care of it. SCULLY: Mulder! MULDER: I'm monster boy, right?

He actively and intentionally breaks them up against her will. Mulder is making decisions for THEM without consulting or listening to her, and what can she do except let him run off like he so clearly wants to.

Now, what do you think she takes away from that?

After being left in the dark about his undercover mission in the episode before? After Mulder showing her, one way or another, that he does not want to work with her, that he's fine leaving her behind?

But alright, she stays behind, it's simply Mulder being Mulder.

She does the research he asks her to do. She shows up and helps out when he gets taken hostage. She listens to him, tries to understand, she's concerned because he hasn't been sleeping. She does the fucking autopsy even though he went behind her back and tricked her into it. She keeps looking and looking and looking, and by the end, she's not relieved that the case is finally done or that Mulder is no longer actively insane.

Folie à Deux—a madness shared by two, that's what she believes is happening to her, to them.

Shared by two. Scully thinks of them as a pair, a team, an "us" and a "we".

We all know what he tells her when she visits him at the hospital, but let's really really think about the consequences of it.

MULDER: Scully, you have to believe me. Nobody else on this whole damn planet does or ever will. You're my one in five billion.

Yeah, alright, that sounds intensely romantic and affirming of their partnershi— oh that?

Oh, that's Diana. No, I never told you about her even though she's arguably one of the most impactful people in my life. I found the X Files with her, she believes in my theories without giving me any resistance, we were in a relationship, she's back now and I am spending more time with her than with you while ALSO not paying attention to you.

If I will tell you about her now? No. But I WILL treat her like she's my partner and not you.

SCULLY: Say that what you're suggesting were even possible, who'd want to kill a kid whose abilities would offer you the ultimate advantage—I mean in business, in war, in anything? DIANA: Maybe somebody whose business is in keeping secrets. MULDER: Well, let's test him. I think the kid will stand up. Let's run a brain scan and a psych evaluation on him. (looking away) You know what to do, Diana.

Not a single word of recognition towards Scully after the shitshow that just went down with Gibson. Way to go, Mulder, way to go.

On top of that, it is worth mentioning that Fowley calls him by his first name and he calls her by hers. Scully can probably count the amount of times Mulder has called her "Dana" on one hand, and she doesn't call him "Fox" because, and I quote:

MULDER: And I... I even made my parents call me Mulder. So... Mulder.

So, Diana is an exception. Why? Why does she get to call him that? Why she but not Scully?

Why does she get to reappear in his life after leaving without an explanation and have Mulder welcome her back with open arms, offering Scully's position on a silver platter?

Scully needs to ask TLG for help and information about Fowley, and it makes everything so much worse. Within their work-relationship, she's the scientist, that's her job, that's who she is, that's why Mulder needs her, and Fowley isn't one.

Right?

LANGLY: She was there when he discovered the X-Files. She has a background of para-science.

Oh. Oh, okay. Sure.

A big thank you to @sentientsky for sharing the script, which gives us this wonderful additional information:

So, to summarize, she's hot, Mulder's type, has exactly the kind of background that someone working on the X Files needs, and they have an old dynamic to fall back into—a dynamic they fall back into period.

She goes through all that, stays up all night to make sure her evidence is scientifically sound, just for Mulder to not even back her up when Spender and Fowley challenge her.

The script actively states that this is what Diana has been waiting for during the meeting—to refute Scully.

Fowley questions Scully's capabilities as both an agent and a scientist during a meeting right in front of Mulder, and Scully looks at him. She waits for him to say something, to defend her like he usually would, but he doesn't.

He doesn't even look at her.

The betrayal she must have felt, ESPECIALLY after what he told her at the hospital. It's no wonder she writes off anything and everything he says to her when he's injured in some form after that experience.

She needs to make herself believe he was just talking like that because he was having some sort of episode, because what are the other options here?

One in five billion, until someone better comes along?

Until he no longer needs her to do something for him?

Until she has outlived her usefulness and has transitioned from being a vital part of their investigations to being annoying and overly sceptical?

Until it becomes clear that Mulder isn't the issue in their partnership, it's her? That all her fears and anxieties weren't so irrational, after all?

Because it's important to remember that this is the day after she saw him and Diana at the hospital.

After THIS:

How much do you wanna bet that she spent the last, what, twelve hours since seeing them trying to convince herself that it's not what she thinks?

That, of course, Mulder is still her partner. That they're still a team. That she is not an indulgence to Mulder or the X Files, that she belongs down in that basement just as much as he does.

You and me. Me and you. Right? ...Right??

The case goes off the rails, Fowley gets shot, Gibson gets kidnapped, CSM delivers a Star Wars line and later burns down their office.

She stays at his apartment for the night, and we see them interacting when Skinner calls, but Mulder is still not fully acknowledging her. He asks her about Fowley and any news regarding their assignments, but that's it.

No "how are you feeling about potentially getting fired, Scully?"

Now, there's this tiny but important part that they decided to cut, which emphasizes the emotional gap between them; it re-affirms what we have seen for way too many episodes.

Mulder cares about her, but he is completely taking her and the safety she offers him for granted. He is, and I mean this in the least negative way possible, essentially using her as a crutch—without even noticing. Scully notices, though, and in lieu of an explanation from Mulder, she is forced to draw her own conclusions.

I'm going to stay here (your life) if that's okay with you (if you still want me in it).

When they're standing in the ashes at the end, it's just as horrifying and terrible for her as it is for Mulder, and she clings to him for the both of them. She clings to him to keep him from breaking, and he doesn't hug her back.

Scully is giving him her everything, she's trying so incredibly hard to keep him in one piece and soothe his pain, but, tell me, who is taking care of her?

There's a limit, she has reached it, and Mulder doesn't even realize it.

Is he acting maliciously at any point? No, definitely not. However, he is carelessly cruel sometimes, doesn't communicate how much Scully means to him, and simply keeps taking and taking because she keeps giving.

Five years, and yet he still blames and distrusts her when she doesn't immediately jump onto his insect zombie bandwagon. Five years, and never once did he mention the person he found the X Files with. Fowley so easily takes Scully's place and she understandably feels rejected and unloved.

WE know he loves her, yes, but she isn't sure of that anymore. Loving someone comes with feeling comfortable around them and being yourself, yet he is incapable of fully understanding the responsibility they both have to keep each other safe from each other.

Scully is sacrificing herself to keep him from breaking and he does not even notice how she is falling apart right next to him.

[sunderingstars]

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✩ ‧₊˚ ⌞ CHARACTER LINES ⌝

sampo analysis m.list

— what the stars reveal: interpretative analysis, somewhat a character study, elation!sampo

— word count: 4.6k (oh my god i am insane. he makes me insane)

— overview: (as of 2.4) an analysis of sampo’s character dialogue outside of quests!

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✩ ‧₊˚ ⌞ INTRO ⌝

I’m putting this here because I wasn’t sure where else to put it, I just wanted to point out that his character intro describes him as someone who “travels freely” between two places (in this case, the Overworld and Underworld, but could also apply to multiple states of being) as well as saying he “acts” like he is everyone’s friend (performance) and is “enthusiastically humorous” (very similar to “infectious enthusiasm”). Being good at bantering also seems very Elation-aligned. That’s all!

✩ ‧₊˚ ⌞ FIRST MEETING ⌝

Each character’s “first meeting” line is arguably one of their most important lines. Not only does it give you a baseline introduction to them and their personality, but it shows you how they present themselves to others (i.e. the aspects of themselves they choose to consciously, or unconsciously, emphasize when meeting someone). For Sampo, this includes all of the “perks” that come with knowing him. Business, chaperoning, conversation — these are all part of a “deal” to him, a transaction of knowing and being known.

I haven’t talked about this much in my previous analyses, but Sampo has a very specific mindset of viewing friendship as a commodity. This could easily be chalked up to his idea of business and transaction rubbing off on other parts of his life, but given the strange emphasis he places on “being friends” throughout his dialogue, I’m suspicious it might be more than that. It seems he either isn’t willing to or isn’t capable of seeing genuine human connection as any more than another deal, another façade to do business with. It may be his way of keeping people at arm’s length, or perhaps the Elation won’t let him view people as anything more than another joke, another transaction of language and Laughter to make at another’s expense. Whatever the case, he seems dead-set on including “friendship” in his package deal when doing business.

I also find it interesting how he isn’t wrong. For someone who has a penchant for distorting the truth on a whim, Sampo is, in fact, a “chaperone” and “problem-solving conversationalist.” (“Businessman” is a given, we all know how well that’s going for him given that he literally has an idle where he counts his big stacks of money.) Despite not really having to, Sampo goes out of his way on Penacony to take the Trailblazer around and show us the dream bubble — even if it’s not a “traditional” chaperone role, it’s clear he was trying to look out for us in his own way (same thing on Belobog with the smoke bombs). Additionally, he’s very adept at solving problems by sheer virtue of talking, as shown by being the archetype that’s able to talk himself out of a myriad of situations. So at the end of the day, I guess I’d have to agree with him: it is a pretty sweet deal.

However, arguably the most intriguing thing about this line is the meta aspect of it — the big picture of his selling point being multiple things “rolled into one.” I don’t want to read too much into it, but I can’t help but wonder if this “three-in-one” phrase refers to more than just his skills. After all, if a running theme of his character is being a businessman and a chaperone and a problem-solving conversationalist, who’s to say it doesn’t apply to him being a Masked Fool and an Emanator and an Aeon (or a part of one, or a creation of one, or an avatar of one — honestly, at this point I feel like we can mix and match). At the very least, it would match up with the rule of three. Food for thought!

✩ ‧₊˚ ⌞ GREETING & PARTING ⌝

The greeting here seems pretty standard — going into it assuming he’ll get paid, then waffling and thinking about backing out when he realizes he won’t. What’s notable here, however, is that he covers it up by stumbling out a “Not a problem!” and continuing on with us. I feel like this partially shows how much he values friendship (despite clearly still wanting a payout) while also not quite having enough spine to straight up say “no” to us. The only thing I’m not sure about is if the Trailblazer is special in this regard, or if Sampo would keep going with anyone else.

The parting is a bit more notable, especially the idea of “I’m not going anywhere.” It seems half-comforting, half-threat, like he’ll always be a constant in our lives, for better or for worse. In a way, he may be like a never-ending joke we just can’t get rid of no matter how hard we try. (Don’t worry Sampo, I would never think of getting rid of you 😌.)

✩ ‧₊˚ ⌞ ABOUT SELF ⌝

This line, despite at first seeming like a joke, feels more personal the longer it goes on. The first “I’m an easygoing fella” seems like exactly the kind of thing a shady businessman would say when trying to drum up clients: “I’m personable,” “I look out for people,” “I’m a community man,” etc. However, by the time the line ends, it very much sounds like he’s referring to something specific. The idea of getting “pulled into everyone else’s business with nothing to show for it” sounds like a passive aggressive dig at something or someone we don’t have the specifics for. Especially with the “tsk” at the end and the repetition of “easygoing,” it almost seems like he’s trying to vent his frustration about being constantly pulled into things he doesn’t want to be a part of.

Now that we know he’s an “old timer” within the Masked Fools, this line of thinking makes sense — he’s left behind his mask, meaning he may have gotten tired and fed up with getting roped into the Fools’ shenanigans. With how exasperated he sounds in much of his Penacony dialogue, I’m not surprised he said something like this.

Going a step further, this could even apply to an Emanator being burnt out at having to deal with the Elation, or even Aha Themself feeling the constraints of a compulsory existence. I feel like Emanator or Silhouette theories would work better for this particular line, although it’s possible that Aha could achieve this level of genuine exasperation through split/dual/separate consciousness.

✩ ‧₊˚ ⌞ CHAT: INTEL ⌝

Once again, Sampo shows how smart he is. He may be shady, yes, but he does know how to “maximize profit.” After hearing of Boothill’s run in with an Elation Emanator in 2.2, I can’t help but wonder if it was Sampo playing into this idea of selling information to multiple people — I definitely don’t think Boothill learning of the Emanator’s status was a coincidence, even if he says it was because he got it drunk. To me, this definitely reads as Sampo parceling out information in the right doses to the right people, “packaging” it in such a way that that person is none the wiser.

✩ ‧₊˚ ⌞ HOBBIES, ANNOYANCES, & SOMETHING TO SHARE ⌝

Despite only being one line, “hobbies” sticks out to me as a potential revelation. First, there’s no mention of the passion or creativity often associated with hobbies, it’s just him stating what he believes — there’s no indication he actually enjoys it deep down (compulsory existence mayhaps). Secondly, “small talk brings big clients” shows how he focuses on the details and minutiae of the larger picture; he may not be one for flashy entrances like Sparkle (hell, his big entrance in Belobog was when he was literally surrounded by smoke) but he does know how to manipulate the odds to be in his favor. I also find “big clients” interesting. While it could just be a reference to his dealings on Belobog, I can’t help but wonder just how far this might extend. What kind of “big clients” has he brought in? Is he neglecting to mention that he’s a “big client” himself? Is he used to shmoozing in the big leagues? Only time will tell.

In comparison, the annoyance line is fairly standard. It’s a link to his shady side, the idea that he’s just a poor businessman, *sniffle,* and how could someone be so mean to such a nice fella? He’s operating in technicalities here, full well knowing why he’s considered a con-man but intentionally being obtuse about it. It is very endearing to me.

“Something to share” almost seems Robin-Hood-esque. At first, I thought he was talking about more “business” stuff, the idea of “sharing is caring, so you should share your money with me,” but the more I re-read the more I realized he’s probably getting at the wealth inequality in Belobog. He’s technically affiliated with the Underworld, after all, and his closest friends seem to be there too. Behind the fixation on profit and only doing things if it benefits him materially, there seems to also be a genuine want to share himself, to “make up the shortfall.” Even if the “sharing” isn’t coming from his own possessions, he still wants to get the Underworld the supplies and means to live comfortably, which is a surprisingly sweet sentiment. He has a heart in there, I swear.

✩ ‧₊˚ ⌞ KNOWLEDGE ⌝

I feel like this line speaks for itself — the man is omniscient and he is toying with us. He knows way more than he’s letting on, even referencing the Astral Express as a “train” for shits and giggles. Your Elation is showing, king.

✩ ‧₊˚ ⌞ ABOUT SVAROG & CLARA ⌝

I don’t know what’s funnier: the implication that Sampo has tried to strike a deal with Svarog before, or the implication that he, Sampo “I can talk my way into and out of anything” Koski, failed. He was probably aware his conversationalism wouldn’t work on a machine like Svarog, but damn if he didn’t want to try anyways. I would pay good money to see that go down. Too bad Sampo exists in another universe and can’t haggle it out of me.

Alternatively, his line about Clara is pretty sweet. Referring to her as “our little girl” shows how he views himself as part of the Underworld — even if he came from beyond the sky, even if he integrated himself into Belobog for a larger purpose, he still cares. He sees himself as one of them. Behind the gaud and the glamor, we can begin to see that silhouette, that want for connection in the periphery, staying in the shadows because it’s afraid to step into the light. Yet, despite him even realizing it, he’s begun to integrate himself. Begun to see himself as more than just a means to an end, an instigator or a jokester or a clown. He has, in a sense, become part of the collective — a healthy collective, one big found family, and Clara is just one part of it. Beyond his knowing, he’s gone from “I” and “them” to “us.” To “we.” To “our.” (And he is also still eternally confused over how the hell to communicate with Svarog.)

✩ ‧₊˚ ⌞ ABOUT NATASHA ⌝

I like how naturally he describes the progression of their relationship here. While it may not be entirely truthful or accurate (who knows with Sampo), it at least seems like he views his and Natasha’s friendship as an easy progression from one stage to the next. Despite it being transactional, it doesn’t really feel like a transaction, just an evolution of something whose seeds were already planted. It’s also notable that he started with medicine — not intel, not materialistic wealth like relics or Shield, but medicine. His first establishing relationship with Natasha was literally bringing her life-saving medicine. It really reminds me of how he saved the Trailblazer’s life in The Moles’ hide-and-seek daily mission; it’s the things he does in the shadows that really count, really show that he does, in fact, care. Despite what he tells you, he still wants to help. “You know how these things work” is also so funny because it’s like… no, no the Trailbalzer does not know how these things work. (Also, “arrived” in the Underworld? Interesting word choice, bestie.)

✩ ‧₊˚ ⌞ ABOUT SEELE ⌝

I just think it’s really funny to imagine Sampo, either an Emanator or an Aeon or both, being constantly told off by some resistance fighter on a random snow planet. Like, Seele is really out here doing what 99% of beings can’t. (With Doll Theory, however, this is a bit… heartbreaking, especially “Can someone explain what I did to deserve her?” potentially hiding the deeper, more agonizing question of “Can someone explain what I did to deserve this?”. But I am choosing not to think about that right now for my own sanity.)

✩ ‧₊˚ ⌞ ABOUT BRONYA ⌝

He really has no self-preservation when it comes to scoring big, does he? Despite how carefully methodical his endgame plans seem to be, his omniscience doesn’t stop him from throwing himself out there when he feels there’s something to be gained. It’s okay, Sampo, she’s nice. You don’t need to risk getting beat up just to talk to her, I’m sure you can arrange a meeting. (Also, I feel like this mirrors his “painful introduction” to the Trailbalzer at the beginning of the Belobog storyline — sure, Sampo had to put up with Dan Heng’s prodding and Gepard’s arrival, but he made the biggest score of all: getting to meet us. So, maybe it’s not just “throwing himself out there.” Maybe it’s all one big calculation on his part.)

✩ ‧₊˚ ⌞ ABOUT THE LANDAUS ⌝

Gepard potentially triggering Sampo’s Elation instincts is hilarious to me. I’ll expand on it in a dedicated Sampard post, but it’s so in line with the Elation for Sampo, most likely a god in his own right, to find such catharsis in, what? Being chased around in the snow by a hot blonde guard? In terms of the wider universe, Gepard is literally just some guy. And yet here Sampo is, doing a little heehee haha and having the time of his life. It’s the little things, you know?

(On a more serious note, if we’re dealing with a Sampo who’s constantly felt like he has no control over his “enjoyment” of Elation — even a Silhouette or Doll Theory Sampo who is actively being harmed by “the joke” — then him gradually warming up to Gepard is surprisingly wholesome. Here he is, someone who has always found himself subject to Elation rather than naturally falling into it, finding a way to reclaim that enjoyment and find a genuine place for it within himself. Some sort of reconciliation, perhaps, a bit of happiness that’s his own and no one else’s, some part of a situation that he can control. The elation he feels here is not Elation, but rather a genuine feeling of connection, one not brought on suddenly by the punchline of a joke, but one that has gradually grown over time, matured, blossomed into something warm and real and comforting. Gepard has no idea, but he’s slowly mellowing out the “compulsory” of compulsory existence until it becomes nothing but a fading whisper. Anyways can you tell I love Sampard?)

I’m also interested in how Serval and Sampo used to be “good pals.” While Sampo’s idea of a “good pal” could be wildly off-base from what Serval experienced — with the likelihood that Sampo’s “we were besties” was Serval’s “he was an annoying guy who kept asking me for deals” — it makes sense to me that they might’ve gotten along at some point. Serval is a fairly casual and accepting person, so I could see her and Sampo being friends (although I don’t think she would have fallen for many of his scams). However, I definitely don’t think she’d agree with Sampo’s shady business dealings, so finding out from Gepard just how much of a criminal he is would definitely sour things. She would believe in giving the Underworlders the resources they need, for sure, but definitely not Sampo pocketing money for himself or scamming random people who’ve done nothing wrong. “Gepard’s bad word” probably wasn’t even that malicious, just a statement of fact.

(I, however, like to think that Gepard opened up about his crush on Sampo to Serval and her protective older sister genes kicked in. What Sampo is really registering is the change from “oh, you’re a chill guy” to “if you hurt my baby brother so help me god I will end your entire existence.” It is canon in my heart.)

✩ ‧₊˚ ⌞ ABOUT LUKA ⌝

This one is another tie-in to Sampo’s fixation on business and profit. I do wonder why and how Sampo missed out on making money here, though. Perhaps the timing was off, or he had bigger things to deal with, or Luka just didn’t want to work with him for whatever reason. Either way, it’s kinda funny that he knows Luka as “that kid I could’ve made money off of but didn’t”. I can just see him hanging his head dejectedly in my mind. It’s okay, Sampo, you’ll get ‘em next time.

✩ ‧₊˚ ⌞ ABOUT SPARKLE ⌝

Sparkle is a unique case, being the only other playable Masked Fool and having a direct connection with Sampo through the organization. He seems to have a pretty good read on her, which would make sense if his status as an “old timer” includes having a lot of experience dealing with specific members of the Fools. He’s basically reading her like a book, saying: She’s all over the place, and you never have anything truly figured out. There’s also the meta commentary of “outwit herself,” referencing the events of Black Swan’s companion quest and an Inception-like folding in of all her personas. It also seems like it might be a bit of a projection: “Think you’ve got her all figured out, don’t you?” I didn’t say anything Sampo, but if this “you” is in the room with us right now, it’s okay, you can just say it. Perhaps he tried to understand her at some point in the past and it fucked him over. (Just speculation!)

✩ ‧₊˚ ⌞ ASCENSION & ACTIVATION ⌝

Whoo boy, this eidolon activation. It’s definitely suspicious, to say the least. There’s a reason I chose it as my quote for my Elation!Sampo masterlist, and that’s because it encapsulates so much about his potential identity. There’s the fact he’s not being direct about it, phrasing it as a question where he speaks in second person, trailing off at the end; even now, he seems unwilling or unable to face the truth with his full chest. There’s also the phrase “colorful past,” which just makes me ask: How much of a colorful past are we talking? This could range anywhere from Masked Fools shenanigans to “oh yeah, I used to be an Aeon.” The fact he’s so indirect about it makes me more suspicious — it’s an extremely leading question, very smug and taunting, which makes my mind just go up and up and up the power scale list, much like “old timer” caused me to do the same. There’s just a quality to this line that basically screams, “There is something large and powerful and dormant inside of him! Be careful!”.

The ascension once again links back to money, and his trace activation is about the transactional “business” of friendship. The last notable thing here is his “max level reached,” where he expresses disappointment over… hitting max level? “That’s it? *sigh* I was just getting started,” is not the kind of thing even a regular Masked Fool would say. Again, we’re given a hint of almost incomprehensible power, the idea that the limit of the game, of the universe, isn’t enough for him. In a strikingly eldritch way, our “max” is simply a small drop in his bucket, an ant he barely even notices. He really isn’t beating the Elation allegations, is he?

✩ ‧₊˚ ⌞ TEAMS ⌝

Since there’s five different ones here, I’ll go through them fairly quickly:

Natasha — Reminds me of Natasha’s own voiceline where she says Sampo doesn’t like owing people things. It shows that he really does try to pay favors back as soon as possible, keeping them present in his mind so they don’t go unresolved for too long.

Hook — It’s interesting how he reacts to her in a similar way he does the Masked Fools: exasperation, but still a little fond. There’s some care, some nostalgia mixed in there, but at the end of the day he still knows that something is getting blown to smithereens.

Seele — On his best behavior. He really doesn’t want her to get angry at him, does he? 

Trailblazer — Interesting how he laughs at the beginning here. Interesting how he says, “Ha!” Interesting how this is only with the Trailblazer. Hm. That is all.

Sparkle — “Same rule as always” establishes a long-form relationship; it’s likely they’ve known each other for a long time, or at least long enough to have established “rules” for each time they fight or work together. The fact that the rule is “no backstabbing” is also fitting, seeing as Sparkle (and by proxy, the Masked Fools) are definitely the type to backstab at any given moment. The real question is: Is this rule simply a surface-level attempt by Sampo to stop from getting messed with, or does Sparkle actually listen to him?

It also sets up Sampo as at least pretending to be on the same power level as Sparkle — he’s in a position where he feels the need to be wary and on-guard around her despite occupying a potentially higher status.

✩ ‧₊˚ ⌞ COMBAT & MISC. ⌝

Reading through these, I just felt like I was getting smacked over the head with theories. It’s like he was repeatedly hitting me on the back of the head with a baseball bat or something. Having each line side by side really makes certain patterns become apparent. Since there’s so many, I’ll go through them fairly quickly (feel free to ask me to expand on any of these if you want!):

Battle Begins: Weakness Break: “Fun” links to Elation. “Just” is downplaying the severity of a Weakness Break, reducing pain/danger to yet another joke. A somewhat callous view of life, similar to the Worm Fiasco.

Battle Begins: Danger Alert: Endless pursuit of entertainment and Elation — “the stronger the better.” Like Aha, it’s less about winning or losing, but rather the challenge and thrill of the fight itself.

Turn Begins: Line 1 — The idea of “friends” again, showing physical protection and aid to be part of the “transaction”; however “takes care of” seems less transactional and more genuine. Line 2 — More transactional with the idea of “business”; perhaps refers to violence as “doing business” with enemies, or helping the trailblazer as “doing business.”

Turn Idling: “Bring out” and “big guns” links to hidden or increased power, something that needs to be revealed. Since this is his turn idle, it gives the implication that he is “waiting” to bring out this power until the right time (though he is impatient about it).

Skill: Argument One — Silly goofy behavior. Argument Two (Delusional) — “Size” alludes to the physical changing of size between mortal and Emanator/Aeonic form.

Hit by Light Attack: Seems somewhat performative.

Hit by Heavy Attack: Seems to be overly protective of his “face” — or rather, the potential physical facade he puts up to hide his true identity from others. Doll Sampo may be overly concerned with “breaking,” while other theories may be worried about something being “revealed” if too much of his physical form is chipped away. (In a way, the avatar of “Sampo Koski” may be a mask in and of itself, able to be broken.)

Ultimate: Activate: Again with the idea of “waiting,” man is impatient.

Ultimate: Unleash: If we’re going with an Elation!Sampo theory, it seems like he may almost be alluding to Aha as “king” here, which would center themes of betrayal and switching sides. It doesn’t seem personal in this case, but rather a power/money/profit-oriented standpoint.

Downed: *Puts on tinfoil hat* Sampo could actually be referencing a “loophole payment” here; as shown in the Curio Hacker Occurrence, one of the curios given to us by the blue-haired man is “Organic Heart,” a curio that removes the golden (powerful) dice face for four turns, destroys itself, then grants two cheat attempts — if we take this as an allegory for Sampo’s existence, then he may be paying a “price” as an Emanator or Aeon to escape an unfortunate fate later on (or accomplish something impossible). In this way, “This price was too steep…” may refer to Sampo being trapped in mortal form (a more vulnerable state) and realizing the “price” he paid upfront for those cheat attempts isn’t worth it if he never gets to see the fruits of his labor.

Return to Battle: This may also link to the Curio Hacker dice faces, as a combat “turn” could also stand-in for a dice “roll” — he has been brought back to fight, and so he will continue to participate in the cycle until his cheat attempts are granted. (Also, it links to the cyclical nature of the snakes, going from one turn to the next, never able to truly die.)

Health Recovery: Another mention of transactions, debt, and “owing” — according to Natasha’s voice line about him, this is not a phrase he says lightly.

Technique: Laughter, plan and simple. The Laugher, even, if we’re feeling frisky.

Battle Won: Probably one of the biggest clues in his voicelines. “How’re you gonna win if you don’t take any risks?” directly implies a “risk” at the core of his being, some dangerous change he is making to make sure he gets what he wants. May somewhat detract from Aha theories in that Aha doesn’t seem to care about “winning,” however who knows if that mindset has changed or if Sampo simply thinks that because he is currently in mortal form. Either way, it once again links to him paying a “cost” for those later cheat attempts.

Treasure Opening 1: Good old cash reference.

Treasure Opening 2: Kinda sweet that he lets us keep it, even though it’s only because he doesn’t have any use for it.

Precious Treasure Opening: … And of course he immediately shoves us aside when it’s something he’s actually interested in.

Successful Puzzle-Solving: 1: Pretty generic.

Successful Puzzle-Solving 2: Reference to his businessman persona and how he’s made a career out of “solving others’ problems.” It may be that he’s trying to solve a problem for either himself or Aha as an outside entity (or perhaps even a different Aeon of Emanator, who knows).

Enemy Target Found: Sounds almost taunting; there’s no vocal recording in this post, but if you listen to his English voice acting it sounds goading, almost like he’s daring you to start the fight. “I dunno” is a bit more reserved, like he’s hesitating a bit, but I’m definitely on the side of “he can handle this, he’s just fucking with us.”

Returning to Town: Another third person reference! Obligatory business reference.

And whew, that’s all of it! Every single Sampo character screen voice line as of 2.4! My main takeaways are definitely the third-person references, as well as the fixation on business and profit. The lines linking to Curio Hacker especially stand out to me — “risks” and “prices” remind me a lot of Organic Heart. But I’ll save that for its own analysis! As for now, I hope this was a comprehensive-enough coverage of Sampo’s voicelines. In my opinion, this man definitely has some Elation-related shenanigans going on.

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.𖥔 ݁ ˖ જ⁀➴ thank you for reading to the end!

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[aliceisaperson]

I think I solved what the next Starkid show is going to be…

Ok so I might have started ok slightly insane over the past few hours putting this together, some of you might think that this is a massive stretch and that I’m reaching but I honestly fully believe the Langs are leaving us all these little pieces for us to pick up and put together and I kind of feel like we should be engaging with this and trying to solve stuff. Just picture me in front of a conspiracy bird going insane it arguably adds to the aesthetic. Anyway on to the actual theory…

So we already know that Nick and Matt have multiple shows planned for the universe of the lands that are, based on the lyrics to castle on a hill we can infer that some of the shows they have ideas for are Snow White, Beauty and the Beast, and possibly the Sword in the stone. I believe that the next show they have planned is on this is list and was intentionally foreshadowed to throughout Cinderella’s castle. I think the next show is going to be Snow White and let me explain why.

Ok so let’s talk about Ragweed, specifically the scene between him and the narrator after it’s revealed the step-mother is a troll. In this scene he says two very very interesting things. The first one is something I have already seen quite a few people point out which is the line where he mentions something along the lines of how if he had 6 dwarves he would be able to kill the step-mother easily (I don’t remember what the exact line was because I don’t have access to the digital ticket anymore but it was something like that). 6 seems like a really specific number to point out and I fully believe that ragweed is one of the 7 dwarves due to this line. After this another interesting thing is said though. The Narrator begins to tease ragweed asking if he’s ever fought a troll before. Ragweed says he hasn’t specifically fought a troll but has fought a lot of goblins. We’re going to come back to this in a little bit. (A note on this I’m going off of my memory but another person has also said that they remember this line being about goblins, however if it’s not that please feel free to correct me)

Now let’s discuss something else of note. The puppets that appeared in the kickstarter announcement that did not appear in the actual show Cinderella’s castle. There are two puppets we see that do not appear in the actual show. We have this one:

As well as this one:

I think it’s really interesting that these puppets seem to be so far in development with them looking like parts of them are nearly finished only for them to not be used. I think the answer to why they’re not used is because they were never intended to be used for Cinderella’s Castle but a different show. The designs are very human like, kind of similar to Ragweed in that way, and I think it’s very possible that they are both also dwarves. Possibly even some of the 7 dwarves… I have heard some people say that maybe they were prototypes for ragweed but to me I just find this incredibly unlikely due to their vastly different designs, them being on par with Ragweed quality wise, as well as us not seeing prototypes like this with any of the other puppets in the show.

While looking to see if there was anything I missed in the original kickstarter video I noticed this shot of a table with quite a lot of maquettes.

We do see quite a few familiar faces like Crumb and Sir Hop-a-lot, but majority of them we have not seen before. Some of these seem to have similar designs to ragweed and the other humanoid puppets we saw and I think it’s possible that maybe some of those are some of the other dwarves. But wait… what’s that one in bottom left corner? It doesn’t really look like anything we’ve seen before…

Now, guys tell me if you were to guess what species this puppet was what would you guess it was? Perhaps maybe a goblin? Like the ones Ragweed said he used to fight?? I honestly believe that scene with ragweed exists almost solely to leave hints for the future Snow White show.

I think the next show is going to be Snow White due to how it seems to be foreshadowed to and due to how far parts of it seem to be in production with some of the puppets already being made as well what seems to be a lot of the marquettes made already. Somehow goblins are going to be involved in this Snow White show somehow I’m not sure how exactly, (I kind of like the idea that maybe Snow White gets turned into a goblin by the evil queen in order to have her beauty destroyed but that literally has no evidence and it’s just an idea I thought was cool) but I feel like they are purposely leaving hints for us to find, and I feel like there’s more we just haven’t picked up on yet. If anyone has anything else to add to the theory I’d love the hear them! Thats all I have for now.

[isa-ghost]

Do you have any headcanons as far as Philza and BBHs' relationship? I've enjoyed thinking about that because I think it's one of the few relationships on Philza's side that's actually a bit more complicated? But also Philza saying that BBH wouldn't lie is the funniest thing ever.

Or if no headcanons about Philza and BBH specifically what about Philza, Bad, and Cellbit as a trio in charge of the order because I really loved that

OOOH this is gonna be an interesting challenge because I don't watch a lot of Bad :0!

qPhil headcanons masterlist

Obligatory they're both thousands of years old mention. There's some things they can talk about and relate on that no one else on the island can. MAYBE Foolish, but Foolish tends to just focus on the present and vibe. Phil and Bad though, in the right conditions, they could and will have deep conversations about the past and their experiences.

On that note holy fucking shit these two would be terrifying teamed up together. If the Feds ever do something harmful or permanent to the eggs, god help them when these two decide they're armed enough and hatch a plan. They'll rain hell on the entire island and then some. And every other parent will be more than willing to join them. Do Not Piss Off The Immortal Murder Dads.

Phil could tell clearly that Bad is part demon. Finding out he was part reaper was a surprise. Honestly with how much of a lil trickster Bad is, Phil is surprised he isn't part Fae or something.

Phil takes one look at how Bad goes "no idea what you're talking about, nothing happened :D" about stuff like him Literally Dying and is like [uncanny Mr Incredible] "at least I'm not that bad." Phil just (very poorly) hides things and says he's fine. He doesn't straight up deny anything happened (and couldn't convincingly act like nothing is wrong the way Bad can if he tried)

Missa is a reaper. Bad is a reaper. Phil wants to see them talk about reaper things together. Or see them both in action. He himself can also carry small conversations about it since he's learned so much through osmosis :D

Actually that's kinda why Phil feared Bad so much during Purgatory. That was him in action. And he never wants to be on an opposing side of it again.

He doesn't resent Bad for Purgatory btw he just jokes like it sometimes. Same as with Tubbo (or anyone else for that matter), he blames the Watcher for trying to destroy their friendships.

Has straight up looked Bad in the eyes like "are you aware you are raising the most terrifying egg. Are you." He genuinely thinks if Dapper wanted to, he could kill Phil in his sleep. Every time he sees Dapper, he's learned something new and insane.

Tbh Phil sometimes envies how full of whimsy Bad is. He's seen infinitely more horrors than Phil for sure, yet he always ironically seems like a little ball of sunshine despite being a literal shadow lookin demon. What The Fuck is this man's secret to staying so silly.

Phil is endlessly fascinated by the extent to which Bad can come up with more and new protections for the eggs. He thinks of stuff not even remotely on Phil's radar. See, Phil's a safety expert as a survivalist, but most of his skills involve using what's around you and your wits, because survival is largely about relying only on yourself because you rarely have any other choice. Bad on the other hand will not hesitate to seek out new tech, other people, or tinker and experiment until he discovers new ways to use anything and everything he can get his hands on. Phil admires how intuitive he is.

Also Bad is really good at making bases and Phil enjoys seeing how balanced the aesthetics and practical parts are. Bad can make something look cozy and lavish as hell while also putting like a billion farms and gadgets into it.

I wonder how a conversation about possession would go. :) Surely Bad has some insight on it as a demon?

Something about how the two of them have arguably the most horrific egg death nightmares. I don't know where to go with this but goddamn would Crows and Ghosties be feasting.

Actually wait shut up, I just realized something kinda cute. In the same way Phil can talk to birds (particularly crows ofc), Bad can talk to the dead/undead (particularly ghosts). Imagine the sillies that could come out of that. It's said that animals can see the dead, what if Phil's murder conspires with the ghosts that follow Bad around ;D

The moment Phil would use his wings if they were healed, Bad would clock that he's the Angel of Death. I'm not sure he saw Phil flying during Purgatory, but if he did, he knows. And that would lead to many interesting conversations. :)

[philsmeatylegss]

Can I talk about Cat King because no one else will???

I haven’t finished the show yet so this might be wrong or age like milk

I could talk about his role in the story for hours. Tbh I overly identify with Edwin because I’m gay with a lot of problems in the past and Edwin’s historical typical internalized homophobia already makes a history nerd like me giddy with glee. And Cat King easily can be written off as a gag character, which I do think is part of his purpose, but he also represents the aspect of this story regarding Edwin’s sexuality not solely being sexual, but also still being sexual. As in obviously Edwin sexually fantasizes about men, but there’s much more than just that. That implication, acknowledging the fact, feeling free to tell Charles and the others, acting on that, just day to day life. Edwin had gotten by for thirty years ignoring his sexuality until cat king came along. Edwin acknowledging his sexuality, acting on it, and discussing it (in his own way) is a large part of his character growth which is fully pushed on because of Cat King. I know he’s supposed to be the bad guy, but I genuinely believe he is an anti hero or something along those lines. I think at first it was to just tease Edwin, but it grew into something deeper.

Don’t even get me started on the cuff. It is SO symbolic I could almost cry. It’s a physical representation of how limiting and claustrophobic it is to be in the closet. Specially not being out of the closet to close loved ones. You couldn’t have a closer relationship than the relationship between Edwin and Charles, but it doesn’t seem that way before Edwin comes out. And that’s multiple reasons on both of their parts, but part of it is that complete shut down to that side of himself. People don’t realize how much sexuality plays into day to day life. And Cat King made Edwin realize how much he’s missed out on. And also that he can’t put off his problems forever. Slay relatable.

I think the addition of Crystal and Niko also makes Edwin realize that he needs to at least recognize his sexuality. I think they help him realize how much he is missing out on by not being himself in general, nevertheless outing his sexuality.

And all of this goes back to the cat king!!! It drives me insane no one talks about it!!! There’s also the aspect that, on the surface, cat king is just supposed to represent lust. The difference between his feelings for Monty or Charles is that there’s emotions there while cat king is purely lust and a giggle. But when you think about the story, that’s just not true. When media deals with a character’s sexuality not being straight, it’s usually over sexualized or not acknowledged as anything sexual. Cat king gives that balance to his feelings for Charles. Because being gay is partly explicit. As is being straight, bi, pan, whatever (other than asexuality). Saying you are ___ sexuality is implying that you are sexually aroused by whatever gender(s). And cat king is that reminder while Charles and Monty are the reminder that love and relationships are also part of it. Cat king adds balance that makes Edwin’s character feel way more authentic and actually gay.

I haven’t even gotten to cat king pushing for Edwin to admit why he solves cases. WHY DOES NO ONE TALK ABOUT IT?!?! I was gnawing at the bars of my enclosure during that scene. It is arguably one of the most important scenes of the entire show. And it’s entirely brought on my cat king. Every single time Edwin either decides or is forced to reveal something vulnerable about himself, it’s Cat King!!!! Edwin’s confession that it is about preparing a justification as to how he should be allowed into heaven even though he is gay is such an insanely important moment and I’m gnawing at my enclosure again!!!

I may be studying history, but I’ve always been an English kid at heart and symbolism about religion and childhood trauma brings me to my knees. And Cat King is scratching an itch I’ve had for years that I had no clue was there anD NO ONE IS TALKING ABOUT IT WHILE IT IS DRIVING ME BANANAS.

Anyway, that’s my case for talking about cat king. I just finished episode 4 and it’s gonna be really embarrassing when something happens the next few episodes that completely invalidates all of this

[mongeesemeese]

I'm working on a much bigger project featuring this guy. I'll probably start sticking stuff for it in here as it comes so be expecting a lot more DC from me lol. Now, headcanon time!

---

Jason Todd is probably one of my favorite DC characters, but also one that I feel has been generally mishandled.

One of the biggest things I think people forget about Jason is that he is, in fact, an anti-hero.

He does messed up shit because he knows that it's arguably the only way to really make a difference. Batman's methods, while generally noble, are relatively ineffective in the grand scheme of things. Due to the corruption of Gotham's justice system and rehabilitation system for criminals, the Big Bads really don't get their just desserts, which only leads to more people getting hurt and continuing the cycle of violence that has existed for so long.

Let's be real - the Joker has probably single-handedly ruined more lives than Batman could ever hope to save. I know, I know - that's dark, but it's probably true.

Trying a more drastic approach to keeping criminals off the streets doesn't seem too insane when those criminals don't get a clue to maybe stop after being beaten to a pulp by Batman.

I guess a lot of them are into that sort of thing lol.

In any case, Jason kills the bad guys so the families in the city won't have to worry about losing a child to the Joker's insanity, so women won't feel afraid to walk 100 feet down the sidewalk without turning into another missing persons photo on the ever-growing list, so that children don't have to worry about losing their parents to a hostage situation gone wrong.

I would argue that Jason Todd is not a bad person. In fact, I would argue that he is a very good person who is willing to go further than anyone else to help others because he knows exactly what it is like to be lost the grief, pain, and rage that comes from not being helped.

---

Anyway, that's all I've got for know. I'll probably do more character study stuff for the Bat family soon. Should be fun.

[saltysatellite804]

Woke up and started going into character analysis mode while drinking my coffee. This is about Aizen of course.

Thinking about how much of a loose canon (and lowkey suicidal/fate-tempting) Aizen actually is. He plays it all cool, but he isn't actually always as meticulous as he comes across.

-fused himself with Hogyoku without knowing for sure it was a wish granting jewel (he just suspected). Even disregarding that, he went into battle before it even "understood" him. He had no guarantee it would actually keep him alive. He also had zero guarantee it would bring him back to life after a fatal injury. These were all just hypothetical.

-allowed White to give its powers to a Quincy because he wanted to know what would happen. Total fluke, but he went with it. Presumably, he knows that a Quincy is unlikely to survive this process.

-recruited Kaname knowing he could never control him with Hypnosis.

-risked Gin being by his side knowing he was planning his death because he wanted to "see how he would do it". He even told him how to neutralize his power. He was just like "okay kid, I like you, freebie shot at killing me," !!!. Like omg.

-risked empowering the Vasto Lordes, not knowing if they would become stronger than himself or not (they did not). He even said he suspected they would.

-decided to help Ichigo become stronger, not knowing what would happen

-risked Orihime finding someway to use her power against him (okay this has become more of a headcanon. I like to think he was curious to see if she would actually try to erase Hogyoku).

-furthermore he pits Ichigo against his Espada, not knowing who the victor will be, made 0 effort to keep Ichigo alive.

-completely went power mad and off guard after evolving. He arguably had to have some of those qualities before fusing.

-fought Yhwach with 0 guarantee of success. Put himself in extreme mortal peril to defeat him. Sure it was becoming a very "do or die" situation but it doesnt feel out of character

(Notice how None of his risks went wrong until Ichigo)

There's probably some more things I'm not thinking of.

I was thinking about how Aizen comes across very "a man with nothing to lose". It really matches up with who he is. He has mastered all his powers and there's nothing left because he feels no connection to those around him, no sense of purpose or love or comraderie. It must drive him insane, and make him lose some regard for his own safety, in some sense. So he decides he will keep reaching higher because what else is there. If he cannot be like anyone else, he must go above them. He thinks the current system is fuckin BS but he can't tell anyone because it's illegal to even question the status quo lol. It's almost like fate to him.

But deep down he still wants to fall, wants to fit in like Stark did, wants his own hubris to knock him down like Icarus reaching for the sun. He wants one of these gambles to catch up with him deep down. It's like a fantasy. And he knows it.

[edsbacktattoo]

I have Gathered some Data

@skysofrey and I recently got into a discussion about names in OFMD. Specifically, how many times does Ed actually call Stede by his name in the show? We could only think of a few examples each and that didn't seem right. And because I'm insane, I decided to rewatch and note down every time a name was used, who used it, and who was being spoken to. Here are my findings!

Before you proceed, please know that this is strictly for fun and because I was curious. There are likely errors in the data (I'm sure I missed some things, I'm just one person.) but! I still think that what's been gathered is very interesting.

Here are some other fun/important/miserable things that I found in my travels:

There is one more time where Stede calls Ed “Edward,” and the only time it isn’t said to him directly. This is when Stede is addressing the petrified orange.

Of the five times that Stede is called “The Gentleman Pirate,” two of them are from Ed.

Ed calls Stede by his name only twelve times in the series. Only two of these instances are spoken to someone else. There are two others when Ed is looking for him at the pier, and therefore spoken to no one.

There are only ten instances of other characters calling Ed something other than his name or “Blackbeard.” Two of these are from Izzy, during the scene in Spanish Jackie’s bar, where he’s informing Stede that Ed would like to meet with him. During this scene, he only uses “my captain” and “my boss.” This is one of the very few times he doesn’t refer to Ed to other people as “Blackbeard” and it’s at the time that is arguably the most important. (He’s an idiot.)

Out of the twenty times that Ed refers to himself, fourteen of those are as “Blackbeard/The Kraken.” He refers to himself with names other than “Ed/Edward” 70% of the time. 50% of the times he refers to himself by his name are during the beach scene in episode nine, and there is only one instance where he uses his name that is not in Stede’s company. ("Actually, I do want to be called 'Ed' from now on.")

Izzy only refers to Ed as "Edward" to other people four times in the show. Two of those times are when he's marooning Stede's crew, and each time he uses his name in that scene, he takes on a mocking tone. Meaning that 50% of every instance he's referred to Ed as "Edward" to other people, he's been mocking his name.

Ed calls Stede "mate" as often as he calls him by his name, but he only calls him "mate" directly.

Stede calls Ed by his name only once more than Izzy does.

80% of the times Ed refers to himself by name happen in episode nine.