#No longer a fingerer!!!
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jangmi-latte · 5 months ago
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my gallery smells like a damn fish market
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escyn · 18 days ago
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[hook:line:sinker:caught] wip (id in alt)
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filurig · 2 months ago
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SO my old basilisk refs and things felt grossly outdated esp now bcs i have changed some things about them. So now have a new ref and some more extra informations about them. or at least the basilisk community most relevant to pareidolia...
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jasminebythebay · 4 months ago
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aquarium park 🐠🦑🐟
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will-bonna · 5 months ago
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artificer design (very hyena inspired)
aiming to design every scug how i see them/in my style but knowing me i’ll forget so we’ll see how that goes
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blueskittlesart · 4 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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nocek · 1 year ago
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as promised in previous part they've got to have their couples cosplay! and doggos too! obviously!
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mapicccc · 1 month ago
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dyou think zam has claw mark scars from mapicc grabbing him too roughly
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mettywiththenotes · 26 days ago
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Jinx and Viktor if they interacted in act 3
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cherriiramen · 1 year ago
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hhhhhh but what if everything was fixed and Joker was fixed and he was no longer Joker but Jack Napier instead after Bruce talked with him an actual meaningful emotional conversation (after Alfred sat him down and lectured him about his complicated bottled up feelings towards him) and made sure he gets regularly doses of therapy afterwards (with him accompanying him) and he tried another go at being a stand-up comedian and he was extremely successful and everyone laughed at his jokes and he laughed with them because he was genuinely happy and sometimes he’d end up having to pause mid-stage to wipe his eyes from tears of joy and then when everyone claps Bruce would be in the crowd somewhere and claps the loudest and they got married and shared custody of Robin together and Alfred slayed as a father in law and and wasnwjkwo
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(whispers) it’s canon now.
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seiwas · 4 months ago
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here for your game!! i am kindly asking for megumi and royal au!! 💗 hope you’re doing well sel!!
cici!! thanks for playing with me 🥺 this was so fun to think about! i hope you’re doing well too 🥺
megumi + royal au
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megumi was born to be your knight, and yuuji your prince.
at least, that was what was intended.
your mothers had all grown together in a town south of where she eventually married into. your mother and yuuji’s had both married into royalty, while megumi’s remained in the noble high class.
every summer, your families would gather on an island east of the southern sea—a place your mothers had spent their blazing summers in as maidens. it was where they could be free, without the watching eyes of their tutors from the academy.
it was where megumi’s mother had met his father, and where they eventually fell in love, then married. megumi was born in the winter, but you are certain that if he were born in the summer, his first breath would have been the crisp air of the southern sea.
the island is your second home, a place where you, megumi, and yuuji grew up together. afternoon tag games in fields of cosmos, and stargazing at night, just at the hilltop overlooking the island’s coast. it holds every memory you keep close to your chest.
you lost your first tooth there when you slammed face-first into yuuji’s back after finally catching up to him in your game of chase. yuuji ran straight back to the summer house to call for your mother, but megumi remained right there beside you, crouched low with his arm stretched out to your lips. he’d pulled his sleeves all the way down for it, offering up the fabric for you to bite into to stop the bleeding in the meantime.
memories of summer remind you of yuuji’s bright eyes, like the sun, constantly beckoning you and megumi for a day of adventure. they remind you of megumi’s, a deep blue-green that takes on light like the stars. a depth hidden in constellations; to this day, they still make you curious, and you still find yourself lost in them more times than you would admit.
you were a formidable trio, your bond unbreakable the same way your mothers’ was. a relationship grown in fondness but predestined all the same. you had an inkling early on that you and yuuji were to be paired at some point of your lives.
and you love him, yes. it is impossible not to, in some way. but you do not love him like that—for you, it has always been megumi.
since training for knighthood in your kingdom, and being orphaned from a tragic accident that killed both his parents, megumi has been by your side, his life sworn to yours.
he watches you quietly and carefully, standing close to you when you go into town. his body is but your human shield, though you know it is out of more than just his obligation when he remains on edge, even for paper cuts and needle pricks from sewing his or yuuji’s latest handkerchiefs.
megumi has a steady resolve and an even steadier hand; he would occasionally teach you the essentials of holding a knife, though you know combat training is far from what any of your tutors would want you to be doing on a sunday night.
“for your letters, and other things,” he’d penned on the note attached to his gift for your 16th birthday.
a thin, dainty thing. sharp at the tip with elegant vines at its base. a letter opener.
you do not receive as many letters as you send off, he knows that much. the only letters you write are for him and yuuji, but even those are different in nature; yuuji’s often come in elegant envelopes, wax-sealed with his family crest. megumi’s, however, are on papers torn in haste, folded to be slipped discreetly into his pockets, or to be slid right underneath his door.
‘and other things’ he had said, and you are certain he means ‘for your protection, when i cannot be there’. it fits perfectly into the palm of your hand and is light enough for you to carry wherever you go. he has given you enough lessons for you to know how to use it when you need to.
marriage is a topic you have yet to fully speak to your parents about. they have never imposed it on you, knowing full well there is no rush, especially when your father is not so particular about political alliances. but ever since you were young, you have always known it was predestined to be yuuji.
but again, that was what was intended.
during the tail end of your 17th spring, the gojo family put out a hunt. the royal family only comprised the lone gojo king, his own parents now retired and out of the political scene—and he needed an heir.
to your surprise, the king himself appeared on your family’s doorstep, carefully assessing all the boys in your household.
then, his blue eyes landed right next to you, to the boy who has always been right by your side; the boy who has sworn his life to yours by knighthood.
“you,” the gojo king points.
your megumi.
you freeze, gripping the letter opener behind you. you don’t know how to feel; you can’t tell if this is a good thing or not.
would he have to leave?
the gojo kingdom is further up north, and surely megumi cannot reign as its prince if he is away from it.
megumi looks at the king, then at you.
what do you do?
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uranodioningin · 2 months ago
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The tension was a bitch to keep regular on this one but I'm really happy I finally got around to testing out this pattern
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infizero · 2 months ago
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OH YEAH I SCREAMED WHEN I NOTICED THIS, in this pic of the moment shadow first woke up, HE ISN'T WEARING GLOVES!!!!!!!!
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OFFICIAL IMAGE OF A SONIC CHARACTER WITHOUT THEIR GLOVES IN 2024, WE ARE SO FUCKING BACK!!!!!!!!!!
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Some of my headcanons of what could happen after the battle
Which Gege will definitely not do let's be honest, there is gonna be a time skip, no character interaction and depression but oh well
Love the Gojo and Yuji one, will post that one separately hahah :D
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lotus-sunn · 4 months ago
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I feel like if Ford was around during the time 'The Hand That Rocks Mabel' episode he would NOT stand for the blatant UNCOMFORTABLE TREATMENT THAT MABEL WAS RECIEVING FROM GIDEON
I fear he would threaten to end gideons bloodline.
(I'm kidding he wouldn't do that! Maybe, perhaps, lets not worry about that!)
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adaricruz · 11 months ago
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wanted to draw my version of wonka with the burton one since he’s physically based / inspired on him !
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