#Nike-Lunar-Charge

[spiritualbarbz]

DEITIE IDEAS

⚜Athena: war, wisdom, crafting⚠️

💋Aphrodite: love, sex, beauty, fertilty 💞

🖤Achyls: Sadness, misery, depression, suicide😔

💧Amphitrite: of the sea, sealife, waves, calm waters💧

🏞Artemis: hunting, wildlife, wilderness, nature, survival🏹

☀️Alectrona:personification of the sun, light, warmth,🌤

🌕Achelois: moon godess name means washes pain away🌓

🌵Antheia: garden, greenery, plants, flowers, swamps,🌸🌺

🤪Até: godess of chaos, war, mischief, delusion, ruin, folly⚠️

B

🔮Bia: goddess of pure, force, and raw energy♾

🥽Brizo: protector of marines, sailors, and fishermen💧

C:

💧Calypso: sea nymph, mother of fish and, sealife💧

🧜‍♀️Celeano: wife of poseidon, mother of sea gods, 🤱

👽Ceto: primordial sea monster, daughter of Gaia scaryyy🌊

⚜Circe: Magic, sorcery, transformed enemies into swine🧹

⛰Cybele: mountains, caverns, nature, wildlife⛰

💫Clymene: Renown infamy, fame, very well known💫

D:

⚖Demeter: sacred law, agriculture,fertility. The harvest🎑

💧Doris: Sea nymph, bounty of the sea, mother of nereids💧

E:

👶Eilethyia: childbirth, by Homer goddess of pain of birth🤱

🤗Elpis: Hope, and spirit, personification 😀

⚠️Enyo: Destruction, war, companion and lover of ares ⚠️

🧚‍♀️EOS: goddess of dawn, primordial personification🌅

🎵Erato: muse of lyric, poetry, music, tune, noise🎵

🔞Eris: chaos, strife, and discord connected to war goddess enyo .

🐍Eurayle: Sister of Medusa, one of the main gorgon👽

G:

🌺Gaia: primordial goddess of Earth, nature, mountains🌵

H:

👋Harmonia: greek goddess of harmony, concord🤗

👶Hebe: Eternal youth,in charge of making the gods look good🤗

🔮Hecate: Witchcraft, Crossroads, necromancy, mother of witches🔮

🌅Hemera: Goddess of Day time, and daughter of Nyx🌓

⚜Hera: Goddess of goddesses, women, and marriage 💑

🏡Hestia:Hearth, home comfort, domesticity, family,🏡

🧼Hygea: Hygiene, health, cleanliness, sanitation 🧼

I:

🌈Iris: rainbows, color, messenger of the gods, sea🌈

K:

🌓Keres: Daughter of Nyx, female essence,🌓

🥳Kotys: dyonisian goddess whose celebrations were BIG🥳

L:

🍒Lilith:Wife of Lucifer, First wife of adam, Sex, Women🌹

⚠️Lamia:Chd eater, figure of bad behavior, cannablism⚠️

☠Lachesis:second of three fates, measurerof thread of lif☠

M:

🛤Maia: Greek goddess of Fields, crossways🛤

🤡Mania: isanity, madness, crazed frenzy, and the dead☠

😩Melepomene: Muse of grieve, loss, tragedy🖤

🧠Metis: Goddess of knowledge, wisdom, oceanic🧠

N:

😈Nemesis: Goddess of revenge, vengeance, retribution😈

✔Nike: Goddess of Victory, winged goddess of victory ✌

🌓Nyx: Preimordal goddess of night, lunar goddess, dark🌕

P:

🗡Persephone:Queen of underworld, vegetation,springs🗡

🤳Pheme: Gossip, Fame, notability, renownciation🗣

📝Polyhmnia: Scared poetry, writing, hymn dancing 💃

R:

🏜Rhea: Titaness of nature, Daughter of Gaia and Uranus🌎

S:

🌕Selene/Luna:Mother of the Moon, mother of vampires,🌓

🏞Styx: Goddess of the river styx, portal to underworld🏞

🗻Taygete: Mountain Nymph/ Goddess 🗻

🎵Terpsichore: Dance and chorus, one of the nine muses👯‍♀️

😆Thalia: One of 9 muses, She is of comedy idyllic poetry😆

⛩ The Erinnyes: Retribution, vengeance, punish men, heinous crimes.

⚖Themis: divine order, and law, custom⚖

🤑Tyche: Prosperity, money, luck, fortune💸

U:

🔭Urania: Goddess of astronomy and astrology♎

🤢Eurayle: Third Gorgon sister👽

IMPORTANT NOTES!!!

🍒Lady Lilith wasn't evil she was damned to hell because she wanted equality between men and women but to no prevail she ran away ain't hidden mountains and we. God sent angels to being her back to Eden she said no unless she would gain equality making her the first feminist in the universe🍎

[homehearthandheart]

Self-Care Sunday / 4 August 2019

Welcome, Devotees!

Taking care of yourself is an important part of taking care of your Gods and Spirits. Try one of these:

Ancestor Work: If you have problems that seem to turn up over and over again in your life, talk to (non-abusive) family members or read an ancestor’s memoirs today. Maybe someone else in your family faced similar difficulties. Maybe they found a way to work through it–or maybe they made mistakes or poor decisions that you can learn from.

Self-Improvement: If you have prescription medications, make sure you take them–and make sure you check when your prescription needs a refill, and plan how you will pick your refill up.

Build Others Up: Spend some time with people whose company you really enjoy today. The time to connect (and even to re-charge) will help you sail through the coming week.

Today in the Hellenic Calendar: 

Today is the 3rd of the lunar month.

In Hellenic traditions, the first few days of a new lunar month tend to be special days for honoring important Deities in one’s area.  In the Athenian calendar, today is sacred to Athene.

If you like incorporating daily hymns into your prayers, Drew Campbell recommends the following prayers for today: To Pallas Athene; and To Nike (Victory).

Later This Week: No major festivals this week.

Daily Reminder: If you know of any resources you’d like us to incorporate on our site, or any sites/projects you’d like us to signal boost, send us an ask or fanmail!

[weshoesfreak-blog]

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[i-bobjia]

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[homehearthandheart]

Self-Care Sunday / 20 January 2019

Welcome, Devotees!

Taking care of yourself is an important part of taking care of your Gods and Spirits. Try one of these:

Deity Devotion: Check in with one of your beloved Deities today. If you practice a form of divination, try using that. Otherwise, take a few minutes to sit or move gently in Their presence. Meditate on, or contemplate, that Deity and your relationship with Them. Thank Them for Their presence in your life.

Go Outside: Visit a place outside that helps re-charge you. Set time aside just for this, even if it’s just fifteen minutes in a corner of your yard where you don’t have to answer the phone or deal with other interruptions. If you want company, bring company and make it a group outing. Leave a small gift for the spirits of that place in return for their hospitality and healing.

Self-Improvement: Have you brushed your teeth and washed your face today? If not, get that done. You’ll feel much fresher–trust us–and it will help keep you ritually clean, too.

Today in the Hellenic Calendar:

Today is the 13th of the lunar month. Some ancient and modern groups associate the 13th of the lunar month with Dionysos; Drew Campbell associates the 3rd, 13th, and 23rd of the lunar month with Athene.

If you like incorporating daily hymns into your prayers, Drew Campbell recommends the following prayers for today: To Athene; To Nike (Victory).

Later This Week: the Lenaia, a four-day festival to Dionysos, continues through Tuesday.

Kalà Lenaía! (Happy Lenaia!)

In the Attic (Athenian) calendar, today marks the Lenaia, a winter festival dedicated to Dionysos. This is a very ancient festival, and one that’s a lot of fun to celebrate!

At this time of winter, the wine pressed last autumn would be fermenting underground. It wasn’t ready to be opened yet, but people had it on their minds—especially since they were starting to finish up their stores of wine for the year.

The Lenaia was both a celebration of the last of the old wine, and a call for Dionysos to return and bring the new wine with him (which He will next month, at the Anthesteria). If you live in a region that grows a lot of wine, it might be worth paying a visit to a local vineyard or attending a wine tasting.

As a winter festival, much of the celebration took place indoors: a pillar would be propped up, decorated with a mask and clothes to look like Dionysos, and celebrated. Dancing and drinking would take place around this pillar, and it was one of the few times of the year that even Athens hosted mainadic activity (the frenzied celebrations of Dionysos’ female followers). Hosting a party at home is not only fun, it’s a historically-attested way to celebrate this festival!

Outside of the home, it was a good time to attend comedic performances. If you have a chance, seeing a play would be a good way to celebrate the Lenaia—or even staying at home and having a special movie night.

Since this festival is tied to the Athenian religious calendar, don’t feel like you HAVE to celebrate this festival. Try celebrating it if:

Your religious calendar aligns pretty closely with Athens’.

You live in a wine-producing area.

You have a strong devotional relationship with Dionysos.

You want a winter festival that isn’t Christmas in disguise.

Daily Reminder: If you know of any resources you’d like us to incorporate on our site, or any sites/projects you’d like us to signal boost, send us an ask or fanmail!

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[mbubsars]

TOM SACHS

SPACE PROGRAM

For more than a decade Sachs has pondered the homespun technical ingenuity and romance with the unknown that brought America the Apollo program. Experimenting with models of varying scale ("Lunar Module (1:18)," 1999; "Crawler," 2003) has culminated in the realization of his own life-size SPACE PROGRAM. Pirating the milestone in collective memory when man took his first walk on the moon, Sachs reconstructs its key components, built to scale his way. By recollecting this historic event as a custom-made experience from the free domain of public imagination, he renders it totally in and of our time, charged by a vigorous artistic idiom that is ambivalent to the core. In a new twist on his shameless cannibalizing of corporate identity, Sachs now has the giants of high-style branding - Nike, Prada, and the like - working for him to produce items (lab coats, space boots) for the detailed inventory of his funky space odyssey.

In addition to the huge, intricately built lunar module that is the centerpiece of SPACE PROGRAM - replete with such classic Sachsian features as a fully stocked booze cabinet, toolkit, and soundtrack necessary for survival on an alien planet - visitors will find a fully functioning mission-control unit. On a grid of monitors, the liturgy of space exploration unfolds in a live demonstration by Sachs and his team, involving countless rituals and procedures, from instrument checks to moon-walking and sample-collecting to splash-down. Thus the gallery becomes a sort of reliquary of both the material traces and special effects of the artist's encounters with the terrible sublime.

ABOUT TOM SACHS

TOM SACHS is a sculptor, probably best known for his elaborate recreations of various Modern icons, all of them masterpieces of engineering and design of one kind or another. In an early show he made Knoll office furniture out of phone books and duct tape; later, he recreated Le Corbusier's 1952 Unité d'Habitation using only foamcore and a glue gun. Other projects have included his versions of various Cold War masterpieces, like the Apollo 11 Lunar Excursion Module, and the bridge of the battleship USS Enterprise. And because no engineering project is more complex and pervasive than the corporate ecosystem, he's done versions of those, too, including a McDonald's he built using plywood, glue, assorted kitchen appliances. He's also done Hello Kitty and her friends in materials ranging from foamcore to bronze. A lot has been made of the conceptual underpinnings of these sculptures: how Sachs' sampling capitalist culture, remixing, dubbing and spitting it back out again, so that the results are transformed and transforming. Equally, if not more important, is his total embrace of "showing his work." All the steps that led up to the end result are always on display. On a practical level, this means that all seams, joints, screws or for that matter anything holding stuff together, like foamcore and plywood, are left exposed. Nothing is erased, sanded away, or rendered invisible. On a more philosophical level, this means that nothing Sachs makes is ever finished. Like any good engineering project, everything can always be stripped down, stripped out, redesigned and improved.

[darksideofmarsproject]

Tom Sachs

SPACE PROGRAM

For more than a decade Sachs has pondered the homespun technical ingenuity and romance with the unknown that brought America the Apollo program. Experimenting with models of varying scale ("Lunar Module (1:18)," 1999; "Crawler," 2003) has culminated in the realization of his own life-size SPACE PROGRAM. Pirating the milestone in collective memory when man took his first walk on the moon, Sachs reconstructs its key components, built to scale his way. By recollecting this historic event as a custom-made experience from the free domain of public imagination, he renders it totally in and of our time, charged by a vigorous artistic idiom that is ambivalent to the core. In a new twist on his shameless cannibalizing of corporate identity, Sachs now has the giants of high-style branding - Nike, Prada, and the like - working for him to produce items (lab coats, space boots) for the detailed inventory of his funky space odyssey.

In addition to the huge, intricately built lunar module that is the centerpiece of SPACE PROGRAM - replete with such classic Sachsian features as a fully stocked booze cabinet, toolkit, and soundtrack necessary for survival on an alien planet - visitors will find a fully functioning mission-control unit. On a grid of monitors, the liturgy of space exploration unfolds in a live demonstration by Sachs and his team, involving countless rituals and procedures, from instrument checks to moon-walking and sample-collecting to splash-down. Thus the gallery becomes a sort of reliquary of both the material traces and special effects of the artist's encounters with the terrible sublime.

ABOUT TOM SACHS

TOM SACHS is a sculptor, probably best known for his elaborate recreations of various Modern icons, all of them masterpieces of engineering and design of one kind or another. In an early show he made Knoll office furniture out of phone books and duct tape; later, he recreated Le Corbusier's 1952 Unité d'Habitation using only foamcore and a glue gun. Other projects have included his versions of various Cold War masterpieces, like the Apollo 11 Lunar Excursion Module, and the bridge of the battleship USS Enterprise. And because no engineering project is more complex and pervasive than the corporate ecosystem, he's done versions of those, too, including a McDonald's he built using plywood, glue, assorted kitchen appliances. He's also done Hello Kitty and her friends in materials ranging from foamcore to bronze. A lot has been made of the conceptual underpinnings of these sculptures: how Sachs' sampling capitalist culture, remixing, dubbing and spitting it back out again, so that the results are transformed and transforming. Equally, if not more important, is his total embrace of "showing his work." All the steps that led up to the end result are always on display. On a practical level, this means that all seams, joints, screws or for that matter anything holding stuff together, like foamcore and plywood, are left exposed. Nothing is erased, sanded away, or rendered invisible. On a more philosophical level, this means that nothing Sachs makes is ever finished. Like any good engineering project, everything can always be stripped down, stripped out, redesigned and improved.

[joaolampreiamars]

TOM SACHS

SPACE PROGRAM

For more than a decade Sachs has pondered the homespun technical ingenuity and romance with the unknown that brought America the Apollo program. Experimenting with models of varying scale ("Lunar Module (1:18)," 1999; "Crawler," 2003) has culminated in the realization of his own life-size SPACE PROGRAM. Pirating the milestone in collective memory when man took his first walk on the moon, Sachs reconstructs its key components, built to scale his way. By recollecting this historic event as a custom-made experience from the free domain of public imagination, he renders it totally in and of our time, charged by a vigorous artistic idiom that is ambivalent to the core. In a new twist on his shameless cannibalizing of corporate identity, Sachs now has the giants of high-style branding - Nike, Prada, and the like - working for him to produce items (lab coats, space boots) for the detailed inventory of his funky space odyssey. In addition to the huge, intricately built lunar module that is the centerpiece of SPACE PROGRAM - replete with such classic Sachsian features as a fully stocked booze cabinet, toolkit, and soundtrack necessary for survival on an alien planet - visitors will find a fully functioning mission-control unit. On a grid of monitors, the liturgy of space exploration unfolds in a live demonstration by Sachs and his team, involving countless rituals and procedures, from instrument checks to moon-walking and sample-collecting to splash-down. Thus the gallery becomes a sort of reliquary of both the material traces and special effects of the artist's encounters with the terrible sublime.

ABOUT TOM SACHS

TOM SACHS is a sculptor, probably best known for his elaborate recreations of various Modern icons, all of them masterpieces of engineering and design of one kind or another. In an early show he made Knoll office furniture out of phone books and duct tape; later, he recreated Le Corbusier's 1952 Unité d'Habitation using only foamcore and a glue gun. Other projects have included his versions of various Cold War masterpieces, like the Apollo 11 Lunar Excursion Module, and the bridge of the battleship USS Enterprise. And because no engineering project is more complex and pervasive than the corporate ecosystem, he's done versions of those, too, including a McDonald's he built using plywood, glue, assorted kitchen appliances. He's also done Hello Kitty and her friends in materials ranging from foamcore to bronze.

A lot has been made of the conceptual underpinnings of these sculptures: how Sachs' sampling capitalist culture, remixing, dubbing and spitting it back out again, so that the results are transformed and transforming. Equally, if not more important, is his total embrace of "showing his work." All the steps that led up to the end result are always on display. On a practical level, this means that all seams, joints, screws or for that matter anything holding stuff together, like foamcore and plywood, are left exposed. Nothing is erased, sanded away, or rendered invisible. On a more philosophical level, this means that nothing Sachs makes is ever finished. Like any good engineering project, everything can always be stripped down, stripped out, redesigned and improved.

[marsalexwsc]

Tom Sachs

SPACE PROGRAM

For more than a decade Sachs has pondered the homespun technical ingenuity and romance with the unknown that brought America the Apollo program. Experimenting with models of varying scale ("Lunar Module (1:18)," 1999; "Crawler," 2003) has culminated in the realization of his own life-size SPACE PROGRAM. Pirating the milestone in collective memory when man took his first walk on the moon, Sachs reconstructs its key components, built to scale his way. By recollecting this historic event as a custom-made experience from the free domain of public imagination, he renders it totally in and of our time, charged by a vigorous artistic idiom that is ambivalent to the core. In a new twist on his shameless cannibalizing of corporate identity, Sachs now has the giants of high-style branding - Nike, Prada, and the like - working for him to produce items (lab coats, space boots) for the detailed inventory of his funky space odyssey.

In addition to the huge, intricately built lunar module that is the centerpiece of SPACE PROGRAM - replete with such classic Sachsian features as a fully stocked booze cabinet, toolkit, and soundtrack necessary for survival on an alien planet - visitors will find a fully functioning mission-control unit. On a grid of monitors, the liturgy of space exploration unfolds in a live demonstration by Sachs and his team, involving countless rituals and procedures, from instrument checks to moon-walking and sample-collecting to splash-down. Thus the gallery becomes a sort of reliquary of both the material traces and special effects of the artist's encounters with the terrible sublime.

ABOUT TOM SACHS

TOM SACHS is a sculptor, probably best known for his elaborate recreations of various Modern icons, all of them masterpieces of engineering and design of one kind or another. In an early show he made Knoll office furniture out of phone books and duct tape; later, he recreated Le Corbusier's 1952 Unité d'Habitation using only foamcore and a glue gun. Other projects have included his versions of various Cold War masterpieces, like the Apollo 11 Lunar Excursion Module, and the bridge of the battleship USS Enterprise. And because no engineering project is more complex and pervasive than the corporate ecosystem, he's done versions of those, too, including a McDonald's he built using plywood, glue, assorted kitchen appliances. He's also done Hello Kitty and her friends in materials ranging from foamcore to bronze.

A lot has been made of the conceptual underpinnings of these sculptures: how Sachs' sampling capitalist culture, remixing, dubbing and spitting it back out again, so that the results are transformed and transforming. Equally, if not more important, is his total embrace of "showing his work." All the steps that led up to the end result are always on display. On a practical level, this means that all seams, joints, screws or for that matter anything holding stuff together, like foamcore and plywood, are left exposed. Nothing is erased, sanded away, or rendered invisible. On a more philosophical level, this means that nothing Sachs makes is ever finished. Like any good engineering project, everything can always be stripped down, stripped out, redesigned and improved.

[4everdisneygirl]

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