#Nike Air Jordan VI

[jinsei-pika-pika]

Michael Jordan (1991)

[snkrbonbon]

[kibun-niji]

[insoleunfiltered]

Air Jordan 6

Release Date : 2024

Color : White/Yellow Ochre-Black

Mens : $200

Grade School : $160

Little Kids: $100

Infant & Toddler : $85

[a-tarassia]

Se volete sapere come andrà davvero e quindi com'è andata e come continua per sempre allora vedete Mad God e rifatevi una religione.

Ultimamente non ci sono, ma:

Skinamarink horror classico, regia sopra le righe, inquadrature ansiolitiche. Però proprio da back to the roots, non roba horror da A24. Fa paura.

The Covenant, ultimo di Guy Ritchie, non mi ero mai accorta che Gyllenal fosse un cane a recitare. Fate voi. Inutile il film, storia scritta male e diretta peggio, recitazione improponibile.

Sisu. John Wick più surreale, in Lapponia, nella seconda guerra mondiale.

John Wick 4. Cazzotti, sparatorie, scale. Finisce? Boh. Il solito. C'è una sequenza omaggio a The Warriors, per me film capolavoro, quindi grazie.

Air. Micheal Jordan e le sue Nike, oppure quelli della Nike che s'inventano le scarpe di Micheal Jordan. Per me che non so niente di scarpe e basket mi ha trovato così come mi ha lasciato. Indifferente.

Succession, serie TV. Ne parlano tutti e a ragione, prodotto tecnicamente magistrale, dettagli, scrittura, personaggi eccezionalmente costruiti, ti fa provare rabbia e allo stesso tempo pena e empatia per gente terribile. È comunque una saga familiare di quelle che ne abbiamo viste mille, però l'esercizio di stile è immenso. Lo finisco e vi dico se entra nella mia top antologica.

Bacchus, fumetto. Lungo, fantastico. Lungo. Non lo finirò mai.

Camperizzazione furgone. Frustrante, stancante. Eccitante. Stupendo mi viene il vomito.

[kmdevry1]

Some Pawn Shop Pick-ups! 2020 Nike Air Total Max Uptempo "Black Volt" Size 13 Nike Air Jordan VI (6) "All-Star" or "Chamelon" Size 14 Nike Air Jordan III (3) "Crimson" Size 11 Nike Air Max 90 "Black Gold" Size 9.5 https://www.instagram.com/p/Co21qWzOLQv/?igshid=NGJjMDIxMWI=

[kicksaddictny]

Iconic 1984 Michael Jordan Player Sample Prototype Banned Nike 'Air Jordan' Black & Red 1 Shoes: Rare Find with Letter of Provenance

The global sneaker market is poised to surpass $100 billion in revenue by 2026, with one particular pair of sneakers standing out as a landmark in sports marketing history. Back in 1984, Michael Jordan's partnership with Nike revolutionized the industry. While Adidas, Converse, and Nike vied for his endorsement, it was Nike that saw Jordan as more than just a player to promote existing shoe lines. Instead, they envisioned him as a standalone star, leading to the creation of the iconic Air Jordan line.

In defiance of NBA regulations mandating that shoes be predominantly white and match the team's uniform, Nike designed the Air Jordan I in the colors of the Chicago Bulls, willing to pay the fines imposed by the league. This bold move was exemplified in the "Banned" advertisement, cementing the Air Jordan's rebellious and groundbreaking reputation. When the sneakers hit the market in April 1985, Nike aimed for $3 million in sales over three years. To everyone's surprise, they raked in $126 million in their first year alone.

These particular sneakers represent the genesis of the Jordan brand, predating the iconic 'Jumpman' and 'wings' logos. Custom-ordered to Jordan's specifications, the left shoe is size 13, while the right is size 13.5. The heels bear unique promo codes, and the tongues feature the 'NIKE' logo alongside the iconic Swoosh. With their distinctive black and red 'BRed' colorway, these sneakers hold immense historical significance.

Acquired from a college basketball coach in Portland, Oregon, who received them directly from Nike in 1984 for testing purposes, these Air Jordan prototype samples have been meticulously preserved for over four decades. Now, they offer a tangible connection to the birth of a cultural phenomenon that transcends sports and reshaped the sneaker industry forever.

[bushleaguereviews]

My Top Ten Favorite Movies of 2023

All in all, last year was a pretty great year for movies. From the biggest Hollywood blockbusters to hidden gems/quirky indies. The common thread I noticed about all these films I enjoyed last year, (except for one,) is great ensemble casts.

10. Anyone But You

The first one on my list is a formulaic rom-com that certainly is given a boost by a fun ensemble cast, and the direction of Will Gluck, who makes very charming films, ( Fired Up, Easy A, Friends With Benefits,) and this one is no exception.

9. A Haunting in Venice

The lack of success of the previous entry in this series, Death on The Nile, actually helped this film. A lower budget made this a stripped-down, bare bones, no-nonsense whodunit without all the unnecessary frills afforded to Death on The Nile.

8. Sanctuary

A powerhouse performance from Margaret Qualley makes this twisted tale of a dominatrix out to get what she feels she deserves after her wealthy client tries to end their relationship worthwhile, with the whole thing unfolding like a play, all set in a hotel suite.

7. The Flash

Does the fact I had been waiting thirty years for Michael Keaton to return as Batman bias my opinion of this film? Yes. Is it a fun superhero film with a great opening, great cameos, and thrilling set pieces? Also yes.

6. The Holdovers

Instant holiday classic that makes you feel all the feels, anchored by a strong performance from Giamatti.

5. Blackberry

This film is a Canadian indie comedy version of The Social Network, only it's about the rise and fall of the Blackberry phone.

4. Air

They rarely make 'em like this anymore. Ben Affleck's movie about the team at Nike trying to get Michael Jordan to be their spokesmen is a drama AND a comedy, but most importantly, its got heart.

3. Scream VI

For a sixth entry in a horror franchise, this film feels very fresh. Great genre film.

2. Mission: Impossible - Dead Reckoning

Cruise always delivers.

Oppenheimer

Enough has been said about this movie, so I'll just say that seeing it at one of only thirty theaters in the world playing it in 70mm IMAX was a real treat.

[gs-430]

Check out this listing I just added to my Poshmark closet: Nike Air Jordan 6 Black Infrared GS Size 6.5Y 384665-060 Bred Playoffs VI 2018.

[soyoy07]

Los tenis jordan son unos sneakers que presentan un diseño de caña alta muy típico de una zapatilla de baloncesto, que cubre el tobillo y que ayuda a prevenir lesiones menores como torceduras de tobillos y demás, que es por lo que el mundo del fútbol hace unos años se incorporaron esas cañas en algunos modelos de botas.

¿Por que se crearon? El dueño de Nike, Phil Knight buscaba ganarle mercado a quien era, por entonces, su competidora: Reebook. Y para eso contrató a un basquetbolista. Por supuesto, Jordan no era más que un jugador con mucho potencial. Pero era una apuesta que Nike estuvo decidido a hacer.

¿Cualea son los jordan mas icomodos para usar? Los jordan mas incomodos para usar son los jordan 4 por que estos zapatos son muy calientes y no funsionan para caminatas largas, los otros jordan tambien son los jordan 1 por que estos tienen una sula muy plana y pude ser que se arugen de la parte de adelante

¿Cuales son los jordan mas populares? AIR JORDAN III

AIR JORDAN XI

AIR JORDAN IV

AIR JORDAN II

AIR JORDAN VAIR

AIR JORDAN VI

AIR JORDAN XII

[christasclothes]

Check out this listing I just added to my Poshmark closet: Air Jordan 6 Retro.

[jinsei-pika-pika]

[snkrbonbon]

[lizlizzy2018]

Check out this listing I just added to my Poshmark closet: 2015 Nike Air Jordan 6 VI Retro Low Chrome Silver Black Mens Size 11 304401-003.

[insoleunfiltered]

Air Jordan 6 "Toro Bravo"

First look at the Air Jordan 6 "Toro Bravo" aka "Raging Bull"

Release Date : June 24th, 2023 (Saturday)

Color : Varsity Red/Black

Mens : $200

Style Code : CT8529-600

[glenngaylord]

Swoosh! - Film Review: Air ★★★★

I’m not the world’s biggest sports fan, although give me two weeks of Olympic Games and I’ll watch almost every solo event. I enjoy watching people push past their own limits, seeing the years and years of training right there in the focus of their hard stares and that beautiful release when they stick their landings. Team sports, however, trigger me, sending me right back to gym class where the dumb jocks would knock me down onto the basketball court surface for a rousing game of “Trip-A-Fag”.  I’d always get up, brush myself off and adopt a “You guys!” attitude, but inside, I died just a little bit each time. So is it any wonder I can only stomach the halftime show at the Super Bowl or watch a graceful gymnast execute a perfect dismount as she vies for the gold?

 Despite all of the past trauma, I still enjoy a good sports movie. When Jimmy Chitwood promises to make that final winning shot in Hoosiers, he’s swearing a blood oath to all of us hoping for a better tomorrow. Is it possible to look at the Philadelphia Museum of Art’s entrance steps without thinking of Rocky and the promise the title character represents?

 The same feeling, I thought, must be true for any sports fan who first tried on a pair of Air Jordan sneakers and recognized what it meant to step into the shoes of the most legendary basketball player of all time, Michael Jordan. In Ben Affleck’s fifth feature as a director, Air,  he, with debuting writer Alex Convery, explores the incendiary time in 1984 when Nike sought to sign the then little known basketball player to their company, changing forever the way athletes participated in the profits of products to which they attached their names. It may be your typical David vs. Goliath story, but it’s still a tremendously fun triumph nonetheless.

 The story gets told through the lens of schlubby Sonny Vaccaro (Matt Damon, a far cry from his 2007 People magazine Sexiest Man Alive days, and relishing every bit of it), a sports marketing executive for Nike who we meet as he scouts players for his company’s flailing product line. He has a career going nowhere fast and needs to prove himself. Desperate to compete with the much more popular Adidas and Converse brands, Vaccaro faces an uphill battle when met with a dwindling budget and CEO Phil Knight (Affleck), who doesn’t think they have much of a future with basketball shoes at all. Vaccaro’s fellow marketing pals, led by the wonderfully deadpan Rob Strasser (Jason Bateman) don’t seem to have one good idea, until one evening, Vaccaro watches footage of a young Michael Jordan, replaying a particular shot over and over. Something about the way Jordan handles himself clues Vaccaro into the fact that he was witnessing a once in a generation player.

 Vaccaro springs into action willing to go all in on Jordan. He confers with fellow exec Howard White (Chris Tucker, delightful here) and decides to break some rules to get what he wants. That includes bypassing Jordan’s Agent David Falk (Chris Messina) and going straight to Michael Jordan’s parents, wonderfully played by real live spouses, Julius Tennon and Viola Davis. While Davis delivers a strong performance and gets to the heart of what really matters, that those who get taken advantage of, be they athletes, artists, writers, or any number or people who are not the 1%, deserve their share of the pie, for me, it’s Messina who nearly walks away with the whole film. His Falk, who spends most of his time on the phone, delivers some of the funniest and filthiest arias of anger I’ve heard since Paul Newman put on his hockey gear in Slap Shot. Matthew Maher also proves memorable as Peter Moore, the designer of the original Air Jordan prototype and who arguably came up with the name. His scenes crackle with the awe of a man who loves his own creativity.

 Air has that uncanny ability to maintain suspense despite the audience already knowing the outcome. The entire film has a natural quality which feels like it was made back in the 1980s, like some long lost journalistic procedural. It has this understated aesthetic thanks to Robert Richardson’s unfussy cinematography, William Goldenberg’s well-paced editing which flies by yet allows for grace notes, Francois Audouy’s perfectly muted production design, and especially Charles Antoinette Jones’ costume design, which hilariously nails every pleat on Damon’s khaki’s and every shade of purple on Affleck’s track suit.

 As we follow Vaccaro on his journey, I started to feel something for him and the other characters. Even though this is a story of a corporation trying to stay afloat and probably screw over a young fledgling athlete in the process, it spoke to me about the dream of excellence, of talent, of Black excellence, of breaking the rules to go after what you want. Every character in this films pops and has a chance to shine. Other standouts include Marlon Wayans in a brief scene as a former coach who dispenses great advice to Vaccaro, and Affleck himself, who brings a prickly yet bohemian quirkiness to his big boss character.

 If I had to gripe about anything, and I hate to because this is one funny and sweet film, it’s the fact that it has a surplus of endings and still misses out on one. Earlier in the story, Bateman’s character sets up something so emotional, I was certain it would get paid off in the end. I imagined it in my head, knowing when I saw it, I would cry. In fact, I get teary-eyed thinking about it even now. Yet, the filmmakers decided not to include it, opting instead to overplay their hand with 10 other endings. Oh well, all is forgiven when you can get a guy like me to stand up and cheer for a sports movie like Air.