#Nightmare: he is one of my strongest men and a great asset to-

[somegrumpynerd]

Cross staying on Nightmare's team not because he's been intimidated/ manipulated or for any kind of edgy or moral reason, but because Nightmare always refers to them as "his men" and it's very gender affirming

[thetygre]

30 Day Monster Challenge 2 - Day #5: Favorite Fish-Man

1.)    Abe Sapien (BPRD)

Good old Abraham Sapien. Been with us since the fist arc of Hellboy. Abe’s come a long way since then; met his mom, found his wife, subsequently lost her, reunited with his old steampunk buddies, got elected as antichrist after Hellboy and Liz, went into a coma, mutated a couple of feet taller, and so and so on. Into Abe is thrown a lot of bigger themes that inform us of the Mignolaverse’s overall composure. On the aesthetic side, Abe always brings the ocean, fish, and water with him. Lovecraft’s fear of the ocean, Verne’s fascination, and Melville’s awe of it are all wrapped up in Abe Sapien. In his past life, he even came from a whaling family, and he was part of a secret society of ocean-worshiping spiritualists. That’s the other aesthetic cue in Abe; Victoriana. Even when in body armor and running across the flooded remains of the Gulf Coast, Abe never loses a certain gentility. But as a character theme, more than anything, I think Abe represents tragedy. He’s lost more than anyone; Even Liz can still say she has her humanity. Abe can’t even remember his past life, and now he’s becoming a little more monstrous every day.

But through all that, Abe is still maybe the most relatable member of the BPRD for me. (Well, the superpowered ones anyway.) Abe isn’t really sure of who he is or his place in the world, and he’s still looking for those connections that root a person. At the same time, Abe sticks to the middle of the road, acting as the voice of reason even in unreasonable circumstances. He’s capable of emotional outbursts and faults, but for the most part, Abe succeeds at being a good person. Abe might be the strangest core member of the BPRD, but that he’s never inhuman. We don’t need to be super heroes; just basically good people are enough to keep the world running.

2.)    Davy Jones (Pirates of the Caribbean)

Man, I just love how cool this guy is. Sea monster octopus pirate; that’s a character description that makes my inner ten year old want to jump and down. Davy Jones’ whole character design is just so nifty; tentacle beard, organic peg-leg, crab-claw hook hand, a sweet pipe and a giant hat. Hat’s also important for the other reason I love Jones; plays into so many mythical archetypes. Costumers for PotC explicitly stated they picked Jones’ hat because it looked like horns, and they really wanted Jones to fit his role as essentially the pirate devil. As the PotC spans out, Jones is revealed to have been even more legendary characters; he’s the Old Man of the Sea that Odysseus had to wrestle to go to Hades, and Charon guiding souls over to the underworld. I’ll be honest, Davy Jones’ pathos with the lost love never really struck a chord with me. Bill Nighy’s performance of it was great, though, so props are definitely in order for that. And last, but certainly not least, I can’t not love a man who keeps a kraken as a pet.

3.)    Deep Ones (H.P. Lovecraft)

The classic. The first. Your one and only. It’s beginning to look a lot like fish-men. The blue-collar workers of the Cthulhu Mythos. H.P. Lovecraft’s fear of the ocean and corrupted bloodlines all wrapped into one beautiful, horrible fish creature. Nothing quite beats Lovecraft’s originals; he goes out of his way to describe them as alien, foul, and horrible. They’re another one of those monsters you can practically smell through the pages. I think it’s safe to say that half the other fish-men on this list wouldn’t exist without the Deep Ones. People are still scared of the ocean and the alien things living in it, and the Deep Ones give that fear a face. All the while they call to some primal part of us, an archaic memory that remembers when our species used to be fish, and they tell us to come home. Just as angels call us to come to God, the Deep Ones call us back to the sea. (Also; fat and hunchbacked Deep Ones only. I’m sorry; I wish I didn’t have to make that call. If it was up to me, all Deep Ones would be valid. But these are the times we live in, and sacrifices have to be made, preferably to Father Dagon.)

4.)    The Creature from the Black Lagoon (Universal Monsters)

Deep Ones lite. There’s actually a lot I like about the Creature on its own merits. It’s such a natural creature, as far as monsters go. It lives in harmony with its ecosystem, and its design really conveys that its simply a fish that has evolved into a humanoid shape. You can say the same thing about humans, though, and that ultimately is where we connect with the Creature. He’s also kind of charming in his own way; wide eyes, smiling face, no big pointy teeth. He’s practically a goldfish compared to the Deep Ones. And of course those underwater ballet sequences are still just absolutely beautiful. I think more than the Deep Ones, the Creature can probably be compared to King Kong; a primal, more innocent creature so strange that humanity wouldn’t leave it alone. Mankind’s desire to know more about the mysterious ultimately destroyed that mystery, conveying the paradox of how destructive discovery can be.

5.)    The Asset (Shape of Water)

We’ve come full circle now, I suppose. Centuries ago, sailors dreamed up half women/half fish creatures to ease their loneliness, and now we’ve made a half man/half fish to do the same for women. The Asset is pretty explicitly a makeover of the Creature from the Black Lagoon, even coming from a distant part of South America. There’s also clearly some Abe Sapien in there, which is only to be expected coming from Guillermo del Toro. This might sound weird, but I think the details I appreciate most are the spines and the fangs. I know this whole movie was supposed to be about how the monster was less dangerous than the Creature, but the spines and fangs just make it feel like a more believable creature.

6.)    The Creature (Monster Squad)

But before the asset, there was another Creature from the Black Lagoon reboot in The Monster Squad. This movie is just the gift that keeps on giving. I’d say that the Creature here is the strongest individual design out of the whole batch. He didn’t really do much in this movie, but he made one heck of an impression. Designed by none other than the late, great Stan Winston, this version of the Creature looks like its ready to kick ass and take names. I distinctly get the impression of a piranha from it, and you can just imagine a mob of these guys rising up out of the Amazon and pulling down a river boat.

7.)    Sahuagin (Dungeons and Dragons)

There are a lot of different fish people to choose from in D&D. Kuo Toa, Skum, Locathah, mermaids, Atlanteans, and the list grow longer every year. But my personal favorite are the Sahuagin; brutal, murderous raiders living in a strict tribal hierarchy, worshiping a giant shark, and prone to mutations. While most fish men draw from Lovecraft, I got the distinct impression that the Sahuagin were more pulpy, a bit more Edgar Rice Burroughs. Even their other name, the Sea Devils, sounds like something Conan or Tarzan would fight in a comic book. Their designs are just so cool; fin ears, bullet heads, shark teeth, long tails. Before ‘scary’, these were sea monsters made to look intimidating. They are the most organized antagonistic force under the waves, threatening everything from merfolk to sailors. Their goal? Nothing short of supreme domination of the sea.

8.)    Shark Giant (Bloodborne)

Another Deep One descendent, and this one hits like a truck. There’s a lot to be said for the shark giant on its own merits. It’s lack of eyes make you think that it senses by scent, and remind you of how a shark can sense a drop of blood in water a hundred miles away. There are, of course, the teeth, and how they seem to take up more space than there is for the mouth. The barnacles on its back are both a crest and a fin. Its paleness makes it seem to glow in the dark, like its bioluminescent. It really reinforces the feeling in the Fishing Hamlet that you’re underwater, like the boundaries between land, sea, and sky have been blurred. More than any other monster in the Fishing Hamlet, the shark giant is what reminds me of Lovecraft’s Dagon; a huge, deformed figure skulking over the mud of a submarine nightmare-scape.

9.)    The Children of the Thing That Drifted Ashore (Junji Ito)

The Thing That Drifted Ashore isn’t even really my favorite Junji Ito sea monster story; that would probably be Gyo. But the things that come crawling out of it are some of the first fish people I find genuinely disgusting, evoking that same feeling Lovecraft wanted from his Deep Ones. The Thing had apparently swallowed dozens of people that fell into the sea over the years, keeping them in its stomach. But rather than being digested, the people changed. It’s subtle, but you can still see it; webbed fingers, widened eyes, transparent skin. Inside the Thing, the people were witnesses to the abyss of the deep sea and driven mad by it. I’m reminded of an old version of the story of Jonah I was read as a child, where Jonah looked through the great fish’s eyes and saw the fires of Sheol and the Leviathan at the bottom of the ocean. The people swallowed are reborn, now children of the Thing, belonging only to the deep sea.

10.)    Otto Aquarius (The Venture Bros)

I just love this cute little guy. He’s only a minor character on the Venture Brothers, but he still made an impression on me. A half Atlantean that became a Mormon missionary, he’s just so earnest and eager. He’s an obvious play on superheroes like Namor and Aquaman, but they can’t hold a candle to this sweetheart. He’s clean, he’s polite, he’s socially conservative, he’s useless in combat; Otto’s just endearing. Dump the Asset and get with the real catch, folks.