#Nightmare -> Wraith is pajamas
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They have to wear themed costumes in chapter threes
#Nightmare -> Wraith is pajamas#Spectre -> Wraith is assassin#etc. etc.#slay the princess#i hear the mad voices of people#voice of the paranoid#voice of the hero#voice of the cold#voice of the opportunist
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SLEEP HABITS
NAME: Charles ( Charlie ) Talent Manx the III
RESIDENCE: Sleigh House or the 1938 Rolls - Royce. Rarely sleeps in Christmasland.
TYPE OF BED:Â Often leather upholstery of the front seat within the Wraith. Or a double/queen bed within Sleigh House.
NUMBER OF BLANKETS: Often none. Sleeping more times than not on a made bed in his daily regalia.
NUMBER OF PILLOWS: A head rest of an antique automobile, or the cushions within the backseat of said vehicle. Or one lumpy pillow upon the bed in the only house heâd retreat to within the real world. Within Christmasland there would be an elaborate array of pillows. Double to triples and lumber throws.
TYPE OF CLOTHING: Rarely would he be caught in any other than the clothes he technically died in during the 40s. However, be he without particles of his normal attire ? The only time he dare would wear any sort of pajama sets would be within the confines of Christmasland. His sanctuary.
DO THEY SLEEP WITH COMPANY?: Dependent on the verse. Regularly ? No.
DO THEY SLEEP BETTER WITH COMPANY?: Absolutely. But again, it would depend on the verse. He is desperate for affection that is no secret in almost all of my verses. Craving the touch and security behind it all.
DOES IT MATTER WHERE THEY SLEEP?: In a sense , yes. Security is key and at all times his Wraith must be close.
WHAT DO THEY DO IF THEY CANNOT FALL ASLEEP?: He paces or goes on a drive, visits the Graveyard of What Might Be.
FREQUENT DREAMS, NIGHTMARES: His dreams are the very roads to Christmasland, winding icy roads of the St. Nick Parkway. The path to joyous fun and sanctuary. His fears at times creep up into his dreams, distorting his path. Causing him to become lost within his own terrors which eventually could churn into unattended rage. That stews silently until a breaking point. More so after his first resurrection since by then his mind is fractured immensely. Fear running pretty rampant. Highly unstable during that timeline.
DEEP SLUMBER OR NAPS: Naps. He is quite a light sleeper, having to be in that habit in order to maintain unnoticed by those around him. Or paranoia over the Wraithâs well being could corrupt what sleep that may or may not come during the sight of danger.
WHEN DO THEY SLEEP: Whenever he can. Though often in the finer hours of the morning, just before the dawn. Yet he is also an early riser, so again.. naps. Not any sort of deep slumber since he obtained the Wraith.
WHAT COULD WAKE THEM UP:Â Sensing a presence -- be it a normal trespasser or another creative within close proximity . Someone unannounced touching the Wraith. The slightest noise that could tick for alarm and not disregard.
EARLY OR LATE RISER: Definitely up relatively early.
tagged by : @vyrulent
tagging: @nellelennox , @shackledspectre , @badassxbirdy , @grooberson  -- [ hello new mutuals. ;) ]
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im curious how do people get their total strengths so highđđđ
It takes a while. Ya gotta keep leveling up the cards and their devil tree's. URs can get the highest strength scores because their max levels, without devil flowers unlocked, is 100.
In my 71 days of playing (it feels like it's been longer) I've managed to pull these UR/UR+ cards and have since leveled them up as shown below. I've only unlocked two Devil's Flowers and that was the SSR Levi - Levi the Tailor and the UR Luke - Pajama Party Night (both of which I liked the original art)
This is my first UR so it's the highest cause I used it for all lessons 1-20 (before the sin bonuses) and most after.
(it happened to be a UR+ which the + just means there's an animation with it. UR and UR+ are same in terms of stats) I've gotten the Devil Tree all the way to the Devil's Flower but haven't been able to unlock it yet.
However this is my most recent UR pull (and notice it's weaker than some SSRs at the moment - see second photo)
It doesn't matter how many URs you have but which sins. I could have 10 for pride and still not be able to get past some levels if they don't call for pride cards.
I'm currently stuck on Lesson 29-4 which calls for (little hard to see cause they pulsed as I took the screenshot) Envy and Pride.
Now my recommend shows my Highest Envy(a UR+), Highest Pride(an SSR) then Highest in general(UR+). Ideally I would have more Envy or Pride UR cards and it wouldn't have that Wraith card there.
I would also have more good memory cards. I don't actually have any UR memory cards yet.
My suggestions
For leveling up cards
Avoid Quick Clears whenever possible (preferably when you can Skip instead) otherwise your cards don't gain any EXP (and you get less rewards). It may seem like they only get a little but it does add up over time even though it'll seem like it takes forever the higher the level.
When possible level up cards when it'll cost less Grimm. i.e. if a card's EXP bar is 3/4 of the way filled it's cheaper to level them up to that next level now rather than paying for the entire bar.
Keep an eye on card's level max if you haven't reached the Devil's Flower yet. If you reach the max and use the card it's a waste because they gain no EXP. I try to make sure my max is at least 10 higher than the current level.
For Getting URs (/getting Demon Vouchers)
If there's a UR card in an event you really want do your best to work your way through rewards (even though F2P players literally cannot complete all three pages without paying or saving up a lot of Devil Points/Energy) in 6 months the event (unless it's a birthday event) will be on Lonely Devil and you can restart the reward list and get more card pieces. Yes this is a much longer method but it's a free method (besides the 10 Devil Points to take the "trip")
Save up Raven and Devil Points whenever possible. It will take a while but you need to get those demon vouchers. (45 Raven gets you one voucher & 30 DP gets you one voucher at Akuzan.)
Opt for the 10 pulls at once option as you're gaurenteed to get at least one SSR. Instead of using 30DP for a pull in Nightmare, go to Akuzan and get vouchers. Save up the vouchers instead.
When you run out of AP I know that offer for 200AP for 10DP looks tempting but make sure you're aware of your current exp level progress and the amount of DP you'd be left with after that 10 because if you happen to level up you get the 99DP offer which gives you 5 Demon Vouchers (and it'll fill your AP again when you level up anyway).
Getting through events with a lot of rewards - or getting enough AP
Take advantage of Levi's Boot Camp. Those rewards stay for a week after the event ends and usually happen before a big event (the week after the event ends overlaps with the big event start). Don't use the AP rewards until you need them for the big event.
Check your To-Do. A lot of AP comes from using a certain person in battle a lot. See where you're close to getting a reward and try to focus on those.
Don't immediately use AP from your To-Do. They have no expiration date (only things in your mail and event rewards do). Use them only when you really need them.
Remember you can get 120 AP a day from Fridge Missions (I legit have an alarm on my phone so I don't miss those).
When getting reward AP from events make sure you need the AP. Don't get a 100 AP reward if you only have enough battles left in the event for that day for 30 AP. That's 70 you could have used on the next day and 70 that won't auto refill as you wait for the next day. (I phrased that weird but hopefully you understand what I mean by that.)
...
I'm sure you didn't expect this super big answer, sorry ^^" got a little carried away...
#answered ask#went a little overboard with my answer sorry#obey me#obey me tips?#I'm a noob idk why im giving advice im on fricken lesson 29 and there's 60 of them now
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Just Desserts
Dark wakes up alone in an unfamiliar place, confused and in pain, with no idea of what happened.
Commission Info | Buy me a ko-fi
Tags: @demon-dark-666 @devon-rever-860 @smash-ash26 @bender-of-life @verse2wo @vociferous-chaos @wraiths-home @itsjustkyss @takethepainawaybae @ts-famderartist @rottingmolars @revolutionbastard @toothfairy2298 @sororia04s @sirkawaiipotato @darkest-shade-of-light @bitchbyebibye @posts-random-art @xoskeletonkid  If you want to be added to the list, just let me know! :D
 Warnings: Kidnapping, Serious Injury  Pairings: None  Characters: Darkiplier, The Actor  Word Count: 1890 words
He didnât know where he was.
Dark woke with a soft grunt of pain, head throbbing, tongue thick in in his mouth. There was a dull ringing in his ears, but it wasnât the soft ringing that usually followed him around. This was internal. He felt -- disoriented, confused, his broken body aching, more than usual, and that damned ringing only exacerbated the throbbing in his skull.
With another soft grunt, Dark tried to shift position, tried to lie down, take some of the pressure off his shoulders. It took a minute for those thoughts to fully register in his own head. ...Heâd been asleep, right? So...why wasnât he already lying down? And what pressure would there be on his shoulders, even if he was sitting for whatever reason. There shouldnât be. And yet there was, his arms hands pulled behind him awkwardly, the position sending jolts of pain prickingling through his shattered and dislocated shoulders with every slight shift.Â
...What had happened? Where was...
Panic was beginning to build in Darkâs chest, though it was slow, too slow, but stifling nonetheless as he found he had no way to express that panic. His body wasnât responding, not really, still waking up and lagging behind his mind. Though his rising panic was helping, even as a weight, an unbearable pressure was building in his chest. He needed to move, needed to wake up, needed to do something --
Finally, finally, Darkâs eyelids began fluttering. He struggled to get them open, and it took longer than he was able to stand, but once they were open, he kept them open, ignoring the lethargy in his body that wanted to drag them shut again. Next, he worked on lifting his head, his chin resting against his chest and straining his broken neck. Another slow process, but it went quicker as his body woke further.
Eyes open, head lifted, Dark was finally able to try and piece together whatever the Hell was going on.
He was in -- some...house? A tug on his wrists and a glance up revealed he was tied to a pillar, some ornamental structural support. A glance to his right revealed some sort of open living room, with a fireplace and a big TV and visible hallways leading around both sides of that wall the fireplace was embedded in that presumably went to the rest of the house. To his left, there was an equally open kitchen, and a door to what looked like a back porch. It -- looked like a nice place. Dark himself sat on a hardwood floor, feet bare, and -- wearing his pajamas. Why -- what happened?! Why did his head hurt so Goddamn bad, where the fuck was he?!
Dark was breathing hard, hyperventilating, before he truly realized what he was doing. That panic had escalated into fear, as he kicked out and struggled, heels digging into the floor, ignoring the pain as he tugged sharply on his bound wrists, ignoring how the rope grated against his skin. As more of his senses came back to him, he realized he was gagged as well, a thick wad of cloth shoved in his mouth, another strip of cloth tied around his head to keep him from spitting it out. His eyes were blown wide, a desperate, almost animalistic look in them as he tried to break free --
He swallowed hard, breathing heavily but shakily through his nose as he forced himself to calm down. He could break out of this. He had his aura, nothing could hold him long if he just focused. He was fucking Darkiplier. A bit of rope and cloth couldnât keep him prisoner.
He closed his eyes, leaning his head back gently against the pillar.
He flexed his aura, imagining the living shadow coiling around him, imaging it snapping the ropes, tearing through his gag. Imaging it freeing him.
He imagined, but...
Nothing happened.
Darkâs eyes snapped open again, and his head whipped around, his feet scrabbling against the floor as he twisted and tried to catch a glimpse of his ever-present aura swirling behind him. Usually, it was always visible, at least in his peripherals. It was impossible to miss, especially in daylight like it was. Where was it, where was his aura, this was impossible, this couldnât be happening, it couldnât just be --
...gone.
Dark couldnât help it. He made a broken, terrified sound, mostly muffled by the gag, as he slumped against the pillar. He pulled his knees up to his chest, burying his face between them, and tried not to outright sob as the fearful tears began to slide down his cheeks. His body burned as he fell still, every joint and broken bone alight with agony from his struggling, and Dark could only curse this mangled corpse he called a body as a single sob broke through.
And then a door opened.
Darkâs head shot up, trying desperately to stop his tears, as he heard a door open and slam shut somewhere. There was nothing else, save for the distant sounds of creaking floors that gave away movement. Darkâs breath caught in a lump in his throat, dread and fear and anxiety and panic and terror all settling and pooling solid in his gut. He wanted to throw up. He wanted to run. He wanted to breathe, but he couldnât do any of those things as the creaking grw louder, and footsteps began to reach his ears. He didnât know what to do. He didnât have his aura, his power was gone, what could he do, he was frozen, stiff, trapped --
He saw red.
Red, silken fabric, an all too familiar robe suddenly in his field of vision. A man with bare feet, that Godforsaken robe, and slicked back hair. His back was to Dark, he couldnât see his face. He didnât need to.
And then he saw the black.
An aura. Darkâs aura, that beautiful, powerful mass of writhing, swirling, living shadow surrounding his body. Like it was his to control. Darkâs eyes narrowed as he watched the hypnotic swirling, watched him waltz about the kitchen, looking for something, that fucking robe swishing about his ankles. He let his fury overtake everything else. Fury was easy. Rage was easy. Dark knew rage.
Fear he was less sure of.
And as the man turned around, Dark made sure to shove that fear deep, deep down.
âOh good! Youâre awake!â The Actor stepped closer, and crouched down in front of him, grinning wide, and tilting his head. Dark snarled, trying to curl up further, to get away from him, but his attempt only made the Actor laugh and ruffle his hair. âI knew Celine couldnât have all the fire in the family, hm, Damien? You just need a little more time to light.â His grin grew wider, entering the territory of grotesque. âHow did you sleep? Good, I hope? Perhaps not; I did hit you rather hard...â His hand suddenly cupped the back of Darkâs head, pulling a startled, pained cry from Dark as whatever wound was there burned at his touch. The Actor only shrugged. âI tried to get you while you were sleeping naturally, but you woke up as I was dragging you down the hallway. Good thing that friend of yours keeps a bat in his room, hm?â He winked, pulling his hand back away, and Dark scowled.
Dark made some sound through his gag, some attempt at words, but then the Actorâs hand was covering his mouth and pressing his head hard against the back of the pillar, aggravating that wound further. âShhhh, Damien, thereâs no point. That gagâs not coming out. I know how good you are with your words, youâre not sweet talking your way out of this.â He shifted his hand to pat Darkâs cheek twice, and Dark watching as what should be his aura curl around the Actorâs arm loosely, something so familiar to Dark he felt the phantom sensations along his own arm.
The Actor caught him staring, and turned to look over his shoulder, then grinned. âOh, I bet your wondering how this happened.â His grin turned cold, his eyes colder, dead, empty. âLong and the short of it? That little thing with you? That little power source that helped you keep running? Kept you from falling apart?â He leaned in close, gripping Darkâs jaw, and whispering into his ear. âItâs mine now, Damien. And mine alone.â A deranged, mad little chuckle escaped him. âYouâre all alone in there now. Two broken souls, in a broken body, with nothing to help filter their pain. I wonder if I...â
The Actor pulled back, and Dark didnât have time to even think about the glint in his eyes before he was slamming his fist onto Darkâs left shoulder, the one with the shattered socket, and Dark screamed through his gag, every thought and emotion and feeling in his body overridden by agony. The ringing in his ears only grew stronger, deafening, but he still heard the Actorâs delighted laugh, and he did the same to Darkâs other shoulder, the one dislocated, adn the force of Darkâs screams and sobs hurt his chest. He didnât dare move, not with his wrists bound as they were, he didnât wanât to injure his shoulders any further. The rest of his body felt numb in the wake of the wave of agony, tears pouring down his face. Two hits and already he felt so close to passing out...
âAh ah ah, wakey wakey, Damien, stay with me.â The Actor was patting his cheek again, a little rougher, and Dark let out a weak sound, trying to turn away. Heâd let his head simply dropped back to his chest, but the Actorâs other hand fisted tight in his hair made that impossible. Dark wanted to pass out. He wanted to pass out, he wanted to escape this all, he wanted this to just be some fucked up nightmare...
The distant, red glow in the Actorâs eyes, however, was all too real.
The Actor made a pitying noise, giving Dark a mocking pout as he dropped his hair in favor of holding Darkâs chin, forcing him to keep eye contact. âAww, no need to look so forlorn, Damien! Weâre going to have so much fun! When was the last time it was just the three of us together?âÂ
Dark shot the Actor the strongest glare he could muster, but it fell on blind eyes as the Actorâs grin returned. âSo much fun...for me, at least...Finally, I can get my just desserts...â
He slowly pulled a large kitchen knife from a pocket of his robe.
Dark watched in slow motion, helpless, broken, alone.
He didnât have time to panic before the Actor was shoving the blade through the center of his chest with one, powerful push.
He couldnât scream. He couldnât feel the pain. It was a strange feeling, as he felt the blade pierce through the skin of his back. His eyes wide. Breathing halted. It was a pulse in his chest, like the illusion of his long-dead heart still beating out a rhythm. The Actor leaned forward, sliding the blade deeper into Darkâs flesh, his breath a ghost on Darkâs skin, his voice a whisper barely audible through the cacophony of nothing in his skull..
âLetâs begin, shall we?â
#darkiplier#the actor#actor!mark#actor mark#kidnapping#injury#head injury#knives#chronic pain#my writing
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After picking Wash up on Sidewinder, it's going to take everyone a while to get used to the new living arrangements. Especially Wash, who's a bit directionless now that he's finally free of the Project. Tucker doesn't care for Blue Team's new leader. But he can't help noticing some of the man's odd habits and wondering what caused them.
-
Part 2: Sleeping Habits
It hits Tucker that violently shaking the sleeping Freelancer out of a nightmare might be an exceptionally stupid idea at the exact same time Washington headbutts him in the nose.
Or, Wash wakes up swinging.
-
Washington is ten different kinds of weird.
First of all, after he was done being unconscious from blood loss following the shit show on Sidewinder, the man didnât sleep for three days. Tucker knows because he didnât sleep for two. At the time, Tucker wasnât confident Washington wasnât going to murder them in their beds. But the knowledge that Wash was healing from a fuck load of broken ribs and other injuriesâforcing him to move around the base in a distinctly painful-looking shuffleâmade Tucker feel a bit safer. That and keeping his sword under his pillow while he slept.
-
Then thereâs the fact that Washington might be the lightest sleeper Tuckerâs ever encountered. A few days after Wash starts actually sleeping, Tucker is sitting awake in his room reading. He sneezes, and ten seconds later, Wash is standing in the doorway like the creepy omen of death he is.
Tucker startles so hard he almost falls off the bed.
âJesus shit!â Tucker hisses, grabbing his chest. âHave you ever heard of knocking? Or, I donât know, breathing?â
âI heard something,â Wash says dully, not moving from where he stands in the shadows of the hall. Hunched and pale from his injuries, the man looks like a fucking wraith.
âI sneezed,â Tucker tells him. âYou come all the way here to say âbless you?ââ Washingtonâs room is at the opposite end of the hallway.
âOh,â Wash says quietly. âOkay.â
With that, the man turns and fades back into the darkness. A few moments later Tucker hears Washâs door click shut.
âFuckinâ weirdo,â Tucker mutters and goes back to reading.
-
A week into the new sleeping arrangements, Tucker wakes up to a figure standing over his bed.
Tucker lets out an embarrassingly high-pitched shriek, clawing at the blankets. Heâs surprised it took Wash a full seven days to want to strangle him with his own bedsheets. For most people, it only takes about twenty-four hoursâ
âTucker,â Caboose shushes. âItâs me.â
âCaboose,â Tucker growls, trying to get his heart rate back under control. He heaves a breath. âI swear to god, Iâm gonna count to three, and the mustard better be back in the fridge.â
âI am not doing...that thing I did not do that time...this time,â Caboose says. âItâs Church.â
âChurch?â Tucker blinks a few times before scowling. âYou mean Agent Washington.â
âItâs Agent Washington.â Caboose corrects, deflating slightly. His hands wring the front of his t-shirt. âHe is making noises.â
Tucker rolls over, cocooning himself in the blankets. âThen tell him to keep it down.â
Caboose prods at his back. âNooo, Tucker. They are not good noises.â He pauses. âI think Agent Washington is not very okay.â
Tucker grits his teeth. He doesnât give a flying fuck how ânot very okayâ Wash is. But Tucker should at least make sure those noises arenât the Freelancer loading a pistol to shoot them all.
âFine,â Tucker grumbles, tossing the covers aside. âWhereâs he at?â
âHis room.â
Thatâs unusual. Itâs after three in the morning, and Wash is usually up wandering the base by now with a lost look on his face.
âGo back to bed,â Tucker tells Caboose. He stashes his energy sword in the pocket of his pajama pants and heads for the door. âIâll take care of it.â
Caboose nods and shuffles off to his own room, while Tucker heads for Washingtonâs.
Halfway down the hall, Tucker hears it. Whimpering.
The sound stops Tucker in his tracks. He strains his ears because heâs gotta be hearing things but no, there it is again. A dragged out whine followed by a strangled gasp.
Tucker rocks back and forth on his heels. Heâs got half a mind to turn around and go back to bedâmaybe close Cabooseâs door on the way so the noises donât carry and wake him again.
âI didnât sign up for this,â Tucker mumbles. He eyes the door at the end of the dark hall.
Tucker hadnât thought this far ahead when heâd agreed to let Wash come home with them. In Tuckerâs defense, heâd been really fucking tired at the time. It had been a long, shitty day, and he was sore, and his fingers were numb with cold, and he just wanted Caboose to stop talking (âCan we keep him? Please, Tucker? Can we? Please, please, please?â).
A high keening sound, louder than before, floats down the hall. Tucker winces, eyeing the door at the end of the hall.
Washington isnât his friend. Theyâre hardly acquaintances. Wash barely speaks when spoken to, relying mostly on noncommittal shrugs to communicate. Okay, sure, Tucker hasnât exactly been putting effort into becoming besties with the guy, but heâs a weird, spacey murderer. Who would jump to make friends with him? Well, Caboose, but thatâs not the point. The point is, Tucker really doesnât want to deal with whatever the hell Wash has got going on.
So, whyâs he opening the door to Washingtonâs room?
-
Wash, Tucker thinks, sleeps like a dead person.
Heâs flat on his back, and his arms and legs are pulled in tight like heâs lying in a coffin, one hand tight against his chest while the other snakes under his pillow. Even in the dim light, Tucker can see Washingtonâs stiff as a board. Heâs on top of the covers despite the chill of the room, and every inch of him is tense and trembling so hard Tuckerâs muscles ache in sympathy. Wash tosses his head against the pillow, a low whine escaping his throat. Tucker finally remembers how to speak.
â...Hey, uh,â Tucker whispers. He clears his throat and tries again louder, âWashington?â
His face screws up in pain, sweat-damp hair sticking all directions. He lets loose a long, shuddering gasp that echoes off the bare cement walls. No wonder Caboose woke up.
Tucker edged towards the bed. âDude, are you, like, fucking dying? Cause thatâd kind of suckâŚâ
Tucker can hear his teeth grinding as the man clenches his jaw and shudders away from something unseen. His hands claw at the blankets. Heâs shaking head to toe. Itâs like something out of an exorcism movieâeven before Wash throws back his head and screams.
Tucker jumps back. âHoly motherâfuck! â
But Wash keeps on howling like heâs being burned alive, raising the hair on the back of Tuckerâs neck.
âHey, fuck, Washingtonâcome on!â Tucker shouts. He fumbles for Washâs shoulder. Â âYou need to cut itââ
It hits Tucker that violently shaking the sleeping Freelancer out of a nightmare might be an exceptionally stupid idea at the exact same time Washington headbutts him in the nose.
Pain explodes through Tuckerâs face, blinding him. Something slams into his chest so hard the air is ripped from his lungs and his feet leave the floor. He crashes to the concrete on his ass. The back of his head hits the floor, rattling his teeth.
Maybe Tucker blacks out for a second or maybe he just blinks, but the next thing he knows Agent Washington his kneeling on his chest with a hand to his throat.
âFuckââ Tucker gasps but is quickly cut off when Washington presses down on his windpipe.
âWashin...â Tucker chokes, âdudeâget off. Itâs meâŚâ
Tucker paws at Freelancerâs wrist, but the man doesnât flinch. Washingtonâs eyes are unfocused, staring straight through his teammate and sending cold crawling up Tuckerâs spine. Washington might be awake, but nobodyâs home. His face is expressionless even as his chest heaving with every breath. Washâs hand grips Tuckerâs throatânot enough to cut off his air, just enough to keep him down. Whereâs his other handâoh fuck.
Tucker almost shits himself right then and there because Washington has a fucking knife raised above his head.
Tuckerâs hand flies to his pocket, grabbing for his sword. Itâs out of reach.
He squeezes his eyes shut. Whereâs Wash going to land the blade? His face? His chest? Oh, god, make it quick. Caboose and Junior will be so upset.
One second. Two seconds. Tucker sneaks a peek up at the Freelancer. Wash is frozen in place, knife still raised above his head, but Tucker can see the hand shaking.
âWashingââ Tucker tries, but the hand at his throat twitches, and he shuts up. Tuckerâs pulse pounds in his ears. Those hazy eyes arenât getting any clearer, still panicked and unseeing.
Tucker swallows hard. Heâs not stupid enough to think he can win a fight with Washâespecially pinned down without his sword.
Slowly, with shaking hands, he lets go of Washingtonâs wrist and lays his hands back against the floor. A gesture of surrender. Â
âWash,â Tucker breathes. Wash shudders ever so slightly but doesnât tighten his grip so Tucker keeps going. âWash. Itâs me. Tucker. Itâs...okay. Youâre okay.â
Washington sucks in a breath. Itâs almost impossible to see in the dark room, but Tucker thinks there is a flicker of life in those blank eyes. Tucker keeps perfectly still, stomach-churning. He suddenly becomes aware of the blood oozing from his nose and streaming down either side of his face.
âI need,â Tucker whispers, âyou to. Drop. The. Knife.â
Wash is trembling from head to toe now, gaze locked on Tuckerâs throat. Tucker canât breathe, and it has nothing to do with Washâs grip on his windpipe.
âWash, wake up.â Tuckerâs murmurs turning into pleads. âYou donât want to do this.â
âTucker? Church?â
Washâs head shoots up. His eyes fly to the door as Caboose creaks the bedroom door open. Tucker makes his move.
Oh, please donât kill me, Tucker thinks wildly as he raises a fist and brings it down on the back of Washâs neckâhard.
It was something that kept coming up when Doc was piecing the Freelancer back together after the fight with the Meta. No one touches the back of Washâs neck. Doc only made that mistake once, and if Wash hadnât been suffering from a pretty serious concussion, the Freelancer probably would have snapped the medicâs wrist clean in half. The whole area is a mess of neat surgical scars, jagged scar tissue, and frightening looking metal implants that look a lot more...experimental than the tidy ones the sim troopers are outfitted with. It hurts like hell to look at.
And Tuckerâs betting it feels a lot worse to have someone bury their fist in it.
The effect is instant. Wash seizes up and crumples. Tucker kicks his legs, catching the man in the stomach, and hurls him off of him.
Tucker scrambles to his feet and collides with Caboose on his way to the door.
âFucking Christ,â he wheezes. Tucker clutches at the hulking soldierâs shirt to keep his shaking legs from giving out. âChrist fuckâŚâ
Cabooseâs eyes are wide, looking down at Tucker and then across the room.
â...Church?â He asks, voice too small for such a hulking soldier.
Tucker follows his gaze.
Washington is hunched on hands and knees with one white-knuckled hand gripping the back of his neck. His forehead is pressed to the floor as ragged gasps are dragged out of himâlike he was the one that almost got fucking choked out.
âWhat the fuck?â Tucker wheezes, wiping at his nose and smearing blood across his face.
Washington jolts violently and scrambles away from them, pressing his back to the wall. He blinks around the room as if heâs just woken up, his eyes landing on Tucker and Caboose, and his breath catches for a moment. Then his eyes flicker down to the knife on the floor at his feet.
âO-oh, godâ he breathes, voice hoarse from screaming. His arms curl around his head, and his knees are pulled to his chest. âW-what-t did I-I-IâŚâ
âWhat the fuck?â Tucker says again, louder this time, and Wash flinches, pressing back against the wall like heâs trying to disappear.
âG-getâŚâ Washington studders. He sucks in a long breath, and then,
âGet out!â Wash shouts.
âWhat the hell is wrong with you, you crazy fuck?â Tucker snarls back, happy to replace the fear bubbling in his chest with anger.
âGo away!â Wash screams, curling even tighter into a ball. âGet away from me!â
Tucker grabs Caboose by the arm and drags him from the room. He slams the door shut behind them, sending a tremor rattling through the base.
âPsycho freak!â Tucker yells, and he shoves Caboose down the hall to his room.
Behind them, Washâs lock clicks into place. Â
#red vs blue#rvb#agent washington#lavernius tucker#michael j caboose#fanfic#fan fic#fanfiction#fan fiction#angst#hurt/comfort#wordsywriteswords#wordsy writes words
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The Wraith
A/N: To wrap up my 31 days of writing (almost) every day, I thought Iâd write my first self-contained story. And given that itâs Halloweâen, I tried to make it scary. Iâm not 100% satisfied with the result, but Iâd love to hear your thoughts. And thank you to all of you whoâve liked and commented and followed over the past month. Itâs been great encouragement to continue bashing my forehead against the keyboard when I really ought to have been sleeping!
Tagging @fictober and @today-in-fic
It was into the wet-wool depths of medicated slumber that the sounds first intruded. Â The soft scuff of sock-clad feet. Â A floorboardâs complaint.
Dana Scully ascended through layers of torpor, a foreign sense of rightness greeting the dayâs beginning. Â It was after 8am, though the light was still dim. Â The heavy geometrical masses of her furniture seemed cast in monochrome. Â Sheâd apparently silenced her alarm and would soon be late for work, but instead of dismay, an ember of contentment burned. Â Rather than question the feeling, she lay adrift in her derelict bed.
Laughter, soft as ashes falling, came from beyond the hall.
Slowly, she lowered her bare feet to the chilled floor, oddly bereft of apprehension. Â Her weapon lay idle on the nightstand as she made her way to the living room. Â Pale grey light suffused the room. Â Nothing seemed amiss. Â A dream. The Lorazepam she started taking during her cancer treatment now eased her into oblivion each night, and with it came haphazard images that faded into wakeful fogginess. Â As a contraindication, loss of memory was something she willingly suffered. Â There was more that sheâd prefer to forget than remember.
Resigning herself to plodding heavy-footed through the motions of her workday, she walked to the kitchen. Â Even if her spirit was missing, her body could still go through the motions of making coffee. Â Halfway into the room, she froze. Â Sitting at her table was a little girl.
âMay I have Cornflakes for breakfast, Dana?â
The FBI bullpen was not conducive to heavy thinking. Â By mid-morning, Mulder had fled its mayhem for an empty interrogation room. Â Once there, feet propped up on a second chair under the tonal hum of the overheads, he untethered his thoughts and allowed them to flow freely through whatever channels tempted. Â It had been his experience that insights were best grasped when approached obliquely. Â There was no point in asking âwhatâs wrong with Scully, and how do I fix it?â Â Like Scully, those questions resisted his direct inquiry like a stone wall resists a beam of light. Â Like water, he would have to seep if he wanted to loosen her mortar.
It was understandable and even desirable that Scully mourn her many losses: father, sister, her vigourous health to cancer (although thankfully that was in remission), a biological daughter she had barely known, her fertility.  Christ, just reciting the list was enough to make him weep.  The issue wasnât that she was now dressing like a Hutterite with a good tailor, either; or that she ate barely enough to nourish a small bird and approached their new assignment without her usual dogged sense of duty.  No, what was bothering him about Scully is that she seemed ⌠rudderless.  As though she no longer saw a path forward in her heretofore stalwart march through life.  And a Scully without direction was a Scully that scared him shitless. Â
If he was scared, how must Scully feel?  Scully, who sought order and meaning in all things.  Scully, whose need to categorize and compartmentalize her emotions was legend. Scully, who hadnât unpacked her small box of personal effects after moving it upstairs from their former X-Files office.  Scully, who still hadnât made an appearance this morning, despite never being late for work, even when she was dyingâŚ
He leapt to his feet and made for the parking garage. Â In the hallway, Agent Coleman accosted him:
âHey, Spooks. Â Whereâs the missus? Â Donât tell me she finally left you.â
Ignoring Coleman entirely, except for the curdling in his gut, he trotted the rest of the way to his car and made haste for Georgetown. Â His windshield wipers beat a rhythm to his litany: pleasebethere, pleasebethere, pleasebethere. Â
It was still October, but a windstorm had prematurely stripped most of the foliage, leaving bare arthritic branches, sap still pumping uselessly through the wood. Â He parked lawlessly a few blocks from her building and stalked, jacketless shoulders hunched against the cold mist, down the graphite sidewalk. Â A startled motion drew his gaze skyward just as a murmuration of starlings alit from a row of barren streetside maples, rising like a liquid Mobius strip of wings. Â A portent, the Romans would say. Â An omen. Â He quickened his pace.
At her door, he deliberated on whether to knock first, or simply let himself in. Â Barely able to abide the extra thirty seconds of unknowing, he rapped quickly, and felt his adrenaline-bound muscles start to accordion when her answering footsteps approached.
âScully.â Â She was still in her pajamas and bore telltale kohl-like smudges beneath her eyes, but she appeared well. Â She was even smiling.
âMulder, hi.  Iâm so sorry I didnât call you.  Iâm having a ⌠well, itâs a good thing youâre here.â
âIâm just relieved youâre alright.  When you still werenât there after Kershâs morning rounds, well ⌠I just needed to know you were okay.â
âIâm fine. Â Good, in fact. Â Mulder, the weirdest thing happened this morning, and if you come in, Iâll tell you about it. Â Or rather, Iâll show you.â
âYou know me, Scully. Weird is my specialty.â Â He was feeling better, having seen her. Able to joke with her again. Maybe she just needed to take the day off. Â He could hardly begrudge her that.
âWell, this is pretty weird, even by your standards. Â Come into the kitchen â I want you to meet someone.â
Perplexed and perhaps a bit put off by the fact that Scully was entertaining a guest in her pajamas with no make-up, he made his way cautiously to the kitchen. Â An empty cereal bowl and a half-drunk glass of orange juice were laid out on the table, but there was no other sign of occupation.
Scully stood by the doorway, her bloodshot eyes shining brightly, and gestured toward the empty kitchen chair.
âMulder, Iâd like you to meet Lily.â
Her breath was sticking beneath her ribs, as though frozen. Â A whir of shock like startled birds beat in her ears.
âI donât understand, Mulder. Sheâs right here. Â Sweetie, say hello to Mulder.â
âHello, Mr. Mulder,â Lily replied in her whispery voice.
He shook his head.  âScullyâŚâ  He was using his hostage negotiation voice.  The one pitched just right, so that children, battered women and psychopaths could hear his vulnerable sincerity.  God, which one did he think she was?
âMulder!  Mulder, sheâs right here.  LilyâŚâ her mind scrambled to think of how to prove the existence of something⌠someone⌠that Mulder could not see. âLily, lift up the glass on the table.  Lift it up in the air.â
âNo. Â I donât like him. Â He makes you upset. Â I donât like it when youâre upset, Dana.â Â The childâs voice was sing-songy, yet chilly with resentment.
âHe doesnât usually⌠Iâm only upset because I need him to believe me, Lily.â
âScully, why donât you tell me what happened this morning? Â When did you start to see Lily?â Â He tried to divert her rising hysteria.
She was indignant. After all the things heâd expected her to believe without tangible proof, why couldnât he believe her now? She had to make him see. Â This little girl needed her. âI woke up late. Â I must have slept through my alarm. Â I heard noises in the apartment, and when I came out to investigate, I found Lily sitting in my kitchen. Â She asked me for Cornflakes.â Â Here her voice broke. Â It had felt so good to be needed, to not be the needy one anymore.
âHow did she get into your apartment?â
âI⌠I donât know. I⌠ Lily, how did you get into my apartment?â  Why couldnât she remember?
âYou let me in.â
âNo. Â No, I didnât. Â I was asleep and when I woke up you were in my kitchen.â Â Oh, god. Â What was going on? Â What was wrong with her?
âDana, you let me in. I knocked on your door after I escaped from the bad doctors, and you opened it. Â You were wearing your pajamas. Â You said you were tired, so you went back to sleep.â
Sleepwalking? Â She must have been so heavily medicated from the Lorazepam that she let Lily into her apartment without fully waking. Â Of course!
âMulder, Lily says I let her into my apartment last night. Â I must have been so out of it, I didnât remember doing it.â Â There. Â That was an irrefutable explanation for Lilyâs presence.
âWhat does she call you, Scully?â
âWhat?â
âYou heard me. Â What does she call you?â
âShe calls me Dana. Why is that important?â
âDid you introduce yourself to her as Dana?â
A shattering wind chime noise, and she and Mulder both jumped. Â Orange juice spread across the linoleum tile, pooling around the knife-edged fragments of glass.
He had thought slowly losing Scully to cancer had been his darkest nightmare. Â This was ten times worse. Â He knew these cases â hell, he had a doctorate in these cases - and they seldom turned out well. Â Post-traumatic stress disorder, enantiodromia, a psychotic break: call it what you will, the end result was seeing Scully during weekend visiting hours and making certain he didnât buy her anything serrated for Christmas.
It was difficult applying his clinical training to a situation that threatened to upend what little stability his life afforded. Â But he knew he had to keep Scully from getting agitated, and that she needed professional care, which first meant coaxing her away from her apartment.
Scully was on her knees, carefully picking up the shards of tumbler and placing them in newspaper for safe disposal. Â It was such a deliberate, Scully-like gesture that it seemed almost normal, were it not for the fact that she continued to carry on a one-sided conversation with the non-existent Lily. Â
âScully, what does Lily look like? Â Does she remind you of anyone?â Â He needed her to trust him, to see that he was on her side.
She stood and arched her back, buttons straining âSheâs maybe six or seven years old, a little bit small for her age, with a very serious expression.  Her skin is ⌠itâs like itâs glowing.  Hyaline.  And her eyes are ⌠before I thought her eyes ressembled Emilyâs, but now I see theyâre more like Melissaâs.  So innocent and all-seeing.  And her hair looks like fire.  Itâs rippling like flame.â
âShe sounds beautiful. I wish I could see her. Â Can you think of why I canât?â Â Maybe he could appeal to her with a problem statement requiring diagnosis.
âOh, Mulder, thatâs more your area of expertise.  Arenât there⌠spirits, that make themselves known only to certain people.  People who are meant to see them?  Listen to me!  Iâm advocating for the presence of a ghost in my own apartment, and you probably think Iâm insane.â
âI donât think youâre insane, Scully.  Iâm just worried about you.  The Lily you just described to me â she sounds like a fetch, or maybe a tulpa. An apparition that signifies a kind of supernatural upheaval or ferment for the person who sees them.  If thatâs the case, itâs not safe for you to stay here in your apartment.  Once youâre someplace safe, I can have the GunmanâŚâ
âLILY! Oh my God, honey, what have you done?â Â She was staring at the floor in horror. Â As she rushed from the room, Mulder noticed there were drops of blood on the newspaper. Â Scully must have cut her hand on the glass.
âIâm cold, Dana. Â I really want a bath.â Â Lily was whimpering, the deep cut across her palm from the broken glass now carefully bandaged.
âLily, Iâm not sure thatâs âŚâ
âCold. Â Iâm so cold.â Â For a moment, she heard her own voice, echoing across time. Â Shaking her head as though to clear the fogginess, she relented and started to run the bath.
Calling out to Mulder, who loomed beyond the bathroomâs threshold, âMulder, Iâm just going to give Lily a bath. Then we can talk some more, okay?â
âMake him go away, Dana. I donât like him. Â Heâs not a nice man. Â Everyone he cares about gets hurt.â Â Lilyâs voice was whisper soft, reedy like a tune played in a minor key.
âLily, Mulder is my friend. Heâs here because he wants to help m.. us. Â Iâm not going to ask him to leave. Â Iâll close the door. Â Would that make you feel better?â
Inside the sealed vault of the bathroom, the running water echoed, and a mist began to rise and obscure the air. Â Lily lay prone in the large tub, her hair curling like firelight underwater.
When Scully was a girl, her father had told her the Greek myth of the daughters of Danaus, the first shipbuilder. Â Fiercely loyal to their father, the Danaides murdered their unwanted bridegrooms on their wedding night rather than sacrifice their virginity. Â Banished to Tartarus for their crimes, they were condemned to try to fill a punctured vessel with water for all eternity. Â That was her lot â doomed to fight a never-ending battle as punishment for doing what she was told. Â Too loyal to quit. Â Too stoic to complain. Â Too principled to find an easier path.
âIt doesnât have to be like that, Dana.â Lilyâs odd, phrenite eyes glowed like beacons. Â A heavy lethargy pulled Scully forward towards the water. Â The noise of the tap grew louder and louder, the sound of boulders crashing downhill.
âCome back with me, and we can all be together again.â  Across the waterâs surface, a kaleidoscope of images glistened like oil: Ahab, Melissa, Emily, her younger, carefree self.  An oceanic rumble filled every corner of space. It would be so easy to fall into its tearful embraceâŚ
Pacing between the front door and sofa, Mulder searched desperately for a solution that didnât involve dragging Scully, kicking and screaming, to the nearest psychiatric facility. Heâd never seen such an intense delusional state come on so quickly, without an outside trigger like drugs or a cataclysmic psychological event.
From beyond the bathroom door, the water ran and ran. Â It seemed like Scully had been in there forever. Â He approached the door and was about to knock when a gnathal, grinding noise emerged from within.
âScully!â Â He tried the door, but it was locked. Â Slapping the wood repeatedly with an open palm, he bellowed, âScully, answer me!â Â Taking a step backwards, he kicked the lock loose from the mortice and barreled into the cloudy room.
At first he saw nothing but brume, the mist lit with an eerie subterranean light. Â Making his way by sound to where the bathtub continued its liquid dirge, he almost fell over Scullyâs kneeling form. Â Her face hovered just above the waterâs turbid surface, the wet lashes of her hair swirling like arterial blood. Â He grabbed her shoulders and tried to pull her to safety, but an immense weight called her back down.
A frustrated wail rose from his throat, pulling along all his sorrow and guilt as it ascended. He hauled against Scullyâs birdlike collar bones so hard she would wear traces of his fingers like a necklace. Â A sound like tearing sheet metal filled the room, and Scullyâs body and whatever was pulling her downward separated with a fissile snap. Â Water exploded into the heavy air, then rained down like tears over their collapsed bodies. They lay folded into one another like origami on the flooded floor, rocking like anchored boats in a gale. Â Scullyâs muscles twitched spasmodically, as Mulder cooed in her ear. âI wonât let you go, Scully. Â I wonât let you go.â
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A Wraith's Work
This is something I wrote for a contest. It is the final draft but if any one you have constructive criticism I'd be happy to hear it! I guess a trigger warning can apply as there is a semi violent scene so take caution! Hope you all enjoy! -- According to Millie, fall in Virginia was the most whimsical time and place in the world. She believed in the impossible, and if you asked the young woman, in what season would the impossible be made possible, she would say autumn. She knew the impossible could be made possible with a dream and maybe some pliers. She just wasnât expecting the impossible to find her that day. She breathed in air that smelled of dreams and decaying leaves. An array of red, yellow, and brown made nonsensical paintings on the ground. She stepped on the leaves, feeling a childish satisfaction when the plants gave way in a song of crinkles under her feet. She grinned, ready to run like the wind when she tripped on her untied shoelaces. She toppled to the dirt. âAw, man!â she growled. It was difficult to tie her shoes alone. She tucked the unraveling shoelaces into the sides of the shoe. She was rising to her feet, knees on the ground and her hand in the dirt, when she saw the hound. Her body reacted to the horrifyingly familiar sight in a split second. Her chest constricted. Her heart pumped so fast she felt it was ready to burst forth from her flesh. In her mind, she heard malign growls ripping from a muscular black and brown chest and saw disgusting strands of saliva dripping from a wicked maw. While her mind was muddled with the violent memory, she could not tear her eyes off the hulking black dog. It was larger than any dog sheâd ever seenâbigger even than the taxidermied wolves sheâd seen. Its long legs rippled with muscles. The black fur was horribly matted and long. She kept still, praying to God that the hound would move on without seeing her. God was not with her on this day. The hound, agonizingly slow, turned its head. Millie sucked in a painful breath when she was met with its face. The houndâs eyes were red. They werenât bright, they didnât glowâthey were the color of drying blood. Her mind cried out. Demon, it said. Run. She gained control of her body and scrambled back, scraping the skin on her hand to the point where she felt blood. The dog began to take steps toward her, watching her with his impossible eyes. Her back hit a tree stump. She opened her mouth in a soundless plea and shut her eyes. She felt the hound draw closeâso close she could smell its breath; breath that smelled of rot and nightmares. Millie shielded her face with a trembling hand and waited. âYouâre not supposed to be here.â ⢠Millie burst into the garage, almost stumbling over one of her Dadâs model airplanes. She slammed the button and the garage door began to close. She stood there, regretting her decision to skip school for the first time in her life in order to hike and enjoy the day---escape the world she hated. But it had all gone wrong. She glanced at the clock. It was 4:15. Under it was a calendar for 1991. Her Dad hadnât gotten one for the New Year yet, even with it being October already. She walked into the house, hoping her father wasnât home. The smell of chili wafted from the kitchen. He was home. Thoughts of the hound buried but not forgotten, she tried to sneak past the kitchen. âMillicent?â Her father appeared from the kitchen doorway. He was an older man, shown by his whitening beard. His hands, large, black, and weathered, carried a bowl. An apron was tied around his bulky middle. He was a muscular man, but Millie knew he was a fragile soul. Loud sounds made him dizzy and harsh words made him sullen. Her father, gentle giant that he was, cried over worship music and gleefully played with the toddlers at the daycare he worked at. Millie knew his rage was nothing to fear as it was nonexistent. But she knew he loved her more than anything, and his worry was hard to look at. âYour school called,â he began. âThey said you werenât counted present for the eighth hour.â âYeahâŚI, uh, went to the woods.â âWhy would you do that?â He paused, looking grave. âYou arenât doing anything⌠bad--are you?â He seemed to struggle for words. âNo! Of course not Dad!â âGood. I know no one here would hurt you, but youâve never done this.â âAnd I wonât do it again. Skipping school wasnât all itâs cracked up to be. Kind of boring,â she said, thinking of the houndâs red eyes. âGood, good. Would you like some dinner?â he offered, stretching out the bowl towards her, childish hope on his face. âSure Dad.â ⢠The hound did not appear again until two nights later. Millie had been punished by the school for ditching, but it was held in the library, where Millie searched for answers. All she found was a Sherlock Holmes story. Stereotypically---like out of a horror film---the night was foggy to the point of blindness. Millie was dressed in her pajamas, and was finishing up feeding her tarantula, a gargantuan creature by the name of âBig Joe.â She liked creepy crawly things. Maybe they could bite her, poison her, but they couldnât maul her arm to the point of necessary amputation. Millie didnât like dogs. They were big, loud, smelly, and some were mean. She had a dog once, a little beagle named Toby, but he was long gone. Nor was he there to protect her when the rabid Rottweiler latched his teeth into the flesh of her arm. Race car posters covered the walls of her room, and she was headed to reposition one of a blue Formula One when she heard itâthe howl. She scrambled out of bed. Out the window, nothing could be seen but gray, and the black of the moonless sky. She didnât know what compelled her to force open the window and climb out. She just did. She also didnât know why she ended up behind the graveyard. If wasnât so deep in her trance, she would have scoffed at how typical the night was turning out. There was more to this graveyard however. It was not what it seemed from the outside. In front, was the regular cemetery where those recently passed were buried. Behind, was a burial ground of the past. And not just a burial ground, an execution sight. Slaves who were unlucky enough to be caught in escape attempts were hung at this location and buried without markers or a funeral or any thought to the fate of their poor souls. Sheâd never been here. Her father had. A descendant of slaves, he believed it was important to know their peopleâs history and honor them. The fog was thick, almost blinding her to the tall trees around her, but not to those red eyes. âYou,â she stammered. The hound watched her. They stood there, staring at the other for what seemed an eternity, before Millie felt she had the wits to speak once more. âWho are you?â she asked. The hound answered. âIâve been called many things. Pestilence. War. Famine. Death. Iâve been called the Devil himself.â âAre you? The Devil, I mean.â âI could be, girl.â âMy name is Millie.â âYour name is Millicent Abigail Green. You wish to race cars, and believe you someday will, despite your missing arm.â She grabbed the end of her right arm bashfully. âHow do you know that?â âI know everything about everyone. And you were not supposed to see me in the woods.â âIâŚâ âYou are not marked. I do not understand why you saw me. And I, girl, understand everything.â For the first time, the dogâs voice betrayed a hint of emotion. Confused, and bordering on angered. Millie stood enraptured, fear flowing like blood throughout her body. âYouâre not supposed to die,â the hound went on. âWhat?â she exclaimed. The hound slumped its shoulders and let out a faint breath that billowed white in the freezing air. When he spoke again, he sounded irritated. âI am here to claim a soul. You are not that soul.â Millie could not speak. âAnd I have no idea of what to do with you. I suppose I could leave you be, to wonder whether you have gone insane, no one believing your storyâyou scarcely believing it yourself.â He suddenly fell silent. âThen what will you do?â she asked. âI am bound by divine law to never harm a soul that is not marked for violent death.â âYouâre a demonâŚâ Millie whispered. âYou could be right, you could be wrong. I could be a demon as well as I could be an angel.â âWell, what are you? I mean, what do you think you are?â The houndâs eyes flashed with something unintelligible. âI am everything, but I am nothing.â The hound, furrowing its brow as if confused at its own declare, turned and bounded into the woods, leaving Millie alone with the ghosts of violent histories and the encompassing fog. ⢠Two days later, Millie sat on a colorful rug at the Rose Petal Daycare, watching her father play with a toddler girl. She was sketching in her notebook, a book filled with cars and spiders, a grim portrait of a black dog. âYou be the mommy and Iâll be the daddy!â she heard the baby girl cry. âBut I am a daddy,â her father said, laughing. âWell then, Ms. Madison can be the mommy!â Her father froze. âSaraâŚMs. Madison left, remember?â he got out. âOh...ok,â the girl said, faltering. Millie closed her sketchbook and walked to the bathroom, ignoring her fatherâs cry for her. She splashed water from the sink on her face and sucked in a heavy breath. Once she looked up, deep red eyes were staring at her. She screamed for a split second before throwing her hand over her mouth. The dog was closer to her than ever before and it took its toll on Millie, flashbacks to the rabid animal that took her arm running through her mind. âYour mother left you,â the hound said. Millie replied, trying not to sound pained, âYes, she did. A year ago.â âDo you know why?â âNo. Guess she got tired of us.â âI know. Would you like to?â âNo.â âShe seemed kind. She loved you, until she didnât,â the hound observed, sounding confused. Millie asked why he sounded that way. âI understand the physical circumstance. I will never grasp fickle human emotions.â âAnd you never told me who was going to die,â Millie realized out loud. The dog sat back against the brick wall. âI cannot tell you. It is unnatural.â âUnnatural how?â âA human knowing the future can only bring about turmoil in your world.â âMy world? Where are you from?â The hound answered. âHeaven. Hell. Purgatory, perhaps.â The houndâs face showed no emotion. He almost looked like a normal hound in that moment, despite his size and girth. He suddenly stood and began to walk towards her. Millie jerked and jumped back, slipping on water on the floor. She fell back and curled down on the floor, tears pricking at her eyes and her lips curling. The hound closed in and Millie buried her face in her knees. âI am sorry.â When she summoned the bravery to open her eyes, the hound was gone. ⢠1979 was the worst year of Millieâs life. Toby had been a good dog. When he was hit, Millie had been watching. She recalled the screech of the tires, a sudden agonized yelp, and most of all, her motherâs arms wrapping around her. They buried the poor mangled animal on her grandparentâs property. Though her memories of the happy little dog were fading, Millie still visited the grave from time to time. It was only two months later that the rabid dog took her arm. Though her father claimed responsibility, she knew that it was her fault. She shouldnât have left Grandma and Grandpaâs house. She had wanted to go home; she was tired and bored. When she saw the dog, she was ecstatic (memories of Toby were still fresh then) and approached him. Her young naĂŻve mind did not take heed of the feral look in his eyes. She went to pet him and the dog opened its dripping mouth and sunk its teeth into the lower part of her right arm and thrashed its head from side to side, ripping open her flesh. She screamed. She cried. Her anguished sounds were what alerted her father. She did not remember much after that, but she knew that somehow, someway, the dog had let go and her father had shot it. Her flesh was mangled and torn and she was losing blood in copious amounts. As she sank into unconsciousness in her grandfatherâs arms, who had picked her up and was rushing her to his truck, she caught sight of red eyes in the trees. The doctors had apparently decided that the best course of action was to remove the mauled arm. Her wound was mostly near her wrist and the doctors took her right hand and a little bit of her arm. It would have been useless anyway, with its dead nerves and ripped tendons. Since that day, her heart leapt in terror at a lone bark, the hint of a sharp tooth, or even her neighbors walking their yellow lab puppy. She hated dogs. ⢠Four days later, she asked her father why her mother had left. Madison Green had been kind, beautiful, and intelligent. When she left in the middle of the night, it had shocked the small community. Her father had chased after the car, yelling for her. Since that night, Jerome Green had been more vulnerable then he ever was before. âI donât know, babyâŚitâs not worth thinking about. I donât want you thinking about it, okay?â She had said yes, still thinking about it, and her father bid her goodbye and kissed her forehead, explaining that he had to grab milk from the corner store and that he would be back within twenty minutes. It had been a normal night enough. She watched television, fed Big Joe, and ate popcorn, hiding the evidence of her snack in the bottom of the trash can. She didnât think much of the doorbell ringing. When she opened it, Officer David stood there. Upon hearing his words, Millie screamed. ⢠The day of her fatherâs funeral came swiftly. Her grandparents hovered around her, as if they were terrified she would be taken from them the way their son had. It had been a robbery. Her father had tried to console the desperate man, only to be met with death. It was a horrible service. The music was too sad, the air was too cold, and the people were too sympathetic. And it lacked the presence of her mother, who hadnât been found, despite the townâs attempts to find her and tell her that her husband had been murdered. After, Millie wandered into the forest, and sat down on the mulch. Twigs snapped and somebody sat next to her. She turned, and saw the houndâs dull red eyes. âYou,â she said. âMillicent.â She and the dog stared at each other. âWhyâd you have to do this?â Millie whispered. âIt is my work.â Millie was silent, until she asked him the question she asked her father. âWhat happened to my mother?â The hound sighed. âMadison Green was contacted by an old lover, one from her school days. She was tired of her mundane life and went to him at his insistence. They are currently expecting their first child.â Millie pursed her lips and looked at the ground. âI thought she loved me,â she said quietly. âShe doesâŚbut she does not.â Millie let out a nearly silent sob and then let herself go. She cried, she screamed, and she beat the ground with her fist. Sometime during this, the hound had moved closer, and when she came to, she was nuzzled into his muscular shoulder. âI think I know what you are,â she said to the hound. âAnd what do you think I am?â he asked softly. âYouâre a wraith,â she told him. He was quiet. âI wish I was not.â Millie asked him another question which she knew the answer to. âIâm never going to be a racer, am I?â âNo.â Millie rubbed her dripping nose on her black dress. âI think Iâve known that.â âBut you will be something else, Millicent.â âWhat?â âI canât tell you.â âRacing cars was my dream. I donât know what Iâll do.â âJust because your dream is impossible, doesnât mean you stop dreaming altogether,â the hound said quietly. Millie looked at him. He was looking at her with a strange look in his eyes. Wind blew through the trees. The cold burned her chapped nose and lips. Looking around, she realized they were at the slave graveyard, where they had their first conversation. âDo you have a name?â she asked him, as they sat on the graves of the dishonored men and women whose names were unremembered. âI was never given one.â Millie, her hands still wrapped in his fur, said, âHow about Toby?â âYou wish to name me after your annoying insect of a dog?â âYes,â Millie answered without a second to spare. âI suppose if you wish,â Toby said, a glint of true happiness flashing through his face before he smothered it. âIt is not a name fit for a wraith---for a monster.â Millie smiled. âIâve always been fond of monsters.â She swore till the day she died that the hound smiled at this "I think I saw you. On the day I was mauled.â "I was there,â Toby confirmed. âYou nearly died. I haveâŚwatched you since, though I never thought you would see me.â "Maybe God wanted me to see you.â "God. The gods. Perhaps the devil.â Millie laughed. His riddles bothered her no more. âWell, whoeverâs out there wanted this,â she said to him. "I do not know who is out there,â he confessed. âBut whoever they are, they are in possession of a nonsensical mind.â "Obviously, did you know that the light hitting us right now is thousands of years old? I mean, who even thinks of that?" They both looked up at the canopy of trees, where light was beginning to shine through the bare branches down onto their graveyard. "It does not make sense,â Toby said. "Maybe itâs not supposed to.â THE END -- This is a much more convoluted story than the word limit allowed, honestly. I wasn't given enough haha. In the end, I was trying to convey that the graveyard turned from a place of turmoil and grief to a place of happiness for Millie and the hound. I wasn't able to do all that I wanted to do in this, like delving into Madison's and Jerome's characters and relationships, and Millie's phobia of dogs, and the hound's character in general. The hound and Millie have a deeper relationship than what I was able to convey in this. And the town itself is a lot more supernatural in my head than in this. So this is just the bones of the story. It'll be a lot deeper if I revisit it someday. Thanks for reading!
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