#Nicole Azoulay

[artdesannonces]

ARTISTE A SUIVRE: Nicole Azoulay, artiste peintre contemporaine née à Paris en 1963, a embrassé pleinement sa passion artistique en 2013 après une formation intensive de six ans en diverses techniques (aquarelle, huile, acrylique). Son style unique et lumineux, caractérisé par des œuvres abstraites et de grands formats réalisés principalement à l'acrylique et au couteau, capte l'attention par l'audace des couleurs et la profondeur émotionnelle.

Les récentes étapes marquantes de sa carrière incluent :

Mars 2024 : Cotation par l'expert européen Pierre Gimenez.

Avril 2024 : Première vente aux enchères chez Drouot on line.

Mai 2024 : Cotation par le commissaire-priseur Christian Sorriano et seconde vente aux enchères.

Juin 2024 : Réévaluation à la hausse de sa cotation par Pierre Gimenez après de nouvelles ventes réussies.

Vente notable : Œuvre vendue à un chef d'État international.

Ces événements illustrent son évolution rapide et la reconnaissance croissante de son talent, avec 13 ventes réussies en deux ans. Nicole Azoulay est une artiste à suivre, dont les œuvres contemporaines et émancipatrices continuent d'inspirer et de toucher un public international, renforçant sa présence dans les grandes galeries et collections d'art.

[polkadotmotmot]

Nicole Azoulay - Une Vie Sur l'eau, 2024 - Acrylic with knife on canvas

[ellen-enderle]

So excited to finally announce the release of Imagining Everyday Life: Engagements with Vernacular Photography! When The Walther Collection held a symposium on vernacular photography at Columbia University while I was a student there (video of symposium can be viewed here) I never imagined I would be working on a book with them just a short time later. It was a delight to delve into the Walther Collection’s fantastic vernacular photography collection, scanning and editing photos and photographing objects for what would be this wonderful book, and a total honor to have some of my original research and caption writing included. This is the first book I have ever worked on, and I am so grateful to The Walther Collection for inviting me to assist and take part in the process. If you are curious to learn more about the significance of vernacular photography, do check out this book. You can learn more about it here, and purchase from Steidl here or from Amazon here. Includes texts by Ariella Azoulay, Geoffrey Batchen, Ali Behdad, Elspeth Brown, Clément Chéroux, Lily Cho, Nicole Fleetwood, Sophie Hackett, Patricia Hayes, Barbara Kirshenblatt-Gimblett, Thy Phu, Leigh Raiford, Shawn Michelle Smith, Drew Thompson, Laura Wexler, and Deborah Willis.

[artbookdap]

How we love 'Imagining Everyday Life: Engagements with Vernacular Photography' published by @steidlverlag & @walthercollect⁠⁠ ⁠⁠ This 400-page paperback surveys the expansive field of vernacular photography—the vast archive of utilitarian images created for bureaucratic structures, commercial usage and personal commemoration (as opposed to aesthetic purposes). As a crucial extension of its ongoing investigation of vernacular photography, the Walther Collection has collaborated with key scholars and critical thinkers in the history of photography, women’s studies, queer theory, Africana studies and curatorial practice to interrogate vernacular’s theoretical limits, as well as to conduct case studies of a striking array of objects and images, many from the collection’s holdings.⁠⁠ ⁠⁠ From identification portraits of California migrant workers, physique photographs that circulated underground in queer communities, to one-of-a-kind commemorative military albums from Louisiana to Vietnam, these richly illustrated essays treat a breadth of material formats, social uses and shared communities, offering new ways to consider photography in relation to our political affiliations, personal agency and daily rituals.⁠⁠ ⁠⁠ 'Imagining Everyday Life' evolved from a two-day symposium at Columbia University in October 2018—a collaboration between the Walther Collection, Barnard’s Center for Research on Women and the Center for the Study of Social Difference at Columbia University. This publication unfolds in four parts: Why Vernacular Photography? The Limits and Possibilities of A Field; Troubling Portraiture: Photographic Portraits and The Shadow Archive; Performance and Transformation: Photographic (Re)visions of Subjectivity; and Space, Materiality and the Social Worlds of the Photograph.⁠⁠ ⁠⁠ Texts by Ariella Azoulay, Geoffrey Batchen, Ali Behdad, Elspeth Brown, Clément Chéroux, Lily Cho, Nicole Fleetwood, Sophie Hackett, Patricia Hayes, Barbara Kirshenblatt-Gimblett, Thy Phu, Leigh Raiford, Shawn Michelle Smith, Drew Thompson, Laura Wexler, and Deborah Willis.⁠⁠ ⁠⁠ Read more via linkinbio. ⁠⁠ ⁠ https://www.instagram.com/p/CKuFxcqpnUP/?igshid=y7eqt26ozkp8

[thefreedomspray]

Rape Culture Readings

Abdullah-Khan, Noreen. Male Rape: The Emergence of a Social and Legal Issue (Palgrave Macmillan, 2008). Angelou, Maya. I Know Why the Caged Bird Sings (Ballantine, 1969). Armstrong, Elizabeth A., Laura Hamilton, and Brian Sweeney, “Sexual Assault on Campus: A Multilevel, Integrative Approach to Party Rape,” Social Problems, vol. 53, no. 4 (2006), pp. 483–99. Azoulay, Ariella. “Has Anyone Ever Seen a Photograph of a Rape?” in The Civil Contract of Photography (MIT Press, 2008) Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917 (University of Chicago Press, 1995). Bevacqua, Maria. Rape on the Public Agenda: Feminism and the Politics of Sexual Assault (Northeastern University Press, 2000). Block, Sharon. Rape and Sexual Power in Early America (University of North Carolina Press, 2006). Boswell, A. Ayres and Joan Z. Spade, “Fraternities and Collegiate Rape Culture: Why Are Some Fraternities More Dangerous Places for Women?” Gender & Society, vol. 10, no.2 (1996), pp. 133–47. Brison, Susan. Aftermath: Violence and the Remaking of a Self (Princeton University Press, 2003). Brownmiller, Susan. Against Our Will: Men, Women, and Rape (Simon & Schuster, 1975). Buchwald, Emilie, Pamela Fletcher, and Martha Roth, eds., Transforming a Rape Culture (Milkweed, 2005). Bumiller, Kristin. In an Abusive State: How Neoliberalism Appropriated the Feminist Movement against Sexual Violence (Duke University Press, 2008). Burstyn, Varda. The Rites of Men: Manhood, Politics, and the Culture of Sport (University of Toronto Press, 1999). Butler, Judith. Frames of War: When Is Life Grievable? (Verso, 2016). Campbell, Kirsten. “Legal Memories: Sexual Assault, Memory, and International Humanitarian Law,” in Signs, vol. 28, no. 1 (2002), pp. 149–78. Cappiello, Katie and Meg McInerney, eds., SLUT: A Play and Guidebook for Combating Sexism and Sexual Violence (Feminist Press, 2015). Celis, William. “Date Rape And a List At Brown,” The New York Times, November 18, 1990. Clark, Annie and Andrea Pino, We Believe You: Survivors of Campus Sexual Assault Speak Out (Holt Macmillan, 2016). Coates, Ta-Nehisi. Between the World and Me (Spiegel & Grau, 2015). Connell, R. W. Masculinities, 2nd ed. (University of California Press, 2005). Crenshaw, Kimberle. “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review, vol. 43, no. 6 (July 1991). Critical Resistance and Incite!, “Statement on Gender Violence and the Prison Industrial Complex,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Davis, Angela. “We Do Not Consent: Violence Against Women in a Racist Society,” in Women, Culture, and Politics (Vintage, 1990); “Rape, Racism, and the Myth of the Black Rapist,” in Women, Race, and Class (Vintage, 1983). Deer, Sarah. “What She Say, It Be Law” in The Beginning and End of Rape (University of Minnesota Press, 2015). Dick, Kirby and Amy Ziering, The Hunting Ground: The Inside Story of Sexual Assault on American College Campuses (Skyhorse, 2016). Dworkin, Andrea. Intercourse: Occupation/Collaboration (Free Press, 1987). Enloe, Cynthia. “Wielding Masculinity inside Abu Ghraib and Guantanamo,” in Globalization and Militarism: Feminists Make the Link (Rowman and Littlefield, 2016). Estes, Steve. I Am a Man! Race, Manhood, and the Civil Rights Movement (University of North Carolina Press, 2005). Estrich, Susan. Real Rape (Harvard University Press, 1987). Factora-Borchers, Lisa ed., Dear Sister: Letters from Survivors of Sexual Violence (AK Press, 2014). Falcon, Sylvanna. “Rape as a Weapon of War: Militarized Border Rape at the U.S.-Mexico Border,” in Women and Migration in the U.S.-Mexico Borderlands: A Reader, edited by Denise A. Segura and Patricia Zavella (Duke University Press, 2007). Feimster, Crystal. Southern Horrors: Women and the Politics of Rape and Lynching (Harvard University Press, 2011). Filipovic, Jill “The Conservative Gender Norms That Perpetuate Rape Culture, And How We Can Fight Back” in Yes Means Yes (2008) Flanagan, Caitlin “The Dark Power of Fraternities,” The Atlantic, March 2014. Freedman, Estelle. Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation (Harvard University Press, 2013). Friedman, Jaclyn and Jessica Valenti, Yes Means Yes!: Visions of Female Sexual Power and a World Without Rape (Seal Press, 2008). Funk, Rus Ervin. “Queer Men and Sexual Assault: What Being Raped Says about Being a Man,” in Gendered Outcasts and Sexual Outlaws: Sexual Oppression and Gender Hierarchies in Queer Men’s Lives, edited by Chris Kendall and Wayne Martino (Harrington Park Press, 2006). Gay, Roxane. “Peculiar Benefits,” The Rumpus, May 16, 2012. Gilmore, David. Manhood in the Making: Cultural Concepts of Masculinity (Yale University Press, 1991). Goldin, Nan. The Ballad of Sexual Dependency (Farrar, Straus & Giroux, 1989); Nan One Month After Being Battered (color photograph, 1984) Gottschalk, Marie. “Not the Usual Suspects: Feminists, Women’s Groups, and the Anti-Rape Movement,” in The Prison and the Gallows: The Politics of Mass Incarceration in America (Cambridge University Press, 2006). Griffin, Susan. “Rape: The All-American Crime,” Ramparts Magazine, September 1971. Halley, Janet. “The Move to Affirmative Consent,” Signs: Journal of Women and Culture (2015). Harding, Kate. Asking for It: The Alarming Rise of Rape Culture—and What We Can Do about It (Da Capo, 2015). Harding, Kate. Asking For It (De Capo Press, 2015). Hartman, Saidiya. “Seduction and the Ruses of Power” in Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Oxford University Press, 1997). Hasday, Jill Elaine. “Contest and Consent: A Legal History of Marital Rape,” California Law Review, vol. 88, no. 5 (2000). Hesford, Wendy. “Witnessing Rape Warfare: Suspending the Spectacle,” in Spectacular Rhetorics: Human Rights Visions, Recognitions, Feminisms (Duke University Press, 2011). hooks, bell. “Understanding Patriarchy.” Jarvis, Christina. The Male Body at War: American Masculinity during World War II (Northern Illinois University Press, 2003). Jones, Gayl. Corregidora (Beacon, 1987). Kahlo, Frida. A Few Small Nips (painting, 1935) Kimmel, Michael. Angry White Men: American Masculinity at the End of an Era (Nation Books, 2015). Kimmel, Michael and Abby Ferber, eds., Privilege: A Reader (Westview Press, 2016). Kimmel, Michael Guyland: The Perilous World Where Boys Become Men (Harper Perennial, 2009). Kollwitz, Käthe. Raped (etching, 1907) Krakauer, Jon. Missoula: Rape and the Justice System in a College Town (Anchor, 2015). Law, Victoria. “Sick of the Abuse: Feminist Responses to Sexual Assault, Battering, and Self-Defense,” in The Hidden 1970s: Histories of Radicalism, edited by Dan Berger (Rutgers University Press, 2010). Leo, Jana. Rape New York (Feminist Press, 2011). Levy, DeAndry. “Man Up,” The Players’ Tribune, April 27, 2016. Luibheid, Eithne. “Rape, Asylum, and the U.S. Border Patrol,” Entry Denied: Controlling Sexuality at the Border (University of Minnesota Press, 2002). Luther, Jessica. Unsportsmanlike Conduct: College Football and the Politics of Rape (Akashic, 2016). MacKinnon, Catherine. “A Rally Against Rape,” in Feminism Unmodified: Discourses on Life and Law (Harvard University Press, 1988); “Rape: On Coercion and Consent,” in Toward a Feminist Theory of the State (Harvard University Press, 1991). Marcus, Sharon. “Fighting Bodies, Fighting Words: A Theory and Politics of Rape Prevention,” in Feminists Theorize the Political, edited by Judith Butler and Joan W. Scott (Routledge, 1992). Mardorossian, Carine M. Framing the Rape Victim: Gender and Agency Reconsidered (Rutgers University Press, 2014). McGuire, Danielle. At the Dark End of the Street: Black Women, Rape, and Resistance—A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage Books, 2011). McIntosh, Peggy. “White Privilege: Unpacking the Invisible Knapsack.” Meyer, Doug. “Gendered Views of Sexual Assault, Physical Violence, and Verbal Abuse,” in Violence against Queer People: Race, Class, Gender, and the Persistence of Anti-LGBT Discrimination (Rutgers University Press, 2015). Morrison, Toni. The Bluest Eye (Vintage, 1970). Morrison, Toni ed., Race-ing Justice, En-Gendering Power: Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality (Pantheon, 1992). November, Juliet. “It Takes Ass to Whip Ass: Understanding and Confronting Violence Against Sex Workers: A Roundtable Discussion with Miss Major, Mariko Passion, and Jessica Yee,” in The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities, edited by Ching-In Chen, Jai Dulani, and Leah Lakshmi Piepzna-Samarasinha (AK Press, 2016). Pascoe, C.J. and Jocelyn A. Hollander, “Good Guys Don’t Rape: Gender, Domination, and Mobilizing Rape,” Gender & Society, vol. 30, no. 1 (2016), pp. 67–79. Pascoe, C.J. and Tristan Bridges, eds., Exploring Masculinities: Identity, Inequality, Continuity and Change (Oxford University Press, 2015). Patterson, Jennifer ed., Queering Sexual Violence: Radical Voices from Within the Anti-Violence Movement (Riverdale Ave Books, 2016). Peek, Christine. “Breaking out of the Prison Hierarchy: Transgender Prisoners, Rape, and the Eighth Amendment,” Santa Clara Law Review, vol. 44, no. 4 (2004). Prickett, Sarah Nicole. “Your Friends And Rapists,” December 16, 2013. Puar, Jasbir. “Abu Ghraib and U.S. Sexual Exceptionalism,” in Terrorist Assemblages: Homonationalism in Queer Times (Duke University Press, 2007). Reeves Sanday, Peggy. Fraternity Gang Rape: Sex, Brotherhood, and Privilege on Campus (NYU Press, 2007). Richie,Beth E. Arrested Justice: Black Women, Violence, and America’s Prison Nation (Duke University Press, 2012). Ristock, Janice L. Intimate Partner Violence in LGBTQ Lives (Routledge, 2011). Ritchie, Andrea. “Law Enforcement Violence against Women of Color,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Roberts, Mary Louise. What Soldiers Do: Sex and the American GI in World War II France (University of Chicago Press, 2013). Rumney, Philip “Gay Male Rape Victims: Law Enforcement, Social Attitudes and Barriers to Recognition,” International Journal of Human Rights, vol. 13, nos. 2–3 (2009). Russell, Diane. Rape in Marriage (Macmillan, 1982). Sapphire, Push (Knopf, 1996). Scully, Diana and Joseph Marolla, “‘Riding the Bull at Gilley’s’: Convicted Rapists Describe the Rewards of Rape,” Social Problems, vol. 32, no. 3 (1985), pp. 251–63. Sebold, Alice. Lucky: A Memoir (Back Bay, 2002). Simmons, Aishah Shahidah. “NO! The Rape Documentary” (film, 2006). Simmons, Aishah Shahidah and Farah Tanis, “Better off Dead: Black Women Speak to the United Nations CERD Committee,” The Feminist Wire, September 5, 2014. Stone, Lucy. “Crimes Against Women,” Women’s Journal, June 16, 1877; “Pardoning the Crime of Rape,” Woman’s Journal, May 25, 1878. Sulkowicz, Emma. Self-Portrait (performance, 2016); see also Conversation: Emma Sulkowicz and Karen Finley (YouTube video, 2016) Sussman, Eve. The Rape of the Sabine Women (video-musical, 2007); Giambologna, The Rape of the Sabine Women (marble sculpture, 1583) Syrett, Nicholas L. The Company He Keeps: A History of White College Fraternities (University of North Carolina Press, 2009). Taylor, Keeanga-Yamahtta. From #BlackLivesMatter to Black Liberation (Haymarket, 2016). The Chrysalis Collective, “Beautiful, Difficult, Powerful: Ending Sexual Assault Through Transformative Justice,” in The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities, edited by Ching-In Chen, Jai Dulani, and Leah Lakshmi Piepzna-Samarasinha (AK Press, 2016). The Hunting Ground (film, 2015). Thuma, Emily. “Lessons in Self-Defense: Gender Violence, Racial Criminalization, and Anticarceral Feminism,” WSQ: Women’s Studies Quarterly, vol. 43, nos. 3–4 (fall/winter 2015). Tracy, Carol E. et al., “Rape and Sexual Assault in the Legal System,” Women’s Law Project (2012). Traister, Rebecca. “The Game Is Rigged,” New York Magazine, November 2, 2015. Van Syckle, Katie. “Hooking Up Is Easy To Do,” New York Magazine, October 18, 2015. Walker, Kara. My Complement, My Enemy, My Oppressor, My Love (exhibition, 2007) Wells, Ida B. “ Southern Horrors: Lynch Law in All Its Phases” (1892), “A Red Record” (1895), “Mob Rule in New Orleans” (1900). White, Janelle. “Our Silence Will Not Protect Us: Black Women’s Experiences Mobilizing to Confront Sexual Domestic Violence,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Williams, Sue. Irresistible (sculpture, 1992) Zirin, Dave. “How Jock Culture Supports Rape Culture, From Maryville to Steubenville,” The Nation, October 25, 2013. Zirin, Dave. “Jameis Winston’s Peculiar Kind of Privilege,” The Nation, December 5, 2014. Zirin, Dave. “Steubenville and Challenging Rape Culture in Sports,�� The Nation, March 13, 2013. “In the Shadows: Sexual Violence in U.S. Detention Facilities; A Shadow Report to the U.N. Committee Against Torture” (2006).

[tylerthecreatorgapingasshole]

Let's welcome our new members:

Janie Le,

Mian Mohammad Mohiuddeen,

Dama Vara,

Oanh Nguyễn,

Lokesh Khatri,

Virginie Faivet,

Ryan Ng,

Mariana Lopes de Vasconcelos,

Himmat Verma,

Kohji Kasahara,

Akshatha Muralidhar,

Nihed Attia,

Akon Khan Sabbir,

Sûhàîl Ţâmèém,

Pook Varangkana Tri,

Giulia Amoretti,

FeZo El-BakRy,

Odelia Azoulay,

Ayush Sharma,

Monica Shermain,

Lương Kim Phượng,

Rudran Siva,

Juan Franco Yu,

Tide Thanawat,

Carol Silva,

Dale Asuncion,

Otávio Ariano Gaio,

Jane Prefumo,

Jonathan Liew,

Chiara Sotgiu,

Anand Houston,

Nicole Kaczmarek,

Messaoud Dif,

Caio Vilas Boas,

جوني كويست,

Dimos Karalis,

Taya Dergachova,

Lăng Nhật Phong,

Sok Heng Phann,

Nguyễn Quỳnh Anh,

Nguyễn Đăng Khiêm,

Amal Encie,

Carol Sales,

Azad Khan,

Sherif Amin,

Cesar Tayar Filho,

Laura Feregotti,

Suraj Virk,

Junesce Do,

Agata Kuza,

Jej Latosa,

Vivek Patel,

Mohammad Nafiz,

Masoud Ahmad,

Alexandra Nicolae,

Feven Mohammed,

Afsha Patel,

Maya Alt,

Heis Kimani,

Нефизе Янева,

Isel Herrera Hidalgo,

Da Lin,

Ana Quezada,

Victor Kauan,

黃瓜瓜,

Alok Singh,

Piotr Sobczak,

Puja Bhakta,

陳葦涵,

Fozail Ahmad,

Bryan Mendoza,

Sravan Gupta,

Nhool Zorrilla Narvarte,

Yeng Kit Wong,

Xue Gong,

Ahmad Habashy,

Syed Nafees,

Matthew Irekigbe,

Phi Bão,

Bartlomiej Olubek,

Darko Stojilović,

Evgenia Bondar,

Sali Mazanashvili,

Anis Razuhanis,

Ahmed Elwehedi,

Daniela Gadacz,

Nilesh Kotak,

Abyem Afa Joseph,

Gabriel Coelho,

Тетяна Халіпіна,

Shenali Wasana,

Tasbeeh Ullah,

塗秉和,

احتشام انوار,

Liton Das,

Jerry Lexy,

Mariam Marish Gasparyan,

Prince Raju,

Kateryna Kulish,

Jéssica Mônaco

[writerkingdom]

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Bridgeton Industries: Automotive Component & Fabrication Plant

China: Facing The 21st Century By Robert E. Kennedy; Katherine Marquis

Howard Schultz and Starbucks Coffee Co. By Nancy F. Koehn

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Cirque Du Soleil By Thomas J. DeLong; Vineeta Vijayaraghavan

Buckman Laboratories (A) By William E. Fulmer

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Barilla Spa (A) By Janice H. Hammond

Charlotte Beers at Ogilvy & Mather Worldwide (A) By Herminia Ibarra; Nicole Sackley

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Wal-Mart's Response to Hurricane Katrina: Striving for a Public-Private Partnership By Susan Rosegrant & Dutch Leonard

Connecticut Spring and Stamping Corp. (A) By H. Kent Bowen & Sarah Tabler

Tencent By John R. Wells & Gabriel Ellsworth

Gordon Bethune at Continental Airlines By Nitin Nohria, Anthony J. Mayo & Mark Benson

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American Cancer Society: Access to Care By Robert L. Simons & Kathryn Rosenberg

FreeMarkets OnLine By V. Kasturi Rangan

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Dunkin’ Donuts Company Analysis

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Case Analysis: Starbucks Corporation By Frank T. Rothaermel

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Case Analysis: Commercial Fixtures, Inc. By Michael J. Roberts

Case Analysis: WellSpace Treatment Centers for Complementary and Alternative Medicine (A) By Regina E. Herzlinger, Jun Huangpu & Bing Lin

Case Analysis: Stella McCartney By Anat Keinan & Sandrine Crener

Case Analysis: Brierley Investments Ltd. By Paul M. Healy

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Case Analysis: Wilkins, A Zurn Company: Materials Requirement Planning By Carol Prahinski & Eric Olsen

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Case Analysis: TCS: The MCA 21 Project By David M. Upton & Bradley R. Staats

Case Analysis: CarPoint in 1999 By Thomas R. Eisenmann & Gillian Morris

Case Analysis: Diversification, the Capital Asset Pricing Model, and the Cost of Equity Capital, Spanish Version By David W. Mullins Jr

Case Analysis: El Coyote Mexican Cafe in the Wake of Proposition 8 By Brian K. Richter & Anisha George

Case Analysis: Tiffany & Co.--1993, Spanish Version By W. Carl Kester & Kendall Backstrand

Case Analysis: Renault-Nissan Alliance By Michael Y. Yoshino & Perry L. Fagan

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[champhorschamp-blog]

Lettre ouverte des cinéastes et professionnel-le-s de l'audiovisuel au FIPA (Festival International des programmes audiovisuel) à propos du « Focus sur Israël »

Le FIPA (Festival International des Programmes Audiovisuel) qui se tient à Biarritz du 23 au 28 janvier 2018, a choisi de faire un « Focus sur Israël ».

Des cinéastes internationaux, et des professionnel-e-s de l’audiovisuel, adressent cette lettre ouverte à la direction du Festival, pour protester contre le choix du FIPA de s'associer avec le gouvernement israélien, alors qu'il intensifie l'occupation, la colonisation et le nettoyage ethnique du peuple palestinien.

Parmi les 100 premiers signataires: Ken Loach, Mike Leigh, Aki Kaurismaki, Elia Suleiman, Avi Mograbi, Yousri Nasrallah, Anne-Marie Jacir, Michel Khleifi, Serge Lalou, Peter Kosminsky et Hala Alabdalla.Lettre ouverte des cinéastes et professionnel-le-s de l'audiovisuel au FIPA (Festival International de Programmes Audiovisuels) à propos du « Focus sur Israël »

         Nous,  cinéastes  et professionnel-le-s de l'audiovisuel, souhaitons exprimer notre profonde préoccupation devant le fait que le festival FIPA, par son initiative « Focus sur Israël », choisisse de s'associer avec le gouvernement israélien et l'Ambassade d'Israël, alors que ce pays non seulement poursuit, mais intensifie l'occupation, la colonisation et le nettoyage ethnique du peuple palestinien, et ce depuis maintenant de trop nombreuses années.

Nous nous interrogeons sur cette décision du FIPA de promouvoir l'Etat d'Israël, alors que l'on s'apprête à commémorer cette année les 70 ans de l'expulsion du peuple palestinien de ses terres. 

Le « Focus sur Israël » au FIPA, qui choisit d'ignorer cette histoire, se déroule au moment même où Israël promulgue des lois racistes, accélère l'expulsion et la confiscation des terres des Palestinien-ne-s sous occupation et entrave la liberté de parole des citoyens arabes d'Israël.

Quel message signifie ce partenariat officiel avec Israël qui, au mépris du droit international  et contre la quasi-totalité des chancelleries -dont la France-, veut l'annexion intégrale de Jérusalem pour en faire sa capitale ?

Quel message signifie ce partenariat officiel quand des dizaines d'enfants comme la jeune Ahed Al Tamimi sont incarcérés dans les prisons militaires et quand des centaines de Palestinien-ne-s sont emprisonné-e-s sans jugement depuis des années pour certain-e-s ?

La décision du FIPA s'inscrit également dans la collaboration avec le gouvernement le plus raciste et le plus à l'extrême-droite de l'histoire d'Israël. Gouvernement qui considère la promotion de la créativité d'Israël à l'étranger comme un outil de propagande central de sa politique. Ou, pour le dire avec les mots du Directeur général du ministère israélien des Affaires étrangères en charge de la promotion culturelle, Nissim Ben Chetrit, qui « utilise les productions culturelles israéliennes pour atteindre les objectifs politiques de l’État d’Israël ». Ce même Nissim Ben Chetrit qui « considère la culture comme un outil de premier ordre pour la hasbara (propagande). En ce qui me concerne je ne fais aucune de différence entre la hasbara et la culture. » 

Au regard de l'agressivité actuelle d'Israël dans ses attaques contre les civil-e-s palestinien-ne-s et leurs infrastructures, justifiées par ce même ministère des Affaires étrangères que vous avez choisi pour être le partenaire de votre festival, nous vous demandons, organisateurs du FIPA, de reconsidérer votre relation avec le gouvernement d'Israël, et de retirer votre partenariat avec le ministère israélien des Affaires étrangères et l'Ambassade d'Israël en France.

Choisir de faire un focus sur Israël en collaboration avec un tel gouvernement ne peut être considéré comme une position neutre. C'est un soutien, voire une complicité.

Si l'idée est de soutenir des réalisateurs israéliens ou de projeter des productions israéliennes, il y a d'autres façons de le faire que de traiter avec un Etat qui se place hors du droit et des conventions internationales.

Nous vous adressons cette demande par considération envers les cinéastes palestinien-ne-s qui ont perdu la vie ou des êtres chers dans les attaques militaires israéliennes. Nous vous l'adressons en tenant compte des nombreux centres culturels, institutions artistiques et universités attaqués et détruits par les forces d'occupation israéliennes. Nous vous l'adressons parce que nous sommes solidaires avec celles et ceux qui sont assiégé-e-s, occupé-e-s, emprisonné-e-s. 

Nous espérons que nos collègues et amis du Festival FIPA se joindront à nous.

Maya ABDUL-MALAK Réalisatrice, France

Thierry ABEL, Distributeur, Belgique

Maher ABI SAMRA, Réalisateur, Liban / France

Vahe ABRAHAMYAN, Chorégraphe - metteur en scène, France

Monia AKEL, Réalisatrice, Liban

Hala ALABDALLA, cinéaste, Syrie

Udi ALONI, Réalisateur, Israël / USA

Inès ANANE, comédienne, France

Raed ANDONI, Réalisateur, Palestine / France

Geoff ARBOURNE, Producteur, GB

Jean ASSELMEYER, cinéaste, France

Olivier AZAM, Réalisateur, France

Ariella AZOULAY, cinéaste, curatrice et enseignante, USA / Israël

Nidal BADARNEH, Acteur - Réalisateur, Palestine

Palmyre, A. BADINTER, Productrice, France

Salah BAKRI, Acteur, Palestine

Mohammed BAKRI, Acteur - Réalisateur, Palestine

Ziad BAKRI, Acteur, Palestine

Amic BEDEL, Réalisateur et dir. de la Photographie, France

Deborah BENARROSCH, programmatrice cinéma, Belgique

Mieke BERNING, Head of MA in Film, Pays-Bas

Nouma BORDJ, Photo, France / Allemagne

Matthieu BOYE, Art département cinéma, France

Haim BRESHEETH, Universitaire et réalisateur, GB

Frédéric CORVEZ, CEO URBAN GROUP, France

Steve COSSE, Réalisateur, France

Jean-Yves CROIZÉ, cinéaste, France

Chris DEN HOND, JRI, France

Cheikh DJEMAI, cinéaste, France / Algérie

Alexandra DOLS, cinéaste, France

Smadar DREYFUS, Artiste visuel / curatrice, GB

Emillie DUDOGNON, Productrice, France

Mahm El MAMOUNE, Journaliste TV, France

Pary, EL-QALQILI, Réalisateur, Allemagne

Dalila ENNADRE, cinéaste, France / Maroc

Maryse GARGOUR, Cinéaste, France

Véronique GELY, Maquilleuse, France

Khaled GHORBAL, Cinéaste, Tunisie

Arlette GIRARDOT, cinéaste, France

Anne GONAND VAUGEOIS, programmatrice cinéma, France

Annie GONZALES, Productrice cinéma, France

Emmanuel GRAS, Réalisateur, France

Joanna GRUDZINSKA, Réalisatrice, France

Samir H. ABDALLAH, cinéaste, France / Egypte

Leila HABCHI, Réalisatrice, France

Janine HALBERICH EUVRARD, Directrice de Festival des films, France

Dima HAMDAN, Réalisatrice, Palestine / Allemagne

Patrick HEPNER, Graphiste et artiste visuel, France

Avi HERSHKOVITZ, Réalisateur, Espagne / Israël

Michael HOARE, cinéaste, France

Geneviève HOUSSAY, programmatrice cinéma, France

Anne-Marie JACIR, cinéaste, Palestine

Nicole KAMATO, Producteur, Liban

Aki KAURISMAKI, Réalisateur, Finlande

Khemais KHAYATI, Journaliste et critique de cinéma, Tunisie

Yasmina KHERFI, Chef monteuse, France

Michel KHLEIFI, Réalisateur, Palestine /Belgique

Peter KOSMINSKY, Stonehenge films, GB

Serge LALOU, producteur, France

Hugue LE PAIGE, Journaliste / Réalisateur, Belgique

Delphine LECCAS, Directrice artistique, France

Mike LEIGH, Réalisateur, GB

Thierry LENOUVEL, producteur, France

Ken LOACH, Réalisateur, GB

Khéridine MABROUK, cinéaste, France / Algérie

Magali MAGNE, Réalisatrice, France

Ahmat MAHAMAT, Réalisateur, Tchad

Carol MANSOUR, cinéaste, Palestine

Sandrine MANSOUR, scénariste-historienne, France

Miriam MARGOLYES, Actrice, GB / Australie

Mai MASRI, cinéaste, Palestine

Audrey MAURION, Chef monteuse, France

Rakan MAYASI, Réalisateur, Liban

Elli MEDEIROS, Musicienne, France

Angela MELITOPULOS, artiste visuel - Réalisatrice, Allemagne

Pierre MENAHEM, producteur et distributeur, France

Avi MOGRABI, cinéaste, Israël

Ahmed NADJAR, JRI/Réalisateur, France

Nadine NAOUS, cinéaste, Palestine / France

Yousri NASRALLAH, cinéaste, Egypte

Idit NATHAN, Artiste visuel / curatrice, GB

Rebecca O’BRIEN, Productrice, GB

May ODEH Productrice, Palestine

Valérie OSOUF, Réalisatrice, France

Anand PATWARDHAN, cinéaste, Inde

Boris PERRIN, producteur et éditeur de DVD, France

Valerie PICO, monteuse, France

Solange POULET, opératrice culturelle, France

Hortense QUITARD, Productrice exécutive, France

José REYNÈS, cinéaste, France

Patrizia ROLLETI, Régisseuse, France / Italie

Jean-Jacques RUE, Animateur cinéma, France

Abdelhadi SAÏD, Auteur, Maroc

Leïla SANSOUR, cinéaste, Palestine

Khaled SID MOHAND, Journaliste radio, France / Algérie

Fatima SISSANI, cinéaste, France

Eyal SIVAN, Cinéaste, Israël / France

Faraj SULEIMAN, musicien, Palestine

Elia SULEIMAN, Réalisateur, Palestine

Ula TABARI, cinéaste, Palestine

Moncef TALEB, ingénieur du son, Tunisie

Bissane TAY, Auteur, productrice, Liban

José VIEIRA, cinéaste, France / Portugal

Nicolas WADIMOFF, Producteur, Suisse

Mohanad YAQUBI, Réalisateur - Producteur, Palestine

[lascalia]

LaScalia Fashion Blog just published new thing at: http://www.lascalia.com/zdrowie-i-uroda/bouchra-jarrar-promoted-to-officer-of-the-order-of-arts-and-letters/

Bouchra Jarrar Promoted to Officer of the Order of Arts and Letters

HONORS 2.0: Bouchra Jarrar was promoted to Officer of the Order of Arts and Letters in a ceremony in Paris on Wednesday at Palais Galliera, the Paris fashion museum. The Lanvin designer received the honor from former culture minister Audrey Azoulay. Guests included director Nicole Garcia, actress Rachida Brakni, singer Keren …please visit article’s author page to read more.

LaScalia thanks to: WWD Fashion Headlines

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[zakonrozpustyuposledzonychk-blog]

Bouchra Jarrar Promoted to Officer of the Order of Arts and Letters

wwd.com - HONORS 2.0: Bouchra Jarrar was promoted to Officer of the Order of Arts and Letters in a ceremony in Paris on Wednesday at Palais Galliera, the Paris fashion museum.

The Lanvin designer received the honor from former culture minister Audrey Azoulay. Guests included director Nicole Garcia, actress Rachida Brakni, singer Keren Ann, sound designer Frédéric Sanchez, makeup artist Tom Pecheux, photographer Dominique Issermann and ex-justice minister Christiane Taubira.

Jarrar, who headed her own label before joining Lanvin last year, has worked for brands including Capucine Puerari, Jean Paul Gaultier, Balenciaga, Scherrer and Christian Lacroix.

http://test.krotki.opentopic.com/rb935

[artdesannonces]

Nicole Azoulay a débuté son parcours artistique en 2013. Elle a suivi intensivement des cours à domicile pendant 6 ans, explorant diverses techniques comme l'aquarelle, l'huile et l'acrylique. Aujourd'hui, ses œuvres abstraites et lumineuses expriment ses émotions profondes, touchant un public international.

#artdesannonces #NicoleAzoulayArt

[lavotha]

Short film of winning story from children’s writing contest

To celebrate International Women’s Day on March 8, recognized worldwide to create awareness on the need for gender equality, the association Femmes Leaders Monaco organized the free screening of the French documentary “L’Histoire de Saré Bafé” on Thursday, March 9, 2017 at the Lycée Technique et Hotelier de Monte-Carlo.

Hilde Haneuse Heye, Founder and Honorary President of Femmes Leaders Monaco made a presentation on the French Speaking Writing Contest she created with women in the association, entitled “Aux Coeurs des Mots”. Isabelle Bonal, Director of the Department of National Education, Youth and Sports took the stage to convey the strong and continuous support of the Government of the Principality for initiatives that create awareness in favor of access to education for girls everywhere. (On the photo Hilde Heye and Isabelle Bonal @CelinaLafuentedeLavotha)

Also present at the event were distinguished personalities from Monaco and abroad as Stephane Valeri, Minister of Health and Social Affairs, Patrice Cellario, Minister of Interior, Anne Marie Boisbouvier-Ancian Advisor to HSH Prince Albert II, Marina and Jean Kerwat, Honorary Consul of Croatia in Monaco, Rina Spence Honorary Consul of Monaco in Boston, Mme Medecin spouse of the Ambassador of Monaco to Japan and India, and Marc Oberon from Lecode who made the film possible, just to name a few. Students from the Lycée Technique et Hotelier de Monte-Carlo, including those who will participate in the 2nd edition of the contest, plus loyal supporters filled the room to capacity for this solidarity event.

Hilde Heye and Isabelle Bonal @CelinaLafuentedeLavotha

Hilde Heye presenting the project and the movie @Valentina de Gaspari Louppe

Lilia Parisot and Anne-Barron Chays @CelinaLafuentedeLavotha

Mme Medecin spouse of Ambassador of Monaco to Japan and India, Marina and Jean Kerwat Honorary Consul Croatia@CelinaLafuentedeLavotha

Anne Marie Boisbouvier-Ancian Palace Advisor Patrice Cellario Minister of Interior and Stephane Valeri Minister of Health and Social Affairs @CelinaLafuentedeLavotha

Marc Oberon of Lecode, Rina Spence Honorary Consul of Monaco in Boston

Hilde Heye @CelinaLafuentedeLavotha

The children who wrote the tale also play in the film, together with their French teacher, something they had never done before! In a simple way they convey the message of their understanding for the need to guarantee access to education to girls as their deserved right.

Monaco photographer and member of FLMM, Valentina Gaspari Louppe  was in Senegal and prepared a video of the making of the film, that you can watch here:

The winning story was selected by a talented jury presided by Marjane Satrapi, and highly accomplished personalities: André Azoulay, Michèle Cotta, Brigitte Fossey, Antoine de Maximy, Thierry Dusautoir, Catherine Maunoury, Patrick Poivre d’Arvor, Aldo Romano, Jacques Salomé, Philippe Streiff and Bernard Werber. It was not an easy task because each school produced an interesting tale but only one could receive the first prize.

The winners of the international writing contest organised by Femmes Leaders Monaco, “Aux Coeurs des Mots”, with the participation of more than 400 children from 19 countries in 3 continents during their 2012-2013 school year under the theme “Les enfants du monde racontent” (The children of the world tell their story). The first edition was sponsored by the Organisation Internationale de la Francophonie (OIF), under Secretary General, Abdou Diouf, and the High Patronage of HSH Prince Albert II of Monaco. The book Aux Coeurs des Mots gathers all the stories from the participating countries.

Because for the women in this association not even the sky is the limit, they persevered and the the winning story was made into a film to bring forward the important message from the children even further. Their message is loud and clear: Educating both girls and boys guarantees a brighter future and the advancement of society!

The Awards Ceremony will take place in Monaco on Friday, October 20, 2017, in the presence of HSH Prince Albert II, loyal supporter of this initiative. The FLMM association is actively searching for generous sponsors to provide books and gifts for the children.

Contest 2nd edition to focus on Highlighting Women

FLMM has launched the 2nd edition of the contest under the theme Femmes en Lumiere (Highlighting Women), under the High Patronage of HSH Prince Albert II and the support of HE Mme Michaelle Jean, present General Secretary of OIF. The objective is for youngsters to highlight the role and work of women and recognize their central place in society.

Each class of 14 to 17 year-olds boys and girls, from 30 countries (Monaco included) in 4 continents, need to identify an exceptional woman that works in the shadows and bring her to the spotlight. A woman who has a notable impact and succeeded in conquering challenges within a complex context, in a difficult environment in the domain of education, conflict management and achieving peace, justice and rights of men and women, youth, seniors, health, research, economy, agriculture, culture or art in general, except politics. The students will make an interview and will then write a portrait of that woman. The contest again is based on objective Nbr. 3 of the 8 UN millennium objectives: to promote the equality of sexes and the empowerment of women.

As in the previous contest the participating students will be able to communicate through the Omnispace platform of intercultural exchange, a communication tool without frontiers, making this a project of peace and tolerance.

A prestigious international jury, lead by Fawzia Zouari, will select the best story. The talented jury members are: Adriana Karembeu, Akli Tadjer, Aldo Romano, André Azoulay, Antoine de Maximy, Bernard Werber, Camille de Peretti, Cathérine Maunory, Denise Fabre, Fréderic Lenoir, May Chidiac, Philippe Streiff, Thierry Dusautoir, Yasmina Taya

Femmes Leaders Mondiales Monaco (FLMM)

Created in 2010 by Hilde Haneuse Heye and her friends Femmes Leaders Mondiales Monaco is affiliated to Femmes Leaders Mondiales presided by Nicole Barbin with branches in a dozen countries since 2000. The association counts with more than 70 members and Chantal Ravera is the new President since 2016, while Hilde Heye remains as Honorary President.

Their mission is to promote and defend the place of Woman in society in all the domains: social, economic, cultural and politic and most importantly the equality of rights between men and women. Carry out actions with the objective to change the way of thinking, highlight women, either on the national and/or international arena, and promote solidarity among women in difficult or dangerous situations. In the six years since its inception several commissions have been created to advance the goals of the association: Women & Violence, Women in Prison, Women & Medicine, Highlighting Women.

Ban Ki Moon from South Korea, who was the United Nations General Secretary from 2007 through 2016 (now replaced by Portuguese Antonio Guterres), said “Equality between women and men is an advantage for all, and we have everything to win enabling women and girls to reach their potential.”

Today’s Quote

“The more I traveled and met with girls and learned from experts about this issue, the more I realized that the barrier to girls’ education isn’t just resources. It’s also about attitudes and beliefs – the belief that girls simply aren’t worthy of an education; that women should have no role outside the home; that their bodies aren’t their own, their minds don’t really matter, and their voices simply shouldn’t be heard.” Michelle Obama

Femmes Leaders Monaco celebrated Women’s Day with projection of film to promote gender equality Short film of winning story from children's writing contest To celebrate International Women’s Day on March 8, recognized worldwide to create awareness on the need for gender equality, the association Femmes Leaders Monaco organized the free screening of the French documentary “

[artdesannonces]

Du 18 au 20 octobre 2024, retrouvez Nicole Azoulay au Carrousel du Louvre pour le prestigieux salon Art Shopping ! 🌟 Venez découvrir ses toutes dernières créations, dont 'La tornade ' et 'Eaux vives', deux œuvres 100 x 100 cm vibrantes qui captivent par leur profondeur et leur lumière. 📍 Stand Mecenavie 📅 18-20 octobre 2024 📍 Carrousel du Louvre, Paris Un rendez-vous artistique à ne pas manquer ! Venez à la rencontre de cette talentueuse artiste et laissez-vous transporter par son univers unique, mêlant couleurs, émotions et énergie positive. 💫 #ArtShopping #NicoleAzoulay #ArtistePeintre #ArtContemporain #ParisExposition #Mecenavie #Carrouseldulouvre #ArtisteFrançaise #Peinture #Inspiration #artdesannonces #academienationaledartcontemporain

[artdesannonces]

✨ Découvrez les deux nouvelles œuvres de l'artiste peintre Nicole Azoulay : "Les lumières de l'espoir- 116 x 89 cm" et "Ville Flotante - 120 x 160 cm". Ces créations reflètent la vision lumineuse et poétique de l'artiste, mêlant harmonie des couleurs et profondeur symbolique. Chaque toile est une invitation à la rêverie, à l’exploration de mondes imaginaires et à la contemplation de la beauté cachée dans notre quotidien. Suivez le parcours de Nicole Azoulay et plongez dans son univers artistique ! 🌟🎨 https://azoulay-nicole.dictionnairedesartistescotes.com #Art #Peinture #NicoleAzoulay #LesLumièresDeLEspoir #VilleFlotante #NouvelleCollection #ArtContemporain #artdesannonces #academienationaledartcontemporain

[artdesannonces]

🎨✨ Annonce officielle ✨🎨 Nous sommes ravis de vous annoncer que Nicole Azoulay, artiste peintre talentueuse, exposera au prestigieux salon Art Shopping qui se tiendra au Carrousel du Louvre à Paris, du 18 au 20 octobre 2024. Cet événement est l'occasion parfaite de découvrir son œuvre dans un cadre unique, en partenariat avec la galerie Mecenavie. Venez explorer ses créations et plonger dans son univers artistique fascinant. 📅 Dates : 18 au 20 octobre 2024 📍 Lieu : Carrousel du Louvre, Paris 🤝 Galerie partenaire : Mecenavie #NicoleAzoulay #ArtShopping #Carrouseldulouvre #Mecenavie #Exposition #ArtParis #PeintureContemporaine #SalonArt #ArtistePeintre #artdesannonces #academienationaledartcontemporain

[artdesannonces]