#Newcastle Family Photography

[naturallightsphotography]

Natural Lights Photography captures the essence of familial bonds, preserving precious moments and creating lasting memories that span generations. Our specialized photographers of Newcastle Family Photography focuses on capturing the unique dynamics and relationships within a family, celebrating the love, joy, and connections that make each family unit special. To capture your special moments, visit the official website and book your photography session today!

[thesnapshotcafe]

Wedding Photography and Videography Service in Northumberland, North East England

We have provided wedding photography and videography services for a pleasant couple in the North East England.

http://www.foreverlovewedding.com/

Their wedding ceremony was held in an impressive historical church, St. Maurice Ellingham and their wedding banquet was held at a luxury wedding venue, Ellingham Hall, Northumberland.

This sweet couple's wedding day was actually held all at one place in Ellingham Hall, with all the wedding setups being western-styled. We first started the bridal and groom getting ready shoots right after the church ceremony started, which took place very close to the venue.

After that, we returned to the venue and finished our photo and video shoots very professionally and smoothly. Their wedding took all day, around 12 hours. It was a tiring day for us, but we also had a great time during our shoots with this friendly couple and all their guests.

We wish them a wonderful everlasting married life!

Feel free to explore more photos and videos on our website, Facebook, and Vimeo pages!

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[tlgphotography123]

Baraat to Brides: Indian Wedding Photography Newcastle Sunderland

The Globe of Indian Wedding Event Digital Photography Check out the charming world of Indian wedding photography Newcastle Sunderland, where every frame narrates a story of love, custom, and event. Submerse yourself in the rich social tapestry and wondrous union as our competent photographers and videographers meticulously catch every short lived minute with grace and precision.

From elaborate henna layouts to lively baraat processions, our photos display the splendour of Indian wedding celebrations, preserving vibrant colours, intricate decors, and genuine routines for generations ahead.

Overview of the Region as a Wedding Event Location Newcastle and Sunderland in the North East of England supply a charming mix of history, society, and natural charm, making them perfect wedding places. Newcastle boasts renowned landmarks and a vibrant atmosphere, while Sunderland supplies a peaceful setup with its coastline and parks.

Both cities have a variety of venues to fit every pair's choices, from historical castles to modern resorts. With simple transport and lodging alternatives, couples can enjoy an unforgettable wedding party in the heart of the North East.

Social Context in Indian Wedding Photography Newcastle Sunderland Understanding the cultural context in Indian wedding celebration photography involves acknowledging the significance of rituals, ceremonies, garments, and icons that are essential to Indian weddings. This knowledge permits professional photographers to record minutes that mirror the significance of Indian culture and custom, making certain that the photos are significant to the couples and their households.

Comprehending Indian Wedding Practices and Routines Indian wedding events are a dynamic display of personalizeds, with different pre-wedding ceremonies leading up to the main event. The big day itself is loaded with essential routines that symbolize love and family members consistency.

After the wedding event, customs like the Vidai and Function note the start of the couple's brand-new journey. Professional photographers who comprehend the order and symbolism of these routines can record the appeal and social importance of the party.

Significance of Newcastle & Sunderland for Indian Weddings Newcastle and Sunderland are now prominent options for Indian weddings as a result of their availability, spectacular places, and inviting ambience. Despite not being standard options, their well-connected transport and picturesque environments use convenience and aesthetic charm.

Historical castles and modern beachfront settings provide a selection of locations for events, while the region's appeal and legendary sites produce beautiful digital photography backdrops. Pairs can start their marital trip memorably by commemorating their big day with liked ones with Indian wedding photography Newcastle Sunderland.

Pre-Wedding Prep work Indian wedding events are abundant in practices and customs that have deep cultural meaning. These routines join families and mark the beginning of the couple's union. The Roka ceremony is an essential minute where families reveal and accept the upcoming marital relationship.

The Mehendi ceremony involves elaborate henna layouts on the new bride's hands and feet, symbolizing beauty and good luck. The Sangeet is an exciting night of songs and dance performances by enjoyed ones, contributing to the festive mood.

Engagement Ceremonies and Traditions The "Sagai" or "Mangni" ceremony represents the commencement of the wedding celebration trip. It is usually performed in the company of instant family and friends, where the groom and bride exchange rings to symbolise their dedication to one another.

While particular rituals may differ depending upon regional and social custom-mades, key parts usually entail obtaining blessings from elders, exchanging gifts, and partaking in festive meals.

Location Selection and Pre-Shoot Preparation Picking the excellent venue and planning are crucial for a perfect Indian wedding celebration. Couples carefully select venues that match their vision, whether it's a grand banquet hall or a beautiful outside area.

They take into consideration factors like capability, aesthetic appeals, and accessibility to develop the perfect setting. Pre-wedding shoots involve working together with digital photographers and videographers to record magnificent moments and talking about motifs, locations, and logistics for a smooth and successful shoot.

Recording the Minutes Photographing an Indian wedding event requires ability, creativity, and level of sensitivity. Professional photographers and videographers intend to catch the emotions of the bride-to-be, bridegroom, and their enjoyed ones. They use a mix of candid and presented shots to authentically maintain the essence of the occasion. With their keen eye for structure and timing, they capture the natural beauty and power of the event, producing a visual story that will be treasured for several years.

Honest Photography: Recording Authentic Feelings Honest digital photography captures genuine emotions and unplanned moments as they take place normally, particularly in Indian wedding photography Newcastle Sunderland. It eternalizes authentic joy, giggling, and tears by discreetly observing and capturing unfiltered feelings and communications in between the couple, family members, and guests. From secret glimpses to sincere accepts, candid digital photography protects the true significance of the event.

Typical Positioned Portraits: Bridal and Groom Shots Standard posed pictures are an essential element of Indian wedding digital photography, supplying couples with timeless and innovative photos that highlight the charm and style of their big day. These portraits typically display the couple in standard postures, stressing their attire, jewelry, and the intricate details of their wedding attire. Professional photographers very carefully place the couple versus attractive histories, using all-natural light and make-up to produce spectacular and aesthetically attractive photos.

Ceremony Protection Event protection records all important minutes throughout a wedding event, consisting of rituals, customs, and highlights. In Indian weddings, this includes the arrival of the bridal event, exchange of pledges, and blessings.

It involves photography or videography of key moments like the baraat procession, bridal entryway, garland exchange, spiritual swears, and personalizeds certain to the couple's culture or religious beliefs.

Baraat: The Groom's Procession The Baraat procession is a vibrant customized in Indian weddings where the bridegroom comes to the wedding celebration area with music, dancing, and celebration. Signed up with by relatives and friends, the bridegroom goes into grandly, usually on an embellished horse or colourful lorry. This procession stands for the bridegroom's happiness and passion for marital relationship and is a cheerful display screen of love and assistance from enjoyed ones.

Wedding Celebration Rituals and Events in Newcastle & Sunderland Indian weddings in Newcastle and Sunderland are filled with standard rituals and events that highlight the couple's cultural heritage. Against the background of the North East's attractive landscapes, these events vary from austere vows to vibrant parties. From spiritual fire rituals to joyful Sangeet evenings, each moment is abundant with definition and treasured traditions.

Location Showcase Newcastle and Sunderland provide a range of spectacular venues for Indian wedding events, each with its one-of-a-kind beauty. From historical castles to beachfront places, pairs have lots of choices. The famous landmarks and stunning landscapes give gorgeous backdrops for events, receptions and Indian wedding photography Newcastle Sunderland Whether pairs desire an intimate event or a grand event, these locations cater to every taste, ensuring an unforgettable setup for their special day.

Highlighting Wedding Event Locations in Newcastle & Sunderland. When checking out wedding celebration locations in Newcastle and Sunderland, you'll find a large range of alternatives best for each couple's desire event. Newcastle supplies historical sites and modern-day sophistication, with places ranging from castles to waterfront spaces.

Sunderland showcases seaside elegance and lavish landscapes, with lovely manors and scenic gardens. Each location has its unique beauty and features, guaranteeing a memorable setup for your big day.

Utilising Breathtaking Backdrops for Photography Using picturesque backgrounds for digital photography boosts the beauty of Indian wedding events in Newcastle and Sunderland. With popular landmarks in Newcastle or tranquil landscapes in Sunderland as a backdrop, professional photographers produce an aesthetic tale that records the essence of love and beauty. Whether versus historical structures or in nature's tranquillity, every minute is elevated by the lovely backdrop, leading to classic pictures that evoke emotion and elegance.

Bridal Appeal and Style Indian weddings in Newcastle and Sunderland are renowned for their stunning wedding beauty and fashion. The brides in these cities dazzle in elegant outfit embellished with detailed needlework and amazing gems, reflecting their specific design and rich heritage.

Whether in standard sarees or opulent lehengas, each ensemble tells a story of practice and improvement. Complex henna styles on their hands and feet, together with professional make-up, enhance their natural appeal, creating a radiant glow in every photograph.

Showcasing Indian Wedding Outfit and Jewelry In Newcastle and Sunderland, the wedding outfit and jewelry of India display splendid style and cultural heritage. Brides wear spectacular garments like sarees and lehengas, adorned with intricate embroidery and crafted from lavish fabrics. These ensembles highlight the bride-to-be's special design and cultural background. The magnificent gems, including lockets and bracelets, represent standard workmanship and artistry.

Makeup and Styling for Indian New Brides in the North East Indian bride-to-bes in the NorthEast area blend standard and modern aspects in their makeup and designing. Skilled musicians boost their all-natural charm and honour their social heritage.

For Indian wedding celebration photography Newcastle and Sunderland, brides wear magnificent makeup that emphasizes their attributes, including traditional kohl-lined eyes and dynamic lips. Hairdos vary from stylish updos to streaming waves decorated with complex accessories. Whether selecting a conventional or modern appearance, new brides exhibit beauty and refinement.

The Groom's Style Grooms in the Northeast effortlessly mix traditional and contemporary designs, wearing polished garments like sherwanis and dhotis with well-fitted attire and complex decorations. Devices like bandanas and brooches include in the regal look. Whether choosing timeless or contemporary, bridegrooms exude confidence and style on their special day, showcasing their social heritage with elegance.

Bridegroom's Style Trends and Add-on In the North East, grooms mix standard and modern-day style trends and devices. Classic garments like the sherwani and dhoti are upgraded with modern-day cuts and styles, while devices like bandanas, breastpins, and stitched shoes include a royal touch. Bridegrooms emanate confidence and design on their wedding day, showcasing their cultural heritage with skill.

Baraat Clothing: Standard and Contemporary Options Baraat attire supplies conventional and modern styles for grooms, with options like sherwanis and dhotis showcasing ageless sophistication through intricate embroidery and lavish fabrics.

Conversely, tailored matches and blend sets bring a fresh twist with contemporary cuts and designs. Whether welcoming heritage or modernity, bridegrooms emit self-confidence and design as they lead their wedding procession.

Function Party The reception ceremony in Newcastle and Sunderland is a jubilant party of two individuals joining in marital relationship. It is a sophisticated and splendid occasion where enjoyed ones collect to honour the couples. Laughter, music, and dance fill the air as visitors enjoy delicious dishes and supply salutes. Every information is diligently intended to develop a remarkable occasion.

Evening Parties: Dinner, Dancing, and Enjoyment Indian weddings in Newcastle and Sunderland are a wonderful mix of food, dance, and home entertainment, creating a jubilant atmosphere. Visitors savour authentic Indian food, share giggling, and delight in energetic efficiencies on the dancing floor. The amusement mesmerizes guests of all ages, guaranteeing an evening of happiness and memories that will last a life time.

Function Location Choice and Decoration Considerations The function venue and decoration are key for a remarkable wedding event in Newcastle and Sunderland. Pairs select locations that align with their vision, whether it's a castle, resort, or outdoor setup. Every information of the design, from flowers to lights and tables, is chosen for style and appeal. Talented professional photographers and videographers capture the venue's elegance, preserving special moments for the couple and their visitors.

Post-Production and Cd Creation Post-production and cd development are important in Indian wedding photography Newcastle Sunderland. After catching moments, photographers focus on modifying to enhance elegance and emotion. The selected images are arranged right into a stunning album that informs the couple's one-of-a-kind love story. Every detail is considered to develop a timeless memento of their special day.

Editing And Enhancing Strategies for Indian Wedding Celebration Photography Indian wedding celebration digital photography incorporates creativity and technical know-how to improve the appeal and feeling of photos. Knowledgeable digital photographers make use of editing and enhancing tools to improve colours, contrast, and clarity, leading to vibrant pictures.

They might also fine-tune functions and get rid of disturbances while keeping authenticity. The goal is to catch the dazzling colours of standard clothes and decorations, developing a natural aesthetic story in the wedding event album.

Creating Beautiful Wedding Celebration Cds for Couples Producing stunning wedding celebration cds in Newcastle and Sunderland needs a joint synergy that incorporates imagination, know-how, and personalisation. Photographers work carefully with couples to select and set up images that tell their romance, making use of sophisticated layout devices to craft visually appealing designs that show the couple's style. Every information is very carefully selected to develop a special album that will certainly be valued for many years to find, preserving priceless memories for a lifetime.

Cross-Cultural Weddings Cross-cultural weddings symbolise the blend of traditions, customs, and love stories from varied histories. These celebrations honour the union of partners from different cultural beginnings, intertwining distinctive attributes to create a combined event. Through customizeds, garments, food, and songs, every element of the wedding celebration showcases the couple's common course.

Fusion Wedding Events: Mixing Indian and Western Practices Combination weddings in Newcastle and Sunderland mix Indian and Western personalizeds, creating an one-of-a-kind mix of cultural diversity and modern design. These classy occasions incorporate the lively colours and traditions of Indian events with the refinement of Western techniques. From a mandap adorned with roses to a mix of Bollywood and ballroom music, every minute mirrors the couple's varied backgrounds and love for every other.

Obstacles and Opportunities in Cross-Cultural Photography Cross-cultural photography offers both challenges and opportunities. Despite the complexities of navigating different traditions, it permits professional photographers to catch the significance of modern weddings.

Language obstacles and cultural differences might pose troubles, yet these experiences advertise individual growth and understanding of diverse societies. By documenting these moments, professional photographers preserve memories and celebrate variety, promoting links and recognition within areas.

Conclusion Professional photographers in Indian wedding photography Newcastle Sunderland skillfully capture the dynamic traditions and blend of cultures, memorializing the essence of love. They pay tribute to a range of customs, guarding the intricate web of cross-cultural marriages in these culturally rich cities with expressive images, enveloping the withstanding trip of love.

[attropin]

Scotswood Road, Newcastle,1963 by Colin Jones

[ridleymartin]

Valuable Family Photographers Newcastle

To help you treasure the most memorable moments of the special day of your life by hiring well-trained family photographers in Newcastle. Artistique Wedding Photography is a famous team of professionals giving quality clicks under an affordable price range. for more info, contact us.

[garystockdalephotography-blog]

Exploring before school

[totallyhussein-blog]

As the UK marked Remembrance Day on the 11th November, this picture is of my Great Uncle Ron and Aunt Jean Fisher. Uncle Ron's ship was torpedoed during WW2 and until her own death in the 1990's, Auntie Jean always referred to him as 'my Ron.'

To honour both their memories, earlier this year we decided to support the RNLI's Launch a Memory in Uncle Ron's name. The only other acknowledgement of his life, is on the Tower Hill Memorial in London and his image remains in two remaining photographs.

By supporting Launch a Memory, Uncle Ron is now part of the RLNI's lifesaving crew and will be there when the Mayday signal of distress is sent out. If any of you are in London, you are also welcome to visit Uncle Ron at the Tower Hill Memorial, facing the Tower of London.

[naturallightsphotography]

Weddings are one of life's special  moments that hold unforgettable moments, emotions creating a long lasting memory of forever. Capture all the sweet memories of your wedding day with Natural Lights Photography, a one stop destination for Newcastle Wedding Photography. From engagements to weddings or family portraits, a leading photographer, creating  timeless  and  beautiful  images. For more information visit the official website today!

[sarinha95]

My little model 🥰💙✨ #babyboy #son #family #familylove #familytime #photography #uk #newcastle #love (at Newcastle upon Tyne) https://www.instagram.com/p/ByKNvjEn5Os/?igshid=1xh0hmdm8g628

[neo-existential-crisis]

Thresholds, Online Exhibition Review

@ MIMA, Middlesbrough Institute of Modern Art

At the start of the year we were fresh-faced, coming into a new decade our planners were full and the air was ripe with potential. Then we entered the period of uneasiness, stuck at home not knowing what was going to happen next, our plans stifled; the places we once went for enjoyment and culture were shut and at risk of closing for good. In this period of uncertainty, we connected to the outside world via our screens, seeing family and friends in unfocused zoom calls and trying to figure out the best impromptu office space to work from home in. We spent more time in our domestic spaces, saw into the domestic worlds of our peers, lines were crossed as our domestic spaces became where we entertained friends, where we worked and where we also relaxed on top of everything. Our relationships with our homes we re-written as we adapted to our new way of living through a pandemic.

Throughout lockdown, art spaces jumped to create online exhibitions right away and created a plethora of virtual exhibits some newly made others pre-planned exhibits put into a computer manufactured gallery space or a video tour like Tate Modern’s Andy Warhol exhibit. Comparatively, Thresholds curator Adian Moesby, who is currently working as MIMA’s associate curator during his residency, took time to reflect on the changes made to our relationship with home during lockdown and the easing of restrictions which is where this current virtual exhibition is born out of. Moesbys practice is ‘under pinned through conversation’ (Adian Moesby – About, 2020) which he utilises in the curation of this exhibit through in-depth conversations he had with Sonia Boué, Lindsey Duncanson and Catriona Gallagher, the three artists that make up Thresholds. The exhibit connects these artists together through a mix of photography and film to communicate their personal stories and experiences with lockdown and the impact Covid-19 had on their relationship to home. Made at a time of easing restrictions Thresholds asks us to evaluate our feelings and connections towards our homes and the places we inhabit at a time where restrictions are tightening up once again and we will inevitably be spending more time there.

Clicking through to the exhibit PDF you are confronted with a low-res still from Catriona Gallagher's ‘Video Villanelle (for distance)’ (2020), a twilight sky setting up the transient mood that prevails throughout the exhibit. Scrolling down you are introduced to Sonias Boué’s ‘Safe as Houses’ (2020) 12 photos documenting her move to her new studio space which she moved into during the transitional period of lockdown. Set against a white backdrop each new photo exists on its own page and explores a plethora of objects which Boué takes with her for each new move; from childhood items such as a rocking horse to an exhaust pipe situated on its own rickety looking chair, these hold a personal connection to the artist. ‘Safe as Houses’ shares a close relationship to much of Boué’s practice where she ‘explores home and the domestic as metaphors for exile and displacement’ (Sonia Boue, 2020) with much of her work focusing on post-memory the idea of connection to the past and the generational trauma that continues to affect the lives of future generations seen most clearly in her work responding to the Spanish Civil war. Boué presents this within Thresholds in the specifically tailored striped pyjamas featured in a quarter of the photographs that connect not only to the new casualwear of lockdown but is reminiscent of the clothes her grandparents were forced to wear during their time in concentration camps. In one they sit folded on a wooden chair set to the right of the frame; the room dim with a square of light reflected in from a window in the empty space. Boués photos mark the space of time from childhood to adulthood and the period of moving. The photographs and the diverse objects we see serve as an exploration into what home means to us, the things we carry through with us through childhood into our adult lives and how we make a space a home.

Sonia Boué, 'Safe as Houses', 2020.

Where Sonia Boué travels through memories and explores the past, Lindsey Duncansons piece ‘Brief loss’ (2020) studies the repetitive stagnation of life during lockdown. The three greyscale film vignettes feature next to each through a triptych; filmed within Duncanson's own flat it reveals a very personal side to the artist and invites us into her own domestic space that she shares with her family. The film is notably different from the rest of Duncanson's work which usually feature sublime picturesque outdoor scenes with plenty of colour whereas in this piece she has swapped out the rolling hills of the moors of Stanhope for the cosy interiors of home. This reversal exemplifies the loss, change and confinement that lockdown brought, Duncanson can no longer explore the landscapes around Newcastle upon Tyne and so she has adapted to her new situation and uses her home as a landscape to explore instead. Titled ‘Brief Loss’ the piece carries with the emotional effects of lockdown and displays the monotonous nature of life that occurred when we could no longer go out to experience life outside our homes. Within the scene Duncanson sits crouched in the centre of the triptych, walled in by a row of plants and a bookcase she’s seemingly lost in thought, occasionally picking a book out and flipping through it before resuming her previous position, there is a quiet comforting presence to the piece, on either side of Duncanson her partner, in the left-hand panel, and son, in the right, sit in their own respective rooms, her partner rests comfortably on an armchair occasionally living his mug while her son sits at his desk drawing while a screen flickers out of signal next to him. The whole scene has a dreamlike quality to it with the comfortable atmosphere alongside the ambient sound and the black and white filter and in each doorway behind the subjects exists projections of the outside, with pond skaters skipping over water, the ripples and reflections of clouds, and star-like moving foam. Duncanson combines the domestic with the outside showing our dreams of being free once again and escape this monotony that we’ve fallen into.

The final piece of Thresholds isn’t confined to the comforts of home or one space instead it travels through memories, moments and landscapes. Home isn’t one pace for most of us but for Catriona Gallagher she works and lives between Northumberland and Athens ana through ‘Video Villanelle (for distance)’ (2020) she ‘explores her sense of dislocation’ (MIMA-Thresholds-Exhibition.pdf, 2020) from being stuck in England while trying to navigate the travel restrictions throughout summer to return to Greece. The aptly named 17-minute film follows the a, b rhyme structure -like that of a traditional villanelle poem- comprised of short snippets of footage with repeating motifs not too different from the structure of a stanza. The footage feels as though you are being invited into Gallagher's life, it’s a documentation of scenes with friends, with so warm sparkling candles on a birthday cake and to late-night bicycle rides, to rain pouring outside of a window and Gallagher's reflection in the window of a train the landscape rushing by while you hear mindless chatter in the background. Sound plays an interesting role in this film with most of it coming from the footage though you can hear music from Magic Arm ebbing and flowing through that perfectly ties the clips together. There is a sense of reminiscing over what life used to be with clips featuring a close-knit group of people and scene of the Greece coastline this is starkly contrasted to the reality of uncertainty as to when life will return to normal. The film is set in portrait mode with a somewhat low-quality feel to it due to the footage being taken entirely from existing videos from Gallagher's phone archive. It comprises of videos sent to friends or keepsakes as Jade French puts it ‘this footage was never intended to be art’ (French, 2020) which give it an intensely personal feel as if we are walking through her memories. ‘Video Villanelle’ focuses on the small moments, the subtle experiences in life and though the footage is fragmented it still carries the same focus on overlooked details in our physical spaces and ambient wistful nature that Gallagher's work holds. Gallagher uses this piece to reflect on their experience of lockdown and looks at how our phones connect while improvising with the limited tools she had available as she did with ‘They met under the ceiling of sky’ (2020) which then went on to the official selection in the Laterale Film Festival in 2020.

Catriona Gallagher, Stills from ‘Video Villanelle (for distance)’, 2020

Over the summer we have been overrun with the many virtual exhibits and Thresholds taking place after utilises the online space to its best potential. Having been commissioned to be a virtual exhibition it uses photography and film which are familiar to the online space rather than creating pieces tailored to a physical space. Through working online there’s a variety of different experimental formats to use over a simple pdf format however this way it encourages a non-art audience to take part through being simple, it becomes relatable for a wider range of people which Moseby advocates for having curated public events to specifically engage those audiences.

Thresholds subliminally speaks on the visibility of the disabled community in the art world. Curator Aidan Moseby closely works within the disability and diversity sector having been commissioned by and worked for companies such as Disability Arts Online and DASH which this exhibition is partnered with. The setup and extra care with subtitled and audio described versions for each film make this exhibition more accessible the usual cases. Where other galleries are immediately setting up shop in their physical spaces' as lockdown eased Thresholds doesn’t, it makes a statement that we can’t forget that the move to virtual during lockdown made art spaces more accessible to the disabled community. Art spaces have long been exclusive and inaccessible but with the lockdown when non-disabled people no longer had the means to visit gallery spaces that suddenly changed. It showed that galleries had little excuse for doing this before with the ease and speed in which they transferred their exhibitions online. Even having a virtual floor plan makes it more accessible as they ‘act as a helpful tool to plan trips and relieve anxiety for disabled art audiences’ (Kroese, 2020) referencing 3d art space floor plans.’. Thresholds subliminally makes a statement through being set after many galleries have shut their online exhibits and have opened their doors again through quietly having accessible versions of artworks. There is much change that needs to happen in the art world in making it more accessible to a wider range of people and lockdown has presented these options that we can and should learn from to aid us in the future.

Thresholds invades your domestic space as you visit it through the comforts of your own home through the ambient sound of Gallagher's work and personal memorabilia of Boués photographs. It looks at how the pandemic has changed our relationship to our domestic spaces, how confined we've become and how the virtual space can connect us. As lockdown has pushed and eased our homes have become multi-functional places, we continue to reflect on the change our lives have gone through and think about our connection to the people we surround ourselves with. Though through this we need to see the visibility of disabled people in the arts and how the small start that was ignited during lockdown needs to continue to help keep places accessible to the many rather than the few.

Thresholds can be found here.

Bibliography

Mima.art. 2020. MIMA-Thresholds-Exhibition.Pdf. [online] Available at: <https://mima.art/wp-content/themes/mima-wp/media/MIMA-Thresholds-Exhibition.pdf> [Accessed 21 October 2020].

French, J., 2020. Thresholds. [online] Corridor8. Available at: < https://corridor8.co.uk/article/thresholds/ > [Accessed 22 October 2020].

Aidan Moseby. 2020. About. [online] Available at <https://www.aidanmoesby.co.uk/contact-us/ > [Accessed 22 October 2020]

Duncanson, L (2020) ‘Quarry’, Blue Topgraphy, 27 January. Available at: < https://bluetopography.blogspot.com/2020/01/quarry.html> (Accessed 23 October 2020)

Kroese, I., 2020. Emerging Accessibility: Post-viral programming and disabled audiences. [online] Corridor8. Available at: < https://corridor8.co.uk/article/emerging-accessibility-post-viral-programming-and-disabled-audiences/> [Accessed 23 October 2020]video

[miss-rosen]

CHRIS STEELE-PERKINS: BRIXTON 1973-1975 Miss Rosen for Magnum Photos

Chris Steele-Perkins was only two years old when his family moved from Burma to England in 1947. Growing up in Burnham-on-Sea, he recalls being the only biracial person in the seaside town, creating a profound sensitivity to the “other” in a racially-homogenous area of the country. “I’m not saying I had a terrible time but I was aware of being different and not being English, which at that time meant white Anglo-Saxon Protestant,” Steele-Perkins says.

After graduating from the University of Newcastle- upon-Tyne with a degree in Psychology in 1970, Steele-Perkins began working as a freelance photographer and quickly realized he would need to move to London to make the kinds of stories he wanted. Recognizing a kinship with outsiders, Steele-Perkins was drawn to document British subcultures and urban poverty at the start of his career. Recognizing the camera’s ability to discern and distill the universal humanity of his subjects, Steele-Perkins also understood photography could be used to expose the systems of power designed to oppress the most vulnerable.

Read the Full Story at Magnum Photos

1: Chris Steele-Perkins Portrait of a local musician in Brixton. London. England. GB. 1974. © Chris Steele-Perkins | Magnum Photos

2: Chris Steele-Perkins Limbo competition at a festival in Brixton. London. England. GB. 1974. © Chris Steele-Perkins | Magnum Photos

3: Chris Steele-Perkins Reggae Festival. Brixton. London. England. 1974. © Chris Steele-Perkins | Magnum Photos

4: Chris Steele-Perkins School children outside Desmond's Hip City record shop in Brixton. Brixton. London. England. GB. 1973. © Chris Steele-Perkins | Magnum Photos

[joolshallie]

Applying to medical school

I’m now a third year medical student (eek) and thought I’d do a bit of updated reading into applications, along with using my own experience to make a post all about applying to med school (undergrad) in the UK :D 

Grade requirements 

Medicine is hugely competitive so this drives grade requirements up. Having said that, universities put a lot of emphasis on you as a person, so it’s not all about having the most A*s. 

Different universities put different emphases on different grades. Some focus more on GCSEs than A-Levels for their filtering systems when selecting for interview (e.g. Oxford) - and vice versa

Universities often specify grades in certain subjects at GCSE (e.g. asking for As in maths/sciences).

The best advice is to check the university’s own website for their specific requirements for GCSEs, A-Levels/IB etc. and how they use this in their selection process.

The general A-Level offer is AAA, but quite a few universities requiring A*AA now, and Cambridge requires A*A*A.

The university of Buckingham (private), Kent and Medway (new from 2020) and UCLAN require AAB 

Some universities also offer AAB for some applicants with specific contextual markers (e.g. from a school with below average performance, certain postcodes).

Personal statement

I have a whole other post on “How to write a bomb ass personal statement” for anyone generally (not medicine specific) - find that here

The medical personal statement is a bit different from other subjects, and the content will vary depending on which universities you are applying to.

Generally you want to include some evidence as to your consistent interest and commitment to medicine. This can be in the form of regularly volunteering at a care home, or being a supporter of a charity. Work experience also shows clear interest, especially if you can write something that shows you went beyond just turning up (e.g. researched or went and read a book on a condition you saw there).

Many medical schools also want to know about your interests and hobbies - to show that you are a rounded person. The exception here is Oxbridge; if you are applying to either Oxford or Cambridge I would recommend having a more academic-heavy personal statement. 

I included a sentence on playing saxophone in bands/orchestras to grade 8, and a sentence on being in my city’s youth council - but I think everything else related to volunteering/books/work experience etc. (I did write quite a few sentences on my blog as that is also related to medicine/motivation etc.)

I’d recommend not opening with some profound quote or “I realised I wanted to be a doctor aged 3 when holding my baby sister after she’d been in ICU” etc. cause that won’t set you apart - the admissions team will have seen it all before.

It is important to look at the university admissions site as their selection criteria changes often! When I applied Bristol medical school weighted the statement 70% in selection for interview BUT from 2019 they no longer use it AT ALL before giving offers out (unless candidates have identical scores at interview)

Work experience and volunteering 

All medical schools like to see some form of volunteering or experience - they want to know that you have had exposure to the NHS/heath provider environment and actually enjoy it.

However, it is is hard to get experience in a hospital and on a ward (there are legalities up to 16 about going on wards) so it isn’t necessary. 

I got experience on a hospital ward through my mum’s friend who is a doctor. I suggest using your contacts - most of you will either have a (distant) family member who is a dr/nurse/midwife etc. or know a friend who knows one!

While on work experience use your lunch break (or any spare time) to write down interesting things you've seen. This doesn’t have to be scientific and about patients; it could be about the dr’s bedside manner, or the organisation and teamwork between the different health professionals.

If you can’t get onto a ward then care homes are usually happy to have volunteers. I volunteered at a special needs children’s daycare, which was super fun and useful for my application - so do some research about volunteering opportunities near you.

Your volunteering is useful to show you are reliable and dedicated, so the earlier you start (and longer you carry on doing it) the better! Try and start somewhere as soon as you’re 16 (as often a lot of places require “over 16″).

Extra-curricular activities and hobbies 

Medical schools love to see that you are a ��rounded’ candidate with interests outside simply studying and medicine. It’s important to get this across to the person reading your personal statement/interviewer as they want to accept people who are gonna be an asset to the university, not workaholics.

This doesn’t have to be the classic sport and/or musical instrument hobby (although these are brilliant and you should definitely shout about them). Mention being interested in photography or blogging! I mentioned my Tumblr in my personal statement and was asked about it at the interview stage.

It is good if you can use you extra-curricular activities to demonstrate something about yourself - e.g. blogging regularly shows that you can be committed and consistent; being in the local youth council shows you are reliable and have interest in the local community. This is a good way to show your best qualities.

University choices

Applications to uni through UCAS involve making 5 choices. You can fill up to 4 options with medicine, and the remaining choice can be left empty or filled with another course. It is common for people to fill this with a biomedical degree or to leave it blank, but you can go completely off-piece if you want.

It is so so important to be strategic with your choices. This requires some reading into how universities weight different aspects of the application process (admission tests, grades, personal statement) when selecting for interview. 

E.g. if you score well above average in the UCAT it would be sensible to apply to one or two (or all!) universities that weight this heavily when selecting for interview. Newcastle only looks at UCAT prior to interview, simply ranking the scores and inviting the top people for interview. Therefore, if you score well they are ‘banked’ interviews already!

UCAT (UKCAT)

The UCAT (UKCAT) is the University Clinical Aptitude Test which is required by the majority of UK medical schools (and for dentistry).

It is taken between July and October (before application) and consists of multiple choice questions completed on a computer in a registered centre (I did mine where I did my driving theory test - there are loads of places).

The name changed this year from UKCAT - but the content of the test has stayed the same. See more information here

Verbal reasoning - 44 questions in 21 minutes

Decision making - 29 questions in 31 minutes

Quantitative reasoning - 36 questions in 24 minutes

Abstract reasoning - 55 questions in 13 minutes 

Situational judgement - 69 questions in 26 minutes 

There is no negative marking so you may as well put something down for every question - leave nothing blank!

The results are printed as you finish the test. This is the advantage over the (October) BMAT - you have a lot of time to think about your result and where it falls in the distribution of scores generally. If you do above average it is worth applying to unis that weight UCAT strongly, and if you don’t do so well you can apply to BMAT unis or those that weight it less.

The student room always has huge chats about it - this can be helpful to you to see where you lie (ish cause obviously not everyone posts there) but can also stress you out, so be cautious with this!

Your result is only valid for the year you apply, so if you take a year out after results and re-apply, you will have to re-take the test.

It costs £65 for tests between 1 July and end of August, and £87 for tests in Sept/Oct, so better to do it earlier! This also gives you more time to think about where to apply with results in hand.

BMAT

The BMAT (BioMedical Admission Tests) is a test required by a few unis in the UK. For the full list see their website.

I have a more detailed post about the BMAT here. Where I talk about resources you can use to revise and the exam content. Essentially it is a 2-hour pen-on-paper test that consists of 2 MCQ sections and 1 essay.

BMAT can be taken in August or October. The advantage of taking the test in August is that you get to know the results prior to sending off your UCAS application, so you can (as with UCAT) be strategic about where you apply.

Oxford is the only university (UK) that only accepts the October sitting of the test - aka you will not know your result before sending in your application.

However Oxford does accept the August sitting if you apply to graduate medicine (A101).

Deadlines

Unlike most applications to university via UCAS, your deadline for application is the 15th October at 18:00 (GMT) of your final year of school (or the year before you want to begin studying)

The earlier deadline is in line with applications to Oxford, Cambridge and to veterinary science and dentistry.

If you want anyone to look over the personal statement (e.g. get your English teacher to check grammar) then get onto them early - ideally as soon as you get back to school from summer.

Also make sure that your school is fully aware that you are going for early entry, and that your reference is written well in advance so there is no last minute rush or confusion.

The last UCAT deadlines are published each year on their website. The end of registration is usually mid September and last test is early October, so make sure you’ve registered and booked a test in time!

The August BMAT test occurs right at the end of August (31st 2019), with registration closing early-mid August. The October test occurs after the UCAS deadline, with registration closing end of September/beginning of October (see website for exact dates).

[londoncityroleplay]

First Name: Akida

Last Name: Baker

Gender/Pro-nouns: Cis Female, she/her

Date of Birth: March 15th 1990

Place of Birth: Tel Aviv - Israel

Current Residence: Notting Hill

Length of Residence: Since March 2020

Occupation: Travel writer / blogger / freelance photographer

Faceclaim: Inbar Lavi

BIOGRAPHY

trigger warnings: drug addiction mention, emotional abuse mention, mental health issues, attempted suicide, bullying, homophobia

First things first, Akida was born in Tel Aviv as the daughter of an Israeli drug dealer, who was neither old enough nor fit to be a mother. On a whim, Akida’s mother decided to take the girl and move to the UK -- Manchester to be exact. Over the first few years of her childhood,  Akida’s life was everything but easy. In and out of drug addiction, the girl’s mother oftentimes let her anger out on her, which caused Akida to have her guard up most of the time. Due to the fact that Akida’s mother refused to speak English to the girl, it took Akida much longer to learn the language than it usually would, which oftentimes made her a target for bullying in school. Explosive mood swings from her mother’s side and phases in which the girl was more than just neglected eventually caused Akida to get taken away from her mother when she was nine years old. 

Akida was placed in a home for a little while, until she was eventually adopted by a couple from Newcastle, Lucia Ricci and Grace Baker. Legally, Akida and her other adoptive siblings were Grace’s adoptive children, as her career as a psychologist made her a suitable candidate and the system did not yet allow same-sex couples to adopt. However, once this became legal in 2002 and Lucia and Grace were officially allowed to enter a civil partnership. Lucia took on her partner’s last name and the children were finally adopted by her as well, making the family complete on paper. Akida was the fifth adoptive child of the Baker family, albeit not the youngest. She was set up in Evie’s room, who was a little more than two years younger than her and more than just excited to get a roommate. Finally, a new chapter of Akida’s life began. 

At first, the young girl had a very hard time adjusting. Not only was she still self-conscious about her less than perfect English, but she was also used to having to keep her guard up. Being accustomed to having to fend for herself, it took the shy girl a very long time to open up to her older adoptive siblings as well as her new parents. It was Evie’s positive and relentless nature that slowly brought Akida out of her shell, though it took several months for her to be fully comfortable in her new surroundings at home, especially since it was so multicultural and her siblings were spoken to in Italian by Lucia to give them a multilingual upbringing. Still, Akida was more than just glad to have three older siblings to look up to, as she was trying to fit in as much as possible. Her siblings as well as Lucia and Grace helped her as much as they could and it eventually became very clear to Akida that she had lucked out with where she had ended up. The family was nothing but loving and open minded, which made her feel safe and cared for once she felt comfortable enough to open up a little bit.

During her teenage years, Akida really struggled coming to terms with her sexuality, as she knew from a very young age that it wasn’t just boys she was interested in. While Lucia and Grace were naturally very open minded, Akida had already become a target at school due to the family she got adopted into and the accent she was still trying to lose - she didn’t want to give her peers another reason to pick on her. For a very long time, she kept the struggle inside, not talking to anyone about it. Eventually, however, she opened up to her parents about what she was going through and they were nothing but supportive when it came to her journey, making sure they were there for her while at the same time letting Akida figure things out at the speed she was comfortable with. Still, rumors happened and Akida ended up under fire at school once more, which resulted in the girl turning even more into herself.

Things changed when she finally ended up coming out, effectively taking most of the ammunition her peers had away from them. They ended up leaving her alone and she could focus on her studies, eventually graduating secondary school, her GCSE grades better than average. She then did her A-Levels over the next two years until she turned 18 and started her Bachelor’s Degree for photography at the Leeds Arts University, which quickly turned into a major passion of hers. Whenever she could, she had the camera in her hand, especially fascinated by sceneries, buildings, as well as people from cultures other than her own.

When Akida was 22, she started traveling, wanting to see the world and different cultures. She started writing a blog, quickly discovering her passion for travel journalism and using her photography to make her posts stand out. And while she missed her family, traveling gave her the freedom of being able to be on her own and figure out what she wanted out of life. Her blog slowly got more popular and eventually she was approached by a magazine. They wanted her to write for them and she accepted, running her blog on the side. Always the hard worker, Akida put a lot of blood, sweat and tears into getting where she was, always making sure she perfected each article. 

Having been left at the altar by her ex-fiancee when was 27, Akida now has a very hard time committing and letting people get close. This also caused her to fall into a deep depression which ended in a suicide attempt. She ended up admitting herself to a hospital to get treatment for her issues and her younger adoptive sister Evie was there for her every step of the way. Now she has successfully overcome that part of her life and while she still struggles with some dark thoughts every now and again and feelings of unworthiness, she does her best to keep her head up high.

She’s very selective about who she really lets close but once you have Akida as a friend, she is fiercely loyal and protective. Still, she spends a lot of time with her work and works extremely hard, partly because she wants to keep her success and partly to distract herself from everything else that’s going on in her life. After running into her ex-fiance again recently due to the magazine not telling about who she was going to be working with, Akida finally threw the towel and quit the job, now relying on her blog as her main source of income.

She’s now moved in with Evie, living with her for the past month and sharing an apartment in Notting Hill with her. She still has enough content from her travels to keep her blog afloat for a while and she works as a freelance photographer on the side. The truth is, she isn’t sure where she wants to go when it comes to the rest of her life or where it will lead here, but she takes it one day at a time and tries to not say no to opportunities that could potentially turn into something great. 

Penned by: Xandy find them here.

[naturallightsphotography]

Embrace the beauty of your family's story with Natural Lights Photography, where moments are transformed into treasured memories against the backdrop of the vibrant cityscape and serene landscapes of Newcastle Family Photography. Our photography service specializes in celebrating the love, laughter, and unique connections within your family, ensuring these memories are beautifully documented and cherished for years to come." 

[kyliejamesphotography]