#New Balance 580

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via rotationchi (IG)

New Balance 580 atmos Wood Escape @ StockX

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[freshthoughts2020]

[chromet]

New Balance 580 Gore-Tex

[jinsei-pika-pika]

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[wanahlun]

Last buy of the year before the new GST kicks in.

Just in time to replace the 574, which have decided to open their mouth big big.

#newbalance

#newbalance580

#newyearnewshoes

#postitasarecord

#ipostsoicanfindbackinfuture

#greengreenhello

#listentocoolsongasyouadmiremyshoes

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[stacksandkicks]

KICKS: NEW BALANCE 580 "BLUE-MULTI" #SNEAKER IMAGES

These have YEEZY Wave runner vibes all over them the New Balance “BLUE-MULTI” kicks. The 580 sneakers feature different hues of Blue with other accented colors. The suede is done well as always the retail on these will be $140.00 and will hit select retailers soon. CC:SD X NEW BALANCE TAGS: #STACKSANDKICKSLIFESTYLE #BLOGGER #BLOG #NEWBALANCE

[dippedanddripped]

NEW BALANCE 580 -BLUE/MULTI

[kibun-niji]

MT580SFA

[turnschuhe]

New Balance 580, 2023

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Kith x New Balance 580 “Malibu”

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New Balance 580

[freshthoughts2020]

[elsaellaelys]

Calvin Klein boxers

summary: Y/N is a simp for JJ's underwear.

580 words

pairing: boyfriend!JJ Maybank x girlfriend!fem!reader

a/n: Really short, but I just wanted to take it out of my mind.

--★--

Y/N discovered her fixation for JJ's boxers early when they met, with his low waist shorts, the first time she saw him shirtless, cargo shorts loose on the hips, she almost lost balance and she's sure, since JJ kissed her, her knees are not strong as before.

When they first slept together he was using Calvin Klein boxers, Y/N could even feel the smell of new cloth, it made her heart ache, cause he was so attentive, and it made she clench her thights together cause he looked so freaking hot. She always loved the way it fitted in his hips, loved to feel the soft cotton and the curves of his ass, love to take them off of him.

One day, though, she noticed he wasn't using them anymore, just navy blue Jockeys and red Reebok, that she liked of course, - how he could ever look bad? - she couldn't help, but realize the Calvin Klein boxers kink she had and how much of a man he looked in them.

"Where are your Calvin Klein boxers?" she asked trying to sound as casual as possible, it was morning, Y/N was brushing her hair, JJ was getting dressed.

"I was in sitting in the dock and got up fast, my shorts and boxers got stuck in a nail, they ripped real good." he laughed. "And that's a fuck, y'know? They were expensive."

It got she wondering about it more and more, and should she feel embarassed for being attracted to her boyfriend's boxers? That's what got she measuring his underwear secretly, spending hours in the internet looking for the right color, the right fabric, the right size, the right prize - cause she was a pogue after all.

It took about a month for the package to arrive - drawbacks of living in an island - when it came she dropped everything and headed to the Chateau, JJ was lazily throwed on the couch with a beer in his hand. She stormed in. "JJ! I have something for you!"

Only after the words she looked around to find Pope and John B.. JJ smirked, he felt almost haughty, his pretty girlfriend standing there with tight capri pants, halter top, small box in her arms, and his friends were there looking curious for something that were for him. He patted the spot beside him on the sofa. "Come here, show me."

She discreetly eyed the guys across the room and refused, shooking her head, she reached for his hand bringing him to the guestroom.

"Okay, I bought this for you because, I have to admit, I think you look so hot with them." she gabbled, looking through the drawers for a scissors. "Shit." Without patience she grabbed a pen and pierced the tape, opening it fastly and carelessly.

"Alright then." JJ laughed. When she pulled off the Calvin Klein bag he furrowed his eyebrows, she gave him and he took it. "Can't believe you did this..."

"Oh please, cut the bullshit." "No, you didn't have to spend your money on me."

"Take it as a early birthday gift. I really wanted you to have it." He forced his lips against hers, in a strong peck, she smiled even more widely.

"Go try it on, you silly."

"You really want to see me in underwear, don't you?" he joked, unbuttoning his shorts, her cunt heated just with the sound of his zippers.

"Actually I'm thinking more about taking them off after that."

[casskeeps]

new york kouros

basics

name: new york kouros

date: 590-580 bce (early archaic)

artist: unknown

function: attic grave marker

size: ~195cm - about life size

original, reconstructed, or copy: original naxian marble

subject matter

this statue is a kouros: a statue of a nude male figure. number one thing to remember is that most kouroi are not supposed to depict real people - instead, they are more of a representation of idealised youth.

context

beginning of the archaic period ! this statue is the product of a process called orientalising: the process where egyptian artistic features are assimilated into greek art. the greeks first came into contact with egyptians in around 660 bce, and the influence of egyptian art is very clearly visible in the new york kouros (elaboration in stylistic features).

composition

the pose of the statue is highly rigid, and appears to sacrifice naturalism of anatomy for structural integrity. this is most evident in the "impossible twist" in the wrists, and the positioning of the feet.

the wrists are profile, flat next to the thigh (although bridged by a support), despite the elbow and inner forearms being frontal and facing the viewer. while this allows for sounder support between the hands and thighs, making the arms harder to break off, it detracts from the naturalism by depicting an anatomically improbable positioning of the hand and wrist in relation to the rest of the arm.

the feet, while not anatomically impossible, also demonstrate a sacrifice of naturalism for balance and structure; the pose of the kouros emulates a person walking, but it lacks the naturalism of the action. this effect is created by the straightened legs (there is no bend in the knee joint), and the flattened feet. the flat feet and rigid legs create an impression of stillness, as opposed to the shift of weight shown by later statues by the raising of the heel of the foot.

the anatomy of the face and head also demonstrate the common difficulties depicting humans in archaic sculpture; the ears are created using a volute shape for the shell of the ear, and the eyes are a stylised almond shape and oversized for the face. the use of abstract shapes to depict natural forms can be referred to as geometricism, and the oversized eyes can be referred to as "insectoid".

the kouros has a relatively emotionless face; it has an archaic smile in order to give it more of an impression of life, but the rest of the face doesn't respond to the muscles. this is what makes the archaic smile unsettling and almost inhuman to many viewers - it lacks proper interaction between muscles.

the proportions of the statue also demonstrate the effects of geometricism on archaic greek art; the torso is much wider at the shoulders than at the hips and waist, creating a triangle shape to represent the form of the upper body. the entire body is slender, and the digits are much longer than human digits - this is particularly evident in the toes, which are noticeably lengthened.

stylistic features

this kouros is highly typical of the archaic period, particularly the early archaic period - it is highly influenced by both geometricism and egyptian art.

the anatomy has many features of archaic period - particularly the abstract shapes used to represent the more complex natural forms. these include volutes in the representation of the ears, gull-wings (like m and w shapes) in the pectorals, eyebrows, and knees, and chevrons (v shapes) in the elbows, knees, iliac crest, and to represent the bottom of the ribcage.

the subject is also highly typical of the archaic period, as a nude male figure (a kouros), but it's important to note that the nude male figure perseveres through greek sculpture, even to the late classical period and beyond

scholars

harris and zucker: "the lack of contrapposto, the symmetry, does place him in some ways firmly in a world that is not ours"

osborne: "this kouros is particularly important, not only for the fine details, but also for its proportions"

extra information

khan academy

the metropolitan museum

smarthistory