#Neil Jenney

[the-contemporary-collector]

Neil Jenney

[distinktionsfetzen]

Check out Neil Jenney, Study (1970), From Venus Over Manhattan

[ulkaralakbarova]

At Pacific Palisades High, a poor Latino falls hard for a troubled girl from the affluent neighborhood. Credits: TheMovieDb. Film Cast: Nicole Oakley: Kirsten Dunst Carlos Nuñez: Jay Hernandez Tom Oakley: Bruce Davison Luis: Herman Osorio Eddie: Miguel Castro Victor: Tommy De La Cruz Hector: Rolando Molina Mrs. Nuñez: Soledad St. Hilaire Courtney Oakley: Lucinda Jenney Maddy: Taryn Manning Coach Bauer: Richard Steinmetz Rosa: Ana Argueta Jimmy – The Pilot: Neil Looy Morgan Oakley: Marion Moseley Dr. Linehan: Mike Jones Mrs. Ellis: Carolyn McKnight Assistant Football Coach Stover: Michael J. Fisher Wilcox: Cory Hardrict Foster: Keram Malicki-Sánchez Lainie: Kimi Reichenberg Davis: Matthew McKane Detail Supervisor: Jim Jackman Mr. Kane: Kevin Kane Taco Vendor: Griselda Diaz Spandexed Latina Girl: Claudia Soundy Photo Teacher: Rick Dallago Blanca: Berenice Ayala Aunt Eva: Virginia Sánchez Guy on Street: Hank Mendoza Oakley’s Receptionist: María Díaz Casey: Louie Liberti Police Officer: Bob Sattler Police Officer: John Marrott Curtis: Josh Vaughn Band Singer: Devon Williams Band Singer: David Benitez Luz: Tracy Claustro Jackie: Jackie Napal Dealer: Gary Cruz Dealer: Magdaleno Robles Jr. Quarterback: Matt Hobbie Football Official: John Pemberton Pacific High Student (uncredited): Michael Beardsley High School Kid (uncredited): Conor Dean Smith Football Player (uncredited): Joshua Feinman Football Player (uncredited): Matt Holly Film Crew: Producer: Harry J. Ufland Editor: Melissa Kent Screenplay: Phil Hay Screenplay: Matt Manfredi Producer: Rachel Pfeffer Director: John Stockwell Director of Photography: Shane Hurlbut Production Design: Maia Javan Co-Producer: Rick Dallago Original Music Composer: Paul Haslinger Music Supervisor: Evyen Klean Costume Design: Susan Matheson Casting: Sarah Halley Finn Set Decoration: Maria Nay Executive Producer: Guy Riedel Casting: Randi Hiller First Assistant Editor: Andi Kasen Bergman Art Direction: Tom Meyer Producer: Mary Jane Ufland Special Effects Coordinator: Frank Ceglia Music Supervisor: P.J. Bloom Script Supervisor: Monica Ochoa Production Office Assistant: Scott Tuft Stunts: Shauna Duggins Movie Reviews:

[gagosiangallery]

Opening Today—Gagosian to Present Paintings by Neil Jenney in New York

Gagosian to Present AMERICAN REALISM TODAY Paintings by Neil Jenney from His Modern Africa and Good Paintings Series

I’m governed by nature. Anything I do, I want it to feel natural. —Neil Jenney NEW YORK, November 9, 2021—Gagosian is pleased to present paintings by Neil Jenney from his recent series Modern Africa (2015–)—a subseries of the New Good Paintings (2015–)—and the preceding series, Good Paintings (1971–2015). Jenney is committed to exploring, and ultimately transcending, realism as both style and philosophy—a project first sparked by the preponderance of Pop-themed Photorealism in late-1960s New York. Having designated his early work “Bad Painting” (a term coined by Marcia Tucker, director of the New Museum, New York, in 1978) and his output after 1970 “Good Painting,” he continues to challenge familiar models of taste and subject matter while pursuing a meticulous and highly idiosyncratic approach to the representation of culture and place. As with proto-Surrealist writer Raymond Roussel’s fanciful travelogue Impressions d’Afrique (Impressions of Africa, 1910), Jenney’s approach to his subject in the paintings on view is rooted in personal imagination, and in Western fantasies about the continent. Although these paintings are landscapes, they eschew sweeping panoramas in favor of more intimate, even introspective scenes. But despite his pictorial restraint, Jenney’s series addresses fundamental conflicts between nature and civilization, and reflects a concern with our deteriorating environment. Modern Africa shows architectural fragments that Jenney characterizes as “utilitarian”—columns, ramps, and stairways—half-submerged in undulating sand dunes. These monumental structures seem to exist in past and future simultaneously, providing both a critical look at the legacies of colonialism and a speculative view of what may lie in wait for humanity should we fail to address climate change. While the shadows and footprints that intrude here and there reveal a continued human presence, no figures are visible, suggesting that Jenney’s envisioned world is incapable of supporting many survivors. Jenney refers to his work as “painted sculpture,” and uses handmade black wooden frames, which he first designed in the early 1970s, to present canvases executed in a crisp, high-contrast style. This device was inspired by the classical Greek notion of viewing a painting as a scene through a window, an idea that he encountered in a Fourth Avenue bookstore. Providing in this way an “architectural foreground” as well as—through their stenciled captions—a guide to title and setting, the frames situate the paintings as objects and interpretations and continue to provide Jenney with what he has described as “the most stimulating prospect” with which he has ever worked. Neil Jenney was born in 1945 in Torrington, Connecticut, and lives and works in New York. Collections include the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Los Angeles County Museum of Art; Louisiana Museum, Humlebæk, Denmark; and Tate, London. Solo exhibitions include Paintings and Sculpture 1967–1980, University of California Art Museum, Berkeley (1981, traveled to Contemporary Arts Museum, Houston; Corcoran Gallery of Art, Washington, DC; Stedelijk Museum, Amsterdam; Louisiana Museum, Humlebæk, Denmark; and Kunsthalle Basel); Collection in Context—Neil Jenney: Natural Rationalism, Whitney Museum of American Art, New York (1994); and North America, Aldrich Contemporary Art Museum, Ridgefield, CT (2007). Jenney’s work has been featured in major group exhibitions and biennials, including the Whitney Biennial (1969, 1973, 1981, and 1987); Representations of America (1977–78, organized by the Metropolitan Museum of Art, New York, and the Fine Arts Museums of San Francisco for the Pushkin Museum, Moscow; Hermitage, Saint Petersburg; and Palace of Art, Minsk, Belarus); New Image Painting, Whitney Museum of American Art, New York (1978); and Bad Painting, New Museum of Contemporary Art, New York (1978). NEIL JENNEY AMERICAN REALISM TODAY Opening reception: Tuesday, November 9, 4–7pm November 9–December 18, 2021 976 Madison Avenue, New York _____ Neil Jenney, Modern Africa #4, 2020–21, oil on canvas, in painted wood artist’s frame, 72 1/4 × 95 1/2 × 3 1/4 inches (183.5 × 242.6 × 8.3 cm) © Neil Jenney. Photo: Rob McKeever

[jokeanddaggerdept]

[theories-of]

Neil Jenney- Dog and Boy, 1969 Acrylic and graphite on canvas 148 × 194 cm

[sundazedschool]

Neil Jenney: Idealism Is Unavoidable

[diversionofangels]

Neil Jenney

[infiniterichesinalittleroom]

[biblioklept]

Trash and Trashcan — Neil Jenney Trash and Trashcan, 1970 by Neil Jenney (b. 1945)

[dead-molchun]

Neil Jenney (1945-) Beast and Burden, 1969 (153.7 x 245.7 cm)

[moma-prints]

S.M.S. No. 5, William Anthony, Wall Batterton, Congo , Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwedler, Diane Wakaski, Lawrence Weiner, Various Artists, 1968, MoMA: Drawings and Prints

Gift of Carol O. Selle Size: composition (see child records): dimensions vary; overall (closed): 11 × 7 × 1/2" (28 × 17.8 × 1.3 cm) Medium: Journal with fourteen special edition projects

http://www.moma.org/collection/works/69519

[mepaintsme]

Neil Jenney, Threat and Sanctuary, 1969, acrylic on canvas in artist's frame, 59 3/8 by 77 5/8 by 3 3/4 in. 

[gagosiangallery]

Closing Soon—Gagosian’s Room on Artbasel.com

June 25, 2020

Closing Soon ART BASEL 2020 ONLINE VIEWING ROOM Through June 26, 7am EDT | artbasel.com __________ Explore our rotating presentation of modern and contemporary masters, including Glenn Brown, Katharina Grosse, Andreas Gursky, Simon Hantaï, Hao Liang, Thomas Houseago, Neil Jenney, Jeff Koons, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Ed Ruscha, Sarah Sze, Tatiana Trouvé, and others. Explore Now _____ Neil Jenney, North American Summer, 2019–20, oil on wood, in painted wood artist’s frame, 31 1/2 × 30 1/2 × 3 1/4 inches (80 × 77.5 × 8.3 cm) © Neil Jenney

[jokeanddaggerdept]

[popref]

Neil Jenney @ Hall Art Foundation.

http://www.hallartfoundation.org/exhibition/neil-jenney/artworks/thumbnails