#Nazgul's Eyrie Productions

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BARATHRUM “Eerie” Full-length album 1995 (‘Eerie shapes in the smoke of the incense like twisted faces in ethereal mirror’ = Finnish Ceremonial Black-Doom Occult Metal masterpiece. Heil Sova !!)

“Cemetery is dressed by the Darkness Fog embraces the tombstones Ghosts, spirits wake up from their graves To form their dancing circle Nocturnal dance of spirits of the dead Nocturnal dance on the graveyard Nocturnal dance under the pale moon Nocturnal dance of children of the night They sing and they dance 'Till morning twilight They will hide in their graves They wait next night”

https://nuclearwarnowproductions.bandcamp.com/album/eerie

[rp-kat]

Thrash'em All  #4

1997

Pain

Absu

Crematory

Six Feet Under

Bal - Sagoth

Dark Tranquillity

Decameron

Tristitia

Gates Of ishtar

Dio

Trauma

Groan

Thunderbolt

SS-2666

Listenable records

Nazgul’s Eyrie Productions

[dead-planetarium]

I want to know everything about Jimi Hendrix and the Metallica experience.

Jimi Hendrix and the Metallica Experience started in 1979 when Jimi left his hometown of Narvik in the pursuit of love, adventure, obscurity and fortune. After 10 years of fighting the Prussian War and a stint with HP Lovecraft (the band, not the writer), Hendrix found himself blind… in Texas. Dallas, namely where he befriended the local bar band, Metallica. Metallica were known for their unique electropop sound that was cutting edge for the time but they were having a hard time finding an audience. Hendrix recognized their brilliance and took them under his wing. Unfortunately, his wing could only cover so many people. I don’t think Hendrix ever knew that he needed so many people but hey, he found them! The band was rebilled as Jimi Hendrix and the Metallica Experience with Hendrix on Trumpet, Geezer Butler on synths, Hunter S. Thompson on synths and steel lap guitar and Doctor Avalanche on drums. After four self-released albums and several tours on the County Fair circuit, the band was discovered by Andy Warhol of The Stooges who just so happen to witness their performance at the Carolina County Fourth of July Fair in 1991. He told them that they were going to be the biggest thing since Jackyl. Hendrix laughed and played along with him. Soon after, they signed with Nazgul’s Eyrie Productions to release their major label debut, “Transformer” to much critical acclaim but the album only entered the Billboard charts at No. 143. Hendrix was pleased with the relative obscurity of his band but in the foul year of our lord 1992, things began to change. It was that June when Hendrix and the Metallicats played the Roskilde Festival in Osaka. This would be the gig that shot Hendrix’s quest for obscurity down to shit when he ripped into an epic trumpet solo of “Das Lied der Deutschen” which was 45 minutes in length. It was all over MTV and the rendition of the old Czech Republic anthem brought Hendrix and his Metallicats to the annals of electropop history. Stadium tours with Yoko Ono and Louis Armstrong soon followed suit. After two and a half years of touring for “Transformer”, Hendrix considered quitting the band. He had developed in an increasing dependence on Hello Kitty merchandise and orange flavored popsicles to get him through the trials and tribulations of fame. In an April 1994 interview for MTV, Hendrix lamented that he didn’t really dig the kinda person he was as he downed an entire bottle of vodka in his mother’s swimming pool, much to his mother’s chagrin. He screamed, pissed his jeans and frankly, made an ass of himself. It was clear that this interview was a cry for help so rather than getting the help he needed, the band’s label enlisted Alice in Chains producer, David Tibet to produce the next album, forcing the band back into the studio despite their collective exhaustion. While this record was suppose to alienate the band’s mainstream fans with a more abrasive sound, it did the opposite. The fans loved it. The band became even more famous and was invited to play Thomas Edison’s inauguration into the Chamber of Commerce upon the album’s release date. The band filmed a video with Christina Applegate as the director. “Sheos: The Album” was unleashed to the world on January 32nd, 1995 and the critics hated it. Lester Bangs panned the record as being “just like Cream! But worse!” which provoked Geezer Butler to knife him in the skull. Butler was soon arrested and sentenced to 21 years in prison, the maximum sentence for murder in Dallas, Texas. Hendrix realized that there was nothing he could do to deter the masses from listening to his work and so, he walked away. He was last seen on the first of February. There have been reports that he was seen fixing up cars in the South Pacific but those were just rumors. Perhaps the biggest rumor was that of a conspiracy with the Skull and Bones Society to deter the masses from believing in the asinine theories that lizard people had started the entertainment industry to sell sex to kids BECAUSE THAT IS EXACTLY WHAT IS GOING ON. Many believe Hendrix came back under the assumed identity of Marshall Applewhite who started a conspiracy talk show dedicated to stopping the Illuminati and to spread the virtues of the hierarchy of lobsters to an audience of young virginal men with misgivings about their masculinity and the opposite sex. If these boys had doubts that they would ever get laid, then all doubt was removed with one chop as they each began castrating themselves to appease their new surrogate daddy. Applewhite would then scratch them on the heads, pat their butts and told them to go clean their rooms, forever ensuring Applewhite that he would always be number #1 in the dominance hierarchy.

[allaboutblackmetal]

R.I.P. Opyros/BlackGoat Barbarian Wrath, Nazgul's Eyrie Productions. A great guy! #barbarianwrathrecords #nazgulseyrieproductions #barathrum #countess #dawnfall #blackmetal https://www.instagram.com/p/B3--PQ5D_gZ/?igshid=1ua36wq1ghmau

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AMON “The Worship”, full-length album (Recorded in november/december 1995 but only released for the first time on CD in 1998 by Nazgul’s Eyrie Productions under the name Amon Goeth, this second album, surely their greatest, is another overlooked jewel from the astonishing Czech Black Metal Underground. “In Love with Satan” !)

1. Bohosluzba (The Worship) 2. Konfrontace (Confrontation) 3. V lasce k satanovi (In Love with Satan) 4. Hell's Angels 5. Cerné díle (Black Professions) 6. Zidák knez (Judah’s Priest)

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BARATHRUM “Infernal”, CD 1996 (The third and best album from Demonos Sova & fiends. A true masterwork of Finnish Occult Black Metal. Heil Sova !)

1. The Night of the Demon Lord 2. The Blasphemer 3. Warmetal 4. Deliver a Battle 5. Death Is Saviour 6. Leaving the World of Mortals 7. Deadmarch 8. Ethereal Guest 9. Immortal Warrior 10. Demon Est Deus Inversus 11. Infernal

“Dread the end of summer On the blackest of all nights, The feast of Samhains waking In the mist of pagan rites. The sunlight now is waning As the undead walk the land. Tonight's chaos - no mortal understands... The festival of darkness Under red october moon The powers of black witchcraft In evil winds of ruin Demons ride the autumn sky In thunder clouds and rain The gasps of forlorn souls who live again. Dare walking this night, ye wanderer, Ye life and soul you'll loose ! When hunted by his jetblack hound, You'll surely meet your doom ! His eyes are burning red like fiery coal, His cape - his leathery wings ! His breath will sear your back like winds from hell”

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BARATHRUM “Hailstorm”, LP 1995 (”Formed by Demonos Sova in 1990, Barathrum has long established itself as a pillar of the second wave of Black Metal and a progenitor of the Finnish sound, along with their peers Beherit and Impaled Nazarene. Between 1991 and 1995, Barathrum released a succession of demos, all of which were good, but clearly showed a band still in the process of self-discovery. It was with the 1995 debut full-length “Hailstorm” (released on the legendary Nazgul’s Eyrie label) that Barathrum carved out a truly unique space. On “Hailstorm,” Sova dispensed with the usual guitar-driven composition, and instead used a dual bass performance to channel a gloomier subterranean sound. The immense weight and inertia of the distorted basslines, at once percussive and melodic, carry the mid-paced riffs, elongated and stretched to their limits. The songs are repetitious and hypnotic; the performance is brooding and severe. The production is equally esoteric, defying all convention. The use of six-string guitars is minimal and mixed low, offering little more than texture, capsized in the icy depths of the low-end instrumentation. Sova’s snarling, reverb-laden vocal rasps cut through the dense low-end body of the music, summoning and praising the jetblack darkness and all that which is vile and profane. By pushing the bass to the forefront, “Hailstorm” invites comparisons to Necromantia, but its spacious immensity and authoritative plodding power places it in a category unto itself, like a Black Metal rendering of Swans’ “Filth” album. The sigil adorning the cover of the album, the Seal of the Abyss, is the sign of Barathrum and appears on all subsequent releases. It is the symbolic representation of the band, the yawning darkness of the infinite chasm.” (J. Campbell)

“Oh Hailstorm... I see words of chaos and death Written on your black wings Deicide, genocide Black Metal fills the air Destruction, devastation Massacre and great death Hailstorm, great death Beasts of war Riding on the wings Wings of the storm Great Hailstorm Oh Hailstorm... I see words...”

https://nuclearwarnowproductions.bandcamp.com/album/hailstorm

[rp-kat]

Nazgul's Eyrie Productions

1997

Dawnfall, Behemoth, Countess, Bifrost, Cruachan, Barathrum, Tha-Norr, 

Amon Goeth, Mortuary Drape, Decayed, Wizard, Varathron, Sabbat, 

Langsuir, Khannaz, Sargatanas, Doomstone, Hellwitch, Vulpecula, Hadez

Thrash'em All  #4