#Demonos Sova

[queenofthemasquerade]

Barathrum - Virgin Blood Spiller

[nytsoi]

Goatmoon - Varjot

2000 -luvun alkupuolella perustetun, natsi- ja jutskujuttuihin snadisti sotketun, yhden miehen kansallistanhuisen bläkkisproggiksen kolmas täyspitkä. Lätty, jonka kansitaiteesta vastaa Demonos Sova, startataan Tuomassaukkosmaisella akustisella herkistelyllä kunnes parin minuutin jälkeen iskevä ukkonen paiskaa lapun lattiaan ja rään kurkkuun. Kaiken raakuuden ja äkäisyyden vastapainona iloisesti soivat huilut tuo fantsua kontrastia primitiiviseen barbaariuuteen. Korostettakoon vielä, että saatanan hyvä levy tämä rallienkulla vedetty bläkkenrollaus on. Tsekkaa Valley of Shadows ja Echoes of Eternity. 

Lätty julkaistu elokuun 7, 2011. Tätä mestariteosta ei löydy Spotifystä.

[hyaenagallery]

Jarno Sebastian Elg (born in 1975) is a Finnish Satanist (portrayed as Devil worshipper by the media). He was sentenced to life in prison for the murder by strangulation of a 23-year-old man, eating some of the body parts,  and instigating others to participate in a ritual that included torturing the victim while listening to songs from The Cainian Chronicle album by the Norwegian black metal band Ancient on November 21, 1998, in Hyvinkää. Elg's partners were 17-year-old Terhi Johanna Tervashonka from Järvenpää, a 20-year-old man from Mäntsälä and a 16-year-old boy from Kerava. The criminal investigation started when a leg was found from a dump site thus giving the name "dump site murder" to the case. The case was generally described as the most gruesome homicide in Finnish history. Jarno Elg was tracked down by the police and sentenced to life in prison. The Hyvinkää District Court in southern Finland sentenced Tervashonka to eight years and six months in prison for murder committed while still a minor. A mental health examination found her to be partially insane. Riska got two years and eight months in prison for assault and "violation of a grave." The 16-year-old boy was considered to be innocent, because he said that the older people forced him to participate. It was said that the three people "were strongly influenced by Satanism." The court declared most of the details of the case sealed for 40 years. For this reason, only a limited amount of information is available. After the sentences, the media "tried to raise up Black Metal as a scapegoat for the happenings in Hyvinkää." Demonos Sova of Barathrum "tried his very best not to involve Black Metal and Satanism with the murder" and called the murderers "some nutcases," whereas the I Return to Darkness fanzine "fully supports the murder of Hyvinkää and would like to hail in honour all those who participated in it." #destroytheday https://www.instagram.com/p/BsaycHpBtyj/?utm_source=ig_tumblr_share&igshid=e34ps84599ce

[triste-guillotine]

BARATHRUM “Eerie” Full-length album 1995 (‘Eerie shapes in the smoke of the incense like twisted faces in ethereal mirror’ = Finnish Ceremonial Black-Doom Occult Metal masterpiece. Heil Sova !!)

“Cemetery is dressed by the Darkness Fog embraces the tombstones Ghosts, spirits wake up from their graves To form their dancing circle Nocturnal dance of spirits of the dead Nocturnal dance on the graveyard Nocturnal dance under the pale moon Nocturnal dance of children of the night They sing and they dance 'Till morning twilight They will hide in their graves They wait next night”

https://nuclearwarnowproductions.bandcamp.com/album/eerie

[triste-guillotine]

BARATHRUM “Infernal”, CD 1996 (The third and best album from Demonos Sova & fiends. A true masterwork of Finnish Occult Black Metal. Heil Sova !)

1. The Night of the Demon Lord 2. The Blasphemer 3. Warmetal 4. Deliver a Battle 5. Death Is Saviour 6. Leaving the World of Mortals 7. Deadmarch 8. Ethereal Guest 9. Immortal Warrior 10. Demon Est Deus Inversus 11. Infernal

“Dread the end of summer On the blackest of all nights, The feast of Samhains waking In the mist of pagan rites. The sunlight now is waning As the undead walk the land. Tonight's chaos - no mortal understands... The festival of darkness Under red october moon The powers of black witchcraft In evil winds of ruin Demons ride the autumn sky In thunder clouds and rain The gasps of forlorn souls who live again. Dare walking this night, ye wanderer, Ye life and soul you'll loose ! When hunted by his jetblack hound, You'll surely meet your doom ! His eyes are burning red like fiery coal, His cape - his leathery wings ! His breath will sear your back like winds from hell”

[triste-guillotine]

BARATHRUM “Hailstorm”, LP 1995 (”Formed by Demonos Sova in 1990, Barathrum has long established itself as a pillar of the second wave of Black Metal and a progenitor of the Finnish sound, along with their peers Beherit and Impaled Nazarene. Between 1991 and 1995, Barathrum released a succession of demos, all of which were good, but clearly showed a band still in the process of self-discovery. It was with the 1995 debut full-length “Hailstorm” (released on the legendary Nazgul’s Eyrie label) that Barathrum carved out a truly unique space. On “Hailstorm,” Sova dispensed with the usual guitar-driven composition, and instead used a dual bass performance to channel a gloomier subterranean sound. The immense weight and inertia of the distorted basslines, at once percussive and melodic, carry the mid-paced riffs, elongated and stretched to their limits. The songs are repetitious and hypnotic; the performance is brooding and severe. The production is equally esoteric, defying all convention. The use of six-string guitars is minimal and mixed low, offering little more than texture, capsized in the icy depths of the low-end instrumentation. Sova’s snarling, reverb-laden vocal rasps cut through the dense low-end body of the music, summoning and praising the jetblack darkness and all that which is vile and profane. By pushing the bass to the forefront, “Hailstorm” invites comparisons to Necromantia, but its spacious immensity and authoritative plodding power places it in a category unto itself, like a Black Metal rendering of Swans’ “Filth” album. The sigil adorning the cover of the album, the Seal of the Abyss, is the sign of Barathrum and appears on all subsequent releases. It is the symbolic representation of the band, the yawning darkness of the infinite chasm.” (J. Campbell)

“Oh Hailstorm... I see words of chaos and death Written on your black wings Deicide, genocide Black Metal fills the air Destruction, devastation Massacre and great death Hailstorm, great death Beasts of war Riding on the wings Wings of the storm Great Hailstorm Oh Hailstorm... I see words...”

https://nuclearwarnowproductions.bandcamp.com/album/hailstorm