#Nagai Sakana

[tanya-shiza]

DSDF Charapters // Different Scales in the Demonic Fish (Original Work)

I promised to post the second huge post and here it is! Enjoy! 😋

⚠️Disclaimer⚠️

Mention of discomforting topics, abuse, fatshaming, sexual violence, world domination(dictatorship bordering on obsessive faith).

All countries in this post are just stereotypical copies. I don't strive for realism. Only clichés and stereotypes.

Brief description of the idea:

An evil corporation kidnaps a scientist to recruit him into a willing slave. However, during the brainwashing, something goes wrong and the secretary hesitates. The kidnapped scientist is happy he was kidnapped and confess that he actually always dreamed of being hired to work for this evil corporation. The secretary takes a liking to the scientist and manages to convince the Leaders that the scientist is obedient enough and doesn't need to be brainwashed. The Leaders allows it and this becomes the beginning of the return of memory to the secretary...

The main character is the scientist, but the main action takes place with the secretary, who falls in love with the scientist and gradually regains his memory of his past life. This, of course, makes the leaders of the corporation angry and they are trying to prevent the main characters from being together. The senior Leader threatens the secretary, and the junior Leader bullies the scientist.

About Sea Serpents:

Sea Serpents are an evil corporation founded in Japan by two Ikuchi(long sticky fish snakes) demons. Nagai Sakana controls the most cruel and largest part of the company, and Aoi Sakana controls the part that has direct control over Japan.

The influence of the evil corporation extends to the whole world. Agents work in a wide variety of fields, including government agencies in many countries. 20 years ago, during the crisis in the USSR, Sea Serpents provided support and began close cooperation with the authorities of the USSR and their military forces. The slogan has spread in the country that Sea Serpents are friends and can be trusted. Most people believed that.

The USSR is not the only country to which the Sea Serpents provided support in order to introduce their agents into the government. But we are interested in the USSR, because Andrey is from there. Besides, the USSR is big. And the Cold War...

Main protagonists:

Andrey - Code: F-1678

29 year old, short, chubby man. Came to Japan from the USSR at the age of 22. Scientist in the field of robotic technology.

Andrey's family believed the propaganda. His father got a great job! The family's well-being has improved, but when Andrey was 4 years old, his father mysteriously died. The mother and the rest of the family started express strong doubts about the Sea Serpents, but this doesn't convince Andrey. Deceived by propaganda, he moved to Japan when he turned 22, to increase his chances of getting hired.

Hengry - Code: L-808

32 years old, tall, strong man. Doesn't remember his past life and real name. Works as Nagai Sakana's secretary.

Henry is not the real name of L-808. When Andrey asked what the real name of the secretary is, L-808 suggested that the scientist come up with one that he would like. And Andrey liked the name Henry.

He was incredibly surprised that Andrey dreamed of working for Sea Serpents all his life, because most people cries and resist, showing strong unwillingness to become slave.

Main antagonists:

Aoi Sakana — Ikuchi

BITCH— I mean, sassy, narcissistic abuser who sees humans only as his toys and test subjects. He is bulling Andrey for being chubby. (the real antagonist 😡 Andrey is pretty man 💞)

He flirts with Henry, but L-808 doesn't reciprocate... some sexual violence occurs 😭

Nagai Sakana — Ikuchi

A cruel, merciless fish-snake yokai(demon). The eldest of two brothers (hi, Aoi Sakana). Represents the role of the Leader in Sea Serpents, but allows Aoi Sakana too much to do, causing the lines between Kumichō (The founder) and Sosāi (The second head after the founder) to blur. Aoi Sakana has more influence on the Japan, but not global world.

Inspired by:

HYDRA - Marvel. But I've never read a single comic book, I've never watched any movie, and I only found out about this company thanks to an AI bot. I read the information about it on funwiki, and I liked it so much that I created something separate, simplified, but still similar.

[nihongoseito]

ヨルシカ 「アポリア」 - 歌詞と英訳

i got kinda silly with the line orders in the translation, which i usually try to preserve...but this time it was pretty hard lol. as always, rōmaji below the cut! :)

描き始めた あなたは小さく ため息をした あんなに大きく 波打つ窓の光の束が あなたの横顔に跳ねてる

you began to draw and gave a small sigh the sheaves of light that beat so greatly against the window are leaping onto your face

僕の体は雨の集まり あなたの指は春の木漏れ日 紙に弾けたインクの影が 僕らの横顔を描写してる

my body is a collection of rain your fingers are spring sunlight through the trees the shadows of ink that burst open on the paper depict our faces in profile

長い夢を見た 僕らは気球にいた 遠い国の誰かが月と見間違ったらいい

i had a long dream we were in a hot-air balloon i hope someone from a far-off land mistook us for the moon

あの海を見たら 魂がひどく跳ねた 白い魚の群れにあなたは見惚れてる

when i saw that ocean my soul leapt terribly you were taken in by the schools of white fish

描き始めた あなたは小さく ため息をした あんなに大きく 波打つ線やためらう跡が あなたの指先を跳ねてる

you began to draw and gave a small sigh the lines that beat like waves so greatly and the hesitating traces are leaping from your fingertips

長い夢を見た 僕らは気球にいた あの星のあの空も実はペンキだったらいい

i had a long dream we were in a hot-air balloon i wish that sky with those stars had really all been paint

あの海を見たら 魂がひどく跳ねた 水平線の色にあなたは見惚れてる

when i saw that ocean my soul leapt terribly you were taken in by the color of the horizon

広い地平を見た 僕らの気球は行く この夢があの日に読んだ本の続きだったらいい

we saw a vast horizon our hot-air balloon heads on i wish this dream were the next chapter in the book i read that day

あの海を見たら 魂がひどく跳ねた 水平線の先を僕らは知ろうとする 白い魚の群れをあなたは探してる

when i saw that ocean my soul leapt terribly we were about to discover what was beyond the horizon you were searching for schools of white fish

egakihajimeta anata wa chiisaku tameiki o shita anna ni ookiku namiutsu mado no hikari no taba ga anata no yokogao ni hanateru

boku no karada wa ame no atsumari anata no yubi wa haru no komorebi kami ni hajiketa inku no kage ga bokura no yokogao o byousha shiteru

nagai yume o mita bokura wa kikyuu ni ita tooi kuni no dareka ga tsuki to mi-machigattara ii

ano umi o mitara tamashii ga hidoku haneta shiroi sakana no mure ni anata wa mitoreteru

egakihajimeta anata wa chiisaku tameiki o shita anna ni ookiku namiutsu sen ya tamerau ato ga anata no yubisaki o hanateru

nagai yume o mita bokura wa kikyuu ni ita ano hoshi no ano sora mo jitsu wa penki dattara ii

ano umi o mitara tamashii ga hidoku haneta suiheisen no iro ni anata wa mitoreteru

hiroi chihei o mita bokura no kikyuu wa yuku kono yume ga ano hi ni yonda hon no tsuzuki dattara ii

ano umi o mitara tamashii ga hidoku haneta suiheisen no saki o bokura wa shirou to suru shiroi sakana no mure o anata wa sagashiteru

[newsrustcom]

Peru and Japan Meet in Midtown, at the Sprawling Sen Sakana

Peru and Japan Meet in Midtown, at the Sprawling Sen Sakana

Peru and Japan each have one representative in the main kitchen, where two chefs, Mina Newman and Taku Nagai, share power. Ms. Newman is a New Yorker who spent summers as a child in Chiclayo, the city in northwestern Peru where her mother was born. Mr. Nagai, an Osaka native, is a veteran of Japanese restaurants in New York and Asia. The two generally keep up with the number of seats and the…

[harryfisheraa82]

Sen Sakana Settles Down in Midtown

Restaurants rarely open exactly when they intend to, thanks to the reliably red tape-ridden, drawn-out processes of wrangling permits and overseeing construction (not to mention somehow retaining sought-after staff throughout). But Sen Sakana really takes the cake when it comes to a delayed debut, appearing three whole years after their original calculation.

Based on the Japanese-Peruvian culinary tradition known as Nikkei — originally developed by Japanese workers in the 1800’s, who immigrated in waves to Peru — the concept marries an Asian penchant for freshness and simplicity with signature, South American savor and spiciness, not to mention a shared appreciation of fish (fun fact: Sen Sakana means “one thousand fish” in Japanese; a reference to the 1,000 different species that swim in the waters off Peru).

Owned by Allan Wartski of Edison Ballroom and Christos Steakhouse, and co-cheffed by Mina Newman (also of Christos) and Taku Nagai (Ootaya), the three-level, 185-seat eatery definitely takes a something for everyone approach.

Which means while sushi made with hamachi, maguro and unagi is on the menu (often finished with flourishes like olive, green sauce, and pisco ponzu jelly), so too is ceviche and tiradito; look for Torched Salmon bathed in yuzu leche de tigre, and Red Snapper plated with harumaki crisps, and salty shio kombu.

Robata skewers, while ostensibly Japanese, have plenty in common with marinated and grilled anticuchos.  In fact, you’ll find traditional Beef Heart listed amongst the offerings, as well as Cheese wrapped in pork belly, Washu Steak flavored with cilantro, and Crispy Chicken Skin.  As for large plates, they’re a cross-bred mix of what you’d expect to find at either a Japanese yakitori or Peruvian churrascaria.  Think Tonkatsu with potato salad, Yaki Soba “Saltado de Mariscos,” and Quinoa Chaufa topped with plantains, smoked oshinko and onsen egg.

Considering Sen Sakana’s belabored, 7 million dollar buildout, they’ll need all the patrons they can get from Midtown’s diverse, high density crowd.

Sen Sakana 28 W. 44th Street (212) 221-9561 sensakana.com

The post Sen Sakana Settles Down in Midtown appeared first on Restaurant Girl: Best Food Blog & Restaurant Guide.