#Na Bo Ra

[pinkiech]

[thoughtfulseason]

oh my god. it just dawned on me. she’s 20th century girl cause she’s stuck in time

[ur-local-weird-person]

(FLASH WARNING⚠)

personally, they are my favorites :)

[anpanmann]

countdown to jin's return

d-7 ♡ shouting in silence ✦ run bts! ep.41

[mostlyfate]

The sky didn't fall in, and everything on earth was there. The world was the same as yesterday. The only thing that has changed is me.

Yoo In Na as Yeon Bo Ra True to Love 보라! 데보라 (2023)

[dramashii]

Me, doing normal things then suddenly remembering the embarrassing things I did 10 years ago.

Who said embarrassment only last for a moment?

[kittychicha]

[kdramaladies]

Yoo In-Na // True To Love // 보라! 데보라

[cosmosbeelover]

The Lost 30 Years - Seol Woon-do/ Jin Bo-ra/ Na Hoon-a, etc. (잃어버린 30년 - 설운도/ 진보라/ 나훈아 등) - Episode 11/35 (Pt. 2)

This text serves as part two of the Korean album 'The Lost 30 Years,' featuring artists such as Seol Woon-do, Jin Bo-ra, and Na Hoon-a. The focus will be on the events surrounding the broadcast that took place in 1983, which inspired the creation of this album. For a comprehensive understanding, please refer to part one, which details the album's context, the broadcast's background, program planning, and content. The live broadcast commenced on June 30, 1983, followed by an emergency broadcast relay from July 1 to July 10, 1983, and continued with regular programming from July 15, 1983, to November 14, 1983.

It is important to issue a warning prior to engaging with this episode, as it will address the subject of self-exit.

The stories of the performers

Numerous emotional moments characterized the live broadcast, leading to various incidents, including instances where cast members fainted and announcers struggled to contain their tears. Some cast members sought one another using their Japanese names, reflecting their experiences of having lived in Japan before returning after liberation. Additionally, there were episodes highlighting the challenges faced by many children who returned to Joseon without any proficiency in Korean, making their adjustment particularly difficult.

The siblings who shouted “Manse”

The broadcast on July 3 presents the narrative of Mr. Kwak Man-young (곽만영), highlighting the poignant reunion of his family. Originally residing in Sinmak-eup, Seoheung-gun, Hwanghae-do, the family faced significant upheaval around 1947-1948 when the communist regime seized their property. The eldest sister, Kwak Tam-sil (곽담실), was the first to defect to South Korea, settling in Yongsan-gu. Following the onset of the Korean War, the entire family fled to South Korea. During the January 4th Retreat, they crossed the Han River Bridge and boarded a train at Yeongdeungpo Station. However, due to the destruction of the Han River Bridge shortly after the war began, train services were limited to areas south of the river, leading to a prolonged separation with no communication thereafter. The family's later narrative reveals that two siblings had unfortunately passed away prior to the reunion.

The reunion scene is frequently highlighted as a poignant symbol in discussions surrounding the program "Finding Separated Families." During this emotional moment, the younger brother, Kwak Man-young, expressed his joy with tears, exclaiming, "Mom and Dad are both alive! Thank you, long live KBS!" This phrase, while not the official title of the Korean Broadcasting System, reflects the public's affection for the network, as he also proclaimed, "Long live the Republic of Korea!" This heartfelt declaration was prominently featured in the following morning's broadcast. The scene encapsulated the essence of 1983, illustrating themes of familial bonds, the joy of reunion, the revelation of parental survival, the oppressive nature of the North Korean regime, and a celebration of the Republic of Korea, which was often leveraged for propaganda during the Fifth Republic. Following the end of the dictatorship in 1987, the interpretation of this scene shifted significantly.

2013, Mr. Kwak Man-young revisited this poignant memory during a broadcast commemorating the 30th anniversary of "Finding Separated Families," alongside Dr. Yoo Cheol-jong (유철종) and announcer Lee Ji-yeon (이지연), reflecting on that pivotal moment in his life. At the age of 79, he shared his memories, although, in contrast to the Heo siblings, he had made fewer appearances in KBS's retrospective broadcasts. This limited visibility highlights the varying degrees of public engagement among individuals involved in the program, as well as the evolving narrative surrounding the reunions over the decades.

"You're not Kim! You're Heo!"

"When I was little, I left you at the barber shop." / "Yes, that's right." "It's cloudy." / "That's right." "(Crying) Oppa!!!!! Now I have no regrets even if I die, Oppa!!! " In the middle, you can hear your brother Heo Hyeon-cheol shouting “Thank you!!!”, but it is buried and hard to hear.

The phrase 'Finding Separated Families' evokes the poignant reunion of siblings Heo Hyeon-cheol (허현철) and Heo Hyeon-ok (허현옥) (Kim Jeong-ae) that took place at approximately 11 AM on July 5th. This moment is characterized by the confirmation of local station connections and includes both interview segments and the direct reunion itself. Notably, this broadcast was also featured in the film Ode to My Father. In this emotional encounter, the younger sister immediately recognized her brother upon seeing him, even before they exchanged details about their lives. Her instinctive reaction was to softly exclaim, "It's you, brother!", highlighting the deep familial bond that transcends time and separation.

The Heo siblings, orphaned by the war, faced a tragic separation after being placed in an orphanage. The younger sister, Heo Hyeon-ok, was adopted by a family operating a barbershop, where she assumed the name 'Kim Jeong-ae' (김정애). In contrast, her older brother, Heo Hyeon-cheol, remained in the orphanage. Their paths diverged when Heo Hyeon-cheol sought out the barbershop, only to discover it had relocated, leading to decades of lost contact. Over time, Heo Hyeon-ok forgot her original name, living in a state of disconnection from her past, while Heo Hyeon-cheol, despite his own struggles, retained memories of Daejeon and wandered its streets in search of his sister.

The emotional turmoil of Heo Hyeon-cheol was poignantly captured when he lamented, "You're not Kim, you're Heo! You have to know your name!" His concern transcended mere genealogical interest; it stemmed from a lifelong quest to locate his sister, hindered by her name change. This situation reflects a broader issue faced by families separated by war, as exemplified by Kim Bok-yeon (김복연) and Jeon Hak-cheol (전학철), who were unable to reunite due to their son's name being altered to 'Maeng Cheol-su' (맹철수). This name change could have resulted from a mix-up during his early separation from his mother or administrative errors in the chaos of war. Ultimately, the siblings' reunion occurred in 1993, a decade after their initial separation.

The poignant declaration, "Everyone should know how miserable war is!" continues to resonate in broadcasts aimed at reuniting separated families, with the image of an elderly man weeping remaining particularly impactful. This emotional moment underscores the enduring consequences of conflict on familial bonds.

The reunion was facilitated through a connection between local stations in Jeju and Daejeon. On the inaugural day of the broadcast, Mr. Heo Hyeon-cheol rushed to the local station upon seeing Ms. Kim Jeong-ae (Heo Hyeon-ok) featured on screen. The initial connection to Jeju Broadcasting and the subsequent introduction of Heo Hyeon-ok's narrative occurred the following day. Although the local station managed to reconnect after four days for a brief reunion, time limitations restricted the sharing of stories, leading to a poignant moment when the microphone was passed to Jeju guests. Unfortunately, the introduction of their stories was interrupted at KBS Seoul headquarters, necessitating another connection between Jeju and Daejeon for the two to meet. During the live broadcast, the producer incorporated war footage and somber background music, evoking a powerful emotional response. Lee Ji-yeon, the host and a member of a separated family herself, was unable to contain her emotions and left the stage in tears, creating a lasting memory that symbolizes the deep connections between relatives.

The siblings recounted that the younger brother, residing on Jeju Island, took a flight the following day, arriving at Gimpo Airport in Seoul before taking a taxi to Daejeon. Although there was an airfield named Cheongju near Daejeon, it functioned as a military base at that time and was not officially designated as Cheongju International Airport until 1997. At 5:40 PM, KBS Daejeon Broadcasting Station, then known simply as 'Daejeon Broadcasting Station,' was elevated to KBS Daejeon Broadcasting Station on December 8, 1986, following a reorganization within KBS. The headquarters was initially situated in Mok-dong, Jung-gu, before relocating to Manyeon-dong, Seo-gu, in 1998, where Dunsan New Town is located. In the 2020 special documentary 'We Together, That Memories,' Mr. Heo Hyeon-cheol reminisced about the old headquarters, which has since been converted into a nursing hospital, although the transmission tower remains. The emotional reunion occurred in front of the building, where, amidst the citizens' applause, the older brother opened the door before the younger brother's car had fully stopped, leading to an embrace filled with tears. The older brother reportedly wept, exclaiming, "What is this? Who should I tell this good news to? I have to tell my parents!" which deeply moved those present.

The Heo siblings enjoyed a fulfilling life and regularly featured on KBS's program "Searching for Separated Families." In May 2013, they participated in a special broadcast celebrating the 30th anniversary of the show, alongside Dr. Yoo Cheol-jong and announcer Lee Ji-yeon, reflecting on their experiences. Notably, the recording studio for this episode was the same public hall that hosted the original broadcast three decades prior.

As of 2019, Heo Hyeon-cheol, the elder brother, was employed at a funeral home in Daejeon Metropolitan City, while his younger sister, Heo Hyeon-ok, was reported to be residing in Jeju Island. On March 2, 2023, Heo Hyeon-ok appeared on the 9340th episode of KBS 1TV's Morning Yard, which marked the 40th anniversary of "Searching for Separated Families" as part of the 50th anniversary celebration of public broadcasting in Korea. During the broadcast, she shared a poignant dream about her brother, in which he appeared in a trench coat and identified himself, prompting her to join the program.

The son who performed the ancestral rite for his mountain mother

"You are my son.""Mother, how are you alive? I was serving you food."

Among the various reunion episodes of 'Searching for Separated Families', the encounter between grandmother Kang Hak-gi (강학기) and her son Oh Soon-ho (오순호) stands out as the most poignant. This family was torn apart during their escape from the communist forces in Cheorwon amid the Korean War. In a desperate attempt to evade bombings, they, along with others, sought refuge in a bunker. However, during a chaotic evacuation led by the US military, the mother and son were separated, with Oh Soon-ho eventually relocating to Busan, where he built a new life, unaware of his mother's fate for three decades.

The reunion was facilitated by a collaboration between Seoul KBS and Busan, culminating in a touching moment where Kang Hak-gi, despite her advanced age, inquired about her son's name and the names of his siblings. This scene is particularly striking, as it highlights her determination to reconnect with her family. Oh Soon-ho, recalling the distinct features of his younger sister, who was also present in the studio, sought confirmation of their shared past. The emotional climax occurred when the grandmother, recognizing her son after so many years, exclaimed, "You are our son," leading to an outpouring of tears from both her and her daughter, Jeom-soon (점순).

Oh Soon-ho struggled to contain his emotions, attempting to maintain composure in the face of overwhelming relief and joy. The intensity of the moment caused him to lean on a nearby companion for support as his breathing quickened. His wife, who accompanied him, was equally affected, unable to suppress her tears as they shared in this profound reunion. The scene encapsulates the deep emotional bonds of family and the enduring impact of separation, illustrating the powerful human capacity for love and connection even after years of uncertainty.

In a poignant reunion, an unusual incident unfolded. The son’s family believed that his mother had died during that period. This event occurred three decades post-war, a time when the healthcare system and public services for the elderly were significantly lacking, if not at their lowest point. Reflecting on this, it is remarkable that Grandma Kang Hak-gi, who appeared on television, managed to recover. Even when compared to the elderly of the 21st century, her dental health was notably poor. He mentioned that he was unaware of the ancestral rites day, leading him to prepare the ceremonial meal for his mother during New Year's Day or Chuseok. When his son and daughter-in-law, meeting for the first time on screen, expressed their grievances, he humorously remarked, "You prepared my food? That must be why I lived so long." In Confucian belief, there exists a superstition that conducting a memorial service for a living person can extend their life.

The video opens with announcer Hwang In-yong (황인용) and talent Kang Bu-ja (강부자) as special guests. Both were previously featured on the television program 'Studio 830' and 'Morning Yard.' The initiative to reunite separated families originated from Studio 830, where Hwang was hosting a radio show titled "Hello, I'm Hwang In-yong and Kang Bu-ja" on KBS. As a weekend program, the regular cast members were on break, allowing these two radio hosts to step in as substitutes. At that time, the radio was simultaneously airing the separated families program on television, resulting in a temporary hiatus for the television segment.

The grandmother's presence infuses warmth into this otherwise sombre reunion narrative. Her light-heartedness and ability to engage with the audience, even amidst the emotional backdrop, foster a sense of connection and relief. The interplay of humour and sentimentality not only highlights the resilience of familial bonds but also underscores the cultural significance of ancestral rites in shaping perceptions of life and longevity. This blend of emotion and levity serves to enrich the storytelling, making the reunion both memorable and impactful.

"Don't worry about living"

Younger brother : Don't worry, brother. I'm doing well. I'm doing well. I'm doing very well on my own without asking anyone for help. Don't worry about it. Older brother : Don't worry about living. Anyway, since we met, we shouldn't break up. Right? Right?

Mr. Im Geum-hae (임금해), known as Kim Gwang-ok (김광옥) at the time, and his elder brother Im Sin-hyo (이민효), residing in Busan, visited the Seoul Broadcasting Station on August 27. The YouTube video inaccurately refers to Im Sin-hyo as Im Sin-woo (임신우). During their meeting, the younger brother, having seen his elder sibling's broadcast in which he sought him out, contacted the station. The striking resemblance between the brothers became evident when the satellite connection displayed the younger brother's face, prompting the elder brother to exclaim, "Oh, right, they look alike," which captivated the audience.

During the war, the younger brother was initially adopted by a deputy chief in Yeongdeungpo but was placed in an orphanage within a year, leading a solitary life until their reunion. He bore a scar on his left side from a burn prior to his adoption, which facilitated their immediate recognition of one another. Just before their meeting, he learned from his adoptive mother that 'Kim Gwang-ok' (김광옥) was the name she had given him, while his true name was 'Im Dol-i.' (임돌이) This prior knowledge of his identity significantly aided him in reconnecting with his elder brother.

Following the adoption of his younger brother, my sibling was separated from their biological mother and expressed a desire to locate her during a broadcast. My father, who had been traveling between Japan and Korea prior to the war, lost all contact after its conclusion, leaving us unaware of his whereabouts. My brother speculated that our father may have permanently settled in Japan, a country that has seen a considerable influx of Koreans due to the intense political strife and violence that ensued after liberation. Notably, the Jeju 4.3 Incident, which resulted in the deaths of tens of thousands, prompted many Koreans to emigrate to Japan, leading to the establishment of a distinct community for those from Jeju.

The reunion was marked by numerous poignant remarks, including my brother's heart-wrenching statement, "I've been alone in the world all my life, this is how I've lived." This sentiment deeply affected even our typically composed older brother, who could not contain his tears upon witnessing his younger sibling's distress, particularly during their heartfelt exchange. My younger brother, a self-made entrepreneur based in Incheon, is married with children. His wife and son made an appearance on the broadcast, greeting our older brother, which led to the aforementioned conversation. When he revealed that his son's name was Dae-hyeon, announcer Lee Ji-yeon offered her congratulations, noting, "You've been living as Kim Dae-hyeon (김대현) until now, but now you're changing your name to Im Dae-hyeon (임대현)." The emotional atmosphere was further heightened by the playing of the song "Bloodlines We Met Again."

In 2021, the younger brother recounted his story on television, revealing previously undisclosed information, including a reunion certificate issued by KBS at that time, intended for the correction of the family register. Despite a close bond lasting three decades, the older brother's death in 2012 marked a tragic turn. The broadcast suggests that the younger brother continues to use the name Kim Gwang-ok. Notably, even with KBS's issuance of a correction certificate, changing one's name entails altering not only personal but also children's surnames, alongside the necessity to inform business associates and others about the name change, complicating the process significantly. Although advancements in technology have streamlined these procedures, the past presented considerable challenges, leading many to retain their known names throughout their lives. Consequently, individuals from the middle-aged demographic and older often possess discrepancies between their official family register names and the names they are commonly addressed by, resulting in a tendency to accept the knowledge of their original names without pursuing formal changes.

Other Miscellaneous Matters

On the afternoon broadcast of July 2, a poignant scene unfolded in the studio when a family reunion led to an emotional collapse. The daughter, who had endured the loss of her parents during an evacuation and had subsequently lived a challenging life as a housekeeper, was now middle-aged and overwhelmed with grief upon reuniting with her family. She cried out, "Why did you abandon me?" This emotional turmoil caused her mother, in her seventies, to faint from shock. Fortunately, she was quickly taken to the emergency room and recovered.

During this distressing moment, announcer Kim Dong-gun (김동건) took charge, urging those present to remain still and called for assistance from the infirmary. He emphasized the importance of not moving someone who has fainted without proper guidance. The live broadcast captured the raw emotions of the moment, with tears flowing as the audience witnessed the family's heartbreak, prompting a collective response of sorrow across the nation.

The following day, the broadcast continued to address the incident, with announcers attempting to soothe the guests by highlighting the mother's high blood pressure and urging calmness. This event was later documented in the April 22, 1995, edition of the Saturday Newspaper, which featured an article titled, "Who Doesn't Know This Person?": Sobbing… Heartbreak… A 'Human Drama' Without Direction. Additionally, it was revisited in a special Modern Korea broadcast on September 3, 2020, where Kim Dong-gun reflected on the emotional weight of separation, drawing from his own experiences as a displaced person from Hwanghae-do.

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On the October 1 broadcast, Lee Kang-hoon (이강훈), a resident of Busan, travelled to Yeouido with his wife and their six-year-old son to celebrate his mother-in-law's birthday. He expressed that financial constraints had initially prevented them from attending. A fortunate incident occurred when the son unexpectedly encountered his brother at Yeouido Plaza after spotting a piece of paper bearing their father's name. At that time, it was common for six-year-olds to struggle with reading Korean. This situation raised questions about whether the children's upbringing or their inherent intelligence contributed to their respectful behaviour. The child's father took pride in sharing this story throughout the broadcast.

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The Park sisters experienced separation following their father's venture into business, leading to their placement in different adoptive homes due to post-war financial struggles. One of the sisters was reportedly adopted by the poet Noh Cheon-myeong (노천명), yet her experience was marred by hardship, as she was compelled to serve as a maid despite the arrangement being labelled as adoption. I encountered these sisters during the broadcast on July 9.

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Numerous families encountered by one of the broadcasters during registration were found in the public hall or Yeouido Plaza. While not all were required to appear on the broadcast, some received invitations to the public hall. One guest recounted an incident where they noticed someone removing posters, prompting them to inquire about the action, only to discover a placard bearing the same name as theirs, leading to a reunion with their aunt. Another guest shared a story of an older brother who posted a notice seeking his younger sibling; shortly thereafter, the younger sibling attempted to post a similar notice below it and was overwhelmed to find a paper with his name, resulting in their reunion. Additionally, some siblings, seated next to each other during the story's introduction, recognized the striking similarities in their placards, which ultimately facilitated their reunion after verification.

Many individuals were separated from their families at a young age, often retaining only fragmented memories, such as names or even lacking recollection of their own identities. Those fortunate enough to remember specific details, like a prominent tree in their village or the location of a relative's home, found solace in these memories. Physical traits, including scars and marks from wartime experiences, served as additional anchors to their past. Some families recounted poignant moments, such as a sibling recalling an incident involving a rock, while others searched for lost loved ones by identifying unique physical characteristics, like a scar on a child's head.

In various instances, individuals recognized each other through visual cues, often facilitated by local media. For example, siblings Heo Hyeon-cheol (Heo Hyeon-cheol) and Heo Hyeon-ok (허현옥) experienced an emotional reunion when she immediately identified him upon seeing his face, exclaiming, "It's my brother!" This recognition was heightened by their striking resemblance. However, the passage of time had altered their appearances and memories, leading to complexities in their identities, as exemplified by her belief that she had been "adopted by a barbershop on a cloudy day." Such experiences underscore the profound impact of memory and the changes that accompany aging.

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Numerous instances of family separation occurred following the Korean War, particularly among those who returned to Korea immediately after liberation or defected to South Korea post-38th parallel division. This phenomenon was notably prevalent among families residing in Gyeonggi, Gangwon-do, and parts of Hwanghae-do. Individuals with ancestral ties to regions such as Jilin Province in Manchuria, Sakhalin, Hwatae, or Karafuto may now find these connections unfamiliar. Furthermore, the topic of 'population movement by era,' often overlooked in Korean geography and history textbooks, starkly illustrates the profound tragedies experienced during this period. Notably, individuals who had left behind separated families in China were able to reunite when tourism to China was permitted in 1988.

Among the narratives presented, the National Defence Corps is primarily referred to as the "Second National Soldier." Numerous accounts detail the efforts of individuals seeking those who vanished after conscription. While there were some fortunate reunions, the overwhelming tragedy experienced by the National Defence Forces during that period suggests that many of the drafted soldiers likely perished in the conflict. The National Guard gained infamy for unprecedented military corruption, leading to widespread suffering, starvation, exposure, and disease among soldiers before they could even participate in battle. Notably, there was an instance of an individual who remained unaccounted for despite being confirmed as having the same name on three separate occasions, highlighting the failures in verification processes.

During a meeting among siblings, Kim Il-sung of North Korea exclaimed, “Inomushikiya!!! Do you know this fact!!!” This provoked a passionate response from Heo Hyeon-cheol, who urged everyone to unite against Kim Il-sung, declaring, "Everyone! Let's all come out together and defeat Kim Il-sung!!" Some attendees even entered the studio brandishing the Taegeukgi. Many individuals present, particularly those in their 30s and older, had directly experienced the war, perceiving Kim Il-sung as a formidable adversary. This sentiment was especially prevalent among those born before the early 1950s. By 1983, even individuals aged 30 had been born during the conflict, and the older generation's animosity was well-established. As of the 2020s, many from this demographic are now in their 70s or older, maintaining a strong hostility towards the North Korean regime and remaining vigilant regarding security matters. This group also exhibits the highest levels of support for conservative parties that advocate a robust anti-North Korean stance, including an actor who, in his later years as a sergeant, sought vengeance against Kim Il-sung.

The release of the film Ode to My Father in 2015, which focused on the theme of separated families, sparked controversy due to a scene featuring an extra walking through Yeouido Plaza while holding both the Taegeukgi and the North Korean flag. At that time, the National Security Act was still in force, meaning that the act of displaying the North Korean flag, as shown in the film, could have led to immediate arrest, and there was a significant risk of violence from displaced individuals. Additionally, the narrative included a grandmother searching for her 14-year-old son, Lee Dae-sik (이대식), who had vanished while delivering newspapers in Seoul following the January 4th Retreat. A broadcast by SBS on March 28, 2015, titled "Child Agents in the North - We Were Bullet Candidates," revealed that he had been chosen as a child agent and sent to North Korea.

Eyewitnesses have reported sightings of him in a political prison camp, and six decades after he went missing, the state announced that he had died in 1952. Among the cases recalled by Seol Woon-do (설운도), one individual appeared on a broadcast dressed in mourning attire. This guest's mother, a member of a separated family, had been visiting the KBS open hall daily in search of her lost relatives, but she passed away. Despite the mourning period, he chose to be in the studio to fulfil her wishes, hoping that the family she sought might appear.

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Shortly after the broadcast commenced, an elderly man residing in Dongjak-gu, Seoul, tragically took his own life. His son revealed that the man had left behind his wife and three siblings in the North during the January 4th Retreat, defecting to the South alongside his younger brother. Overcome with emotion while watching the broadcast, he exited his home around 5:30 PM on July 2nd, ultimately ending his life in silence.

The narrative surrounding the three siblings is equally poignant. During the Korean War, they were ostracized as Japanese and sought refuge in a cave, which served as an air-raid shelter constructed by the Japanese military using Korean labour towards the end of the Pacific War. Following the devastation of Japanese cities by U.S. strategic bombings, many individuals were left homeless, residing in such shelters. Their parents had passed away, leading the siblings to work as servants, while their younger sister, Heo Shin-ja, battled typhoid fever. After moving to Seoul due to their maternal aunt's neglect, the siblings faced further hardship, culminating in the younger sister's flight from home and subsequent estrangement. Notably, her enduring resentment towards their aunt remains palpable, as evidenced by her vehement outburst towards her brother regarding their aunt's well-being.

The three siblings habitually refer to one another using their Japanese names. The younger sister's official name, "Shin-ja," corresponds to the Korean pronunciation of the Japanese name Nobuko (信子). The second eldest brother is named Isamu (勇), while the eldest brother is called Yoshi (芳). Given that their Korean names are derived from Japanese names articulated in Korean phonetics, it is plausible that the eldest brother's name '芳 (Bang)' is pronounced Yoshi in Japanese. During a broadcast, when asked about his Korean name, he identified himself as "Heo Bang." However, the video does not provide conclusive evidence regarding the nationalities of their parents.

The siblings' maternal uncle held the rank of lieutenant colonel in the South Korean Army, suggesting that their mother was likely Korean and their father Japanese. There have been instances where Japanese individuals visited the studio or sent correspondence in search of their families. These cases primarily involved individuals who had worked in local government or had been dispatched to colonies like Joseon or Manchukuo during the Japanese Empire. Many were separated from their families after becoming hikiagesha following the war's conclusion. Some families, like the Heo Shin-ja siblings, experienced separation due to the complexities of Japanese-Korean identity. After diplomatic relations were established between China and Japan, some hikiagesha families in Manchukuo were able to reunite and obtain Japanese citizenship, but faced racial discrimination upon returning to Japan, leading many to relocate back to China or become involved in organized crime. Others who struggled to find a place faced persecution from the government, as exemplified by the situation at Narita Airport.

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A woman, whose lineage includes parents and grandparents active in the independence movement, discovered her aunt.

In another instance, five siblings separated during the Korean War were successfully reunited via this broadcast.

Additionally, a family that accumulated wealth from their father's labour prior to the Korean War contributed food aid to the national army, while some siblings were labelled as reactionaries by the People's Army due to their capitalist ties and subsequently defected to South Korea. (Link 1 & 2 to two episodes from the broadcast)

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I must admit that after viewing several videos related to this episode, I found myself moved to tears. Given the extensive nature of this broadcast and the wealth of information it contains, a part 3 will be produced for this album and broadcast.

[hitomebore08]

Yeon Bo Ra

True To Love 1.01

[kdramacrybaby]

My favorite actresses

In no particular order

Kim Se-jeong

What I've watched: Busted, A Business Proposal, The Uncanny Counter

What I want to watch: School 2017, Today's Webtoon

Okay, so though I said it was in no particular order, Se-jeong is definitely my top pick. I just love her, both on- and off-screen. She can nail both a bubbly rom-com protagonist and a hard-core, ass-kicking action star. And off-screen, she's just so happy and excited about everything in variety shows. I'm definitely hoping for a lot more dramas to come from her in the future.

Han Hyo-joo

What I've watched: The Pirates; The Last Royal Treasure, W, Happiness

What I want to watch: Treadstone, Masquerade, Moving

This woman is just so goddamn cool in every role I've seen her in, as well as from what I can tell of her other roles. I'm not really sure what else to say tbh. She's amazing, end of sentence. I cannot wait to see her other projects as well, I'm sure they're fantastic.

Jang Na-ra

What I've watched: The Last Empress, Sell Your Haunted House

What I want to watch: V.I.P., Family; The Unbreakable Bond

The Last Empress was one of the first dramas I watched where I was like; "oh so that's what a kdrama can be" - and her role as Oh Sunny is still one of my favorite characters ever, even years later. Just for that alone, she gets a spot on this list. SYHH was fantastic as well, only adding to my point here.

Kim Ji-won

What I've watched: Arthdal Chronicles, Descendants of the Sun, The Heirs, Fight For My Way

What I want to watch: Queen of Tears

This is a case where she somehow just ended up in dramas I had planned to watch, without knowing she was in them. And in every one, she just stole the show. I don't know what it is about her, but she just stands out in the best ways. I was so sad when I found out she wouldn't continue as Tanya in Arthdal, as I just think she was perfect in that role.

Park Bo-young

What I've watched: Strong Girl Bong-soon, Doom At Your Service

What I want to watch: Abyss, Concrete Utopia

She was so heart-shatteringly amazing in Doom At Your Service that I just had to put her on this list. Though the others actors were fantastic as well, she just carried this entire drama on her back. And Bong-soon is just an iconic character all around. It took me a while to realize they were played by the same actress, she's that good.

[dylan-rodrigues]

True to Love/Deborah is so weird. One minute it's so cringey/dumb and then next minute it has really mature & good writing

like, people will act like God Himself came down from Heaven to write this screenplay... And then the writers will have sis dropping in a reference to Auschwitz to describe her post breakup strategy....

AUSCHWITZ

on the other hand... Though i was talking shit about it before, it makes sense for Suhyeok & Bora to remain friends. It's way too soon for them to be dating, since they've just started to move on. They seem to have a lot of feelings for each other but they also genuinely have a great friendship. Besides, at this point in their journey, they just need companionship from someone who understand what they're going thru. I love how they resolved their fight and the kiss, it was wholesome and usually not seen in media.

I guess what it boils down to is, i just wish they'd done this sooner instead of focusing so much time on the breakup itself. And maybe devoted more time to Suhyeok's own healing process instead of just having Bora embarass herself in front of him a million times. They've just started to really unpack what he's been going through... now. At EP. 10. When we supposedly have only 4 more eps to go.

what I liked about ep. 10 is that for the first time she's the one comforting him instead of it always being a one way street.

It’s also cool how the writers are subverting our initial read of Suhyeok being an unemotionally available jerk. Maybe he was one, but it turns out there’s more to the story and Yuri was not an angel either. like damn, the way Yuri said relationships are meant to be petty or mean... that was ice cold 🥶🥶🥶 and some genuinely good writing.

Bora's own silly strategies got thrown in her face and now she has to save Suhyeok because of what she taught others. Maybe another aspect that could have been focused on instead of Bora embarrassing herself compilation #10.

[stuffdrama]

Bo Ra! Deborah (2023) pt1

[depsadd]

[imsailorpluto]