#NAOKI-R

[iiscpr]

la guadalupe

[unfortunatelyilikebnha]

Every time I remember that bitch* jumped off the roof (he was FINE even though he shouldn’t have been but whatever, anime logic) I always get way too concerned abt it like YOURE GOING. TO BREAK YOUR ANKLES BE MORE CAREFUL FOR THE LOVE OF GOD

*kai toshiki

[proustianlesbian]

i wanted to post this for rosh hashanah but i forgot and i'm lazy. however, i hope that my favorite fictional "old jewish men" had a nice new year 🍯🍎🍏. (they are all canonically jewish, trust me this is 100% real haha don't look them up to verify, just believe me.)

also i can only remember these ones... are they my six (seven if you count runge/lunge from monster but he's not celebrating rosh hashanah, or anything, so i don't put him on this post) OJMs characters i can think of ? probably not but i've really searched a lot inside my brain and i can't really think of others... maybe i'll do a second post because i know i forgot some..

[freshluxbreeze]

asuka theme takes the "fan translation nightmare" award for this entire year

[koukouture]

watching monster and tbh Tenma is kinda 👀👀👀

[magz]

ID: Four different anime GIFs of "Johan Liebert" from Naoki Urusawa's "Monster". Different scenes throughout the anime of him pointing at the middle of his forehead, telling where to shoot. End ID.

Shoot me.

[ziracona]

Me just trying to walk to lunch:

Kanji: “Hey! : ) You maybe want to hang after classes? 🐕😊”

Me: 💙omgofcourseI’dalways-

Kou, looking like he’s been dissociating the last three days: “oh…hey. Practice is today huh. I’ll…be there…”

Me: 😬 *shit! Maybe I gotta hang with Kou—I’m so sorry Kanji but he’s kinda in crisis and-*

Naoki, walking up before Kou is even off screen, looking like he’s about to have a breakdown in the halls and has just been crying: “H-Hey. …I was…hoping to talk to you about something today. I’ll be out by my parents’ liquor store, if—i-if you’ve got time later.”

Me:😦

[princessgarnetxvi]

Everything Johan did was For Anna/Nina

Everything Johan did was for Anna. 

                      A “Monster” capable of love.

“What I’m most afraid of is…forgetting Anna. The strange lessons we have everyday… are making my memories fade. Please, don’t make me forget Anna. It’s only Anna and me in this whole world. Just give me that - please. Please.”  – Johan Liebert”

I was very confused about the complexities of Johan's character up until the last handful of episodes. After rewatching the series for a 3rd time and exploring how Johan is portrayed in the manga, it became very clear to me that my initial opinions about Johan were basic and devalued the intricacies of Naoki's writing. From the beginning we are only TOLD by conflicting views, who Johan was. His character, in the fictional world as well as our own, is simply defined by an individual's perception of him and the story presented. However, if we dissect ALL of the themes and even the undertones Naoki presented to us through the world of characters; I think it would be evident that Johan was not committing heinous acts for superficial reasons such as simply being evil to be evil.

So what was the method to his madness? 

I believe... Everything he did was for Anna.

(Yes this includes erasing himself from existence too )

Author's Note: I want to preface before you read on that although these essays are written in a sympathizing light that Johan has done PLENTY of wrong. This is not written in an attempt to dismiss his heinous acts lightly, but to simply understand the "Monster" of the series by tackling Johan's crimes deeper than the surface. I tried to make sense of Johan's every action in regards to his OVERALL PLAN and why Naoki presented them to us as viewers. For those who will nitpick the term "everything" quite literally, I want to make it clear that not E V E R Y S I N G L E A C T I O N Johan has taken coincides with his love for his sister; his actions towards the children specifically - because there are some things that had nothing to do with his "perfect plan" but more to do with attempting to build Johan's character and his view of the world us as viewers. Justifying ones actions vs. rationalizing ones actions are completely different. I am in no way attempting to discard the accountabilities that Johan should face for his actions, but instead trying to make sense of it all. I've analyzed Johan's crimes against children here: https://xprincessgarnetxvi.tumblr.com/post/691678531250487296/i-really-love-reading-your-essays-i-can However, this will explain the root of Johan's character and the core of his overall plan(s) that was committed for the sake of his sister from the very beginning to the end. The overarching theme and message of Monster is that there are no such thing as Monsters, only broken human beings capable of great evil; so we will humanize this great Monster in order to understand not only Johan Liebert, but the hows/whys Tenma/Nina was able to forgive him and ultimately find value in saving the life of this supposed Monster.

Before we begin, I'd like to take the time to thank you for reading! I can't wait to review your comments and further discuss this magnificent series of Monster!

-

Anna was set up from the beginning to become The “Monster” given she was the one who actually endured the experiments. Her tendencies are shown in glimmers throughout the show. The heartbreaking twist to it though... is that the only reason why she DID not become the beast, was because SHE ( unlike Johan ) HAD KNOWN REAL UNCONDITIONAL LOVE.

-Johan’s love and sacrifice is what kept her safe from the darkness he knew very well. He got his hands dirty to shield her. He chose to leave her behind in the care of her foster parents, knowing she would forget him, in order to heal.

He chose her than himself over and over; becoming her shadow; choosing to lose his only attachment to his already weakened identity in order for her to heal.

His love for her is why she never became a monster...and tragically, why Johan had.

Which reflects exactly what Mikhail Petrov (whose real name is Reinhart Biermann) said about his "PROFOUND DISCOVERY" concerning his current experiment on the children he had in his home; he said the children did not become animals because he gave them LOVE.

(Mikhail Petrov telling Grimmer how the children in his current experiment did not become Monster - it was because they had LOVE.)

In his own twisted way and view on things, he was protecting her. He killed every "parental" figure they had because he was betrayed by every adult figure in his life so far. People who mentioned calling the police, ended up finding out about their past - anything that could lead the man, who Johan referred to as “The Monster” into finding them, he disposed of.

The adults in their lives thus far would betray them, torture them, hurt them, throw them away- and forcefully separate them. In his severely abused mental state, any adult figure was a potential threat to his and Anna’s safety. So he’d kill in order to runaway from "the monster" and protect Anna. Then when Anna found out about the blood on his hands that fateful night the Monster paid them a visit, he realized that now he had become someone Anna feared - a different kind of Monster but all the similar to the one they were running from.

So he rationalized that now he needed to die.

In that moment, I think we should focus on his body language and expressions. Johan faced the ground. hardly picking up his eyes. His shoulders were sunken and he did not have that menacing little smile he usually had. Johan has killed in secret various times with Anna and back at Kinderheim.

So why was he so messy with the Lieberts?

Because he did not want to kill them - he said HE HAD TO.

It was not a calculated murder, because he was not truly calm and collected; He was afraid.

Lets not forget who Johan was up until that moment: the infamous little boy who provoked an entire riot and massacre by simply opening his mouth. With mere words he was able to sway the adults and children into doing what he wanted. BUT IN THAT MOMENT when Anna caught him red handed, he could not, or rather, would not - try and manipulate Anna.

(He has never once been shown trying to manipulate or abuse her throughout the entire series as he has done intentionally with the rest of the world.)

Instead, he asked her to shoot him and run - in an attempt to finally liberate her from the horrific life they had to lead up until now - blaming his existence for the constant chase their predator (Bonaparte) gave way to them as prey because in that moment, his memories were distorted and he believed he was the one who went to the Red Rose Mansion. **** (X) (this theory is challenged referenced below)

To Johan, him living was a danger to Anna and that night made it evident to him.

But when he was brought back to life and realized the gravity behind his methods, seeing how terrified Anna was of him - he started to cry. Because despite his initial feelings of finding his death absolutely necessary for her to be safe, he still wanted what he had with her; the only bond of love he ever knew.

What set his entire ADULT plan into motion (wiping out everyone who ever hurt Anna and created HIM) was Anna's rejection at the hospital. That was when he realized internally, he was beyond forgiveness and that he was nothing more than a monster. A Nameless monster in her reflection that needed to die in order for her to live in peace. (Referencing the God of Peace storybook. )

Johan was the one who gifted the God (Anna) her hat and then she saw herself as the Monster she was supposed to be due to the Red Rose Mansion experiments. This would NOT have happened if Johan did not give her the hat (the red hat which can symbolize the blood he spilled for her. ) so in this instance, Johan is also the reflection (you are me and I am you. They are both nameless monsters)

From that moment on, he wanted to wipe out his entire existence, and that meant those who ALSO "created" him so that Anna could heal as Nina.

I believe this is what is depicted in the Nameless Monster storybook. 

Initially, we are made to believe Johan wanted to “consume everyone” so he would be the last one standing. The Monster known as Johan in the book also devours his counterpart, the Monster who went West and then there is no one left to call him by his name. But clearly, Johan never does this, because Johan never attempts to kill/devour Anna/Nina - because what it symbolizes is entirely different in nature regarding Johan’s intention. 

A quick reminder that both Johan and Anna were considered Nameless Monsters. HOWEVER - by Johan’s hands, Anna does not remain “Nameless” nor does she ever become a “monster” the moment Johan decided to not only leave her behind in the hands of a loving family, but by her changing her name and her identity to Nina. The Fortners never made any implication that they knew of Nina’s past concerning the Lieberts murder and I believe this is because Johan introduced her as Nina to the Fortners and never allowed them to see the trail behind her identity as Anna Liebert. 

Symbolically, Johan, as the Nameless Monster, consumed the Monster inside of Anna and became the only Monster left. This is what is mirrored in Johan’s intentions and the Nameless Monster storybook. 

With Anna forgetting him and Johan leaving her behind thus losing his only connection to someone who truly knew him, now all that is left is Johan, without absolutely anyone to call him by his name - the one and only Nameless Monster.

And this is heavily referenced in Another Monster:

(This reinforces that Johan was trying to make Nina forget her past as Anna)

There wasn’t some sick satisfaction from any of his killings done when he was a child. To him, it was needed for the sake of her safety. This was Johan’s initial “plan.” set in motion. He wanted to be the only one left in the world with his sister - so that they wouldn’t have to be afraid anymore. 

(I also believe at that point when they were kids, Johan's very first plan he referred to when telling Anna "Remember, I have a plan." was to run to another country with her so that the Monster will never find them. It is the only logical idea of a plan that a child could conjure following what he actually leads them to do, which was cross the border. Simply destroying the world is unreachable in his current state and Johan is smart enough to not be delusional in his endeavors. With that being said, he had to kill that old couple to erase any trail they may have left of "two beautiful blonde twins." But this plan fails because they nearly die at the Czech Border and was discovered. )

(Johan telling Anna he has a plan.)

RUHENHEIM:

One of the biggest moments in Ruhenheim has been misinterpreted and lost due to the mistranslations in both the English Dub and the Japanese subtitles. 

I clarify and mend this by breaking down what Nina unraveled in Boneparte’s house when she looked at the portraits by correctly translating the Japanese script/text in depth here on this post:

 But to summarize it for the purpose of this essay, it was revealed to us as viewers that Johan apologized to Anna when she returned from the Red Rose Mansion, revealing the overwhelming weight of guilt he carried when Anna had been taken that day. 

(That day depicts the moment their mother made the terrible 'Choice')

and then Johan accepts his mother will never return to them (assuming she abandoned them) and goes on to tell Anna this:

Johan is the one crying because soon after, Nina tells us that Johan was in that room crying.

This information provides clarity as to why Nina was finally able to understand Johan, empathize with him enough to be able to forgive him. She remembered he was a boy who felt guilty over what happened to her; a boy who cried when he realized they were now all alone in the world.  She understood that Johan desperately did anything and everything to ensure he and Anna survived despite it all.

That Rainy Night:

I want to GREATLY EMPHASIZE the important factor I missed my first time watching the scenes with Johan/Anna - the scenes shown to us were ONLY through her recollection as fragments due to her memory loss. They were told from what she COULD remember, so her take on what really happened that rainy night the first few times the events are unfolded before us should not be taken as absolute. At least...up until it is revealed in the final episodes that Anna realized that on that night instead of seeming like an empty shell of a person asking for death, Johan was crying and crying before she shot him.

The scene where Anna finds the portraits reveals what truly happened between them and its so important. She said “Johan was crying “here” just like before.” She was mimicking a memory she had just recalled in its entirety. “Why are you crying, why are you crying?” She sounded in distress. Directly after she reveals that she remembers him crying, it shows the image of him pointing at his head that rainy night.

Even though Johan told her to shoot him, it is IMPORTANT that he was crying and the author highlights this for a reason.

I believe that, finally being able to vividly remember that day finally revealed to her that Johan wasn’t the “face of absolute evil” she initially dismissed him to be; he was a boy/man who could cry and mourn - he was human. He was a terrified boy protecting Anna and himself the only way he knew how. and instead of showing him forgiveness/love - she added on to his collection of wounds scarred upon his soul from everyone else who chose to harm him.

Tenma...was ultimately the ONLY one in his life who showed him kindness.

Johan's intentions and reasons behind many crimes: Essay II.

( I will summarize it here as the extension essay was far too long to put on this post)

**** (☓) I want to ask, did Johan truly believe he was the one who went to the Red Rose Mansion or was that simply a masquerade he performed to make sure Anna did not remember?

(I wrote an essay on this being a possibility here: PART 2 OF THIS ESSAY. This will explain Johan's intentions in depth)

(this is a theory I FIRMLY believe and have completely adopted. But for the sake of argument, I will entertain both concepts behind Johan's memory in this essay.)

If we entertain the idea that Johan never misconstrued his memories about the Red Rose and pretended he did, I can dissect Johan’s intentions a bit more intricately.

Throughout the series you see that he is trying to wipe everyone who knew of what happened to Anna off the face of the earth, that included himself. He did not want Anna to remember. So when it was revealed she did remember, he mourned. It was subtle but evident in the anime when she reveals “you are wrong.” something in him shifted - for once he was reacting to the words of another.

She said "he had a smile but seemed like he was crying. I never seen such an expression on his face before." That entire scene, Johan’s eyes expressed something we’ve never seen from him throughout the series - a sense of mourning or longing?

Johan in front of Anna always appeared the most human and I feel Naoki did this with purpose.

(Naoki specifically told the directors/animators of the anime series to never stray from how he expressed Johan's eyes for a very important reason. )

Johan's expression finally meeting Anna after 13 years apart.

-

If, however, Johan DID truly think he was the one who suffered at the red rose mansion, his “perfect suicide” plan still relates to his twisted-selfless feelings for Anna.

Johan learns it was not him that suffered at the Red Rose Mansion...but Anna instead. and then Johan goes on to commit the "perfect suicide." In his plan to die, he wanted to take The Monster with him, forcing Bonaparte to endure the same exact hell he forced Anna to suffer as a child.

Call it an act of revenge. Some may think Johan is incapable of being vengeful but I cannot see this cruel and calculated act as anything other than malice. After Bonaparte was finally dead, the monster disposed of - Johan was ready to die.

But you can see his conviction began to slip away when Anna forgave him. What made it worse was realizing he was wrong about Tenma because even now, Tenma was still hesitating on killing him ruthlessly like he always presumed would happen. Johan thought he had humans all figured out - after all, all Johan has EVER known was the darkness in people’s hearts. That is why he was so confused/moved by Tenma and wanted so desperately to prove him wrong.

The manga portrays Johan’s expressions 1000X BETTER THAN THE ANIME. As soon as Anna arrives, Johan is just staring at the floor, unable to look at her - Repeating everything from that fateful rainy night when they were kids. But this time, Anna doesn’t kill him, she chooses love and compassion. and when she says she forgives him - his reaction is something the anime does not do justice

(The subtle shift the artist expressed in his eyes from her words is so significant but missed in the anime; but he reacts rather deeply, moved and shocked by her words.)

Because "Forgiveness is the remission of sins. For it is by this that what has been lost, and was found, is saved from being lost again."

In the manga he isn’t quick to reply. He ponders over her words carefully and I think this is when his mind starts panicking.

Anna realized that forgiveness was the one thing he wanted that night she shot him, despite him also thinking his death was needed. His value depended on her view of him; and what she once robbed from him was now returned - a human being worthy of forgiveness instead of a monster.

He is telling her the evident truth that he cannot turn back because he TRULY believes Tenma is going to kill him any moment.

Johan refuses her forgiveness not because he resents her or thinks its too late for her to redeem herself - but because he doesn’t think he deserves it. “There are somethings that cannot be undone.” Because it is too late, Johan is going to die - he WANTS to die. Then you see the fear and helplessness in his eyes after getting the one thing he always wanted [ Anna’s forgiveness] because he desperately wanted to die as the only thing he knew himself to be: the nameless, nonexistent monster. But both Anna and Tenma rob him of that by bestowing upon him the gift of compassion, mercy and empathy; for the first time treating and valuing him like a human being instead of a monster,god,experiment, devil etc., as everyone around him has his entire life.

(The Monster inside of Johan begins to crumble.)

Johan in his final moments was cracking and finally falling apart. You see it in the final expression he makes: the distraught, confusion and sadness. Because he realized, he was wrong about people, he was wrong about the world. But how can we blame him for his view on humanity when all he has ever been shown since birth was how ugly, selfish, cruel and inhumane people can be?

How can we expect someone who has only seen darkness to be able to find the light?

I want to clarify one thing I noticed: Johan has never shown to take any kind of sick satisfaction from killing unlike all the other serial killers being interviewed in the series. (aside from Richard) Specifically, Johan is without "the lust for murder" as Lunge explains in Another Monster - which is why Johan hired other people to kill for him instead. Especially contrasting Johan with Roberto, specifically, when Roberto tries to kill Anna.

(that is until Richard, which makes Johan's dealings with him stand out for a reason. He doesn't even take pleasure in killing the Red Hiddenburg, he leaves before witnessing her death instead of reveling in his 'checkmate' coming to fruition.)

Despite his callousness and his lack of care for life - Johan, despite how much of a "monster" he was, very clearly had humanity and had love....for his sister most of all. Johan saw when his mother choose, how little their lives meant to her and this instilled his nihilism at such a young age. He watched Anna get tossed to the wolves like nothing and in that moment, he probably thought his mother chose Anna over him for a reason. (even though the question on her intention would haunt him for the rest of his life) But her being able to choose is what hurt him the most and it's probably what instilled his self sacrificing mentality to care for Anna above the world in order to never make the same mistake his mother had.

That is why after she got back from the Red Rose Mansion, he cried for her story and apologized as if it was his responsibility to feel guilty over what happened to her. It should have been him that suffered. Then after, he treats her with the upmost care, telling her everything is hers, no matter what she will win everything because he would deem it so. He is kind to her, never letting go of her hand even when she is dragging behind - he sacrificed all of himself for her...

Because she deserved everything in the world to contrast their mother throwing her away.

(it should be noted that the Lieberts did not want Anna either but only adopted her because Johan refused to leave the orphanage without her. Which is also why I believe he killed them when Bonaparta came because he thought the Lieberts were conspiring with Bonaparta to get Anna)

🌰 (The ‘Acorn game’ represents their Mother's choice, a child in each hand. But in this version, Johan would ensure that no matter what hand Anna chooses, she will NEVER choose wrong. He manipulates the fate behind her choices by holding two acorns instead of one; never letting her make the same mistake as her mother.)

He wanted her to know above all else, she was loved.

A clear indication of this adoration/attachment he has for her is the fact that he DOES NOT forget her even after enduring the hellish experiments in Kinderheim that aimed at wiping out / messing around with his memories.

-

I wrote this because I was astounded to see various posts/Wiki pages implying that Johan’s intentions were to torture Anna and make her kill herself. Telling her to shoot him was his first attempt to drive her insane? They twisted a lot of things Johan did to try and make this statement true. But I cannot comprehend how they drew this conclusion? The series has characters mentioning on more than a few occasions that Anna is dear to Johan. "He is lost with you."

Everyone knew Anna was important to Johan, Professor Geidlitz was the first to mention this besides the old blind man. Roberto was aware of this which is why he tried to kill her as mentioned in Another Monster. Which is ALSO why Peter Capek tried to hold her hostage to prevent Johan from killing him.

and for the first time, Johan DOESN'T kill him.

Johan cried when he awoke at the hospital after he reached for his sister and she screamed in fear of him. His face full of tears - his heart completely broken. If his intention was to drive Anna insane, he would have triumphed in that moment she screamed and fell to the ground after he reached out to her. But instead he mourned.

Anna has mentioned several times that Johan has cried for her, like when he was in the room full of their happy portraits, he was crying. He never once tried to bring harm to Anna - not intentionally towards her person. Explaining the Fortners murder - either he killed the Fortners after they decided to keep lying to her, thus keeping him in the shadows when he wanted to return. OR he killed them because they were going to tell her the truth about her identity, which was something Johan worked to conceal. (this theory is explained thoroughly in essay #2 )

Regardless, if he wanted to torment her, he would not have tried to lure her away to the castle when he set up the Fortners to be killed.

They imply that Johan wanted to torture her and then kill her at the end. But that makes absolutely no sense. Where in the storyline does Johan give off this tendency towards her? Even at the end he told her where to meet him in Ruhenheim and not once did he try to shoot her or Tenma. Honestly, if he really wanted to provoke Tenma to shoot him, he would have held the gun to Anna instead of a random child. But even though being shot by Tenma was his greatest endeavor, he refused to point the gun at someone who was important to Tenma...because Anna, is important to Johan too.

To say Johan, despite being hailed as the Monster of the series, had no love or humanity in him and was merely the Devil himself...completely missed the point of the story...

I’d like to point out the constant mentioning of Hitler in this story and draw another important factor...Hitler brainwashed people to commit mass genocide. Under his rule, millions perished in horrific ways. But despite that...Hitler was capable of loving others. Hitler was also loved by others. The terrifying truth about people who commit atrocities...is that they are not monsters or demons or devils...

they are merely human.

-

Here’s two passages from ANOTHER MONSTER [novel post Monster written by Naoki] that really drives this point:

- PSA: My twin brother FINALLY finished his 2 HOUR Johan Analysis Essay, that dives deeper into Johan's character. This essay and essay #2 will be included in this analysis video as we both worked on it together. However, this lays out the details visually and with beautiful music. Please watch!

[girls--complex]

hi, love your work a lot! it manages to blend coherence with layers of esoterica, in a fun & meaningful way. do you have any big influences with your style?

Writing this as a narrative because my whimsicall mind can't seem to organize information logickally otherwise

So

When I was a child my Dad would show me a lot of comics/cartoons in all different styles/eras and so I was internalizing comic book logic from the very beginning. He really liked American comix both capes and Indie stuff but was also into franco belgian artists and let's be clear my papa has good taste so I was readying good stuff though I couldn't remember it all too reliably... Also Comics Journal, so I was reading comics & meta about comics. So basically I have like a deep archetypal brain stem dark spring of mind that spits out raw comic information like a dream that I can't place until I rediscover them, and a lot of deep unremembered imprintations that R kinda roiling around under the surface #Stupidsoldier

N then I was a deviantart kiddo and a reading manga at barnes and noble kiddo, and then I went and got a formal art education and learned about all these artists that sort of did pseudo comics or cartoons but didnt articulate it that way-- The German xpressionists are a big example of this -- and also about overall principles of like scale and hierarchy and time and presence -- and also just that I really like drawin the human figure in particular :)

I'm really grateful that my parents especially my dad were actually really supportive/invested in me being an artist even though they had very little faith in my character or overall competence. so I was always doing art activities to make me better at drawing because that was like the one redeeming quality I had, a lot of household resources went into me having art tutoring or doing community classes, and I was really strongly encouraged to get ma BFA

So 4 influences well I like things that are very stylish but very specific in how they represent figure N physiognomy... Naoki Urosawa & Jeff Smith were fascinations 2 me along this line... Arakawa is good too... I feel like this is a strength of American and British cartoonists generally but struggling to think of names

My favorite painter is tied between two commies: Siqueiros, who was a Mexican muralist and chaotic socialist, really specific markmaking and texture, pathos drenched figuration, charged epic landscapes, and Petrov-Vodkin, Russian ikonographer who became a propagandist for the USSR, semi-social-realist, semi-ikonographic compositions in which space is wrapping around itself to organize human figures according to a mythological logic, flattish, very cartoons/comics aligned, strange treatment of color but all really effective

History painting overall is everything to me it really doesn't show in Coward but I think it shows elsewhere some of my other dramatic sensibility is a lot from 00s action movie shlock which I would always enjoy to go see when I was younger and was somehow fascinated with the environment of government buildings and prisons and secret operations happeningunder the surface of every day life erupting into wet violence of men punching each other

I love the movie THE RAID redemption !!!!

I learned a lot of the logic of pacing N building pages around Tezuka's work as well as FMA N Death Note I think were big 1s to teach me that logic. Tezuka is a really good artist to look at for how to compose a page that supports the energy of the events that are happening on it, not that that's something I personally am good at. Favorite mangaka for tone and environment and visual identity are Katsuhiro Otomo, Tustomu Nihei, Suehiro Maruo, Nishioka siblings, Hideshi Hino

A lot of my sense of timing is also from news paper strips tbh. It's just a gut thing to me at this point hehe , Character design is also a gut thing for me I draw a little thing and I can either ensoul it with psychosexual fixation or I can't

I was born in the hospital Henry Darger worked at St. Joe's he's an ancestor to me but ofc inimitable by virtue of GOD being his sole audience

As for the esoterickal dimensions I feel like it's all it's own post let's just say I lack the inclination and ability for systematic and rigorous study but I am really interesting in gathering little packets of information and arranging them into dioramas and the longer I do it the more packets I accrue

I want to make a list of artists on here that I like/admire sometime too but that's too much for me rn. I also suspect a lot of people R mad at me for arbitrary reasons just as I also am mad at a lot of people for arbitrary reasons so I dont wanna bother no one ...

Oh well so I'm intentionally reorganizing how I draw right now because I sense a shift in my trajectory again so thanks for making me reflect

[magz]

ID: Close-up of John Liebert's eyes as he stares downward. Art from Naoki Urasawa's manga "Monster". End ID.

Monster (モンスター) // Naoki Urasawa

[solradguy]

idk if your a good person to ask but you seem to know a lot of guilty gear fans on here so i figured its worth a shot. i just got into strive and i love love love the music. do you know of any other groups/artists that have a similar style? no pressure

YESSS hell yeah. Outrage—Xrd/Strive lead vocalist Naoki Hashimoto's band—is really close to how the heavier GG tracks sound (Ride The Fire, Shotgun & Head, Dice) and are a good place to start. Daisuke draws from old thrash and heavy metal bands for inspiration too, so you may also enjoy early Metallica (Ride The Lightning, Master of Puppets, the black album/self-titled), basically any Iron Maiden, Helloween, Gamma Ray, Guns n Roses, Queen, and Judas Priest.

Metallica, Iron Maiden, Gamma Ray, and Judas Priest seem to come through the most in GG's OST, imo, with Helloween and Queen in the slower, more ballad-like tracks, like Freesia and Let Me Carve Your Way, etc.

I don't care for Guns n Roses and can't comment on how they've influenced GG outside of Axl Low's aesthetics, but Daisuke's mentioned them before in interviews/books so they're in there. Somewhere haha

I don't know if Daisuke or Naoki have ever name dropped Yngwie Malmsteen, but my god just listen to these guitars. You could plop this bad boy into +R and no one would even notice

If you like the neoclassical GG tracks (Holy Orders (Be Just Or Be Dead)/basically anything Ky-adjacent) check out Stratovarius too

[meruz]

sorry if this has been asked before, but i wanted to ask about your lineart! the weight and line economy are just so nice, i get stars in my eyes looking at your lineart and doodles. could i ask what your approach to lineart is and what tips you might offer?

Wow I love these questions - Line is so interesting!!! It's a really big topic so I feel like any tips I give will be just barely scratching the surface. It's like deceptively simple...any given line drawing is essentially taking all the information we glean from seeing something irl ie light, shadow, dimension, texture, perspective, etc and boiling it down to the simplest possible visual information.

I think most commonly my line is informed by light source so like. thicker more continuous lines face away from the light and thinner more broken lines towards. and a lot of my spot blacks r simply cast shadows.

here's a more extreme example

BUT like everything to do with art there's no hard and fast rules. I use blacks when I think it'll be effective or interesting and I leave them out when I don't need em. umm couple things I find myself doing a lot... using spot blacks to make the separation between characters clearer. I like casting shadow in between characters so its easy to separate and read their silhouettes even when they're mashed together.

u can go even further to purposely create a silhouette like

to draw attention to a finger or tongue LOL. There's some comic book artists who are absolute masters at this type of stylization. Alex toth and his spiritual successor Chris samnee come to mind for me right away.

(toth)

(samnee)

I feel like I'm also often using line weight to separate planes receding in space

im naturally a really heavy handed and scribbly drawer(...?) draftsman. and im nearsighted so when i see things i percieve and break it down into big shapes over thin contours. so stuff like spot blacks and shadows came easy to me, the tricky part was making the rest of the lines lighter when they needed to be so the blacks could actually have impact LOLL. a lot of effective visual communication is about balancing contrasts. like I had to really train myself to press less hard on the pen. I think this is actually really evident if u go back in my archive to older sketches LOL

I actually feel like a lot of how I trained my hand to tackle line weights was thru stuff like hand lettering where you rly have to focus on being sensitive to that kind of thing.. contrasting strokes etc.

also exercises like figure drawing will have you flexing those muscles constantly

I'm starting to just regurgitate lessons from freshman year of art school so I'll stop here with the demos but yeah...I hope this was helpful!? I love line!!! I want to get even better at line work so I can feel confident posting work that's only line no color or value... I'll leave you with a bunch of artists who I think have particularly expressive and beautiful linework (not including toth and samnee who I already mentioned and who's work I love so much). You can probably learn much more from them than you can from me...!

Charles dana gibson LOL

Matias bergara

tonci zonjic

naoki urasawa

Daniel warren johnson

shiyoon kim

michel breton

also yoji shinkawa, tomer hanuka, leo romero, I feel like I'm gonna post this and think of so many more. there's so many good artists...!

[proustianlesbian]

some silly little thoughts i have on monster :

big fan of how so many characters in monster have a big nose like that's peak character design, that's exactly how i draw people 🫡. and every character, even ones with one line of dialogue have a different nose, i love this !! i think my favorite noses, on the top of my head right now, are runge's and karl's.

i'm also a big fan of how many middle aged/old men there is, as a fictional dilh (dad i'd like to have) lover. (this one is about only like five characters because the rest are kinda bad people etc.)

there was only supposed to have these two thoughts but i decided to ad two more :

i love the french detective hired by müller, he deserved better. also if there ever is an adaptation of monster, my theater teacher, who's an actor too, should play him i think 🤭 (he's french and kinda looks like the character and i love him so).

since i'm on the topic of an adaptation of monster with real actors, i don't want one UNLESS it's with exclusively with german-speaking actors. like i want it to be a fully european production all in german (with characters speaking czech, english, turkish, french etc when needed, obviously). i put my trust in arte if there was someone to produce this because they have banger german shows 🫡. also i want the actors in this scenario to mostly not be very famous, just to be good and have the same vibe as much as possible as the characters. although i'm not against more famous people being in it, they should have little roles imo (like if an actor like idk david suchet plays the old english husband or katrin sass plays a random nurse, i don't mind yk)

[gonedreaminggg]

ITS TIME ITS TIME

my unhinged laurance zvahl headcanons 🫠

- Laurance has a BUNCH of ear piercings. Candenza made him swear not to get any facial piercings, and she's one of the only people he listens to. He did get a belly button piercing to spite her tho :)

- He has a lot of nervous ticks. He used to play with his hair when it was long, but when Cadenza cut it, he started cracking his knuckles and picking at his nailbeds. When Aphmau notices him doing this, she lets him play with her hair.

- GARRANCEMAU. POLYCULE. It was kind of unspoken for a while, and then Garroth got left behind in the Irene Dimension. So, Laurance and Aph got really close. However, nothing was official so she got with Aaron. Laurance and Garroth only ever realized after he had died. Garroth understood, he knew that the polycule wasn't too serious. However, Laurance on the other hand, didn't understand that. Plus, he was dealing with the calling and whatnot. There was a rift in the relationship for a while after that.

- All of the kids in the village love Laurance. I mean, we know he was one of Malachai's biggest role models, and Laur had also grown attached to him. But, he also kinda becomes Naoki (Nekoette but less problematic) and Dmitri's babysitter. He's always been good with kids, but MY IRENE he cannot handle Naoki. Leona also likes to hang around him, as well.

- Laurance used to have a fascination with fire when he was little. (i mean the man has adhd and u know how we r with fire.) He would stare at it for hours. It was the only thing that really calmed his brain. But now, he can't stand it. He can stay near a fire for warmth of course, but he's never the one to start or feed it. He can't look at it anymore. Too many memories. The fire is literally a part of him now. His new body was forged from it. There's no need to stare into the flames. He just has to look in the mirror.

- He's still blind, somewhat. His eyesight wasn't miraculously healed. He has to wash his face in the fountain of Lady Irene every so often, or his vision will completely blur. Even then, there's still spots that never go away, mostly on the outer field of his vision. He has reading glasses, as well.

- He's very physically affectionate. He plays with Aphmau's hair. He grazes over Garroth's hands constantly, running his thumb on all the marks in his palm or his scarred knuckles. When he was younger, he would always find something to fiddle with on Cadenza's clothes.

- He would model for Cadenza a lot. Before becoming a Shadow Knight, he was very comfortable in his body and his masculinity, so playing dress up was honestly very fun.

- Laurance always has to do something with his hands, so he takes up a lot of different crafts. Tying knots, woodcarving (thank you @xerith-42 for that one lmao), making jewelry. (In my hc my OC taught him how to make jewelry, but we don't have to get into that now haha)

- Laurance has Brazilian heritage, and even though he was an orphan, there's a large Brazilian population in Meteli and he was raised around the culture. Hayden kept Laurance very informed on his roots, and in turn Cadenza got to experience all of this as well. (I wanna go into this further at some point but I want to do the proper research first.)

- Since SKs don't need as much sleep, most nights Laurance just wanders Phoenix Drop. That's why he's usually the first to know when something's wrong.

- Before Laurance became an official guard, he was sort of a... vigilante. Bringing justice in the dead of night type beat. When he was younger, in his early teens, there was a high crime rate in Meteli. So, if Laurance saw someone stealing, or trying to break in somewhere, he'd tie them up and leave them outside the guard station for the authorities to deal with them.

Alright have fun with this one crazies

[angelstrash]

𝐻𝒾—!! 𝒲𝑒𝓁𝒸𝑜𝓂𝑒 𝓉𝑜 𝓂𝓊 𝓅𝒶𝑔𝑒 —!!♡

My name is Saleha—!!🎀

Biggest Madoka n Sawako kinnie

I’m very much hyper fixated on magical girls specifically Madoka Magica

I adore pink, writing, art, historical fashion, cute stuff, dolls, psychological trillers, vintage stuff, n magical girls !!

I ♡ unicorns fairies mermaids princess’ and anything fantasy 🎠 !!

She/her n my mbti is Isfj 🗝️

My main styles; morute, coquette, ryousangata, dollette, morikei, dark academia, gothic Lolita, nympthete, dolly Kei, vintage, Victorian fashion, steampunk, EGL fashion, rococo fashion,himekaji

I would love to be friends but I’m a minor(15) so don’t be weirdddd, please and thank you ♪( ´▽｀)

I am Pakistani by blood n Japanese born !! 🇵🇰🇯🇵

Writing n drawing r my favorite hobbies yayyy

Follow my Pinterest @Angelstrash_

You can dm me if u like !! I always love chatting with people !!

Dni: zionists, Islamophobes, racists, antisemitics (basically anyone disrespecting religion or race), and people who mainly post NSFW

Some more of my hyper fixations/intrests: Alice in Wonderland/ Alice madness returns, Moriarty the Patriot, most psychological thrillers, historical fashion (mainly 16-19th century), Sofia Coppola films, starwars, Tangled Rapunzel, Naoki Urasawas Monster, Steins Gate, n obscure literature<3

[autistpride]

These books are written "geared towards" adults and older teens. I personally would let my teen read all of these, so I'm not gatekeeping literature, but use your own judgement on what you think is acceptable for your own kid to read.

Nonfictional Books for adults:

All the weight of our dreams by Lydia XZ Brown

Stim: an autistic anthology edited by Lizzie Huxley-Jones

Connecting with Autism by Casey Corner

Sincerely your Autistic child by AWNN

Uniquely human by Barry m prizant

Engaging autism by Stanley Greenspan

Raising human beings by Ross Greene

Beyond behaviours by Mona delahooke

The whole brain child by Dan Siegel & Tina Payne Bryson

Autism and gender by Jordynn Jack

It's your weirdness that makes you wonderful Kate Allan

Women and girls with autism spectrum disorder Sarah Hendrick

Worlds of Autism by Joyce davidson

Authoring autism by melanie yergeau

Nerdy Shy and Socially Inappropriate Cynthia Kim

Autistic disturbances by julie rodas

War on Autism by Annie McGuire

Rethinking autism diagnosis by kathenne Cole, Rebecca mallet, and sammy

Leaders all around me by Edlyn Vallejo Peña, PhD

Ido in autismland by Ido Kedar

Typed words loud voices by Amy Sequenzia & Elizabeth J. Grace

It's an autism thing by Emma Dalmayne

What Every Autistic Girl Wishes Her Parents Knew by Autism Women’s Network

Women on the Spectrum: A Handbook for Life by Emma Goodall and Yenn Purkis

Unmasking autism by Devon Price

Neurotribes by Steve Silberman

Love, Partnership or Singleton on the Autism Spectrum & Bittersweet on the Autism Spectrum, both edited by Luke Beardon and Dean Worton

Autism, Anxiety and Me: A Diary in Even Numbers by Emma Louise Bridge & Penelope Bridge

Autism: A New Introduction to Psychological Theory and Current Debate by Sue Fletcher-Watson and Francesca Happé

A Practical Guide to Happiness in Adults on the Autism Spectrum: A Positive Psychology Approach by Victoria Honeybourne

Gender Identity, Sexuality and Autism by Eva A. Mendes and Meredith R. Maroney

The Guide to Good Mental Health on the Autism Spectrum by Jeanette Purkis, Dr. Emma Goodall and Dr. Jane Nugent

Different, Not Less: A Neurodivergent's Guide to Embracing Your True Self and Finding Your Happily Ever After by Chloe Hayden

Memoirs:

Odd Girl Out by Laura James

Uncomfortable Labels by Laura Kate Dale

Drama Queen by Sara Gibbs

The Electricity of Every Living Thing by Katherine May

Fall down Seven Times Get Up Eight by Naoki Higashida

The Reason I Jump by Naomi Hashida

The Electricity of Every Living Thing by Katherine May

Wintering by Katherine May

Diary of a Young Naturalist by Dara McAnulty

Explaining Humans by Dr. Camilla Pang

Fingers in the Sparkle Jar by Chris Packham

Adult Fiction:

Adult Virgins Anonymous by Amber Crewe

Exciting Times by Naoise Dolan

A Girl Like Her by Talia Hibbert

Get a Life, Chloe Brown by Talia Hibbert

Act Your Age, Eve Brown by Talia Hibbert

Convenience Store Woman by Sayaka Murata

Failure to Communicate by Kaia Sønderby

An Unkindness of Ghosts by Rivers Solomon