#My Heart is a Chainsaw

[phaedraismyusername]

This year some of my favourite books I read were written by indigenous American authors and I just wanted to shout out a couple that I fell in love with

The Only Good Indians by Stephen Graham Jones

Horror being my second most read genre, I did not think books could still get under my skin the way this one did lol. It follows four Blackfoot men who are seemingly being hunted by a vengeful... something... years after a fateful hunting trip that happened just before they went their separate ways. The horror, the dread, the something... pure nightmare fuel 10/10

Moon of the Crusted Snow by Waubgeshig Rice

An apocalyptic novel following an isolated Anishinaabe community in the far north who lose contact with the outside world. When two of their young men return from their college with dire news, they set about planning on how to survive the winter, but when outsiders follow, lines are drawn in the community that might doom them all. This book is all dread all the time, the use of dreams and the inevitability of conflict weighs heavy til the very end. An excellent apocalypse story if you're into that kind of thing.

My Heart is a Chainsaw by Stephen Graham Jones

This book follows Jade, a deeply troubled mixed race teenager with a shitty homelife who's *obsessed* with slasher movies. When she finds evidence that there's a killer running about her soon-to-be gentrified small town, she weaponises that knowledge to predict what's going to happen next. I don't think this book will work for most people, it's a little stream of consciousness, Jade's head is frequently a very difficult place to be in, but by the last page I had so much love for her as a character and the emotional rollercoaster she's on that I had to mention it here.

Elatsoe by Darcie Little Badger

Taking a bit of a left turn but this charming YA murder mystery really stuck with me this year. Elatsoe is a teenage girl living in an America where myths, monsters, and magic are all real every day occurrences. When her cousin dies mysteriously with no witnesses, she decides to do whatever she can, including using her ability to raise the spirits of dead animals, to solve the case. The worldbuilding was just really fun in this one, but the Native American myths and influence were the shining star for me, and the asexual rep was refreshing to see in a YA book too tbh

Split Tooth by Tanya Tagaq

The audiobook, the audiobook, the audiobook!!!! Also the physical book because formatting and illustrations, but the audiobook!!! Tanya Tagaq is an Inuit throat singer, and this novel is a genre blending of 20 years worth of the authors journal entries, poetry, and short stories, that culminates in a truly unique story about a young girl surviving her teenage years in a small tundra town in the 70s. It is sad and beautiful and hard but an experience like nothing else I read this year.

[thejakeformerlyknownasprince]

Errors, "Errors," and Sci Fi: The Nail Gun Gray Zone

I have more thoughts on errors in sci fi, specifically what does and does not count as an error. So I made a graph.

I'm a firm believer that at some point, your story will just be better if you bend certain rules of reality. A story with 100% realistic gun battles will be impossible for audiences to follow. One with ultra-realistic dialog will be boring and impossible to follow.

HOWEVER. Ice floats in water. Residents of now-Phoenix in the 1700s might've not known that, but it's hard to imagine anyone alive today who hasn't at minimum seen an image of a drink with ice in it. So GI Joe (2009) hinging a major plot point on a block of ice sinking in liquid water is widely regarded as silly and world-breaking. Same goes for The Strangers (2008) making a character unable to use her phone while it's plugged in and charging. Even in 2008, a solid majority of U.S. moviegoers owned cell phones and regularly used them as they were plugged in. Errors. Firmly.

But on the opposite end of the spectrum, you have "errors" that only bug a small subset of your audience with relevant expertise. You can always count on some of that subset to take to Reddit and whine pedantically about a 10-round gun firing 11 rounds, but I doubt those count as errors. My personal example is the lack of a character named Surprise in Inside Out — I've studied and taught Paul Ekman's theories, so to me the fact that they included only 5 of his 6 "universal" affects is always going to look weird. But I know that's less an error than a pet peeve, because there wouldn't be much for the character Surprise to do that isn't taken up by Fear or Joy. (The sequel also has a Surprise-ish and a Contempt-ish character, so there's that.) Same goes for the water main not being pressurized correctly in Batman Begins — I'll take city planners' word for it that Scarecrow's plan wouldn't work, but COME ON. It's a sci fi movie about a furry who makes a living punching aliens. If you want realism, watch a documentary.

That said. There's also that middle zone. What I call the Nail Gun Gray Zone, because it really is hard to tell how much some errors are obscure and piddly, how much they're mainstream and obvious. Because. Nail guns can't shoot nails. They're not projectile weapons. Not unless the story takes the time to show a character modifying the tool to override the fact that it has to be pressed flush against a board before it will fire. BUT. If you told me "99% of modern Americans know that!" I'd believe you. If you told me "only professional contractors know that!" I'd believe you. That poll clarified basically nothing — roughly 25% of respondents had used a nail gun, ~25% didn't know much about them, and ~50% had only seen one used. (I didn't ask "do you know that a nail gun can't be used as a projectile weapon" because then anyone who read the question should by definition answer "yes.")

Anyway, I think that a lot of online arguments about errors/"errors" in sci fi can be captured by the Nail Gun Gray Zone. Most of us can agree that only pedantic blowhards would say that the lack of Surprise ruins Inside Out, and most of us can agree that it'd be nice if The Strangers had simply broken Kristen's phone. Nail guns? One person's "oh come on, that looks ridiculous!" is another person's "it's called a nail gun, right? so why not use it like a gun?" and I don't think doing more polls will resolve it one way or another.

[samkingsketches]

No spoilers cause I'm only halfway through the book, but Jade from "My Heart is a Chainsaw" is peak weird girl protag and I love her.

[brokehorrorfan]

Stephen Graham Jones (My Heart is a Chainsaw, The Only Good Indians) will publish The Buffalo Hunter Hunter on Match 18 via Saga Press.

Set in the American west of 1912, the 496-page horror novel follows a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Pre-order The Buffalo Hunter Hunter by Stephen Graham Jones.

[gigantomachylesbian]

Stephen Graham Jones could write Beverly Marsh but Stephen King WISHES he could write Jade Daniels

[talesfromthecrypts]

"No, she can never be a final girl. Final girls are good, they're uncomplicated, they have these reserves of courage coiled up inside them, not layer after layer of shame, or guilt, or whatever this festering poison is. Real final girls only want the horror to be over. They don't stay up late praying to Craven and Carpenter to send one of their savage angels down, just for a weekend maybe. Just for one night. Just for one dance, please? One last dance?"

-My Heart is a Chainsaw, Stephen Graham Jones

[destroyscout]

[literary-illuminati]

2024 Book Review #48 – My Heart is a Chainsaw by Stephen Graham Jones

This is the second book by Graham Jones I’ve read, though of the two it’s easily the more famous and the first I actually heard about. I was not at all prepared going into it – this is overall an interesting and engaging read, but it’s hardly what I’d call an easy one. Not do to any failures on the book’s part, really, but it’s not trying to hold your hand and you really have to meet it where it is (the mind of a traumatized teenager with a shit life and a weird obsession as a coping mechanism).

The book is told from the very close perspective of Jade, a high school senior in a tiny mountain town that was slowly decaying in the usual way right up until the moment where a collection of lawyers, real estate develops and tech moguls fell in love with the forest on the far side of the lake and decided to transform it into the perfect new home for them to raise their families. Jade, meanwhile, is living on the ragged edge of the dying town, giving her hair a shitty new dye-job every week and more focused on avoiding her drunk asshole of a father and his friends than graduating highschool. Her true love and object devotion, though, is horror movies – slashers, specifically, Friday the 13th and Halloween and all the other formulaic gore fests of serial killers and punished indiscretions and heroic final girls. And when a pair of European tourists really are mysteriously killed well tresspassing on the lake, and she meets the gorgeous, athletic, impossibly good daughter of a tech billionaire who just has to the final girl, she realizes she must be living through one.

Horror – especially slasher horror - is one of those genres where it’s feels like there are more metacommentaries and deconstructions (for whatever meaning you give the word) than there are examples played straight these days. Even if you did make a beat-for-beat formulaic slasher movie it would probably end up reading as self-parody by default. This book goes as far in the other direction as is physically possible – Jade understands the world nigh-exclusively through the lends of slasher movies, and the narration and her internal monologue is absolutely saturated with references and comparisons to them. Like Scream squared. You will, I expect, find this either charming or utterly intolerable, but you’ll find out quite early in the book; it starts in chapter one and simply doesn’t stop.

Now, I’m not particularly sure the book has much to say about horror – that the slasher genre is intensely formulaic and oddly moralistic isn’t exactly news to anyone who even slightly cares. Instead, it’s used mostly as a characterization tool. The central tension of the book (or, at least, the first 3/4 of it) is honestly whether there’s any reality to the slasher stuff or it’s entirely Jade projecting. Which is a much more tense tension than any amount of violence is likely to be, really – you legitimately don’t know which way it will go!

One consequence of the narrative marinating in horror trivia is that the way it actually presents violence is kind of uncanny. I’m honestly not entirely sure whether it’s intentional, but when Jade has spent the entire book blithely talking and fantasizing about fictional violence and being an utter gore-head about the coming apocalyptic violence she’s so certain is on the horizon, when it actually arrives it all feels a bit oddly unreal. Which is not exactly helped by said apocalyptic violence being incredibly confusing and hard to understand from a limited perspective until the very end when it’s just outright exposited to the reader, in a way that I wasn’t sure wasn’t Jade being Jade until the monster literally walked on water.

The book really lives and dies by what you think of Jade as a character. She is a damaged, messy teenage girl who makes consistently poor choices and responds to people trying to help her by lashing out or running away. She also literally only talks about and relates to other people through Slasher movies. She also spends a large portion of the story convinced the town is going to be massacred and ambivalent about whether it deserves it (to be fair, you will probably agree). This was a genuinely difficult read to continue at several points, and it was entirely down to sympathetic cringe and secondhand embarrassment at her every social interaction. Which to be clear I consider an absolute artistic triumph! But oh it was a struggle to get through.

The book’s approach to race, class and the general experience of being marginalized is more subtle than its take on horror tropes, but at times only barely. Jade is poor, half-Indian, and stuck dealing with a profoundly shitty home life on a few different levels. She is just barely riding the edge of graduating high-school or not, and that only from some very indulgent authority figures, with no particularly bright future to look forward to. It’s not what the book is about or anything, but the book makes absolutely no effort to paint her as a prodigy or destined for great things – and the contrast between Lethe the golden girl daughter of oligarchs is sharply and painfully clearly drawn, in how they are treated, how they go through life, and what sort of lives they seem to be cruising towards.

I am told this is the first book in a trilogy, and I’ve got to admit I have no fucking idea why or what the sequels could possibly be about. I also feel no real impulse to go chasing after them, but I’ll probably get around to it at some point.

[kristybluebird]

"My heart is a chainsaw" & "Don't fear the reaper" are great books go read them now!

[wormwoodandhoney]

books read in 2023: the indian lake trilogy [my heart is a chainsaw & don't fear the reaper]

Jade [...] breathes all the corruption in her lungs out. Well, not the blackness, she supposes. Not the horror. Never that.

[paperconsumption]

jade met a pretty girl and internal narrated about it for 5 pages before coughing out a one word response she’s going great

[bluestjaybird]

jade from my heart is a chainsaw walks the line of “fucked up mentally ill teen girl” so masterfully it makes me alternate between cringing so hard i crunch in on myself like an empty can of coke from the pain of my own “fucked up mentally ill teen girl” self being splattered so viciously across the page and screaming screaming screaming “SOMEONE HELP HER, SOMEONE PAY ATTENTION TO HER, PLEASE!!!!”

[bellasbookclub]

Reccer Spotlight: G!

Emily Wilde's Encyclopaedia of Faeries

In Other Lands

Witch King

When the Tiger Came Down the Mountain

My Heart is a Chainsaw

Prosper's Demon

Demons and tigers and faeries, oh my! From harpies to murderous ghosts, G's recs are bringing you all kinds of Creatures. Full text available in their tab of the Bella’s Book Club Summer Reading ‘24 Reclist.

more info on BBC Summer Reading 2024

more Reccer Spotlights

[brokehorrorfan]

I Was a Teenage Slasher by New York Times bestselling author Stephen Graham Jones (My Heart Is a Chainsaw, The Only Good Indians) will be published on July 16, 2024 via Simon & Schuster.

A slasher story told from the killer's perspective, the 384-page horror novel will be available in hardcover, e-book, and audio book. Jon Bush designed the jacket cover. Read on for the synopsis.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Pre-order I Was a Teenage by Stephen Graham Jones.

[haveyoureadthisbook-poll]

[buildarocketboys]

Truly gonna have to make a post promoting/begging people to read the Indian Lake Trilogy when I've finished the final book, aren't I? Not enough (read: basically zero) people have read this book and they NEED to GOD I am DYING over here