#Murphy J. Sawyer

[xwanheda]

@00blackbird Sólo me han salido tres, pero me parecen cuquísimos ♥

[xwanheda]

Es que la amo ♥

MARGOT ROBBIE for Vanity Fair (Dec/2022) by Mario Sorrenti

[kwebtv]

Masters of the Air - Apple TV+ - January 26, 2024 - March 15, 2024

War Drama (9 Episodes)

Running Time: 60 minutes

Stars:

Austin Butler as Major Gale "Buck" Cleven

Callum Turner as Major John "Bucky" Egan

Anthony Boyle as Lt. Harry Crosby

Barry Keoghan as Lt. Curtis Biddick

Nikolai Kinski as Colonel Harold Huglin

Stephen Campbell Moore as Major Marvin "Red" Bowman

Sawyer Spielberg as Lt. Roy Frank Claytor

Isabel May as Marjorie "Marge" Spencer

James Murray as Colonel Neil "Chick" Harding

Nate Mann as Major Robert "Rosie" Rosenthal

Laurie Davidson as Lt. Herbert Nash

Joanna Kulig as Paulina

Recurring:

David Shields as Major Everett Blakely

Matt Gavan as Lt. Charles Cruikshank

Bailey Brook as Sgt. Charles K. Bailey

Kai Alexander as Sgt. William Quinn

Ben Radcliffe as Capt. John D. Brady

Adam Long as Capt. Bernard DeMarco

Darragh Cowley as Lt. Glenn Graham

Jonas Moore as Capt. Frank Murphy

Elliot Warren as Lt. James Douglass

Jordan Coulson as Lt. Howard Hamilton

Louis Greatorex as Capt. Joseph "Bubbles" Payne

Nathen Solly as Lt. John Hoerr

Raff Law as Sgt. Ken Lemmons

Samuel Jordan as Sgt. John J. "Winks" Herrmann

James Frecheville as Major Bill Veal

Thomas Flynn as Barr

Tom Joyner as Cpt. "Stormy" Becker

Edward Ashley as Major Jack Kidd

Harry Ames as Capt. August H. Gaspar

Spike White as Lt. Charles A. Via

[queer-cosette]

“Anyway,” Veronica says softly, a little smile tugging at the corner of her mouth, “I’ll be kissing her aerobicized ass on Monday, but right now I just want to cuddle in bed with my new boyfriend and maybe fool around a bit more if he’s up to it.” JD and Veronica never go to Heather Chandler's house the Saturday morning after they hook up; instead they get the morning after they deserved, and maybe the chance to fall a little more in love with each other while they're at it. It's probably a lot easier to find a reason to make yourself better when playing God with Drain-O never presents itself as an option, after all. (Also there's the added bonus of there tending to be more sex when you don't kill the mood by covering up murder with suicide. I'm pretty sure that's just a given.)

...Yeah, so I decided to post the first chapter of this.

I've been working on this fic for a month or so now and I really like what I've written; unfortunately I have no idea where it's going, so I was a bit hmmm about posting it, but I think the first chapter is done being edited now, so here it is.

This... may well be some of the cutest shit I've ever written. I'm pretty happy with it, and I hope anyone who reads it will enjoy it too.

AO3 info below the Read More

Rating: Explicit

Archive Warning: Creator Chose Not To Use Archive Warnings

Category: F/M

Fandom: Heathers: The Musical - Murphy & O'Keefe

Relationships: Jason "J. D." Dean/Veronica SawyerHeather McNamara & Veronica Sawyer

Characters: Jason "J. D." DeanVeronica SawyerHeather Chandler (Heathers)Heather McNamaraKurt KellyRam SweeneyMartha Dunnstock (Mentioned)Heather Duke (Mentioned)David (Heathers) (mentioned)Peter Dawson (Heathers) (mentioned)Big Bud Dean (mentioned)

Additional Tags: Porn With Plot, Alternate Universe - Canon Divergence, Demisexual Jason "J.D." Dean, Jason "J. D." Dean Loves Veronica Sawyer, Jason "J. D." Dean is Not a Villain, They never go to Heather Chandler's house, Smut, Fluff and Smut, Emotional Hurt/Comfort, Mild Angst, Chapter 1 could probably be rated M, but Chapters 2 5 and 6 are E, First Crush, First Time, Loss of Virginity, Morning After, Vaginal Sex, Hand Jobs, Falling In Love, Kissing, Motorcycles, I read 3 cosmo articles for this, First Time Blow Jobs, Cunnilingus, I was a theatre major and it shows, Other Additional Tags to Be Added, I don't know where it's going but it's gonna be happy, Heather McNamara is a Good Friend, Victor Hugo move over there's a new king of run-on sentences, Making Out

[how-very-salty]

I was going to write a new chapter of demon AU, but instead I translated a very old fic... My first jdonica 🖤💙 almost a year ago I watched heathers and it gave me inspiration back)

I just hope my english is not so awful as I think it is. I tried to check the text in 3 translaters, but if you see rough mistakes - tell me pls 💖👀

Jason J. D. Dean x Veronica Sawyer

Warning: smoking and my knowlenge of English 😅

Summary:

... the numbers came to zero, the bomb didn't explode. It sparked, let out a mocking puff of smoke, and turned into a dead weight. An awkward silence slowly spread over the school field. Veronica felt her legs stop holding her, and she slowly settled down on the steps

[xwanheda]

Qué linda 🥹❤️

Margot Robbie At Met Gala 2023  

[ao3feed--kylux]

Kinktober Prompts with Characters

read it on the AO3 at https://ift.tt/eAyx1YW

by Dead_Boy_Reads_27, Shiney121007

Words: 103, Chapters: 1/32, Language: English

Fandoms: Star Wars Sequel Trilogy, Biohazard | Resident Evil (Gameverse), Original Work, Call of Duty (Video Games), Heathers: The Musical - Murphy & O'Keefe

Rating: Explicit

Warnings: Creator Chose Not To Use Archive Warnings, Underage

Categories: F/F, F/M, Gen, M/M, Multi, Other

Relationships: Armitage Hux/Kylo Ren, Erin "Battery" Baker/He "Seraph" Zhen-Zhen, Original Character/Original Characters, König/John "Soap" MacTavish/Simon "Ghost" Riley, Leon S. Kennedy/Reader, Jason "J. D." Dean/Veronica Sawyer, Kurt Kelly/Ram Sweeney, Leon S. Kennedy/Mr. X | Tyrant T-00

read it on the AO3 at https://ift.tt/eAyx1YW

[tradingmaps]

100 Novel Opening Lines

1. Call me Ishmael. —Herman Melville, Moby-Dick (1851)

2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)

3. A screaming comes across the sky. —Thomas Pynchon, Gravity’s Rainbow (1973)

4. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, One Hundred Years of Solitude (1967; trans. Gregory Rabassa)

5. Lolita, light of my life, fire of my loins. —Vladimir Nabokov, Lolita (1955)

6. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877; trans. Constance Garnett)

7. riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. —James Joyce, Finnegans Wake (1939)

8. It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984 (1949)

9. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. —Charles Dickens, A Tale of Two Cities (1859)

10. I am an invisible man. —Ralph Ellison, Invisible Man (1952)

11. The Miss Lonelyhearts of the New York Post-Dispatch (Are you in trouble?—Do-you-need-advice?—Write-to-Miss-Lonelyhearts-and-she-will-help-you) sat at his desk and stared at a piece of white cardboard. —Nathanael West, Miss Lonelyhearts (1933)

12. You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter. —Mark Twain, Adventures of Huckleberry Finn (1885)

13. Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested. —Franz Kafka, The Trial (1925; trans. Breon Mitchell)

14. You are about to begin reading Italo Calvino’s new novel, If on a winter’s night a traveler. —Italo Calvino, If on a winter’s night a traveler (1979; trans. William Weaver)

15. The sun shone, having no alternative, on the nothing new. —Samuel Beckett, Murphy (1938)

16. If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. —J. D. Salinger, The Catcher in the Rye (1951)

17. Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo. —James Joyce, A Portrait of the Artist as a Young Man (1916)

18. This is the saddest story I have ever heard. —Ford Madox Ford, The Good Soldier (1915)

19. I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing;—that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;—and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost:—Had they duly weighed and considered all this, and proceeded accordingly,—I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. —Laurence Sterne, Tristram Shandy (1759–1767)

20. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. —Charles Dickens, David Copperfield (1850)

21. Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. —James Joyce, Ulysses (1922)

22. It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the house-tops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness. —Edward George Bulwer-Lytton, Paul Clifford (1830)

23. One summer afternoon Mrs. Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary. —Thomas Pynchon, The Crying of Lot 49 (1966)

24. It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. —Paul Auster, City of Glass (1985)

25. Through the fence, between the curling flower spaces, I could see them hitting. —William Faulkner, The Sound and the Fury (1929)

26. 124 was spiteful. —Toni Morrison, Beloved (1987)

27. Somewhere in la Mancha, in a place whose name I do not care to remember, a gentleman lived not long ago, one of those who has a lance and ancient shield on a shelf and keeps a skinny nag and a greyhound for racing. —Miguel de Cervantes, Don Quixote (1605; trans. Edith Grossman)

28. Mother died today. —Albert Camus, The Stranger (1942; trans. Stuart Gilbert)

29. Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu. —Ha Jin, Waiting (1999)

30. The sky above the port was the color of television, tuned to a dead channel. —William Gibson, Neuromancer (1984)

31. I am a sick man . . . I am a spiteful man. —Fyodor Dostoyevsky, Notes from Underground (1864; trans. Michael R. Katz)

32. Where now? Who now? When now? —Samuel Beckett, The Unnamable (1953; trans. Patrick Bowles)

33. Once an angry man dragged his father along the ground through his own orchard. “Stop!” cried the groaning old man at last, “Stop! I did not drag my father beyond this tree.” —Gertrude Stein, The Making of Americans (1925)

34. In a sense, I am Jacob Horner. —John Barth, The End of the Road (1958)

35. It was like so, but wasn’t. —Richard Powers, Galatea 2.2 (1995)

36. —Money . . . in a voice that rustled. —William Gaddis, J R (1975)

37. Mrs. Dalloway said she would buy the flowers herself. —Virginia Woolf, Mrs. Dalloway (1925)

38. All this happened, more or less. —Kurt Vonnegut, Slaughterhouse-Five (1969)

39. They shoot the white girl first. —Toni Morrison, Paradise (1998)

40. For a long time, I went to bed early. —Marcel Proust, Swann’s Way (1913; trans. Lydia Davis)

41. The moment one learns English, complications set in. —Felipe Alfau, Chromos (1990)

42. Dr. Weiss, at forty, knew that her life had been ruined by literature. —Anita Brookner, The Debut (1981)

43. I was the shadow of the waxwing slain / By the false azure in the windowpane; —Vladimir Nabokov, Pale Fire (1962)

44. Ships at a distance have every man’s wish on board. —Zora Neale Hurston, Their Eyes Were Watching God (1937)

45. I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story. —Edith Wharton, Ethan Frome (1911)

46. Ages ago, Alex, Allen and Alva arrived at Antibes, and Alva allowing all, allowing anyone, against Alex’s admonition, against Allen’s angry assertion: another African amusement . . . anyhow, as all argued, an awesome African army assembled and arduously advanced against an African anthill, assiduously annihilating ant after ant, and afterward, Alex astonishingly accuses Albert as also accepting Africa’s antipodal ant annexation. —Walter Abish, Alphabetical Africa (1974)

47. There was a boy called Eustace Clarence Scrubb, and he almost deserved it. —C. S. Lewis, The Voyage of the Dawn Treader (1952)

48. He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. —Ernest Hemingway, The Old Man and the Sea (1952)

49. It was the day my grandmother exploded. —Iain M. Banks, The Crow Road (1992)

50. I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974. —Jeffrey Eugenides, Middlesex (2002)

51. Elmer Gantry was drunk. —Sinclair Lewis, Elmer Gantry (1927)

52. We started dying before the snow, and like the snow, we continued to fall. —Louise Erdrich, Tracks (1988)

53. It was a pleasure to burn. —Ray Bradbury, Fahrenheit 451 (1953)

54. A story has no beginning or end; arbitrarily one chooses that moment of experience from which to look back or from which to look ahead. —Graham Greene, The End of the Affair (1951)

55. Having placed in my mouth sufficient bread for three minutes’ chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. —Flann O’Brien, At Swim-Two-Birds (1939)

56. I was born in the Year 1632, in the City of York, of a good Family, tho’ not of that Country, my Father being a Foreigner of Bremen, who settled first at Hull; He got a good Estate by Merchandise, and leaving off his Trade, lived afterward at York, from whence he had married my Mother, whose Relations were named Robinson, a very good Family in that Country, and from whom I was called Robinson Kreutznaer; but by the usual Corruption of Words in England, we are now called, nay we call our selves, and write our Name Crusoe, and so my Companions always call’d me. —Daniel Defoe, Robinson Crusoe (1719)

57. In the beginning, sometimes I left messages in the street. —David Markson, Wittgenstein’s Mistress (1988)

58. Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. —George Eliot, Middlemarch (1872)

59. It was love at first sight. —Joseph Heller, Catch-22 (1961)

60. What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings? —Gilbert Sorrentino, Imaginative Qualities of Actual Things (1971)

61. I have never begun a novel with more misgiving. —W. Somerset Maugham, The Razor’s Edge (1944)

62. Once upon a time, there was a woman who discovered she had turned into the wrong person. —Anne Tyler, Back When We Were Grownups (2001)

63. The human race, to which so many of my readers belong, has been playing at children’s games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. —G. K. Chesterton, The Napoleon of Notting Hill (1904)

64. In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since. —F. Scott Fitzgerald, The Great Gatsby (1925)

65. You better not never tell nobody but God. —Alice Walker, The Color Purple (1982)

66. “To be born again,” sang Gibreel Farishta tumbling from the heavens, “first you have to die.” —Salman Rushdie, The Satanic Verses (1988)

67. It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York. —Sylvia Plath, The Bell Jar (1963)

68. Most really pretty girls have pretty ugly feet, and so does Mindy Metalman, Lenore notices, all of a sudden. —David Foster Wallace, The Broom of the System (1987)

69. If I am out of my mind, it’s all right with me, thought Moses Herzog. —Saul Bellow, Herzog (1964)

70. Francis Marion Tarwater’s uncle had been dead for only half a day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Saviour at the head of the grave and enough dirt on top to keep the dogs from digging it up. —Flannery O’Connor, The Violent Bear it Away (1960)

71. Granted: I am an inmate of a mental hospital; my keeper is watching me, he never lets me out of his sight; there’s a peephole in the door, and my keeper’s eye is the shade of brown that can never see through a blue-eyed type like me. —Günter Grass, The Tin Drum (1959; trans. Ralph Manheim)

72. When Dick Gibson was a little boy he was not Dick Gibson. —Stanley Elkin, The Dick Gibson Show (1971)

73. Hiram Clegg, together with his wife Emma and four friends of the faith from Randolph Junction, were summoned by the Spirit and Mrs. Clara Collins, widow of the beloved Nazarene preacher Ely Collins, to West Condon on the weekend of the eighteenth and nineteenth of April, there to await the End of the World. —Robert Coover, The Origin of the Brunists (1966)

74. She waited, Kate Croy, for her father to come in, but he kept her unconscionably, and there were moments at which she showed herself, in the glass over the mantel, a face positively pale with the irritation that had brought her to the point of going away without sight of him. —Henry James, The Wings of the Dove (1902)

75. In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. —Ernest Hemingway, A Farewell to Arms (1929)

76. “Take my camel, dear,” said my Aunt Dot, as she climbed down from this animal on her return from High Mass. —Rose Macaulay, The Towers of Trebizond (1956)

77. He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull. —Joseph Conrad, Lord Jim (1900)

78. The past is a foreign country; they do things differently there. —L. P. Hartley, The Go-Between (1953)

79. On my naming day when I come 12 I gone front spear and kilt a wyld boar he parbly ben the las wyld pig on the Bundel Downs any how there hadnt ben none for a long time befor him nor I aint looking to see none agen. —Russell Hoban, Riddley Walker (1980)

80. Justice?—You get justice in the next world, in this world you have the law. —William Gaddis, A Frolic of His Own (1994)

81. Vaughan died yesterday in his last car-crash. —J. G. Ballard, Crash (1973)

82. I write this sitting in the kitchen sink. —Dodie Smith, I Capture the Castle (1948)

83. “When your mama was the geek, my dreamlets,” Papa would say, “she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.” —Katherine Dunn, Geek Love (1983)

84. In the last years of the Seventeenth Century there was to be found among the fops and fools of the London coffee-houses one rangy, gangling flitch called Ebenezer Cooke, more ambitious than talented, and yet more talented than prudent, who, like his friends-in-folly, all of whom were supposed to be educating at Oxford or Cambridge, had found the sound of Mother English more fun to game with than her sense to labor over, and so rather than applying himself to the pains of scholarship, had learned the knack of versifying, and ground out quires of couplets after the fashion of the day, afroth with Joves and Jupiters, aclang with jarring rhymes, and string-taut with similes stretched to the snapping-point. —John Barth, The Sot-Weed Factor (1960)

85. When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. —James Crumley, The Last Good Kiss (1978)

86. It was just noon that Sunday morning when the sheriff reached the jail with Lucas Beauchamp though the whole town (the whole county too for that matter) had known since the night before that Lucas had killed a white man. —William Faulkner, Intruder in the Dust (1948)

87. I, Tiberius Claudius Drusus Nero Germanicus This-that-and-the-other (for I shall not trouble you yet with all my titles) who was once, and not so long ago either, known to my friends and relatives and associates as “Claudius the Idiot,” or “That Claudius,” or “Claudius the Stammerer,” or “Clau-Clau-Claudius” or at best as “Poor Uncle Claudius,” am now about to write this strange history of my life; starting from my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the “golden predicament” from which I have never since become disentangled. —Robert Graves, I, Claudius (1934)

88. Of all the things that drive men to sea, the most common disaster, I’ve come to learn, is women. —Charles Johnson, Middle Passage (1990)

89. I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. —Saul Bellow, The Adventures of Augie March (1953)

90. The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods. —Sinclair Lewis, Babbitt (1922)

91. I will tell you in a few words who I am: lover of the hummingbird that darts to the flower beyond the rotted sill where my feet are propped; lover of bright needlepoint and the bright stitching fingers of humorless old ladies bent to their sweet and infamous designs; lover of parasols made from the same puffy stuff as a young girl’s underdrawers; still lover of that small naval boat which somehow survived the distressing years of my life between her decks or in her pilothouse; and also lover of poor dear black Sonny, my mess boy, fellow victim and confidant, and of my wife and child. But most of all, lover of my harmless and sanguine self. —John Hawkes, Second Skin (1964)

92. He was born with a gift of laughter and a sense that the world was mad. —Raphael Sabatini, Scaramouche (1921)

93. Psychics can see the color of time it’s blue. —Ronald Sukenick, Blown Away (1986)

94. In the town, there were two mutes and they were always together. —Carson McCullers, The Heart is a Lonely Hunter (1940)

95. Once upon a time two or three weeks ago, a rather stubborn and determined middle-aged man decided to record for posterity, exactly as it happened, word by word and step by step, the story of another man for indeed what is great in man is that he is a bridge and not a goal, a somewhat paranoiac fellow unmarried, unattached, and quite irresponsible, who had decided to lock himself in a room a furnished room with a private bath, cooking facilities, a bed, a table, and at least one chair, in New York City, for a year 365 days to be precise, to write the story of another person—a shy young man about of 19 years old—who, after the war the Second World War, had come to America the land of opportunities from France under the sponsorship of his uncle—a journalist, fluent in five languages—who himself had come to America from Europe Poland it seems, though this was not clearly established sometime during the war after a series of rather gruesome adventures, and who, at the end of the war, wrote to the father his cousin by marriage of the young man whom he considered as a nephew, curious to know if he the father and his family had survived the German occupation, and indeed was deeply saddened to learn, in a letter from the young man—a long and touching letter written in English, not by the young man, however, who did not know a damn word of English, but by a good friend of his who had studied English in school—that his parents both his father and mother and his two sisters one older and the other younger than he had been deported they were Jewish to a German concentration camp Auschwitz probably and never returned, no doubt having been exterminated deliberately X * X * X * X, and that, therefore, the young man who was now an orphan, a displaced person, who, during the war, had managed to escape deportation by working very hard on a farm in Southern France, would be happy and grateful to be given the opportunity to come to America that great country he had heard so much about and yet knew so little about to start a new life, possibly go to school, learn a trade, and become a good, loyal citizen. —Raymond Federman, Double or Nothing (1971)

96. Time is not a line but a dimension, like the dimensions of space. —Margaret Atwood, Cat’s Eye (1988)

97. He—for there could be no doubt of his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters. —Virginia Woolf, Orlando (1928)

98. High, high above the North Pole, on the first day of 1969, two professors of English Literature approached each other at a combined velocity of 1200 miles per hour. —David Lodge, Changing Places (1975)

99. They say when trouble comes close ranks, and so the white people did. —Jean Rhys, Wide Sargasso Sea (1966)

100. The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. —Stephen Crane, The Red Badge of Courage (1895)

[kildareco]

Congrats on making the big move to Kildare, Luca, Griffin, Indy, Kayson, & Sawyer. You have 8 hours to send in your account!

wy.an, nikkiekent, rhegan coursey, kian lawley, gage gomez, katarina deme, & nicholas chavez are now taken.

☁︎ wy.an. he/him. 26. We’re so excited to welcome you to the island of Kildare, LUCA HANO! We heard you’re doing alright for yourself since you moved into a HOUSE. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re PESSIMIATIC, but they’re willing to overlook it because you’re also FRIENDLY. Rumor has it that you’re working at THE MIRAGE AS A COOK, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (k. est. 21+.)

☁︎ nikkiekent. she&her. 26. We’re so excited to welcome you to the island of Kildare, GRIFFIN WINDSOR! We heard you’re doing alright for yourself since you moved into a APARTMENT. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re GUARDED but they’re willing to overlook it because you’re also STREET-SMART. Rumor has it that you’re working at TATTOOINE INK AS A TATTOO ARTIST, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet - CENSORED Let’s hope the newspaper doesn’t get a hold of that! (b. cst. she&her.)

☁︎ rhegan coursey. she/her. 22. We’re so excited to welcome you to the island of Kildare, ROSALIND ‘INDY’ MARLOWE! We heard you’re doing alright for yourself since you moved into a TOWNHOME. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re INDECISIVE, but they’re willing to overlook it because you’re also DIPLOMATIC. Rumor has it that you’re working at COASTAL CANINE & GROOMER, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet - CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (kd. cst. 25+.)

☁︎ kian lawley. he/him. 28. We’re so excited to welcome you to the island of Kildare, DOMINIC MURPHY! We heard you’re doing alright for yourself since you moved into a HOUSE. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re IMPULSIVE, but they’re willing to overlook it because you’re also EMPATHETIC. Rumor has it that you’re working at LIGHTHOUSE BBQ as THE OWNER, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet -CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (t. est. 21+.)

☁︎ gage gomez. he/they. 26. We’re so excited to welcome you to the island of Kildare, KAYSON SILVO! We heard you’re doing alright for yourself since you moved into a HOUSE. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re STUBBORN, but they’re willing to overlook it because you’re also UNDERSTANDING. Rumor has it that you’re working at KITTY HAWK SURF as an INSTRUCTOR, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (j. est. 21+.)

☁︎ katarina deme. she/her. 21. We’re so excited to welcome you to the island of Kildare, SAWYER DUPREE! We heard you’re doing alright for yourself since you moved into an APARTMENT. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re BLUNT, but they’re willing to overlook it because you’re also PLAYFUL. Rumor has it that you’re working at THE MIRAGE AS A SERVER, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet - CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (a. est. 25+.)

☁︎ nicholas chavez. he/him. 26. We’re so excited to welcome you to the island of Kildare, LUKAS TORRES! We heard you’re doing alright for yourself since you moved into a TOWNHOME. Can’t wait to see what parties are thrown, let’s hope the police department doesn’t get called for a noise complaint. The mayors are a bit concerned though because we heard that you’re - INTELLIGENT, but they’re willing to overlook it because you’re also + IRRESPONSIBLE. Rumor has it that you’re working as a PILOT, but apparently that’s not all that the town may hear about… Don’t forget we know about that certain skeleton in your closet - CENSORED. Let’s hope the newspaper doesn’t get a hold of that! (v. pst. 21+.)

[xwanheda]

🤍

[ao3feed-brucewayne]

Bingo card (and many surprises)

by justa_fanUwU Duke doesn't know what to expect when Jason brings his new girlfriend over, especially not ghosts. Words: 1547, Chapters: 1/1, Language: English Fandoms: Heathers: The Musical - Murphy & O'Keefe, Heathers (1988), Batman - All Media Types Rating: Not Rated Warnings: Major Character Death Categories: F/M, Gen Characters: Duke Thomas, Jason Todd, Bruce Wayne, Veronica Sawyer, Jason "J. D." Dean Relationships: Jason "J. D." Dean/Veronica Sawyer, Jason Todd/Veronica Sawyer, Kurt Kelly/Ram Sweeney Additional Tags: Duke Thomas Needs a Hug, Jason "J. D." Dean Being an Asshole, Jason "J. D." Dean Loves Veronica Sawyer, Ghost Jason "J. D." Dean, Ghost Heather Chandler (Heathers), Heather Chandler Being an Asshole (Heathers), Jealous Heather Chandler (Heathers), Light Angst, Mild Gore, like very mild, Gay Kurt Kelly and Ram Sweeney, Singing, Dancing, Bad Flirting, I'm Bad At Tagging, sorry - Freeform, Implied/Referenced Domestic Violence via https://ift.tt/3kt9W1n

[ao3feed-danganronpa]

Prologue: Beginning of the End

read it on the AO3 at https://ift.tt/iQNEw6U

by ShowMustGoOn

A group of 16 Ultimate students are stranded in the middle of nowhere and the only way to go home is to kill one another. Will they survive together or will someone cause despair?

Join these kids as they go through metaphorical and literal trials to escape the hell that one man has created. Throughout it all, they will face pain, heartache, death, doubt and fear. Who was truly in charge of this? Who was going to die? Who was going to kill?

Can they even make it out alive?

Words: 11251, Chapters: 1/1, Language: English

Series: Part 1 of Dangan Ronpa X: The Chilling Heat

Fandoms: Be More Chill - Iconis/Tracz, Heathers: The Musical - Murphy & O'Keefe, Dangan Ronpa Series

Rating: Teen And Up Audiences

Warnings: Major Character Death

Categories: F/F, F/M, M/M

Characters: Jeremy Heere, Michael Mell, Rich Goranski, Jake Dillinger, Jenna Rolan, Christine Canigula, Chloe Valentine, Brooke Lohst, Jeremy Heere's Squip, Veronica Sawyer, Heather McNamara, Heather Duke, Heather Chandler (Heathers), Kurt Kelly, Ram Sweeney, Jason "J. D." Dean, Martha Dunnstock

Relationships: Jake Dillinger/Jeremy Heere, Heather Chandler/Heather McNamara, Kurt Kelly/Ram Sweeney, Jeremy Heere & Michael Mell, Christine Canigula & Jeremy Heere, Jake Dillinger & Rich Goranski, Jake Dillinger & Rich Goranski & Brooke Lohst & Chloe Valentine, Heather Chandler & Heather Duke & Heather McNamara, Heather Chandler & Veronica Sawyer, Martha Dunnstock & Veronica Sawyer, Jason "J. D." Dean/Veronica Sawyer, Jeremy Heere & Veronica Sawyer, Brooke Lohst & Jenna Rolan & Chloe Valentine, Jeremy Heere & Everyone, Jeremy Heere & Jeremy Heere's Squip

Additional Tags: Let's gooooooo, first fanfiction on AO3, How Do I Tag, just a heads up btw the tagged ships are implied to be canon in this AU, but they'll never be outright confirmed, So you can just see them as platonic if you want but it really really wasn't intended to be that way, WOAH THAT'S A LONG TAG, Everyone Is Gay, Character Death Galore, I'm going to laugh at everyone's misery once I kill their favourite characters

read it on the AO3 at https://ift.tt/iQNEw6U

[spookymonth--man]

Heathers: The Musical is a musical with music, lyrics and book by Laurence O'Keefe and Kevin Murphy, based on the 1989 film of the same name written by Daniel Waters.[1] The producers include J. Todd Harris, Amy Powers, RJ Hendricks, and Andy Cohen. After a sold-out Los Angeles tryout, the show moved Off-Broadway in 2014. After the run in 2014, the show had an Off-West End run in 2018 and then transferred to the West End in 2018 for a limited engagement. In 2022, Roku released the Off-West end version of Heathers on their streaming service for free.

Productions

2009 Workshop

2010 New York Concert

2013 Los Angeles

2014 Off-Broadway

2018 Off-West End

2018 West End

2019 São Paulo Brazil

2021 West End

2021 UK & Ireland tour

2021 Off-West End

2021 São Paulo Brazil

2023 UK & Ireland tour

2023 Buenos Aires

2024 UK & Ireland tour

2024 West End Revival

The show is a high-energy black comedy and involves dark subject matter, including bullying, teen suicide, sexual assault, and school violence.[2]

Synopsis

Act 1

In 1989, 17-year-old Veronica Sawyer despairs at Westerberg High School's hellish social hierarchy, where students like the heavyset Martha Dunnstock, Veronica's best friend, are tormented by jocks Ram Sweeney and Kurt Kelly, and the school is ruled by the Heathers: weak-willed Heather McNamara, bulimic and petty but repressed Heather Duke, and "mythic bitch" Heather Chandler. When Veronica's talent for forgery gets the Heathers out of detention, they give her a makeover and elevate her to their inner circle ("Beautiful").

Heather Chandler orders Veronica to forge a love letter from Ram to Martha, tempting Veronica with the promise of popularity ("Candy Store"). The mysterious, poetry-quoting new kid, Jason "J.D." Dean, criticizes Veronica for betraying her friend. After J.D. wins a fight against Ram and Kurt, Veronica finds herself unexpectedly attracted to him ("Fight for Me"). Veronica's parents confess to their daughter that they are not sure they like her new friends and would prefer if she was friends with Martha again ("Candy Store (Playoff)").

Veronica flirts with J.D. at a 7-Eleven, where he extols the virtues of the Slurpee for numbing his grief ("Freeze Your Brain"). At Ram's homecoming party, Veronica gets increasingly drunk ("Big Fun"). When the Heathers cruelly prank Martha, Veronica angrily resigns from the clique and vomits on Heather C., who vows to destroy Veronica's reputation. With nothing left to live for, Veronica breaks into J.D.'s bedroom and has sex with him ("Dead Girl Walking").

After suffering tormenting dreams ("Veronica's Chandler Nightmare"), Veronica, with J.D. in tow, apologizes to Heather C. and mixes hangover cures for her. J.D. adds toxic drain cleaner to his mug and goads Veronica into serving it to Heather C., who drops dead. Veronica panics, but J.D. convinces her to forge a suicide note, which paints a more complex, misunderstood Heather C. This fictionalized version of her wins the school's sympathy and she becomes even more revered in death than she was in life ("The Me Inside of Me").

Veronica tries to get on with her normal life, but she is berated and mocked by Heather C.'s ghost, who warns that she had kept the other two Heathers in check and with her gone, things will get worse. She tries to rescue the remaining Heathers from a drunk Kurt and Ram, who unsuccessfully try to rape her ("Blue" or "You're Welcome"). An unleashed Heather D. assumes Heather C.'s status and symbolic red scrunchie, becoming even more of a tyrant than Heather C. was, while Ram and Kurt tell everyone they had sex with Veronica ("Blue (Reprise)" or "Never Shut Up Again"). Veronica is branded a slut ("Blue" (Playoff)—not included in West End and future productions), and when J.D. attacks the jocks to defend her, they savagely beat him.

J.D. and Veronica comfort each other and plan a vengeful prank: she will lure the jocks to the cemetery with the promise of making their fictional threesome real, then together they will shoot them with tranquilizer "Ich lüge" bullets to knock them out before leaving a forged suicide note confessing they were gay lovers. When the jocks arrive, J.D. shoots Ram but Veronica misses Kurt. As she realizes Ram is dead and the bullets are real, J.D. shoots Kurt dead and proclaims his undying love to a horrified Veronica ("Our Love Is God").

Act 2

At Ram and Kurt's funeral, a distraught Veronica reflects that they could have outgrown their immaturity ("Prom or Hell?"). Grief-stricken, Ram's Dad chastises Kurt's Dad for remaining homophobic, until the latter suddenly kisses the former, revealing their own secret love affair and Ram and Kurt are turned into martyrs to homophobia ("My Dead Gay Son"). Convinced the murders are for the greater good, J.D. urges Veronica to target Heather D. next. She refuses, so he complains about doing nothing in the face of injustice, revealing he witnessed his mother's suicide as a young boy, straining his relationship with his father and causing their constant moving around. Veronica gives him an ultimatum: give up violence and live a normal life with her or lose her forever ("Seventeen"). J.D. agrees and they reconcile. Martha tells Veronica she suspects J.D. of murdering the jocks, believing Ram's "love note" is proof. Veronica, urged on by Heather C.'s ghost, confesses that she forged the note to humiliate Martha, who runs off in tears.

Guidance counselor (Teacher in the West End production) Ms. Fleming holds a televised therapy assembly ("Shine a Light"). She urges everyone to reveal their fears and insecurities, but only Heather M. admits to suicidal thoughts ("Lifeboat"). Heather D. mocks her and whips the students into a frenzy. Veronica lashes out and blurts out a confession—"they didn't kill themselves! I killed them!"—but everyone laughs mockingly, believing she is only desperate for attention. Shortly after, Heather M. tries to kill herself by overdosing in the bathroom, while Heather D. taunts her in her subconscious ("Shine a Light (Reprise)"), but Veronica stops her. J.D., carrying a gun, tries to persuade Veronica to kill Heather D. once more. Realizing how unstable he is, Veronica breaks up with him ("I Say No" in the West End version).

J.D. blackmails Heather D. into making the student body sign a petition. Martha, mourning Ram, jumps off a bridge ("Kindergarten Boyfriend"), but survives. Veronica rushes to the hospital, taunted by the ghosts of Kurt, Ram, and Heather C.; with her parents attempting to assure her that they have been through everything she is going through ("Yo Girl"). She returns home, where J.D. breaks in. As she barricades herself in the closet, he reveals the petition, signed by every student, is actually a mass suicide note—along with his plans to blow up the pep rally and make it look like a mass suicide, using his father's demolition expertise to devise the plan ("Meant to Be Yours"). He breaks open the closet to find Veronica dangling from a noose. Grief-stricken, he leaves to complete his plan.

Veronica, having faked her suicide, races to stop J.D. ("Dead Girl Walking (Reprise)"). She confronts him in the boiler room, but in their struggle, J.D. is shot. Unable to disarm the detonator, Veronica takes it to the empty football field, out of range to detonate the bombs. J.D. convinces her to let him take the detonator instead ("I Am Damaged"). It explodes, killing him alone.

Returning to school, Veronica takes the red scrunchie from Heather D., kisses her on the cheek and ends the era of social ridicule. Veronica invites Martha and Heather M. to hang out (depending on blocking, Heather D. is also included in some productions), rent a movie, and be kids before childhood is over ("Seventeen (Reprise)").

Musical numbers

Act I

"Beautiful" – Veronica, H. Chandler, H. McNamara, H. Duke, Kurt, Ram, Martha, Ms. Fleming and Company

"Candy Store" – H. Chandler, H. McNamara and H. Duke

"Fight for Me" – Veronica and Students

"Candy Store" (Playoff) † – H. Chandler, H. McNamara and H. Duke

"Freeze Your Brain" – J.D.

"Big Fun" – Ram, Kurt, Veronica, H. Chandler, H. McNamara, H. Duke, Martha, and Students

"Dead Girl Walking" – Veronica and J.D.

"Veronica's Chandler Nightmare" † – H. Chandler and Company

"The Me Inside of Me" – H. Chandler, Veronica, J.D., Ms. Fleming, Principal, Coach, Cops and Company

"Blue" (2010–2018) – Ram, Kurt, H. Duke and H. McNamara, Veronica

"You're Welcome" (2018–present West end ver.) †† – Ram, Kurt, Veronica,

"Blue (Reprise)" (2010–2018) † – Ram, Kurt, H. Duke, H. McNamara and Students

"Never Shut Up Again" (2018–present and West end ver.) †† – H. Duke, Ram, Kurt and Ensemble (Replaces "Blue" (Reprise) from the high school version)

"Our Love Is God" – J.D., Veronica, Ram, Kurt and Company

Act II

"Prom or Hell?" † – Veronica

"My Dead Gay Son" – Ram's Dad, Kurt's Dad and Mourners

"Seventeen" – Veronica and J.D.

"Shine a Light" – Ms. Fleming and Students

"Lifeboat" – H. McNamara

"Shine a Light" (Reprise) – H. Duke and Students

"I Say No" (2018–present) †† – Veronica and Ensemble

"Hey Yo, Westerberg" † – H. McNamara and Students

"Kindergarten Boyfriend" – Martha

"Yo Girl" – H. Duke, H. Chandler, Ram, Kurt, Veronica and Veronica's Mom

"Meant to Be Yours" – J.D. and Students

"Dead Girl Walking" (Reprise) – Veronica, J.D., Ms. Fleming, H. McNamara, and Students

"I Am Damaged" – J.D. and Veronica

"Seventeen" (Reprise) – Veronica, Martha, H. McNamara, H. Duke and Company

† Not featured on any of the cast recordings.

†† Songs added to the West End version and all future productions.

"You're Welcome" replaces "Blue", a song on the World Premiere Cast Recording. "You're Welcome" was originally written by O'Keefe and Murphy for the High School edition but was added to the official show beginning with the 2018 London production. O'Keefe and Murphy preferred "You're Welcome" as "Blue" had been perceived by audiences as “treating date rape as a laughing matter” and trivializing the issue by presenting it as comical, “boyish antics”. When asked to comment on the choice to replace the track, O'Keefe and Murphy stated that "'You're Welcome' doesn’t shy away from showing that Veronica is in real danger from these two drunk football assholes."[2]

A new song for Heather Duke, "Never Shut Up Again", was also added for the London run, replacing "Blue (Reprise)". For the 2017 workshop, there was a different song to replace "Blue (Reprise)", which became "Big Fun (Reprise)", part of which is now included in "Never Shut Up Again". In the last week at The Other Palace, the authors added a new song after "Shine a Light (Reprise)" called "I Say No", in which Veronica finally dumps J.D. when he proposes a return to murdering, telling him "You need help I can't provide" and walking out on him. The song remained in the show for the Haymarket run and was released on February 15, 2019, as the first single on the West End cast album.

Background

Andy Cohen and J. Todd Harris secured the rights from Daniel Waters (the screenwriter of the film) and immediately thought of Andy Fickman to direct. After seeing Laurence O'Keefe's work with Legally Blonde and how he transitioned film to theatre, he decided to pair him with Reefer Madness collaborator Kevin Murphy. Originally, lyricist Amy Powers was on the creative team, but she transitioned to joining producers Cohen and Harris. Fickman, Murphy and O'Keefe were also producers on the original productions in Los Angeles and New York. Fickman said of the experience, "we found that Heathers gave a great deal of opportunity for '80s commentary and a great chance for music and storytelling."[3]

Critical reception

Off-Broadway

Heathers: The Musical's 2014 Off-Broadway run was generally received well by critics and audiences alike. The musical was praised for staying true to the film while still having its own original additions to the storyline.[33] The score and choreography of the musical were also given praise.[34]

The musical, however, was criticized for the length and its characters not living up to the cast of the original movie. It has also been criticized for taking the dark themes of the source material and sanitizing them with bubbly music and cartoon-like characters.[35]

Marilyn Stasio, writing for Variety, wrote, "[S]easoned industry pros could pick up a few tips on the Do's and Don'ts of adapting material from this smartly executed musical treatment of 'Heathers.'" She praised the lyrics but was not a fan of the music, writing: "Even at their giddiest, the lyrics never dumb down the characters singing them. Wish we could say the same for the music, which is brassy and blah and sounds nothing like the music that made the 80s."[36]

The Hollywood Reporter's David Rooney stated: "Does the acidic comedy gain anything from being turned into a cartoonish pop musical? Hell, no. But as an extension of the movie's wicked pleasures, this version has its silly charms, as demonstrated by the rowdy response of the predominantly young audience. It's not exactly very — to borrow from Heather-speak — but for insatiable fans it might almost be enough, and the tacky high school-style staging seems somehow appropriate."[37]

The musical got two out of five stars from The Guardian's Alexis Soloski, who wrote: "The off-Broadway adaptation of the 1988 Winona Ryder/Christian Slater teen movie is sunny and snarky, but the dark subject matter calls for something more wicked."[38] Elisabeth Vincentelli of the New York Post gave it four out of five stars, writing "The first act moves briskly as director Andy Fickman and his cast wring every last comic drop out of the script and songs... The production nearly derails in Act II, having killed off its antagonists. The film had the same problem, but here the sweetened worldview saps the grand finale of its effectiveness. Still, seeing “Heathers” onstage is a joy."[39]

Kyle Anderson of Entertainment Weekly was harsher, giving the musical a C− rating: "Heathers: The Musical misses just about everything that made the film great, making it not only a colossally disappointing adaptation of a beloved property but also a generally unpleasant theater experience."[40]

West End

The London production received mixed reception and was flagged by some critics because they felt complex issues such as homosexuality, bulimia and suicide were made light of for comedic effect, making parts of the show feel "dated and uncomfortable for a 2018 audience."[41]

Heathers: The Musical (High School Edition)

edit

Following its 2014 Off-Broadway run, the musical gained cult status from audiences that mirrored the characters at the fictional Westerberg High, and multiple high schools were putting in requests for the licensing rights; accordingly, an abridged "PG-13" version was prepared, newly revised by writers Laurence O’Keefe and Kevin Murphy, iTheatrics, and licensing company Samuel French specifically for student productions.[43] Most of the profanity in the show was deleted, "Big Fun", "Dead Girl Walking", and the majority of the songs received rewritten lyrics and one new song, "You're Welcome" was written for the show to replace "Blue".[44][43] The original playwrights—O'Keefe and Murphy—have since publicly stated that they prefer "You're Welcome" to "Blue", and the change was officially made for the London production of Heathers in June 2018 and all further licensed productions.

The world premiere of Heathers: The Musical (High School Edition) took place on September 15, 2016, at Pearce Theatre, J.J. Pearce High School, Richardson, Texas.[45][43]

Brazilian version

edit

The Brazilian version of Heathers: The Musical (High School Edition) or "Heathers – A Teen Musical" was set to open in 2020 at the Stunt Burger,[46] but because of the COVID-19 pandemic it made some changes. The version was well received by both the audience and critics. [47]

In popular culture

edit

In 2019, a high school production of the musical is the focus of the "Chapter Fifty-One: Big Fun" episode of Riverdale. The Riverdale cast album of the musical was produced via WaterTower Music. The lyrics from the songs in the episode are from the High School Edition of the musical with most of the profanity deleted.[48][49]

Karaoke party with all my moots would fix me

[mekiampokemon]

¡Damos la bienvenida a nuestra familia a un montón de personajes nuevos!

Gracias por contar una vez más con nosotros, espero que Mekiam sea de vuestro agrado <3

[intomusings]

﹒﹒   male   names   masterlist     !

in honor of my third milestone on here ( thank you sm ) , i’ve decided to release a master list of 400+male names i personally love and think could be used more in the community . this was also requested by a few anons and names will be added to the list frequently . the names are sorted by first letter but not alphabetically within each letter category . if you found this useful , feel free to like or reblog to spread this !

A : alston, ander, adamo, alex, austen, ace, arian, adrian, atlas, augustus, axel, archer, angel, archie, aaron, abel, asher, amir, adriel, andrew, ace, alejandro, arlo, adonis, atticus, abram, ambrose. 

B : bryce, bryson, benji, bellamy, banks, bear, beau, bentley, barrett, brody, brayden, bennett, braxton, bowen, briggs, baker, bruce, benson, bristol, boston, brycen, bryant, brock, brendan, bruno, byron, braden, bronson, braeson.

C : colton, cartier, cyrus, caleb, carter, cedric, carson, cohen, calvin, callum, casper, caspius, chase, cole, connor, camden, colt, caden, cash, crew, chance, clayton, cruz, cairo, corbin, colson, cesar, clark. 

D : damon, damien, darren, dylan, dominic, declan, dean, dario, drew, dimitri, dakota, dawson, daxton, dante, desmond, denver, dax, deacon, drake, derrick, darius, duke, deandre, dash, dilan, dayton, duncan, dior. 

E : eduardo, edward, elias, emilien, evan, easton, everett, emmett, enzo, ezra, elliot, emmanuel, ezekial, elias, emerson, eric, emory, edwin, elian, esteban, edison, emir, everest, eliseo, everley.

F : florencio, flynn, fabio, forester, francis, flynn, fallon, finn, finnick, felix, fernando, finnegan, fabian, ford, forbes, fletcher, fisher, fox, fitz, flint, fulton. 

G : giovanni, gage, gomez, grayson, griffin, grant, graham, gavin, grant, gianni, gunner, gideon, gregory, grey, gustavo, guillermo, gentry, gadiel, gabriel. 

H : halton, herman, holden, hayes, hudson, hayden, harrison, harlow, harvey, hugo, hank, henley, holland, hamza, hugh, houston, hakeem. 

I : isaac, icarius, idris, ian, ivan, isaiah, ismael, ilan, irvin, iain. 

J : julian, juniper, joao, joaquim, jordan, jaxton, joshua, josiah, javier, jayden, justin, jonah, jace, jasper, jay, jj, jackson, jeremiah, judah, joel, jensen, jaylen, jonas, jamal. 

K : kai, kolton, kaleb, klaus, kyrie, kingston, kayden, king, kobe, knox, kyler, kaden, khalil, kane, killian, keegan, kian, kamden, kieran, keanu, kyland, kareem, kasen, 

L : liam, lukas, logan, lucien, lawrence, leo, leighton, leon, lindell, lamar, latrell, larson, lance, levi, luke, landon, luca, lincoln, landon, lorenzo, london, lennox, leonel, lawson, luciano, layton, lux, leroy, lamar. 

M : micaiah, mateo, marcell, manny, mac, malcolm, mckay, meechie, matias, mason, maverick, mitch, murphy, miles, malachi, maddox, marshall, malik, moses, marvin, milo. 

N : noah, nicolai, nasir, nico, nash, neymar, naveen, nehemiah, nixon, nelson, nigel, niles, nolyn, namir. 

O : orlando, ozzy, oliver, omar, orion, otto, odin, otis, oskar, osvaldo, owen. 

P : peyton, parker, pearce, prince, preston, porter, pierre, penn, patton, paxton, paolo, pope, percy. 

Q : quentin, quinn, quint, quang. 

R : roman, rowan, reid, riggs, reece, rafael, ryland, roland, ronan, rhett, rhys, rory, rainer, roscoe, rocco, ryder, ryker, remington, russell, romeo, raiden, ruben, ridge, rex, rudy, remy. 

S : sawyer, spencer, salem, salvatore, stefan, samson, sebastian, samuel, santiago, silas, sutton, sterling, sully, sergio, seth, santino, santibel, soren, saint, samir, saul, sal, santos, slater, santino. 

T : tyson, tyrin, taylor, teagan, tobias, troye, tristan, tucker, theo, torrento, tanner, travis, tripp, trenton, trey, tomas, talon, thad, terrance, teddy. 

U : uriel, ulysesses, umar, urbane, uri, ursel, usher. 

V : valencio, victor, valence, valentino, vance, victor, vaughn, vincent, virgil, vernon, vander, vito, vero, villard. 

W : wick, walker, weston, wyatt, wolfgang, wells, wilder, wesley, walter, warren, wade, winston, watson, wiley, waylen. 

X : xavier, xander, xane, xavion, xavi, xiomar, xackery, xan. 

Y : yosef, yosan, york, yasir, yoel, yuri, yannis.

Z : zane, zakhar, zavier, zion, zahir, zev, zeus, zacharias.

[glitter-troublewind]

sagittarius sun aries moon: tyra banks , mark twain

sagittarius sun taurus moon: jamie foxx , lucy liu , christina aguilera

sagittarius sun gemini moon: billy idol , edith piaf , jake gyllenhaal

sagittarius sun cancer moon: taylor swift , jonah hill

sagittarius sun leo moon: amanda seyfried, annie murphy

sagittarius sun virgo moon: zoe kravitz, steve buscemi , nicki minaj

sagittarius sun libra moon: jay z , anna nicole smith , jenna dewan

sagittarius sun scorpio moon: steven spielberg , bette midler, miley cyrus

sagittarius sun sagittarius moon: marisa tomei , peter facinelli

sagittarius sun capricorn moon: judi dench , brad pitt , snooki

sagittarius sun aquarius moon: britney spears , billie eilish

sagittarius sun pisces moon: ben stiller, chadwick boseman , rita ora

capricorn sun aries moon: nicholas sparks , meghan trainor capricorn sun gemini moon: jim carey capricorn sun cancer moon: janis joplin , kate middleton , ll cool j capricorn sun leo moon: diane sawyer capricorn sun libra moon: humphrey bogart , bradley cooper , jude law , chet baker

capricorn sun scorpio moon: kate moss , kit harrington , alex turner capricorn sun sagittarius moon: dave grohl capricorn sun capricorn moon: craig robinson capricorn sun aquarius moon: carey grant , holly madison

capricorn sun pisces moon: martin luther king , michelle obama , taye diggs , j.r.r. tolkien

aquarius sun aries moon: anton chekhov, chris rock

aquarius sun taurus moon: christian bale , j. cole

aquarius sun gemini moon: james spader

aquarius sun cancer moon: django reinherdt , zhang ziyi , wilmer valderrama

aquarius sun leo moon: megan thee stallion , maluma

aquarius sun virgo moon: john travolta

aquarius sun libra moon: harry styles , preity zinta , evan peters

aquarius sun scorpio moon: the weekend

aquarius sun sagittarius moon: jennifer aniston , justin timberlake

aquarius sun capricorn moon: emma roberts

aquarius sun aquarius moon: ed helms

aquarius sun pisces moon: sam cooke , isla fisher

pisces sun aries moon: rihanna , sophie turner

pisces sun taurus moon: rob lowe , kelly bishop

pisces sun cancer moon: liza menelli , drew barrymore

pisces sun gemini moon: lauren graham , olivia wilde , simone biles

pisces sun leo moon: queen latifah , dakota fanning , chris martin ,lily collins

pisces sun virgo moon: jenna fischer , steve irwin , chelsea handler

pisces sun libra moon: lupita nyongo , justin bieber

pisces sun scorpio moon: quincy jones , tyler the creator , laura prepon , elizabeth taylor

pisces sun sagittarius moon: sharon stone , vanessa williams , kristin davis , camila cabello

pisces sun capricorn moon: timbaland , rashida jones , jennifer love hewitt

pisces sun aquarius moon: glenn close , john frusciante , carrie underwood , millie bobby brown

pisces sun pisces moon: grimes , catherine o'hara , brittany snow