#Motels in Snyder TX

[traylinmartin]

Final College Rodeo

This week was our final College rodeo, and my chances at the CNFR come down to this. I'm super excited, while most people may be nervous or anxious, I love these moments, I live for these moments. I love when it all comes down to one, all the pressure is stacked against you, and you have a choice whether to fail or rise above and conquer. It was in Stephenville, TX, the cowboy capital of Texas and maybe even the world. I showed up and was riding in the first performance, where I drew decent and was 75 points. I didn't draw quite as well as I would've liked but I still made it back to the Short round, so I was excited. Before the short round though, I had to fly to Cedar Rapids, IA for a ProRodeo, and the final one of the Cinch World's Toughest Series. I thankfully had a nonstop, so it was one of the more enjoyable flights I've been on in a while. I got there, got checked into my motel, and worked on some schoolwork I was behind on until my buddy Kody Rhinehart came and picked me up for the rodeo. I drew a rematch with a horse named Hex of Harper and Morgan's, and rode her good and ended up pulling a good check towards the world standings. During this period, my puppy Oakley, who I left with a friend, ran away, so I was stressed worrying about her. I flew back the next day and started my search by the time I had to ride in the Short round. I drew good in the short round, but the horse ended up getting hurt so I had to get on the reride, and she didn't buck very good so i ended up 6th in the average. This bumped me out of the top 3 in the standings, but WTC won the region, so we can take a full team of 6 to the finals, so now i wait until the coach picks the extra 2 members who get to go. The day after I searched all day trying to find my dog, but had to return to Snyder empty-handed, but thankfully Monday night someone answered my Facebook post saying they found her and were taking care of her, so a day later I drove and picked her up. It was a hecktick weekend, but thankfully everything worked out just fine!

[purplesagemotelsnyder-blog]

Motels in Snyder TX

Are you searching for the best Motels in Snyder TX? Visit the most famous Purple Sage Motel, which has been American owned since 1973. It also provides FREE high-speed internet access in all of our guest rooms along with a coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals. Book Now Your Trip to Snyder. Call today (325) -573-9027!

[briggsps]

Rick Dingus has explored the cultural and topographical landscapes of the western United States for more than four decades. Beginning in the late 1970s, his black and white and color photographs heightened with drawing created a dialogue between the multiplicity of photographic processes and the singularity of drawing. In the last several decades his panoramic, infrared, and circular images have been coupled with an unrelenting tinkering with cameras and lenses to adjust the “windows” of his worlds.

Dingus recently donated over 750 works, including notebooks and related notes, to an archive of his work in the AP/RC. His imagery explores ironies, contradictions, dialogues, and symbioses among human manipulated environments. While much of his attention has been directed toward the southwestern United States, Dingus has pictorially examined other regions of the western United States, as well as India, Australia and Mexico.

As the artist notes, “I’m interested in any situation that prompts contemplation of the curiously complex connections we share with the larger patterns of existence. Remote wilderness and rural settings, vernacular byways, urban environments, ancient pathways, ruins, historic, mythic and spiritual pilgrimage sites, scientific and technological research facilities, folk and professional museums, shrines, collections, displays, and dioramas all fascinate me because these places reflect individual and collective responses, understandings, and a myriad of relationships to the same world I live in.”

In 2016 the Museum of Texas Tech presented a retrospective exhibition  and the University of Oklahoma published a monographic survey of Dingus’ work, Shifting Views and Changing Places: The Photographs of Rick Dingus.

Go to the artists web site at: http://www.rickdingus.com/

#gallery-0-5 { margin: auto; } #gallery-0-5 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-5 img { border: 2px solid #cfcfcf; } #gallery-0-5 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

Every day at exactly 5pm in February 1973, Isla Vista, CA; digital print from color transparencies

After the Fire, Bandelier National Monument, NM (Topography Grid), 1977-78; silver gelatin print

After the Fire, Bandelier National Monument, NM (Denuded Slope Erosion), 1977-78; silver gelatin print

After the Fire, Bandelier National Monument, NM (in Snow), 1977-78; silver gelatin print

Pulpit Rock, W.H. Jackson, 1869; silver gelatin print from, negative from original print

Location of Pulpit Rock, for the Rephotographic Survey Project, 1978; silver gelatin print

Tertiary Conglomerates, Weber Valley (Witches Rocks #5), T.H. O’Sullivan, 1869; from photograph of original print

Tertiary Conglomerates, Weber Valley (Witches Rocks #5), T.H. O’Sullivan, 1869, for the Rephotographic Survey Project, 1978

Untitled (Hole with Board: Gravel Mound), 1977; silver gelatin print with graphite

Lightning Snake Shadow, 1977-81; silver gelatin print with graphite

Gravity Fence, 1979; silver gelatin print with graphite

After the Tornado at Wichita Falls, TX, 1979-82; silver gelatin print with graphite

Living Room, Langtry, Tx, 1984; silver gelatin print with graphite

Satellite TV, Junction, TX, 1984-85; silver gelatin print with graphite

Tilted Earth Shield: San Rafael Swell, UT, 1982-88; silver gelatin print with graphite

Earth Changes: Past-Present-Future, 1981-86; silver gelatin print with graphite

Ufinsihed House in the Woods near Taos, NM, 1985-88; silver gelatin print with graphite

Journey Within, 1987-88; silver gelatin print with graphite

Empty Soda Well near San Ysidro, NM, 1989; silver gelatin print with graphite

Entrance, Gulf Coast, Mississippi, 1988-90; silver gelatin print with graphite

Five Years After the Fire, Bandelier National Monument, NM, 1982-89; silver gelatin print with graphite

Tree of Knowledge, Turkey, TX, 1988-89; silver gelatin print with graphite

Ufinished Business, Mississippi, 1989; silver gelatin print with graphite

Underground Stairway, Sonora Caverns, TX 1993;

Wind Scored Tin near Lubbock, TX, 1995; chromogenic print with water-soluble wax and oil based pastel crayons

Airport Motel, Plainview, TX, 1992; chromogenic print with water-soluble wax and oil based pastel crayons

Neon Motel, Junction, TX, 1992; chromogenic print with water-soluble wax and oil based pastel crayons

Equinox Sunset Snake Creeps Down, Chichen Itza, Mexico, 1995-96; chromogenic print with water-soluble wax and oil based pastel crayons

Teotihuacan (from the Pyramid of the Moon), 1997-98; chromogenic print with water-soluble wax and oil based pastel crayons

Storefront Landscape, TX Panhandle, 1998; chromogenic print with water-soluble wax and oil based pastel crayons

Plowed Fields near Colorado City, TX, 1994-96; chromogenic print with water-soluble wax and oil based pastel crayons

Dust Storm, Lubbock, TX, 1995; chromogenic print with water-soluble wax and oil based pastel crayons

Field House near Snyder, TX, 1994-96; chromogenic print with water-soluble wax and oil based pastel crayons

“Tlaloc” Petroglyph near Cooks Peak, NM, 1984-85; silver gelatin print with graphite

Exterior: Cave Kiva near White Rock, NM (rebirth Place), 1982-86; silver gelatin print with graphite

Interior: Cave Kiva near White Rock, NM (Mythical Fragments), 1984-86; silver gelatin print with graphite

“Five Portraits” Ceremonial, Davis Canyon near Canyonlands, UT (Proposed Nuclear Waste Disposal Site), 1982-85; silver gelatin print with graphite

Marking the Passage, Three Rivers, NM, 1983-86; silver gelatin print with graphite

Location of the “Sky Faces” Pictographs, Canyonlands, UT, 1982-84; silver gelatin print with graphite

Painted Rock near Santa Barbara, CA, 1983-84; silver gelatin print with graphite

Lessons by the Campfire, 1987-88; silver gelatin print with graphite

After the Sweat, 1987-88; silver gelatin print with graphite

Shade House Full of Light, 1988; silver gelatin print with graphite

Volcanic Wall near Shiprock (Wings of the Giant Bird in the Journey to the Sky Father Story), 1987-88; silver gelatin print with graphite

Buddha with Onlookers, Pandu Lena Caves near Nasik, Maharashtra, India, 1988-90; silver gelatin print with graphite

Kneeling Figures, Buddhist Caves near Aurangabad, Maharashtra, India, 1988-90; silver gelatin print with graphite

Shiva Lingam, Panchaleshwar Temple, Poona, India, 1988-90; silver gelatin print with graphite

Hanuman, Panchaleshwar Temple, Poona, India, 1988-90; silver gelatin print with graphite

Collecting Navajo Smoke, 1992-93; chromogenic print with water-soluble wax and oil based pastel crayons

Collecting Salt at Zuni Salt Lake, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Shadow Over Moaning Lake, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

White Cone, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Shiprock; 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Tesla Coil, Lubbock, TX, 2000-02; chromogenic print

Unmarked Sensors, Los Alamos, NM, 1998-99; chromogenic print

Statue of a Water Witcher, Waterville, WA, 1998; chromogenic print

Fissure Vent with Camera, near Reno, NV (after T.H. O’Sullivan), 1998-99; chromogenic print

Tourists at Bonneville Dam, Columbia River, OR, 1998-99; chromogenic print

Dam and Viewing Platform, Shoshone Falls, ID (after T.H. O’Sullivan), 1998-99; chromogenic print

Scheduled for Removal: Lower Elwa River Dam, WA, 1998-99; chromogenic print

Recycled Beetle, Swetsville Zoo, Fort Collins, CO, 1998-99; chromogenic print

Neon Boneyard, Las Vegas, NV, 2002; chromogenic print

Listening to Stonehenge (Audio Tour), Wessex, England, 1998-2002; chromogenic print

UFO Watchtower near Hooper, CO, 2001-02; chromogenic print

Abandoned Dugout of a Supposed Hermit near Twin Falls, ID, 1998-99; chromogenic print

Caged Cave Kiva near White Rock, NM, 1998-99; chromogenic print

Movie Theater, Mt. St. Helens Visitor Center, WA, 1998-99; chromogenic print

After the Collapse, Crater Lake, OR, 1998-99; chromogenic print

Oil Refinery, Big Spring, TX, 2004-06; chromogenic print

Oilfield Trash, Penwell, TX, 2004-06; chromogenic print

Lamesa’s “Rainmaker Rocket,” now in Big Spring, TX, 2004-06; chromogenic print

Climate Controlled Storage, Lubbock, TX, 2005-06; chromogenic print

Crop Duster Mural, Caprock Cafe, Lubbock, TX, 2005-06; chromogenic print

Giant Femur, Mt. Blanco Fossil Museum, Crosbyton, TX, 2005-06; chromogenic print

Buffalo Mural, Hale Center, TX, 2004-06; chromogenic print

Horse, Wheatland, NM, 2004-06; chromogenic print

Lubbock-Marked Globe, International Cultural Center, Lubbock, TX, 2004-06; chromogenic print

Visitor Center, Monahans Sandhills State Park, TX, 2004-05; chromogenic print

Theater Mural, Floydada, TX, 2005-06; chromogenic print

Old Home Place in a Plowed Field, Posey, TX, 2004-06; chromogenic print

Picnic Table, Badlands National Park, SD, 2005-07; chromogenic print

Curtained Window in a Sod House, Prairie Homestead, Philip, SD, 2005-07; chromogenic print

Rock Display, Chadron State College, Chadron, NE, 2005-07; chromogenic print

Trail Head, Devil’s Tower National Monument, WY, 2005-07; chromogenic prints

Mammoth Site, Hot Springs, SD, 2005-07; chromogenic print

Smoking Foundation, near De Kalb, IL, 2005-07; chromogenic print

Museum Courtyard, Tasmanian Museum and Art Gallery, Hobart, Tasmania, Australia, 2005-07; chromogenic print

Global Rescue Station (Old Growth Forest Scheduled for Clear Cutting,) The Styx Valley of the Giants, Tasmania, Australia, 2005-07; chromogenic print

Stump Shelter in a Clear Cut Area of Old Growth Forest, The Styx Valley of the Giants, Tasmania, Australia, 2005-07; chromogenic print

Queenstown Overlook (Gravel Soccer Field near Landscape Denuded by the Mt. Lyell Mine), Queenstown, Tasmania, Australia, 2005-07; chromogenic print

Hydroelectric Water Transportation (during its Last Year of Use), Lake Margaret Dam, Tasmania, Australia, 2005-07; chromogenic print

Deep Sea Diver, Maritime Museum of Tasmania, Hobart, Tasmania, Australia, 2005-07; chromogenic print

Queue for a View, Okie-Tex Star Party, Kenton, OK, 2013-15; pigment print; infrared sensor digital camera

Observatory Tent, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Elaborate ATM, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Many Views, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Shared References, Okie-Tex Star Party, Kenton, OK, 2014-15, pigment print; infrared sensor digital camera

Observation Trailer, Okie-Tex Star Party, Kenton, OK, 2014-15, pigment print; infrared sensor digital camera

Lined Escarpment and Circles (SLC>DFW>LBB), 2012-15, pigment print; infrared sensor digital camera

Silicon Valley (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Suburban Maze (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Reworked Fields with Circles (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Ridged Desert Highway (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Line Marked Mountains (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Drainage Toward Circles (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Ridges, Roads and Runway (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Straight Line Over Fractured Ground (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

New Additions to the AP/RC: Rick Dingus

Rick Dingus has explored the cultural and topographical landscapes of the western United States for more than four decades.

New Additions to the AP/RC: Rick Dingus Rick Dingus has explored the cultural and topographical landscapes of the western United States for more than four decades.

[purplesagemotelsnyder-blog]

Best Motel in Snyder TX - Purple Sage Motel Snyder

Find the best Motel in Snyder TX  at the lowest rates and get the facilities of free internet access in all of our guest rooms. For more information visit: http://purplesagemotelsnyder.com/

[purplesagemotelsnyder-blog]

Are you searching for the best Motel in Snyder TX? Visit the most famous  Purple Sage Motel, which has been American owned since 1973. It also provides FREE high-speed internet access in all of our guest rooms along with a coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals. Book Now Your Trip to Snyder.

[purplesagemotelsnyder-blog]

Plane out your best holiday packages with your friends and family to Snyder,Texas State and get a luxury Motel in Snyder TX with all the facilities like breakfast buffet, laundromat, and a gift shop. And also get a high speed internet connection in your room with outside the hotel campus also.

[purplesagemotelsnyder-blog]

Best Hotel in Snyder Texas having variety of guest services including a breakfast buffet, laundromat, and a gift shop. We also provide FREE high-speed internet access in all of our guest rooms along with a coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals.

[purplesagemotelsnyder-blog]

Snyder TX Hotel

Among all Snyder TX Hotel, Purple Sage Motel is one of the most famous guest service providers in the USA, Texas. It also offers lots of other services like coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals.

[purplesagemotelsnyder-blog]

Motel in Snyder TX

Are you searching for the best Motel in Snyder TX? Visit the most famous Purple Sage Motel, which has been American owned since 1973. It also provides FREE high-speed internet access in all of our guest rooms along with a coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals. Book Now Your Trip to Snyder. Call today (325)-573-9027!

[purplesagemotelsnyder-blog]

Motel in Snyder TX

Are you searching for the best Motel in Snyder TX? Visit the most famous Purple Sage Motel, which has been American owned since 1973. It also provides FREE high-speed internet access in all of our guest rooms along with a coffee maker, refrigerator, microwave, TV/VCR/DVD with HBO, and FREE movie rentals.

[briggsps]

Rick Dingus has explored the cultural and topographical landscapes of the western United States for more than four decades. Beginning in the late 1970s, his black and white and color photographs heightened with drawing created a dialogue between the multiplicity of photographic processes and the singularity of drawing. In the last several decades his panoramic, infrared, and circular images have been coupled with an unrelenting tinkering with cameras and lenses to adjust the “windows” of his worlds.

Dingus recently donated over 750 works, including notebooks and related notes, to an archive of his work in the AP/RC. His imagery explores ironies, contradictions, dialogues, and symbioses among human manipulated environments. While much of his attention has been directed toward the southwestern United States, Dingus has pictorially examined other regions of the western United States, as well as India, Australia and Mexico.

As the artist notes, “I’m interested in any situation that prompts contemplation of the curiously complex connections we share with the larger patterns of existence. Remote wilderness and rural settings, vernacular byways, urban environments, ancient pathways, ruins, historic, mythic and spiritual pilgrimage sites, scientific and technological research facilities, folk and professional museums, shrines, collections, displays, and dioramas all fascinate me because these places reflect individual and collective responses, understandings, and a myriad of relationships to the same world I live in.”

In 2016 the Museum of Texas Tech presented a retrospective exhibition  and the University of Oklahoma published a monographic survey of Dingus’ work, Shifting Views and Changing Places: The Photographs of Rick Dingus.

Go to the artists web site at: http://www.rickdingus.com/

#gallery-0-5 { margin: auto; } #gallery-0-5 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-5 img { border: 2px solid #cfcfcf; } #gallery-0-5 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

Every day at exactly 5pm in February 1973, Isla Vista, CA; digital print from color transparencies

After the Fire, Bandelier National Monument, NM (Topography Grid), 1977-78; silver gelatin print

After the Fire, Bandelier National Monument, NM (Denuded Slope Erosion), 1977-78; silver gelatin print

After the Fire, Bandelier National Monument, NM (in Snow), 1977-78; silver gelatin print

Pulpit Rock, W.H. Jackson, 1869; silver gelatin print from, negative from original print

Location of Pulpit Rock, for the Rephotographic Survey Project, 1978; silver gelatin print

Tertiary Conglomerates, Weber Valley (Witches Rocks #5), T.H. O’Sullivan, 1869; from photograph of original print

Tertiary Conglomerates, Weber Valley (Witches Rocks #5), T.H. O’Sullivan, 1869, for the Rephotographic Survey Project, 1978

Untitled (Hole with Board: Gravel Mound), 1977; silver gelatin print with graphite

Lightning Snake Shadow, 1977-81; silver gelatin print with graphite

Gravity Fence, 1979; silver gelatin print with graphite

After the Tornado at Wichita Falls, TX, 1979-82; silver gelatin print with graphite

Living Room, Langtry, Tx, 1984; silver gelatin print with graphite

Satellite TV, Junction, TX, 1984-85; silver gelatin print with graphite

Tilted Earth Shield: San Rafael Swell, UT, 1982-88; silver gelatin print with graphite

Earth Changes: Past-Present-Future, 1981-86; silver gelatin print with graphite

Ufinsihed House in the Woods near Taos, NM, 1985-88; silver gelatin print with graphite

Journey Within, 1987-88; silver gelatin print with graphite

Empty Soda Well near San Ysidro, NM, 1989; silver gelatin print with graphite

Entrance, Gulf Coast, Mississippi, 1988-90; silver gelatin print with graphite

Five Years After the Fire, Bandelier National Monument, NM, 1982-89; silver gelatin print with graphite

Tree of Knowledge, Turkey, TX, 1988-89; silver gelatin print with graphite

Ufinished Business, Mississippi, 1989; silver gelatin print with graphite

Underground Stairway, Sonora Caverns, TX 1993;

Wind Scored Tin near Lubbock, TX, 1995; chromogenic print with water-soluble wax and oil based pastel crayons

Airport Motel, Plainview, TX, 1992; chromogenic print with water-soluble wax and oil based pastel crayons

Neon Motel, Junction, TX, 1992; chromogenic print with water-soluble wax and oil based pastel crayons

Equinox Sunset Snake Creeps Down, Chichen Itza, Mexico, 1995-96; chromogenic print with water-soluble wax and oil based pastel crayons

Teotihuacan (from the Pyramid of the Moon), 1997-98; chromogenic print with water-soluble wax and oil based pastel crayons

Storefront Landscape, TX Panhandle, 1998; chromogenic print with water-soluble wax and oil based pastel crayons

Plowed Fields near Colorado City, TX, 1994-96; chromogenic print with water-soluble wax and oil based pastel crayons

Dust Storm, Lubbock, TX, 1995; chromogenic print with water-soluble wax and oil based pastel crayons

Field House near Snyder, TX, 1994-96; chromogenic print with water-soluble wax and oil based pastel crayons

“Tlaloc” Petroglyph near Cooks Peak, NM, 1984-85; silver gelatin print with graphite

Exterior: Cave Kiva near White Rock, NM (rebirth Place), 1982-86; silver gelatin print with graphite

Interior: Cave Kiva near White Rock, NM (Mythical Fragments), 1984-86; silver gelatin print with graphite

“Five Portraits” Ceremonial, Davis Canyon near Canyonlands, UT (Proposed Nuclear Waste Disposal Site), 1982-85; silver gelatin print with graphite

Marking the Passage, Three Rivers, NM, 1983-86; silver gelatin print with graphite

Location of the “Sky Faces” Pictographs, Canyonlands, UT, 1982-84; silver gelatin print with graphite

Painted Rock near Santa Barbara, CA, 1983-84; silver gelatin print with graphite

Lessons by the Campfire, 1987-88; silver gelatin print with graphite

After the Sweat, 1987-88; silver gelatin print with graphite

Shade House Full of Light, 1988; silver gelatin print with graphite

Volcanic Wall near Shiprock (Wings of the Giant Bird in the Journey to the Sky Father Story), 1987-88; silver gelatin print with graphite

Buddha with Onlookers, Pandu Lena Caves near Nasik, Maharashtra, India, 1988-90; silver gelatin print with graphite

Kneeling Figures, Buddhist Caves near Aurangabad, Maharashtra, India, 1988-90; silver gelatin print with graphite

Shiva Lingam, Panchaleshwar Temple, Poona, India, 1988-90; silver gelatin print with graphite

Hanuman, Panchaleshwar Temple, Poona, India, 1988-90; silver gelatin print with graphite

Collecting Navajo Smoke, 1992-93; chromogenic print with water-soluble wax and oil based pastel crayons

Collecting Salt at Zuni Salt Lake, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Shadow Over Moaning Lake, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

White Cone, 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Shiprock; 1991-92; chromogenic print with water-soluble wax and oil based pastel crayons

Tesla Coil, Lubbock, TX, 2000-02; chromogenic print

Unmarked Sensors, Los Alamos, NM, 1998-99; chromogenic print

Statue of a Water Witcher, Waterville, WA, 1998; chromogenic print

Fissure Vent with Camera, near Reno, NV (after T.H. O’Sullivan), 1998-99; chromogenic print

Tourists at Bonneville Dam, Columbia River, OR, 1998-99; chromogenic print

Dam and Viewing Platform, Shoshone Falls, ID (after T.H. O’Sullivan), 1998-99; chromogenic print

Scheduled for Removal: Lower Elwa River Dam, WA, 1998-99; chromogenic print

Recycled Beetle, Swetsville Zoo, Fort Collins, CO, 1998-99; chromogenic print

Neon Boneyard, Las Vegas, NV, 2002; chromogenic print

Listening to Stonehenge (Audio Tour), Wessex, England, 1998-2002; chromogenic print

UFO Watchtower near Hooper, CO, 2001-02; chromogenic print

Abandoned Dugout of a Supposed Hermit near Twin Falls, ID, 1998-99; chromogenic print

Caged Cave Kiva near White Rock, NM, 1998-99; chromogenic print

Movie Theater, Mt. St. Helens Visitor Center, WA, 1998-99; chromogenic print

After the Collapse, Crater Lake, OR, 1998-99; chromogenic print

Oil Refinery, Big Spring, TX, 2004-06; chromogenic print

Oilfield Trash, Penwell, TX, 2004-06; chromogenic print

Lamesa’s “Rainmaker Rocket,” now in Big Spring, TX, 2004-06; chromogenic print

Climate Controlled Storage, Lubbock, TX, 2005-06; chromogenic print

Crop Duster Mural, Caprock Cafe, Lubbock, TX, 2005-06; chromogenic print

Giant Femur, Mt. Blanco Fossil Museum, Crosbyton, TX, 2005-06; chromogenic print

Buffalo Mural, Hale Center, TX, 2004-06; chromogenic print

Horse, Wheatland, NM, 2004-06; chromogenic print

Lubbock-Marked Globe, International Cultural Center, Lubbock, TX, 2004-06; chromogenic print

Visitor Center, Monahans Sandhills State Park, TX, 2004-05; chromogenic print

Theater Mural, Floydada, TX, 2005-06; chromogenic print

Old Home Place in a Plowed Field, Posey, TX, 2004-06; chromogenic print

Picnic Table, Badlands National Park, SD, 2005-07; chromogenic print

Curtained Window in a Sod House, Prairie Homestead, Philip, SD, 2005-07; chromogenic print

Rock Display, Chadron State College, Chadron, NE, 2005-07; chromogenic print

Trail Head, Devil’s Tower National Monument, WY, 2005-07; chromogenic prints

Mammoth Site, Hot Springs, SD, 2005-07; chromogenic print

Smoking Foundation, near De Kalb, IL, 2005-07; chromogenic print

Museum Courtyard, Tasmanian Museum and Art Gallery, Hobart, Tasmania, Australia, 2005-07; chromogenic print

Global Rescue Station (Old Growth Forest Scheduled for Clear Cutting,) The Styx Valley of the Giants, Tasmania, Australia, 2005-07; chromogenic print

Stump Shelter in a Clear Cut Area of Old Growth Forest, The Styx Valley of the Giants, Tasmania, Australia, 2005-07; chromogenic print

Queenstown Overlook (Gravel Soccer Field near Landscape Denuded by the Mt. Lyell Mine), Queenstown, Tasmania, Australia, 2005-07; chromogenic print

Hydroelectric Water Transportation (during its Last Year of Use), Lake Margaret Dam, Tasmania, Australia, 2005-07; chromogenic print

Deep Sea Diver, Maritime Museum of Tasmania, Hobart, Tasmania, Australia, 2005-07; chromogenic print

Queue for a View, Okie-Tex Star Party, Kenton, OK, 2013-15; pigment print; infrared sensor digital camera

Observatory Tent, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Elaborate ATM, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Many Views, Okie-Tex Star Party, Kenton, OK, 2013-15, pigment print; infrared sensor digital camera

Shared References, Okie-Tex Star Party, Kenton, OK, 2014-15, pigment print; infrared sensor digital camera

Observation Trailer, Okie-Tex Star Party, Kenton, OK, 2014-15, pigment print; infrared sensor digital camera

Lined Escarpment and Circles (SLC>DFW>LBB), 2012-15, pigment print; infrared sensor digital camera

Silicon Valley (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Suburban Maze (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Reworked Fields with Circles (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Ridged Desert Highway (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Line Marked Mountains (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Drainage Toward Circles (LBB>LAS>OAK), 2014-15, pigment print; infrared sensor digital camera

Ridges, Roads and Runway (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

Straight Line Over Fractured Ground (OAK>LAS>LBB), 2014-15, pigment print; infrared sensor digital camera

New Additions to the AP/RC: Rick Dingus Rick Dingus has explored the cultural and topographical landscapes of the western United States for more than four decades.