#Most watching Pakistani drama

[publicity914]

Neelam Muneer best 10 drama list must watch

Neelam Muneer is a talented model and actress from Pakistan who gained notoriety for her eye-catching appearances and remarkable performances in a range of TV dramas and films. Her parts in well-known films have helped her gain critical acclaim and a large fan following.

Pakistani Drama Name

Ehraam-e-junoon

Main Cast

Neelam Muneer and Imran Abbas

Storyline

Ehraam-e-Junoon" tells the tale of Shanzay, a young woman with extraordinary beauty who, as a result of her upper-class upbringing, is full of pride and stubbornness.

Shanzay thinks that everything, including happiness, can be purchased with money. Up until she meets Shayan at an event, Shanzay hasn't found a man who can impress her despite her high standards.

Shayan, a charming young man from a middle-class background, works as a pizza delivery boy to supplement his income.

Shayan is drawn to Shanzay right away, and Shanzay wants to give him a better life, but Shayan rejects Shanzay's advances and keeps his distance.

As the story goes on, Shanzay and Shayan's paths cross frequently, and Shanzay begins to questionAs the narrative progresses, Shanzay and Shayan's paths repeatedly cross, and Shayan might be the one to tear down Shanzay's walls of arrogance and intransigence, or will she keep pursuing unimportant goals?

A rollercoaster ride of emotions is what viewers can expect from the drama serial "Ehraam-e-Junoon," which delves into themes of love, pride, and social class.

Neelam Muneer watching best 10 drama list you see.Please Click Here

[sandsucks]

i’ve watched a few good pakistani dramas recently if anyone wants recs i gotchuuu

[cere-mon-ials]

2024 in what made me happy: a misc list

the broadcast schedules of cdrama. this year, for the first time, i finished a cdrama because i saw one gif set of wu jinyang telling wang xingyue that he was handsome in the pouring rain. after the double, i watched and loved love like the galaxy, watched and loved amidst a snowstorm of love. then, i began watching and loving blossom as it aired new episodes every single day. i love what this has done to my drama-watching routines because it's not as fickle as a binge drop and it's not as sedate as weekly drops.

no, but weekly drops too. especially, only murders in the building and running to reddit to see what all the hot new theories are. and, culinary class wars — that was a good month.

i refused to listen to podcasts, and it made some small room to listen to other, more useful, voices. i didn’t finish books i cared little for. i closed tabs and deleted bookmarks more often. i didn't attend any weddings, in an attempt to recover from the weddings i did attend in 2023 and the 2025 invitations currently dinging on my whatsapp.

got a job, hated it, found some courage to turn back on the excellent pay, and left it. got another job soon enough, one that now keeps me on my toes but isn't painful on my heels.

my mother's saree collection, and to the first year of my life when i got to wear them on the reg.

learning chinese and refining my urdu. i can now recall maybe 15 chinese characters without fumbling and read a faiz poem slowly, with a pencil and in a quiet room. it's great because it's so difficult.

saife hassan, whose direction of zard patton ka bunn has (a) seized me back into pakistani drama (b) given me meenu and nofil's tender, sweet romance (c) brought back feelings that i thought dead and wouldn't want to articulate in this space.

the ambition in as byatt's possession, which crept into my dreams to remind me that i am slacking and in cixin liu's three-body problem, which crept into my nightmares to remind me that the grand architecture held in the entirety of my imagination is a speck in the universe. i can't tell you if i loved or even enjoyed either book but i don't think it matters. i have reserved the remaining two books of liu's trilogy for 2025.

steaming white rice with a spoonful of ghee and a smattering of salt, the most delicious appetizer to any meal.

last year, after avoiding them because they were always priced higher, i began buying poetry books. this growing bedside stack has been my solace and i love reaching for a random page to find something i needed to read in that moment. i began this year with my dearest heaney and i intend to end it with cavafy.

the discipline of a simple skincare routine, which i am not always good at keeping up with and my skin isn't all that better either but i am trying.

syd & carmy & richie & tina & marcus & chef terry & everyone else in the bear.

the soundtrack of lovely runner kept me company on some of the longest commutes and shut out loud arguments in the ladies compartment. the soundtrack of love like the galaxy felt like the soundtrack of my life for about three months this year. the soundtrack of the last samurai came out of nowhere to aid me during difficult work sessions. i am always in search of appropriate times to blast the soundtrack of gully boy, the weeknd's my dear melancholy, and frou frou's details. there's no lack of appropriate times to blast a rahman album.

driving, i guess. i resisted for as long as i could because i am a public transportation person but i do not live in a city that is conducive for it. i do feel a strange sense of accomplishment at learning this skill.

the classics that i missed when they were being defined as such: i loved moonstruck's ridiculous commitment to being perfect because of its loudness and not despite it. sandra and keanu really did something special with speed (i know!!!) and i was beyond thrilled to experience that kind of textured action filmmaking. michael clayton and the pelican brief were wonderful watches as smaller, quieter, revelatory films where stars get to be actors. lee mi-sook in an affair changed me at a molecular level.

i fell in love all over again with short films and documentaries: loved sean wang's silly and heartfelt nǎi nai & wài pó, loved maryam takafory's touching irani bag. i rewatched amit dutta's nainsukh a full decade after i first watched it in college and i am yet to figure out how he did it.

monsoons, which i didn't get to experience this year but about which i read a miscellaneous ton in search of a doctoral thesis topic for whenever i choose the take the plunge. i am never not thinking about those winds and those rains from my childhood and the limited future i can imagine for myself.

my k-pop listening has suffered because my favourites are serving in the military but i held on thanks to the loving embrace of enhypen. i watched their online concerts with utmost pleasure. best performances: enhypen. best album: ateez's golden hour, part 2. best music video: stray kids' chk chk boom.

hozier singing i think i'll take my whiskey neat / my coffee black and my bed at three / you're too sweet for me.

so much hozier, london grammar, rahman, the hindi cinema by the decade playlists on spotify, and terrible tiktok music that unfortunately sound fab in the car music system.

my loved ones and all of you, who are better than me in every way that counts.

[mirambles]

Kabhi Main Kabhi Tum

This teaser of the new ongoing Pakistani drama has a chokehold on me. The narration, the visuals, the background music.

Mustafa : I’m beginning to like you

Sharjeena : Now?

Mustafa : You may become a habit

Sharjeena: Why?

Mustafa : I will fall in love

Sharjeena : So?

Mustafa : It will be difficult to live without you , To be with me will become your duty, Everything will be at stake

Sharjeena : ok let’s do that (put everything at stake)

Mustafa : Life too?

I binged off all 21 episodes over Fri - Sat. I love how realistic the relationship arc between the lead pair is. Never been a fan of Hania Aamir , but she has impressed me as Sharjeena. What a strong and balanced female lead. Calm, quiet, not the silent sufferer, but one who stands up for her self respect.

First time watching Fahad Mustafa who is nailing Mustafa’s character. A good for nothing, neglected younger son of the family. Life takes an unexpected turn and in his marriage he finds a girl who believes in him. For the first time someone wants him to do something in his life and has unwavering belief in him. So he decides that he will do it for her.

Sharjeena and Mustafa’s journey begins - from an unexpected marriage to friendship to love. Two broken souls find their soulmates in each other and vow to never leave each other’s side battling their own struggles and insecurities.

The show is written by Farhat Ishtiaq - the writer who gave us one of the most iconic Pakistani dramas ‘Yakeen Ka Safar’ and one of the biggest hit shows ‘Humsafar’ . She rarely disappoints.

I’m totally hooked - I have been looking for a romance story to click for me this year in KDramas and I found it unexpectedly in Pak dramas. It made me ignore the rationale for the unexpected marriage. Thank god it doesn’t have ‘cousins marriage’ . The show is not path breaking , it’s a cliched plot, but the relationship arc and the lead characters are grounded and not toxic. Credit to Hania and Fahad for their endearing chemistry.

Is anyone watching this show?

[starlightshadowsworld]

Characters I headcanon as Pakistani because I am Pakistani.

Jason and Thalia Grace.

Beryl was on popular Pakistani Dramas in her hay day and made sure both her kids were fluent in Urdu.

Jason ended up forgetting it when he was taken by Lupa who spoke to him in Latin. And then Camp Jupiter demanded he speak English.

But then he lost his memories and could only speak his mother tongue. And only Thalia, Annabeth and Grover could understand him. Urdu was Thalia’s first language too. She knows enough English to get by and can’t be arsed learning any more.

Annabeth because she demanded Thalia teach her and began doing her own learning. And Grover because he’s Indian in the to series and I head canon speaks Hindi, which is very similar to Urdu.

Steve Harrington.

Parents tried to assimilate and outside the home just try and hide their heritage. His grandparents spoke to him in Urdu as a child but he didn’t retain much of it. Definitely had a “wish I was white” phase (and probably had fair and lovely pushed on him as child.)

As he began to grow and accept himself, he desperately tried to reach his roots. Got in touch with his grandparents again and began to heal.

Ain’t no Farah Fawcett here we be oiling that hair. Cooks recipes his grandmother used to make him (which the kids demand more of once they get a taste.) Re-learning Urdu with his grandparents and Robin.

He’s done the kurta over jeans look.

(Probably very much watched over by Lucas’s parents after they find out because he’s one of the only other people of colour in this white ass town.)

2012 Casey Jones.

Grew up in New York with an American father and Pakistani mother. Even after her mysterious death he’s still beloved by his family and goes to all the events.

He’s the cool cousin.

He’s always had a deep love for his culture and his city. And always been unapologetically himself no matter what. He has won over Splinter with karak (desi) tea. Has also definitely worn a kurta over jeans and trainers.

Bought mithai as an apology gift after bringing a footbot to the turtles lair and became Mikey’s best friend.

Blake Belladonna

Loved her culture, her home still ran off with a white man Blake tried to leave it all behind and assimilate to life in Vale. But she never felt like she belonged, but also believed she’d changed too much to belong back home.

But as she grew to accept herself and all that made her Blake Belladonna, that feeling begin to lessen. It’s still there, but maybe she can exist in two worlds instead of one. She shares stories with her friends, practices and teaches them (particularly Weiss) her mother tongue and traditions.

And they embrace her just like they always will.

Ozma

He assimilates to each new life but he’s still him under it all. It’s under lock and key, who he was but in the quiet moments he shares those little things. He’s not a fan off tea, he drinks only coffee and yet there’s a certain pink tea that he will always accept.

He and Salem smh ran off with a white woman had a grand wedding, there were no attendants but they more than made up for it. His girls all had bangles around their wrists and there was a once a time where wrapping them in his mother’s dupatta was the most magical thing of them all.

He’d leave a plate off apple slices in their rooms and smile as they happily ate them. The old men at the market would gently pat him on the head when they meet. Some of them still do, as if they know and maybe they do.

Things from the past hurt so much now, and yet he loves them.

[roobylavender]

Faatima, pardon me if you’ve already posted/been asked this before, and I know you’ve already answer this in part when talking to me before, but I’d love to hear what ur top fave Pakistani dramas are, with as much or as little detail as you’d like! 🩷🫶🏽📜

i don't think i've ever gone into detail with specific recs so this is a good opportunity to do so omg ty hiba 🥺

daam (2010) - two women from starkly different class backgrounds are friends and attend medical school together. maleeha (upper class) takes on an almost paternalistic role with zara (lower class) by handing her down clothes, incorporating her into her friend group, etc., despite zara's own self sufficiency outside of her financial situation. the role maleeha plays in zara's life is one zara is eternally grateful for, but maleeha never seems to move past a recognition of her own self-importance. so much so, that when maleeha learns zara may have feelings for her brother, junaid, she feels used and threatens to revoke all of the assistance she has been giving zara's family for years. it's a hard-hitting exploration into the impact of class stratification on friendship and the inherent biases that color upper class pakistanis' interactions with lower class pakistanis. and i enjoy the realism of forgiving people for their transgressions but not necessarily moving backwards in time to reforge the bonds you once used to have (no eng sub)

jackson heights (2014) - an ensemble focused drama set in jackson heights, new york. it's a wonderfully vivid depiction of a variety of working class pakistanis and one that manages to remain down to earth while nonetheless highlighting hard hitting issues, particularly emotional, financial, and physical abuse. it's hard to describe but one thing the drama does really well is not valorize its abuse victims. they aren't saints for riding out the horrors of the violence enacted against them. they're only people moving through the world like anyone else. there was a tendency in pakistani dramas of this era to dramatize the idolization of the west via the lens of unattainable romance, but this drama is far more successful in portraying the realities you have to come to terms with when you uproot yourself from your homeland and start from scratch and work a menial job. in that sense i think it's a triggering drama in a lot of ways, but never gratuitous, and very thoughtful as to its themes and conclusions (no eng sub)

raqeeb se (2021) - this play is very cryptic in a lot of ways (standard fare for screenwriter bee gul) but it does a great job at adhering to realities without necessarily fetishizing them. the storyline focuses exclusively on the intergenerational trauma of two pairs of women connected by one man. maqsood is from a gaon and once tried to run away with sakina, only for someone else to be killed in the process. as a result, sakina had to stay behind and raised a daughter ameera with an abusive husband, while maqsood was married to hajra and moved to the city where they had their daughter insha. years later sakina flees from her husband's abuse and takes her daughter to the only place she knows: maqsood's. but what's interesting about this setup is that maqsood and sakina's love story is so well known in the former's household that maqsood's wife hajra bears sakina and her daughter no ill will. she takes them in, cares for them, and shoulders their grief, all while her daughter insha watches in bewilderment. it's an incredibly captivating story in the face of so many others that would rather use love and men to sew seeds of revenge and malice between women. ultimately, ameera and insha are used to explore how women can forge their own histories and choices despite the duties and blame their mothers were bounded to by tradition (no eng sub)

sar e rah (2023) - most pak dramas in the past decade have been unforgivably long (a below-thirty episode run is unheard of now even though we used to wrap up stories in little more than twenty episodes pre-2014ish) but we're slowly seeing the rise of the miniseries, and this drama is a stellar recent example. each episode centers on a different character struggling with a societal issue. rania takes over her father's taxi driving business when he gets sick despite concerns that it is no job for a woman. dr. muzna adopts a child but subsequently deals with her husband's rejection bc he sees it as an exposure of his impotence that he has not divulged to his own mother. rameen faces familial accusations of shamelessness bc she is a tik tok star and fights to maintain her right to an inheritance when her brother seeks to disown her. sarim is a trans man brought up with love and acceptance from his father but rejection and bigotry from his step mother and step brother. and maryam is a working woman forced to take a stand for herself when constantly underestimated and even falsely accused due to workplace misogyny. it's altogether not a perfect but nonetheless significantly forward thinking drama despite societal standards, and saba qamar (rania) connects all of these characters together masterfully in a major call to action (full eng sub)

dil na umeed to hani (2021) - the central focus of this drama is human trafficking and child labor. allah rakhi and jamshed are childhood friends from the same village who are quickly made to part ways due to extenuating circumstances. allah rakhi is married off to an older man who sells her into prostitution, while jamshed runs away from home after suffering abuse from the adults in his life. the drama mainly follows both characters in their adult years, when allah rakhi finally attempts to escape the prison of the brothel, while jamshed works at a shelter for sex trafficking victims. there's also another younger character, naseem, who dreams of becoming a national women's cricketer despite being faced with her father's misogyny and the threat of human trafficking herself. this is overall an incredibly raw and painful story so novel in its attempt to highlight certain societal issues that it was nearly banned from broadcast in the country. yumna zaidi and wahaj ali are breathtaking in roles that are essentially the culmination of all of their years of hard work on more niche indie projects, and their characters' reunion towards the end of the drama will send any viewer into tears (partially eng sub)

these are probably the most well-rounded dramas that i feel really proud of recommending. while romance is a present element in some of them it's never the central element and i don't feel unnecessarily harsh in saying that our portrayals of romance still have a really long way to go to the point that i wouldn't necessarily rec any drama where romance was the focus lmao.. like i have my guilty pleasures (i rewatch humsafar often for mahira khan and fawad khan's chemistry alone despite its severe issues) but they're mostly me being willing to indulge in garbage for the sake of a) an actor's skill; b) a lead couple's chemistry; or c) a female character whom i would protect with my life despite her being trapped in the shittiest narrative imaginable

that being said, some other dramas i have also enjoyed over the years:

kuch ankahi (ongoing) -> great ensemble cast and exploration of several issues with a balance of comedy and subtlety. sajal aly and bilal abbas khan are also phenomenal in the lead roles and probably share the best on-screen chemistry of any of their peers at the moment

yunhi (ongoing) -> the set-up is a bit cringe, but the ideas it's ultimately exploring about hypocritical perceptions both diaspora and homeland pakistanis have of each other is really interesting and the tone of the drama is very calm and down to earth rather than overly dramatic or melancholic

fairy tale (2023) -> this is the only ramadan drama i'm going to put on here lmao but it's recently gone viral bc frankly despite all of its flaws (not owing to any weird societal views, only investment in plot points and side characters who are frankly uninteresting) the chemistry and comedic timing between the two leads is genuinely insane. it's a bit cliched from time to time but they really do have me smiling silly every day even though the drama's over like look at them look at them look at theeeeem

chauraha (2022) -> it's very common in pakistani media that a girl is either kidnapped or stockholm syndromed into loving a man so i really love this one bc it shows a girl get kidnapped and refuse to romanticize the situation while also remaining adamant as to her own independence rather than allowing societal pressure to force her into marrying someone to save her image

jo bichar gaye (2022) -> period drama about the events that set the stage for bangladesh's separation from pakistan. largely applauded for not romanticizing or skirting over pakistan's transgressions in alienating and harming east pakistanis/bangladeshis

dastaan (2010) -> period drama about a woman's experience before, during, and after partition. noted for its commentary on women in this era and how they faced resounding sexual violence, whether from hindu, sikh, or muslim men

o rangreza (2019) -> the pak drama version of that one essay excerpt about how the daughter ridicules her mother by establishing camaraderie with her father. a really interesting insight into how pakistani daughters can sometimes be so disgusted with their mothers' culturally curated subservience that their attempts to gain independence are also built on internalized misogyny

durr e shehwar (2012) -> a bit of a dated drama in that it recounts the experience of a woman through the early years of her marriage and the patience it took for her to win over her husband and his family. i'm sure there would be complaints now about how this drama romanticized that patience despite all of the pain and isolation the female lead suffered but i also think it's largely cathartic bc it doesn't chastise women in similar circumstances

badshah begum (2022) -> is this drama good? no. does it have anything productive to say about mob mentality and tribalism in rural pakistani villages? no. are any of the female characters truly independent and strong in the best sense of the word? maybe only one. but the ost is a banger and the performances by everyone are genuinely phenomenal so i'm putting it here anyway lmao

yaqeen ka safar (2017) -> this drama shot sajal aly and ahad raza mir to superstardom and marriage which has now unfortunately ended in divorce. but at the time their chemistry was phenomenal so while i have nitpicky issues with the plot i do enjoy the drama for the development of their relationship alone like it was pretty sweet

humsafar (2011) -> obv i said above that it's garbage and i stand by that but the chemistry between the leads here really was unprecedented for its time and has remained largely unrivaled in the industry. i also am able to rewatch for mahira khan's portrayal of khirad alone and some of the dialogues are so [clenches fist]

zindagi gulzar hai (2012) -> another super flawed drama but i really enjoy the portrayal of a female lead who struggles with coming around to the idea of marriage and baring herself to someone else bc of the trauma of growing up with a severely neglectful father. it's just real to see a girl freak out about her agency and about admitting to feelings she may have bc she is terrified at the thought of being vulnerable and weak. like that's literally me

[fkinavocado]

Oh yes I agree, most people on here have lost patience for long fics, the attention span and significantly decreased, I blame the ongoing trend of reels and tiktoks lol I too love REALLY long fics but sadly most of them on here have already been read by me and no new ones are getting posted because the demand just isn't there. I don't blame the writers, they are just catering to the demands of their readers but it does break my heart.

Not just fics, the shows have started having a lesser number of episodes 😭 I mean how did we go from 20+ episodes per season and at least on season every year to 8-10 episodes per season and 2 yr+ gaps between 2 seasons? It's really heartbreaking. I wish Indian TV shows had some quality because they literally never end lol

I have started watching Pakistani dramas lately because they are amazing and have around 30 or even 50-60 episodes. My only problem is that I am very vulgar and a proud horndog so I need to see the leads shagging the shit out of each other but in Pak dramas they don't even kiss, cultural reasons maybe, but the shows in general are amazing. Never tried Turkish or Korean dramas, heard good things about them, have you? 👀

🍟

agreed abt shows getting shorter too :( as for dramas, i have watched some Turkish ones that i really enoyed! for example calikusu (lovebird) it used to he on netflix even

i admit i wouldn't have the patience for dramas anymore. the plot moves at a snail's pace. however series i still seek and i'm sad i haven't found anything good lately

i really loved yellowjackets, my most recent find. it's ongoing

[badedramay]

Mais can you recommend some underrated solid romance driven Pak shows? I've watch most of the mainstream ones. TIA! Also I'm already watching yunhi in case you were gonna rec that.

ek toh "romance driven" already narrows down the field SO much which is necessarily not a good thing for me cuz i haven't watched a lot of Pakistani dramas to begin with. also I feel like nowadays the definition of "romance" has changed. it's a fairly new wave of dramas that actually show the physical intimacy aspect of romance in PakDramas. otherwise the older PakDramas wouldn't necessarily have such things (and the ones they did unn pe Pemra ban laga deta tha xD). ab toh if anyone says "romance drama" toh I immediately think they are asking for something like Tere Bin which...bhayee aisa yahan aur koi product nahin hai.

KHAIRRR. some of the "romances" that I have enjoyed in PakDramas I can list in no particular order.

Ishq Tamasha (Mehrab x Mirha)

Aap Kay Liye (Shaheer x Washma)

Mera Naam Yousuf Hai (Yousuf x Zulekha)

Khudgarz (Junaid x Aaira)

Yeh Raha Dil (Zaki x Hayat)

Sanam (Harib x Aan)

Diyar e Dil (Suhaib x Arujumad / Wali x Faraa)

Aik Nayee Cinderella (Romaan x Misha)

Dillagi (Mohid x Anmol)

Khamoshi (Shahram x Arsala)

Mere Humdum Mere Dost (Haider x Aiman)

Malaal (Jawad x Zinia)

Ehd e Wafa (Shahzain x Rani)

Chupke Chupke (Faaz x Meenu)

Suno Chanda (Arsal x Jiya)

Udaari (Arsh x Meera)

Jo Bichar Gaye (Rumi x Sonia)

filhaal can't think of any other. kuch yaad aya toh will post.

[raplinesmoon]

List eight shows for your followers to get to know you!

I was tagged by @yoongihan and @still-with-koo! Thank you both!!

The Night Of - this is literally one of my, if not my favorite show of all time. I rewatched it recently and it was still just as good. It's honestly influenced the way I write a lot of my fics (eg. spy au, mafia au) in that it doesn't get caught up in technicalities but focuses on the relationships at the center of it. Not to mention the score is amazing and the theme song is my ringtone 💁🏻‍♀️

The Originals - I stand by it when I claim that season 1 of The Originals is one of the best seasons of TV ever created. It's perfect in terms of family dynamics, romance, action, fantasy, etc. TO is far superior than The Vampire Diaries imo.

Ms. Marvel - this was more than a superhero show to me. Like a show about a Pakistani family airing on something as mainstream as Disney? When I say I cried watching this because I saw myself in it, I mean it, and I need another season ASAP (none of this crossover MCU movie bs).

Tere Bin - I had to include a Pakistani drama and if you know anything about this one, you know it had the people stresseddd lord. Tuning in every week was a mix of both enjoyment and pain, just watching the twists and turns this show would take, but it made for a fun watching experience with my family.

Sweet Home - I love this show so much I watched it on my own and then rewatched it with all my friends later. The dynamics in season 1 were so good (forever crying about Jae-Heon) and I can't wait to see where they take it in season 2!

Grey's Anatomy - would this list even be complete without Grey's? It is by far the most immersed I've ever been in a TV show ever. I wrote a whole fic series based on it, and no matter what stupid things the doctors of Grey Sloan get up to each season, they'll always have me tuning in

North and South - that kiss scene! I still think about it okay? I'm not okay.

One Tree Hill - this show was wild, but I do credit it with being the first show that really got me into TV, like I remembering sneaking into the living room late at night when my parents were asleep and watching the DVR recordings I set up just so I could know what happens next.

Tagging anyone else who sees this <3

[guardiandua]

Feminism is overrated

Hi guys! So this is not really a meta more of an opinion. Feminism is overrated and kind of toxic to be honest. So I originate from Pakistan and I watch Pakistani dramas too. One of them that is coming on is called Mannat Murad.

Whilst the whole relationship is problematic at best and toxic at worst, most of the audience is blaming the guy for being toxic. I don't know how much people in the West know about traditional Pakistani culture but in our culture, the bride gets married and goes to the groom's house.

Every marriage has problems - but in traditional days, the girl would understand her husband's problems and even with small arguments and bickerings, her empathy and understanding would keep things solved. Murad is the kind of guy who never raises his voice at her and she's literally asked him to fall to his feet and beg for her forgiveness because he made a bad decision under pressure. She constantly undermines him and screams at him. I will admit in the latest episodes Murad did slap her finally and that was wrong. I do not condone violence against women at all. But she did turn around and slap him back.

Yet, people still have the audacity to call Murad toxic due to feminism. Girls and boys are equal and if something is right for a guy, it should be right for a girl too. That is Mannat's viewpoint at least and then she had the galls to send him a divorce. Girl, go marry a doormat because that's the only way you will stay happy.

To girls out there, this is going to sound like tough love. Girls and boys are not equal. Boys are traditionally the king of the house and take care of the big decisions outside but come and sit besides their queen who is their wife because they trust the girl that they've married will take care of everything. Men are women's protectors and women are their caretakers. Not because women are weak and men are stronger but because women are meant to be mothers. A woman who teaches her daughter to mouth off to men, she will ruin her daughter's life. Girls, you are not equal to men. They are your king and you are their loyal queen. Respect goes both ways. Taking a stand against violence is not feminism - it's self-defence. A guy being abused by his wife should do the same. So please girls, especially my Pakistani sisters and any girls from a similar culture and even if not, please stop thinking you're better than or equal to men. You're not. A man who raises his hand against a woman is not a real man, he just has the biological parts and a woman who talks back to a man in the same of feminism and equality is not a real woman. She's a disgrace.

Any trolls or haters will be blocked as always.

[savefilescomng12]

Watch Mathira Mohammad leaked viral video on Twitter and reddit

Watch Mathira Mohammad leaked viral video on Twitter and reddit

 Mathira Mohammad, better known by her mononym Mathira, is a dynamic force in the entertainment industry, known for her versatility as a model, dancer, television hostess, singer, and actor. With roots in both Pakistan and Zimbabwe, Mathira has transcended geographical and cultural boundaries, captivating audiences with her magnetic presence and undeniable talent. However, the recent emergence of a leaked viral video has thrust Mathira into the spotlight once again, sparking controversy and speculation about the intricacies of privacy, consent, and the complexities of celebrity culture. This article delves into the multifaceted career of Mathira, examining her contributions to the entertainment industry, the impact of the leaked video on her public image, and the broader implications for artists in the digital age.Mathira's journey in the entertainment industry is characterized by her diverse skill set and unwavering passion for her craft. From her early days as a model and dancer to her foray into television hosting, singing, and acting, Mathira has demonstrated a remarkable ability to adapt and thrive in a variety of creative pursuits. Whether dazzling audiences with her sultry dance moves, captivating them with her infectious energy as a television hostess, or enthralling them with her soulful singing, Mathira's versatility knows no bounds.

Watch Mathira Mohammad leaked viral video on Twitter 

One of Mathira's most notable contributions to the entertainment industry has been her presence on television, where she has hosted several popular shows and garnered a dedicated fan base. With her natural charisma, quick wit, and ability to connect with audiences of all ages, Mathira has become a household name, earning praise for her hosting skills and her ability to keep viewers engaged and entertained. From talk shows to reality programs, Mathira's television presence has left an indelible mark on the Pakistani entertainment landscape.In addition to her success on television, Mathira has also made a name for herself as a talented singer, with a string of hit songs to her credit. Known for her soulful vocals and emotive performances, she has captivated audiences with her unique blend of pop, R&B, and dance music. From chart-topping singles to electrifying live performances, Mathira's music has resonated with fans across the globe, earning her acclaim and recognition as one of Pakistan's most promising musical talents.

Watch Mathira Mohammad leaked viral video on Twitter and reddit 

As an actor, Mathira has proven herself to be a versatile and compelling performer, capable of tackling a diverse range of roles with aplomb. From gritty dramas to lighthearted comedies, she has demonstrated her range and versatility, earning critical acclaim for her nuanced portrayals and her ability to breathe life into complex characters. Whether playing the femme fatale in a suspense thriller or the girl next door in a romantic comedy, Mathira brings depth, authenticity, and charisma to every role she undertakes.

Despite her myriad accomplishments and accolades, Mathira's career has not been without its share of challenges and controversies. The recent circulation of a leaked viral video has cast a shadow over her otherwise thriving career, prompting intense scrutiny and speculation from fans, media, and industry insiders alike. While the details and origins of the video remain unclear, its impact on Mathira's public image and reputation has been profound, forcing her to confront difficult questions about privacy, consent, and the perils of celebrity culture.

Watch Mathira Mohammad leaked viral video on reddit 

In the wake of the leaked viral video, Mathira has faced a barrage of criticism and scrutiny from all corners. However, she has remained steadfast in her resolve, addressing the controversy with grace, dignity, and resilience. Through candid interviews and social media posts, Mathira has sought to set the record straight, sharing her side of the story and reaffirming her commitment to her values and principles. Despite the challenges and uncertainties that lie ahead, Mathira remains undeterred, determined to emerge from this ordeal stronger, wiser, and more determined than ever before.As Mathira continues to navigate the complexities of fame and celebrity in the digital age, her future is filled with promise and potential. With her talent, charisma, and unwavering dedication to her craft, she is poised to continue making a lasting impact on the entertainment industry for years to come. Whether as a singer, actor, television hostess, or all-around entertainer, Mathira's star continues to rise, illuminating the path for future generations of artists and performers to follow. As she embarks on the next chapter of her illustrious career, one thing is certain: Mathira's legacy will endure as a testament to her talent, resilience, and unwavering commitment to her craft. Source link Read the full article

[your-mom-friend]

I IMPLORE you all to go watch some Pakistani dramas. They are the MOST fun to watch. To watch them you will have to understand some desi cultural norms and the fact that we like our dramas to take them up a few notches and over dramatise everything. But then they are the most fun to watch ever. Watch them with English subs if you have to. Almost everything is available on YouTube for free. You could go watch one right now. Go watch Sirf Tum (Just You) you’ll enjoy it im gonna link it

[mashriqiyyah]

whyyy do u hate paki dramas man 😭 itne ache to hote hein

I dislike all Dramas 🤭😂😂 (phir chahay onscreen ho ya offscreen 🫣🫢) Country doesn't matter...I comment on most of Pakistani Dramas because my mum n friends used to watch it, so I've seen glimpes of it. Ajeeb unrealistic concepts hain yaar inn Dramon me 🥲

Btw, I have watched 4 though. And they were classics for me. Best content, no useless stuff. Realistic. Such content is very rare actually. And partly because I couldn't catch the novel first jispr wo based thay 😂

[mirambles]

Wahaj Ali to the Rescue…

I have been in a Kdrama slump having barely watched 3 dramas so far. Dropped 2 and one is ongoing. I have been watching a lot of crime and dark series in British and American TV. Farzi is the only Hindi series I have watched in this new year and I loved it 😍

I have been craving good series from the subcontinent and asked a few folks on twitter to recommend Pakistani dramas. I haven’t watched them in last 7-8 years. So after 3 dramas, I started watching Tere Bin and got totally bowled over by Wahaj Ali’s Murtasim!

So I hunted for more dramas of his and am currently watching Mujhe Pyaar Hua Tha which is also currently airing and his 2021 drama Ishq Jalebi. I’m so impressed by his acting, screen presence, charisma and charm with a capital C! The current craze behind him is reminiscent of the craze behind Fawad Khan a decade ago when people discovered Humsafar and Zindagi Gulzar Hain. There is none like Fawad and he is an eternal favourite, but I’m totally falling for each and ever character that Wahaj is essaying with such finesse and panache.

Be it the proud and arrogant but hopelessly in love Murtasim

Be it the soft hearted, reticent Saad who harbours one-sided love for Maheer (literally watching MHPT only for him, cause the show is an utter disaster of a melodrama that reminds me why I don’t watch many series from the sub continent)

Or my favourite character of his right now - Basim from Ishq Jalebi. Basim is so flawed - he is immature, impulsive, stubborn, a tad selfish, sometimes a man child and even carries an inferiority complex but once he realises he is in love with Bela , he fights for it like no one’s business. His comic timing and dialogue delivery is impeccable - his dynamic with his parents is best part of the drama after his lovely, soft chemistry with the female lead Mahida. Her soft spoken, caring , mature Bela is the perfect foil to Basim. The drama is also so wholesome with fun characters that there isn’t a single moment of boredom! It reminded me of my favourite Marathi show Eka Lagnachi Goshta (The story of a marriage).

Wahaj Ali is playing 3 absolutely different characters in the 3 dramas of his that am watching simultaneously and I cannot believe it’s the same actor. The mannerisms, the voice modulation, the gait , the look is completely different. That’s the hallmark of a great actor ! Colin Firth, Fawad Khan, Kim Seon Ho were my biggest actor crushes that gave the most epic characters in history of TV viewing and now Wahaj has entered this elite list. Actors when they are on my screen, I can’t take my eyes off the screen.

Wahaj Ali has saved my 2023 TV viewing cause I have seen his filmography and his drama arc is so similar to Fawad’s that I can’t wait to watch his dramas. Fawad’s Ashar & Zaroon, Wahaj’s Murtasim and Basim are all heavily flawed characters and yet both these actors have made us ladies swoon and fall in love with them thanks to their amazing acting abilities and effortless performance. It’s an added bonus that his voice , his mischievous smile and the look in his eyes when he is in love is totally swoon worthy!

So until I find the right Kdrama again, this space will be reserved to obsess over the awesomeness of Wahaj Ali 😉

[starlightshadowsworld]

I'm watching Mere Humsafar, because immersion for urdu learning and just why not.

And I'm laughing my ass off.

It's supposed be a very serious scene right here in episode 3.

About how the main girl is treated horribly by her elders but her Dadthi.

But wouldn't wish on their down fall.

"I don't desire it."

"And this life, do you desire it?"

"No"

All tearful and such.

But there's a guy standing right there infront of a window staring as this all this takes place and I can't 😂.

He just keeps coming forward and I'm suprised he hasn't hit the window yet and I'm just like...can they not see it?

Really enjoying this drama, first drama I've really ever seen on my own.

It's about a girl, born to a Pakistani father and a British mother who was sent to live with her father's family in Pakistan.

His brothers, their wives and his mother.

And for many reasons she's not exactly well liked.

Not from everyone but most.

And it's really nothing that's actually her fault though.

Very Cinderella esque story.

But this is just hilarious.

I'm so glad he starts speaking after because I was just like I hope there's a reason for this.

[rotzaprachim]

thinking about the reasons I keep watching bake-off even though the judges and competitors make me want to tear my hair out

a) the contestants continue to be the Beat. Crystelle, Giuseppe, Chigs, George, Jurgen…. And then Sandro and Janusz and Abdul and Syabira… we have no choice but to love

b) I was listening to a podcast and put this down to Mel and Sue rather than anyone still around BUT. I think bake off remains quite unique (among reality shows) in how… non interventionist it is into peoples lives? It doesn’t do the reality tv thing of rooting around in peoples lives for their most intimate problems to tell why they need to Win this. And it also doesn’t feel the need to tell a Comprehensible story about every contestant with an arc that keeps being repeated as nauseum. In an era where the line between personal and tv character feels so increasingly blurred it’s nice to have something where the competitors are introduced by jobs and hobbies and… that’s what we get. The basic format is still really a bulwark against unnecessary drama, and even if I want to slap Paul and Prue sometimes I feel the basic setup is still probably appealing to BME and/or immigrant contestants for precisely this reason. There doesn’t Need to be a story about Being Malaysian or Being Pakistani for them to be there and it’s still really refreshing compared to even the Nicer shows. Contestants can bring matters of their identity and culture into the bakes but from the basic setup they have more control over this