#Monoxide in a dress my beloved
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aviisalittlefr34k · 1 year ago
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Okay so I've been sending @zu-is-here asks and talking about me doing this Labyrinth crossover
I can't thank you enough, Zu, for encouraging me to do it!
So without further stalling-
I finally got the chance to draw 2 of the designs! It took me a while to decided but I'm finally decided on my Sans, Monoxide, as Sarah!
And it took even longer to decided who would take the place of the goblin king but I finally decided on Nightmare!
There's still more to decide on but all i can show for now is the designs!
And yes I put Monoxide is a dress and he looks so pretty!
Also, outfits are not accurate but this was the best I could do with the time I had
Also Nightmare on heels
Fight me/j
Edit- it took me about 2 hours to properly draw Nightmare's outfit
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earlgraytay · 2 months ago
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So I know what you're thinking. Why is TGAA 2-2 worse than Turnabout Big Top? How can this be possible?
Well, the answer is simple: there's problems with this case that a good editor would have caught right away. The problems with Big Top are ... intentional. Turnabout Big Top is a simple but compelling mystery wrapped up in an overcomplicated and uncomfortable dressing.
.... TGAA 2-2/Memoirs!Kokoro has great dressing. Olive Green is one of my favourite Ace Attorney characters; Shamspeare is wonderfully punchable, it's always great to see Natsume and the Garridebs again, and Lady Quinby is one of my new favourite minor characters; I hope she comes back.
But the mystery is deeply flawed. If you've been reading my liveblog (which you don't have to to understand my point here) you'll know what I'm getting at already- I've been yelling since the first Kokoro case that the solution to What's Up With Natsume is carbon monoxide poisoning. Natsume is forgetful, jittery, and paranoid, and immediately seems to snap out of it after a few months back in Japan. Even on the witness stand, he seems a lot better! He wrote a whole book!
.... the SECOND that the gas pipes were mentioned, I knew that the solution was simple. The victim was poisoned with carbon monoxide, so no strychnine was necessary, so Natsume didn't do it. (Especially since he woke back up!) It's elegant and straightforward.
They then proceed to lampshade this fact throughout the entire case- the meterman and Lady Quinby! The whole subplot about Shamspeare stealing gas! Two people on the jury mention that gas is poisonous repeatedly! Van Zieks makes fun of us by saying we must have breathed some bad air!
-- AND THE GAME, MADDENINGLY, INSISTS THE POISON IS STRYCHNINE. There's no option to bring up that it might be the gas until the very bitter end, and so you feel like you're yelling at a character on a beloved children's TV show. "MR. NOODLE. YOUR HANDS, MR. NOODLE. THAT'S YOUR NOSE, MR. NOODLE. GODDAMMIT, MR. NOODLE."
...and then when they finally let you bring up the gas, when they finally look like they're letting you be Clever and finally FIGURE OUT THE MYSTERY...
there's poison. on the gas pipe.
there's. poison. on the pipe. that's already. full. of poison. that the murderer. was already breathing into. for pre-established convenience reasons.
GODDAMMIT, MR. NOODLE.
Like, Turnabout Big Top is loathesome, but you can follow the chain of cause and effect there, and it doesn't make you feel like Phoenix is stupid. Nobody wants to be here (including the characters!), but nobody is stupid about the events that are happening. In Memoirs of a Clouded Kokoro, it feels like Runo took a hit off the gas pipe and forgot how to lawyer. (And when Phoenix forgot how to lawyer he at least had textual amnesia.)
And the really maddening thing is that these are all problems that could have been fixed if an editor had looked at this and gone "Takumi-san, why do we need three different poisons in this case?" I have no real knowledge of how the dev on TGAA went other than what the devs have chosen to make public. But I know what writing for games is like, and I know Shu Takumi gets ... silly with his substance use when it's time to crunch. This case feels like it was either written under the influence and never edited- or drafted to just be about carbon monoxide poisoning, someone on the production team decided it needed to be more complicated, and the rewrite was never edited.
Because it would be so easy to fix this. You could even keep most of the elements in the canon case(s) -- it's not even like you need to add more assets or anything.
So here's how I'd fix it.
So 99.9999% of TGAA 1-4 /Adventure!Kokoro is fine. The Garridebs, Olive Green's near-death experience, the introduction of Natsume and the building- all just fine! It's fun! It's a lil silly! It's a good breather in between the fucking McGilded cases and the chain of logic works. The events in the chain are silly, yes, but the chain itself is logical. It leaves open a couple of very important hooks- the window tax! the "neighbours" fighting! Why Olive Green was there in the first place! - but it works as a standalone case and it ends satisfactorily enough. Our main concern at the end of the case is that Olive and Natsume are gonna be okay, and we get that resolution!
Untilllllll... we flash back to Memoirs, and after another ~!brilliant!~ deduction by Sholmes, we've put Natsume back in jail. The opening to Memoirs - basically everything until we get into court - is fine! If you cut down on the foreshadowing of the gas- leave one or two mentions maybe, but don't go nearly as hard on it- it works to set everything up.
Day one of the case focuses on proving that the tea couldn't have been poisoned (and therefore that Shamspeare is stealing his gas), and most of the elements of that still work too- there just needs to be a little more textual focus on the fact that step one of any court case is proving the prosecution's opening argument wrong. before we are allowed to prove that something else occurred, we have to prove that things couldn't have gone down the way Van Zieks says they did.
it's once we've done that that everything starts to fall apart in the canon case-- the canon case tries to set up poison on the gas pipes, but we can do better. First rule of mystery writing is don't hang a gun on the wall you don't shoot, right? We've hung so many miles of gas pipe in these walls, it's a crime not to use them.
In the investigation interlude between days 1 and 2, we should get two pieces of information before we go back to the Garridebs:
Natsume explains that he's almost died of carbon monoxide poisoning once, when the pilot light on his stove died. He thinks that this is the curse, of course, but it's obvious that something's wrong with the building.
Olive Green is getting discharged from the hospital, and plans to go home and end her life. We stop her from doing so, but she's too rattled to tell us why.
We then go back to the Garridebs, and pointedly ask Mr. Garrideb about the maintenance and upkeep of the gas; is it really in such good condition that he can use it to spy on people? He's said the pipes are leaky. He bitches, at length, about how he's had to replace most of the piping after a tenant died. We get the story of Duncan Ross (and get it repeated if we investigate Shamspeare's place and show Olive the photograph).
We investigate Shamspeare's place, get the stuff he stashed under the floor, discover that he's been getting really familiar with the wall under the gas pipe (and I would have them make a joke about the Romeo and Juliet showdown being, uh, lewd), and discover the letter Olive sent him. We also get the Selden case file from Gregson.
Day two in court is where things really start to change. In canon, it's a mess of proving that there's poison on the gas pipe- but there's poison in the gas pipes already. It's dumb. You've been listening to me yell about this for several thousand words now. So instead:
Day two is about proving that someone else could have entered the flat. Day three is about proving that something else could have entered the flat.
Day two, we get the results from Scotland Yard that there was no poison in the tea. When we examined Shamspeare's apartment, we found the letter from Olive Green; she's our next lead, and besides, the gang is a little worried about her all things considered. Unfortunately, the only way to check up on her is to accuse her of attempted murder. This is an Ace Attorney case, and we're obligated to be in court today. If we can't go to her, we'll bring her to us. Ryunosuke is pretty sure she didn't try to kill anyone- look at her! She's so wet! - but he is pretty sure she was in the apartment when she shouldn't have been, and if she could have gotten in there, who's to say someone else couldn't have?
So, in an attempt to find the real killer, he accuses Olive. In the cross-examination, it becomes clear that:m
Olive initially thought that her boyfriend was cheating on her with someone in the building- obviously not the elderly maid, she clearly had a thing for the landlord!, but that only left Shamspeare.
(wow, he's bisexual! I didn't know that gif goes here.)
Olive was furious with Shamspeare- especially since her boyfriend was found dead shortly after he moved in. She was convinced that Shamspeare killed him in a crime of passion, and wanted revenge.
Her plan was to use strychnine to poison some food in the apartment. Unfortunately, as we've established previously, there's no food in the apartment.
Furthermore, on her way in, she gets caught by Mrs. Garrideb-- who assumes she's there to see Mr. Garrideb, and who gets Incredibly Jealous. Olive gets turned away, but no matter- she waits til the shouting starts, and sneaks back in. It's easy enough to get into the crappy apartment with the broken locks, and easier still to find Shamspeare's not so secret hiding place.
She goes in and finds nothing to poison, and decides that, while she's here, she's going to try to find some evidence that this man killed her fiance. Or, at the very least, if she can't murder him, she can steal something he values.
She finds nothing linking Shamspeare to Duncan. Instead, she finds information linking Shamspeare to Selden, and she recognizes the name from the papers. She steals the evidence, and decides that Scotland Yard should prbably have this- even if it implicates her in a crime.
(I would probably make Selden a much more notorious criminal for this to work- maybe some serial murders on top of the burglaries, maybe stole something belonging to the Crown.)
On her way out, she turns to go down Briar Road... and is promptly hit on the back by the knife falling from the window above, and rushed to the hospital. No one searches her pockets beyond looking for her name, and she's out of commission for several days.
This is also where she puts together for us that she's had an absolutely rotten several months, she's so depressed that she decided to kill herself, but she has enough of a spine and a conscience to want to see justice for Duncan - one way or another! - before she met her end.
We prove all of this... but that doesn't answer the question of who poisoned Shamspeare. There's a very annoying moment where Van Zieks convinces the jury that Olive is perjuring herself and poisoned something anyway, even though we've proven there wasn't anything to poison- but we talk them around. Thoughtcrimes are not crimes, and while Olive's (probably) going to get tried for theft (haha spoilers), it's clear by the end of the day that this lead is going nowhere.
So if the poison wasn't in the tea and the poison wasn't brought in by someone else, it had to already have been in the apartment. Day three is dedicated to figuring out where it could have come from and what the killer's motive was. And there's one really obvious source...
It's the gas. Instead of bringing back Bruce fucking Fairplay, I'd make the foreman of the jury a doctor. Not a hack surgeon- a Broad Street doctor, comfortably middle-aged and rich and not prone to nonsense. He's well aware of what gas poisoning looks like, and by day three of watching us cross-examine Shamspeare and Natsume, he can't help but step in. Both of these men are clearly suffering from chronic carbon monoxide poisoning.
Van Zieks- to his deep and profound displeasure- can't disagree, and has a frustrated rant about wasting the court's time on an accident. That, of course, he blames us for. Ryunosuke goes, "Ah, but it was no accident", and we call Mr. Garrideb as a witness.
This is fairly short, but Mr. Garrideb just replaced the pipes. (He has reciepts! He bitches about it at length! But not too much length because we have a lot to get through today and Quinby Altamonte threatens him with her umbrella. She's not a maid so he's not interested.)
Speaking of Quinby Altamonte, she contributes information about the process of installing certified Altamonte pipes and meters, and specifically, about how you can blow into a pipe (and turn off all gas flames in the rest of the house) to check the gas flow.
The piece that looks most important right now is that we have Mr. Garrideb's record of payment and the Altamont records of certification- the pipes are less than three months old and have no leaks. .
The workman on the jury corroborates this, as he's worked on the house- and he points out that you have to be exceptionally careful in tenements like this, because the tenants use their gas stoves for heat. You have to leave it on all night, so you don't freeze to death in the cold London winter, and you wouldn't want to risk poisoning someone by blowing out the pilot light on their stove.
We now have all the pieces. Or, almost all. We can prove now that the killer could have blown into the pipes to turn off all the flame in the building. This wouldn't affect the Garridebs upstairs, as they use a fireplace for heat and go to bed early, turning off all their lights... but Natsume stays up all night reading, and has complained that the pilot light on his stove has turned itself off before.
If Shamspeare wanted to kill Natsume, he could have blown out the lights- and gotten a mouthful of gas if he wasn't careful doing it. After all, he isn't a trained technician- he's an out of work actor.
"My learned Japanese friend- SURELY you aren't suggesting that this - ugh- upstanding young actor is the murderer and not the victim."
Yes, Mr. Van Zieks. That's exactly what we're suggesting.
The prosecution pitches a hissy fit, drinks heavily, and insists that we need a motive. We've got most of it, but we need one final piece- it's contained in the evidence against Olive Green, which we had to coax dear Gregsy into giving us before we got to court today.
The law of conservation of characters suggests that if you bring up a master criminal who "died" three months ago, and bring up an out of work actor who appeared from the void ... three months ago... they're the same fucking person. I thought that this was where the case was going, and I thought the writers were so clever for setting this up- obviously the prancing git with exaggerated mannerisms was hiding his true identity! But they made him his cellmate and that's ... workable, I guess, but not as fun.
If I was writing this, Shamspeare is Selden, putting an antic disposition on to cover his tracks while he tries to get his treasure back. He thought it would be easy- move back into his old apartment, no one wants to live there anyway, and it wouldn't be suspicious to have someone come out of nowhere and leave much the same way in a few months. No one lives in the Garridebs' building for long. But noooo, someone had to move into his apartment and someone had no intention of leaving until he was happily married in a few years.
So on top of whatever other crimes Selden- I mean Shamspeare- committed, he had to get the other lodger out of the way. And he figured out how to do it without being detected- using the gas pipe to blow out the pilot light on the stove upstairs. He killed Olive's boyfriend, and planned to swap apartments- but he wasn't allowed to, due to the pipe replacement. In the meantime, Natsume signed a lease, and as soon as work was completed, he moved in.
Shamspeare had to get rid of him, and figured the same trick would work twice. No one noticed the first time. The pipe replacement was a kink in the plans, but you can always blame a tired workman, a faulty installation, or a careless foreigner not understanding how a gas stove works. He's been trying for months, now, but he has to leave the apartment sometimes-- and Natsume, not sleeping at night and getting increasingly paranoid, keeps turning off the gas before he goes to bed.
The asshole just doesn't have the decency to die!
So Natsume has been slowly getting poisoned for weeks, but it's not to the point where it's even remotely lethal- it's just enough to make him incredibly twitchy, paranoid, and depressed. Great! Even better when he gets accused of murdering Olive- and gets taken out of the apartment and thrown in jail for several nights. Shamspeare at first assumes that this is his cue- he's on trial for murder at the Old Bailey against the Reaper! He's not coming back!
But Natsume doesn't have the fucking decency to die! He's acquitted thanks to us-- and Shamspeare decides he's had enough. One way or another, Natsume is going to die the night he comes home.
And then Natsume has the gall to try to be friendly.
Without the treasure that's stashed in Natsume's room, Shamspeare has no money. His plan to invite Natsume over for a meal (to poison him) falls through before it can begin because he can't buy food. Then Natsume brings his own tea- and of course would notice if it tasted wrong; he can't even put soap in it. (If I were writing this, "eating soap" would be a proper running gag, and this would be the ultimate payoff.)
Okay, time for plan B. Exhaust Natsume, make him go home and go to bed, and try the gas thing again. One very interesting literary-themed seduction-slash-argument later, this seems like it's succeeding. Until, when Shamspeare (in his own exhaustion) screws up the routine he's been doing for months and accidentally breathes in a mouthful of gas.
But Shamspeare gets an idea. Natsume's already been accused of murder once. The guy looks shifty as hell. (Mostly because of the gas poisoning, but that's neither here nor there.) If he gets acquitted of a murder and then a day later gets accused of another murder, surely the Reaper will get him this time, right? The Reaper's probably already mad that one of his victims has gone free-- he'll relish the chance to put an end to this properly.
(Van Zieks, in the background, is deeply offended at the idea of being used as a murder weapon.)
So Shamspeare fakes his own murder. He just barely manages to stage the crime scene before he passes out, and figures that either he'll wake up in a few hours (this has happened before while he was figuring this method out), or they'll both fucking die, one way or another.
But thanks to us- and Olive Green's little theft- not only does he get exposed as a murderer, his identity as Selden is also uncovered. He's going to go to trial very shortly, for 1) attempted murder of Soseki Natsume, 2) murder of Duncan Ross, 3) So Much Gas Fraud, 4) escaping prison, 5) perjury, because we feel like it.
Soseki Natsume is NOT GUILTY!
(he's also fed up with England, the English judicial system, English racism, and gas heating. He's going back to Japan, perhaps also to the seaside, for his health.)
Gregson tells us that they're granting Olive clemency because she provided evidence to the Crown. She gets to go free. We have one last conversation with her where we give her the letter we found at Garrideb's place- which got entered into the Court Record. It's a love letter from Duncan. We don't ever actually use it in court- but we use it now. She gets her closure that Duncan wasn't cheating on her - and she's satisfied with Von Zieks taking over her quest for revenge.
She's not sure she has the heart to go back to art school- so many of her happy memories with Duncan are there- but she says she wants to do her best. Susato suggests that with her passion for justice, she'd make an excellent judicial assistant. Perhaps even an attorney in her own right? Are women allowed to do that in England? Well, Olive Green has enough guts and heart to do it even if she isn't technically allowed- it's not like she was allowed to burgle Shamspeare's apartment either.
The case ends with another art student becoming a law student thanks to a doomed lost love! Happy endings all around. Tune in in two to five business years for the spinoff game, Olive Green: Ace Attorney. (She defends a lot of people who are technically guilty of a crime, but not THAT crime, or not under THOSE circumstances, or The Fucker Had It Coming, You See.)
So yeah, that's how I'd rework the case. @raymondshields - eat well.
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movedtodykedvonte · 3 years ago
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What r your fnaf sb sexuality and hc's?
I don't know if you mean like general headcanons, cause there's a lot but I'll throw in one or two per bot.
Freddy is gay gay homosexual gay. Yeah, the company does the "Oh look at him and Chica!" But he is like "Bonnie my beloved."
Practices his dance moves in his green room when no one is able to see him. He fucks it up on the dance floor
Used to accidentally throw the bowling balls into the ceiling at Bonnie bowl cause he legitimately does not understand how to bowl
Chica is a lesbian with a big fat crush on Roxanne. Like you don't understand how happy she was another chick was gonna be in the band and even happier that she was cute~
Wasn't designed to have taste buds, so she can't taste what she's eating, but has scent tractors for things like smoke and like monoxide
Has the most limber endo compared to the rest of the band as she runs the fitness area and needs to be able to run the class and move fluidly like a person
Roxanne is bisexual. I feel like she was set up to be with Monty like Freddy and Chica but then was like "Chica's kinda hot ngl" and like let him down gently. This was fine as Monty had other things on his mind too
Watches the repair people who fixed the cars and learned how to do it herself. It's like surgery ig cause she's also a machine but she doesn't think about that. She just likes to modify her sweet ride
Gets the zoomies and challenges the others to on-foot races, only Monty accepts and he has never one but he's in good sport about it.
Monty is also bisexual. Again, was set up to be with Roxy but other things. Feel like he had a crush on both Bonnie and Freddy because "Woah, two cool rocker dudes like my golf course wow" but jealousy can change things can't it. Still has a slight crush on Roxy
Used to invite everyone to come to play on the course, until replacements happen and tamperings. Now it's just awkward when he tries to
Animatronics consider conception and the date your A.I to be programmed to be your "birthday" so technically he is the youngest even if he is technically the same program age as everyone else
Sunrise & Moondrop are pan. Like they probably get crushes a lot but it's like the fleeting ones where you see someone pretty and imagine what it'd be like with them. The type that's in love with love. Music Man is a consistent one tho (Freak loving Freak)
The daycare is full of sensors so they can tell where kids are the moment they step into the play area. They get uncomfortable when they can't sense where people are around them
Their mouth used to be able to frown but Sunrise would constantly flip between manically happy to manically sad during playtime so it was constantly made to smile in hopes kids would be scared less.
Bonnie just is gay but the most deceptive gay ever. Like he dresses and acts like a suburban fun dad who would say the BBQ community cause he genuinely thinks it's correct. Only know he's gay cause he's with Freddy
Literally refused to let kids beat him at bowling. Like not in a mean way but in a "They have to learn to be better guys". Still gave out the victory prizes to everyone. No one's a loser if everyone's having fun!
Would hang around Gator Golf because there were a lot of cozy places to relax and he like the repetitive sounds of the golf balls being hit. Monty didn't mind cause Bonnie respected the silence needed and was good at conversation.
Diversity win! The killer animatronics are queer!!!
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whatwouldmickeydo · 3 years ago
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3, 10, 56, 67 and/or 79 given the scary discourse you started yesterday 😆👻
Hiii Rhys my beloved 😍
3. what color are your eyes?
Hazel ☺️
10. how would you describe your style?
Lol I’m not quite sure honestly. Depending on the day I’m dressed like a 50s housewife, Ms. Frizzle, an absolute sloth, a 70 year old hippie who only owns flowery summer dresses, or the same sweatshirt I’ve worn for a week
56. would you rather live in rural areas or the suburbs? 
Rural. I need my nature
67.  what are your hobbies?
Reading, watching the same movie 80 times, eating cheese, hiking even though my body hates me when I do it, traveling, doing fun lil craft projects when I have the attention span to do them
79. do you believe in ghosts?
I do not lol
Fun fact, I actually just read that the majority of places where people believed were haunted actually just have high levels of carbon monoxide in them
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atembomb · 4 years ago
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Pridecember 2020 - Day 3: Hot Cocoa
In Vino Veritas In which Kaiba and Atem enjoy mulled wine over a deteriorating game of senet. Rating: T
“Ever heard of carbon monoxide poisoning?” Kaiba grumbled to himself, fumbling carefully with a precariously meltable copper poker to shepherd the fire back in its pen. “Try not to die a third time, that might be the charm…”
The pharaoh betrayed his whereabouts with a small chuckle from under the bedsheets, piled high with every wool blanket in the palace and he suddenly realized why his room was only allowed one. Kaiba ripped them off in one fell swoop, exposing him to the cold the way he did to Mokuba before school on Monday mornings.
“Don’t tell me you slept all day…”
“Kaiba!” Atem crawled under a pillow instead. “I am your pharaoh and I command you to return my blankets to me!”
“Don’t cry ‘pharaoh’ with me. They’re on the floor. Your legs aren’t broken. Pick them up.”
“It is freezing in here!”
“No, it’s not. You have a fire going and all your fancy perfumes are perfectly liquid. If you’re cold—not freezing—try putting a shirt on.”
“I didn’t call for you��” Atem protested. It wasn’t any wonder he was uncomfortable when he was half-nude as if it were the height of summer. Kaiba looked away while he dressed, busying himself with some terrifically fascinating trinket decorating the room. Watching made his face burn and his stomach twist, and he promised himself it was merely his unease with the shameless exhibitionism so common in antiquity. “You may show yourself out.”
“The servants made you mulled wine,” Kaiba inspected some lapis jewelry, intent on memorizing the intricacies of its craftsmanship. Perhaps he could find the artisan to assist with his repairs… He struggled not to think about Atem’s bare chest. “You can go back to being a self-indulgent slug all night or you can play me in senet, I don’t care.”
Of course Kaiba cared.
“Hmmm…” Atem hummed, he’d clearly made up his mind because he was dressed in one of his comically ballooned pairs of trousers and his habitual cape was replaced by the most inanely gaudy pelt of cheetah fur and Kaiba wondered which of the most beloved house pets had been so onerous it earned this fate instead of a proper burial. “A generous offer. I thought you hated senet. Is it because I always win?”
Read on AO3!
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vikireedphotography · 4 years ago
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The Cigar Is All You See
THE CIGAR IS ALL YOU SEE
First, do no TV:  how badly do you want to make it in Hollywood, doctor?  
FADE IN:
I/E.
A HOTEL BANQUET ROOM/OUTSIDE ENTRANCE-NIGHT
An EASEL holds a foam board telling us that inside the dark room-twinkling with spores of glittery tables, is the 2021 American Board of Radiology Conference.
Photos of two men are the evening’s GUEST SPEAKERS:  GREG CRANDON, 53 and BEN HAMMIL, 52.  Crandon is a bit pale, thinning hair on top scalp, bulging but happy eyes. He is posing with TV actor MATT KISLEYAK, 54. Matt is charismatic, and wears his TV-doctor’s uniform, Crandon is ‘on-set’ with Kisleyak and posing with an arm is around the shorter Crandon.  Under the photo it reads:
“Radiology Consultant to Hollywood, Greg Crandon (with “Med Lives” star, Matt Kisleyak).  The second photo is Hammil, who looks more like a TV star than a radiologist. Tall, long reddish hair. His photo depicts the smiling Hammill standing on a Ted Talk stage pointing and smiling.  It’s captioned: “Welcome Ted Talk Keynote Speaker on AI and Radiology, Ben Hammil of Children’s Hospital of Los Angeles”  
INT. BANQUET ROOM/BEYOND THE EASEL & SIGN-SIMULTANEOUSLY
In a reverse fractal, Dr. Ben Hammil is on-stage, preaching new gospel.
BEN
Twenty-two years in radiology. I’ve missed things. You know what sees everything? Machine learning. Check this out.
Ben lifts a POWERPOINT REMOTE AND CLICKS!
A massive projection screen behind Hammil fills with what looks like a photo quilt of chipmunk faces (tight crops of just the eyes, nose and whiskered mouth).  
BEN (CONT’D)
Chipmunks. Cute. Sixteen-hundred chipmunk faces. Do you see the cat?
CUT TO:
VIP TABLE/ORCHESTRA SEAT LOCALE-CONTINUOUS SOUND OF: BEN HAMMIL’S VOICE-CONSTANTLY.
Greg in a slightly old-school tux joins his wife, ANDREA, 47.  
In trying so hard to look younger, she forgets to be young. Everyone but the WIVES in the room are fixed on Hammil’s presentation.
ANDREA
(To Greg)
Can you get Matt’s autograph for Penny?  
Andrea’s body language tightens after she notices cocaine on his nose. She grabs a napkin, wipes it. No one sees the coke.  Just her ‘mothering’ him.
Fellow attendee and table-mate LEO, 42, now distracted.
LEO
(To Greg)
You missed Hammil’s award.
GREG Oh well.
LEO
Saw his Ted Talk. I played golf with him-played near him.
GREG
It’s just a tool, this software. A computer can’t deliver bad news or hold a box of Kleenex.
Greg gestures to a passing SERVER for another round of drinks.  He pivots to PENNY, 36, pretty, blond trophy wifetwo small children later.
GREG (CONT’D) Penny? I’ll get you Matt’s autograph.  I’m going to the studio tomorrow.
Penny is electrified. She points at Ben and announces to all:
PENNY
Out of everyone tonight he’s the most interesting and ground-level.
She catches herself when she sees Greg’s reaction.
CUT TO:
EXT. HOLLYWOOD SOUNDSTAGE/PRODUCTION OFFICE FOR “MED LIVES”NEXT DAY
Greg drives his bronze BMW convertible to the GUARD-GATE. A familiar GUARD, 39, waves him through.
Moments later, Greg strides, getting tanner the closer he gets to the the SOUNDSTAGE DOOR. He glides past Matt Kisleyak’s RED FERRARRI. It’s parked next to the door. A sign designates: “Reserved for Matt Kisleyak/Med Lives.  
CUT TO:
INT.
SOUNDSTAGE FOR “MED LIVES”-CONTINUOUS
It’s a magical forest of cables, wisteria hanging lights, cameras, crew, fake hospital sets, ACTORS in costume, CRAFT
SERVICES TABLE loaded with EVERYTHING you could ever want. Willy Wonka time.
KEN (O.C.) Dr.Crandon?
KEN GOLDISH, 37, is one of the show’s Producers. Greg wheels in the direction of his voice.
CONT.
The two walk a hallway lined with POSTERS of MED LIVES’ CAST in character. Ken is ahead and faster.
GREG
(Holding a zip drive and script.)
I have the notes on the next show. Just a few minor details.
Ken turns to see Greg brandishing his work.
KEN
(Takes the thumb-drive.) Keep the script.
They stop at the last door.
What did Matt want to see me for?
KEN
(Knocks twice) He’ll tell you.
CUT TO:
INT.
MATT’S OFFICE-FIFTEEN MINUTES LATER
Greg is seated next to Matt’s desk. The blinds are closed, the only light comes from a large computer monitor.
As Matt sits and shares the glow with Greg you see an unbelievably photogenic man.
GREG
(Staring and smiling at Matt.)
This isn’t ideal. You should send the full study to my office at the hospital.
MATT
Not gonna happen. It’s a favor for a good friend. I’m looking out for him. A secret second-opinion.
Greg nods into gear with a deep breath.
CUT TO:
30 MINUTES LATER-
The star is opening the blinds. He turns around and saws his palm into Greg’s personal space.
MATT
Thanks so much for doing this.
GREG
I’m sure it’s not what you wanted to hear. Your friend definitely has stage-four lung cancer. I couldn’t tell more without labs, biopsies-
Greg stands to meet Matt’s goodbye shake.
MATT
Keep this between us?
Matt opens door. Greg pulls the rolled MED LIVES script out of his suit pocket.
GREG
I’m sorry, but a friend of my wife’s..
MATT
(Grabbing a pen.) What’s her name?
GREG
Penny. Thanks for that. I never ask, but the wife...
MATT
Got it. Hey, I’m hosting a celebrity golf tourney this weekend at Hillcrest Country Club. For Children’s Hospital. You play?
CUT TO:
INT. GREG’S HOME OFFICE, WOODLAND HILLS,CA-NEXT EVENING
A man-cave with no man. It resembles a furniture store display. The only indicator of human occupancy is a box of Just For Men hair dye. He stands before a full-length mirror wearing new golf-wear. Looks a little ‘back to school’.
PRICE TAGS are strewn at his feet.  He snips the last tag from his BELT.
CLOSE ON: BELT/SCISSORS THE TAG READS $169.00. After a snip, it flutters down onto his new shoes. It’s quiet until-
ANDREA (O.C.)
Christ. You could go as Tiger Woods for Halloween.
GREG
Not really funny. Did you want something?
ANDREA
(Sour.)
Dinner. It’s here.
(Taking a last look, then starts to undress.) Good. I’m hungry.
FADE OUT:
EXT. HILLCREST COUNTRY CLUB-FOLLOWING MORNING
The celebrity event buzzes, it feels like a Christmas tree you could live-in.
INT. HILLCREST DINING ROOM-CONTINUOUS
Cacophonous. Seen from above, Greg disappears into a crowd of
JOURNALISTS, CELEBS, TV CAMERAS, FAMILIES OF PEDIATRIC CANCER PATIENTS, BUSY STAFF, CLUB MEMBERS and people dressed like PEANUTS CARTOON CHARACTERS.
A BANNER ABOVE AN EMPTY PODIUM AT THE BACK OF THE ROOM READS:
“Children’s Hospital Of Los Angeles Annual Celebrity Golf Event 2021”
Hearing Matt from behind a potted tree he eagerly rounds the corner.
It’s Matt with Ben Hammil and a few others. Laughing. Drinking.
GREG (TO SELF) Fucking guy...
Matt turns around. Seeing Greg, he’s not unhappy but there’s no reward in seeing him. Greg bounds over, socially awkward in Ben’s presence.
MATT
(To the group.)
This is Greg Crandon. He’s the Doc who makes Dr. Morrow sound like he went to medical school. Hey, Greg, this is one of your radiologist tribal members: Ben Hammil.
GREG
Yeah, we shared a bill at a radiology convention last week. I was keynote.
BEN
It was actually fun. Like an extended Ted Talk.
ANOTHER MAN IN THE GROUP Oh, that’s where I know you from!
MATT
Greg we’re doing a Four Man Cha Cha Cha wager; the losing team coughs up forty-K for the charity. You’re in, right?
GREG
Forty? It’s in my car.
The group laughs.
GREG (CONT'D) Will you excuse me?
Greg breaks away and rushes to the MEN’S BATHROOM.
CUT TO:
INT. HILLCREST DINING ROOM-TWENTY MINUTES LATER
Most of the crowd spills onto the fairway path, outside. Greg hustles to catch-up.
CUT TO:
EXT. FAIRWAY PATH-CONTINUOUS
Greg approaches the REGISTRATION TABLE.
An ATTRACTIVE SWEDISH FEMALE CLUB STAFFER, 23, is dispensing Team Badges, which are mounted on a valet’s keyboard behind her.  The teams are named after Peanuts Characters.  Greg squints to see the SNOOPY Team, which is led by Matt.
FEMALE STAFFER (O.S.) Good morning! What’s your name?
GREG
Greg Crandon? I think I’m a Snoopy, on Matt’s team.
FEMALE STAFFER
Here you are.  You’re a LINUS!
Matt invited me personally, I’m sure I’m a Snoopy.
FEMALE STAFFER It’s a perfect day for a game, you’ll have a great time.
The Staffer dangles the Linus Team badge. Greg takes it.
As he approaches, A GOLF CART WHIRRS away: Ben Hamill is the driver, Matt’s his co-pilot.
They leave a wake in the COLLECTIVE MEDIA bush they pass.
CUT TO:
INT. GREG'S BEDROOM-2 DAYS LATER-EARLY MORNING
He’s on his back, snoring.
ANDREA (O.C.)
Get up! Get up! Matt’s dead! Greg! Wake up!
GREG
(Slowly waking.) What are you talking about?
Andrea turns on the bedroom TV.  Live local news broadcasts the scene outside of Matt Kisleyak’s home in Malibu.
CUT TO:
CLOSE ON:  POLICE TAPE, BODIES BEING ROLLED TO THE CORONER’S VAN.  
The CAPTION READS: “MATT KISLEYAK, STAR OF ‘MED LIVES’,
BELOVED HOLLYWOOD STAR, WIFE AND SON DEAD: SUSPECTED CARBON MONOXIDE POISONING...”
GREG No! What?
CUT TO:
EXT. HOLLYWOOD SOUNDSTAGE/SECURITY GUARD GATE-1 HOUR LATER
Flowers and memorials nearly block the entrance.  
GREG
I have to see Ken Goldish.
GUARD
No one on the lot today without approval. Given what’s happened I cannot do anything. Have Ken call me. Turn around and go park on the street.
Stressed, Greg scrapes his BMW on a concrete safety stanchion.
CUT TO:
INT. KEN GOLDISH’S OFFICE-15 MINUTES LATER
Ken is on the phone with Greg, while multitasking.  A MEMORIAL VIDEO is playing on the production monitor in his office. People on-set and walking by the open door weep.
KEN
(Puts Greg on
SPEAKERPHONE)
The show is obviously going to shutdown until the writers find an appropriate way through Matt’s death. Listen, we can’t have people talking to the press about what Matt did.
GREG (O.S.) What did he do?
KEN
His son, Liam’s cancer. You know, you saw his MRI.
GREG (O.S.)
He said it was a friend of his.
KEN
No. Liam collapsed at college. He’s been living at Children’s Hospital on and on for months. I don’t know if Lily chose to die but everyone was drugged and he closed the windows and messed with his central air...No more pain.
GREG (O.S.)
Can I call you when the show is back up? I think I have an angle on
AI-
KEN
Seriously not the time.  I gotta go. I’ll let you know about the memorial if you want, okay? Bye.
CUT TO:
INT. GREG'S HOME OFFICE AGAIN-ONE HOUR LATER
Greg saunters through his open office door head-down.
The sound of a GARDENER BLOWING LEAVES IN THE FRONT YARD IS A CONSTANT.
ANDREA (O.S.)
(Popped like a cork.) What did you do?
Andrea is sitting at his DESK; it’s littered with the golf clothing TAGS, the autographed script, she’s been rummaging.
GREG My desk..
ANDREA
I answered your office line.
Children’s Hospital Charity Committee something or other called to say they can’t refund your fortythousand dollar donation but they’d be happy to provide you with a tax form so you can declare it.  Were you trying to impress Matt Kisleyak?
GREG Be quiet.
She throws the price tags at his face.
She sits at his desk and lifts the office phone receiver.
ANDREA
I’m calling that charity and telling them you can’t be held responsible because you have a drug problem and I will sue them if they don’t return the forty-thousand.
She dials the Charity’s number, taking it from the tax form.
GREG
I’m warning you-
ANDREA
Now you’re a man, right?
Greg walks towards her, automatically, instinctively. She backs-up to get space between them.  
Now they’re both behind his desk.
GREG
We’re are so done.
In one freakish rage he grabs his office chair and swings it at Andrea. The wheeled feet break her jaw as she drops to the floor.
Greg tosses the chair aside blood from the wheels casts off all over the MED LIVES SCRIPT.  He stands over the whimpering disoriented Andrea and begins to stomp her into a near coma.
He continues as we FADE OUT.
CUT TO:
EXT. HOLLYWOOD-45 MINUTES LATER
Greg is walking up HOLLYWOOD BOULEVARD.  Another sunny day.
Surrounded by TOURISTS, WORKERS, WALKERS, SHOPPERS, and CHARACTER ACTORS hawking for tips dressed as DEAD HOLLYWOOD. They appear to be moving on a giant treadmill.
MOMENTS LATER-
The WALK OF FAME STARS peel away under Greg’s feet until he see’s Matt Kisleyak’s STAR with a growing memorial. He looks down at the bloodied LIVES MED SCRIPT UNDER HIS ARM.
Greg enter a crosswalk against traffic.
FLASHBACK TO:
THE ABR CONFERENCE-BEN HAMMIL’S SPEECH ABOUT PERCEPTION.
SEE: IMAGE OF THE BRICK WALL WITH A CIGAR PINCHED IN-BETWEEN TWO-BRICKS.
BEN
At the top we see a garden variety red brick. All of it’s -
RETURN TO PRESENT-HOLLYWOOD BOULEVARD HEARING HAMILL’S VOICE.
BEN (V.O.)
-flaws, pores, grit and different colors up close. So many facets and defects.  Below that image we see a brick wall.  However once I tell you that there’s a cigar stuck in that wall? That’s pretty much all you see now. Humans make a choice, AI just sees everything...
CLOSE ON:  TRAFFIC LIGHT ‘DON’T WALK’ SIGNAL.
Greg quickly turns around and RUNS into traffic.
SOUND OF:  SCREECHING TIRES. A SICK BANG AND CRACKING THUD. CARS REAR-ENDING. HORNS.
CUT TO:
CLOSE ON:  THE AUTOGRAPHED ‘MED LIVES’ SCRIPT. BLOODIER, ON THE SIDEWALK.  
A MAN, 29, GRABS IT AMIDST THE CHAOS BEHIND HIM.
MAN
(Into his cel phone.) Bae?  I have some good news and better news.  You know how Matt Kisleyak croaked today? I’m the proud owner of an script autographed by him. YES. The better news is it’s covered in blood.
FADE OUT.
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little-murmaider · 5 years ago
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Fic: Everybody Make a Scene
Summary: The band doesn’t understand why Charles won’t let them go trick or treating. 
Rating: General
Notes: This was my gift for a trick or treat exchange! The prompt was “The boys in costume, have fun with it.” And I did! Enjoy!
Charles reclined into his seat with a sigh, moving aside the volumes of paperwork cluttering his desk. Clearly he would not be getting to it today.
“So you’re just going to ban trick or treating,” Nathan said. Green paint was smeared inelegantly down his face and neck, his lips and eyes blacked out with dark lipstick. Duct tape secured a pair of double D batteries to either side of his neck. “Wow. Talk about heartless.”
“I’m not banning anything, I just—“
“Maybe you should have dressed up as the Tin Man.”
“Ah. Very clever.”
“From The Wizard of Oz.”
“Yes, I’m aware—“
“Because you don’t have a heart.”
“I understand, Nathan, but what I’m trying to say is now is not the time for trick or treating—“
At Nathan’s side, an inflatable t-rex waggled it’s pathetically tiny arms.
“Yeh didn’t even cahmpliment our cahstumes!”
“YEAH you haven’t said one nice thing about our costumes!”
“You—“
“We gaht all dressed up an’ ya haven’t even said anything!”
“—haven’t given me an opportunity—“
“You ban trick or treating, you hate our costumes, you’re ruining our Halloween!!!”
“—to say much of anything.”
One of Nathan’s batteries dislodged from his neck and clunked to the floor. “I’m Frankenstein’s monster. Not that you asked.”
Charles pushed his fingers beneath his glasses and pinched the bridge of his nose.
“Fine,” he said after a pause. “If it will get you to listen to me, fine. Nathan, your get up is very…intimidating. Out of curiosity, where did you find those batteries?”
“Carbon monoxide detector.”
“Ah. Well. One moment, allow me to just…” He grabbed a Post-It note and scribbled SPEAK WITH CONTRACTOR; ACCELERATE HIDDEN ALARM SYSTEM TIMELINE. “There we are. Pickles?”
The creature’s massive head turned to face Charles, its google-eyes rattling in their plastic prisons.
“You…are a dinosaur.”
“Yeeah Imma dinosaaaaaaaaaaur!”
“Quite, ah, daunting. Did you happen to purchase this item while drunk?”
“Yeeah dood I was totally hammered, how’dja know?”
“Lucky guess. Toki. You, hm.”
Toki perked up with pride as Charles’s gaze scanned the full length of his body. Charles drank everything in. The scraggly green-dyed hair. The vibrant three-piece suit in three wildly disparate colors. The face like a geometry worksheet—chalky white skin, blue rectangles over the eyes, pink circles dabbing the cheeks, a bright red curve stretched across the mouth. Charles pressed his lips into a thin, tight line.
“You are. A clown.”
Toki beamed. “You likes it! It’s de cool new characters Toki mades up! De Toker.” He held up his gloved hands and waggled his fingers. “I’s just a kitty-cats chasingks boats.”
“What a…terrifying new outlet for your creativity."
“T’anks!”
Hovering at Toki’s elbow, Skwisgaar was almost unrecognizable. A green cloak draped his slender form, a yellow scarf knotted neatly around his neck. His eyes were shadowed beneath the wide brim of a pointed hat, a bright yellow feather and a garland of daisies contrasting against the green fabric. He had tied a fishing line and lure to the neck of his guitar, which had been stuffed into a brown satchel strapped to his back.
“Skwisgaar, my apologies, but I don’t recognize your costume. Are you some sort of woodland entity, or…?”
“Snufkin,” he muttered sheepishly.
“Beg pardon?”
“I’s, huegh, I’s Snufkin? From Moomins?”
Charles shook his head. “I’m not familiar.”
“None of us are,” Nathan added.
“I ams!!!” Toki chirped unhelpfully.
“He’s a character in dese books I used to reads as a little tiny kids.” Skwisgaar grimaced as though the explanation caused him physical pain. “Dey mades a bunch of shows, it’s really populars.”
“Dey gots Moomin theme parks in Finlands and Japan!!!”
“Ja. And. Eughhhh I just. Wants-ted toooooo dress up. As. Snufkins.”
An embarrassed scowl darkened his features. He untied his scarf and coiled it around his rapidly flushing face.
“You know what’s I don’ts has to explains myselfs!!!”
“Skwisgaar, I think it’s very sweet you wanted to revisit something beloved from your childhood.”
“Fuck yous.”
“Indeed. Murderface, you—“
Murderface expelled a full-body exhale.
“Am I ever going to get a chance to schpeak?!”
“Well I did just address you by name, so…”
“I thought we were doing a group coschtume!!!!”
“Where’dja get that idea?” Pickles asked.
“We talked about it!”
“No we didn’t!”
“Yesch we did Picklesch I know we did becausche I wrote it down in my ledger!!!”
“Actually Murderface, I’ve been meaning to talk to you about that,” Charles said. “You, ah, can’t keep carving notes into the furniture and walls and call it your ledger. But that’s a separate issue, so if you all could please—“
Murderface barreled on: “We agreed to the group coschtume and then you chucklefucksch backed out to make me look like an idiot! Well jokesch on you.”
He held his arms aloft in triumph, inviting everyone to drink him in. A sunny yellow crop top clung to the top half of his torso, his doughy belly pudging over the waistband of the matching white-striped athletic pants. As much hair has he could gather had been cinched into a high ponytail on top his head.
“I look amazing.”
“Uh-huh,” Nathan said flatly. “And who are you supposed to be?”
“I’m Schporty Schpice! From the Schpice Girlsch!”
“You really thought we agreed to dress up like the Spice Girls?”
“You DID! Schkwishgaar wasch Posh, Toki wasch Baby, Picklesch wasch Ginger, you were Schcary and I wasch Schporty!”
“You don’t think that maybe,” Nathan formed a Y with his hand and rocked it back and forth between himself and Murderface, “two of those roles should be reversed?”
“No! I’m Schporty Schpice becausche everyone knowsch I’m the schportiest member of Dethklok!”
“You’re the sportiest member.”
“Yeah!”
“I was a state-ranked defensive back in high school!”
“Oh Nathan that’sch scho embarrasshing.” Murderface’s chuckle was rich in condescension. “Looksch like Schkwishgaar ischn’t the only one living in the past.”
Skwisgaar yanked his hat over his face to muffle his scream.
“This is stupid, none of this even matters because YOU.” Nathan whirled on Charles, a paint-tinted finger prodding him in the chest. “STILL haven’t given us ONE good reason why we can’t go trick or treating!”  
“Because it’s April!”
The unexpected boom of Charles’s voice stunned the band into silence, and he realized the sound had literally driven him to his feet. He adjusted his glasses. Stooping to the side, he withdrew a calendar from his desk drawer and slapped it into view.
“You can’t go trick or treating because there is no trick or treating,” he said, tapping at the month with unconcealed impatience. “Halloween was six months ago.”
It took a long time for the boys to process the information. Nathan squinted at the evidence on Charles’s desk. Skwisgaar peeked out from his cap and exchanged a mournful look with Toki. Murderface punched dejectedly at the air. Pickles’s reaction was unknowable, because he was inside a giant inflatable t-rex suit.
At last Nathan spoke.
“So,” he began slowly, “what you’re saying is, today is Halfway Halloween.”
“Get out of my office.”
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theresabookforthat · 7 years ago
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Mother’s Day, 2018
“Youth fades; love droops; the leaves of friendship fall; A mother’s secret hope outlives them all.” – Oliver Wendell Holmes
It’s been more than 100 years since Woodrow Wilson proclaimed Mother’s Day a national celebration in May 1914!  Mother’s Day, 2018, is this Sunday, May 12th.
The mother-child bond is such a profound one – loving, complex, and sometimes painful.  Over the course of a lifetime, roles may switch due to old age or illness. To honor the occasion,  here are 10 incredible memoirs, some by celebrity authors, which reveal the emotional nuances and intensity of perhaps the most fundamental relationship in our lives: 
 MA SPEAKS UP: AND A FIRST-GENERATION DAUGHTER TALKS BACK by Marianne Leone
The acclaimed actress and author of Jesse: A Mother’s Story tells the story of her outspoken, frequently outrageous Italian immigrant mother.
Ma Speaks Up is a record of growing up on the wrong side of the tracks, with the wrong family, in the wrong religion. Though Marianne’s girlhood is flooded with shame, it’s equally packed with adventure, love, great cooking, and, above all, humor. The extremely premature birth of Marianne’s beloved son, Jesse, bonds mother and daughter in ways she couldn’t have imagined. The stories she tells will speak to anyone who has struggled with outsider status in any form and, of course, to mothers and their blemished, cherished girls.
 WHERE THE LIGHT GETS IN: LOSING MY MOTHER ONLY TO FIND HER AGAIN by Kimberly Williams-Paisley, Michael J. Fox
Many know Kimberly Williams-Paisley as the bride in the popular Steve Martin remakes of the Father of the Bride movies, the calculating Peggy Kenter on Nashville, or the wife of country singer Brad Paisley. But in 2014, Kim revealed a tragic secret: Her mother was diagnosed with a rare form of dementia called primary progressive aphasia at the age of 61.
In Where the Light Gets In, Kim tells the full story of her mother’s illness, from diagnosis through the present day, drawing on her memories of her relationship with the fascinating, successful woman who raised her so well.
 THE LIARS’ CLUB: A MEMOIR (Penguin Classics Deluxe Edition) by Mary Karr, Lena Dunham, Brian Rea
When it was first published, The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. Now with a new foreword by Lena Dunham, a creative game changer in her own right, this unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.
 THERE WAS A LITTLE GIRL: THE REAL STORY OF MY MOTHER AND ME by Brooke Shields
Brooke Shields never had what anyone would consider an ordinary life. She was raised by her Newark-tough single mom, Teri, a woman who loved the world of show business and was often a media sensation all by herself. Brooke’s iconic modeling career began by chance when she was only eleven months old, and Teri’s skills as both Brooke’s mother and her manager were formidable. But in private she was troubled and drank heavily.
Only Brooke knows the truth of the remarkable, difficult, complicated woman who was her mother. And in this honest, open memoir about her life growing up, Brooke will reveal stories and feelings that are relatable to anyone who has been a mother or daughter.
 MY TWO MOMS by Zach Wahls
In My Two Moms, Zach offers a stirring, brave defense of his family. Raised by two moms in a conservative Midwestern town, Zach’s parents instilled in him values that families everywhere can embrace—values driven home by his journey toward becoming an Eagle Scout. Zach’s upbringing couldn’t have been more mainstream—he played sports, was active in Boy Scouts, and led his high school speech and debate team—yet, growing up with two moms, he knows what it’s like to feel different and fear being bullied, or worse.
 BLUE NIGHTS by Joan Didion
Following the acclaimed and bestselling The Year of Magical Thinking, Blue Nights is Joan Didion’s intensely personal and moving account of the death of her daughter, Quintana, and her thoughts, fears, and doubts about motherhood, illness, and aging.
 THEN AGAIN by Diane Keaton, Anna Quindlen
“Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she’d collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK.” So begins Diane Keaton’s unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall.
 THE CENTER OF THE UNIVERSE: A MEMOIR by Nancy Bachrach
The story is so improbable, it can only be true: A brilliant woman with a long history of mental illness—who once proclaimed herself to be “the center of the universe” — is miraculously cured by accidental carbon monoxide poisoning aboard the family boat. Nancy Bachrach warns readers, “Don’t try this at home” in her darkly humorous memoir about “the second coming” of her mother — the indomitable Lola, whose buried family secrets had been driving her crazy.
 CIRCLING MY MOTHER by Mary Gordon
Anna Gagliano Gordon, who died in 2002 at the age of 94, was the personification of the culture of the mid-century American Catholic working class. A hard-working single mother – Mary Gordon’s father died when she was still a girl – she managed to hold down a job, dress smartly, raise her daughter on her own, and worship the beauty in life with a surprising joie de vivre. Bringing her exceptional talent for detail, character, and scene to bear on the life of her mother, Gordon gives us a deeply felt and powerfully moving book about their relationship. Toward the end of Anna’s life, we watch the author care for her mother in old age, beginning to reclaim from memory the vivid woman who helped her sail forth into her own life.
 ALL OVER BUT THE SHOUTIN’ by Rick Bragg
This haunting, harrowing, gloriously moving recollection of a life on the American margin is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton mills or the penitentiary, and instead became a Pulitzer Prize-winning reporter for The New York Times. It is the story of Bragg’s father, a hard-drinking man with a murderous temper and the habit of running out on the people who needed him most.
But at the center of this soaring memoir is Bragg’s mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people’s cotton so that her children wouldn’t have to live on welfare alone. Evoking these lives–and the country that shaped and nourished them–with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.
 For more on these and related titles visit mothers
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newtshirtcom · 4 years ago
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newtshirtcom · 4 years ago
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Breaking Clay makes my day vintage shirt
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newtshirtcom · 4 years ago
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Chester Bennington Just cause cant see him doesnt means he isnt there 19762017 Shirt
Chester Bennington Just cause cant see him doesnt means he isnt there 19762017 Shirt
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zu-is-here · 1 year ago
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And you did it great! (*'▽'*) I'm so glad to hear it, keep up the good work! ☆
Okay so I've been sending @zu-is-here asks and talking about me doing this Labyrinth crossover
I can't thank you enough, Zu, for encouraging me to do it!
So without further stalling-
I finally got the chance to draw 2 of the designs! It took me a while to decided but I'm finally decided on my Sans, Monoxide, as Sarah!
And it took even longer to decided who would take the place of the goblin king but I finally decided on Nightmare!
There's still more to decide on but all i can show for now is the designs!
And yes I put Monoxide is a dress and he looks so pretty!
Also, outfits are not accurate but this was the best I could do with the time I had
Also Nightmare on heels
Fight me/j
Edit- it took me about 2 hours to properly draw Nightmare's outfit
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