#Monica Hellström

[filmspun]

2023 Oscar nominations :

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

[diptanshukashyapofficial]

B-6 : Oscars 2023 - Predictions vs Reality

The 95th Academy Awards, a.k.a. The Oscars® took place today. The ceremony was full of obvious wins (and some unexpected ones too). The best part was - this year’s Oscars telecast had zero incidents (as the host Jimmy Kimmel points out in the end).

Amid all of this, here's a look at the predicted winners and the actual winners (in order of their presentations):-

Best Animated Feature Film

Prediction: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)

Reality: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)

Best Supporting Actor

Prediction: Ke Huy Quan (Everything Everywhere All at Once)

Reality: Ke Huy Quan (Everything Everywhere All at Once)

Best Supporting Actress

Prediction: Angela Bassett (Black Panther: Wakanda Forever)

Reality: Jamie Lee Kurtis (Everything Everywhere All at Once)

Best Documentary Feature Film

Prediction(s): All the Beauty and the Bloodshed (Laura Poitras, Howard Gertler, John Lyons, Nan Goldin, and Yoni Golijov)/A House Made of Splinters ( Simon Lereng Wilmont and Monica Hellström)

Reality:  Navalny (Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller, and Shane Boris)

Best Live Action Short Film

Prediction: An Irish Goodbye (Tom Berkely and Ross White)

Reality: An Irish Goodbye (Tom Berkely and Ross White)

Best Cinematography

Prediction: All Quiet on the Western Front (James Friend)

Reality: All Quiet on the Western Front (James Friend)

Best Makeup & Hairstyling

Prediction: Elvis (Mark Coulier, Jason Baird, and Aldo Signoretti)

Reality: The Whale (Adrien Morot, Judy Chin, and Anne Marie Bradley)

Best Costume Designing

Prediction: Elvis (Catherine Martin)

Reality: Black Panther: Wakanda Forever (Ruth E. Carter)

Best International Feature Film

Prediction(s): All Quiet on the Western Front (Germany - Edward Berger)/Argentina, 1985 (Argentina - Santiago Mitre)

Reality: All Quiet on the Western Front (Germany - Edward Berger)

Best Documentary Short Film

Prediction(s): The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)/The Martha Mitchell Effect (Anne Alvergue and Beth Levison)

Reality: The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)

Best Animated Short Film

Prediction: My Year of Dicks (Sara Gunnarsdóttir and Pamela Ribon)

Reality: The Boy, the Mole, the Fox and the Horse (Charlie Mackesy and Matthew Freud)

Best Production Design

Prediction: Elvis (Production Design - Catherine Martin and Karen Murphy; Set Decoration - Bev Dunn)

Reality:  All Quiet on the Western Front (Production Design - Christian M. Goldbeck; Set Decoration - Ernestine Hipper)

Best Original Score

Prediction(s): The Banshees of Inishrein (Carter Burwell)/Babylon (Justin Hurwitz)

Reality: All Quiet on the Western Front (Volker Bertelmann)

Best Visual Effects

Prediction: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)

Reality: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)

Best Original Screenplay

Prediction(s): The Banshees of Inisherin (Martin McDonagh)/Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)

Reality: Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)

Best Adapted Screenplay

Prediction: Women Talking (Sarah Polley - based on the novel by Miriam Toews)

Reality: Women Talking (Sarah Polley - based on the novel by Miriam Toews)

Best Sound

Prediction: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)

Reality: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)

Best Original Song

Prediction: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)

Reality: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)

Best Film Editing

Prediction: Top Gun: Maverick (Eddie Hamilton)

Reality: Everything Everywhere All at Once (Paul Rogers)

Best Director

Prediction: Steven Spielberg (The Fabelmans)

Reality:  Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)

Best Actor

Prediction(s): Austin Butler (Elvis)/Colin Farrell (The Banshees of Inisherin)/Brendan Fraser (The Whale)

Reality: Brendan Fraser (The Whale)

Best Actress

Prediction(s): Cate Blanchett (Tár)/Michelle Yeoh (Everything Everywhere All at Once)

Reality: Michelle Yeoh (Everything Everywhere All at Once)

Best Picture

Prediction: The Fabelmans

Reality: Everything Everywhere All at Once

Which categories met your expectations? Don’t forget to share them in the comments below.

[rodrickstudios]

The Mitchells vs. the Madrigals - Fan script for a mini sketch

DISCLAIMER: The following script is a parody. Any use of names related to movies, institutions or people (whether fictional or not) is not meant to be taken seriously.

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Dolby Theater, March 27th 2022. The Oscars are about to begin. Among various live action actors, directors and similar film crew, some CGI animated characters and a 2-D Amin Nawabi (Flee) look for their seats apart from those that belong to the directors of their respective movies. Among the CGI toons are Raya and Sisu; next to them, Luca, Alberto and Giulia. Amin, in particular, wears a tuxedo while Sisu only wears a tie. Raya, on the other hand, wears an elegant dress. They all sit. The spectators around these toon stars clap and cheer at them with eerie-looking faces and smiles. Last but not least, two toon families in elegant clothing also find their seats among the clapping spectators. At one side, the Madrigals; at the other, the Mitchells. The spectators suddenly stop clapping as the two families sit and get comfortable. Aaron Mitchell, along with Monchi (who also wears a little tuxedo, like a little gentleman), get closer to where Antonio Madrigal is. Aaron stares at Antonio and does a little dino roar while showing his T-Rex snapper.

ANTONIO: Guys, take a seat!

At this command, some wild animals appear out of nowhere: a leopard, a few capibaras, a toucan, a few tapirs, some coatis… Aaron feels uncomfortable about this. Monchi, on the other hand, gets scared at the animals and leaves towards the rest of the Mitchell family. Aaron follows him. Meanwhile, Rick gets approached by Linda.

LINDA: I don’t know about you honey, but I hope Encanto wins.

RICK: Enchan…to? You mean the one with that, what was called… “Bruno”… song? Aaron never stops seeing that video Katie has made with Monchi barfing it.

LINDA: Well…yeah! I guess so.

A second Linda approaches Rick.

LINDA 2: Ehm…Rick?

The first Linda changes into Camilo Madrigal, who returns with the rest of the Madrigals with an annoyed yet confused look on his face. He can't believe Rick knows little about Encanto. Mirabel, on the other hand, approaches Katie.

MIRABEL (with an optimistic tone): Hey, good luck.

They both shake hands, but Katie feels a little unsecure about what just happened.

KATIE: Ehm…thanks I suppose?

Mirabel returns to where the rest of the Madrigals are.

CUT TO: An hour later

The time all the toons and the directors of their movies have been waiting for has finally come. Lily James, Naomi Scott and Halle Bailey get on stage to present the Oscar for Best Animated Feature. Everyone cheers.

HALLE BAILEY: All of these characters hold such a special place in our hearts, because animated films make up some of our most formative movie experiences as kids.

Katie gets surprised and mumbles angrily.

LILY JAMES: So many kids watch these movies over, and over…

HALLE BAILEY: And over and over and over and over and over!

NAOMI SCOTT: I see some parents out there know exactly what we’re talking about!

Linda also gets surprised and mumbles angrily, but in a tone that’s little louder than Katie. Katie sees this and calms her down.

KATIE (whispering): Calm down, mom! There’s… there’s a big chance for us to win! I hope…

NAOMI SCOTT: Here are the nominees for Best Animated Feature Film. Encanto; Jared Bush, Byron Howard, Yvett Merino and Clark Spencer.

As Scott reads the previous title and directors, the Madrigals get surprised as the ever-so-cheerful crowd claps at them. A rainbow appears over Pepa. Isabela produces some beautiful flowers on her hair and Antonio’s animal friends look at him happily. However, Abuela Alma seems to just be happy about the situation; she doesn’t celebrate with the family. Mirabel, on the other hand, just looks at everyone with discommodity in her eyes.

N.S. (cont’d): Flee; Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte de la Gournerie.

Amin hesitates for a moment, then stands up and, with a confused look, bows at the crowd around him.

N.S. (cont’d): Luca; Enrico Casarosa and Andrea Warren.

While the monotonous crowd cheers, Giulia waves at them while Luca and Alberto celebrate by throwing bottles of water at themselves. This causes them to change into their sea monster forms, much to Giulia’s surprise.

N.S. (cont’d): The Mitchells vs the Machines; Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht.

Katie is trying to calm down Linda when, suddenly, she realizes her family has just been mentioned. She immediately and insecurely waves at the crowd along with Rick. Linda waves frowning while Aaron waves Monchi’s left front paw. Both Rick and Aaron’s faces are also showing the same insecurity as the women of their family.

N.S. (cont’d): Raya and the Last Dragon; Don Hall, Carlos López Estrada, Osnat Shurer and Peter del Vecho.

Sisu and Raya wave at the crowd. Sisu then pats Raya in the head.

LILY JAMES: The Academy rules specify that animated characters must remain in their seats.

N.S.: Only real people can accept the award, so please be animated.

HALLE BAILEY: And the Oscar goes to…

Suspense is in the air. All toons stare at the three hosts in excitement. There’s even fog surrounding Pepa! Monchi just drools over the deadpan capibara, though, but the latter doesn’t even react to that. Finally, Bailey opens the envelope. The winner is…

JAMES, SCOTT AND BAILEY: Encanto!!!

All of the live-action audience members clap and cheer. While the Encanto live-action crew heads to the stage, the Madrigals and Antonio’s animals celebrate their victory along with the crowd surrounding them. A ray of sunshine appears over Pepa. Abuela Alma is still only happy and keeps distancing herself from the Madrigals’ celebration. Also, Mirabel is still looking uncomfortable. Amin gets a little frustrated at not winning the award while a member of the crowd turns around to give a “better luck next time” look towards his neck. A similar thing happens with some crowd members next to the remaining “loosers”. The Luca trio is straight up angry at the situation, but that doesn’t compare to Linda’s reaction. She starts breathing and growling uncontrollably with her face having turned hot and her pupils having shrunk down to some dangerously familiar ones. Her scene attracts the attention of Raya and Sisu; Sisu being just about to pat Raya in the shoulder as consolation. Katie and Rick, meanwhile, are trying to calm Linda down.

KATIE: Mom, mom, please calm down!

RICK: Breathe in, breathe out, breathe in, breathe out, it’s OK!

Linda’s breakdown doesn’t seem to worry the live-action assistants of the ceremony. The Encanto live action crew do their speech.

CLARK SPENCER: And everyone in the Walt Disney Animation Studios, this film only exists because of your talent and your passion…

LINDA (in a very angry tone): KATIE, IS IT TRUE THE ACADEMY IS BOUGHT BY DISNEY?!

This interrupts Spencer’s speech. The Encanto LA crew, the three hostess and everyone in the audience turns to Linda. The audience in particular emits the traditional crowd gasp sound effect.

KATIE (unsecure and worried at the same time): Well, not exactly, you see…

Linda interrupts Katie with a loud yell. Rick and Katie look at each other; they know what to do in these cases. They get up and wave their arms in desperation.

RICK: Everyone leave the building, quick!

KATIE: Code Lavender! Code Lavender!

Rick and Katie’s efforts are worthless. Linda angrily heads towards the stage throwing away every seat (all with an audience member on them) she finds on her path. Once Linda is on stage, she runs towards every Encanto LA crew member, grabs and throws them into the air. She then runs at the three hostesses, who all try to escape.

LINDA: YOU THREE, GET ANIMATION OUT OF YOUR F**KING MOUTHS!!!

Linda grabs the three and also throws them into the air. All the live action audience members, by now, have left the building in fear. Abuela, through a movement of her arm, draws the Madrigals’ attention to Linda. They all get on stage in an attempt to stop her. All, that is, except for Dolores, Felix, Agustín, Mirabel and Bruno. Dolores mumbles and covers her ears.

DOLORES: Ugh, those steps!

The attempts of the remaining Madrigals to stop Linda, still, are in vain. A storm cloud appears over Pepa. From it, a thunder catches The Lavender One. However, she somehow survives said thunder, but ends up looking cartoonishly calcinated (i.e. turns completely gray and smoke rises from her body). This, nonetheless, doesn’t stop her from throwing Pepa in the air, running towards Julieta, snatching the arepita con queso the latter had at hand and eating it. In a second, her calcinated body turns back to normal. She throws Julieta away too. Antonio then uses his arm to command the animals (except for the deadpan capibaras) to throw themselves into her. They all do at once, but Linda, in just two arm movements, grabs and throws them away with ease, leopard included. Isabela summons two large flowers to tangle her up, but Linda rips them off, again, easily. She heads towards Isa, grabs and throws her away. Meanwhile, Mirabel reaches Katie, who is watching everything calmly.

KATIE: No offence to your family, but I think they deserve this.

MIRABEL: Yeah, I guess you’re right.

Amin reaches the two girls.

AMIN: Do you want to know something kids? After that awful speech about animation, I won’t trust the Academy anymore.

KATIE: Same here Mr. Nawabi. Oh, by the way, I watched your movie. And I LOVE it. It’s incredible how…

Katie gets interrupted by a screech from her mum. The fight is still going strong. Linda has just thrown Camilo away. Luisa grabs a column pillar with both hands and heads with it towards Linda. Linda, with just one hand, grabs said pillar and throws both it and Luisa towards the roof, breaking it. The Mitchell mum breathes in and out, still in rage. Almost every Madrigal has been knocked out and the theater has been ruined. Suddenly, Abuela stands up.

ABUELA: Alright, that’s enough Señora Mitchell!

Linda looks towards Abuela while calming herself down. Luisa falls back down, breaking the roof yet again.

ABUELA: What a shame! I know you’re angry because we won the Award, but that’s no way of treating us!

Linda lowers her head in shame.

ABUELA (cont'd): But don't worry! To solve our rivalry. I suggest you to go with your family to our Casita Madrigal. We'll throw a big party there!

Pepa gets surprised and a storm cloud appears over her again.

ABUELA (cont’d): The other nominees are also invited! The Casita pays!

Linda thinks about it and gets calmed and cheerful all of a sudden. She finally gets off the stage and joins the rest of the Mitchells, who all are puzzled at what has just happened. Pepa, still accompained by her storm cloud, approaches Abuela in anger.

PEPA: What are you thinking?! They will all trash out Casita!

ABUELA: (Giggles) I know. You'll soon see.

CUT TO: Casita, some hours later.

Casita opens up her doors. The floors’ tiles push the Mitchells, Monchi, Raya, Sisu, Amin and the Luca trio outside. They all fall on each other. The doors close. A roof tile from over the door goes up and down continuously as a way to wave them goodbye. The Madrigals, with Abuela having their Oscar at hand, see it all through a window.

KATIE: You know mom? It's still not too late to bring "The Lavender One" back.

Linda's face gets hot and her pupils shrink again. Cue the yelling.

[1apiwe]

See the Oscar nominations below.

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

2. Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

3. Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

4. Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

5. Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

6. Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

7. Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

8. Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

9. Best Cinematography 

“All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

10. Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

11. Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

12. Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

13. Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

14. Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

15. Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

16. Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

17. Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

18. Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

19. Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

20. Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

21. Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

22. Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

[deepredradio]

Flee

Story: Ein animierter Dokumentarfilm, in dem der Filmemacher Jonas Poher Rasmussen die wahre Geschichte eines Mannes erzählt, der sich seiner Vergangenheit stellen muss, um wirklich eine Zukunft zu haben. Amin kam als unbegleiteter Minderjähriger aus Afghanistan nach Dänemark. Heute, mit 36 Jahren, ist er ein erfolgreicher Akademiker und heiratet gerade seinen langjährigen Freund. Ein Geheimnis,…

[danismm]

Monica Hellström

[96thdayofrage]

Oscar Nominations 2022: ‘Power of the Dog’ Leads With 12 Nods, ‘Dune’ Follows With 10 (Full List)

Best actor is a race between Hollywood heavyweights Denzel Washington (“The Tragedy of MacBeth”) and Will Smith (“King Richard”), along with respected veterans such as Bardem, Andrew Garfield (“Tick, Tick … Boom!”) and Benedict Cumberbatch (“The Power of the Dog”).  Best actress will be a contest between Cruz, Jessica Chastain (“The Eyes of Tammy Faye”), Olivia Colman (“The Lost Daughter”), Nicole Kidman (“Being the Ricardos”) and Kristen Stewart (“Spencer”).

The 94th annual Academy Awards will be on March 27 at Hollywood’s Dolby Theatre. The in-person ceremony will be televised on ABC. For the first time in three years, the Oscars will have a host in 2022, Craig Erwich, president of ABC Entertainment and Hulu Originals, announced in January. Variety later learned that multiple hosts will likely take the stage, however no official names have been revealed yet.

Here is the full list of 2022 Oscar nominations:

Best Picture

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

Best Director

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

Best Lead Actor

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)

Denzel Washington (“The Tragedy of Macbeth”)

Best Lead Actress

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

Best Supporting Actor

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog”)

Best Supporting Actress

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

Best Adapted Screenplay

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

Best Original Screenplay

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

Best Cinematography

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

Best Animated Feature Film

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

Best Animated Short Film

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

Best Costume Design

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

Best Original Score

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

Best Sound

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Best Original Song

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

Best Documentary Feature

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

Best Documentary Short Subject

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

Best Film Editing

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

Best International Feature Film

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Best Makeup and Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Best Production Design

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Best Visual Effects

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Best Live Action Short Film

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse

[gottagobackintime]

playlist: watering the plants on a warm, summer morning, 5am

Thank you :D Here’s the playlist on Spotify

1. Raindrops Keep Falling on My Head- B.J Thomas

2. Little April Shower- Amy Lou Barnes

3. What A Wonderful World- Louis Armstrong

4. Sakta vi gå genom stan- Monica Zetterlund

5. Gröna små äpplen- Monica Zetterlund

6. Jag ger dig min morgon- Fred Åkerström

7. Visa Från Utanmyra- Jan Johansson

8. Visa vid vindens ängar- Håkan Hellström

9. Så skimrande var aldrig havet- Freddie Wadling

10. Bara dårar rusar in- Håkan Hellström

Quite a few Swedish songs on here, but I hope you will enjoy them even if you can’t understand the lyrics. Because I think they are really beautiful :)

[bathskybird]

Train traffic control system

In: Parasuraman R, Mouloua M (eds) Automation and human performance theory and applications. Santa Monica, CAĮndsley MR (1996) Automation and situation awareness. Proceedings of the human factors society 32nd annual meeting. Lawrence Erlbaum, Mahwah, NJĮndsley MR (1988) Design and evaluation for situation awareness enhancement.

Wiley, Londonīillings CE (1997) Aviation automation, the search for a human-centered approach. In: Rasmussen J, Duncan K, Leplat J (eds) New technology and human error. In: Mellit B, Hill RJ, Allan V, Sciutto G, Brebbia CA (eds) Computers in Railways VI,īainbridge L (1987) The ironies of automation. Proceedings of WCRR 1997, vol C, Florence, pp 673–679Īndersson AW, Sandblad B, Nilsson A (1998) Improving interface usability for train traffic controllers in future traffic control systems. Many of the important aspects of the proposed control strategy can be investigated with the simulation, but due to the complexity of train traffic some issues must be evaluated in an operative environment.Īndersson AW, Sandblad B, Hellström P, Frej I, Gideon A (1997) A systems analysis approach to modeling train traffic control. The majority of the participating train traffic controllers were positive to the new concepts and ideas. Twenty-one train traffic controllers participated in a case study, with a simulated prototype environment. By shifting the control paradigm to a high-level control strategy, many of today’s problems may be avoided, with benefits of the reduction in delays, improved timeliness and better utilization of the infrastructure. The main objective of this paper is to describe a proposed control strategy and a case study, which evaluates the control strategy and the prototype tool derived from the research. This often results in unnecessarily long delays and decreased timeliness of train traffic. Working in a preventive manner is poorly supported and train traffic controllers are usually restricted to just solving problems as they occur. However, performance in train traffic control tasks currently involves working on a technical level in order to regulate the traffic flow. One major reason of this lack of information is insufficient communication.Improving train traffic control can be a cost-efficient way to improve train traffic punctuality and increase utilization of existing and future railway infrastructure. Most of the time section controllers is unaware of the situations in the neighboring sections and hence due to lack of complete input section controller may not be able to run the trains in optimal manner. So, section controller runs the train as a short sighted person. Section controllers has very limited information about the scene beyond his control section. Around thirty to forty sections come under one control section controlled by Chief Traffic Controller (CTC) and several section controllers. These sections are called “Control Sections”. For train-running operations, one division the further smaller sections. Train- running operations are the main responsibility of divisions. Currently sixty nine such divisions exist. These zones are further divided into smaller parts called divisions. Indian railways has seventeen zones ( including Konkan ). Reliable and fast train traffic control systems are needed to cope with the increasing traffic density and high speed trains of today.īefore going further in details we present some railway descriptions and notations. Management and control of railway traffic has been an appealing field of research in recent years. Keywords: Traffic Control, Railway Traffic, Centralized Control, Laser sensor In this laser sensing and wireless communication proposition there can be an alternative to control the trains from many hazardous accidents causing loss of life and property. Wireless sensor network systems will suit the railways much more. In case of failure or any emergencies in between stations, immediate information can not be given and a particular problem will escalate with valuable time loss. Railway transportation traffic control in India is centralized which sometimes delay the action on its accidental situation. Abstract: Railway transportation is the foremost and most popular means of transportation among population.

[topsportsasia]

Oscars 2022 results: 'Encanto' is Best Animated Feature Film

Oscars 2022 results: ‘Encanto’ is Best Animated Feature Film

awards: Academy Awards (Oscars)organization: Academy of Motion Picture Arts and Sciences (AMPAS)edition: 94thdate: March 27, 2022venue: Dolby Theatre, Los Angeles, California, United Stateshosts: Regina Hall, Amy Schumer, Wanda Sykesproducers: Will Packer, Shayla Cowandirector: Glenn Weiss CATEGORY: BEST ANIMATED FEATURE FILM NOMINEES“Flee“Jonas Poher Rasmussen, Monica Hellström, Signe Byrge…

[awardseasonblog]

La categoria del #Migliordocumentario di quest'anno ha un suo leader: il doc musicale di QuestsLove, #SummerofSoul che dopo aver vinto il Gran premio della Giuria e il premio del pubblico al Sundance e successivamente ben 6 Critics Choice Documentary Awards si è imposto come il frontrunner per il #BestDocumentaryFeature ai prossimi Oscar. A tal proposito ha dalla sua parte un numero vertiginoso di premi (il numero più alto di questa stagione) ben 57 potendo fare affidamento su tutti i precursori: dal BAFTA al Producers Guild Award. L'unico che potrebbe ribaltare il verdetto è #Flee che come documentario ha vinto più Film Critics Awards (23) che come film animato (13) o film internazionale (4) tra cui 3 Cinema Eye Honors dedicati alla saggistica filmica. Completano la cinquina più distanziati Ascension (Top Five Documentaries ai National Board of Review, 3 Cinema Eye Honors), Attica (DGA Award, Top Five Documentaries ai National Board of Review), Writing with Fire (1 Cinema Eye Honors). Rispetto ai panel sui favoriti per la nomination pesa l'esclusione del doc The Rescue che aveva ottenuto la nomination a tutti i premi chiave ad eccezione degli International Documentary Awards e vinto 9 Film Critics Association Awards. PREVISIONI MIGLIOR DOCUMENTARIO 1. Summer of Soul 2. Flee NOMINATIONS OSCAR 2022 Best Documentary Feature -“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell -“Attica,” Stanley Nelson and Traci A. Curry -“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie -“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein -“Writing With Fire,” Rintu Thomas and Sushmit Ghosh #AwardsSeason #AwardsRace #OscarsRace #RoadtotheOscars #Movies #Oscars2022 #OscarsPredictions #StagionedeiPremi #Oscar2022 #FinalPredictions #PrevisioniOscar https://www.instagram.com/p/CbcyIHcMzDc/?utm_medium=tumblr

[jackiebarnard11]

Please join my Oscar Pool 2022! 

I have decided to dust off my sometimes annual OSCAR Pool. Please vote and you, too, could win a fun prize-in-the-mail. There will be charity donations, too. The Academy Awards will be held in Hollywood, California on Sunday March 27th at 8:00pm ET on ABC,https://www.oscars.org/oscars/ceremonies. Oscar Pool voting deadline: Sunday March 27th, 7:00pm ET.

You must vote in all categories. Vote for who you think will win and - optional - who you want to win!

Email your choices to jacquelinetien@gmail.com by 3/27 at 7pm ET. 

This year, I am also including some streaming information. Feel free to email me at jacquelinetien@gmail.com for our login and password information. Passwords will be changed after the Oscars ❤

PS after I researched the streaming options, found this too: https://collider.com/where-to-stream-oscar-nominated-movies-2022/

Love,

Jackie

And, the nominees are (I put an asterisk next to the ones we have seen so far):

Printable pdf:

http://assets.cdn.watchdisneyfe.com/delta/assets/oscars/Oscars_Ballot_2022.pdf

Best Picture

BELFAST

Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers

CODA (Apple TV) * we saw

Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers

DON'T LOOK UP (Netflix)

Adam McKay and Kevin Messick, Producers

DRIVE MY CAR 

Teruhisa Yamamoto, Producer

DUNE (Amazon Prime for rent) 

Mary Parent, Denis Villeneuve and Cale Boyter, Producers

KING RICHARD (various for rent)

Tim White, Trevor White and Will Smith, Producers

LICORICE PIZZA 

Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers

NIGHTMARE ALLEY (Hulu, HBOMax)

Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers

THE POWER OF THE DOG (Netflix) *

Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers

WEST SIDE STORY (Disney+) *

Steven Spielberg and Kristie Macosko Krieger, Producers

________________________________________

Actor in a Leading Role

Javier Bardem in BEING THE RICARDOS (Amazon Prime)

Benedict Cumberbatch in THE POWER OF THE DOG *

Andrew Garfield in TICK, TICK...BOOM! (Netflix) *

Will Smith in KING RICHARD

Denzel Washington in THE TRAGEDY OF MACBETH (Apple TV) *

________________________________________

Actor in a Supporting Role

Ciarán Hinds in BELFAST

Troy Kotsur in CODA *

Jesse Plemons in THE POWER OF THE DOG *

J.K. Simmons in BEING THE RICARDOS

Kodi Smit-McPhee in THE POWER OF THE DOG *

________________________________________

Actress in a Leading Role

Jessica Chastain in THE EYES OF TAMMY FAYE (HBOMax)

Olivia Colman in THE LOST DAUGHTER (Netflix)

Penélope Cruz in PARALLEL MOTHERS *

Nicole Kidman in BEING THE RICARDOS

Kristen Stewart in SPENCER (Hulu)

________________________________________

Actress in a Supporting Role

Jessie Buckley in THE LOST DAUGHTER

Ariana DeBose in WEST SIDE STORY *

Judi Dench in BELFAST

Kirsten Dunst in THE POWER OF THE DOG *

Aunjanue Ellis in KING RICHARD

________________________________________

Animated Feature Film

ENCANTO (Disney+)

Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

FLEE (Various rental)

Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

LUCA (Disney+)

Enrico Casarosa and Andrea Warren

THE MITCHELLS VS. THE MACHINES (Netflix)

Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

RAYA AND THE LAST DRAGON (Disney+)

Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

________________________________________

Cinematography

DUNE

Greig Fraser

NIGHTMARE ALLEY

Dan Laustsen

THE POWER OF THE DOG *

Ari Wegner

THE TRAGEDY OF MACBETH *

Bruno Delbonnel

WEST SIDE STORY *

Janusz Kaminski

________________________________________

Costume Design

CRUELLA (Disney+)

Jenny Beavan

CYRANO 

Massimo Cantini Parrini and Jacqueline Durran

DUNE

Jacqueline West and Robert Morgan

NIGHTMARE ALLEY

Luis Sequeira

WEST SIDE STORY *

Paul Tazewell

________________________________________

Directing

BELFAST

Kenneth Branagh

DRIVE MY CAR

Ryusuke Hamaguchi

LICORICE PIZZA

Paul Thomas Anderson

THE POWER OF THE DOG *

Jane Campion

WEST SIDE STORY *

Steven Spielberg

________________________________________

Documentary (Feature)

ASCENSION (Paramount Plus)

Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

ATTICA (Showtime)

Stanley Nelson and Traci A. Curry

FLEE

Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) (Disney+)

Ahmir "Questlove" Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

WRITING WITH FIRE 

Rintu Thomas and Sushmit Ghosh

________________________________________

Documentary (Short Subject)

AUDIBLE (Netflix)

Matt Ogens and Geoff McLean

LEAD ME HOME (Netflix)

Pedro Kos and Jon Shenk

THE QUEEN OF BASKETBALL (https://breakwaterstudios.com/the-queen-of-basketball-watch-now/)

Ben Proudfoot

THREE SONGS FOR BENAZIR (Netflix)

Elizabeth Mirzaei and Gulistan Mirzaei

WHEN WE WERE BULLIES 

Jay Rosenblatt

________________________________________

Film Editing

DON'T LOOK UP

Hank Corwin

DUNE

Joe Walker

KING RICHARD

Pamela Martin

THE POWER OF THE DOG *

Peter Sciberras

TICK, TICK...BOOM! *

Myron Kerstein and Andrew Weisblum

________________________________________

International Feature Film

DRIVE MY CAR

Japan

FLEE

Denmark

THE HAND OF GOD

Italy

LUNANA: A YAK IN THE CLASSROOM (various, rent)

Bhutan 

THE WORST PERSON IN THE WORLD *

Norway

________________________________________

Makeup and Hairstyling

COMING 2 AMERICA (Amazon Prime)

Mike Marino, Stacey Morris and Carla Farmer

CRUELLA

Nadia Stacey, Naomi Donne and Julia Vernon

DUNE

Donald Mowat, Love Larson and Eva von Bahr

THE EYES OF TAMMY FAYE

Linda Dowds, Stephanie Ingram and Justin Raleigh

HOUSE OF GUCCI (Variuus for rent)

Göran Lundström, Anna Carin Lock and Frederic Aspiras

________________________________________

Music (Original Score)

DON'T LOOK UP

Nicholas Britell

DUNE

Hans Zimmer

ENCANTO

Germaine Franco

PARALLEL MOTHERS *

Alberto Iglesias

THE POWER OF THE DOG *

Jonny Greenwood

________________________________________

Music (Original Song)

"Be Alive" from KING RICHARD

Music and Lyric by DIXSON and Beyoncé Knowles-Carter

"Dos Oruguitas" from ENCANTO

Music and Lyric by Lin-Manuel Miranda

"Down To Joy" from BELFAST

Music and Lyric by Van Morrison

"No Time To Die" from NO TIME TO DIE

Music and Lyric by Billie Eilish and Finneas O'Connell

"Somehow You Do" from FOUR GOOD DAYS

Music and Lyric by Diane Warren

________________________________________

Production Design

DUNE

Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos

NIGHTMARE ALLEY

Production Design: Tamara Deverell; Set Decoration: Shane Vieau

THE POWER OF THE DOG *

Production Design: Grant Major; Set Decoration: Amber Richards

THE TRAGEDY OF MACBETH *

Production Design: Stefan Dechant; Set Decoration: Nancy Haigh

WEST SIDE STORY *

Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

________________________________________

Short Film (Animated)

AFFAIRS OF THE ART (https://www.youtube.com/watch?v=s-xXpYGNPmk)

Joanna Quinn and Les Mills

BESTIA (Vimeo rent)

Hugo Covarrubias and Tevo Díaz

BOXBALLET 

Anton Dyakov

ROBIN ROBIN (Netflix)

Dan Ojari and Mikey Please

THE WINDSHIELD WIPER

Alberto Mielgo and Leo Sanchez

________________________________________

Short Film (Live Action)

ALA KACHUU - TAKE AND RUN

Maria Brendle and Nadine Lüchinger

THE DRESS

Tadeusz Łysiak and Maciej Ślesicki

THE LONG GOODBYE (YouTube)

Aneil Karia and Riz Ahmed

ON MY MIND

Martin Strange-Hansen and Kim Magnusson

PLEASE HOLD

K.D. Dávila and Levin Menekse

________________________________________

Sound

BELFAST

Denise Yarde, Simon Chase, James Mather and Niv Adiri

DUNE

Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

NO TIME TO DIE (Various for rent)

Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

THE POWER OF THE DOG *

Richard Flynn, Robert Mackenzie and Tara Webb

WEST SIDE STORY *

Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

________________________________________

Visual Effects

DUNE

Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

FREE GUY (Various for rent)

Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

NO TIME TO DIE

Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

SHANG-CHI AND THE LEGEND OF THE TEN RINGS (Disney+)

Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

SPIDER-MAN: NO WAY HOME

Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

________________________________________

Writing (Adapted Screenplay)

CODA *

Screenplay by Siân Heder

DRIVE MY CAR

Screenplay by Ryusuke Hamaguchi, Takamasa Oe

DUNE

Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

THE LOST DAUGHTER

Written by Maggie Gyllenhaal

THE POWER OF THE DOG *

Written by Jane Campion

________________________________________

Writing (Original Screenplay)

BELFAST

Written by Kenneth Branagh

DON'T LOOK UP

Screenplay by Adam McKay; Story by Adam McKay & David Sirota

KING RICHARD

Written by Zach Baylin

LICORICE PIZZA

Written by Paul Thomas Anderson

THE WORST PERSON IN THE WORLD *

Written by Eskil Vogt, Joachim Trier

[diptanshukashyapofficial]

B-4 : Oscars 2023 Predictions - A Film fan's perspective (Part - 2)

The 95th Academy Awards, a.k.a. The Oscars®, will take place on March 13 at 5:30 AM IST. The celebrations of the Oscar season are at their peak. Amid the fun and excitement, here's a look at the movies categories and our predictions of the winners:-

Best Animated Film

Nominees:

Guillermo del Toro's Pinocchio – Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley

Marcel the Shell with Shoes On – Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan, and Paul Mezey

Puss in Boots: The Last Wish – Joel Crawford and Mark Swift

The Sea Beast – Chris Williams and Jed Schlanger

Turning Red – Domee Shi and Lindsey Collins

Prediction: Guillermo del Toro's Pinocchio

del Toro's first attempt at stop-motion animation to present the classic tale of the wooden boy in a different style has received several accolades this year. An Oscar is gonna be another such honor.

Best International Feature Film

Nominees:

All Quiet on the Western Front (Germany) – directed by Edward Berger

Argentina, 1985 (Argentina) – directed by Santiago Mitre

Close (Belgium) – directed by Lukas Dhont

EO (Poland) – directed by Jerzy Skolimowski

The Quiet Girl (Ireland) – directed by Colm Bairéad

Prediction(s): All Quiet on The Western Front/Argentina, 1985

While the former is an anti-war film appreciated by critics & audiences, the latter was the Golden Globe winner in the same category this year. Hence, the two are gonna be strong contenders.

Best Documentary Feature

Nominees:

All That Breathes – Shaunak Sen, Aman Mann, and Teddy Leifer

All the Beauty and the Bloodshed – Laura Poitras, Howard Gertler, John Lyons, Nan Goldin, and Yoni Golijov

Fire of Love – Sara Dosa, Shane Boris, and Ina Fichman

A House Made of Splinters – Simon Lereng Wilmont and Monica Hellström

Navalny – Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller, and Shane Boris

Prediction(s): All the Beauty and the Bloodshed/A House Made of Splinters

The former is about the life of photographer and activist Nan Goldin and her efforts to hold Purdue Pharma, owned by the Sackler family, accountable for the opioid epidemic. On the other hand, the latter is about an orphanage with children dealing with the Russia-Ukraine war. Both themes have been a crucial topic of discussion among cinephiles and filmmakers - and the Academy might be a part of it as well.

Best Documentary Short Subject

Nominees:

The Elephant Whisperers – Kartiki Gonsalves and Guneet Monga

Haulout – Evgenia Arbugaeva and Maxim Arbugaev

How Do You Measure a Year? – Jay Rosenblatt

The Martha Mitchell Effect – Anne Alvergue and Beth Levison

Stranger at the Gate – Joshua Seftel and Conall Jones

Prediction(s): The Elephant Whispers/The Martha Mitchell Effect

The Academy can have a split decision between a human-elephant relationship and the whistleblower of the biggest political scandals of the world - Watergate!

Best Live Action Short Film

Nominees:

An Irish Goodbye – Tom Berkely and Ross White

Ivalu – Anders Walter and Rebecca Pruzan

Le Pupille – Alice Rohrwacher and Alfonso Cuarón

Night Ride – Eirik Tveiten and Gaute Lid Larssen

The Red Suitcase – Cyrus Neshvad

Prediction: An Irish Goodbye

The story of two siblings reuniting after their mother's death - filled with humor & drama would be the ultimate contender.

Best Animated Short Film

Nominees:

The Boy, the Mole, the Fox and the Horse – Charlie Mackesy and Matthew Freud

The Flying Sailor – Wendy Tilby and Amanda Forbis

Ice Merchants – João Gonzalez and Bruno Caetano

My Year of Dicks – Sara Gunnarsdóttir and Pamela Ribon

An Ostrich Told Me the World Is Fake and I Think I Believe It – Lachlan Pendragon

Prediction: My Year of Dicks

A teenage girl's obsession with finding the right partner for sex amid a comedic journey of disappointment and self-discovery can win the golden man for depicting female sexism.

Best Original Score

Nominees:

All Quiet on the Western Front – Volker Bertelmann

Babylon – Justin Hurwitz

The Banshees of Inisherin – Carter Burwell

Everything Everywhere All at Once – Son Lux

The Fabelmans – John Williams

Prediction: The Banshees of Inishrein/Babylon

While John Williams has become the most nominated living person (53 - winning 5), Hurwitz and Burwell would be giving The Fabelmans' score a tough competition. While the former gives the 1920s Silent Hollywood vibe, the latter's Irish folk composition is full of humor and intense tension as the film progresses.

Best Original Song

Nominees:

"Applause" from Tell It Like a Woman – Music and lyrics by Diane Warren

"Hold My Hand" from Top Gun: Maverick – Music and lyrics by Lady Gaga and BloodPop

"Lift Me Up" from Black Panther: Wakanda Forever – Music by Tems, Rihanna, Ryan Coogler, and Ludwig Göransson; Lyrics by Tems and Ryan Coogler

"Naatu Naatu" from RRR – Music by M. M. Keeravani; Lyrics by Chandrabose

"This Is a Life" from Everything Everywhere All at Once – Music by Ryan Lott, David Byrne, and Mitski; Lyrics by Ryan Lott and David Byrne

Prediction: Naatu Naatu

Undoubtedly, this "feel good" dance number can make the Academy members shake their legs as well. The audience's love and the Golden Globe for Keeravani are enough to ensure an Oscar for another South Indian composer (first since AR Rahman for Jai Ho).

[atomheartmagazine]

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Premi Oscar 2022: ecco tutte le nomination

Durante la diretta streaming sui canali dell’Academy, sono state rese note tutte le nomination ai Premi Oscar 2022. Eccole di seguito.

NOMINATION PREMI OSCAR 2022

MIGLIOR FILM – Premi Oscar 2022

“Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers

“CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers

“Don’t Look Up” Adam McKay and Kevin Messick, Producers

“Drive My Car” Teruhisa Yamamoto, Producer

“Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers

“King Richard” Tim White, Trevor White and Will Smith, Producers

“Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers

“Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers

“The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers

“West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers

MIGLIOR REGIA

“Belfast” Kenneth Branagh

“Drive My Car” Ryusuke Hamaguchi

“Licorice Pizza” Paul Thomas Anderson

“The Power of the Dog” Jane Campion

“West Side Story” Steven Spielberg

MIGLIOR ATTORE PROTAGONISTA – Premi Oscar 2022

Javier Bardem in “Being the Ricardos”

Benedict Cumberbatch in “The Power of the Dog”

Andrew Garfield in “tick, tick…BOOM!”

Will Smith in “King Richard”

Denzel Washington in “The Tragedy of Macbeth”

MIGLIORE ATTRICE PROTAGONISTA

Jessica Chastain in “The Eyes of Tammy Faye”

Olivia Colman in “The Lost Daughter”

Penélope Cruz in “Parallel Mothers”

Nicole Kidman in “Being the Ricardos”

Kristen Stewart in “Spencer”

MIGLIOR ATTORE NON PROTAGONISTA

Ciarán Hinds in “Belfast”

Troy Kotsur in “CODA”

Jesse Plemons in “The Power of the Dog”

J.K. Simmons in “Being the Ricardos”

Kodi Smit-McPhee in “The Power of the Dog”

MIGLIORE ATTRICE NON PROTAGONISTA

Jessie Buckley in “The Lost Daughter”

Ariana DeBose in “West Side Story”

Judi Dench in “Belfast”

Kirsten Dunst in “The Power of the Dog”

Aunjanue Ellis in “King Richard”

MIGLIOR LUNGOMETRAGGIO ANIMATO – Premi Oscar 2022

“Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

MIGLIOR FOTOGRAFIA

“Dune” Greig Fraser

“Nightmare Alley” Dan Laustsen

“The Power of the Dog” Ari Wegner

“The Tragedy of Macbeth” Bruno Delbonnel

“West Side Story” Janusz Kaminski

MIGLIORI COSTUMI

“Cruella” Jenny Beavan

“Cyrano” Massimo Cantini Parrini and Jacqueline Durran

“Dune” Jacqueline West and Robert Morgan

“Nightmare Alley” Luis Sequeira

“West Side Story” Paul Tazewell

MIGLIOR DOCUMENTARIO – Premi Oscar 2022

“Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica” Stanley Nelson and Traci A. Curry

“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing with Fire” Rintu Thomas and Sushmit Ghosh

MIGLIOR CORTOMETRAGGIO DOCUMENTARIO

“Audible” Matt Ogens and Geoff McLean

“Lead Me Home” Pedro Kos and Jon Shenk

“The Queen of Basketball” Ben Proudfoot

“Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies” Jay Rosenblatt

MIGLIOR MONTAGGIO

“Don’t Look Up” Hank Corwin

“Dune” Joe Walker

“King Richard” Pamela Martin

“The Power of the Dog” Peter Sciberras

“tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum

MIGLIOR FILM INTERNAZIONALE – Premi Oscar 2022

“Drive My Car” Japan

“Flee” Denmark

“The Hand of God” Italy

“Lunana: A Yak in the Classroom” Bhutan

“The Worst Person in the World” Norway

MIGLIOR MAKEUP E HAIRSTYLING

“Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer

“Cruella” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras

MIGLIOR COLONNA SONORA ORIGINALE – Premi Oscar 2022

“Don’t Look Up” Nicholas Britell

“Dune” Hans Zimmer

“Encanto” Germaine Franco

“Parallel Mothers” Alberto Iglesias

“The Power of the Dog” Jonny Greenwood

MIGLIOR CANZONE ORIGINALE

“Be Alive” from “King Richard” Music and Lyric by DIXSON and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto” Music and Lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast” Music and Lyric by Van Morrison

“No Time To Die” from “No Time to Die” Music and Lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days” Music and Lyric by Diane Warren

MIGLIORE SCENOGRAFIA

“Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos

“Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau

“The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards

“The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh

“West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

MIGLIOR CORTOMETRAGGIO ANIMATO – Premi Oscar 2022

“Affairs of the Art” Joanna Quinn and Les Mills

“Bestia” Hugo Covarrubias and Tevo Díaz

“Boxballet” Anton Dyakov

“Robin Robin” Dan Ojari and Mikey Please

“The Windshield Wiper” Alberto Mielgo and Leo Sanchez

MIGLIOR CORTOMETRAGGIO – Premi Oscar 2022

“Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger

“The Dress” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye” Aneil Karia and Riz Ahmed

“On My Mind” Martin Strange-Hansen and Kim Magnusson

“Please Hold” K.D. Dávila and Levin Menekse

MIGLIOR SUONO

“Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

MIGLIORI EFFETTI VISIVI

“Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

MIGLIORE SCENEGGIATURA NON ORIGINALE

“CODA” Screenplay by Siân Heder

“Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter” Written by Maggie Gyllenhaal

“The Power of the Dog” Written by Jane Campion

MIGLIORE SCENEGGIATURA ORIGINALE

“Belfast” Written by Kenneth Branagh

“Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota

“King Richard” Written by Zach Baylin

“Licorice Pizza” Written by Paul Thomas Anderson

“The Worst Person in the World” Written by Eskil Vogt, Joachim Trier

Qui tutte le nomination ai Premi Oscar 2022 sul sito dell’Academy.

[youviralart]

[signaldk]

'Flugt' bliver Danmarks Oscar-bud!

‘Flugt’ bliver Danmarks Oscar-bud!

Det Danske Filminstitut skriver: ‘Flugt��� bliver Danmarks Oscar-bud! Den danske Oscar-komité har netop besluttet at sende Jonas Poher Rasmussens ‘Flugt’ videre i Oscar-kapløbet om en nominering i kategorien for bedste internationale film ✨ Stort tillykke til Jonas Poher Rasmussen, producere Monica Hellström og Signe Byrge Sørensen og resten af holdet hos Final Cut for Real – og til den danske…