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filmspun · 2 years ago
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2023 Oscar nominations :
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Director 
Martin McDonagh (“The Banshees of Inisherin”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Steven Spielberg (“The Fabelmans”) 
Todd Field (“Tár”) 
Ruben Östlund (“Triangle of Sadness”)
Best Lead Actor
Austin Butler (“Elvis”) 
Colin Farrell (“The Banshees of Inisherin”) 
Brendan Fraser (“The Whale”) 
Paul Mescal (“Aftersun”) 
Bill Nighy (“Living”) 
Best Lead Actress
Cate Blanchett (“Tár”) 
Ana de Armas (“Blonde”) 
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”) 
Michelle Yeoh (“Everything Everywhere All at Once”)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) 
Brian Tyree Henry (“Causeway”) 
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”) 
Ke Huy Quan (“Everything Everywhere All at Once”) 
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”) 
Hong Chau (“The Whale”) 
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Stephanie Hsu (“Everything Everywhere All at Once”)
Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley
Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
Best Documentary Feature Film 
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best Documentary Short Film 
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
Best International Feature Film 
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) 
“Close” (Belgium)
“EO” (Poland) 
“The Quiet Girl” (Ireland) 
Best Original Song 
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 
Best Production Design 
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Animated Feature Film 
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
Best Costume Design 
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad
Best Makeup and Hairstyling 
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Original Score 
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
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thetalentedmrkashyap · 2 years ago
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B-6 : Oscars 2023 - Predictions vs Reality
The 95th Academy Awards, a.k.a. The Oscars® took place today. The ceremony was full of obvious wins (and some unexpected ones too). The best part was - this year’s Oscars telecast had zero incidents (as the host Jimmy Kimmel points out in the end).
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Amid all of this, here's a look at the predicted winners and the actual winners (in order of their presentations):-
Best Animated Feature Film
Prediction: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)
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Reality: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)
Best Supporting Actor
Prediction: Ke Huy Quan (Everything Everywhere All at Once)
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Reality: Ke Huy Quan (Everything Everywhere All at Once)
Best Supporting Actress
Prediction: Angela Bassett (Black Panther: Wakanda Forever)
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Reality: Jamie Lee Kurtis (Everything Everywhere All at Once)
Best Documentary Feature Film
Prediction(s): All the Beauty and the Bloodshed (Laura Poitras, Howard Gertler, John Lyons, Nan Goldin, and Yoni Golijov)/A House Made of Splinters ( Simon Lereng Wilmont and Monica Hellström)
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Reality:  Navalny (Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller, and Shane Boris)
Best Live Action Short Film
Prediction: An Irish Goodbye (Tom Berkely and Ross White)
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Reality: An Irish Goodbye (Tom Berkely and Ross White)
Best Cinematography
Prediction: All Quiet on the Western Front (James Friend)
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Reality: All Quiet on the Western Front (James Friend)
Best Makeup & Hairstyling
Prediction: Elvis (Mark Coulier, Jason Baird, and Aldo Signoretti)
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Reality: The Whale (Adrien Morot, Judy Chin, and Anne Marie Bradley)
Best Costume Designing
Prediction: Elvis (Catherine Martin)
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Reality: Black Panther: Wakanda Forever (Ruth E. Carter)
Best International Feature Film
Prediction(s): All Quiet on the Western Front (Germany - Edward Berger)/Argentina, 1985 (Argentina - Santiago Mitre)
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Reality: All Quiet on the Western Front (Germany - Edward Berger)
Best Documentary Short Film
Prediction(s): The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)/The Martha Mitchell Effect (Anne Alvergue and Beth Levison)
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Reality: The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)
Best Animated Short Film
Prediction: My Year of Dicks (Sara Gunnarsdóttir and Pamela Ribon)
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Reality: The Boy, the Mole, the Fox and the Horse (Charlie Mackesy and Matthew Freud)
Best Production Design
Prediction: Elvis (Production Design - Catherine Martin and Karen Murphy; Set Decoration - Bev Dunn)
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Reality:  All Quiet on the Western Front (Production Design - Christian M. Goldbeck; Set Decoration - Ernestine Hipper)
Best Original Score
Prediction(s): The Banshees of Inishrein (Carter Burwell)/Babylon (Justin Hurwitz)
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Reality: All Quiet on the Western Front (Volker Bertelmann)
Best Visual Effects
Prediction: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)
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Reality: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)
Best Original Screenplay
Prediction(s): The Banshees of Inisherin (Martin McDonagh)/Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)
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Reality: Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)
Best Adapted Screenplay
Prediction: Women Talking (Sarah Polley - based on the novel by Miriam Toews)
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Reality: Women Talking (Sarah Polley - based on the novel by Miriam Toews)
Best Sound
Prediction: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)
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Reality: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)
Best Original Song
Prediction: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)
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Reality: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)
Best Film Editing
Prediction: Top Gun: Maverick (Eddie Hamilton)
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Reality: Everything Everywhere All at Once (Paul Rogers)
Best Director
Prediction: Steven Spielberg (The Fabelmans)
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Reality:  Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)
Best Actor
Prediction(s): Austin Butler (Elvis)/Colin Farrell (The Banshees of Inisherin)/Brendan Fraser (The Whale)
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Reality: Brendan Fraser (The Whale)
Best Actress
Prediction(s): Cate Blanchett (Tár)/Michelle Yeoh (Everything Everywhere All at Once)
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Reality: Michelle Yeoh (Everything Everywhere All at Once)
Best Picture
Prediction: The Fabelmans
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Reality: Everything Everywhere All at Once
Which categories met your expectations? Don’t forget to share them in the comments below.
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rodrickstudios · 2 years ago
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The Mitchells vs. the Madrigals - Fan script for a mini sketch
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DISCLAIMER: The following script is a parody. Any use of names related to movies, institutions or people (whether fictional or not) is not meant to be taken seriously.
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Dolby Theater, March 27th 2022. The Oscars are about to begin. Among various live action actors, directors and similar film crew, some CGI animated characters and a 2-D Amin Nawabi (Flee) look for their seats apart from those that belong to the directors of their respective movies. Among the CGI toons are Raya and Sisu; next to them, Luca, Alberto and Giulia. Amin, in particular, wears a tuxedo while Sisu only wears a tie. Raya, on the other hand, wears an elegant dress. They all sit. The spectators around these toon stars clap and cheer at them with eerie-looking faces and smiles. Last but not least, two toon families in elegant clothing also find their seats among the clapping spectators. At one side, the Madrigals; at the other, the Mitchells. The spectators suddenly stop clapping as the two families sit and get comfortable. Aaron Mitchell, along with Monchi (who also wears a little tuxedo, like a little gentleman), get closer to where Antonio Madrigal is. Aaron stares at Antonio and does a little dino roar while showing his T-Rex snapper.
ANTONIO: Guys, take a seat!
At this command, some wild animals appear out of nowhere: a leopard, a few capibaras, a toucan, a few tapirs, some coatis… Aaron feels uncomfortable about this. Monchi, on the other hand, gets scared at the animals and leaves towards the rest of the Mitchell family. Aaron follows him. Meanwhile, Rick gets approached by Linda.
LINDA: I don’t know about you honey, but I hope Encanto wins.
RICK: Enchan…to? You mean the one with that, what was called… “Bruno”… song? Aaron never stops seeing that video Katie has made with Monchi barfing it.
LINDA: Well…yeah! I guess so.
A second Linda approaches Rick.
LINDA 2: Ehm…Rick?
The first Linda changes into Camilo Madrigal, who returns with the rest of the Madrigals with an annoyed yet confused look on his face. He can't believe Rick knows little about Encanto. Mirabel, on the other hand, approaches Katie.
MIRABEL (with an optimistic tone): Hey, good luck.
They both shake hands, but Katie feels a little unsecure about what just happened.
KATIE: Ehm…thanks I suppose?
Mirabel returns to where the rest of the Madrigals are.
CUT TO: An hour later
The time all the toons and the directors of their movies have been waiting for has finally come. Lily James, Naomi Scott and Halle Bailey get on stage to present the Oscar for Best Animated Feature. Everyone cheers.
HALLE BAILEY: All of these characters hold such a special place in our hearts, because animated films make up some of our most formative movie experiences as kids.
Katie gets surprised and mumbles angrily.
LILY JAMES: So many kids watch these movies over, and over…
HALLE BAILEY: And over and over and over and over and over!
NAOMI SCOTT: I see some parents out there know exactly what we’re talking about!
Linda also gets surprised and mumbles angrily, but in a tone that’s little louder than Katie. Katie sees this and calms her down.
KATIE (whispering): Calm down, mom! There’s… there’s a big chance for us to win! I hope…
NAOMI SCOTT: Here are the nominees for Best Animated Feature Film. Encanto; Jared Bush, Byron Howard, Yvett Merino and Clark Spencer.
As Scott reads the previous title and directors, the Madrigals get surprised as the ever-so-cheerful crowd claps at them. A rainbow appears over Pepa. Isabela produces some beautiful flowers on her hair and Antonio’s animal friends look at him happily. However, Abuela Alma seems to just be happy about the situation; she doesn’t celebrate with the family. Mirabel, on the other hand, just looks at everyone with discommodity in her eyes.
N.S. (cont’d): Flee; Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte de la Gournerie.
Amin hesitates for a moment, then stands up and, with a confused look, bows at the crowd around him.
N.S. (cont’d): Luca; Enrico Casarosa and Andrea Warren.
While the monotonous crowd cheers, Giulia waves at them while Luca and Alberto celebrate by throwing bottles of water at themselves. This causes them to change into their sea monster forms, much to Giulia’s surprise.
N.S. (cont’d): The Mitchells vs the Machines; Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht.
Katie is trying to calm down Linda when, suddenly, she realizes her family has just been mentioned. She immediately and insecurely waves at the crowd along with Rick. Linda waves frowning while Aaron waves Monchi’s left front paw. Both Rick and Aaron’s faces are also showing the same insecurity as the women of their family.
N.S. (cont’d): Raya and the Last Dragon; Don Hall, Carlos López Estrada, Osnat Shurer and Peter del Vecho.
Sisu and Raya wave at the crowd. Sisu then pats Raya in the head.
LILY JAMES: The Academy rules specify that animated characters must remain in their seats.
N.S.: Only real people can accept the award, so please be animated.
HALLE BAILEY: And the Oscar goes to…
Suspense is in the air. All toons stare at the three hosts in excitement. There’s even fog surrounding Pepa! Monchi just drools over the deadpan capibara, though, but the latter doesn’t even react to that. Finally, Bailey opens the envelope. The winner is…
JAMES, SCOTT AND BAILEY: Encanto!!!
All of the live-action audience members clap and cheer. While the Encanto live-action crew heads to the stage, the Madrigals and Antonio’s animals celebrate their victory along with the crowd surrounding them. A ray of sunshine appears over Pepa. Abuela Alma is still only happy and keeps distancing herself from the Madrigals’ celebration. Also, Mirabel is still looking uncomfortable. Amin gets a little frustrated at not winning the award while a member of the crowd turns around to give a “better luck next time” look towards his neck. A similar thing happens with some crowd members next to the remaining “loosers”. The Luca trio is straight up angry at the situation, but that doesn’t compare to Linda’s reaction. She starts breathing and growling uncontrollably with her face having turned hot and her pupils having shrunk down to some dangerously familiar ones. Her scene attracts the attention of Raya and Sisu; Sisu being just about to pat Raya in the shoulder as consolation. Katie and Rick, meanwhile, are trying to calm Linda down.
KATIE: Mom, mom, please calm down!
RICK: Breathe in, breathe out, breathe in, breathe out, it’s OK!
Linda’s breakdown doesn’t seem to worry the live-action assistants of the ceremony. The Encanto live action crew do their speech.
CLARK SPENCER: And everyone in the Walt Disney Animation Studios, this film only exists because of your talent and your passion…
LINDA (in a very angry tone): KATIE, IS IT TRUE THE ACADEMY IS BOUGHT BY DISNEY?!
This interrupts Spencer’s speech. The Encanto LA crew, the three hostess and everyone in the audience turns to Linda. The audience in particular emits the traditional crowd gasp sound effect.
KATIE (unsecure and worried at the same time): Well, not exactly, you see…
Linda interrupts Katie with a loud yell. Rick and Katie look at each other; they know what to do in these cases. They get up and wave their arms in desperation.
RICK: Everyone leave the building, quick!
KATIE: Code Lavender! Code Lavender!
Rick and Katie’s efforts are worthless. Linda angrily heads towards the stage throwing away every seat (all with an audience member on them) she finds on her path. Once Linda is on stage, she runs towards every Encanto LA crew member, grabs and throws them into the air. She then runs at the three hostesses, who all try to escape.
LINDA: YOU THREE, GET ANIMATION OUT OF YOUR F**KING MOUTHS!!!
Linda grabs the three and also throws them into the air. All the live action audience members, by now, have left the building in fear. Abuela, through a movement of her arm, draws the Madrigals’ attention to Linda. They all get on stage in an attempt to stop her. All, that is, except for Dolores, Felix, Agustín, Mirabel and Bruno. Dolores mumbles and covers her ears.
DOLORES: Ugh, those steps!
The attempts of the remaining Madrigals to stop Linda, still, are in vain. A storm cloud appears over Pepa. From it, a thunder catches The Lavender One. However, she somehow survives said thunder, but ends up looking cartoonishly calcinated (i.e. turns completely gray and smoke rises from her body). This, nonetheless, doesn’t stop her from throwing Pepa in the air, running towards Julieta, snatching the arepita con queso the latter had at hand and eating it. In a second, her calcinated body turns back to normal. She throws Julieta away too. Antonio then uses his arm to command the animals (except for the deadpan capibaras) to throw themselves into her. They all do at once, but Linda, in just two arm movements, grabs and throws them away with ease, leopard included. Isabela summons two large flowers to tangle her up, but Linda rips them off, again, easily. She heads towards Isa, grabs and throws her away. Meanwhile, Mirabel reaches Katie, who is watching everything calmly.
KATIE: No offence to your family, but I think they deserve this.
MIRABEL: Yeah, I guess you’re right.
Amin reaches the two girls.
AMIN: Do you want to know something kids? After that awful speech about animation, I won’t trust the Academy anymore.
KATIE: Same here Mr. Nawabi. Oh, by the way, I watched your movie. And I LOVE it. It’s incredible how…
Katie gets interrupted by a screech from her mum. The fight is still going strong. Linda has just thrown Camilo away. Luisa grabs a column pillar with both hands and heads with it towards Linda. Linda, with just one hand, grabs said pillar and throws both it and Luisa towards the roof, breaking it. The Mitchell mum breathes in and out, still in rage. Almost every Madrigal has been knocked out and the theater has been ruined. Suddenly, Abuela stands up.
ABUELA: Alright, that’s enough Señora Mitchell!
Linda looks towards Abuela while calming herself down. Luisa falls back down, breaking the roof yet again.
ABUELA: What a shame! I know you’re angry because we won the Award, but that’s no way of treating us!
Linda lowers her head in shame.
ABUELA (cont'd): But don't worry! To solve our rivalry. I suggest you to go with your family to our Casita Madrigal. We'll throw a big party there!
Pepa gets surprised and a storm cloud appears over her again.
ABUELA (cont’d): The other nominees are also invited! The Casita pays!
Linda thinks about it and gets calmed and cheerful all of a sudden. She finally gets off the stage and joins the rest of the Mitchells, who all are puzzled at what has just happened. Pepa, still accompained by her storm cloud, approaches Abuela in anger.
PEPA: What are you thinking?! They will all trash out Casita!
ABUELA: (Giggles) I know. You'll soon see.
CUT TO: Casita, some hours later.
Casita opens up her doors. The floors’ tiles push the Mitchells, Monchi, Raya, Sisu, Amin and the Luca trio outside. They all fall on each other. The doors close. A roof tile from over the door goes up and down continuously as a way to wave them goodbye. The Madrigals, with Abuela having their Oscar at hand, see it all through a window.
KATIE: You know mom? It's still not too late to bring "The Lavender One" back.
Linda's face gets hot and her pupils shrink again. Cue the yelling.
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1apiwe · 2 years ago
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See the Oscar nominations below.
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
2. Best Director 
Martin McDonagh (“The Banshees of Inisherin”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Steven Spielberg (“The Fabelmans”) 
Todd Field (“Tár”) 
Ruben Östlund (“Triangle of Sadness”)
3. Best Lead Actor
Austin Butler (“Elvis”) 
Colin Farrell (“The Banshees of Inisherin”) 
Brendan Fraser (“The Whale”) 
Paul Mescal (“Aftersun”) 
Bill Nighy (“Living”) 
4. Best Lead Actress
Cate Blanchett (“Tár”) 
Ana de Armas (“Blonde”) 
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”) 
Michelle Yeoh (“Everything Everywhere All at Once”)
5. Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) 
Brian Tyree Henry (“Causeway”) 
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”) 
Ke Huy Quan (“Everything Everywhere All at Once”) 
6. Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”) 
Hong Chau (“The Whale”) 
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Stephanie Hsu (“Everything Everywhere All at Once”)
7. Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley
8. Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
9. Best Cinematography 
“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
10. Best Documentary Feature Film 
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
11. Best Documentary Short Film 
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
12. Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
13. Best International Feature Film 
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) 
“Close” (Belgium)
“EO” (Poland) 
“The Quiet Girl” (Ireland) 
14. Best Original Song 
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 
15. Best Production Design 
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
16. Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
17. Best Animated Feature Film 
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
18. Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
19. Best Costume Design 
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
20. Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad
21. Best Makeup and Hairstyling 
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Original Score 
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
22. Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
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deepredradio · 2 years ago
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Flee
Story: Ein animierter Dokumentarfilm, in dem der Filmemacher Jonas Poher Rasmussen die wahre Geschichte eines Mannes erzählt, der sich seiner Vergangenheit stellen muss, um wirklich eine Zukunft zu haben. Amin kam als unbegleiteter Minderjähriger aus Afghanistan nach Dänemark. Heute, mit 36 Jahren, ist er ein erfolgreicher Akademiker und heiratet gerade seinen langjährigen Freund. Ein Geheimnis,…
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awardseason · 3 years ago
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2022 BAFTA Awards — Winners
Best Film “Belfast” “Don’t Look Up” “Dune” “Licorice Pizza” “The Power of the Dog” — WINNER
Outstanding British Film “After Love” “Ali & Ava” “Belfast” — WINNER “Boiling Point” “Cyrano” “Everybody’s Talking About Jamie” “House of Gucci” “Last Night in Soho” “No Time to Die” “Passing”
Director “After Love” – Aleem Khan “Drive My Car” – Ryûsuke Hamaguchi “Happening” – Audrey Diwan “Licorice Pizza” – Paul Thomas Anderson “The Power of the Dog” – Jane Campion — WINNER “Titane” – Julia Ducournau
Leading Actress Lady Gaga – “House of Gucci” Alana Haim – “Licorice Pizza” Emilia Jones – “CODA” Renate Reinsve – “The Worst Person in the World” Joanna Scanlan – “After Love” — WINNER Tessa Thompson – “Passing”
Leading Actor Adeel Akhtar – “Ali & Ava” Mahershala Ali – “Swan Song” Benedict Cumberbatch – “The Power of the Dog” Leonardo DiCaprio – “Don’t Look Up” Stephen Graham – “Boiling Point” Will Smith – “King Richard” — WINNER
Supporting Actress Caitríona Balfe – “Belfast” Jessie Buckley – “The Lost Daughter” Ariana DeBose – “West Side Story” — WINNER Ann Dowd – “Mass” Aunjanue Ellis – “King Richard” Ruth Negga – “Passing”
Supporting Actor Mike Faist – “West Side Story” Ciarán Hinds – “Belfast” Troy Kotsur – “CODA” — WINNER Woody Norman – “C’mon C’mon” Jesse Plemons – “The Power of the Dog” Kodi Smit-McPhee – “The Power of the Dog”
Outstanding Debut by a British Writer, Director or Producer “After Love” – Aleem Khan (Writer/Director) “Boiling Point” – James Cummings (Writer), Hester Ruoff (Producer) [also written by Philip Barantini and Produced by Bart Ruspoli] “The Harder They Fall” – Jeymes Samuel (Writer/director) [also written by Boaz Yakin] — WINNER “Keyboard Fantasies” – Posy Dixon (Writer/Director), Liv Proctor (Producer) “Passing” – Rebecca Hall (Writer/Director)
Film Not in the English Language “Drive My Car” – Ryûsuke Hamaguchi, Teruhisa Yamamoto — WINNER “The Hand of God” – Paolo Sorrentino, Lorenzo Mieli “Parallel Mothers” – Pedro Almodóvar, Agustín Almodóvar “Petite Maman” – Céline Sciamma, Bénédicte Couvreur “The Worst Person in the World” – Joachim Trier, Thomas Robsahm
Documentary “Becoming Cousteau” – Liz Garbus, Dan Cogan “Cow” – Andrea Arnold, Kat Mansoor “Flee” – Jonas Poher Rasmussen. Monica Hellström “The Rescue” – Elizabeth Chai Vasarhelyi, Jimmy Chin, John Battsek, P. J. Van Sandwijk “Summer of Soul (or, When the Revolution Could Not Be Televised)” – Ahmir — WINNER “Questlove” Thompson, David Dinerstein, Robert Fyvolent, Joseph Patel
Animated Film “Encanto” – Jared Bush, Byron Howard, Yvett Merino, Clarke Spencer — WINNER “Flee” – Jonas Poher Rasmussen. Monica Hellström “Luca” – Enrico Casarosa, Andrea Warren “The Mitchells Vs the Machines” – Mike Rianda, Phil Lord, Christopher Miller
Original Screenplay “Being the Ricardos” – Aaron Sorkin “Belfast” – Kenneth Branagh “Don’t Look Up” – Adam Mckay “King Richard” – Zach Baylin “Licorice Pizza” – Paul Thomas Anderson — WINNER
Adapted Screenplay “CODA” – Siân Heder — WINNER “Drive My Car” – Ryûsuke Hamaguchi “Dune” – Denis Villeneuve “The Lost Daughter” – Maggie Gyllenhaal “The Power of the Dog” – Jane Campion
Original Score “Being the Ricardos” – Daniel Pemberton “Don’t Look Up” – Nicholas Britell “Dune” – Hans Zimmer — WINNER “The French Dispatch” – Alexandre Desplat “The Power of the Dog” – Jonny Greenwood
Casting “Boiling Point” – Carolyn Mcleod “Dune” – Francine Maisler “The Hand of God” – Massimo Appolloni, Annamaria Sambucco “King Richard” – Rich Delia, Avy Kaufman “West Side Story” – Cindy Tolan — WINNER
Cinematography “Dune” – Greig Fraser — WINNER “Nightmare Alley” – Dan Laustsen “No Time to Die” – Linus Sandgren “The Power of the Dog” – Ari Wegner “The Tragedy of Macbeth” – Bruno Delbonnel
Editing “Belfast” – Úna Ní Dhonghaíle “Dune” – Joe Walker “Licorice Pizza” – Andy Jurgensen “No Time to Die” – Tom Cross, Elliot Graham — WINNER “Summer of Soul (or, When the Revolution Could Not Be Televised)” – Joshua L. Pearson
Production Design “Cyrano” – Sarah Greenwood, Katie Spencer “Dune” – Patrice Vermette, Zsuzsanna Sipos — WINNER “The French Dispatch” – Adam Stockhausen, Rena Deangelo “Nightmare Alley” – Tamara Deverell, Shane Vieau “West Side Story” – Adam Stockhausen, Rena Deangelo
Costume Design “Cruella” – Jenny Beavan — WINNER “Cyrano” – Massimo Cantini Parrini “Dune” – Robert Morgan, Jacqueline West “The French Dispatch” – Milena Canonero “Nightmare Alley” – Luis Sequeira
Make Up & Hair “Cruella” – Nadia Stacey, Naomi Donne “Cyrano” – Alessandro Bertolazzi, Siân Miller “Dune” – Love Larson, Donald Mowat “The Eyes of Tammy Faye” – Linda Dowds, Stephanie Ingram, Justin Raleigh — WINNER “House of Gucci” – Frederic Aspiras, Jane Carboni, Giuliano Mariana, Sarah Nicole Tanno
Sound “Dune” – Mac Ruth, Mark Mangini, Doug Hemphill, Theo Green, Ron Bartlett — WINNER “Last Night in Soho” – Colin Nicolson, Julian Slater, Tim Cavagin, Dan Morgan “No Time to Die” – James Harrison, Simon Hayes, Paul Massey, Oliver Tarney, Mark Taylor “A Quiet Place Part II” – Erik Aadahl, Michael Barosky, Brandon Proctor, Ethan Van Der Ryn “West Side Story” – Brian Chumney, Tod Maitland, Andy Nelson, Gary Rydstrom
Special Visual Effects “Dune” – Brian Connor, Paul Lambert, Tristan Myles, Gerd Nefzer — WINNER “Free Guy” – Swen Gillberg, Brian Grill, Nikos Kalaitzidis, Daniel Sudick “Ghostbusters: Afterlife” – Aharon Bourland, Sheena Duggal, Pier Lefebvre, Alessandro Ongaro “The Matrix Resurrections” – Tom Debenham, Hew J Evans, Dan Glass, J. D. Schwaim “No Time to Die” – Mark Bokowski, Chris Corbould, Joel Green, Charlie Noble
British Short Animation “Affairs of the Art” – Joanna Quinn, Les Mills “Do Not Feed the Pigeons” – Jordi Morera — WINNER “Night of the Living Dread” – Ida Melum, Danielle Goff, Laura Jayne Tunbridge, Hannah Kelso
British Short Film “The Black Cop” – Cherish Oteka — WINNER “Femme” – Sam H. Freeman, Ng Choon Ping, Sam Ritzenberg, Hayley Williams “The Palace” – Jo Prichard “Stuffed” – Theo Rhys, Joss Holden-rea “Three Meetings of the Extraordinary Committee” – Michael Woodward, Max Barron, Daniel Wheldon
EE Rising Star Award (Voted for by the Public) Ariana Debose Harris Dickinson Lashana Lynch — WINNER Millicent Simmonds Kodi Smit-McPhee
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danismm · 4 years ago
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Monica Hellström
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96thdayofrage · 3 years ago
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Oscar Nominations 2022: ‘Power of the Dog’ Leads With 12 Nods, ‘Dune’ Follows With 10 (Full List)
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Best actor is a race between Hollywood heavyweights Denzel Washington (“The Tragedy of MacBeth”) and Will Smith (“King Richard”), along with respected veterans such as Bardem, Andrew Garfield (“Tick, Tick … Boom!”) and Benedict Cumberbatch (“The Power of the Dog”).  Best actress will be a contest between Cruz, Jessica Chastain (“The Eyes of Tammy Faye”), Olivia Colman (“The Lost Daughter”), Nicole Kidman (“Being the Ricardos”) and Kristen Stewart (“Spencer”).
The 94th annual Academy Awards will be on March 27 at Hollywood’s Dolby Theatre. The in-person ceremony will be televised on ABC. For the first time in three years, the Oscars will have a host in 2022, Craig Erwich, president of ABC Entertainment and Hulu Originals, announced in January. Variety later learned that multiple hosts will likely take the stage, however no official names have been revealed yet.
Here is the full list of 2022 Oscar nominations:
Best Picture
“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers
“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers
“Don’t Look Up,” Adam McKay and Kevin Messick, producers
“Drive My Car,” Teruhisa Yamamoto, producer
“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers
“King Richard,” Tim White, Trevor White and Will Smith, producers
“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers
“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers
“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers
“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers
Best Director
Kenneth Branagh (“Belfast”)
Ryûsuke Hamaguchi (“Drive My Car”)
Paul Thomas Anderson (“Licorice Pizza”)
Jane Campion (“The Power of the Dog”)
Steven Spielberg (“West Side Story”)
Best Lead Actor
Javier Bardem (“Being the Ricardos”)
Benedict Cumberbatch (“The Power of the Dog”)
Andrew Garfield (“Tick, Tick … Boom!”)
Will Smith (“King Richard”)
Denzel Washington (“The Tragedy of Macbeth”)
Best Lead Actress
Jessica Chastain (“The Eyes of Tammy Faye”)
Olivia Colman (“The Lost Daughter”)
Penélope Cruz (“Parallel Mothers”)
Nicole Kidman (“Being the Ricardos”)
Kristen Stewart (“Spencer”)
Best Supporting Actor
Ciarán Hinds (“Belfast”)
Troy Kotsur (“CODA”)
Jesse Plemons (“The Power of the Dog”)
J.K. Simmons (“Being the Ricardos”)
Kodi Smit-McPhee (“The Power of the Dog”)
Best Supporting Actress
Jessie Buckley (“The Lost Daughter”)
Ariana DeBose (“West Side Story”)
Judi Dench (“Belfast”
Kirsten Dunst (“The Power of the Dog”)
Aunjanue Ellis (“King Richard”)
Best Adapted Screenplay
“CODA,” screenplay by Siân Heder
“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe
“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
“The Lost Daughter,” written by Maggie Gyllenhaal
“The Power of the Dog,” written by Jane Campion
Best Original Screenplay
“Belfast,” written by Kenneth Branagh
“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota
“King Richard,” written by Zach Baylin
“Licorice Pizza,” written by Paul Thomas Anderson
“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier
Best Cinematography
“Dune,” Greig Fraser
“Nightmare Alley,” Dan Laustsen
“The Power of the Dog,” Ari Wegner
“The Tragedy of Macbeth,” Bruno Delbonnel
“West Side Story,” Janusz Kaminski
Best Animated Feature Film
“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
“Luca,” Enrico Casarosa and Andrea Warren
“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
Best Animated Short Film
“Affairs of the Art,” Joanna Quinn and Les Mills
“Bestia,” Hugo Covarrubias and Tevo Díaz
“Boxballet,” Anton Dyakov
“Robin Robin,” Dan Ojari and Mikey Please
“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez
Best Costume Design
“Cruella,” Jenny Beavan
“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran
“Dune,” Jacqueline West and Robert Morgan
“Nightmare Alley,” Luis Sequeira
“West Side Story,” Paul Tazewell
Best Original Score
“Don’t Look Up,” Nicholas Britell
“Dune,” Hans Zimmer
“Encanto,” Germaine Franco
“Parallel Mothers,” Alberto Iglesias
“The Power of the Dog,” Jonny Greenwood
Best Sound
“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri
“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb
“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
Best Original Song
“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter
“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda
“Down To Joy” from “Belfast,” music and lyric by Van Morrison
“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell
“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren
Best Documentary Feature
“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
“Attica,” Stanley Nelson and Traci A. Curry
“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
“Writing With Fire,” Rintu Thomas and Sushmit Ghosh
Best Documentary Short Subject
“Audible,” Matt Ogens and Geoff McLean
“Lead Me Home,” Pedro Kos and Jon Shenk
“The Queen of Basketball,” Ben Proudfoot
“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei
“When We Were Bullies,” Jay Rosenblatt
Best Film Editing
“Don’t Look Up,” Hank Corwin
“Dune,” Joe Walker
“King Richard”, Pamela Martin
“The Power of the Dog,” Peter Sciberras
“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum
Best International Feature Film
“Drive My Car” (Japan)
“Flee” (Denmark)
“The Hand of God” (Italy)
“Lunana: A Yak in the Classroom” (Bhutan)
“The Worst Person in the World” (Norway)
Best Makeup and Hairstyling
“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer
“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon
“Dune,” Donald Mowat, Love Larson and Eva von Bahr
“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh
“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras
Best Production Design
“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos
“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau
“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards
“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh
“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo
Best Visual Effects
“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
Best Live Action Short Film
“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger
“The Dress,” Tadeusz Łysiak and Maciej Ślesicki
“The Long Goodbye,” Aneil Karia and Riz Ahmed
“On My Mind,” Martin Strange-Hansen and Kim Magnusson
“Please Hold,” K.D. Dávila and Levin Menekse
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gottagobackintime · 5 years ago
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playlist: watering the plants on a warm, summer morning, 5am
Thank you :D Here’s the playlist on Spotify
1. Raindrops Keep Falling on My Head- B.J Thomas
2. Little April Shower- Amy Lou Barnes
3. What A Wonderful World- Louis Armstrong
4. Sakta vi gå genom stan- Monica Zetterlund
5. Gröna små äpplen- Monica Zetterlund
6. Jag ger dig min morgon- Fred Åkerström
7. Visa Från Utanmyra- Jan Johansson
8. Visa vid vindens ängar- Håkan Hellström
9. Så skimrande var aldrig havet- Freddie Wadling
10. Bara dårar rusar in- Håkan Hellström
Quite a few Swedish songs on here, but I hope you will enjoy them even if you can’t understand the lyrics. Because I think they are really beautiful :)
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bathskybird · 2 years ago
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Train traffic control system
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In: Parasuraman R, Mouloua M (eds) Automation and human performance theory and applications. Santa Monica, CAĮndsley MR (1996) Automation and situation awareness. Proceedings of the human factors society 32nd annual meeting. Lawrence Erlbaum, Mahwah, NJĮndsley MR (1988) Design and evaluation for situation awareness enhancement.
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Wiley, Londonīillings CE (1997) Aviation automation, the search for a human-centered approach. In: Rasmussen J, Duncan K, Leplat J (eds) New technology and human error. In: Mellit B, Hill RJ, Allan V, Sciutto G, Brebbia CA (eds) Computers in Railways VI,īainbridge L (1987) The ironies of automation. Proceedings of WCRR 1997, vol C, Florence, pp 673–679Īndersson AW, Sandblad B, Nilsson A (1998) Improving interface usability for train traffic controllers in future traffic control systems. Many of the important aspects of the proposed control strategy can be investigated with the simulation, but due to the complexity of train traffic some issues must be evaluated in an operative environment.Īndersson AW, Sandblad B, Hellström P, Frej I, Gideon A (1997) A systems analysis approach to modeling train traffic control. The majority of the participating train traffic controllers were positive to the new concepts and ideas. Twenty-one train traffic controllers participated in a case study, with a simulated prototype environment. By shifting the control paradigm to a high-level control strategy, many of today’s problems may be avoided, with benefits of the reduction in delays, improved timeliness and better utilization of the infrastructure. The main objective of this paper is to describe a proposed control strategy and a case study, which evaluates the control strategy and the prototype tool derived from the research. This often results in unnecessarily long delays and decreased timeliness of train traffic. Working in a preventive manner is poorly supported and train traffic controllers are usually restricted to just solving problems as they occur. However, performance in train traffic control tasks currently involves working on a technical level in order to regulate the traffic flow. One major reason of this lack of information is insufficient communication.Improving train traffic control can be a cost-efficient way to improve train traffic punctuality and increase utilization of existing and future railway infrastructure. Most of the time section controllers is unaware of the situations in the neighboring sections and hence due to lack of complete input section controller may not be able to run the trains in optimal manner. So, section controller runs the train as a short sighted person. Section controllers has very limited information about the scene beyond his control section. Around thirty to forty sections come under one control section controlled by Chief Traffic Controller (CTC) and several section controllers. These sections are called “Control Sections”. For train-running operations, one division the further smaller sections. Train- running operations are the main responsibility of divisions. Currently sixty nine such divisions exist. These zones are further divided into smaller parts called divisions. Indian railways has seventeen zones ( including Konkan ). Reliable and fast train traffic control systems are needed to cope with the increasing traffic density and high speed trains of today.īefore going further in details we present some railway descriptions and notations. Management and control of railway traffic has been an appealing field of research in recent years. Keywords: Traffic Control, Railway Traffic, Centralized Control, Laser sensor In this laser sensing and wireless communication proposition there can be an alternative to control the trains from many hazardous accidents causing loss of life and property. Wireless sensor network systems will suit the railways much more. In case of failure or any emergencies in between stations, immediate information can not be given and a particular problem will escalate with valuable time loss. Railway transportation traffic control in India is centralized which sometimes delay the action on its accidental situation. Abstract: Railway transportation is the foremost and most popular means of transportation among population.
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topsportsasia · 3 years ago
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Oscars 2022 results: 'Encanto' is Best Animated Feature Film
Oscars 2022 results: ‘Encanto’ is Best Animated Feature Film
awards: Academy Awards (Oscars)organization: Academy of Motion Picture Arts and Sciences (AMPAS)edition: 94thdate: March 27, 2022venue: Dolby Theatre, Los Angeles, California, United Stateshosts: Regina Hall, Amy Schumer, Wanda Sykesproducers: Will Packer, Shayla Cowandirector: Glenn Weiss CATEGORY: BEST ANIMATED FEATURE FILM NOMINEES“Flee“Jonas Poher Rasmussen, Monica Hellström, Signe Byrge…
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awardseasonblog · 3 years ago
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La categoria del #Migliordocumentario di quest'anno ha un suo leader: il doc musicale di QuestsLove, #SummerofSoul che dopo aver vinto il Gran premio della Giuria e il premio del pubblico al Sundance e successivamente ben 6 Critics Choice Documentary Awards si è imposto come il frontrunner per il #BestDocumentaryFeature ai prossimi Oscar. A tal proposito ha dalla sua parte un numero vertiginoso di premi (il numero più alto di questa stagione) ben 57 potendo fare affidamento su tutti i precursori: dal BAFTA al Producers Guild Award. L'unico che potrebbe ribaltare il verdetto è #Flee che come documentario ha vinto più Film Critics Awards (23) che come film animato (13) o film internazionale (4) tra cui 3 Cinema Eye Honors dedicati alla saggistica filmica. Completano la cinquina più distanziati Ascension (Top Five Documentaries ai National Board of Review, 3 Cinema Eye Honors), Attica (DGA Award, Top Five Documentaries ai National Board of Review), Writing with Fire (1 Cinema Eye Honors). Rispetto ai panel sui favoriti per la nomination pesa l'esclusione del doc The Rescue che aveva ottenuto la nomination a tutti i premi chiave ad eccezione degli International Documentary Awards e vinto 9 Film Critics Association Awards. PREVISIONI MIGLIOR DOCUMENTARIO 1. Summer of Soul 2. Flee NOMINATIONS OSCAR 2022 Best Documentary Feature -“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell -“Attica,” Stanley Nelson and Traci A. Curry -“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie -“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein -“Writing With Fire,” Rintu Thomas and Sushmit Ghosh #AwardsSeason #AwardsRace #OscarsRace #RoadtotheOscars #Movies #Oscars2022 #OscarsPredictions #StagionedeiPremi #Oscar2022 #FinalPredictions #PrevisioniOscar https://www.instagram.com/p/CbcyIHcMzDc/?utm_medium=tumblr
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thetalentedmrkashyap · 2 years ago
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B-4 : Oscars 2023 Predictions - A Film fan's perspective (Part - 2)
The 95th Academy Awards, a.k.a. The Oscars®, will take place on March 13 at 5:30 AM IST. The celebrations of the Oscar season are at their peak. Amid the fun and excitement, here's a look at the movies categories and our predictions of the winners:-
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Best Animated Film
Nominees:
Guillermo del Toro's Pinocchio – Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley
Marcel the Shell with Shoes On – Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan, and Paul Mezey
Puss in Boots: The Last Wish – Joel Crawford and Mark Swift
The Sea Beast – Chris Williams and Jed Schlanger
Turning Red – Domee Shi and Lindsey Collins
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Prediction: Guillermo del Toro's Pinocchio
del Toro's first attempt at stop-motion animation to present the classic tale of the wooden boy in a different style has received several accolades this year. An Oscar is gonna be another such honor.
Best International Feature Film
Nominees:
All Quiet on the Western Front (Germany) – directed by Edward Berger
Argentina, 1985 (Argentina) – directed by Santiago Mitre
Close (Belgium) – directed by Lukas Dhont
EO (Poland) – directed by Jerzy Skolimowski
The Quiet Girl (Ireland) – directed by Colm Bairéad
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Prediction(s): All Quiet on The Western Front/Argentina, 1985
While the former is an anti-war film appreciated by critics & audiences, the latter was the Golden Globe winner in the same category this year. Hence, the two are gonna be strong contenders.
Best Documentary Feature
Nominees:
All That Breathes – Shaunak Sen, Aman Mann, and Teddy Leifer
All the Beauty and the Bloodshed – Laura Poitras, Howard Gertler, John Lyons, Nan Goldin, and Yoni Golijov
Fire of Love – Sara Dosa, Shane Boris, and Ina Fichman
A House Made of Splinters – Simon Lereng Wilmont and Monica Hellström
Navalny – Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller, and Shane Boris
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Prediction(s): All the Beauty and the Bloodshed/A House Made of Splinters
The former is about the life of photographer and activist Nan Goldin and her efforts to hold Purdue Pharma, owned by the Sackler family, accountable for the opioid epidemic. On the other hand, the latter is about an orphanage with children dealing with the Russia-Ukraine war. Both themes have been a crucial topic of discussion among cinephiles and filmmakers - and the Academy might be a part of it as well.
Best Documentary Short Subject
Nominees:
The Elephant Whisperers – Kartiki Gonsalves and Guneet Monga
Haulout – Evgenia Arbugaeva and Maxim Arbugaev
How Do You Measure a Year? – Jay Rosenblatt
The Martha Mitchell Effect – Anne Alvergue and Beth Levison
Stranger at the Gate – Joshua Seftel and Conall Jones
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Prediction(s): The Elephant Whispers/The Martha Mitchell Effect
The Academy can have a split decision between a human-elephant relationship and the whistleblower of the biggest political scandals of the world - Watergate!
Best Live Action Short Film
Nominees:
An Irish Goodbye – Tom Berkely and Ross White
Ivalu – Anders Walter and Rebecca Pruzan
Le Pupille – Alice Rohrwacher and Alfonso Cuarón
Night Ride – Eirik Tveiten and Gaute Lid Larssen
The Red Suitcase – Cyrus Neshvad
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Prediction: An Irish Goodbye
The story of two siblings reuniting after their mother's death - filled with humor & drama would be the ultimate contender.
Best Animated Short Film
Nominees:
The Boy, the Mole, the Fox and the Horse – Charlie Mackesy and Matthew Freud
The Flying Sailor – Wendy Tilby and Amanda Forbis
Ice Merchants – João Gonzalez and Bruno Caetano
My Year of Dicks – Sara Gunnarsdóttir and Pamela Ribon
An Ostrich Told Me the World Is Fake and I Think I Believe It – Lachlan Pendragon
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Prediction: My Year of Dicks
A teenage girl's obsession with finding the right partner for sex amid a comedic journey of disappointment and self-discovery can win the golden man for depicting female sexism.
Best Original Score
Nominees:
All Quiet on the Western Front – Volker Bertelmann
Babylon – Justin Hurwitz
The Banshees of Inisherin – Carter Burwell
Everything Everywhere All at Once – Son Lux
The Fabelmans – John Williams
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Prediction: The Banshees of Inishrein/Babylon
While John Williams has become the most nominated living person (53 - winning 5), Hurwitz and Burwell would be giving The Fabelmans' score a tough competition. While the former gives the 1920s Silent Hollywood vibe, the latter's Irish folk composition is full of humor and intense tension as the film progresses.
Best Original Song
Nominees:
"Applause" from Tell It Like a Woman – Music and lyrics by Diane Warren
"Hold My Hand" from Top Gun: Maverick – Music and lyrics by Lady Gaga and BloodPop
"Lift Me Up" from Black Panther: Wakanda Forever – Music by Tems, Rihanna, Ryan Coogler, and Ludwig Göransson; Lyrics by Tems and Ryan Coogler
"Naatu Naatu" from RRR – Music by M. M. Keeravani; Lyrics by Chandrabose
"This Is a Life" from Everything Everywhere All at Once – Music by Ryan Lott, David Byrne, and Mitski; Lyrics by Ryan Lott and David Byrne
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Prediction: Naatu Naatu
Undoubtedly, this "feel good" dance number can make the Academy members shake their legs as well. The audience's love and the Golden Globe for Keeravani are enough to ensure an Oscar for another South Indian composer (first since AR Rahman for Jai Ho).
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jackiebarnard11 · 3 years ago
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Please join my Oscar Pool 2022! 
I have decided to dust off my sometimes annual OSCAR Pool. Please vote and you, too, could win a fun prize-in-the-mail. There will be charity donations, too. The Academy Awards will be held in Hollywood, California on Sunday March 27th at 8:00pm ET on ABC,https://www.oscars.org/oscars/ceremonies. Oscar Pool voting deadline: Sunday March 27th, 7:00pm ET.
You must vote in all categories. Vote for who you think will win and - optional - who you want to win!
Email your choices to [email protected] by 3/27 at 7pm ET. 
This year, I am also including some streaming information. Feel free to email me at [email protected] for our login and password information. Passwords will be changed after the Oscars ❤
PS after I researched the streaming options, found this too: https://collider.com/where-to-stream-oscar-nominated-movies-2022/
Love,
Jackie
And, the nominees are (I put an asterisk next to the ones we have seen so far):
Printable pdf:
http://assets.cdn.watchdisneyfe.com/delta/assets/oscars/Oscars_Ballot_2022.pdf
Best Picture
BELFAST
Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
CODA (Apple TV) * we saw
Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
DON'T LOOK UP (Netflix)
Adam McKay and Kevin Messick, Producers
DRIVE MY CAR 
Teruhisa Yamamoto, Producer
DUNE (Amazon Prime for rent) 
Mary Parent, Denis Villeneuve and Cale Boyter, Producers
KING RICHARD (various for rent)
Tim White, Trevor White and Will Smith, Producers
LICORICE PIZZA 
Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
NIGHTMARE ALLEY (Hulu, HBOMax)
Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
THE POWER OF THE DOG (Netflix) *
Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
WEST SIDE STORY (Disney+) *
Steven Spielberg and Kristie Macosko Krieger, Producers
________________________________________
Actor in a Leading Role
Javier Bardem in BEING THE RICARDOS (Amazon Prime)
Benedict Cumberbatch in THE POWER OF THE DOG *
Andrew Garfield in TICK, TICK...BOOM! (Netflix) *
Will Smith in KING RICHARD
Denzel Washington in THE TRAGEDY OF MACBETH (Apple TV) *
________________________________________
Actor in a Supporting Role
Ciarán Hinds in BELFAST
Troy Kotsur in CODA *
Jesse Plemons in THE POWER OF THE DOG *
J.K. Simmons in BEING THE RICARDOS
Kodi Smit-McPhee in THE POWER OF THE DOG *
________________________________________
Actress in a Leading Role
Jessica Chastain in THE EYES OF TAMMY FAYE (HBOMax)
Olivia Colman in THE LOST DAUGHTER (Netflix)
Penélope Cruz in PARALLEL MOTHERS *
Nicole Kidman in BEING THE RICARDOS
Kristen Stewart in SPENCER (Hulu)
________________________________________
Actress in a Supporting Role
Jessie Buckley in THE LOST DAUGHTER
Ariana DeBose in WEST SIDE STORY *
Judi Dench in BELFAST
Kirsten Dunst in THE POWER OF THE DOG *
Aunjanue Ellis in KING RICHARD
________________________________________
Animated Feature Film
ENCANTO (Disney+)
Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
FLEE (Various rental)
Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
LUCA (Disney+)
Enrico Casarosa and Andrea Warren
THE MITCHELLS VS. THE MACHINES (Netflix)
Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
RAYA AND THE LAST DRAGON (Disney+)
Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
________________________________________
Cinematography
DUNE
Greig Fraser
NIGHTMARE ALLEY
Dan Laustsen
THE POWER OF THE DOG *
Ari Wegner
THE TRAGEDY OF MACBETH *
Bruno Delbonnel
WEST SIDE STORY *
Janusz Kaminski
________________________________________
Costume Design
CRUELLA (Disney+)
Jenny Beavan
CYRANO 
Massimo Cantini Parrini and Jacqueline Durran
DUNE
Jacqueline West and Robert Morgan
NIGHTMARE ALLEY
Luis Sequeira
WEST SIDE STORY *
Paul Tazewell
________________________________________
Directing
BELFAST
Kenneth Branagh
DRIVE MY CAR
Ryusuke Hamaguchi
LICORICE PIZZA
Paul Thomas Anderson
THE POWER OF THE DOG *
Jane Campion
WEST SIDE STORY *
Steven Spielberg
________________________________________
Documentary (Feature)
ASCENSION (Paramount Plus)
Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
ATTICA (Showtime)
Stanley Nelson and Traci A. Curry
FLEE
Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) (Disney+)
Ahmir "Questlove" Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
WRITING WITH FIRE 
Rintu Thomas and Sushmit Ghosh
________________________________________
Documentary (Short Subject)
AUDIBLE (Netflix)
Matt Ogens and Geoff McLean
LEAD ME HOME (Netflix)
Pedro Kos and Jon Shenk
THE QUEEN OF BASKETBALL (https://breakwaterstudios.com/the-queen-of-basketball-watch-now/)
Ben Proudfoot
THREE SONGS FOR BENAZIR (Netflix)
Elizabeth Mirzaei and Gulistan Mirzaei
WHEN WE WERE BULLIES 
Jay Rosenblatt
________________________________________
Film Editing
DON'T LOOK UP
Hank Corwin
DUNE
Joe Walker
KING RICHARD
Pamela Martin
THE POWER OF THE DOG *
Peter Sciberras
TICK, TICK...BOOM! *
Myron Kerstein and Andrew Weisblum
________________________________________
International Feature Film
DRIVE MY CAR
Japan
FLEE
Denmark
THE HAND OF GOD
Italy
LUNANA: A YAK IN THE CLASSROOM (various, rent)
Bhutan 
THE WORST PERSON IN THE WORLD *
Norway
________________________________________
Makeup and Hairstyling
COMING 2 AMERICA (Amazon Prime)
Mike Marino, Stacey Morris and Carla Farmer
CRUELLA
Nadia Stacey, Naomi Donne and Julia Vernon
DUNE
Donald Mowat, Love Larson and Eva von Bahr
THE EYES OF TAMMY FAYE
Linda Dowds, Stephanie Ingram and Justin Raleigh
HOUSE OF GUCCI (Variuus for rent)
Göran Lundström, Anna Carin Lock and Frederic Aspiras
________________________________________
Music (Original Score)
DON'T LOOK UP
Nicholas Britell
DUNE
Hans Zimmer
ENCANTO
Germaine Franco
PARALLEL MOTHERS *
Alberto Iglesias
THE POWER OF THE DOG *
Jonny Greenwood
________________________________________
Music (Original Song)
"Be Alive" from KING RICHARD
Music and Lyric by DIXSON and Beyoncé Knowles-Carter
"Dos Oruguitas" from ENCANTO
Music and Lyric by Lin-Manuel Miranda
"Down To Joy" from BELFAST
Music and Lyric by Van Morrison
"No Time To Die" from NO TIME TO DIE
Music and Lyric by Billie Eilish and Finneas O'Connell
"Somehow You Do" from FOUR GOOD DAYS
Music and Lyric by Diane Warren
________________________________________
Production Design
DUNE
Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
NIGHTMARE ALLEY
Production Design: Tamara Deverell; Set Decoration: Shane Vieau
THE POWER OF THE DOG *
Production Design: Grant Major; Set Decoration: Amber Richards
THE TRAGEDY OF MACBETH *
Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
WEST SIDE STORY *
Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
________________________________________
Short Film (Animated)
AFFAIRS OF THE ART (https://www.youtube.com/watch?v=s-xXpYGNPmk)
Joanna Quinn and Les Mills
BESTIA (Vimeo rent)
Hugo Covarrubias and Tevo Díaz
BOXBALLET 
Anton Dyakov
ROBIN ROBIN (Netflix)
Dan Ojari and Mikey Please
THE WINDSHIELD WIPER
Alberto Mielgo and Leo Sanchez
________________________________________
Short Film (Live Action)
ALA KACHUU - TAKE AND RUN
Maria Brendle and Nadine Lüchinger
THE DRESS
Tadeusz Łysiak and Maciej Ślesicki
THE LONG GOODBYE (YouTube)
Aneil Karia and Riz Ahmed
ON MY MIND
Martin Strange-Hansen and Kim Magnusson
PLEASE HOLD
K.D. Dávila and Levin Menekse
________________________________________
Sound
BELFAST
Denise Yarde, Simon Chase, James Mather and Niv Adiri
DUNE
Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
NO TIME TO DIE (Various for rent)
Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
THE POWER OF THE DOG *
Richard Flynn, Robert Mackenzie and Tara Webb
WEST SIDE STORY *
Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
________________________________________
Visual Effects
DUNE
Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
FREE GUY (Various for rent)
Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
NO TIME TO DIE
Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
SHANG-CHI AND THE LEGEND OF THE TEN RINGS (Disney+)
Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
SPIDER-MAN: NO WAY HOME
Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
________________________________________
Writing (Adapted Screenplay)
CODA *
Screenplay by Siân Heder
DRIVE MY CAR
Screenplay by Ryusuke Hamaguchi, Takamasa Oe
DUNE
Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
THE LOST DAUGHTER
Written by Maggie Gyllenhaal
THE POWER OF THE DOG *
Written by Jane Campion
________________________________________
Writing (Original Screenplay)
BELFAST
Written by Kenneth Branagh
DON'T LOOK UP
Screenplay by Adam McKay; Story by Adam McKay & David Sirota
KING RICHARD
Written by Zach Baylin
LICORICE PIZZA
Written by Paul Thomas Anderson
THE WORST PERSON IN THE WORLD *
Written by Eskil Vogt, Joachim Trier
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atomheartmagazine · 3 years ago
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New Post has been published on Atom Heart Magazine
New Post has been published on http://www.atomheartmagazine.com/premi-oscar-2022-ecco-tutte-le-nomination/25717
Premi Oscar 2022: ecco tutte le nomination
Durante la diretta streaming sui canali dell’Academy, sono state rese note tutte le nomination ai Premi Oscar 2022. Eccole di seguito.
NOMINATION PREMI OSCAR 2022
MIGLIOR FILM – Premi Oscar 2022
“Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
“CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
“Don’t Look Up” Adam McKay and Kevin Messick, Producers
“Drive My Car” Teruhisa Yamamoto, Producer
“Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers
“King Richard” Tim White, Trevor White and Will Smith, Producers
“Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
“Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
“The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
“West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers
MIGLIOR REGIA
“Belfast” Kenneth Branagh
“Drive My Car” Ryusuke Hamaguchi
“Licorice Pizza” Paul Thomas Anderson
“The Power of the Dog” Jane Campion
“West Side Story” Steven Spielberg
MIGLIOR ATTORE PROTAGONISTA – Premi Oscar 2022
Javier Bardem in “Being the Ricardos”
Benedict Cumberbatch in “The Power of the Dog”
Andrew Garfield in “tick, tick…BOOM!”
Will Smith in “King Richard”
Denzel Washington in “The Tragedy of Macbeth”
MIGLIORE ATTRICE PROTAGONISTA
Jessica Chastain in “The Eyes of Tammy Faye”
Olivia Colman in “The Lost Daughter”
Penélope Cruz in “Parallel Mothers”
Nicole Kidman in “Being the Ricardos”
Kristen Stewart in “Spencer”
MIGLIOR ATTORE NON PROTAGONISTA
Ciarán Hinds in “Belfast”
Troy Kotsur in “CODA”
Jesse Plemons in “The Power of the Dog”
J.K. Simmons in “Being the Ricardos”
Kodi Smit-McPhee in “The Power of the Dog”
MIGLIORE ATTRICE NON PROTAGONISTA
Jessie Buckley in “The Lost Daughter”
Ariana DeBose in “West Side Story”
Judi Dench in “Belfast”
Kirsten Dunst in “The Power of the Dog”
Aunjanue Ellis in “King Richard”
MIGLIOR LUNGOMETRAGGIO ANIMATO – Premi Oscar 2022
“Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
“Luca” Enrico Casarosa and Andrea Warren
“The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
“Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
MIGLIOR FOTOGRAFIA
“Dune” Greig Fraser
“Nightmare Alley” Dan Laustsen
“The Power of the Dog” Ari Wegner
“The Tragedy of Macbeth” Bruno Delbonnel
“West Side Story” Janusz Kaminski
MIGLIORI COSTUMI
“Cruella” Jenny Beavan
“Cyrano” Massimo Cantini Parrini and Jacqueline Durran
“Dune” Jacqueline West and Robert Morgan
“Nightmare Alley” Luis Sequeira
“West Side Story” Paul Tazewell
MIGLIOR DOCUMENTARIO – Premi Oscar 2022
“Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
“Attica” Stanley Nelson and Traci A. Curry
“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
“Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
“Writing with Fire” Rintu Thomas and Sushmit Ghosh
MIGLIOR CORTOMETRAGGIO DOCUMENTARIO
“Audible” Matt Ogens and Geoff McLean
“Lead Me Home” Pedro Kos and Jon Shenk
“The Queen of Basketball” Ben Proudfoot
“Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei
“When We Were Bullies” Jay Rosenblatt
MIGLIOR MONTAGGIO
“Don’t Look Up” Hank Corwin
“Dune” Joe Walker
“King Richard” Pamela Martin
“The Power of the Dog” Peter Sciberras
“tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum
MIGLIOR FILM INTERNAZIONALE – Premi Oscar 2022
“Drive My Car” Japan
“Flee” Denmark
“The Hand of God” Italy
“Lunana: A Yak in the Classroom” Bhutan
“The Worst Person in the World” Norway
MIGLIOR MAKEUP E HAIRSTYLING
“Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer
“Cruella” Nadia Stacey, Naomi Donne and Julia Vernon
“Dune” Donald Mowat, Love Larson and Eva von Bahr
“The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh
“House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras
MIGLIOR COLONNA SONORA ORIGINALE – Premi Oscar 2022
“Don’t Look Up” Nicholas Britell
“Dune” Hans Zimmer
“Encanto” Germaine Franco
“Parallel Mothers” Alberto Iglesias
“The Power of the Dog” Jonny Greenwood
MIGLIOR CANZONE ORIGINALE
“Be Alive” from “King Richard” Music and Lyric by DIXSON and Beyoncé Knowles-Carter
“Dos Oruguitas” from “Encanto” Music and Lyric by Lin-Manuel Miranda
“Down To Joy” from “Belfast” Music and Lyric by Van Morrison
“No Time To Die” from “No Time to Die” Music and Lyric by Billie Eilish and Finneas O’Connell
“Somehow You Do” from “Four Good Days” Music and Lyric by Diane Warren
MIGLIORE SCENOGRAFIA
“Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
“Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau
“The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards
“The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
“West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
MIGLIOR CORTOMETRAGGIO ANIMATO – Premi Oscar 2022
“Affairs of the Art” Joanna Quinn and Les Mills
“Bestia” Hugo Covarrubias and Tevo Díaz
“Boxballet” Anton Dyakov
“Robin Robin” Dan Ojari and Mikey Please
“The Windshield Wiper” Alberto Mielgo and Leo Sanchez
MIGLIOR CORTOMETRAGGIO – Premi Oscar 2022
“Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger
“The Dress” Tadeusz Łysiak and Maciej Ślesicki
“The Long Goodbye” Aneil Karia and Riz Ahmed
“On My Mind” Martin Strange-Hansen and Kim Magnusson
“Please Hold” K.D. Dávila and Levin Menekse
MIGLIOR SUONO
“Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri
“Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
“No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
“The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb
“West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
MIGLIORI EFFETTI VISIVI
“Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
“Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
“No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
“Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
“Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
MIGLIORE SCENEGGIATURA NON ORIGINALE
“CODA” Screenplay by Siân Heder
“Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe
“Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
“The Lost Daughter” Written by Maggie Gyllenhaal
“The Power of the Dog” Written by Jane Campion
MIGLIORE SCENEGGIATURA ORIGINALE
“Belfast” Written by Kenneth Branagh
“Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota
“King Richard” Written by Zach Baylin
“Licorice Pizza” Written by Paul Thomas Anderson
“The Worst Person in the World” Written by Eskil Vogt, Joachim Trier
Qui tutte le nomination ai Premi Oscar 2022 sul sito dell’Academy.
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youviralart · 3 years ago
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