#Moliere

[oyakawa-desk]

Their reaction in one case:

Or maybe this:

[siyah-kugu19]

"Sorun, yüreğimde yükselen acıydı..."

Jack London~

[thetinyadventurer]

Weird realization to hit me at 6 in the morning but here we go! Mole’s line to Helga on the Ulysses:

To me this implies that Helga was the one who had to go and collect everybody for the expedition like freaking Black Widow in The Avengers. I can just imagine Mr.Whitmore going. “Okay, Helga, we’ve got a lot to do! Go and notify the people on this list!”

Helga: -looks at list, sees Mole’s name- -irritated eye twitch-

Helga (in her head): “Oh, god, why me?”

Helga (out loud): “Yes sir, consider it done!”

It also makes sense to me because in October of 1914, when the movie takes place, WWI had already started in Europe. Mole would’ve been a pretty damn good trench digger! I just imagined this little round guy in the middle of the trenches having the time of his life digging holes (laughing creepily the entire time).

I can just see Helga putting on a helmet and zipping through the place trying to find him and being like. “They don’t pay me enough for this crap!” Also, wow, if that’s the case then she probably had to go grab Vinny, too. And the dude was a demo expert which would’ve been invaluable to the war effort! Which makes me wonder how in the world Mr.Whitmore managed to get those two out of their respective countries? Did he pay the brass or something? That would make sense because I *think* that some people paid their way out of recruitment?

(I’m going to double check this as I’m not 100% sure).

I have to do more research on this.

Also, Helga’s family are multi-national (her Mom is German, her Dad is American) and she comes from a military family. She’s 30, the oldest of five or six kids, the rest of which were boys, so her brothers would’ve been old enough to be drafted into either army. So now I’m wondering if the reason she was so desperate to get the money from selling The Heart of Atlantis was so she could pay for her brothers to not have to fight? Which would’ve been a pretty damn cool motivation in my opinion! But, hey, it’s just a thought. -shrugs-

[lucymuirr]

have a doodle of mole holding the very large sample of ethiopian opal

[lets-get-lit]

Evil exists only when its known. Adam and Eve were public in their fall. To sin in private is not to sin at all. 

- Molière, Tartuffe

[captainsamta]

I was thinking of making a keychain or sticker out of this, but finals are keeping me busy

[lost-and-created]

I want Venture to get a voice line for

[oldinterneticons]

I prefer an interesting vice to a virtue that bores.

[solnass]

i’m nobody now (he literally just took a shower)

[giadin-a]

Regardez-moi

[haretobeloved]

got some new colors and used him to break them in

[varlayokarasindabiryer]

İnsanlara yapılabilecek en büyük iyilik onlara akıllarını kullanmayı öğretmektir.

[siyah-kugu19]

"Benim tek istediğimse; günlerimi kitap okuyarak, yürüyüş yaparak, hayal kurarak ve rahatsız edilmeden uyuyarak geçirmekti..."

Stefhan Zweig

[hoardingpuffin]

Regardez-moi from "Molière l'opéra urban" has Vast vibes.

also at least parts of Rêver, j'en ai l'habitude has Rae vibes

That's all

[dazzelmethat]

So sometimes I do historical research for things just for fun..

Extremely rough concepts of Edo era commedia del'arte ideas I've had pickling in my head for a while.

I listened to Moliere play recordings for the first time this past year and while listening to Tartuffe and The Misanthrope and only thought of how much I wanted an edo adaptation.

Anyway while I know some western art history I don't know a lot of theater history (either Japanese or Italian). So this was just me guessing. Pantalone and Dotore could be gender blind roles. I have no idea how I would approach the servant characters though. Maybe Arlecchino can be kitsune themed??

Anyway just putting this here so I don't loose my thoughts.

[ahmetcumhur-blog]