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mysticalheartballoon · 2 years ago

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Carpentry : Built-in Wardrobes Manly NSW

Bi-Fold Doors are a perfect alternative to sliding doors if you would like to access your entire wardrobe at one time. The doors roll smoothly along a single track suspended from the top and they are perfectly flush with your walls. Our roll mechanism is proven design system supplied Built In Wardrobes by Häfele.

Welcome to Rebel Wardrobes & Shower Screens, Sydney’s leading provider of built in wardrobes, walk in wardrobes and wardrobe storage solutions. We can also look after your frameless shower screen needs. King Wardrobe Built-In Wardrobes is a family owned and operated company located in South Western Sydney. We specialize in the design, manufacture, and install of quality built-in wardrobes and storage solutions. We have a combined experience of over 25 years in the business.

Academic Built-In Wardrobes has built custom storage since 1983. Our team is experienced in maximising your space and creating the wardrobe or wall unit that you want. With 40 years’ business experience, Betta are confident of the quality of their products offering a 15-year warranty on all wardrobes.

He is made of magic and we cannot recommend him highly enough. Best-suited to larger bedrooms, our made-to-measure hinged door wardrobes are ideal for maximising space and if you’re looking for a more classic look. We aim our efforts at crafting wardrobe designs that are not only beautiful, but functional and built to last. Ample Space – Most built-in units offer ample storage space and can keep your possessions organised. We can add shelves, dress or coat hanging areas, shoe racks, and more. Just discuss your storage requirements with our experts, and they'll offer the right solution.

Dura-Mount is predominantly a ventilated shelving system, however incorporates solid melamine shelves which adds a level of elegance to your installation. Dura-Mountis an adjustable ventilated shelving system with the flexibility to alter the layout as your needs change over time. For those who love doing things themselves and saving money in the process, this product is for you. It is easy to install and can be customised in a countless number of ways so as to best suit your requirements. Are you looking for a modern, contemporary kitchen with excellent functionality and space saving features?

Adjustable shelves can be moved up or down to accommodate changes, or removed completely to make room for large bulky items. Make sure your storage is utilising space, not wasting it. Intelligently engineered and aesthetically pleasing storage with Normco.

A lot of our competitors claim to create wardrobes exactly to your requirements but time and time again we have seen that these are pre-made from cheap designs, finishes and materials. We take absolutely no shortcuts here at Sliderobes and when we say we custom-build wardrobes, we mean customised exactly to your needs. We are an Australian manufactured company who uses high-grade Australian timber, as we’re all about supporting our local timber industry for the best materials available in the country. When you have little to no storage at all, a built-in wardrobe is the answer. Affordable and functional, one of our custom-designed built-in wardrobes is the perfect solution for a room that doesn't have any existing wardrobe space. Because our storage solutions are custom built, individually designed modular based, it can save you a huge amount on labour costs compared to traditional cabinet works.

Excellent quote by Ivan, including effective investigation of how the existing robes could be dismantled while limiting the damage to the surrounding wall/ceiling. Moreover, we always use materials as per the use of a particular area of your home. This is like using stone or acrylic tops for your bathroom since they are entirely waterproof and have a sleek appearance with a variety of colour possibilities. Materials like melamine, 2pac, laminate and timber veneer for the kitchen are used to provoke a modern look. We Love the new doors so glad to see the back of the hinged doors.

We are committed to helping our customers choose from a wide range of products and select the right wardrobe design that will add value to their home. Our experienced team can assist with custom designs for offices, living areas, storage areas, garages, laundries and provide solutions to best utilise your space. All designs are made to measure and built using modern and colonial products.

Custom Made Wardrobes, Botany, Sydney

Any of our furniture can be custom-made to suit your requirements or we can design and make a unique item of timber furniture. You can choose the style, size, colour, and timber for your piece of furniture. Wardrobes are not only practical but can be the statement piece in a room, but what can you do if the room you have is too big or small for any you have found, or you don’t want one that is mass-produced? We have a range of stylish timber wardrobes for you to select from or you can work with our design team and have your wardrobe tailored to your needs. Our friendly Sydney designer will work with you to ensure your new built in wardrobe or walk in wardrobe works exactly as you need it, and looks exactly as you envision it.

Well, this is very subjective, and the price would vary on several factors. At Iron Glass Pty Ltd, we make sure that the product is made available at the best price. Therefore, understanding the market competition and existing market demand, we have kept the custom wardrobes at the best price in Sydney. Morc’s Custom Joinery is a specialist in custom-built wardrobes in Adelaide. We continue to provide our unmatched joinery manufacturing and installation services in and around Adelaide. At the heart of any Schmidt wardrobe are clever storage solutions – maximising space while keeping your clothes, shoes and accessories looking neat and clean.

It’s also a great time to look at what clothes no longer fit them and you can work out what to do with them together. Whether it’s handing them down to a younger sibling or friend, or donating them to charity if they are in good, sellable condition. From Entertainment units to Home Offices, Wine storage and bookcase units be sure to visit Packers and see what we have to offer. Custom-made Built-In-Furniture items are now becoming sought-after items in everyone’s home.

We design and build brand new built-ins and walk-in robes, or can upgrade existing wardrobes. Lifestyle Wardrobes offer a free on site measure and quote and can also renovate your existing wardrobes with custom designs to suit your décor. Lifestyle Wardrobes are committed to providing quality storage solutionsusing Australian made products. Our design team will work closely with you to ensure that the finished custom wardrobe design complements your needs and wants perfectly.

Discover how you can take your Walk-in robe to the next level with island benches brimming with drawer storage, LED mood lighting beneath your doors, or control wardrobe music from your device. From classic to contemporary, we tailor your wardrobe and joinery solutions for every situation. Our designers work with your space to seamlessly blend your storage requirements with the style of your home. We had used Almara for wardrobes years ago based on a friends recommendation.

Our bespoke, high-quality, and expressive cabinetry creations have been recognised throughout the industry. Study Office Are you looking to switch jobs from a hardwired office to the comfort of your home? If you want to effectively use the rooms in your home, Almara Cabinets has the ideal solutions for... Explore our full range of furniture and homewares via the link below. Enjoy a full view of your clothing options every time you set foot in your deluxe walk-in.

Our team can make built-in wardrobes with plenty of shelves for shoes, different lengths of racks for dresses or shirts and even retractable drawers for jewellery or other valuables. We’ll work with your items and your space to create the wardrobe of your dreams. If you don’t already have dedicated storage for other items such as bedding and toys, you can create space for these in a cleverly designed wardrobe.

I found my experience with Cutting Edge Kitchens to be extremely professional and yet friendly and personal. Behind the scenes, quality hardware will ensure smooth running for years to come. When it comes to Designing the internals for the wardrobe almost anything Is possible. Expert advice on hardware and colour selections and the best design/layout possible for Wardrobe Installation Sydney the space. High-quality drawer runners and hinges (BLUM – All soft closing with lifetime warranty). A very satisfied customer, in that it is refreshing to find a company with such integrity and honesty.

When you've completed your design, you can add it to your cart and order it online. No longer is the laundry a utilitarian room that is hidden behind closed doors. Modern laundries are now clean and stylish spaces to be proud of, often following the same cohesive design styling as the kitchen and bathrooms. Did you know our expertise extends to new bathrooms and bathroom renovations? Our team of designers and tradespeople can work with you to turn your bathroom renovation requirements into a reality. From your kitchen renovation consultation to design using our state-of-the-art software, and then finally the installation of your new kitchen, we ensure the process is seamless.

A walk in wardrobe or dressing room is a must for any new home or renovation as they don’t only provide great storage for clothes and shoes but anything else you wish to store. All Wardrobe Connection wardrobe doors have been designed with both style and functionality in mind. Wherever you are in Adelaide, Betta-Fit can give you storage ideas and show examples of all types of robes including mirror robes.

Built-in Sliding Wardrobes in Sydney and Illawarra

Want to add a statement piece that is bound to impress, allows for maximising storage space and make your home look more lively. Whether it's a bookshelf, display shelves or even a partition wall, all is possible with Choice Wardrobes. Here at Academic Built-In Wardrobes, we offer a complete 10-year warranty that covers all materials and labour on your wardrobe. Contact our team today to learn more about our warranty. Your new shelves, cabinets or wardrobe can be totally customised to fit your desires.

Our custom built in wardrobes will look as if they have always been there, and our custom walk in wardrobes will provide your home with an added sense of luxury. Offering the best range and quality finishes to all our products, we are specialists in the industry. As well as our glass solutions, we also offer services for wardrobe fit outs. We design all our products to suit your specific needs. Crafted to your requirements, all our products are manufactured and installed to enhance your living space. We had 3 wardrobes and recently used Impressive wardrobes to add internal shelves & new sliding doors.

Great communication, professional, polite, on time, and clean and tidy work. Mustapha essentially acts as a project manager for the job, as well as doing all the cabinetry, which was so helpful because we live an hour away from the property we were renovating. We also have a number of exciting options in terms of walk in wardrobes that our designers would be more than happy to discuss with you. Generally, the standard depth of a wardrobe in Australia is between 600mm and 650mm, which gives ample room for coathangers. However, a modern wardrobe design recognises that other solutions can give you back a more spacious feel and generous floor space where space is at a premium. Solutions like angled shelving for shoes and books are just one of the innovative ways A-Plan can give you ample, functional storage without taking up too much space within a room.

Whether you have the dedicated space already or need us Custom built in wardrobes sydney to create one for you, our custom joiners can turn your walk-in wardrobe dreams into a reality. Importantly, a built-in robe should be designed to maximise any available space, be easy to access and make organisation simple and easy. Whether you’re a minimalist or a collector, we’ll create a wardrobe that stands the test of time, making your day-to-day life simpler and easier.

We specialize in the design, manufacture, and install of quality built-in wardrobes and storage solutions. We have a combined experience of over 25 years in the business. We have a strong commitment to the people who work in our business. If you have the luxury of large, spacious bedrooms, it is worth considering a custom built walk-in wardrobe. One must also consider the budget when trying to find a practical yet aesthetically pleasing storage solution.

Kitchen cabinet Custom made wardrobe Sydney Built in wardrobes Parramatta, Blacktown, Sydney

20+ years experience in wardrobe design & interior planning. When it comes to designing the perfect storage space for your home, we work closely with you to ascertain your needs while imparting creative direction and expertise. The end result is a wardrobe that is both beautiful, practical and functional. Wardrobes are one of the hardest-working areas in your home. To ensure the longevity of all custom joinery we build, our team Built In Wardrobes Sydney only use quality materials that not only look great but can endure the pressures of daily use.

All the staff including the installers were co-operative, friendly and professional. By liaising with industry leaders and professionals the team at YourWay Design can make sure that your built in wardrobe in Sydney is constructed to your specifications correctly the first time around. We’ll look at the space you have available and help you decide on the kind of wardrobe that would work best for your needs but match the style of the room in question.

When you walk into a home, one of the rooms that you’ll first take notice of is undoubtedly the kitchen, Custom Built In Wardrobes as this is where most of your socialising, meal preparation and family time takes place. A kitchen that is well designed and has a great style will always get people talking and attract compliments. When we’re done with the wardrobe installation, we ensure that the area is cleaned up. Our work will be subject to inspection by you, our client to ensure that we’ve met your expectations. They are built to be a perfect fit for the bedroom of your home and are unable to be moved once put in place.

Also, some of our satisfied customers may be agreeable to you taking a look at their completed projects. CHOICE WARDROBES combine style and quality to give you a space-saving feature that is functional and adds value to your home. On the day, your installer, Grant, again turned up on time, was very professional and a pleasure to deal with. Choosing a wardrobe may be a daunting task, so to make it easy to select a wardrobe, we have provided you with some of our most popular Internal designs.

We treat every new project with professionalism and the care it deserves. We do not use contractors, hence you can rest assured that you will receive a courteous, respectful and reliable service. For homeowners, we provide a better, smarter way to connect with local tradies to get a job done well. For tradies, our platform helps you grow your business by providing quality leads from customers looking for a specific trade.

Corner wardrobes efficiently use the corner spaces of the room which otherwise can get wasted. Sliding doors are the preferred choice for corner wardrobes, as they render excellent storage and superb style. Walk-in wardrobes facilitate adding some luxury extras like laundry sorting and dressing spaces, and more storage.

Handle At Bentley’s Wardrobes & Kitchens, we deliver function, quality, and much more. Laundries & kitchens Bentley’s Kitchens & Wardrobes continue to delight our customers by designing and installing quality kitchens and laundries in Sydney. Walk in wardrobes Our walk-in wardrobes come in a wide range of designs, colours and materials.

We supply and fit any wardrobes so all you have to do is choose it and then we will make sure it will be properly assembled, installed or fitted into your house. We have a team of knowledgeable and experienced craftsmen and custom fabrication combined with attention to detail allows us to design the perfect built in wardrobe for your home. Walk in wardrobes aren’t necessarily reserved only for rich and famous. This extremely useful part of any home interior design can be installed according to your wishes regardless how big or small, you plan it to be. When it comes to walk in wardrobes every single inch truly matters.

Built-in Wardrobes prices in Sydney

Unlike hinged models, they don’t require additional space to accommodate the opening door. Why not consider approaching a bedroom design expert for more advice on fitted wardrobes? There is a reason why these models are still so popular in the modern age. It is time to take full advantage and let your creative side shine.

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Loved the professionalism and prompt service run by the lovely people who work here. The design team catered to our needs and we will definitely be return customers in the new year. Incredible efficiency when undertaking the kitchen renovation. We are extremely happy with the overall kitchen construction that David carried out for us. He spent some valuable time with us giving us ideas for the planning and fit out and specifications which required many home visits. David also gave us contacts for electrical work and splash back both of which were also perfect.

When it comes to investing in a set of custom built in wardrobes, Sydney residents want to be sure they are working with a proven and professional team with years of experience between them. That is why they know to call on the experts from YourWay Design. Jean-Christophe has creative and cost-effective ways to renovate existing wardrobes. By simply adding decorative elements, panelling, a pelmet, paint effects to existing doors or add new doors. French and Hamptons furniture design is the perfect inspiration for creating beautiful wardrobe designs. Our craftsmen specialize in making built in and custom fitted contemporary and traditional wardrobes in various styles for Sydney Customers.

You can rest assured that under our expertise and direction, your home’s wardrobe will become one of the most awe-inspiring spaces in your home. Meld With the Design – These closets meld with the design of your room comfortably. They don’t stick out like a sore thumb or make the area feel cluttered, which means your bedroom has a more relaxing environment.

At Cutting Edge Kitchens & Cabinet Making we create top quality custom wardrobe solutions with solid backs, bottoms and hinged doors. Your wardrobe is custom designed with you and your clothes in mind. Shelves, drawers & hanging spaces, all at the heights you choose. Built-in wardrobes are storage units that become the part of the room's wall instead of standing outside it. They aren't bulky, noticeable, and don't take up much space. A well-designed wardrobe will fit in with your room's architecture perfectly.

Please tell us about your project and one of the Just Wardrobes team will walk you through our service options. Wardrobe Systems Complete the look of your home with our custom built shelving systems. We are absolutely thrilled with the end result of our wardrobe.

Jean-Christophe supervises each step in the construction of your wardrobe to ensure quality and integrity of the design. Construction of

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formworksnova · 3 years ago

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Find Popular Technologies in Low Cost Housing in India

One of the greatest common skills that are extensively used in India is the Glass Fibre Reinforced Gypsum knowledge. The panels are designed of high concentration alpha-based gypsum plaster. This technology was first used in Australia in the year 1980. The panel is made in an eco-friendly way. It can be cut into the desired size of your roofs, walls, and windows as well. This technology is widely used in India, such as Karnataka, Tamil Nadu, and Kerala. The panel can be used to erect huge hospitals, schools, and houses.

GFRG is best suited for low cost housing construction. The entire manufacturing process requires less energy. The critical ingredient of GFRG panels can be found easily in the market at affordable rates. These panels are easier to assemble. Unlike other construction methods, it does not need any curing time. Therefore, the cost of labour and construction is significantly reduced. When this method is applied, it reduces the cost by:

● A cheaper alternative of bricks and concrete

● Minimising the duration of the entire construction process

● Reduces the cost of labour since the construction process completes in a short time

Is This Construction Method Safe?

Houses made of GFRG technology are usually of the same quality compared to conventionally constructed buildings. These houses are made in such a way so that it stays erect for an extended period. When homes are built with the help of this technology, you can rest assured that they can withstand the negative impact of fire and earthquake. The government has permitted GFRG panels for construction in India. Some of the key benefits of living in GFRG buildings are as follows:

● Economical

● Earthquake resistant

● Fire resistant

● eco -friendly

● Water-resistant

Precast Modular Technology

Precast modular technology is another technology that is widely used in India. Here the standardised items are assembled on-site. All the products are manufactured in a factory and transported to the structure site. Expanded polystyrene panels are a special kind of panel that is used in this process.

This technology is quite affordable and helps to lessen the construction time. Many companies use this technology, such as Loom Crafts, NCL Industries, and Woodburn India. Some of the important examples of architectural projects using this technology are Burj Khalifa, Globally, and Sydney Opera. It takes 2 to 3 hours to build a house with this technology. One of the first prefabricated hospitals in India is Meitra Hospital which is located in Kerala. Recently, Lulu Mall is being built with prefabricated material.

Monolithic Reinforced Concrete Construction System

The monolithic reinforced concrete construction system is an advanced skill that needs to be discussed. This technology is widely used, and it is considered a cost-effective solution. This technology allows the engineer to cast walls, ceilings, foundations as per a predefined cycle. Many construction firms started to use monolithic construction systems to construct significant buildings. The best part of this system is that it avoids plastering of buildings and lessens manual intervention.

Nova Formworks

Nova Formworks is a well-established company in India. The company has its plans in Delhi and Bangalore as well. For the past 40 years, the company has been into plastic manufacturing. They offer plastic frameworks at affordable rates.

#low cost housing construction

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architectnews · 3 years ago

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Tribe Studio founder designs her own Australian weekend beach retreat

Australian firm Tribe Studio Architects has created a U-shaped, timber-clad dwelling in New South Wales that is meant to serve as an "affordable and sustainable prototype home".

The Bundeena House is located in a coastal hamlet of the same name that borders the Royal National Park. The home sits about 100 metres from Gunyah Beach.

Bundeena House is located near Gunyah Beach in New South Wales

The low-scale dwelling serves as a weekend retreat for Hannah Tribe, who founded Sydney-based Tribe Studio Architects in 2003.

While designing the home, Tribe and her team took cues from the modest fisherman cottages found in the area. Their aim was to create a holiday dwelling that embraced its context while also serving as a reproducible model.

The house features an inner courtyard

"The home doubles as a replicable architectural prototype for a sustainable holiday home that is authentic to the Australian aesthetic whilst also being cost-effective, environmentally aware and supportive of local trades," the team said.

U-shaped in plan, the houses consists of rectilinear volumes arranged around a courtyard. Instead of creating a multi-level building with views of the sea, the architect opted to keep the house at one level.

Rectilinear volumes are arranged in a U-shaped plan

"We chose not to pursue a double-storey home to capture water views, in favour of tackling the larger challenge of creating an affordable and sustainable prototype home, with potential to be recreated across a variety of environments – from beach and bush to suburban estates," the firm said.

The single level also enables Tribe and her family to continue using the home as they age, while also being suitable for visitors who may have mobility limitations.

The kitchen has an open-plan layout

The home's structure consists of a concrete slab and a modular timber frame that achieves spans of up to 5.4 metres without the use of steel.

Exterior walls are clad in white-painted timber. The front facade has no windows – a response to the street layout and the need to block glare from approaching headlights.

"While the house is conceived as a prototype kit-home, it also reflects some particularities of the site," the team said.

Inside, the home has bright rooms and a fluid layout. The public area consists of an open room for cooking, eating and lounging. Retractable walls provide a seamless connection to the outdoors.

Interior finishes are meant to be durable and honest

The private zone encompasses two adult bedrooms and a kids' room that can sleep up to six children. A built-in sofa in the lounge can be converted into a bed, enabling the home to accommodate additional guests.

Instead of a dedicated mudroom, the team put the laundry in the entrance area — creating a "deliberate sand trap for beach towels, tossed togs, wetsuits and thongs". Interior finishes are meant to be durable and honest.

A Phillipe Chemise fireplace heats the house during cooler months

Materials include laminated veneer lumber (LVL), structural plywood and Australian blackbutt wood. Concrete flooring was left unpolished so that wet and sandy footprints wouldn't be an issue.

The property's vegetation – selected by landscape architect Christopher Owen – features water-wise, indigenous plants that attract birds such as kookaburras, tawny frogmouths, cockatoos and sea eagles.

Up to six children can sleep in the kids' room

The only non-native plants are edibles in the inner courtyard, where they are protected from grazing deer. "Now the courtyard is the 'food bowl' of the house," the team said.

The home has an abundance of sustainable elements, including double-glazed windows, adjustable shading and heavy insulation.

A shaft of light in the shower room

The building is oriented to capture prevailing breezes, helping cool the interior on warm days. When temperatures drop, a Philippe Chemise fireplace is able to heat the entire home.

"Lighting is all LED," the team added. "A five kilowatt photovoltaic array, a separate solar hot water system, and provision for a future battery leans the home toward electrical self-reliance."

Concrete flooring was left unpolished to tackle wet footprints

The dwelling also has a rainwater harvesting system, with recycled water being used in toilets, the washing machine and garden irrigation.

"This house is an attempt to achieve a high level of architectural and sustainable outcomes at a low cost," said Hannah Tribe. "It is an experiment in delivering a more thoughtful kit home."

Visitors can wash off after the beach using a shower at the entrance

Tribe Studio Architects has completed a number of residential projects in Sydney and beyond, including the drastic redesign of a 1920s dwelling, and the creation of a house with a clever pulley system for bicycle storage and retrieval.

The photography is by Katherine Lu.

Project credits:

Architecture: Tribe Studio Architects Building: Ballast Construction + George Payne Engineering: Cantilever Landscaping: Christopher Owen

The post Tribe Studio founder designs her own Australian weekend beach retreat appeared first on Dezeen.

#Architecture – Dezeen

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fancingstyle · 18 days ago

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Stunning Feature Walls in Sydney: Style Fencing’s Solutions for Modern and Elegant Spaces

Style Fencing offers exquisite feature wall solutions in Sydney, transforming ordinary spaces into stylish focal points. Known for their commitment to quality and custom craftsmanship, Style Fencing creates beautiful, durable feature walls that suit a range of design styles—from modern and industrial to rustic and traditional. With a skilled team and a variety of materials, they ensure each feature wall adds character and functionality to your property.

Why Choose a Feature Wall?

A feature wall enhances any area by adding a touch of personality and sophistication. It highlights a specific area, drawing the eye to unique designs or textures. Feature walls are also highly customizable, allowing homeowners to experiment with colors, patterns, and materials that reflect their style. By choosing Style Fencing, Sydney residents can bring depth and contrast to their spaces, turning walls into artwork that adds both visual appeal and value.

Custom Materials for Unique Designs

Style Fencing provides a broad selection of materials to create the perfect feature wall. Clients can choose from options such as timber slats, composite panels, stone, metal, and more. Each material offers a different aesthetic and can be customized for both indoor and outdoor applications. Timber, for instance, provides a warm, natural look, while metal or stone introduces a sleek, modern feel. Style Fencing’s experts guide clients in selecting the ideal materials to match their vision, ensuring a result that aligns with their preferences and complements their space.

Indoor and Outdoor Feature Wall Solutions

Style Fencing specializes in both indoor and outdoor feature walls, allowing clients to elevate any part of their property. Indoor feature walls are ideal for living rooms, bedrooms, or entryways, creating an instant impact that enhances the ambiance. For outdoor settings, a feature wall can beautify areas like gardens, patios, and poolside spaces, offering a striking backdrop that withstands the elements. With durable materials and weather-resistant options, Style Fencing ensures that outdoor feature walls remain as vibrant and strong as indoor installations.

Skilled Installation for Seamless Results

The team at Style Fencing is experienced in installing feature walls to perfection. Their experts take precise measurements, follow efficient installation methods, and ensure that every wall is securely and neatly constructed. By using high-quality materials and industry-leading techniques, they provide clients with feature walls that look seamless and stand the test of time. Style Fencing’s professionalism and attention to detail have earned them a reputation in Sydney for excellence in custom wall design and installation.

Style Fencing: Bringing Your Vision to Life

Choosing a feature wall from Style Fencing means investing in quality, style, and innovation. Their wide range of materials and expertise in modern design ensures that every wall reflects the client’s unique taste. For those in Sydney seeking to elevate their space, Style Fencing offers feature walls that blend functionality and beauty, making each space unforgettable. Whether it’s for a cozy indoor area or a vibrant outdoor setting, Style Fencing provides top-notch feature wall solutions that bring charm and value to any property.

#boundary fence sydney #modular fencing sydney #modular wall systems sydney

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jeremystrele · 3 years ago

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The Fun + Fantastical Inner-City Apartment Of Two Next Generation Designers

Creative People

by Sasha Gattermayr

Josh and Matt’s inner-city apartment is packed to the brim with fun, dynamic and colourful pieces. Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

How about those fringed chair arms and that tomato red Nicolae Lawrence coffee table?! Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

Spectacular views from the corner apartment. Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

The red Togo couch and armchair popped up on Facebook marketplace as Josh and Matt were mid-flight to Melbourne. It was fate! Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

One of the boys’ signature products: a modular acrylic mobile made from colourful, geometric shards. Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

‘As we began to experiment with colour we became more confident using it and that flowed into our interior as well! We’ve now fully embraced colour and treat our home as an art playground.’ Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

The bedroom has a softer, more muted glow compared to the clashing colours in the living room. Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

The apartment is filled with a mix of vintage pieces, secondhand items sourced from marketplace, handmade art and fresh products – like this specially commissioned table by Jack and Mark Fearon for Curated Spaces! Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

Josh (left) and Matt (right) doing what they do best: creating content. And Luis the cockerlier of course! Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

Squiggly psychedelic oddities! Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

The boys make most of their pieces by hand in their Melbourne apartment, using materials from local Australian suppliers. Photo – Amelia Stanwix for The Design Files. Styling – Annie Portelli.

Josh Jessup and Matt Moses discovered their love (and penchant) for art and design last year, when they were in lockdown watching American interior designer Kelly Wearstler’s masterclasses online at night. This ‘lightbulb moment’ led them to pack up shop and move to Melbourne where the creative energy was extra magnetic – and aren’t we glad they did?!

Matt is an app developer by day and a designer by night, while freshly minted interiors and architecture graduate Josh works full time on their art and homewares brand, Josh and Matt Design. From hand-making the products to packaging orders and filming TikToks, the duo are forging ahead with their fun, no-rules approach to design, and creating a devoted online community of fans and customers.

We’re totally obsessed with these guys!

First thing’s first, tell me about Josh and Matt Design!

Josh and Matt Design was born after we experimented with creating our own homewares and art for our own apartment. We were both working from home so it really forced us to reflect on our interior and rethink what we wanted to be surrounded by.

Our first art product was our rental-friendly range of hanging mobiles. They attach to the ceiling via command strips with the hanging sculptures attaching magnetically. This allows you to swap the pieces around whenever you feel like it and even mix and match between mobiles. Using this same modular system, we quickly expanded into a whole range of art for many aspects of the home including downlight art and magnetic wall sculptures. Our most recent designs have been our lava candles and candle holders!

We make everything in our apartment here in Melbourne, using various Australian suppliers. Our acrylic pieces are laser cut by Domus Vim in Sydney and everything else is handmade by us! Our art is made to order so most nights you can find us making our art and packaging orders.

How would you describe your aesthetic?

We’d call it curated maximalism, with elements of postmodern design and retrofuturism. We’ve blended a lot of these elements into an aesthetic that really represents who we are! It’s fun, dynamic and full of colour.

How did you arrive at this style?

As our art style evolved so did our interior. Just a year ago, our home had a very neutral colour palette. As we began to experiment with colour we became more confident using it, and that flowed into our interior. We’ve now fully embraced colour and treat our home as an art playground.

Do you have any artistic inspirations or interiors references?

We love the radical design of Gufram and Memphis Milano. We don’t really follow rules when it comes to our design aesthetic, and really like how they approached design in a similar way.

Kelly Wearstler is also a huge inspiration for us, as she helped us look at interiors from a new perspective by treating every object as an individual sculpture. This allowed us to think about how all of our interior pieces interact with one another.

You guys have so many followers on tiktok… How many videos do you make each week?

We love making TikToks in our spare time, and often have a content plan for each weekend! We usually post three times a day showcasing different aspects design including architecture, fashion, interiors and art!

We like to treat our TikTok as a design community first and business second. We love showing our art and development behind the scenes on TikTok. It has been a such an amazing platform for us to find our community, we never imagined we would be having sellout art launches four months into our journey.

What are your favourite pieces in the house?

There are so many pieces in our home that we absolutely love and still pinch ourselves over! When moving to Melbourne, a red Togo fireside chair matching our Togo loveseat popped up on Facebook Marketplace mid-flight – it was like the universe giving us a house warming gift!

Another favourite of ours would be our vintage Verner Panton x IKEA Vilbert chair. We also love our Memphis Milano squash tray and our custom desk from Curated Spaces made by Jack and Mark Fearon.

Do you have any tips for collecting design pieces or finding new makers?

When we were in Sydney planning our move to Melbourne we were scouting every available source! From local vintage stores, Facebook Marketplace and Instagram collectors, we were curating our Melbourne apartment non-stop.

We would definitely recommend first thinking about what your design style is. Then break this down into sub categories such as materiality, design eras and brands. Use these keywords to browse Facebook marketplace and set up search alerts, we found so many of our pieces this way! Also use these key words on Instagram and you’ll find a ton of local curators and makers that have some amazing pieces. Lastly, make sure to visit your local vintage stores, there’s often hidden gems that will jump out at you!

Explore Josh and Matt’s crazy popular products here, and keep up with their antics/product drops/cockerlier Luis on TikTok here (or Instagram here)!

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beds1234 · 9 months ago

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Exploring Bedroom Furniture In Sydney's Inner West

Sydney's Inner West is known for its vibrant neighbourhoods, eclectic charm, and thriving arts scene. In this dynamic region of the city, residents take pride in creating stylish and comfortable living spaces that reflect their unique personalities and lifestyles. When it comes to furnishing bedrooms in Inner West Sydney, homeowners have access to a diverse array of options that cater to their tastes and preferences. From classic designs to contemporary styles, Inner West residents have the opportunity to curate bedrooms that are both functional and aesthetically pleasing.

Embracing Diversity in Design:

One of the defining characteristics of bedroom furniture in Sydney's Inner West is its diversity in design. Inner West residents come from a variety of cultural backgrounds and embrace a wide range of design aesthetics. As a result, bedroom furniture options in the Inner West span the spectrum from traditional to modern, allowing homeowners to find pieces that suit their style and complement the overall look and feel of their homes.

Whether they prefer the timeless elegance of wooden sleigh beds, the sleek lines of minimalist platform beds, or the rustic charm of vintage-inspired furniture, Inner West residents can find bedroom furniture that speaks to their individual preferences. Additionally, many furniture stores in the Inner West offer custom furniture options, allowing homeowners to create bespoke pieces that are tailored to their specific needs and tastes.

Maximizing Space in Compact Living Environments:

Sydney's Inner West is known for its diverse range of housing options, from historic terrace houses to modern apartment buildings. In compact living environments where space is at a premium, maximizing space-efficient bedroom furniture solutions is essential. Inner West residents often opt for multifunctional furniture pieces that serve dual purposes, such as storage beds with built-in drawers or ottomans that double as bedside tables.

Additionally, modular furniture systems are popular choices for bedrooms in the Inner West, allowing homeowners to customize their storage solutions to fit their unique needs and space constraints. From wall-mounted shelving units to modular wardrobes with adjustable shelving and hanging rods, Inner West residents can optimize their bedroom layouts to make the most of every square inch.

Incorporating Sustainable and Eco-Friendly Options:

As awareness of environmental issues continues to grow, many Inner West residents are prioritizing sustainability and eco-friendliness when choosing bedroom furniture. Sustainable materials such as reclaimed wood, bamboo, and responsibly sourced timber are increasingly popular choices for bedroom furniture in the Inner West. These materials not only contribute to a more environmentally friendly home but also add warmth and character to bedroom spaces.

Additionally, Inner West residents are embracing second-hand and vintage furniture options to reduce waste and minimise their carbon footprint. Thrift stores, antique markets, and online marketplaces are treasure troves of unique and affordable furniture finds that add personality and charm to Inner West bedrooms while reducing the demand for new furniture production.

Conclusion:

In Sydney's Inner West, bedroom furniture options abound, catering to its residents' diverse tastes and lifestyles. From classic to contemporary, space-efficient to sustainable, Inner West homeowners have access to a wide range of furniture options that allow them to create bedrooms that are both stylish and functional. By embracing diversity in design, maximizing space in compact living environments, and incorporating sustainable and eco-friendly options, Inner West residents can curate bedrooms that reflect their personalities while contributing to a more vibrant and sustainable community.

#bedroom furniture inner west sydney

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miamacdonald-uxui-research-703 · 5 years ago

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Beyond Talks - Day 2

Speaker 1

Clem Devine - Jasmax

Brand Design Lead - leads a multidisciplinary team of designers, across all media including the built environment.

39 years old, been a designer for 17 years. Times are changing, designers are good at responding to changes, ambiguity.

Creative Director / Design Director / Senior Designer / Part-Time Accountant / Stakeholder Manager - as a Brand Design Lead

“Design is persistently not knowing and finding out by learning with others.”

Les Mason influence - Graphic Designer did some work for Epicurean Magazine in the 1960’s, a wild “mad-man” character. “Father of Australian Graphic Design.”

What he learnt - work with the best people that you can (above and beside you, people you hire and employ).

Make international work (blogs, instagram, awards programs)

Allan Derrick influence - used to run a Graphic Design studio in Invercargill.

Southern Institute of Technology - did the logo design.

What he learnt - treat your staff the same.

Neil Pardington - Artist / Photographer - Eyeworks Design studio in Wellington.

Design can be art (Fiona Pardington is his sister).

Shane Cotton - worked on identity of his business card.

What he learnt - find your mentors. Look at the marketplace and think about the people you love and admire, who you think do interesting work.

Remain calm at all times.

Dean Poole - Alt Group - 2 or 3 steps ahead of where you’d expect Design companies to be.

What he learnt - Design is an idea. (not just craft/stylisation)

Buy shares in your clients businesses.

Ben Corban - Managing Director of Alt Group, part of the Corban winery family.

Take a long term view, design for 30 years. Build a practice over time.

Create a safe space for design to thrive.

Over time you become a mentor yourself, forget some of the things your mentors told you, no longer relevant.

Sam Trustrum / Zoe Ikin - Judge at Best Awards, Studio Magazine | Designer’s Journal.

Be friends with designers you admire.

Work with your friends before they have kids.

Brian Richards - Richards Partners

Design is business $ needs to have a value attached to it that clients will pay for - design will have a valuable impact on the client.

Manage up and manage yourself - empathetic, continue to work on your social and emotional intelligence.

Helena Charleson - Marketing Director at Colliers (property development space).

Work for clients you like and that like you.

Jasmax - Architecture studio - you have to carve your own path and create value for their business, create great work.

Nick Moyes - what a brand design team might look like, 4 people now.

Pick your team carefully, you have to like working with them.

Stay relevant. Design is moving so quickly, stay engaged and interested. Stay optimistic.

Working with different disciplines is hard, but you become a better designer.

Design is politics, play it fair.

Design Assembly and AUT - fairness in how you engage with community.

Influence is better than control. (over a process, people, company or client).

The only thing you can control is yourself.

Pick the best lessons from everyone you’ve worked with and forget the rest.

Keep regular hours. Maintain a regular discipline, hobbies, friends and family, have other interests, don’t let Design become an all consuming thing. Be curious about business and technology.

Make things that last a long time - projects that have a value. e.g. friends, connections, processes we might learn. Go deep on something quite interesting, as a topic.

Drips installation at Studio One in Ponsonby - meant to be temporary but it’s still there, stays as permanent in Auckland.

Running a profitable business gives you more flexibility to work on other projects.

Research & Development - varies project to project, depending on estimates of project and resources. How you quote a job is quite secretive in the industry.

Advice to approach designers or design businesses that you like, ask to spend 30 minutes talking with a designer - to take the pressure off trying to approach it as applying for a job.

Remote working at this time, have a discipline or a routine to follow.

Speaker 2

Eden Short & Guy Hohmann - Maynard

Guy - born in Canada, left Whangarei and moved to Auckland at 18, went to Design school at Unitec.

Worked at Maynard in London for 5 years before relocating back to Auckland.

Layering of materiality in the built environment, interested in how cities evolve, temporary states (construction), nature and how natural systems and ecologies can act as template for built environment.

Wayfinding, architecture signs at train stations.

Eden - B- graphic design, cartography and maps, photography. In her honours project, produced a fake world.

Wayfinding, where maps sit.

Collaborations with friends - Print Error, AUT Zine Club, Dryden St Distro, final_final (creative space in Grey Lynn for personal projects, design market).

Zine - self-published artefact done fully by the Designer.

100 days, 1 yellow dot.

Maynard - People, Place, Product - way finding on all levels, how people occupy spaces.

User Experience is at the heart of our process, ensuring highly bespoke design.

Multidisciplinary practice - 4 offices - London, Melbourne, Auckland, Sydney.

A furniture collection - spaces needed to be canvases for urban life, not locking them into a certain way of being. Marshalls TENPLO - mini-model.

Gateless Gatelines - research project using new technology to transform the gateline user experience (rail) and improve station efficiency.

Gates are a bottleneck, becomes a safety issue.

M.I.N.D.S.P.A.C.E. model - how people adopt to new technology (Google)

Biometric data, e.g. Apple Pay, Snapchat.

Passenger journey, looked into it in a lot of detail, with different personas. Challenges, how does it work, will people try to run through? Will security have to intervene? Photos are taken, to track down people who are abusing the gate system.

Technology timeline, at what point will people be able to do this on their own phones?

Started with small scale models to illustrate the idea.

Empathic and human centred is preferable to autonomous and hi-tech.

Systems must integrate with user habits to become the default.

Connect Me - Reimagining the future train interior to respond to changing travel behaviours, expectations.

The 4 C’s - Cost Reduction, Carbon Reduction, Capacity Improvement, Customer Experience.

End to end journey - from door to destination - mapping out needs and motivations.

Our vision for the future of rail travel is to have the passenger experience at its core. Digital and physical solutions.

Modular train - designed to increase capacity.- how to reconfigure seats, bike racks etc?

Flexibility to fold seats up and down depending on peak travel times.

End to end journey is key. Passengers expect more, personalisation is the norm. Trains are more than a transport mode, places to work, rest, interact.

Aotea Centre - A bespoke bilingual way finding system. Brutalism was part of the buildings heritage. They wanted to understand how the building worked, and what it was used for - theatres, conference centres, accessible wayfinding and signage. All signs had to include bilingual Te Reo and English.

Worked with staff to assist with concept developments.

Hospitality is a core design principle, also incorporate braille and tactile type.

Concerns of legibility and sign standing out in the environment.

Stacking of Maori, English and braille.

Softening curve in the signs, with native timber. In the product family, e.g. wall mounted signs, unified sign family.

Full signage family in a foyer space.

Local team within a small international company.

Connecting Downtown Auckland - along the waterfront, connecting 6 different infrastructure projects. Unify 5 different transport modes across the precinct. Ensure designs are future-proofed.

Needs to speak to the local context of Tamaki Makaurau.

Multi-modal analysis of transport, walking, cycling, buses, trains, ferries.

When way finding doesn’t work, that’s when you really notice it.

Broad but specific - identify tangible opportunities.

Created a robust design brief.

Research is holistic - research informs practice and practice informs research.

Lots of photos of bricks and walls, mark-making in the urban environment. Became the basis for ceramic works, called “the bricks’.

Ensure design outcomes are user focused, inform aesthetic and create coherent design narrative, contributing to culture and context, build knowledge around sustainability.

User testing was predominantly done on the existing system, to understand what was broken and what needed fixing for people.

Speaker 3

Mike Felix - DDB - Creative Director

Every creative endeavour must start with research.

Find the insight, the idea is the guiding star, followed by the execution.

The sharper the idea articulation is, the better the outcome.

Design: create, fashion, execute or construct according to plan.

There is always something guiding you or informing your design.

Concepts leading design.

Base your talk on the size of the room.

What makes a good brand? Fernando Machado (Burger King) a good client is what makes a good brand. The client who is brave enough to say yes.

Where do you start? Research.

e.g. campaign to stop people from walking in-front of trains. To a train driver, it was like a near-death.

Bernbach - joined a creative team: writer and art director.

Seperate research, thought starters, looking for tidbits and insights, then they cross-pollinate and sit down with what they’ve done - which instantly starts the process. Creative check-in is an important meeting, when ideas get shut down, it’s important to kill your ideas, internal reviews with strategists / suits - idea articulation.

Your muse is a rogue alcoholic, but if you always show up on time, so will it.

The better you are at selling an idea, the more likely you are to make an idea. Get into acting.

Client feedback, process of briefing directors, and doing directors treatments - their case for what they think, what have they added? Award the job to 1 director, answering client feedback. PPM - pre-production meeting, plan. Shoot is a world in itself.

Offline - fancy word for edit. Watching someone else make your idea. Client offline, Grade, Online, Client Offline, Sound Mix, then Dispatch.

When you put an idea out there, you have to keep track of it, document it.

How do you approach a challenge? From a safe distance.

When you’re researching, you’re gathering trees. The solution to a challenge can be obvious once you understand the problem really well.

Lotto ticket ad - when the ad contained the numbers.

How do you get over a creative block?

The conscious mind is like the secretary, the subconscious mind comes up with the ideas, CEO/Director - the door is always shut. Wait for the CEO to write an idea on a piece of paper and slide it under the door.

Lower stress levels and pressure levels, sleep well, meditate.

YOU don’t come up with all the ideas, idea supercharges conscious.

Idea is in the brief somewhere, sleep, salmon and avocado are good for the brain, idea generation, sleep, 2 hours to concept, picked 1 idea.

What was your life like after you graduated?

Speaker 4

Professor Welby Ings - AUT

True intelligence can become invisible, if it doesn’t fit into the education system.

Thinks in images, writes articles. Our best nature is our disobedient nature. ‘Disobedient Teaching’ book.

Painted people, more interested in the piece that is inside of people. Trying to understand the realm that images can work in.

Protest movements, protest and arrest. When things aren’t right, you either have the choice to stand back or stand up.

Storytelling, telling a story of a better society.

Set up alternative campaigns, and get stories across in a world that didn’t give funding to it.

Consequences of being silent, pandemic of AIDS in the 80’s and 90’s.

The mind and the heart get tangled up together, we don’t just communicate cognitively.

You realise how precious life is, when your friends die around you.

5 films - short films won’t make a lot of money, but it’s a maverick move.

Meaty research involves within the process of the work, not just beforehand.

The Coopers ‘Sometimes Love Can Kill’

Over time work builds reputation.

“I draw to think” to get outside of the obedient mind.

Arapuni drawings as research, materials at hand. Drawing to think inside the possibility of something, becomes dialogic, talks to you, not in the open world.

The colour palette moved into the colour palette in the grading of the film.

He draws characters at every age.

“Boy” 2004 - wasn’t going to be funded as a short film, he had to self-fund it.

The power of the idea and your commitment to drive it.

Material thinking, in doing, as a process.

Extraordinary - extra-ordinary - find a passion that brings something into the world that others can’t.

Trying to find the dimensions of the character.

In research, there are levels of discovery.

“Munted” short film - takes him about 5 years to do. A worthy investment if you think extraordinarily about the world.

The metanarrative - heroic sacrifice - ANZAC day every year. National pride,

When We Go To War - 6 episode TV story - opening credits

Year after year we can recycle the same narratives.

NZ - WWI - problems - PTSD - shell shock

Failed masculinity, maladjustment, malingering, cowardice etc.

Shell shock condition (not yet diagnosed) - clip from London

Suicide and desertion in the war - records were erased.

Erasure in the world war, not talking about something.

Sparrow - the story of a kid who thought he could fly and the story of his grandfather.

Films are talking pictures.

“the stories we never tell”

Physical making of things, to get inside the film, from where he directs.

We can become a service provider, if we’re not careful. We can lose that essence.

Disobedience can be constructive, go out into the world and become extraordinary.

What is the spirit of the sound / idea - typography

“We have gifts inside of ourselves, some we recognise, some we turn a blind eye to.”

Hothouse of extraordinary minds - PHD students

Early childhood and PHD have no marks, but everything in between is constructed.

If a job is such a terrible thing that we have to separate ourselves from it (work, life balance) then we’re in the wrong job.

Creativity - ask the questions others don’t

Fiction having the power to reach where truth doesn’t

Sensitivity that makes us creative, we carry more around with us. “I run to let go, I garden” I don’t find a balance, I find a retreat in things.

Carries a clock around with him, no cellphone, no social media presence.

I groom my world back, light my fire, draw, write something.

As a teacher, my job is to understand how you think. I listen carefully, we show more than we can tell.

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delhi-architect2 · 4 years ago

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Journal - One Drawing Challenge 2020: The 100 Finalists (Part 4)

Explore a further 25 extraordinary architectural drawings, each one a Finalist in the 2020 One Drawing Challenge. Let us know which are your favorites on Instagram and Twitter with the hashtag #OneDrawingChallenge!

← Previous 25 Drawings Back to Start →

“Emotional limbo” by Pablo Zarama, Cornell University

“Fire Island: a house, a ruin, a farewell, and a hope

Its red sand, its disproportionate length, makes this a dream place. And there, in that constantly changing nature, a house, an artifice, appears to pay homage to its surroundings. And now, in these months of confinement, said house, said outside world of summer beaches, generates longing and nostalgia at the same time.

This is how this image represents said duality, said emotional limbo. In this way, the viewer of the image struggles between feeling hope for the arrival or nostalgia for the farewell. Finally, the house facing the sea reminds us of those sandcastles that we built when we were little. Those castles that evoke the fragility of our artifice, of our race, of our moment, because any night, with the moon as a witness, the sea will rise and erase our castles.”

“Pandemic Memorial” by David Cadena and Antoine Portier, University of Sydney

“As historical site of first contact; place of immigration and a tourism destination, Sydney Cove is a key interface between Australia and the world. A smallpox epidemic was inoculated via the First Fleet’s arrival in 1789 causing the death of an estimated 70% of the aboriginal population in Sydney.

On 19th of March 2020 the 290mt long cruise-ship “Ruby Princess” docked in the Overseas Passenger Terminal (OPT) at 11:00 am, delivering 2700 passengers. 662 individuals tested positive for COVID-19, comprising 10% of the infections in Australia, triggering a pandemic.

The OPT and its related cruise ship industry have become a symbol of the pandemic spread in Australia, a capitulation to private profit and interest over the public good. Our proposal aims to return this space to the public, ceasing mass tourism activity; re-designing the shoreline and submerging the existing structure of the terminal as a landscape memorial to the pandemic.”

“Reality?” by Joanna-Maria Helinurm, Laviku

“Is the world we experience real or an illusion?

Modern neuroscience teaches us that all our perceptions must be considered illusions. That’s because we perceive the world only indirectly, by processing and interpreting the raw data of our senses. Our unconscious constantly renders a model of a world exclusively for us. As Kant said, there is Das Ding an sich, a thing as it is, and there is Das Ding fur uns, a thing as we know it.

Individual perceptions combined create the world we live in. Part of that foundation has landed on Wall street. These perceptions can also collectively shake the world. From there, fear and panic can crumble everything else we’ve built. Fear, a behavior which can unfoundedly be picked up socially.

Although when you have everything to lose, it could be considered the same as if you had nothing to lose.

Just hope.

Which is everything.”

“Figure of the Picturesque” by John Clayson, Bartlett School of Architecture, UCL

“A market. The project subverts the image of the picturesque folly in the landscape, creating a natural figure within Amman. The drawing stems from the notion that man-made structures are often seen as the ruin of nature. Interestingly, the converse is true that when a building turns to ‘ruin’ this is often punctuated by the growth of vegetation within the structure. The project poses that these conflicting perceptions have led to a dichotomy between the two and that through deliberate ruin the two can be synthesized.

The project act as a criticism of the way nature inhabits modern cities, especially in the west where plants are often subjected to the object or the picturesque. This effect is emphasised in western planning through its concentration on vista. Through imitating forms of Arabic planning, I can create an inherently immersive and therefore spatial condition that sits between the object and the picturesque.”

“Affordable Palace” by Benedikt Hartl, Opposite Office

“Affordable Housing? I prefer a palace than a house…

Our project Affordable Palace was published in newspapers around the world. The idea of affordable housing was communicated by the visual power of our drawings. The project of the transformation of Buckingham Palace into Social Housing places human in the centre of the design and not capital interests and raised a discussion about private property and public welfare.”

“WHAT MAKES AN IMAGE POLICY?” by Lucrecia Piedrahita Orrego, Estudio Creativo de Arquitectura Lucrecia Piedrahita

“The history of man can be written from the traces left by their ways of living. We understand collective housing as a political practice that does not neglect space as a maxim of social projection and coexistence. Recovering social life in height is the premise of the building that we have designed and that behaves like a neighborhood where the spatial configuration is defined by the movement of volumes in different directions, the circulation is a crossing of streets, races and avenues that they bring dynamism to the building and where micro parks, patios and squares are configured as spatial mechanisms where the power of solidarity between the users who live there is registered.

Our proposal emphasizes the value of the house as a territory, and forms a unity with the landscape, now that the world demands a unified humanity from us.”

“Maybe Tomorrow, There Will Be Sun” by Akash Godbole, Handel Architects

“In the midst of chaos, a ray of light shines through the clouds, shadows dancing in the wind. It seems like the storm is over, but its presence will not go easily. Maybe tomorrow, there will be sun.

There is something so human about the ruined, a memory of something once perfect. A reminder that nothing remains, and that everything will be brought down to the ground. A reminder of the human condition, and that maybe today there wont be sun. But the ruin still stands, and we are here to see it. That can only really mean one thing. Maybe tomorrow, there will be sun.”

“A Strategy for Tactics on Flooded Landscapes” by Ryan Jakes, University of Cardiff

“The building is sited in the Isles of Scilly, but designed for flooded landscapes across the world. The concept explores how a mixture of strategies (top-down planning) and tactics (bottom-up growth) create modular adaptable frameworks designed for self-build and developed by the community.

The drawing is an advertisement that exemplifies what is possible with closed-loop thinking and community activation, encouraging others to build similar spaces. Built-in adaptability hopes to future proof for flooding, allowing the community-driven process to grow to wherever it is needed.

This drawing hopes to play its part in creating the systemic change needed, refusing to cater for the capitalist society that is giving rise to major environmental concerns caused by, or contributing to, the ever-increasing consumption of goods and services. We must empower people to ask what if, providing the opportunity to create a better future than the gloomy reality we are set to face.”

“Erratic Rhythm” by Vanessa Wang and Serena Zhang, University of Toronto

“This project is a non-humancentric design for escape capsules in preparation of the possible flooding in Flushing Bay, NY, as sea level gradually rises in that area. When hierachies are subverted and humans no longer sits at the top of the pyramid, every species becomes co-depended for their own survival in the commune. The project is asking the question about how human and all species could co-live in the changing environment.

In this design, each soft-shell capsule would contain one human-being and one mangrove plant as the primary residents. With their fate unknown,The human would invest all their effort into the care-taking of the mangrove plant for their collective well-beiing, as only when the plant is healthy and strong enough, it would be able to hook to another unit with its root system, a new community is then born.”

“City of Nothing // Island of Everything : Park Avenue Aerial” by William Bayram, Declan Wagstaff and Christopher McCallum, University of Edinburgh

“Manhattan as a unique urban context settles itself within the dichotomy of city and island. Its individuality, yet connectivity thrives for greater density as the catalyst of the containment of the strange. This architectural manifestation of estrangement shares a duality between pragmatic and fantastical, thus the city cannot help lending itself to the thinking of both creative endeavours. The containing of this architectural manifold within the restriction of an island splits between the seen/unseen, vertical/horizontal, overworld/underworld comparisons.

Here the island finds itself a blended world of consumption, sustainability, cultural and political iconicity. Yet for all the island’s architectural accumulation, what it has to show for itself is non-material, therefore through the consumption and containment of everything, it presents and trades nothing. This thesis seeks to explore this territory of estrangement through two narrative threads of thinking, the Pragmatic and the Fantastical which find themselves at times separate or intertwined.”

“Free Zone” by Amir Hariri

“How do certain visceral qualities of urban decay influence our experiences, memories and, ultimately, our sense of history?

Having been exposed to revolution and war as a teenager in Iran, my childhood encounters with death and destruction have allowed me to draw parallels between building deconstruction and the despair, yet resiliency, of their exiled inhabitants. These moments, which span fluidly from demolition to renovation, form the foundation of my imagined dwellings.

By blurring the boundaries between progress and ruin, I am making an observation regarding the misguided inevitability of evolution. This post-futurist viewpoint is a corollary to the idealist mid-century thought and its embracing of Utopian visions.

My drawings incorporate various traditional techniques such as graphite, ink and acrylic, but also include the use of construction materials such as cement, sand and plaster on wood panels.”

“SUBURB” by Aremel Tibayan, Deakin University

“The drawing displays a design proposal located in a suburb in Victoria, Australia. As one roams through this suburb, they may notice the separation of homes created by barriers such as the wide streets and fences. These barriers encourage a sense of security and privacy for residents, however the opportunity for social connection disappears. In most cases, one may not know their neighbor despite living in the same area for a long time.

Therefore, the drawing envisions a new way of living in this suburb. In between the homes is a community garden for growing food. Division of home lots are removed and, each home is organized closer for neighbors to interact more. Instead of homes placed in a logical order, they grow naturally across the landscape. Altogether, suburban living, through the design of the built form, must allow for human cooperation to exist for a sustainable future.”

“Museum of the Anthropocene” by Felix Cheong, Felix K. Cheong Works

“Anthropo meaning ‘man’ and Cene meaning ‘new’ stands for a new age which we have unknowingly entered, but are all complicit in creating. This era is marked by the radioactive elements in our minerals, the nitrogen particles in our soils, and the profusion of plastics in our seas. These bands of materials can be read like a timeline, a narrative of humanity’s actions on this planet over the last millennia.

The Museum of the Anthropocene uses the architecture to retell our history in a similar manner. Our recorded past is condensed and expressed through the layering of materials that comprise the museum’s central core. New rings are continuously added in this never ending build. As visitors look up they are able to read the architecture like a book, telling the stories of our great triumphs and even greater follies.”

“Mare Nostrum” by Leora Niderberg and Larissa Reismann, Bezalel Academy of Arts & Design, Jerusalem

“We imagine a new, fluid landscape in 2050, owing to the convergence of three factors: sea level rise; the death of carbon; and an exponential upward trajectory of human movement/nomadism. In place of the soon-to-be-abandoned oil fields of the Mediterranean, we propose a floating infrastructural ribbon growing out into the sea which is self-generating, self-supporting, and self-sustaining.

Rather than biding time in cramped, provisional refugee camps for decades, dweller-citizens may attach their floating homes to this communal backbone freely, and participate in an autonomous and borderless ecosystem based on care and renewable resources. Seawater is desalinated by evaporation and recondensed along the diagonal frame underwater; food is produced at the raised hydroponic level; above-sea level serves as a market and public space; and underwater, just above the pontoons which grant buoyancy, resides a material reuse facility for converting plastic waste to printable raw material for the structure’s continued growth.”

“Sanctuary of Disney’s Unloved Children” by Xinze Seah, Bartlett School of Architecture (UCL)

“Disney has shaped the world of animation with films such as Snow White, Pinocchio, and Cinderella. These films have had global acclaim and generations have grown up influenced by the “magic” of Disney.

On 8th April 1999, Disney abandoned Discovery island, a Safari zoo containing exotic birds and animals. To date, Disney has faced many allegations of abuse and mistreatment of its staff and animals.

Thus this project is an exploration into the “dark side” of Disney and to create a redemption for its forgotten victims. Inspired by the Disney film Cinderella, in which Cinderella’s furry friends construct a dress from the unwanted fabrics and beads deemed as “trash. With this dress, the forgotten will attempt to outshine the “tyrant”, Disney.”

“Elevated” by Audrey Lanik and Di Zai Awng, University of Nebraska – Lincoln

“In a design studio meant to challenge originality and content ownership through appropriation, this project explores the mixing of iconic building sections and celebrates their differences. The design of this incarceration facility joins the idea of a traditional prison with a modern university to reduce recidivism rates as a solution to prison overcrowding. Utilizing an abandoned missile silo, constructed during the Cold War, presents unique challenges and opportunities.

Elevating the building above the existing structure separates the prisoners from the rest of society and creates the opportunity for a vertical campus. With the goal to inspire and educate prisoners, the design pulls inspiration from Norway’s resort-like prisons, and a documentary entitled ‘College Behind Bars’. The project ties in aspects of biophilia and WELL Building Standards to nourish the mental, physical, and emotional well-being of its occupants. The vibrant and colorful representation reflects the structure’s resort-like nature.”

“Endless Interior” by John Stoughton, Team B

“Rather than seeing the outside world through the frustratingly tiny pixels of a Zoom video conference window, what if your and my respective worlds immersively collided together? Let’s consider a world of overlapping domestic interiors where the virtual surface of a colleague’s living room somehow merges with your own physical living room. Cherished memories from pictures on your wall suddenly become sharable. Patterns from wallpapers blend together. Furniture collides. Histories overlap. Perhaps if the call were to last long enough, you would forget whose house you were actually occupying! This image depicts a shift of attention away from our cold and empty, increasingly generic exteriors, into an endless interior completely saturated with history and media.”

“The Carrot Juice Farm” by Vlad Dumitru, University of Greenwich

“The drawing illustrates an architecture designed as a pilgrimage through Steve Jobs’ formative years, with a focus to explore Jobs’ position within frameworks defined by a very specific set of behavioural nuances, dietary habits and counter-cultural, architectural and technological influences. Religious motifs describe a journey of enlightenment following in Jobs’ footsteps centred around scriptural overtones, building spaces as manifestations of Jobs’ personal myths.

The Jobsville commune functions as a zero carbon emission generator, supplying the larger Oregon area with free electricity. These spaces encourage new experiences, community development and self governance. The search for perfection champions a sense of belonging through agrarian self expression. The “apostle’s” efforts to grow the perfect carrot conclude with a bountiful harvest which in turn is transformed to sustenance and fuel for future activities as carrot and apple juice becomes electric power.”

MUSEUM OF LABYRINTH by Renwen Yu, Rensselaer Polytechnic Institute

“The complex was designed in pursuing the development of a innovative museum. The newly created complex serves as a relatively new idea in museology, the Schaulager, which is German for “exhibition/storage”. Throughout history, the disciplines of architecture and sculpture have been enmeshed. Sculpture was once securely associated with monument and place. According to art critic Rosalind Krauss, such an ambiguous territory allows sculpture in theory and practice to occupy an expanded field that includes marked sites, site constructions, and axiomatic structures on the fringe of their compliments of not-landscape and not-architecture.

In other words, sculpture can take on specific architectural qualities as well as those of landscape. Starting with analyzing Tony Smith’s sculpture Gracehoper, I am able to explore the combination of labyrinth and museum. The new Schaulager engaged through the manipulation of parameters within their logical praxes. The new museum composed of several classrooms, walking-to see gallery, and auditorium.”

“The city will swallow us whole” by Tania Castillo Pelayo

“A wave made of ‘liquid’ skyscraper rises behind a man as he walks through a ‘building’. What is up and down? What is outside and inside? Public and private realms are blurred as space swirls together much like molten lava. The city is made of non-static materials controlled through censors inserted in all of our brains. This collective architecture parts like a sea, drips like honey, and forever changes with our thoughts, needs, and desires.”

“XS” by Maximillian Foreman and Carly McQueen

“The growing prevalence and influence of nanotechnology across disciplines has allowed technology to scale down and speed up at an exponential rate. The future of architecture exists at the intersection of molecular biology, materials science, and applied physics. In challenging the discipline of architecture’s relationship to scale, this drawing aims to provide a basis by which we can imagine completely novel ways to inhabit space.”

“Extrapolis: A city for the introvert and the extrovert” by Diego Garcia Blanco, Perkins Eastman

“This drawing re-imagines the Skyscraper of the 22nd century in a city inhabited by introverted and extroverted individuals. Seeking to energize and have more free space below, EXTROVERTS have small apartments with only beds and a few pieces of furniture, they energize by mingling with others in the buzzling and active open city below. INTROVERTS On the other other hand love to stay at home and stay in their funneled communities above.

Their introspective communities have gardens in the middle and the funneled shape protects them from the noise and commotion below. Let our skycrapers be thinner and thinner, to reclaim as much space below for us introverts who love parks and mingling and let the skies be filled with communities for relaxation and introspection for those of us who energize from being in isolation and tranquility above.”

“Head Underwater” by Nathan Maanasa, University of Texas at Austin

“We often use architecture to create the environment we want. The more we build, the more we delve into the depths of our imagination, the more we forget about the world that exists around us. The world that we share with beings other than ourselves; the world that gives us the resources to achieve great feats of design.

This drawing was inspired by a colorful lighthouse on a San Francisco pier and the beautiful reflection it cast, along with the skyline, in a shallow sidewalk puddle. This drawing flips the perspective. It questions which world is real and which is an illusion. The true reflection of the impact human and building waste has on the ocean is hidden underwater and we splash through without a second glance. Architecture frames how we see the world; it is time we use it to frame how we inhabit the world as well.”

Gateway to the Casbah by Neda Soltani, University of Westminster

“Frantz Fanon stated ‘the colonial world is a Manichaean world’. This thesis asks, If Algiers, during its colonisation is a world of duality, does this last beyond its emancipation?

The project envisions the reclamation of physically divided territories altering the field of vision from the sea to the casbah, establishing the cities identity and exploring a new architectural typology, inspired by Edward Soja’s third space theory.

By deconstructing the colonial belt, existing structures are relegated to the condition of the casbah through ruinisation. The new architectural typologies are then inserted into the voids, as the latter slowly sinks to form the basis of the baths and the gateway leading up to the Casbah.”

“Living Carbon Sink : Jelly-Falls” by Danny Griffin, Massachusetts Institute of Technology

“This climate fiction spatializes a future where abandoned offshore rigs become the infrastructure to re-mediate hazardous waters by fostering mutual exchange with native ecologies. Rather than drilling for oil, the human workforce on these rigs process agricultural waste to fertilize algae colonies at the surface.

Below, a massive jellyfish farm feeds on the sinking algae, providing edible protein for the humans. The jellyfish that are not consumed die off and the majority drop into the deep sea, sequestering carbon for centuries in the form of dissolved carbonates. Jellyfish keepers monitor the colony from shuttles that travel down the platform legs, while tourists accompany them to view the spectacle of the jellyfish-falls.”

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Assael Architects, London Architecture

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Employee Ownership Trust (EOT) News – Contemporary British Architects Practice, UK

22 Feb 2021

Assael Architecture News

Assael launches design studio in Australia as capital targeting BTR gains momentum

• Assael is a leader in BTR design having delivered pioneering UK schemes for Grainger, Legal & General and Essential Living • A wall of capital is ready to invest in new purpose-designed BTR opportunities in Australia • Design studio based in Sydney will cover states across Australia and will focus on co-location mixed-use projects and Build to Rent opportunities • Head of studio Loren Thanyakittikul appointed to NSW residential council at Property Council of Australia

Global, Feb 2021 – Leading UK architectural practice Assael has launched an Australian design studio to bring its strong Build to Rent (BTR) design expertise to development opportunities in the country.

Based in Sydney, the studio will provide design consultancy services for residentially-led, mixed use developments and co-location projects across Australia based on extensive experience in Europe. The focus will be on BTR and Co-Living sectors, areas Assael has helped pioneer in the UK.

Australia is tipped as the next location for a BTR boom with investors lining up to find opportunities that, until recently, have been hard to come by. For example, Greystar has recently raised 1.3bn to spend on BTR projects across Australia. Assael has a deep understanding of the sector and has helped pioneer the positioning of BTR as an aspirational asset class in the UK. The practice’s portfolio of work has led to its reputation as a go-to design consultant for UK private and institutional investors, including Grainger plc and Legal & General.

Director Loren Thanyakittikul, head of Assael’s new Australian studio, has also recently been appointed to the New South Wales Residential Committee for the Property Council of Australia. Loren will work with the government and broader industry to develop solutions for residential development.

Assael is renowned for high-quality design, tailored to the unique characteristics and context of a site. The company has worked on a flagship BTR project in London for L&G which has become the first BTR development to be awarded the Home Quality Mark by BRE Global. The project transformed a former industrial estate on the edge of a reservoir into an environmentally-sensitive scheme of over 450 homes designed specifically for rent.

One of the first completed modular BTR projects in London was designed by Assael and won Best Community Living project at the Sunday Times British Home Awards in 2020. It was the UK’s first private rented building specifically for families, creating almost 250 homes. The project was used as a case study across the industry and cited in the UK government’s housing White Paper.

Although Assael already has a strong track record of working on schemes globally for several international companies, the launch of its Australian studio is motivated by the genuine opportunity to contribute to the burgeoning BTR sector in Australia.

The studio will also bring its considerable expertise in BTR co-locational schemes to Sydney. The UK is seeing a growth in co-location developments and Assael has been working with Transport for London and Grainger, the UK’s largest listed landlord, on its Connected Living portfolio, where new homes will be located alongside other land uses such as light industry, transport or retail at key locations such as Nine Elms in Central London – one of the largest infrastructure and regeneration sites in the UK.

The BTR model, inspired by the US multi-family sector, has been around for decades. The aim is to take the stress and hassle out of renting by offering longer tenancies, no agents fees, smaller deposits, and apartments with utilities that are ready as you move in.

The apartments are designed specifically for rent with a variety of shared social spaces, such as residents’ lounges, co-working areas, fitness centres, yoga studios and communal gardens. These amenity spaces create genuine communities within the buildings and cater to today’s increasingly social and active lifestyles generating a work, live and play culture.

Loren Thanyakittikul, director, Assael, said: “I am excited to be opening our new studio in Sydney. There is an excellent opportunity for this rental model to take off in the Australian market and I’m excited to use knowledge and lessons that we’ve learned from the UK’s BTR boom to deliver designs that reflect the growing demand for rented homes that also offer a lifestyle experience with high-quality services, managed operations and communal spaces.

“I am also looking forward to working with the Property Council of Australia. BTR is still a relatively new asset class, and so there needs to be an emphasis on collaboration, both across the industry and with the government to help drive changes needed to support the future growth of the sector.”

Russell Pedley, director and co-founder of Assael, said: “I am thrilled that Assael is launching its new studio in Australia. While we have worked on several international projects over the years, this is a very real opportunity to help drive and shape the nascent but rapidly growing BTR sector in Australia. With over 15 years’ experience in conceptualising and delivering residential schemes, and her considerable expertise in the BTR sector, Loren is well placed to help lead this new chapter for Assael with the full depth and breadth of the practice in the UK behind her to tap into.”

Paul Winstanley, Head of BTR for Australia and New Zealand at JLL, said: “It is very encouraging for the BTR sector in Australia that Loren and Assael have taken the decision to open up a design studio out of New South Wales. Assael have been one of the UK’s leading BTR design firms since the early days of the sector’s emergence. They have specialised in Build to Rent schemes and have contributed significantly to the development of an institutional grade sector. From JLL’s perspective, it is important to learn as much as we can from overseas experience of creating a fully functional investment sector – and fit for purpose BTR design will be critical to success. By taking international learnings into account as we develop our own bespoke domestic BTR offer in Australia we have the opportunity to shorten the speed to market for quality assets.”

The team at Assael worked together with Paul Winstanley to shape and co-author the UK ULI’s Build to Rent Best Practice Guide.

11 Dec 2020 Colney Hatch Lane homes, Barnet, North London, England, UK image courtesy of architects Colney Hatch Lane homes Montreaux and Assael have been given the go-ahead by the London Borough of Barnet for 204 new homes and a new community foodstore at Colney Hatch Lane, Barnet. Assael’s design draws on the neighbouring wood and aims to marry the different land uses surrounding the site. The development will significantly boost the local ecology by providing new wildlife habitats.

9 Dec 2020 Clayton Road canalside homes development, Hayes, west London, UK image courtesy of architects Clayton Road Housing A2Dominion secure planning consent for 400 canalside homes at Clayton Road, close to Hayes Town Centre. The proposals respond to the borough’s local plan and the council’s aspirations to open the Grand Union Canal up to the public

31 Oct 2020 Doddington Estate Housing, Nantwich, Cheshire, north west England, UK image courtesy of architects Doddington Estate Housing The Doddington Estate and Assael Architecture have successfully won the appeal to develop multiple rural housing sites around the Grade I listed Doddington Hall in Nantwich, Cheshire.

22 Oct 2020 Rightsizer, Enfield, north London, UK

Assael wins Meridian Water sustainable design contest

Assael Architecture has won a design competition to create a retirement community and care hub for the second phase of Enfield’s major masterplan of 10,000 new homes.

Rightsizer is a community-focused concept which embraces integrated and intergenerational community through the provision of a range of accessible amenities positioned around a central ground-floor hub open to the local community.

This includes a ‘reminiscence museum’ that celebrates the history of the local community whilst assisting residents with memory loss and dementia.

The architecture firm has been working closely global infrastructure consultancy AECOM to design innovative sustainable systems which include low carbon re-usable superstructure, reducing the scheme’s embedded carbon footprint.

Seven architecture practices were shortlisted in the zero-carbon Meridian Water contest in May 2020. The finalists are Assael Architecture, Bell Phillips Architects, HHBR, Marks Barfield Architects, Allies and Morrison, PRP, and Netherlands-based landscape firm OKRA.

19 Oct 2020 Nineyards, Kingston, London, UK Design: Assael Architecture

Viewranks Estates’ debut into co-living given go-ahead at ‘Nineyards’ in Kingston Town Centre, launching an art deco inspired development designed by Assael Architecture.

The proposals respond to the borough’s strategy ‘Re-imagining Kingston Town Centre’s Streets and Spaces’ to ensure the injection of public life, footfall and activity into the town centre.

Assael’s design draws on the site’s history as a cinema and public forum with an art deco inspired architectural language and the reprovision of a community hub for residents and the wider public, including a new co-working base, ‘field-to-fork’ restaurant and additional amenities for residents.

Assael builds upon past experience and insight from the design of their other co-living schemes

Privately owned, SW London-based Viewranks Estates and award-winning architecture practice Assael Architecture have been given the green light for a 200-room co-living development in the commercial heart of Kingston Town Centre.

The £60m scheme will be fully managed by Nineyards Living, a new forward-thinking brand focused on providing a boutique co-living experience tailored towards the environment in which it sits. Kingston is the first of three co-living schemes Nineyards is bringing forward across the Capital. The vision is to deliver this flagship concept for Kingston with high-quality, flexible co-living rooms and a welcoming development for the wider community.

The proposals respond to three key areas identified in the Royal Borough of Kingston’s strategy, Re-imagining Kingston; the adaptability of retail on the high street; ensuring the injection of public life, footfall and activity into the town centre, including reviving a night-time economy; and providing opportunities to keep young professionals in the borough, who are currently under catered for and/or priced out of the area.

The design of Nineyards Kingston therefore reimagines the traditional high street and brings in a mix of uses and flexibility to ensure resilience in today’s struggling retail and town centres. The ground floor space seeks to welcome the surrounding community into the building with an open plan, adaptable working and events space and adjoining ‘field-to-fork’ restaurant, which will be open from breakfast through to dinner for residents and the public.

The internal arrangement is designed to offer a variety of co-living rooms, each with an en-suite, kitchenette, plentiful storage, and flexible furniture arrangements that can seamlessly transform the room between day and night. These rooms are complemented by a suite of amenities, including a gym and yoga studio, screening room, lounge and large ‘MasterChef-style’ catering kitchen, that have been curated to offer a diverse range of activities for residents and to foster a community within the building.

The site, currently occupied by PC World and Sports Direct, once housed the Royal County Theatre and Super Cinema, which operated from 1917-1940. The architectural language of the proposal references this art deco past, whilst also taking inspiration from the current properties locally. A palette of buff brickwork, metalwork and glossy green terracotta references the branding on the adjacent listed Bentall Centre, with fluted terracotta detailing that echoes the stonework details of the former Royal County Theatre amongst other buildings along Fife Road. The form of the building is staggered to create a series of external gardens and roof terraces for residents with the massing of the building climbing in scale towards the Bentall Centre to the west.

Planning officers consider the proposed development, including public realm enhancements that include resurfacing the adjacent pavements, tree planting and new cycle stands, to be of high quality that would raise the standard of built development in the area. The scheme is also targeting BREEAM Excellent design, which even includes reharvesting the heat from waste shower water back into the building.

Tim Chapman-Cavanagh, Director at Assael Architecture and former Kingston resident of 15 years says: “Up and down the country, we’re seeing the decline of the traditional high street, and although we designed Nineyards pre-Covid, the past seven months has only accelerated this trend. The design principles for Nineyards Kingston are therefore more relevant than ever.

“Having lived in the borough for over 15 years, our vision from the outset has been to keep the vibrancy we’re all used to in the town centre. The development not only offers new homes to help retain talent in the borough, but also brings in people and activity, alongside increasingly important co-working and homeworking opportunities that enables residents and the local community to easily separate home life from work without the need to travel to the office.

“Building on our experience in the design of other co-living developments and our expertise in Build to Rent, we’ve ensured that the internal configuration is functional and efficient to operate for Nineyards, while also providing high-quality and community-focused spaces for future residents.”

Richard Beim, Managing Director of Viewranks Estates says: “We’re delighted that our first and flagship development for Nineyards Living has been given the green light. Our company invests in high growth areas of London, and Kingston is the first of three sites where we are looking to deliver high-quality co-living accommodation.

“We have found the Kingston authorities to be forward-looking in recognising the need for the town to adapt to a less retail and consumption-led economy and have been supportive to projects that provide greater social value with a more sustainable design. “With new headquarter offices in the pipeline for Unilever PLC and Lidl, significant high-quality residential schemes plus continued investment into sustainable transport, we believe Kingston will be a great place to live long into the future.”

About Viewranks and Nineyards:

Established in 1950, Viewranks has always been a family-owned business. Over time, the company moved from manufacturing and engineering into full time property investment, focusing on growth areas of central London and the surrounding boroughs. Being a generational business, the family takes a long-term view when making investment decisions and has a keen interest in how their properties interact with their location and the local community. The company philosophy is to look forwards, adapt and reinvest so that assets and their surroundings remain relevant for the next 50 years.

Nineyards was borne out of this vision; to provide high-quality, sustainable and innovative co-living developments. The ethos of Nineyards is to actively build a sense of community, both within the building and in the local area. Their aim is to provide affordable and desirable places to live that are founded on considered building design and a robust technological infrastructure, elevated by intrinsic levels of service, and focused on delivering an exceptional experience to their residents. For more information please visit: viewranks.com / nineyardsliving.co.uk

17 Sep 2020 Empire House, Chiswick High Road image from architect Empire House, Chiswick High Road 137 homes delivered, providing a range of apartment types and townhouses.

18 Aug 2020

Architecture practice reacts to ONS Report

Following the Office of National Statistics’ report today that revealed depression in British adults doubled during the coronavirus crisis, please see a comment below from Ben Channon, head of wellbeing at Assael Architecture, on the role of quality architecture and design in supporting mental health.

Assael Architecture is a London-based practice who are dedicated to creating homes with wellbeing-led design, with notable projects such as build-to-rent scheme Union Wharf with Essential Living, and Blackhorse Mills with Legal & General.

In April, Assael conducted a survey on the impact of home design on those working from home and found that two-thirds of homeworkers said the lockdown was harming their mental health.

Ben Channon, head of wellbeing at Assael Architecture:

“There is no quick fix to depression or poor mental health, but architecture and design can go a long way to reducing stress and providing support to our busy lives, as research has undeniably proven. As a country we need to commit to designing in quality to our spaces, by maximising light, connections to nature, control over our environments, and comfort through our furniture choices. Architects and designers also need to enforce this, by aligning to standards such as WELL or Fitwel, and encouraging project teams to consider wellbeing from the inception of their design right through to post-occupancy.”

13 Feb 2020

Architecture practice reacts to cabinet reshuffle

Félicie Krikler, director at Assael Architecture, said: “There is a total incompatibility between the political cycles and the long-term aspects of housing, and appointing the tenth housing minister in the last ten years makes a complete mockery of the role. The industry needs stability to make progress on the housing front and bring forward policies that clarify questions over design, quality and delivery methods concerning the homes we build.

Understanding and addressing the issues troubling the market takes time and effort, and while another minister gets to grips with the role, we have high streets in need of reform and high-quality homes in need of building. I hope whoever steps in to fill McVey’s place will be able to quickly adapt and contribute to the UK’s housing needs.”

2 Oct 2019

Assael Architecture becomes first UK architectural practice to join the UN Climate Neutral Now initiative to hit net-zero

Award-winning practice becomes signatory of UN-backed climate change mitigation programme

The pledge binds the practice to net-zero status immediately, making it the first UK architectural practice to join the UN initiative

Latest move in a series of practice-wide initiatives to help curb Assael Architecture’s impact on the environment

Legal & General’s Blackhorse Mills Build to Rent project in Walthamstow, which overlooks Waltham Forest and was designed with a special façade so not to disrupt the rare birds that mate on the protected wetlands: image courtesy of architects

Award-winning architecture practice Assael Architecture has become the first UK architectural practice to sign up to the UN Climate Neutral Now initiative, binding the studio to measure, reduce and offset greenhouse gas emissions now, not in the future.

As a signatory of the UN-backed initiative, Assael Architecture must calculate and disclose the current carbon footprint of the practice, including international air travel, and show a clear pathway to reducing it year on year.

The current carbon emissions of the practice are then offset financially using UN certified emission reductions (CERs), where Assael Architecture can choose specific projects to support. The offsetting project that Assael has pledged to support through the CERs programme is the creation of a hydroelectric power station in Chile, South America.

Meadowside, a project containing nine zero-carbon homes planned for Hampshire: image courtesy of architects

The UN certified CERs are carbon credits generated by climate-friendly projects vetted by the UN following rules approved at intergovernmental level and with international oversight, providing a high level of credibility to the offsetting regime.

To help bolster the practice’s fight against climate change domestically, Assael has been rolling out a range of initiatives internally to help curb their emissions. These include achieving and maintaining the IS014001 certification, sourcing their food and drink locally to reduce food miles, supporting staff cycling schemes, experimenting with the roll out of vegan and vegetarian meals, encouraging international video conferencing over international flights and extending the audience of their annual Green Week, where industry leaders gather at the Assael offices to discuss sustainability.

In light of the race to net-zero, the practice’s Sustainability Working Group, launched back in 2016, is constantly looking for new ways the practice can reduce and offset its carbon footprint, domestically and abroad, with an eye on ensuring the practice is operationally carbon neutral from late 2019.

Rory O’Hagan, director of Assael Architecture, said:

“Climate change is here and it’s now. The effects and implications of our carbon emissions are clear to see, with many parts of the world already feeling the full force of climate breakdown. And as the social tide begins to change in support for more radical climate action, it’s our duty as a business to set an example to our staff and the communities we operate within. We want our clients to know that our activities will not contribute to their carbon footprint and that sustainability is embedded into everything we do as a practice, including design, and not bolted on as an afterthought.

“By making the UN Climate Neutral pledge, we are committed to being a Net-Zero Carbon organisation now, not in the future. As a practice, we understand the urgency of action required to tackle climate breakdown and will continue to push ahead of the UK’s legislated targets, providing a clear path for other businesses to follow.”

Niclas Svenningsen, Manager, Global Climate Action, UN Climate Change, said:

“Climate action is urgent. We are facing a civilization-ending threat. If we are going to succeed against this challenge, we need to incorporate sustainability into everything we do. That includes the design of the buildings we live in, the public spaces that we use and any other built environment. That is why we are glad to have Assael Architecture joining the Climate Neutral Now initiative. We invite them and every other designer around the world, regardless of their field of expertise, to prepare their proposals with full consideration to the climate and sustainability requirements to help our society succeed.”

5 Feb 2019 Assael Architecture Associate Director

Assael Architecture promote Tom Banfield to associate director after record profits Award-winning architecture practice, Assael Architecture, have added to their senior management team with the promotion of Tom Banfield to associate director following the practice’s most profitable year on record.

Tom joined Assael back in 2011 as an architectural assistant, after gaining a wealth of experience across a range of sectors and tenures within the industry, working on both small-scale residential schemes and large infrastructure plans.

Since joining the practice, Tom has become an essential member of the Assael team and is heavily involved in some of the practice’s key Built to Rent and regeneration projects throughout the world. For instance, Tom worked directly on Hortensia Road in Kensington and Chelsea, a Build to Rent project for the UK’s largest listed residential landlord. Grainger plc.

Tom also played a pivotal role in the design and delivery of North Wharf Gardens in Paddington. This development will deliver 485 new homes and places a particular emphasis on creating a new neighbourhood in Westminster, with a park and communal spaces at the heart of the project.

In this new role as associate director, Tom will work across all RIBA stages at Assael, leading a team on various projects, from delivering residential developments in Barnet, Brentford and Chelsea, to designing large-scale Build to Rent schemes and masterplans in the Middle East.

As well as being an outstanding architect, Tom is a keen sportsman. He founded Assael’s tag rugby team, plays for the football and softball teams, and has twice won Assael’s charity pool tournament.

This promotion comes at a time of continued growth for Assael Architecture, having just enjoyed its most profitable year on record and scooping Building’s Good Employer Award in November last year.

Tom Banfield, associate director at Assael Architecture, said: “It’s a huge honour to be given this promotion at a time when the practice continues to go from strength to strength. I am incredibly excited to take on a more wide ranging leadership role on some of Assael’s landmark Build to Rent and masterplan projects, both in the UK and beyond.”

John Assael, chairman of Assael Architecture, said: “Tom has grown as both an architect and a person since joining us in 2011. He plays an instrumental role in the day-to-day operation here at Assael, delivering design excellence time after time for our clients. Tom has demonstrated he is a team player both in the office and on the sports field!”

3 Feb 2019 Assael Architecture Restructuring

Assael Architecture hands over the reins with ownership restructuring and appointment of Pete Ladhams as managing director

• Assael Architecture has become an Employee Ownership Trust (EOT), making staff beneficiaries and giving them a say in the company’s future

• Pete Ladhams has become managing director to drive the company through a new exciting chapter

• Restructuring is part of the practice’s mission to continue being one of the industry’s best employers

Following its most profitable year on record, Assael Architecture has become an Employee Owned Trust which has made staff beneficiaries of the business and appointed Pete Ladhams as managing director.

The transformation to an EOT is the latest move by Assael to reward their staff for their hard work and loyalty and maintain their recognition as one of the industry’s top employers.

Assael’s 99 employees will soon elect two new Trustees, selected from any level of the practice, to be their voice, enabling every individual to have a say in Assael’s evolution and success. An external independent Chair will also be appointed, joining co-founders John Assael and Russell Pedley as Trustees.

John Assael, chairman and co-founder of Assael Architecture, said:

“Since founding Assael Architecture in 1994, Russell and I have seen the business grow into a renowned and respected architecture practice. After much consideration – and an awful lot of consulting – we took the collective decision to turn the practice into an Employee Ownership Trust in order to put the future of the business firmly in the hands of those that have built it – our staff. We’re also delighted to announce Pete as MD; having started here as a young student, he is testament to our commitment to our staff’s development and he’ll continue to be an inspiration to the growing team.”

Russell Pedley, director and co-founder, said:

“Our staff have been integral to every success of Assael and therefore John and I believed it was only right that they’re rewarded for their loyalty. With new opportunities arising for the future, this is the perfect time for staff to engage in and have a say in our vision.”

Pete Ladhams, Assael’s new managing director, vows to continue with the staff-centric approach with an ultimate responsibility for the company’s performance, including personnel, resources and recruitment.

Ladhams joined the practice as a student in 2001, and has worked on many of Assael’s significant and award-winning projects including Clockhouse and Access House in Bromley-by-Bow, Macaulay Walk in Clapham and Ham Mill in Stroud. Pete will continue to promote design excellence and drive the aspirations of the company’s development, including growth into exciting new sectors, services and locations.

Pete Ladhams, managing director of Assael Architecture, said:

“It is an honour to represent Assael as managing director. Assael is built around its talented staff and understands how integral they are to its success. We have something very special here and by becoming an EOT we hope to maintain this culture and ambition by allowing all employees to influence the new exciting chapter at Assael.”

Assael joins 16 other AJ100 architects in becoming an EOT, according to figures from the Employee Ownership Association.

11 Dec 2018 New Homes in Abbey Wood, west London, England, UK

Mayor gives go ahead to ‘called in’ 272-home scheme in Abbey Wood

Eynsham Drive will create nearly new 300 homes and rehouse the PDSA pet hospital currently on the site

London Mayor Sadiq Khan ‘called in’ the proposed scheme earlier this year, overruling the council’s decision to block the development close to Abbey Wood Crossrail station Solar panels, a wilderness garden and green communal spaces make the development environmentally friendly

rendering courtesy of architecture office

The Mayor of London, Sadiq Khan, has given the go ahead to Eynsham Drive in Abbey Wood development, a mixed-use residential development that will create 272 new homes close to the new Crossrail station.

Designed by award-winning architecture practice Assael Architecture, and developed by Definition Capital, the Mayor ‘called in’ the Eynsham Drive project after the council deferred and then rejected the proposed plans earlier in the year. The Mayor ‘called in’ the project because he felt the scheme would “make an important contribution to affordable housing supply in response to London Plan policies.”

Assael Architecture and Definition Capital worked closely with the Greater London Authority (GLA) to make a number of amendments to the scheme, such as creating additional children’s playspace, increasing the amount of trees and adding more townhouses to the ground floor to create a greater sense of activity throughout the scheme.

Eynsham Drive is set to transform the site, which currently hosts a car wash facility and a PDSA pet hospital, creating an active frontage around the ground floor. The commercial space on the ground floor has been designed for use as either offices or retail, and will also rehouse the PDSA pet hospital in improved facilities, helping them expand their charitable work in the area.

The mixed-use development, located opposite the western edge of the Thamesmead estate at the junction of Harrow Manorway and Eynsham Drive, will also offer a variety of homes at different price points. 35 percent of the total housing provided will be affordable, made up of 28 shared ownership units and 67 social rent apartments, in line with the Mayor of London’s affordability targets.

The homes will be spread over three buildings ranging from seven to 17 storeys in height, and be a mix of studios, one and two-bedroom apartments, as well as three-bedroom family townhouses. To build a genuine community, all entrances will be tenure-blind, meaning no ‘poor doors’, while 10 percent of the homes will have full disability access.

Future residents of Eynsham Drive will also benefit from being only minutes away from Abbey Wood rail station, which will be part of the Crossrail network launching next year. Trains from Abbey Wood will be able to reach Liverpool Street in just 17 minutes and Heathrow Airport in 51 minutes.

image courtesy of architecture office

Assael’s design has prioritised the long-term sustainability of the scheme, adding to biodiversity efforts in the area. By bringing substantial greenery to the public realm, incorporating solar panels on each building and creating gardens for both residents and the wider public, the project will make a significant contribution to the area, while minimising the development’s environmental footprint.

At the heart of the scheme is a podium wilderness garden, designed in collaboration with Spacehub, which will provide children’s play spaces and specifically chosen flora.

Complementary to this, Assael’s design has also aimed to improve the pedestrian access through the site, providing paths and cycle lands for the public. In addition, the scheme will provide visitor and staff parking for the PDSA pet facility.

Felicie Krikler, director at Assael Architecture, said: “Eynsham Drive is set to be a great addition to Abbey Wood, an area undergoing astonishing change. The contribution of the scheme to the local community is significant, creating a wealth of green spaces, sustainable energy, job opportunities and improving the pedestrian experience through the site.

“Our design has sought to create an environmentally friendly development that brings nature and greenery into the area in a playful, interactive way. By opening up the site with luscious green spaces, we hope that residents and the public can interact and grow together as a community.”

4 Aug 2018 New Homes in Southall, Borough of Ealing., west London, England, UK image courtesy of architecture office New Homes in Southall Southall set for major regeneration as Assael Architecture and Montreaux submits masterplan for over 2,000 homes in Ealing.

29 Jun 2018 Old Brewery Gardens Development, Manchester, North West England, UK image courtesy of architecture office Old Brewery Gardens Prosperity Capital Partners and Assael Architecture have successfully secured planning for a £175m regeneration development in the centre of Manchester.

22 May 2018 Charter Square, Staines-upon-Thames, Southwest London, England, UK image courtesy of architects Charter Square, Staines-upon-Thames Award-winning developer London Square has secured planning permission for the second phase of its £120m town centre scheme – extending the scope for the transformation already under way at the heart of Staines-upon-Thames.

3 May 2018 HBF Housing Pipeline Report Comment

Comment by Dipa Joshi, director of Assael Architecture for the HBF Housing Pipeline Report.

Dipa Joshi, director at Assael Architecture, said: “The Housing Pipeline report encapsulates the changing approach to affordable housing, with approvals on social housing units up 27% on the previous year and an increase in the number of affordable projects given approval also up. Fixing the UK’s housing market requires a significant increase in the number of affordable units on the market and this report shows that initiatives like shared ownership, discount market rent along with the growing strength of housing associations, and private sector joint ventures are having a palpable effect on the market. There is still a long way to go, but this feels like a breakthrough moment in the years following the housing white paper.”

30 Apr 2018 New Housing Minister comment

Russell Pedley, director at Assael Architecture, said:

“Once again, we have seen a change at the Ministry of Housing, Communities and Local Government. The point of changing DCLG to MHCLG was to highlight the major issues we have within the housing market at the moment. However, the Government’s actions here show that, once again, other departments take a priority over housing. If we are serious about fixing the broken housing market, delivering affordable homes at high volume and transforming the outdated delivery model, then we need consistent leadership at the top.”

27 Apr 2018 Public investment in AI

We post a comment below from Rory O’Hagan, director of Assael Architecture, on the recent annoucement of more public investment in artificial intelligence.

Rory O’Hagan, director at Assael Architecture, said:

“Genuine Artificial Intelligence will have deep and dramatic effects on the fabric of the built environment. While some may fear its advent, it will undoubtedly play a major role in future economies. Artificial Intelligence within the profession of architecture – combined with the already impressive advancements in BIM – will change the way we approach the design and delivery of buildings.

At a practical level, many of the formulaic parts of the design process could be automated and rigorously modelled, freeing up time for the more creative, problem solving side of the job. The profession need not fear the imminent arrival of robot architects and should make sure we embrace the exponential benefits of cutting-edge technologies. After all, we don’t want to be left behind.”

14 Feb 2012 Dreamland Margate, Kent, England, UK image from architects Dreamland Margate Assael Architecture has unveiled its vision for the Dreamland Margate site at a public enquiry into whether Thanet District Council will be allowed to compulsorily purchase the former fun park. Assael is the fifth architectural practice to be appointed and the only one to protect and reuse the Grade II* Cinema and Scenic Railway as part of a low density housing scheme designed to attract inward investment.

Assael Architecture – Key Projects

Major Developments by Assael Architects, alphabetical:

Century Buildings, central Manchester, England –

Cleveland Street, London W1 2004- Offices for City of Westminster Corporate Property Department

Great Northern Tower, central Manchester, northern England 1999- Manchester building Angled residential tower near G-Mex Centre 257 apartments £33m approx. For George Wimpey City

Farm Lane, residential square in Fulham, south west London 2012- 40 houses on the site of a former garages, retaining an Edwardian arched entrance.

Great West Quarter, Brentford, west London, UK 2003- Mixed-use development for Barratt West London

Green Bank, Leeds 2004- Mixed-use residential For Harrow Estates Plc 833 apartments, offices, retail, restaurants £80m

Payne’s & Borthwick Wharves, southeast London 2001- Mixed-use development for George Wimpey Central London

Regency Apartments, southwest London 1997-2003 Residential property – 204 apartments for Barratt West London £30m

Tachbrook Triangle, southwest London 2003- Mixed-use development by Assael Architects for Barratt West London / Acton Housing Association

More Assael Architects buildings online soon

Location: 50 Carnwath Road London, SW6 3EG, UK

Architecture Practice Information

Assael – architect office based in England

London Architects

Assael Architecture Limited is led by John Assael, Managing Director, shareholder & co-founder DiplArch GradDip(Consv)AA MSc RIBA FRSA

Education: Post Graduate Diploma in Building Conservation Architectural Association School of Architecture

Masters Degree in Economics (Urban Regional Planning) University of London

Diploma in Architecture Oxford Polytechnic School of Architecture

London Architecture : news + key projects

Assael is an award-winning, London-based practice that offers a cohesive suite of architecture, interior design and landscape architecture services to a range of developers, investors and local authorities. Established in 1994, Assael has over 25 years of experience in the design and delivery of successful residentially-led mixed-use schemes.

They have become one of the leaders in the design of Build to Rent communities and have recently been using this expertise in the design of many co-living developments across London. Notable buildings designed by Assael include Queen’s Wharf and Riverside Studios in Hammersmith, 21 Young Street in Kensington and Chelsea, Union Wharf in Greenwich, and Garratt Mills in Wandsworth.

London Architect

English Architects

Architecture Studios

Website: Architecture

Comments / photos for the Assael Architects page welcome

Website: www.assael.co.uk

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