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krittikasurya · 6 months ago

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Some thoughts on Krittka Nakshatra (originally posted on substack and twitter)

Krittika at its best really understands how to both simultaneously enjoy and appreciate things while also being able to give critical commentary and feedback, and I think a lot of people have a hard time wrapping their heads around this level of multifaceted behavior. In a world where black-and-white, all-or-nothing thinking is common and encouraged, people often forget that two things can be true at once. Krittika natives have the creativity and flexibility to understand and implement this “two truths at once” concept into their everyday lives. People think Krittika natives are being insolent or abrasive when the native is just simply speaking on what they’ve learned, gathered, observed and experienced and being straightforward about it��taking the data they’ve accumulated and turning it into something that’s easy to digest. Absolute truths rarely exist, and Krittika exposes the complexities we experience on both a collective and individual level.

Krittika’s goal isn’t to trash things necessarily. I think the goal Krittika natives have is to help themselves and others see things in a different, profound way. Offering refreshing perspectives on many different aspects of life is something the natives take pride in. The Martian influence of the Aries portion of the nakshatra makes one very analytical and strategic. Observing and learning through action and expeirnce, the Aries side of this nakshatra knows how to take things back to the drawing board. They understand that trial and error are some of the best teachers, and that there is always room for change. The Venusian influence of the Taurus portion gives the native discernment and good taste. The discriminatory nature of Venus leaves little to no room for indifference, especially when it comes to connections, arts, and culture. Venus appreciates excellence, and Krittika will accept nothing less. Krittika serves as the bridge between the sun’s (Identity) and the moon’s (Mind) exaltation points, giving both signs vast intelligence that manifests slightly different, but one thing remains the same: The sharp, quick witted nature of the nakshatra that seeks improvement within themsleves and the world around them. In today’s society, echo chambers are growing increasingly common, creating less nuance and mental flexibility, and more groupthink. From arts to politics, the effects of all-or-nothing thinking seems almost inescapable. Mediocrity is the acceptable normal, and Krittika is on a mission to change that.

When not channeled appropriately, Krittika natives can be high strung individuals, hypercritical of both themselves and others while forgetting to appreciate the beauty of life, and the beauty within themsleves. Some constantly feel the need to “shake the table” or say what they believe others are afraid to say, not fully realizing the implications of making ego driven “critiques.” Some “critiques” can be so ego driven, that they are dowright incorrect, mean or hateful in nature. They can be prone to tunnel vision and extreme anger, especially when they feel like their way is the only way. Krittikas can be demanding, exhibiting dictator-like control over their communities which can lead to a “walking on eggshells” feeling for the people around the native. It is imperative that Krittikas don’t lose sight on what’s important: not crossing the thin line between enlightening analysis, and downright negativity.

Krittika natives experience a lot of pleasure from giving critique as well, because they believe that there’s something really cool about being able to get others to think in ways they may not have before, and introduce various perspectives on any given subject. Krittika’s shakti (power) is to purify or burn away impurities, and sharing thier critical thoughts and assessments is one of the best ways to do it in today’s world. If we as a collective are going to consume things, Krittikas believe we can and should evaluate and question what we consume. Things should be questioned more. “Impurities” should be pointed out. The status quo should be challenged in all aspects of life.

Krittika isn’t scared to point out things that are flawed and it infuriates some individuals that Krittika natives don’t just sit and “go with the flow” all the time. Krittika has a burning lust for awareness of the world we live in. Krittika knows that sometimes there will be conflict, they’ll ruffle a few feathers and invoke certain emotions that make others feel uncomfortable, but when done tactfully that has the power to change the world (however big or small you consider your world to be).

#krittika nakshatra #krittika #vedic astrology #vedic astro observations

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reunionatdawn · 5 months ago

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The beauty of Axel's original character arc

"I thought a lot about that. Should I leave him as he was or should I bring him back again? However, when I considered the people that Lea wants to bring back, his existence plays a big role. I think Lea has successively become a key character." (Tetsuya Nomura)

Nomura said that he debated whether to bring Axel back to life, or to leave him as he was. The fact that he wasn't sure meant that his KH2 character arc must have felt complete somehow. So, I'd like to take a look back at Axel's original storyline in KH2 and why I liked it so much. I thought his death worked very well as a beautiful and satisfying (albeit more bittersweet) ending to his story. In many ways, I found it to be much more poignant than his storyline in KH3.

“Is that how to treat a best friend on coming back from completing a long mission!” “I don’t recall becoming your best friend.” (Another Report: Roxas—Somewhere in Time)

Roxas was closer to Axel than any of the other Organization members. But he obviously yearned to have best friends his own age. That is why he was best friends with Hayner in his dream world, even though he didn't know them in real life. And he didn't even remember Axel. In other words, Roxas and Axel were not really best friends. In the short story that was included with the Japanese version of KH2FM+, Axel was the one who was insistent on using that label.

Hayner: Well, I doubt we can be together forever. But isn't that what growing up's all about? What's important isn't how often we see each other, but how often we think about each other. Right?

The whole concept behind Nobodies was that they had no hearts, but they still had their memories from the time when they did. So, the writers undoubtedly had some idea of what each member's backstory was like. In the original KH2, the writers chose not to explicitly tell us anything about Axel's past. But based on his behavior, we would be able to ascertain that he probably had a best friend when he was still a human. However, he was already a grown up. His summer vacation must've ended a long time ago. He could no longer be with his best friend, and he needed Roxas to fill that void.

Roxas: Organization XIII… they're a bad group. Naminé: Bad or good, I don't know. They're a group of incomplete people who wish to be whole. To that end, they're desperately searching for something.

One of the biggest themes in KH2 is that of duality. In Hinduism, the universe is said to be made up of two complementary opposite forces called Shiva and Shakti. Shiva is the masculine force and is known as the destroyer or transformer. He is associated with chaos, darkness, and the element of fire, which symbolizes purification. Shakti represents light, order, and the feminine nurturing aspects of the universe, giving birth to new life. She is associated the element of wind, which symbolizes life energy and creation.

Axel's moniker is "おどる火の風". It translates to "Wind of the Dancing Fire" or "Dancing Fire's Wind". This is my theory of what the deeper meaning was. One of the most famous depictions of Shiva is that of him dancing in a ring of fire. This version of him is known as known as Nataraja. The rhythmic movements of the dance are said to cause storms and destruction. And there's a backstory to the dance.

In Hindu mythology, Sati immolated herself out of intense devotion to her husband Shiva when her father insulted him. When Shiva learned of Sati's death, he was overcome with grief, sorrow, and uncontrollable rage. Shiva carried Sati's lifeless body on his shoulders and began to perform the cosmic dance of destruction.

In KH1, the reports mentioned how Ansem amplified "storms" in the subjects of his experiments on the darkness of the heart. The kanji used (嵐) can refer to a literal storm or it can also be used metaphorically to describe an intense emotional state. I suspect that the original idea in KH2 was that Axel's best friend was killed during an experiment. And this event caused Axel's heart fall to darkness, turning him into a Nobody. It's probably the reason why Axel was so delighted to assassinate Vexen by setting him on fire.

Axel: Let's meet again in the next life. Roxas: Yeah. I'll be waiting. Axel: Silly. Just because you have a next life…

The imagery of Shiva dancing within a circle of flames represents the eternal cycle of birth, death, and rebirth. Shiva performs the dance and destroys the universe, but this destruction is eventually followed by rebirth. His lover Sati was reborn as the goddess Parvati and reunited with Shiva as his other half. Their combined form represents unity in duality and cosmic balance. In KH2, Axel did not think he was going to be reborn. And that was the basis of his storyline.

Naminé: We may not have homes. But there is someplace I want to go… And someone I want to see… Axel: Same here.

Nobodies had a strong thematic association with death and the afterlife. In KH2, Naminé was the ghost girl living in the haunted mansion. In KH3, she was an incorporeal star in the Final World, the metaphysical place where people go when they have strong attachments and cannot pass on to the other side.

A Nobody was the spirit that went on even as its body faded from existence. They were very similar to the Unsent from FFX, which was another game written by Kazushige Nojima. Axel was created because his human-self had strong sentiments. He desperately wanted to be with his best friend forever. And this unfulfilled dream, ironically, kept his body and soul tethered to the realm of light.

Kairi: Maybe…waiting isn't good enough. Axel: My thoughts exactly! If you have a dream, don't wait. Act. One of life's little rules. Got it memorized?

When Axel asked Kairi if she wanted to "see" Sora, he was referring to her meeting him in the afterlife because he was planning to kill them both. A similar form of wordplay was also used in the Japanese dialogue. His intentions were made apparent by his outstretched hand. He wanted Sora to become a Heartless again. So, he probably planned to accomplish that the same way he became a Heartless.

(Japanese Translation) Axel: We're quite similar, aren't we? Both of us want to meet our important friends. Don't you think we're like comrades?

In the KH universe, when a person dies, their heart returns to the light of Kingdom Hearts. Since Axel didn't think he had a heart, he thought there would be nothing left of him to live on after his empty vessel was destroyed. Even if he wanted to die and be reborn to meet his best friend, he couldn't. He was driven by intense loneliness.

Some Kingdom Hearts fans think there's something romantic between Axel and Roxas and that Disney stopped that from being made explicit. Is that true? Have there been things Disney have stopped you from doing? Nomura: In terms of the relationship between Axel and Roxas, we never intended anything like this and this is actually the first time I ever heard of it! We don't want to openly negate how the fans have come to enjoy the characters, but it was not something the creative team intended. Axel and Roxas are the best of friends and that's their primary relationship.

Axel's intense yearning to see Roxas once more made fans question his orientation even back in 2005. Akuroku was quite a popular ship back in the day and many players saw romantic subtext on Axel's part. I do agree that Axel is easily read as queer. But the creative team was not trying to imply that he was in love with Roxas. I think it was his human best friend that he was really in love with, and Roxas just reminded Axel of him. When he was with Roxas, he felt like he was with his best friend. And that's why he wanted to die by his side.

(Japanese Translation) Axel: When I was with him, it felt like I had a heart too. That kind of feeling... I feel it with you too... The same...

When Axel said, "the same", he was referring to how Sora reminded him of Roxas. But I believe that we were invited to read between the lines and wonder if he was also referring to a human best friend that had already passed on. Ultimately, Axel's original KH2 arc was not about being together with Roxas forever. Roxas merged with his other half and became whole. He would live on within Sora.

In some Hindu traditions, "Sati" also refers to the act of a widow willingly participating in a self-immolation ritual on her deceased husband's funeral pyre. It was seen as an expression of devotion and loyalty and also an act of peerless piety which was said to purge her of all her sins. The widow would achieve spiritual liberation (moksha) not only for herself but also for her deceased husband. This meant that both would be freed from the cycle of death and rebirth (samsara). The widow was thought to be reunited with her husband in the afterlife, enjoying an eternal spiritual existence with him.

To help Sora reunite with Kairi, Axel self-immolated. After he died, Nojima probably envisioned that he would meet his dead best friend again, who was waiting for him on the other side. He had attained moksha, which represents the final goal of human existence in Hinduism, where the soul is liberated from the cycle of samsara. And that's probably why Nomura wasn't sure whether it was better to bring him back to life or to just leave him as he was.

"I never thought he would grow as much as he has. We originally planned to have him exit upon being defeated by Roxas during the opening of KHII, but all the staff, myself included, were strongly inclined to have him keep playing an active role after that. It's possible he will have things to do in the future, too. I tried to put that into his 'see you' line in KH2 FM+." (Tetsuya Nomura)

When KH2 was written, the writers probably had not envisioned a preexisting relationship between Saïx and Axel. But after its success, they decided to expand on the Organization's backstories, and came up with that idea. Isa was based on the original concept that was implied in KH2. Axel did have a human best friend, and that loss had a profound influence on his relationship with Roxas.

If Axel's human best friend was supposed to be literally dead in KH2, then him only being Norted is a major retcon, yes. But it was a retcon that would allow for the eventual reunion of Axel with his best friend in the physical life. Like the Phoenix rising from the ashes, he could resurrect him from the dead. And that was the underlying idea of making Lea a Keyblade wielder in the first place.

Lea and Isa's backstory is one of the missing links of the KH series. By all means, it should have been depicted many years ago, in the defunct Birth by Sleep Volume II. This is a shame because it left their relationship extremely underdeveloped, and their reunion was largely glossed over in KH3 as a result. Because of this, I thought Axel's storyline in KH3 fell flat, and I thought that his ending in KH2 was more impactful. But I may change my mind if we finally get to see more of Axel's long overdue backstory in Missing Link.

#kingdom hearts #kh2 #kh axel #kh lea #kh meta #akusai #leaisa #kh isa #kh saix

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piya-re · 5 months ago

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imo there’s no greater divide (culturally, mentally, socially, etc) than the one between desi women and desi men, and sometimes i feel like we’re delusional bc of it. we love our heritage, our scriptures, our worship of shakti, and our tales of brave warriors and gods protecting women (and punishing those that hurt us), and hope that our men are the same. we hope that at least some of them share the same values as us. desi women are being taught to strive for education and a good career and that we’re our families’ lakshmi’s. meanwhile, what the hell are the men being taught???? that they can brutalize us, put us “back in our places,” and that we’re all just objects they have free reign over? it’s ridiculous, and honestly at times it feels like we aren’t even from the same planet. when we were told about draupadi’s disrobing and sita’s abduction, the moral was that any person who aids or abets in the violation of women deserves to be destroyed. what morals did the men take away from these stories? what did they hear instead??

while we women are looking towards a better future and shedding our shackles, we honestly hoped that the men will do the same. we hoped that they’ll wake up and realize what we already learned: women are to be respected, and any society that cannot do that is doomed. unfortunately, they haven’t and may never will bc they simply want to regress! i’ve always personally set the bar higher for desi men bc of our upbringing but, GOD, they have made it their life’s mission to lower it. i cannot handle another brutal rape case from india, especially from the supposed devbhumi or stronghold of shaktism.

#mine #personal #i’m just so done #idek if this makes sense #but tl dr the fantasy of the ideal desi man who respects and protects and worships women is just that #a fantasy #and all the films and shows that portray this type of man are no more than patriarchal brainwashing #to get women to lower our guards #india #kolkata #uttarakhand #desiblr #hindublr #radblr #reclaim the night

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therukurals · 9 months ago

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The reclamation of such images appears to be Patel’s goal—one he shares with numerous Hindu leaders who have continued to battle Hindu nationalism. But the use of Hindu imagery as a call to violence, reminiscent of the Hindutva project, is central to Kid’s mission, resulting in narrative dissonance. In comparison, the movie’s villains only use Hinduism as a façade for violence and financial gain, rather than as a sincere fixture of their fanaticism. They represent Hindutva only in the abstract, echoing its power structures without its ideology. Kid, meanwhile, perhaps inadvertently, embodies it in both belief and action. In a key flashback, Rana—acting on Shakti’s orders—clears out Kid’s forest-adjacent village so the land can be used for industrial growth. This bears a striking resemblance to the Indian government’s recent attempts to evict thousands of Muslims along India’s Eastern border and millions of indigenous people from tribal lands. The BJP’s political opponents believe these land seizures are an attempt to transfer tribal resources to corporate allies, not unlike Shakti’s plan for Kid’s village. However, the metaphor is muddled. Rather than framing Kid’s community as an oppressed caste, religion, or tribe, the only visible culturally specific moment involves the villagers enjoying a marionette re-telling of the Ramayana, which is interrupted by incendiary violence. In the movie’s purview, Hinduism is under attack from something non-Hindu, or falsely Hindu, rather than from dangerous factions of Hinduism itself. This grants Kid permission to weaponize it freely, sans conflict or spiritual reckoning—a thematic tension the movie never reconciles.

#monkey man #saw this in a letterboxd review and i feel like helps articulate the films politics #i still stand that this is most left a diaspora south asian creative in the mainstream has been recently #particularly in its critique of indian and hindutva nationalism which...unfortunately is not saying alot. its a fairly low bar #like the contemporaries of medias that hype around its shallow representational politics like nhie bridgerton etcc come to mind #i also am going through a struggle currently wrt my hateration i guess lol too and #like sometimes films dont need to be a major political thesis and im okay with that but #also at the same time if that is what you are attempting to do #i cant help but be critical #idk just ramblings tbh #i think also part of my frustration and challenge with this films politics #is also tied my frustration with the politics of my indian diaspora peers

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triviareads · 18 days ago

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ARC Review of The Legend of Meneka by Kritika H. Rao

Rating: 4/5 Heat Level: 3.5/5 Publication Date: January 21st

Premise:

Celestial nymph Meneka agrees to seduce Kaushika, a powerful sage, in order to appease the king of the gods and secure her own freedom.

My review:

This was a sensual, slow-burn romantasy retelling of an ancient Hindu myth; Krithika H. Rao did a wonderful job of melding that myth with her modern reinterpretation to give us a queer, feminist romance.

So, this is the version of the original myth I was told when I was younger: Meneka, an apsara (a celestial nymph and dancer), is sent by Indra to seduce renowned rishi Kaushika in order to distract him from his penance because Indira fears he's growing too powerful. Instead, Meneka she falls in love with Kaushika (Vishwamitra, as he is later known) and they have a daughter together. The story varies from here, but either Meneka leaves or she is banished by Kaushika, but ultimately she leaves him and their daughter behind.

In this story, apsaras aren't just seductresses; they're routinely weaponized by Indra and sent to Earth in order to seduce and ruin anyone he perceives as a threat. Meneka does so by weaving visions of what her targets desire the most, and yes, sometimes she has sex with them (the story starts with her having sex with one such queen). Is she a villain or a victim from birth? That's what a lot of Meneka's internal conflict hinges on as she begins to question her mission more and more.

Queerness is made explicit in a way that was only ever implicit or glossed over in Hindu mythology; Though not in the original, here Meneka is bisexual, and actually embarks on this mission to secure her freedom so she can be with the woman she loves, a fellow apsara— thus her being conflicted, but continuing her seduction nonetheless. We also get quite a few queer secondary and background characters.

And on a romance level, I loved the way the slow-burn was handled; Kaushika and Meneka are naturally suspicious of one another, though not quite enemies. They also stand for radically opposing ideals: Meneka is a seductress, something of a sybarite and a dancer, while Kaushika gave up his throne to perform severe tapas (penance), and embraces ascetism and yes, celibacy. He's something of a remote, austere figure, though obviously not unfeeling (but I wish we'd gotten his POV; we only get Meneka's). How Meneka gets through to him is a masterclass in not only seduction, but also a beautiful acknowledgement of shakti (directly translates to energy or power, it's personified in the feminine) and the divinity of sex and love, even if she twisted it for her own purposes in a way that had me ROLLING.

The sex:

Look, Kaushika was a king before he gave it all up to become a rishi, so what that means is..... the man wasn't always celibate, but it's been a HOT minute since he got any, so Meneka finally getting him to crack is EVERYTHING. There are only a couple sex scenes, but what we get is quite hot— ranging from barely-controlled to just downright feral

Overall:

I'm not a fantasy (romance or otherwise) reader at all, but I adored the romance between Meneka and Kaushika, as well as the way Krithika Rao built on this mythological world. I'd recommend this book to anyone looking for a more plotty romance, and of course to any romantasy reader, and I'm looking forward to book two in this duology!

Thank you to Harper Voyager and NetGalley for the advanced copy in exchange for my honest review.

#arc #arc review #netgalley #krithika h. rao #avon books #avon #romance novel #romance novels #desiblr #desi tumblr #fantasy romance #romantasy

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rajasthan-political-leader · 1 month ago

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Rajasthan Moving Ahead on the Path of Development: Col Rajyavardhan Rathore

Rajasthan, the land of culture, tradition, and valiant history, is rapidly transforming into a hub of modern development under the vision of leaders like Col Rajyavardhan Rathore. With a perfect blend of tradition and innovation, the state is making significant strides in infrastructure, education, healthcare, and economic growth, creating a model for balanced progress.

A Vision for a Developed Rajasthan

Key Areas of Development in Rajasthan

1. Infrastructure Growth

The state has witnessed a remarkable transformation in infrastructure, paving the way for economic and social development.

Smart Cities Mission: Jaipur and Udaipur are being equipped with world-class facilities.

Rural Connectivity: Expansion of roads and bridges to connect remote villages with urban centers.

Energy Projects: Investments in renewable energy, including solar and wind power, making Rajasthan a leader in clean energy.

2. Industrial Expansion

Rising Rajasthan Global Investment Summit: Attracting global investors to foster industrial growth.

Special Economic Zones (SEZs): Promoting exports and creating job opportunities.

One District, One Product (ODOP): Highlighting local crafts and industries to boost rural entrepreneurship.

3. Education for All

Rajasthan is making significant investments in education to empower its youth.

New Colleges and Universities: Increasing access to higher education across the state.

Skill Development Programs: Initiatives to prepare students for competitive exams and vocational careers.

Digital Classrooms: Modernizing education with technology to bridge the urban-rural divide.

4. Women’s Empowerment

The state is committed to fostering an environment where women can thrive.

Financial Inclusion: Women-led self-help groups are accessing credit and training.

Safety Initiatives: Programs like Operation Shakti ensure safety and security for women.

Educational Incentives: Scholarships and campaigns like Beti Bachao, Beti Padhao are transforming the landscape of girls’ education.

Healthcare: A Priority for All

Healthcare remains a cornerstone of Rajasthan’s developmental agenda.

Ayushman Bharat Yojana: Providing affordable healthcare to underprivileged families.

Rural Healthcare Centers: Strengthening primary healthcare infrastructure in villages.

Health Camps: Regular medical camps for early detection and treatment of diseases.

Agricultural Advancements

Given that Rajasthan has a significant agrarian population, the government has taken steps to modernize agriculture.

Irrigation Projects: Ensuring water availability in arid regions.

Support for Farmers: Subsidies on seeds, fertilizers, and equipment.

E-Mandi Systems: Digital platforms for better pricing and reduced exploitation of farmers.

Sustainable Development Initiatives

Rajasthan is committed to sustainable growth that preserves its environment.

Solar Energy Parks: Leveraging the state’s abundant sunlight for clean energy.

Water Conservation: Programs like Jal Swavlamban Yojana for efficient water use.

Eco-Tourism: Promoting tourism that respects and protects the environment.

Col Rajyavardhan Rathore: Driving the Change

Col Rathore has been instrumental in championing various developmental initiatives.

Grassroots Engagement: Regular interactions with local communities to address their concerns.

Focus on Youth and Innovation: Encouraging young entrepreneurs to drive economic growth.

Cultural Revival: Supporting projects that preserve Rajasthan’s cultural and historical heritage.

The Path Ahead: Challenges and Opportunities

While Rajasthan’s progress is commendable, challenges like water scarcity and urbanization demand innovative solutions. The government, with leaders like Col Rathore, is tackling these with forward-thinking policies and public-private partnerships.

Addressing Water Issues: Accelerated efforts in rainwater harvesting and desalination plants.

Urban Development: Balancing modernization with the preservation of Rajasthan’s historical identity.

Empowering Rural Areas: Ensuring that growth reaches every corner of the state.

Rajasthan’s Transformational Journey

Under the visionary leadership of Col Rajyavardhan Rathore and the state’s dedicated governance, Rajasthan is making remarkable progress. The focus on inclusive development ensures that no section of society is left behind, creating a future where tradition and modernity coexist harmoniously.

As Rajasthan moves ahead on the path of development, it sets an inspiring example for other states to follow — a state that honors its past while embracing its future.

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cheddar-baby · 1 year ago

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1. Sampha - Lahai 2. Kali Uchis - Red Moon in Venus 3. Marina Herlop - Nekkuja 4. CMAT - Crazymad, For Me 5. Kara Jackson - Why Does The Earth Give Us People To Love? 6. Flying Lotus - You're Dead! 7. grouptherapy. - i was mature for my age, but i was still a child 8. Magdalena Bay - A Little Rhythm and a Wicked Feeling 9. Yoni Mayraz - Dybbuk Tse! 10. Oneohtrix Point Never - Again 11. underscores - Wallsocket 12. The Lemon Twigs - Everything Harmony 13. Sea Power - Everything Was Forever 14. feeble little horse - Girl With Fish 15. Tears for Fears - The Hurting 16. Tears for Fears - Songs from the Big Chair 17. Dev Lemons - Delusional 18. George Clanton - Ooh Rap I Ya 19. Jessie Ware - That! Feels Good! 20. World's End Girlfriend - Resistance & The Blessing 21. Ana Frango Elétrico - Me Chama De Gato Que Eu Sou Sua 22. Bruno Pernadas - Those who throw objects at the crocodiles will be asked to retrieve them 23. Oneohtrix Point Never - Rifts 24. Quelle Chris - Lullabies for the Broken Brain 25. Danny Brown - Quaranta 26. Kate Bush - Never for Ever (2018 Remaster) 27. Oneohtrix Point Never - Magic Oneohtrix Point Never 28. Kali Uchis - Isolation 29. Kelela - Raven 30. Oneohtrix Point Never - Age Of 31. Shakti - Natural Elements (With John McLaughlin) 32. Urias - HER MIND 33. Big Thief - Dragon New Warm Mountain I Believe in You 34. Billy Woods - Maps 35. SLAUSON MALONE 1 - EXCELSIOR 36. Speakers Corner Quartet - Further Out Than The Edge 37. The Go! Team - Get Up Sequences Part Two 38. Ukandanz - Kemekem (ከመከም) 39. Yussef Dayes - Black Classical Music 40. Bohren & der Club of Gore - Sunset Mission

#loving how easy these are to make now that i have last fm lol #single button and it just imports it all #topster #music #plain text names under read more to easily search em if you want

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apacnewsnetwork0 · 1 year ago

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Promoting Water Efficiency and Sustainability: Insights from IAS Archana Varma, Additional Secretary and MD, National Water Mission, Ministry of Jal Shakti, GoI

New Delhi: With increasing issues of water scarcity and environmental sustainability, the importance of efficient water usage has never been more urgent. As India strives to balance its developmental goals with responsible resource management, the role of government policies and initiatives becomes paramount.

IAS Archana Varma, Additional Secretary and Mission Director, National Water Mission (NWM), Ministry of Jal Shakti, Government of India, who was the keynote speaker at the ‘Uncharted Waters Conclave’ organised by APAC News Network in New Delhi, on March 3, 2023, spoke about government policies and projects that are focused on efficient water usage.

“Technology should be for people, people should not be for technology,” believes Varma, as she talks about the importance of monitoring and evaluation to ensure the success of government policies. She also talked about the Bureau of Water Use Efficiency by NWM.

Bureau of Water Use Efficiency

The Bureau of Water Use Efficiency (BWUE) was set up under the scheme of National Water Mission, Department of Water Resources, River Development and Ganga Rejuvenation, Ministry of Jal Shakti, on October 20, 2022. Following are the objectives of BWUE:

Read More - https://apacnewsnetwork.com/2023/10/promoting-water-efficiency-and-sustainability-insights-from-ias-archana-varma-additional-secretary-and-md-national-water-mission-ministry-of-jal-shakti-goi/

#IAS Archana Varma #Additional Secretary and MD #National Water Mission #Ministry of Jal Shakti #GoI

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kashmirmonitor · 1 day ago

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Sakeena reviews implementation of ICDS, Mission Shakti in UT

JAMMU, JANUARY 22: Minister for Health and Medical Education, Social Welfare and Education, Sakeena Itoo, today chaired a meeting to review progress on implementation of various schemes of Social Welfare department like ICDS (POSHAN), Mission Shakti, Mission Vastalya, Pradhan Mantri Matru Vandana Yojna (PMMVY) and other schemes. Commissioner Secretary, Social Welfare department (SWD), Sanjeev Verma; Mission Director ICDS; District Programme Officers; representatives of Mission Shakti, Mission Vastalya and other concerned officers of SWD were present on the occasion. During the meeting, the Minister reviewed the status of fund utilisation under CAPEX, recruitment of Anganwadi workers and helpers, physical and financial position of Anganwadi Centres and other issues of the ICDS project. Addressing the officers, Sakeena Itoo emphasised the critical role of POSHAN Abhiyan in addressing malnutrition and promoting holistic health among children, pregnant as well as lactating women. She highlighted that these schemes align with the Omar Abdullah led government’s broader vision of ensuring sustainable development and health equity across Jammu and Kashmir. While reviewing the functioning of Anganwadi Centres, the Minister stressed upon the DPOs for maintaining cleanliness and proper hygiene within the centres. She delved upon the officers for maintaining regular supervision of these centres within their respective districts to maintain quality of nutrition provision for the beneficiaries. “Conduct surprise visits on regular basis to ascertain the quality of nutrition as well maintaining accountability of these centres “, she asked the officers. The Minister, while reviewing other aspects of these schemes, asked the Mission Director POSHAN for use of digital tools for real-time monitoring of beneficiaries. She advised them to develop a mobile application for monitoring of beneficiaries as well as officials on ground. Highlighting that the SWD has major contribution in upliftment of society, the Minister called upon all DPOs for amplifying the awareness regarding these schemes in their respective districts. “Use traditional media like Radio and TV for creating awareness among people, especially in far off areas regarding these beneficiary oriented schemes. Other means should also be used to generate awareness among people regarding different schemes of the department “, Sakeena Itoo said. The Minister, during the meeting, also enquired about the functioning and performance of One Stop Centres, Balvidayalas, Early Childhood Care & Education programme and other schemes. She impressed upon the officers for maintaining transparency and financial discipline while implementing these schemes. She also delved on them for timely submission of utilisation certificates so that the financial viability can be maintained.

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