#Michelle M. Welch

[thefugitivesaint]

John Jude Palencar, 'Chasing Fire', ''Spectrum'' 14, 2007 (Cover for Michelle M. Welch's 'Chasing Fire' from 2005) Source

[mannytoodope]

Harriet: Boy with ringlets. Man with tattoos. Girl on... a leash? Man, if my parents ever tried putting me in one of those things, I'd trade them in. This kid looks like she can roll over and fetch. I learn everything I can, and I write down everything I see. Golly says I'd better start now if I want to be a writer. Which is why I am a spy.

[operafantomet]

Hello. Can you make a photoset of Lina Mendes's Christine wardrobe, please? I love that she got to wear many vintage costumes

VERY MUCH THIS. I am still so pleasantly surprised about some of the choices made for principal Lina Mendes and alternate Giulia Nadruz. That they resurrected the old Dutch costumes instead of making lots of new stuff, OMG! My inner Phantom costume nerd exploded with happiness. So yes! As a general note, all costumes were flewn in from Germany, which is also where they had the Dutch one in stock. This is also why the mix is German/Dutch. Here goes:

Hannibal 'Slavegirl' costume: Looked like a fairly standard recent German (Essen era) bodice, complete with wristbands and the distinct German Christine tiara:

The Elissa skirt: OMG THE RED SKIRT. Red skirts originated in Stockholm and Scheveningen; I wanna say this is is one of the original Dutch skirts due to the specific tab decorations. But it has been used in Germany for many years too; first appearing on Janine Kitzen in Stuttgart, and last on Michelle van de Ven in Hamburg and Elizabeth Welch in Oberhausen. Still, a rare one so yipee hooray on another principal wearing it!

The dressing gown: A very big-patterned skirt and fitted look. Another Essen costume that's been in the loop for some years, I wanna say this was first made for and worn by Beatrix Reiterer in Essen, and last used by Elizabeth Welch and Annemarijn Mandaag in Oberhausen.

Maid / Serafimo: The German maid skirt has typically been white, and the breeches typically mint green, from the original Hamburg production to the most recent Oberhausen production. So also here, worn by Lina Mendes in Sao Paulo.

The Rooftop costume: O... M... G. That is the wildest Rooftop dress ever made. Electric blue brocade covered with spray-painted contured lace, and with blue and purple decorations. Made for the original Dutch production, is a costume I never thought I would see on stage again. The costume looked quite overwhelmingly bad backstage. This is a good lesson in COSTUMES ARE MADE FOR THE STAGE, because it looks good under the lamp lights, and especially paired with a calming mint cloak.

The Star Princess: This is another good lesson in COSTUMES ARE MADE FOR THE STAGE, as this skirt also looked rather bad backstage. Plastic-like overlayer, with thick pink silk ribbons attaching the big silver stars. It looked like a children's version of the costume. But look at it on stage! Also nicely paired with a classic bodice with discrete beading and rich ruffles.

The Wishing dress: Oh yes they did! Paired that truly vintage Dutch Wishing bodice with a larger German skirt. The bodice can be recognized by the larger appliquées and the stripy cuffs, very typical for the first European versions of the costume. Me like.

The Aminta costume: No huge surprises here. One of the new Hamburg dresses, made in the style of the old Hamburg dresses - but with the addition of the Dutch aprons, just to keep that Dutch flair no? Nice combo.

The wedding dress: AAAA OOOOOHHH OH MY!!! Those bodices. Words can't express how much I love the earlt European bodices, with their exaggerated lines, long bodices, defined waistlines, rich silvery fabric and DECORATIONS. It was paired with a more unambitious recent German skirt, but with its long lines the whole costume reflect rather well on Maria Bjørnson's design. The old Dutch skirts had much more sparce lace.

Also bonus that the other Brazilian Christines wore the same type of bodice, which meant lots of photos of them in use. Here's alternate Giulia Nadruz:

So yeah... the saga of vintage Dutch costumes as worn by principal Lina Mendes in the Sao Paulo revival, and as originally designed by Maria Bjørnson.

[ulkaralakbarova]

When a rich man’s son is kidnapped, he cooperates with the police at first but then tries a unique tactic against the criminals. Credits: TheMovieDb. Film Cast: Tom Mullen: Mel Gibson Katherine Mullen: Rene Russo Det. Jimmy Shaker: Gary Sinise Agent Lonnie Hawkins: Delroy Lindo Maris: Lili Taylor Sean Mullen: Brawley Nolte Clark Barnes: Liev Schreiber Cubby Barnes: Donnie Wahlberg Miles Roberts: Evan Handler Agent Kimba Welch: Nancy Ticotin Agent Jack Sickler: Michael Gaston Agent Paul Rhodes: Kevin Neil McCready David Torres: José Zúñiga Jackie Brown: Dan Hedaya Bob Stone: Allen Bernstein Wallace: Paul Guilfoyle Fatima: Iraida Polanco Roberto: John Ortiz Reporter Guest: A.J. Benza Nelson: Peter Anthony Tambakis Agent Sam: Daniel May Wong News Reporter: Donna Hanover FBI Agent: Anton Evangelista Cop #1: Joe Bacino Cop #2: Carl S. Redding Cop #3: James Georgiades Cop #4: Christian Maelen Cop #5: David Vadim Bank Manager: Michael Countryman Science Fair Coordinator: Cheryl Howard Science Fair Judge: James Ritz Radioman: Craig ‘Radioman’ Castaldo Liquor Store Cop: Joseph Badalucco Jr. Liquor Store Perp: Dell Maara Man at Party: Mike Hodge FBI SWAT Team #1: Mick O’Rourke FBI SWAT Team #2: Henry Kingi Jr. FBI SWAT Team #3: Roy Farfel FBI SWAT Sniper: Lex D. Geddings Don Campbell: Todd Hallowell Film Crew: Director: Ron Howard Screenplay: Richard Price Screenplay: Alexander Ignon Producer: Scott Rudin Original Music Composer: James Horner Director of Photography: Piotr Sobociński Editor: Mike Hill Editor: Daniel P. Hanley Casting: Janet Hirshenson Casting: Jane Jenkins Production Design: Michael Corenblith Art Direction: John Kasarda Costume Design: Rita Ryack Set Decoration: Susan Bode Tyson Second Unit Director: Todd Hallowell Producer: Brian Grazer Stunt Coordinator: Jeff Ward Stunts: Mic Rodgers Stunts: Peter Epstein Stunts: Paul Bucossi Stunts: Gregg Smrz Stunts: Andy Duppin Stunts: Steve Mack Stunts: Don Picard Stunts: Manny Siverio Stunts: Keith Leon Williams Stunts: Elliot Santiago Stunts: Norman Douglass Stunts: Cheryl Wheeler Duncan Stunts: Jophery C. Brown Stunts: Bill Anagnos Stunts: Tim Gallin Stunts: Jim Lovelett Stunts: Janet Paparazzo Stunts: Scott Wilder Stunts: David S. Lomax Pilot: Robert ‘Bobby Z’ Zajonc Pilot: Alan D. Purwin Pilot: Al Cerullo Pilot: Joseph R. Brigham Unit Production Manager: Carl Clifford First Assistant Director: Aldric La’Auli Porter Second Assistant Director: William M. Connor Production Supervisor: Michelle Morrissey Camera Operator: Bruce MacCallum First Assistant Camera: Jay Levy Second Assistant Camera: Christopher Norr Steadicam Operator: Larry McConkey Camera Trainee: Jennifer Stuart Still Photographer: Lorey Sebastian Video Assist Operator: Peter A. Mian Sound Mixer: Danny Michael Boom Operator: Andrew Schmetterling Cableman: Anthony Starbuck Assistant Editor: Guy Barresi Assistant Editor: Richard Friedlander Assistant Editor: Glenn Allen Assistant Editor: Joe Binford Jr. Location Manager: Jan Foster Second Second Assistant Director: Jeffrey T. Bernstein Script Supervisor: Eva Z. Cabrera Production Coordinator: Liz Newman Assistant Production Coordinator: Miriam Schapiro Assistant Production Coordinator: Eric Jacobson Unit Publicist: Julie Kuehndorf Production Accountant: Michael McCormick First Assistant Accountant: Louise DeCordoba Payroll Accountant: Kathy Welch Post Production Accountant: Liz Dykhouse Chief Lighting Technician: Russ Engels Best Boy Electric: Michael F. Burke Electrician: James C. Walsh Electrician: John Smith Electrician: Walter Fricke Jr. Electrician: Robert Connors Electrician: Doug Dalisera Rigging Gaffer: Ken Connors Key Grip: Dennis Gamiello Best Boy Grip: Brian Fitzsimons Dolly Grip: Edward W. Lowry Grip: Michael Finnerty Grip: Martin Lowry Grip: Richard C. Montgomery Jr. Grip: Gerry Lowry Grip: John Ford Rigging Grip: John Lowry Property Master: Tommy Allen Assistant Property Master: Diana Burton Supervising Sound Editor: Anthony J. Ciccolini III Dialogue Editor: Louis Cerborino Dialogue Editor: Bitty O’Sullivan-Smith Dialog...

[vtgbooks]

MICHELLE M. WELCH Confidence Game 2003 Fantasy Novel Spy Novel Female Spy Novel

[spaceflaneur]

Die Methode zieht durchaus eine Bahn, zeichnet einen Weg durch einen Raum. Sie weiß, woher sie kommt und wohin sie geht. Zwischen diesen beiden Punkten nimmt die Methode den mittleren Weg und entgeht nicht den Extremdefinitionen, unter Randbedingungen natürlich. Der Weg des Odysseus dagegen ist niemals oder allenfalls selten einmal methodisch in jenem vorklassischen Sinne zu nennen, den die Platonische Philosophie kanonisierte, bei dem die Dichotomie gleichfalls durch die Mitte führt und die Verknüpfung nach Ökonomie strebt. Der Weg des Odysseus kann nicht als Methode bezeichnet werden, er ist ein Exodus. Exodus in dem Sinne, in dem der Weg sich vom Weg entfernt und die Bahn jenseits der Bahn verläuft. In dem die lokal verfolgte oder sogar gewählte Bahn die Ausnahme von der zu wählenden Norm bildet. (…) Odysseus unterwirft sich den Fluktuationen: denen des Meeres und des Windes, den Fluktuationen der Fluten. (...) Als gäbe es Stabiles auch abweichend von dem seinerseits stabilen und in seinem Lauf präzise definierten normalen Weg. Als ergösse sich ein Fluss, der aus seinem gewohnten Bett geworfen, über eine Hochebene, auf der er einen See bildete und eine gewisse Zeit verharrte, bis der voraussehbare Absturz kommt. Als gäbe es eine Ordnung außerhalb der Ordnung, ein ursprüngliches oder singuläres Gleichgewicht jenseits des im Gleichgewicht befindlichen Mittelweges. Seltsame Attraktoren. Als gäbe es Ordnungstypen, die gegenüber dem normalen Gesetz, oder Gleichgewichtsarten, die gegenüber dem gewohnten Ordnungsgesetz nicht vorhersehbar wären. Als führte die Zufallsfluktuation – unerwartete Stürme oder stochastisch über den Hochseeraum verteilte Brandung – plötzlich zu einer (zur Bildung) einer zeitweilig stabilen Lokalität, einer Insel, auf der eine andere, lokale Zeit entstünde, welch die alte, gewöhnliche Zeit, die Zeit des Parcours vergäße. Abgesetzt vom methodischen Weg, bilden diese Inseln eine Ordnung durch Fluktuation, eine andere Ordnung, die man sehr wohl als „exodisch“ bezeichnen könnte. Niemals findet sie auf den Wegen der Methode, sie liegen außerhalb der globalen Gleichgewichte der Episteme, sind exodisch, exotisch, ergodisch. Die Methode minimiert und annulliert die Beschränkungen; der Exodus taucht mitten hinein in ihre Unordnung.

Quelle: Michel Serres (1998): Die fünf Sinne. Eine Philosophie der Gemenge und Gemische. Suhrkamp Verlag, Frankfurt/M., S. 352 f.

[thepermanentrainpress]

CONCERT REVIEW: FLORENCE + THE MACHINE W/ JAPANESE BREAKFAST AT ROGERS ARENA - OCTOBER 4TH, 2022

Anyone who says rock and roll is a dying art clearly didn’t attend the Dance Fever tour. On Tuesday night, Florence Welch and Michelle Zauner – along with their bands – rocked Rogers Arena at a level that could compete with any legendary rock star in their prime. If Led Zeppelin and Fleetwood Mac are the past, Florence and the Machine and Japanese Breakfast are the future, and it’s in good hands.

Japanese Breakfast have been around since 2014 – in fact, Michelle informed us that it happened to be their eight-year anniversary as a band. Originally from Oregon and now based in Philadelphia, they’ve established themselves as premium and mesmerizing artists. They’ve embarked on several tours, headlining and supporting acts like Belle and Sebastian, The National, and the Yeah Yeah Yeahs. However, Michelle told us this was the group’s very first time performing in an arena, a special moment for audience and band alike. 

Much of their music is sorrowful and low tempo – dream pop mixed with complex time signatures and reverb. A colourful assortment of stage lights accompanied hypnotic saxophone solos and synth beats. Wearing a gorgeous and bright yellow dress, Michelle impressed us all by switching between singing in an ethereal and distinct voice, shredding the guitar, and doing her thing on the keyboards. She even banged a large gong on stage several times. The whole thing was just extremely cool. Michelle finished the final song of the set – 2017′s “Diving Woman” – with an extended guitar solo.

Although Michelle was the centre of attention, Peter Bradley on guitar, Craig Hendrix on drums, Deven Craige on bass, and especially Adam Schatz on sax all contributed to this one-of-a-kind psychedelic warm-up experience. The audience reaction could be summed up by Michelle herself: “Some audiences can be sterile, but you guys disproved that. So thank you for such a warm welcome, this has been so fun.”

(My one complaint is that I was hoping to hear “Jane Cum” from her first album on the setlist. She simply had too many great songs to choose from.) 

There was thunderous roars and cheers as Florence and the Machine took the stage. It’s hard to put into words how much this woman absolutely commands and focuses the audience in an arena. Watching her perform, it doesn’t feel like you’re with 15,000 other people. It feels closer to 150, or even just 15. All eyes are on her and you can feel the energy shift. She absolutely bedazzled in a red and white flowing dress – and as with almost all her shows, she was barefoot. A crystal-like structure adorned her as a backdrop, with the pieces moving to create a chandelier for some of the show. She also performed a bit beyond a thin transparent curtain, creating really cool effects with shadows. Although there were no visuals in the traditional sense, this stage decor really captured our attention. 

A few songs in, Florence greeted Vancouver. She asked for whom this was the first time. “You might be wondering what’s going on here. Is it Miss Havisham the Musical? Is it a British pagan dance ceremony? Am I safe? There seem to be a lot of vampire brides here. Is it a cult? Are they gonna eat me? Anyone brought along or chaperoned, all I can say to you is that it’s so much easier if you really give into it and you’ll be absolutely fine… if you just do every single thing that I say.”

She encouraged us to put our phones away and to just share a moment, and to tell our neighbours to do the same either politely or with some more salty British language. Although I have no problem with some phones and pictures, it’s always nice to see a united arena connected to the music and no electronics. 

She played a wide variety of songs from her decade-long career. There was a good order to the setlist, mixing up old and new, slow and fast. Her dancing is especially something to be admired; Florence flows gracefully, almost gliding around the stage, never letting her energy down throughout. Between her belting out “What Kind of Man,” singing an upbeat song with volatile lyrics (“Kiss With a Fist”) or just letting us dance it out in an encore to “Shake It Out,” there was never a dull moment.

Before “Morning Elvis” – off her latest album, Dance Fever – she explained to us that it was written during the height of the pandemic, “when I wasn’t sure if we could do this again.” Florence’s performance and stage presence are arguably just as important to her career as her studio music is, and it was obvious she felt as happy to be there as we did. There’s something genuinely special and heartwarming about seeing artists play again, to be back up there. It’s really a privilege too many of us took for granted before 2020, and a reminder of what has been sacrificed to continue enjoying live entertainment today. 

There were several points in the show when Florence came down to the barrier to hug, hold, and sing to lucky fans just inches away. She even walked through the floor area to come to the other side and sing in the middle of the crowd. All eyes were on her, and it only served to make the show feel more intimate and special. 

I feel it was an honour and privilege to be in the audience. But Florence makes you feel special and appreciated in return. “Look out and witness so much beauty everywhere, and the creativity. I’m so grateful for what you put in every night.” She also thanked us for supporting live music, since it continues to be a hard time for so many artists.

Whether you’re young or old, a longtime or new fan, a Florence and the Machine concert is one of the most passionate and beautiful shows you can go to. I saw Florence once before at a festival and was totally engaged and blown away by her performance. Seeing her headline an arena with a full set only further proved to me she’s one of the best touring artists around right now. Literally nobody is doing it like her; she’s one of a kind and an international treasure. I’m so happy she exists and that I got to share that night with her.

Written by: Cazzy Lewchuk

[bongianimuseum]

“Marginal Artistamps History”

72 ARTISTI PRESENTI  A QUESTA  RASSEGNA INTERNAZIONALE DI  ARTISTAMPS

Giacomo Balla, Italia I  Karl Schwesig I Germania I Michael V. Hitrovo, Russia I Ives Klein, Francia I Ray Johnson, USA I  George Maciunas, USA  I Lamberto Pignotti, Italia I Guglielmo Achille Cavellini, Italia I  E. F. Higgins III, Usa I  Clemente Padin, Uruguay I Enzo Benedetto e Giulio Lotti, Italia I Guy Bleus, Belgio I  Edwin Varney, Canada  I Mirella  Bentivoglio, Italia I Paolo Scirpa, Italia I Shozo Shimamoto, Giappone I Ruggero Maggi, Italia I Jas W Felter,  Canada I  Ben Vautier, Francia I John Held JR, Usa I  Anna Banana, Usa I  Piermario Ciani, Italia I  Ryosuke  Cohen, Giappone I Irma  Blank, Italia I RCBz, - Usa I BuZ Blurr, Usa I Carl T. Chew, Usa I Darlene  Altschul, Usa I Chuck Welch, Usa I Marcello Diotallevi, Italia I Matthew Rose, Francia I  Vittore  Baroni, Italia I Ruud Janssen, Olanda I  Pascal Lenoir, Francia I Otto D  Sherman, Usa I C. Mehrl Bennett, Usa I Anna Boschi, Italia I Dmitry Babenko, Russia I Crackerjack Kid, Usa I Greta Schodl, Austria I Alexander Kholopov, Russia I Marina Salmaso, Danimarca I Bobo Bianchi, Italia I Giovanni Bonanno, Italia I Michel Della Vedova, Francia I Mauro Molinari, Italia I  Natalie Lamanova, Russia I Willie  Marlowe, Usa I  Daniel Daligand, Francia I Domenico Ferrara Foria  Italia I On Boy Mailart, Usa I Ko De Jonge, Olanda I Giancarlo Pucci, Italia I Gyorgy Galantai, Ungheria I Picasso  Gaglione, Usa I  Jurgen O. Olbrich, Germania I John  M. Bennett, Usa I Valery Shimanovsky, Russia I Michael Leigh, Gran Bretagna I PtrziaTictac, Germania I D.C. Spaulding, Usa I Remy Penard, Francia I Ferrari Ezio, Belgio I Fernanda Fedi, Italia I Gianni Romeo, Italia I Gino  Gini, Italia I Emilio Morandi Italia I Claudio Grandinetti, Italia I Serse Luigetti, Italia I Antonio Sassu, Italia I Alfonso Caccavale, Italia I Pablo Dorico Sempere, Danimarca.

[wtf-triassic]

Rutiodon

By Ripley Cook

Etymology: Wrinkle Tooth 

First Described By: Emmons, 1856

Classification: Biota, Archaea, Proteoarchaeota, Asgardarchaeota, Eukaryota, Neokaryota, Scotokaryota Opimoda, Podiata, Amorphea, Obazoa, Opisthokonta, Holozoa, Filozoa, Choanozoa, Animalia, Eumetazoa, Parahoxozoa, Bilateria, Nephrozoa, Deuterostomia, Chordata, Olfactores, Vertebrata, Craniata, Gnathostomata, Eugnathostomata, Osteichthyes, Sarcopterygii, Rhipidistia, Tetrapodomorpha, Eotetrapodiformes, Elpistostegalia, Stegocephalia, Tetrapoda, Reptiliomorpha, Amniota, Sauropsida, Eureptilia, Romeriida, Diapsida, Neodiapsida, Sauria, Archosauromorpha, Crocopoda, Archosauriformes, Eucrocopoda, Crurotarsi, Archosauria?, Pseudosuchia?, Phytosauria, Parasuchidae, Mystriosuchinae 

Referred Species: R. carolinensis, R. manhattanensis 

Status: Extinct 

Time and Place: Sometime between 227 and 208.5 million years ago, in the Norian of the Late Triassic

Rutiodon is primarily known from the Eastern United States; there are reports from Canada, as well, but these are more dubious. All reports from the Chinle Formation that were once assigned to Rutiodon have since been given their own names. It is known from the Blue Bell Quarry and the New Oxford Formation of Pennsylvania, the Cumnock and Pekin Formations of North Carolina, and the Ewing Creek Member of the Lockatong Formation and the Passaic Formation of New Jersey.

Physical Description: Rutiodon was a Phytosaur, so naturally it looked ridiculously similar to modern crocodilians - and wasn’t one in the slightest. In fact, Phytosaurs and Crocodilians have a major difference - they had their nostrils far back on the head, close to the eyes, rather than on the tip of the snout. Rutiodon itself was very long, between 3 and 8 meters in body length, making it one of the largest animals in its environment. It had a very long, narrow jaw, with large teeth inside that grew much bigger at the front of the jaw. Weirdly enough, it was covered in armored plates like modern crocodilians on its back, sides, and tail, though this is a clear-cut case of convergent evolution - Crocodilians evolved from completely different Triassic reptiles. Rutiodon had a long tail, a squat body, and legs splayed out to the sides, just enhancing how much it resembled living crocodilians. 

Diet: Rutiodon would have fed on small animals and fish in its environment, using the hook in its jaw as well as the large teeth to grab onto struggling prey and hold it steady.

Behavior: Despite its uncanny resemblance to living crocodilians, it is difficult to determine whether or not Phytosaurs such as Rutiodon would have actually behaved like them. While being an ambush predator in the water it called home makes a certain amount of sense, that sense is primarily based on its resemblance to living analogues. That said, it’s also possible that the extreme length of its mouth would have aided Rutiodon in reaching and grabbing food that would be out of reach for a more snort-shouted animal (such as the large predatory amphibians that it shared a home with). It probably would have taken care of its young, though if it was more social than that it would have been more out of convenience than anything else. That said, Rutiodon seems to have been quite common, so groups of “I guess we’re all in this place together” may have been very common and a large annoyance to animals in the area trying to move through unscathed. 

Ecosystem: In general, Rutiodon lived in lake environments, usually near forests with decent amounts of water present beyond the lake. Flooding and swamp-like conditions were probably favored by this genus, based on its fossil neighbors. It was found in lakes, river deltas, and floodplains that would frequently turn into extremely overflowed swamps. In the Cumnock Environment of North Carolina, it lived alongside the large amphibian Dictyocephalus, as well as therapsids like Dromatherium and Microconodon and a variety of fish and unnamed reptiles. In the New Oxford Formation of Pennsylvania, it lived alongside another large amphibian - Koskinodon - as well as the fish Synorichthys, and potentially other Phytosaurs like Suchoprion and Palaeoctonus. Finally, in Lockatong, it lived with the Tanystropheid Tanytrachelos, the Kuehneosaurid Icarosaurus, the Protorosaur Hypuronector, the Rhynchosaurid Rhynchosauroides, unnamed dinosaurs, another Metoposaurid, and a variety of fish like Diplurus, Synorichthys, Turseodus, and Osteopleurus. All that fish would have made an excellent source of food for Rutiodon, along with those small Therapsids! 

Other: Phytosaurs like Rutiodon are a fun group of creatures that actually come in a wide variety of shapes and sizes, and aren’t all so similar to Crocodilians - they had weaker ankyls, no bony structure in the mouth to aid in breathing while underwater (though they may have had a fleshy one), and they actually had even more armor than crocodilians. That said, there is a chance Rutiodon and relatives are… stem-Crocodilians. What this means is, that living Crocodilians are their closest modern relatives. This is a subject of hot debate - they’re either the earliest branching members of the Crocodile-Relative group, or they’re closely but equally related to all modern archosaurs (so, they’d be equally Crocodile - and equally bird!) More research on these animals are sure to reveal further insights into their place in the evolution of the ruling reptiles. 

~ By Meig Dickson

Sources Under the Cut

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Ballew, K.L. (1989). A phylogenetic analysis of Phytosauria from the Late Triassic of the Western United States. Dawn of the age of dinosaurs in the American Southwest: pp. 309–339. 

Carroll, R.L. (1988). Vertebrate Paleontology and Evolution, WH Freeman & Co. 

Colbert, E. H. 1966. Ancient reptile of Blue Bell. Frontiers 31(2):42-44. 

Cope, E. D. 1878. On some Saurians found in the Triassic of Pennsylvania, by C. M. Wheatley. Proceedings of the American Philosophical Society 17(100):231-232. 

Doyle, K. D., and H.-D. Sues. 1995. Phytosaurs (Reptilia: Archosauria) from the Upper Triassic New Oxford Formation of York County, Pennsylvania. Journal of Vertebrate Paleontology 15(3):545-553. 

Emmons, E. 1856. Geological Report of the Midland Counties of North Carolina xx-351. 

Emmons, E. 1857. American Geology, Containing a Statement of the Principles of the Science with Full Illustrations of the Characteristic American Fossils. With an Atlas and a Geological Map of the United States Part IV:x-152. 

Gaines, Richard M. (2001). Coelophysis. ABDO Publishing Company. p. 21. 

Gregory, J.T. (1962). Genera of phytosaurs. American Journal of Science, 260: 652-690. 

Hungerbühler, A. (2002). The Late Triassic phytosaur Mystriosuchus Westphali, with a revision of the genus. Palaeontology 45 (2): 377-418 

Jaeger, G.F. 1828. Über die fossilen Reptilien, welche in Würtemberg aufgefunden worden sind. Metzler, Stuttgart.

Kammerer, C. F., R. J. Butler, S. Bandyopadhyay and M. R. Stocker. 2016. Relationships of the Indian phytosaur Parasuchus hislopi Lydekker, 1885. Papers in Palaeontology 2:1-23. 

Kimmig, J. & Arp, G. (2010) Phytosaur remains from the Norian Arnstadt Formation (Leine Valley, Germany), with reference to European phytosaur habitats. Palaeodiversity 3: 215-224 

Long, R.A. & Murry, P.A. (1995). Late Triassic (Carnian and Norian) tetrapods from the southwestern United States. New Mexico Museum of Natural History and Science Bulletin, 4: 1-254. 

Lucas, S.G. (1998). Global Triassic tetrapod biostratigraphy and biochronology. Paleogeog. Palaeoclimatol., Palaeoecol. 143: 347-384. 

Lyman, B. S. 1894. Some New Red horizons. Proceedings of the American Philosophical Society 33:192-215. 

Maisch, M.W.; Kapitzke, M. (2010). "A presumably marine phytosaur (Reptilia: Archosauria) from the pre-planorbis beds (Hettangian) of England". Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen. 257 (3): 373–379. 

Mateus, O., Clemmensen L., Klein N., Wings O., Frobøse N., Milàn J., Adolfssen J., & Estrup E. (2014). The Late Triassic of Jameson Land revisited: new vertebrate findings and the first phytosaur from Greenland. Journal of Vertebrate Paleontology. Program and Abstracts, 2014, 182. 

Nesbitt, S.J. (2011). "The early evolution of archosaurs: relationships and the origin of major clades" (PDF). Bulletin of the American Museum of Natural History. 352: 1–292. 

Olsen, P. E., A. R. McCune, and K. S. Thomson. 1982. Correlation of the early Mesozoic Newark Supergroup by vertebrates, principally fishes. American Journal of Science 282:1-44. 

Palmer, D., ed. (1999). The Marshall Illustrated Encyclopedia of Dinosaurs and Prehistoric Animals. London: Marshall Editions. p. 95. 

Schaeffer, B. 1941. Revision of Coelacanthus newarki and notes on the evolution of the girdles and basal plates of the median fins in the Coelacanthini. American Museum Novitates 1110:1-17. 

Sengupta, S.; Ezcurra, M.D.; Bandyopadhyay, S. (2017). "A new horned and long-necked herbivorous stem-archosaur from the Middle Triassic of India". Scientific Reports. 7 (1): 8366. 

Senter, P. (2005). "Phylogenetic taxonomy and the names of the major archosaurian (Reptilia) clades". PaleoBios. 25 (2): 1–7. 

Stocker, Michelle R. (2010). "A new taxon of phytosaur (Archosauria: Pseudosuchia) from the Late Triassic (Norian) Sonsela Member (Chinle Formation) in Arizona, and a critical reevaluation of Leptosuchus, Case, 1922". Palaeontology. 53 (5): 997–1022. 

Stocker, M. R. (2012). "A new phytosaur (Archosauriformes, Phytosauria) from the Lot's Wife beds (Sonsela Member) within the Chinle Formation (Upper Triassic) of Petrified Forest National Park, Arizona". Journal of Vertebrate Paleontology. 32 (3): 573–586. 

Stocker, M. R.; Li-Jun Zhao; Sterling J. Nesbitt; Xiao-Chun Wu; Chun Li (2017). "A Short-Snouted, Middle Triassic Phytosaur and its Implications for the Morphological Evolution and Biogeography of Phytosauria". Scientific Reports. 7: Article number 46028. doi:10.1038/srep46028.

[listentotheland]

FIRST CONGREGATIONAL UNITED CHURCH OF CHRIST Watertown, Wisconsin Rev. Stephen W. Welch, Interim Pastor April 25, 2021 Fourth Sunday of Easter “Jesus doesn’t reject anyone; neither do we!” RINGING OF THE CHURCH BELL WELCOME & ANNOUNCEMENTS CALL TO SILENCE AND REFLECTION LITURGIST: May the Holy Spirit guide our speaking. ALL: MAY THE HOLY SPIRIT GUIDE MY LISTENING. PRELUDE “Savior Like a Shepherd Lead Us” Susie Krueger CALL TO WORSHIP HYMN “God, When I Came into This Life” #354 New Century PRAYER OF INVOCATION UNISON PRAYER OF CONFESSION ASSURANCE OF PARDON FAMILY TIME Melissa Mattke THE PSALMS: Psalm 23 (CEB) THE HEBREW SCRIPTURE: Isaiah 43: 1-5. (The Message) SERMON “Written on God’s Hand” Stephen Welch HYMN: “You Are Mine” #649 Gather Comprehensive PASTORAL PRAYERS & PRAYERS OF THE CHURCH PRAYER OF OUR SAVIOR CALL TO OFFERING MUSICAL OFFERING “Bring Us Peace” UCC Musicians Association Virtual Choir DEDICATION CLOSING HYMN “All My Days” #84 Sing! Prayer and Praise BENEDICTION BENEDICTION RESPONSE “Go Now in Love & Peace” POSTLUDE “Land of Rest” Susie Krueger All rights reserved. Permission to reprint and podcast/stream some music in this service obtained from One License with license #A-714559 Savior Like a Shepherd Lead Us; William B. Bradbury, arr. Larry Shackley; Copyright © 2004, Alfred Publishing God, When I Came into This Life; Tune: LAND OF REST, The Christian Harp, Harm. Annabel Morris Buchanan; Text: Fred Kaan; Words Copyright © 1979 The Hymn Society, Texas Christian University, Fort Worth, TX 76129. All rights reserved. Used by permission. Harmonization Copyright © 1932 CPP/Belwin, Inc., Miami, FL. All rights reserved. You Are Mine; Words and music by David Haas; Words and music Copyright © 1991 by GIA Publications, Inc. All rights reserved. Bring Us Peace; Words and Music by Michele Hecht; Copyright © 2020 by Michele Hecht. Permission granted by Michele Hecht and the musicians to share the video performance. All My Days; Music by Mark A. Miller; Words by Laurie Zelman; Copyright © 2003 Abingdon Press, ( Admin. By the Copyright Company, Nashville, TN. 37212). All rights reserved. Used by permission. Go Now in Love and Peace; Patrick M. Liebergen; Copyright © 1992 Jubilate Publishing, Co. Land of Rest; arr. Joseph M. Martin; Copyright © 1993 Shawnee Press. “He is Risen” picture is shared through unsplash.com by Kelly Sikkema.

[jessicakehoe]

A Look Back at the Best Fashion Moments in Met Gala History

Mention the first Monday in May to any fashion lover and they’ll immediately know what you’re talking about. Each year, the star-studded Met Gala takes place on this date, in partnership with The Costume Institute at the Metropolitan Museum of Art, and brings with it some of the most incredible fashion looks we’ll see in the year. From larger-than-life ballgowns to radical suits, there’s no limit on self-expression on style. However, today looks a little different as this year’s Met Gala –  to be themed About Time: Fashion and Duration – has been postponed indefinitely due to the COVID-19 pandemic. So instead, we took a look back at the event’s archives to relive some of its most memorable moments. Ahead, see 62 of the best Met Gala looks of all time.

Photo by Jennifer Graylock/PA Images/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Theo Wargo/WireImage/Getty

Photo by John Shearer/Getty

Photo by Kevin Tachman/MG19/Getty

Photo by Dia Dipasupil/FilmMagic/Getty

Photo by Jamie McCarthy/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Jamie McCarthy/Getty

Photo by Rabbani and Solimene Photography/WireImage/Getty

Photo by Sean Zanni/Patrick McMullan/Getty

Photo by Rabbani and Solimene Photography/WireImage/Getty

Photo by Theo Wargo/Getty

Photo by Karwai Tang/Getty

Photo by Jamie McCarthy/Getty

Photo by Theo Wargo/Getty

Photo by Theo Wargo/Getty

Photo by Theo Wargo/Getty

Photo by Neilson Barnard/Getty

Photo by John Shearer/Getty

Photo by Jackson Lee/FilmMagic/Getty

Photo by John Shearer/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Venturelli/FilmMagic/Getty

Photo by George Pimentel/WireImage/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Taylor Hill/FilmMagic/Getty

Photo by Andrew H. Walker/Getty

Photo by Andrew H. Walker/Getty

Photo by Larry Busacca/Getty

Photo by Kevin Mazur/WireImage/Getty

Photo by Kevin Mazur/WireImage/Getty

Photo by Kevin Mazur/WireImage/Getty

Photography via Larry Busacca/Getty

Photography via Getty

Photography via Getty

Photography via Larry Busacca/Getty

Photo by Lars Niki/Corbis/Getty

Photo by BILLY FARRELL/Patrick McMullan/Getty

Photo by Billy Farrell/Patrick McMullan/Getty

Photography via Sylvain Gaboury/FilmMagic/Getty

Photo by Chance Yeh/Patrick McMullan/Getty

Photography via Evan Agostini/Getty

Photography via Gucci/Getty

Photography by Evan Agostini/Getty

Photo by Mari Sarai/Wireimage/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photo by Mitchell Gerber/Corbis/Getty Images

Photography via Ron Galella, Ltd./Ron Galella Collection/Getty

Photography via Jim Smeal/Ron Galella Collection/Getty

Photography via Rose Hartman/Getty

Photography via Ron Galella, Ltd./Ron Galella Collection/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photo by Rose Hartman/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

Photo by Ron Galella, Ltd./Ron Galella Collection/Getty

Photo by Rose Hartman/Archive Photos/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

1/62

2019 – Camp: Notes On Fashion

Lizzo in custom Marc Jacobs

2/62

2019 – Camp: Notes On Fashion

Billy Porter in The Blonds and Baz Luhrmann in Prada

3/62

2019 – Camp: Notes On Fashion

Celine Dion in Oscar de la Renta gown and Noel Stewart headpiece, Law Roach, and Zendaya

4/62

2019 – Camp: Notes On Fashion

Michael B. Jordan in Coach, Cara Delevingne in Dior and Jared Leto in Gucci

5/62

2019 – Camp: Notes On Fashion

Lena Waithe in custom Pyer Moss and Kerby Jean-Raymond in custom Pyer Moss

6/62

2019 – Camp: Notes On Fashion

Cardi B in Thom Browne

7/62

2019 – Camp: Notes On Fashion

Kim Kardashian West in Thierry Mugler, Jennifer Lopez in Versace, Kylie Jenner in Versace, and Kendall Jenner in Versace

8/62

2019 – Camp: Notes On Fashion

Ciara in Peter Dundas

9/62

2019 – Camp: Notes On Fashion

Darren Criss in Balmain

10/62

2019 – Camp: Notes On Fashion

Awkwafina in Altuzarra

11/62

2019 – Camp: Notes On Fashion

Laverne Cox in Christian Siriano

12/62

2019 – Camp: Notes On Fashion

Alex Rodriguez and Jennifer Lopez in Versace

13/62

2019 – Camp: Notes On Fashion

Lady Gaga in Brandon Maxwell

14/62

2019 – Camp: Notes On Fashion

Harry Styles in Gucci and Alessandro Michele

15/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Katy Perry in custom Versace

16/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Lana del Rey in Gucci and Jared Leto in Gucci

17/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Rihanna in Maison Margiela

18/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Madonna in Jean Paul Gaultier

19/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Jasmine Sanders in custom H&M

20/62

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Cynthia Erivo in custom Valentino

21/62

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Ashley Graham in custom H&M

22/62

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Blake Lively in Atelier Versace and Ryan Reynolds

23/62

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Zendaya in Dolce & Gabbana

24/62

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Cara Delevingne in Chanel

25/62

2016 – Manus x Machina: Fashion In An Age Of Technology

Lupita Nyong’o in Calvin Klein

26/62

2016 – Manus x Machina: Fashion In An Age Of Technology

Florence Welch in Gucci

27/62

2016 – Manus x Machina: Fashion In An Age Of Technology

Kanye West in Balmain (jacket) and Fear Of God (jeans)

28/62

2015 – China: Through The Looking Glass

Grace Coddington

29/62

2015 – China: Through The Looking Glass

Kim Kardashian West in Roberto Cavalli

30/62

2015 – China: Through The Looking Glass

Beyoncé in custom Givenchy

31/62

2015 – China: Through The Looking Glass

Rihanna in Guo Pei

32/62

2015 – China: Through The Looking Glass

Katy Perry in Moschino

33/62

2014 – Charles James: Beyond Fashion

Lupita Nyong’o in Prada

34/62

2014 – Charles James: Beyond Fashion

Mary-Kate Olsen in vintage Chanel and Ashley Olsen in vintage Gianfranco Ferré

35/62

2013 – PUNK: Chaos To Couture

Kerry Washington

36/62

2012 – Schiaparelli And Prada: Impossible Conversations

Karolina Kurkova

37/62

2011 – Alexander McQueen: Savage Beauty

Beyoncé in Emilio Pucci

38/62

2011 – Alexander McQueen: Savage Beauty

Blake Lively

39/62

2011 – Alexander McQueen: Savage Beauty

Naomi Campbell in Alexander McQueen

40/62

2010 – American Woman: Fashioning A National Identity

Jessica Alba in Sophie Theallet for Gap

41/62

2008 – Superheroes: Fashion and Fantasy

Anna Wintour in Chanel

42/62

2007 – Poiret: King of Fashion

Jennifer Lopez

43/62

2006 – AngloMania: Tradition and Transgression in British Fashion

Victoria Beckham in Roland Mouret

44/62

2005 – The House of Chanelves

Rolf Snoeren, Karolina Kurkova in Chanel, Viktor Horsting

45/62

2004 – Dangerous Liaisons: Fashion And Furniture In The 18th Century

Scarlett Johansson in Calvin Klein

46/62

2003 – Goddess: The Classical Mode

David Bowie and Iman

47/62

1999 – Rock Style

John Galliano

48/62

1999 – Charlize Theron

Charlize Theron

49/62

1999 – Rock Style

Whitney Houston in Dolce & Gabbana and Bobby Brown

50/62

1997 – Gianni Versace

Iman and Ferré Gianfranco

51/62

1997 – Gianni Versace

John Galliano

52/62

1997 – Gianni Versace

Salma Hayek in Versace

53/62

1996 – Christian Dior

Donatella Versace and Gianni Versace

54/62

1995 – Haute Couture

Naomi Campbell

55/62

1994 – Orientalism: Visions of the East in Western Dress

Iris Love

56/62

1990 – Théâtre de la Mode: Fashion Dolls: The Survival of Haute Couture

Naomi Campbell and Francesco Scavullo

57/62

1985 Costumes of Royal India

Cher and Bob Mackie

58/62

1981 – The 18th Century Woman

Diana Ross

59/62

1981 – The Eighteenth Century Woman

Calvin Klein and Iman

60/62

1979 – Fashions of The Hapsburg Era

Jackie Onassis

61/62

1974 – Romantic and Glamorous Hollywood Design

Anthony Perkins, Berry Berenson and Marisa Berenson

62/62

1974 – Romantic and Glamorous Hollywood Design

Cher in Bob Mackie

The post A Look Back at the Best Fashion Moments in Met Gala History appeared first on FASHION Magazine.

A Look Back at the Best Fashion Moments in Met Gala History published first on https://borboletabags.tumblr.com/

[max--phillips]

Michelle (for more music aljdakjd)

WOOF sorry I’m just getting to this LMAO ok here we go:

M - Make Me Feel by Janelle Monae

I - Intuition by Jewel

C - Cassiopeia by Sara Bareilles

H - Hey Girl by Lady Gaga ft. Florence Welch

E - Eden by Sara Bareilles

L - Little Black Submarines by The Black Keys

L - Long Time Gone by the Dixie Chicks

E - Enigma by Lady Gaga (HA thought we’d get thru this w/o a song from chromatica did u????? slkdjghskjlg)

[maaarine]

MBTI Typing Index: Names U-Z

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

Karen UHLENBECK (INTP)

Liv ULLMAN (INFP)

Marie ULVEN / Girl in red (ENFP)

Carrie UNDERWOD (ESFJ)

Tim URBAN (ENTP)

Brandon URIE (ENFP)

Marine VACTH (ISFP)

Catherine VALDES (ESFJ)

Manuel VALLS (ESTJ)

Laura VAN DEN BERG (INFP)

Sharon VAN ETTEN (INFP)

Vincent VAN GOGH (INFP)

Jonathan VAN NESS (ENFP)

Jeff VANDERMEER (ENTP)

Agnès VARDA (ENFP)

Francisco VARELA (INFJ)

Yanis VAROUFAKIS (INTJ)

Simone VEIL (ENTJ)

Cédric VILLANI (INTP)

Lars VON TRIER (INTP)

Kurt VONNEGUT (ENTP)

Lana WACHOWSKI (INFP)

Dwyane WADE (ISFP)

Mark WAHLBERG (ESTP)

Taika WAITITI (ENTP)

Jimmy WALES (INTJ)

Christopher WALKEN (ISTP)

David Foster WALLACE (INTP)

Phoebe WALLER-BRIDGE (ENFP)

Christoph WALTZ (ENTP)

Vera WANG (ESFP)

Kerry WASHINGTON (ESFJ)

John WATERS (ENFP)

Emma WATSON (ENFJ)

Alan WATTS (INFJ)

Ruby WAX (ENFP)

Gerard WAY (ENFP)

Simone WEIL (INFP)

Anthony WEINER (ENTP)

Andy WEIR (ENTP)

Emily WEISS (ENTJ)

Rachel WEISZ (ENFJ)

Florence WELCH (INFP)

Orson WELLES (ENTJ)

Wim WENDERS (INFJ)

Arsène WENGER (ISTJ)

Pete WENTZ (ISFP)

Bernard WERBER (INTP)

Cornel WEST (ENFP)

Kanye WEST (ESTP)

Tati WESTBROOKS (ESFJ)

Tara WESTOVER (ENTJ)

Vivienne WESTWOOD (ENFP)

Weyes Blood / Natalie MERING (INFJ)

Ben WHISHAW (INFP)

Forest WHITAKER (INFP)

Fionn WHITEHEAD (ISTP)

Mae WHITMAN (ENFP)

Jodie WHITTAKER (ESFP)

Elie WIESEL (INFJ)

Olivia WILDE (ENFJ)

Oscar WILDE (ENFP)

Gene WILDER (INFP)

Ev WILLIAMS (INTJ)

Hayley WILLIAMS (ENFP)

Jessica WILLIAMS (ENFP)

Maisie WILLIAMS (ESFP)

Michelle WILLIAMS (INFP)

Pharrell WILLIAMS (ISFP)

Robbie WILLIAMS (ESFP)

Robin WILLIAMS (ENFP)

Serena WILLIAMS (ESFP)

Thomas Chatterton WILLIAMS (INFJ)

Wendy WILLIAMS (ESFP)

Marianne WILLIAMSON (ENFJ)

Timothy WILLIAMSON (INTP)

Beau WILLIMON (ENFJ)

Bruce WILLIS (ISTP)

Marc WILMOTS (ESTJ)

Brian WILSON (INFP)

Nicolas WINDING REFN (INTP)

Amy WINEHOUSE (ESFP)

Oprah WINFREY (ENFJ)

Mike WINKELMANN / Beeple (ENTP)

Kate WINSLET (ESFJ)

Anna WINTOUR (ISFJ)

Reese WITHERSPOON (ESFJ)

Ludwig WITTGENSTEIN (INTP)

Hannah WITTON (ENFJ)

Chelsea WOLFE (INFP)

Meg WOLITZER (ENFJ)

Zach WOODS (INTP)

Virginia WOOLF (INFP)

Steve WOZNIAK (ENTP)

Edgar WRIGHT (ENTP)

Joe WRIGHT (ENFJ)

Robin WRIGHT (INFJ)

Bill WURTZ (INTP)

XXXTentacion / Jahseh ONFROY (ESFP)

Hanya YANAGIHARA (INFJ)

Andrew YANG (ENTP)

Steven YEUN (ENFJ)

Mithuna YOGANATHAN (INFP)

Thom YORKE (INFP)

Tiffany YOUNG (ESFJ)

Yungblud / Dominic HARRISON (ESFP)

Katya ZAMOLODCHIKOVA (ENFP)

Frank ZAPPA (ENTP)

Eric ZEMMOUR (ESTJ)

Zendaya / Zendaya COLEMAN (ESTP)

Zinédine ZIDANE (ISFP)

Slavoj ZIZEK (ENFP)

Mark ZUCKERBERG (INTP)

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

[themadvigilantist]

all my muses spread throughout various threads/plots/blogs

- alien, human aliases/verses or otherwise. bolded are original versions or ocs. starred* are optional for certain plot themes [mother’s day/father’s day/siblings day/aunt’s/uncle’s day]. double starred** are specifically asked evil threads. triple star*** is the watcher

@themadvigilantist

V - Tatiana Maslany [11 1/2] (0 - 208, various) {210 regenerations}***

Vin - David Tennant [10] (0 - 86, various) {88 regenerations}***

others that are mentioned by main:

*Allura - Eva Mendes

*Evangeline - Katherine Jenkins

*The Scientist - Rod Serling

**Dantalion - David Tennant

**Einzelgänger - Tatiana Maslany/Aubrey Plaza/Natalie Dormer

note: [finsternis - ashley graham is part of einzelgänger]

human aliases/verses

Dr. Vincent Holland Black - David Tennant (fobwatched vin)

Dr. Valarie Holly. Black - Tatiana Maslany (fobwatched v)

Dr. Valencia M. Landsborough - Michelle Gomez

DI Vincentius Margeaux - David Tennant

Professor Valero Leo Blacsmith - David Tennant

Vincent Bartholomew Jamerson - David Tennant (21 Jump Street vin)

Valkyrie Hera Sanderson - Tatiana Maslany (Orphan Black clone v)

@egyptroyal

Theta Sigma - free for all

First Doctor - William Hartnell

First Doctor - Richard Hurndall

First Doctor - Peter Cushing

First Doctor - David Bradley

Second Doctor - Patrick Troughton

Third Doctor - Jon Pertwee

Fourth Doctor - Tom Baker

The Watcher - Adrian Gibbs***

Fifth Doctor - Peter Davison

Sixth Doctor - Colin Baker

Seventh Doctor - Sylvester McCoy

Eighth Doctor - Paul McGann

War Doctor - John Hurt

Ninth Doctor - Richard E. Grant

Ninth Doctor - Christopher Eccleston

Tenth Doctor - David Tennant

Tentoo - David Tennant

DoctorDonna - Catherine Tate

Eleventh Doctor - Matt Smith

Mr. Clever - Matt Smith

Twelfth Doctor - Peter Capaldi

Thirteenth Doctor - Jodie Whittaker

The Valeyard - Michael Jayson

The Curator - Tom Baker

The Other - Matt Smith

The Dream Lord - Toby Jones

The Emperor - Paul McGann

Ninth Doctor - Rowan Atkinson

Tenth Doctor - Richard E. Grant

Eleventh Doctor - Jim Broadbent

Twelfth Doctor - Hugh Grant

Thirteenth Doctor - Joanna Lumley

Time Lord Victorious - David Tennant

Tenth Doctor (RMT) - David Tennant

The Moment - Billie Piper

Rose ‘RMT’ Tyler - Nia Long

Donna Noble - Catherine Tate

Bill Potts - Pearl Mackie

Heather - Stephanie Hyam

Oksana Astankova - Jodie Comer

Velma Dinkley - Linda Cardinelli

BAU Chief SSA Emily Prentiss - Paget Brewster

Lena Luthor - Katie McGrath

Zezanne Dawkins - Zazie Beetz

Mercy - Louis Garrel

The Government - Macaulay Culkin/Thomas Doherty

Izzy - Antonia Thomas

Aunt Mama - Florence Welch/Annalise Van Der Pol

Lymph - Tim Minchin

Eve - Daniella Alonso

Delvin  -Heath Ledger

Cecil - Michael Jackson

@thebadtimewolf

Vynda - Louis Jourdan

The Watcher - ***free for all

The Vigilante - Billie Piper

others that are mentioned by main:

Pim Rowlan- free for all

The Duchess - Billie Piper (Evil Gallifrey verse)

human aliases/verses

Dr. Briar Vivian Rose - Billie Piper (fobwatched vigil)

Dr. Brian Varius Rosenberg - Heath Ledger (alt/fobwatched vigil)

Miss Valerie Black - Billie Piper

PI Roxanne Jamerson - Billie Piper

Claire Holly Smith - Billie Piper (werewolf)

Atty “Belladonna” Marcus - Billie Piper (mob)

Briar of the Hazelfield Estate - Billie Piper (arranged marriage)

Briar StClaire - Billie Piper (victorian)

Agent Maureen Samantha Wolfenheim - Billie Piper (FBI/BAU/CIA)

Patient 32451 - Billie Piper (asylum)

Vanity - Billie Piper (musical/popstar/famous verse)

Tyler Ores-Marino - Billie Piper (BTVS/Alternate Universe)

The Golden Guardian/ “G.G.” - Billie Piper (angels/demonsverse)

@drbabygirl

Loki Friggason (neé Odinson-Laufeyson) - Tom Hiddleston

Dr. Kevin Zebediah Thompson/Kilgrave - David Tennant

Penelope Grace Garcia - Kristen Vangsness

Dr. Spencer Walter Reid - Matthew Gray Gubler

Dr. Hae Yeong-Cheol - Park Si-Eun [1980 actress]

@pennybraddock

Penny Braddock - Lenora Crichlow

@tardis500

Ophelia - Lee Newton [v’s ship]

Laertes - Trisha Hershberger [vin’s ship]

Desdémona - Evan Rachel Wood [the scientist’s ship]

Hamlet - Meg Turney [vigilantist’s ship]

Mercutio - Godfrey Gao [allura’s ship/assistant]

altogether there is 395 muses, aaaaaaahhaha

[dweemeister]

My alternative 91st Academy Awards

As always during 31 Days of Oscar, I partake in an annual fantasy. What would the Oscars look like if I stuffed the ballots - choosing every single nomination and choosing every single winner? It always would look a lot different. Fans of Black Panther and Bohemian Rhapsody and Vice? Come at me.

91st Academy Awards – February 24, 2019 Dolby Theatre – Hollywood, Los Angeles, California Host: None Broadcaster: ABC

Best Picture: ROMA

BlacKkKlansman, Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, and Spike Lee (Focus)

Burning (KOR), Lee Joon-dong and Lee Chang-dong (Pinehouse Film/Now Film/NHK/CGV Arthouse/Well Go USA Entertainment)

Eighth Grade, Scott Rudin, Eli Bush, Lila Yacoub, and Christopher Storer (A24)

The Favourite, Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos (Fox Searchlight)

Mission: Impossible – Fallout, J.J. Abrams, Tom Cruise, Christopher McQuarrie, and Jake Myers (Paramount)

Roma (MEX), Alfonso Cuarón, Gabriela Rodriguez, and Nicolas Celis (Netflix)

Shoplifters (JPN), Matsuzaki Kaoru, Yose Akihiko, and Taguchi Hijiri (AOI Promotion/Fuji TV/GAGA/Magnolia Pictures)

Spider-Man: Into the Spider-Verse, Avi Arad, Ami Pascal, Phil Lord, Christopher Miller, and Christina Steinberg (Columbia)

A Star Is Born, Bill Gerber, Jon Peters, Bradley Cooper, Todd Phillips, and Lynette Howell Taylor (Metro-Goldwyn-Mayer/Warner Bros.)

Won’t You Be My Neighbor?, Morgan Neville, Caryn Capotosto, and Nicholas Ma (Focus)

Wholesale changes in this category compared to real life. The best three films of 2018, to me, were Burning, Roma, and Shoplifters -- none of these were in the English language. Films I tossed for Best Picture were Black Panther, Bohemian Rhapsody, Green Book, and Vice. I don’t think any of those four films have any business being in this category. In their place are the likes of Eighth Grade, Spider-Man: Into the Spider-Verse, Won’t You Be My Neighbor?, and one of the most technically marvelous action films in decades in Mission: Impossible -- Fallout. Yes, an M:I film (superb editing, setpieces, and audacious style that finally wakes the franchise up).

But I’m going for an unexciting pick according to some with Roma. To use an oxymoron, it is an intimate epic -- one crafted beautifully, daring to comment on relations between ethnicities and the sexes at a certain time in Mexico. 

Best Director

Lee Chang-dong, Burning

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Christopher McQuarrie, Mission: Impossible – Fallout

Paul Schrader, First Reformed

If you’re scratching your head, yes... Paul Schrader was nominated for Director in my ceremony, but First Reformed is nowhere to be found in Picture. I tend to do this for one Best Director nominee every year.

Best Actor

Christian Bale, Vice

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Rami Malek, Bohemian Rhapsody

Yoo Ah-in, Burning

The real-life Best Actor category this year is the most dire slate in a while. So here is your palate cleanser. 

Best Actress

Yalitza Aparicio, Roma

Glenn Close, The Wife

Olivia Colman, The Favourite

Elsie Fisher, Eighth Grade

Lady Gaga, A Star Is Born

It is not so much acting, as inhabiting. And, as a non-professional actress, Yalitza Aparicio has it. And I believe that, in my alternate Oscar universe (yes, I’ve drawn up and thought about it for many ceremonies past... I’ll reveal those some day), Aparicio would be the first indigenous woman to be awarded an acting Oscar.

Best Supporting Actor

Mahershala Ali, Green Book

Richard E. Grant, Can You Ever Forgive Me?

Josh Hamilton, Eighth Grade

Tim Blake Nelson, The Ballad of Buster Scruggs

Steven Yeun, Burning

Ali is good, don’t get me wrong. But, compared to the movie Moonlight and his performance in it, it looks like he is about to get a second Oscar for a far worse movie and a lesser role. Ali is fourth or fifth in this lineup for me. Grant is fantastic in Can You Ever Forgive Me?

Best Supporting Actress

Regina King, If Beale Street Could Talk

Emma Stone, The Favourite

Marina de Tavira, Roma

Rachel Weisz, The Favourite

Michelle Yeoh, Crazy Rich Asians

This comes down to the fact I couldn’t separate Stone and Weisz’s performances in their saucy movie. Nor could I find the argument to give de Tavira or Yeoh the Oscar. This is a bit of a default choice, I hate to say.

Best Adapted Screenplay

Joel Coen and Ethan Coen, The Ballad of Buster Scruggs

Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee, BlacKkKlansman

Nicole Holofcener and Jeff Whitty, Can You Ever Forgive Me?

Barry Jenkins, If Beale Street Could Talk

Debra Granik and Anne Rosellini, Leave No Trace

Spike Lee would have at least one or two Oscars in my alternative universe by this point! The difference between the screenplays for BlacKkKlansman and Can You Ever Forgive Me? is far slighter than you think.

Best Original Screenplay

Bo Burnham, Eighth Grade

Deborah Davis and Tony McNamara, The Favourite

Paul Schrader, First Reformed

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Not even a contest if you asked me. This category is something else if I consider The Favourite and Roma bringing up the rear. But Koreeda’s drama about a found family that does what they can to survive is the culmination of what he has done in his career thus far. This is his Oscar.

Best Animated Feature

Incredibles 2 (Pixar/Walt Disney)

Night is Short, Walk On Girl, Japan (GKIDS/Toho Company)

Ruben Brandt, Collector, Hungary (Mozinet/Sony Pictures Classics)

Spider-Man: Into the Spider-Verse (Columbia)

Tito and the Birds, Brazil (Bits Produções/Shout! Factory)

Longtime followers know that I have unorthodox opinions about animated features. The only Animated Feature Oscar I’ve handed to Pixar/Walt Disney Animation Studios since beginning this tradition in 2013 was for Inside Out. I thought Ralph Breaks the Internet was a painful addition to the Disney animated canon, so it is not here. Nor is Wes Anderson’s culturally insensitive Isle of Dogs or Mamoru Hosoda’s sloppy Mirai. At the end of the day? No boat-rocking this time, except in some of the other nominees.

Best Documentary Feature

Free Solo (National Geographic)

Hale County This Morning, This Evening (The Cinema Guild)

Minding the Gap (ITVS/Kartemquin Films/Hulu/Magnolia Pictures)

Three Identical Strangers (CNN/Channel 4/Neon)

Won’t You Be My Neighbor? (Focus)

Shoulda been nominated! Shoulda won! But in the spirit of Mister Rogers’ Neighborhood, these are all great documentaries. Minding the Gap is a close #2.

Best Foreign Language Film

Burning, South Korea

Capernaum, Lebanon

Cold War, Poland

Roma, Mexico

Shoplifters, Japan

Best Cinematography

Alfonso Cuarón, Roma

Caleb Deschanel, Never Look Away (GER)

Rob Hardy, Mission: Impossible – Fallout

Matthew Libatique, A Star Is Born

Łukasz Żal, Cold War

Best Film Editing

Barry Alexander Brown, BlacKkKlansman

Jay Cassidy, A Star Is Born

Tom Cross, First Man

Eddie Hamilton, Mission: Impossible – Fallout

Yorgos Mavropsaridis, The Favourite

Best Original Musical*

Julia Michels, A Star Is Born

Marc Shaiman and Scott Wittman, Mary Poppins Returns

Sia, Greg Kurstin, Scott Walker, and Margaret Yen, Vox Lux

*Best Original Musical – known previously as several other names – exists in the Academy’s rulebooks, but requires activation from the Academy’s music branch. To qualify, a film must have no fewer than five original songs. This category was last activated when Prince won for Purple Rain (1984).

Best Original Score

Michael Giacchino, Incredibles 2

Justin Hurwitz, First Man

John Powell, Solo

Alan Silvestri, Ready Player One

Brian Tyler, Crazy Rich Asians

The Star Wars universe is in good musical hands when John Williams leaves after Episode IX!

Best Original Song

“All the Stars”, music by Kendrick Lamar, Sounwave, and Anthony Tiffith, lyrics by Lamar, SZA, and Tiffith, Black Panther

“Nowhere to Go but Up”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“The Place Where Lost Things Go”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“Shallow”, music and lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt, A Star Is Born

“When a Cowboy Trades His Spurs for Wings”, music and lyrics by David Rawlings and Gillian Welch, The Ballad of Buster Scruggs

Best Costume Design

Alexander Byrne, Mary Queen of Scots

Ruth E. Carter, Black Panther

Sandy Powell, The Favourite

Sandy Powell, Mary Poppins Returns

Mary E. Vogt, Crazy Rich Asians

Best Makeup and Hairstyling

Cindy Harlow and Camille Friend, Black Panther

Göran Lundström and Pamela Goldammer, Border (SWE)

Jenny Shircore, Marc Pilcher, and Jessica Brooks, Mary Queen of Scots

Amanda Knight and Lisa Tomblin, Solo

Greg Cannom, Kate Biscoe, and Patricia Dehaney, Vice

Best Production Design

Hannah Beachler, Black Panther

Nelson Coates, Crazy Rich Asians

Fiona Crombie, The Favourite

Nathan Crowley, First Man

John Myhre, Mary Poppins Returns

Best Sound Editing

Benjamin A. Burt and Steve Boeddeker, Black Panther

Ai-Ling Lee and Mildred Iatrou Morgan, First Man

James Mather, Victoria Freund, and Nina Norek, Mission: Impossible – Fallout

Ethan Van der Ryn and Erik Aadahl, A Quiet Place

Richard Hymns, Gary Rydstrom, Cameron Barker, and Doug Winningham, Ready Player One

Best Sound Mixing

John Casali, Paul Massey, Tim Cavagin, and Niv Adiri, Bohemian Rhapsody

Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis, First Man

Chris Munro, Paul Munro, Lloyd Dudley, and Mark Timms, Mission: Impossible – Fallout

Michael Barosky, Brandon Proctor, and Michael Barry, A Quiet Place

Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow, A Star Is Born

Best Visual Effects

Daniel DeLeeuw, Jen Underdahl, Kelly Port, Matt Aitken, Dan Sudick, Avengers: Infinity War

Christopher Lawrence, Michael Eames, Theo Jones, and Chris Corbould, Christopher Robin

Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm, First Man

Roger Guyett, Grady Cofer, Matthew E. Butler, and David Shirk, Ready Player One

Rob Bredow, Patrick Tubach, Neal Scanlan, and Dominic Tuohy, Solo

Best Documentary Short

Black Sheep (Lightbox Entertainment/The Guardian)

End Game (Netflix)

Lifeboat (Spin Film/RYOT Films)

A Night at the Garden (Field of Vision)

Period. End of Sentence. (Guneet Monga)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Live Action Short

Detainment (Twelve Media)

Fauve, Canada (H264 Distribution)

Marguerite, Canada (H264 Distribution)

Mother, Spain (Apache Films/Caballo Films/Malvalanda)

Skin (New Native Pictures/Salaud Morisset)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Animated Short

Animal Behaviour (National Film Board of Canada)

Bao (Pixar/Walt Disney)

Late Afternoon (Cartoon Saloon)

One Small Step (Taiko Studios)

Weekends (Past Lives Productions)

My omnibus review of this year’s nominees can be read here.

Academy Honorary Awards: Cicely Tyson, Lalo Schifrin, and Marvin Levy

Irving G. Thalberg Memorial Award: Kathleen Kennedy and Frank Marshall

MULTIPLE NOMINEES (24) Eight: The Favourite; Roma Seven: First Man; A Star Is Born Six: Mission: Impossible – Fallout Five: Black Panther; Burning; Mary Poppins Returns Four: Crazy Rich Asians; Eighth Grade; Shoplifters Three: The Ballad of Buster Scruggs; BlacKkKlansman; First Reformed; Ready Player One, Solo Two: Bohemian Rhapsody; If Beale Street Could Talk; Incredibles 2; Mary Queen of Scots; A Quiet Place; Spider-Man: Into the Spider-Verse; Vice; Won’t You Be My Neighbor?

WINNERS 4 wins: Roma 2 wins: First Man; Mary Poppins Returns 1 win: BlacKkKlansman; Black Panther; Border; Can You Ever Forgive Me?; Cold War; Crazy Rich Asians; First Reformed; If Beale Street Could Talk; Marguerite; Mission: Impossible – Fallout; Shoplifters; Solo; Spider-Man: Into the Spider-Verse; A Star Is Born; Weekends; Won’t You Be My Neighbor?

19 winners from 25 categories. 39 feature-length films and 15 short films were represented.

[phillyzinefest]

2020 Philly Zine Fest vendors

A.j. Michel Syndicate Product Productions syndprod.etsy.com

Alli Katz Minicomics @allikatz

Andrew Davis Samantha Comics sloopygoop@gmail.com

Anna McGlynn @anna.mcglynn

Anne Buckwalter Gendercomic and other zines @annedrawscomics

Bianca Bee Fanty @biancabeefanty

Billy McCall Proof I Exist https://www.etsy.com/shop/iknowbilly/

Bombardment Co Brainfu*ks (Vol 1 and Vol 2) www.bombardmentco.com @bombardmentco

Brandon Dean Southern Exposure www.brandon-dean.com/southernexposure @hellobrandondean

Budget Press budgetpress.net @johnniebbaker

Bushwick Grill Club Press More Recipes About Music & Food https://bushwickgrillclub.com/bgcshop/

C. Larsen The Larsen Project http://thelarsenproject.com/

Candice Lombardi Candy’s Block @candysblock

Carolyn Belefski and Joe Carabeo (Curls Studio) Curls Studio www.CarolynBelefski.com

Cartoon Distortion Pink Punk https://cartoondistortion.com

CC Riot Various issuu.com/ArtsOfResistancePhilly

Charlie Welch / Sissy Boy https://www.charliewelch.com/ @charliefwelch

Chuck Kaslow “Big Arm NRG Go!”; “Tails from the Barkside” @KlassicKaslow

Claire B. Marcus Pop-Up Photo Zines Claire@ClaireMarcusFineArts.com @clairebmarcusart

Corey Bechelli Psychedelic Anti-Fascist Comix http://coreybechelli.com/ @coreybechelli

Cory Kram Buffet Style Zines https://corykram.com/ @cdkramz

Dani Edgar Critket Publishing @crit_ket

Daniel M Perez Rhymes With Seen Rhymes With Seen, Zine of Wondrous Power

Danielle Draik For We Are Many/in waking moments/Paroxysm Vol 2 danielledraik.com @artofddraik

Dasha Ziborova for Real Time in Ink Real Time in Ink @realtimeinink

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Eddie H. Ahn (EHA) Comics @ehacomics

Eliot Klein The Door Of Time: A Coloring Book eliotklein@gmail.com

Fayge Lillis Life in the Middle of a Disaster @FaySoLa148

GABO @galvosaur

Glenna Cole Glenna Bean Comics https://www.glennabeancomics.com/#/

Hamilton Six HamiltonSixZines https://www.etsy.com/shop/HamiltonSixZines

Hannah Johnston Dear Alex @greenandwiggly

heysoupface @heysoupface

Ira Golthi Fuzzy Cherry Zine @fuzzycherryzine

Jaz Malone jazimated.com @jazimated

Jeff Pusateri Bogunn and the Ygg of Oro Gordo, Doom Country yeffpusateri@gmail.com @jeff_pusateri

Jennifer Trontz Women in Print @womeninprintmag

Jo-Jo Sherrow Cells Get Tan, Too https://www.etsy.com/shop/jojosherrow

John Minkoff @minkawf

Joshua Reinstein Prognosis Positive reinstein.joshua@gmail.com

Julia Alekseyeva Invisible Violence / Soviet Daughter / In Praise of Estrangement @thesoviette

Justine Kessler Rhinestonebones Studios JustineKessler.com @RhinestoneBones

Katherine Leung Canto Cutie CantoCutie.com

Kathryn Hemmann Ghost Stories • It Never Happened • Haunted Houses kathrynhemmann.com etsy.com/shop/DigitalTerrarium @kathrynthehuman

Katie Barry Cosmic Coupe cosmiccoupe.com @cosmiccoupe

Katie Haegele The La-La Theory http://www.thelalatheory.com/ @thelalatheory

Kit Fraser http://kitfraser.com/ @kitcadoodle

Lavender Lizard Press Quarantine Zine #2 @lavender_lizard_press

Lemon Liu Art Butch Tarot Calendar https://www.lemonliuart.com/ @lemonliu32

Lindsay Meehan Just around the corner @lammy2711

Linnea (Peppermint Alley) Peppermint Alley https://www.peppermintalley.com @peppermint.alley

long arm stapler @lngrmstplr

Macon Bauer P0SH Magazine @P0shmagazine

Mara Gervais @_maralane

Marina Perez couchseries @marinaaperez

Melanie Gasparoni Plantae https://www.melaniegasparoni.com/

Mental Realness Mag Mental Realness Zine https://www.mentalrealnessmag.com/ @mentalrealnessmag

Michelle Spadafore Urban Ephemera https://www.etsy.com/shop/haikuandholga

Misfit Cinema Journal Workprint @misfitcinemajournal

Molly Schafer/Feral Pony Shrew Sleuths mini comic @feral_pony

Molly Witherbee Witherbee Zines https://www.etsy.com/shop/witherbeezines @molly.with.her.bee

Moviejawn http://www.moviejawn.com/ @Moviejawn

MyWingman @mywingman

Nicole Rodrigues https://www.nikkirodrigues.com/ @lost.mirage

Nora Einbender Luks @norrrrel

October Stoner Stoner Zines https://www.stonerzines.com/ @stonerzines

Perennial Press http://www.perennial-press.com/ @perennial_press

Phillip Maira Crackle – Anthology Series https://phillipmaira.com/portfolio/ https://twitter.com/PhillipMaira @phillipmaira

Rachel Leah Gallo Rat bone ink vol 2 (comics and illustrations) @rachel_leah_gallo

Reptile House Comix https://www.reptilehousecomix.com/ @reptilehousecomix

Rodger Binyone Miffed Ruffianz: Penultimate Subterfuge https://rodgerbinyone.bigcartel.com/

Sabrina Sims Starly Art @starlyart

Sad Punk Press https://www.sadpunkpress.com/

Saint Beckett We got you Covid https://saintbeckett.net/

Sale Into the 90s https://www.etsy.com/shop/thelastvcr/

Salvatore Marrone No More Mermaids @retrosofa.inc

Sara Lefsyk Ethel Zine and Micropress https://www.ethelzine.com/

Shadow @shad0w_the_pup

South Street Art Mart Art Mart Artists Collection https://southstreetartmart.com/

Spacebar, B-Side and JulyTimesheets No Scene Zine https://www.noscenezine.com/ @noscenezine

State Library of Pennsylvania SLPA Zine Archive

Stephanie McDevitt and Janene Scelza Girls, on Film https://girlsonfilmzine.com/

The Word Distro https://www.theworddistribution.com/

Vivien Wise https://www.vivienwise.com/

Vlasinda Productions Vlasinda Zines @vlasinda_stormdrain