#Meta Nail

[sonavelusa]

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[tonydaddingham]

fr tho i understand why crowley wants them to run away together and run from all of it but he just seems to have forgotten that aziraphale does not cower, he doesn't back down, and he. does. not. run.

and honestly, crowley knows it:

[bobnelson]

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[health-tips-official]

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[anistarrose]

I've both written and read TAZ fics where Barry, regularly or semi-regularly, attends Taako's Sizzle it Up performances during the voidfished decade — and obviously, I like the trope, but I never thought before about how much sense it could make. the way I previously conceptualized it, and the way I've seen others conceptualize it, works well in its own right — Barry needs emotional anchors, and seeing Taako even when he's amnesiac helps provide those anchors for when he inevitably dies a few days or weeks later. as a bonus, he gets to check in and make sure Taako's doing well. this is all intuitive.

however, a third reason for Barry visiting Taako has occurred to me recently. see, Barry's looking for Lup. but himself, Barry has to spend the majority of his current existence hiding. surely, he realizes — if Lup were to free herself on her own, from whatever's trapping her, she wouldn't know where to look for him.

but you know who is a very public, well-advertised face? a celebrity, in fact? Taako. I'm sure Barry had unshakeable confidence that if Lup were freed, she would find Taako faster than anyone — so checking in on Taako is itself an act of searching for Lup. in fact, I can think of nothing else that Barry would hope for so desperately, so stubbornly, to keep him going in spite of all his own failures — the hope that somehow, the twins will find each other. (and, it goes without saying — it didn't happen how Barry thought it might, but eventually, the twins did.) in other words, this premise is now even more canon in my heart than it had been previously.

[mollysunder]

I know this is a low bar, but I'm glad Isha didn't react with the same glee at Smeech's murder as Jinx did. It's a good reminder that despite how violent Zaun is, the excitement Jinx (and likely Silco) had towards violence was NOT normal, it's cultivated.

Now the way Isha does gravitate closer to Jinx after every act of violence she witnesses, and even attempts to commit her own is interesting. We haven't seen Silco or Jinx at Isha's specific age, so you have to wonder if this is that key point in development where their relationship towards violence and autonomy really clicked.

[t00muchheart]

It’s just that, in Faith, Dean thinks he’s going to die, and he’s braced for it, and when he lives, it’s only because someone else died in his place. And then, in In My Time of Dying, it happens again, and it’s even worse this time because that’s his father who died for him. So by the time All Hell Breaks Loose rolls around, of course Dean sacrifices himself: he’s already living on borrowed time, after all, but Sam? Sam is only here because he was dragged back into this life—he deserves to have the chance to leave it behind again, for good this time.

And sure, faced with the consequences, Dean can see that he doesn’t deserve it—not to die, and certainly not to go to hell—but he still believes that it’s better this way: better him than Sam, even if it would be best if it was no one at all.

But it has to be someone, and so Dean is dragged to hell, and after thirty years on the rack, Dean breaks—and after ten more, when he wakes up in his grave and pushes his way to the surface, he thinks that maybe he deserved it after all, maybe he deserved every bit of torture dealt to him and more.

And then he meets an angel, and the angel tells him that he was the one to raise him from hell, and the angel wonders at the fact that Dean doesn’t think he deserves to be saved, because even after everything, he sees something beautiful in Dean Winchester, something worth preserving. And the angel believes in Dean so much that he can’t help but start believing in himself again, just a little.

[syn0vial]

man, i continue to be blown away by the thought put into astarion's romance, even in seemingly throwaway scenes.

i just did zethino's test of love with him at the circus of the last days and there's such a stark difference between what wins you approval with him and what wins approval with the other companions.

for those who haven't played this bit, zethino's test of love involves a dryad, zethino, testing how well you know your romantic interest by asking you personal questions about their inner lives—their hopes, their fears, their likes, and dislikes. for most of your companions, this is very straightforward: when you answer a question about them correctly, you win approval points with them. when you say something untrue or insulting, you lose approval points , bc they realize that you're trolling or that you don't know them as well as they'd hoped.

unless you're romancing astarion. in which case, you have to do almost the complete opposite to win his approval.

the other characters want you to prove you know them by answering correctly. astarion wants you to prove you know him by lying—or, at least, refusing to pick the most accurate answer.

case in point: astarion does not like it if you tell the truth about his hopes and fears. like, really doesn't like it. answering honestly about his greatest fear, in particular (his fear of being enslaved again), causes you to lose a whole 4 approval points, twice as much as you lose with the other companions for outright insulting them. you can lose another one before that for answering honestly that his greatest desire is freedom. in both cases, he'll acknowledge that you're right—and then express dismay that you'd disclose that kind of information to a stranger. hell, you can figure out from the very first question that he's not comfortable taking this test with you at all; when the dryad asks what makes astarion happy, you lose approval if you say he's happy to take this test with you now.

so if astarion doesn't want you to pick the most accurate answers for him and honestly doesn't really seem to want to take this test with you at all, which answers can you pick to win approval with him?

well, whichever ones are funniest, of course! you don't win points with him for picking the deepest, truest answers, but the silly, flippant ones that make him laugh. what's astarion's greatest desire? well, me, of course! what's his greatest fear? breaking a nail, obviously. he's delighted by your refusal to take the test seriously and actually approves more of funny, light-hearted answers than badass, flattering ones.

i just think the whole sequence is such a fun and interesting exploration of his character and your relationship with him, all in a silly little side-activity where it would've been easy to just give all the characters the same win-conditions. little details like this are really the game's brightest moments, imo!

[halyasgirl]

Dead or not, Ambessa Medarda got her happy ending. She came to Piltover avenge her son, yes, to get what she needed to wreak bloody vengeance on those who would target her own. But in her mind, she also got the greatest confirmation she’d succeeded as a parent.

One of Ambessa’s fatal flaws is that she will only accept how she believes the world should work, but she does not believe in nepotism. She’s a fascinating cocktail of superiority and genuine meritocracy. She will burn the world for her family, but only if they (in her eyes) deserve it. “I will give you the world, child, if you prove you can take it.”

She made no secret that she views her children’s lack of militaristic ruthlessness as a disappointment. But one aspect of Ambessa I haven’t seen discussed as much is her guilt. She feels like she’s failed as a parent. By allowing her children to remain foxes in this world, she believes she’s thrown them to the wolves. And in her mind, Kino died for her failure.

She will do anything to save Mel from the same fate (or, in less charitable interpretations, to confirm her own worldview). And in that, she succeeded. She leaves this world knowing her daughter has become strong enough to stand against any threat the world turns her way. And, more than that, Mel understands Ambessa’s worldview, has taken (some of it) for her own, and she will carry it as her mother’s merciless protection for the rest of her life. You are the wolf. For a woman like Ambessa Medarda, with all her love and all her ego, her ruthlessness and her brilliance, this is the greatest legacy she could leave behind.

[vladdyissues]

They could have been BFFs

[drakaripykiros130ac]

My predictions for how they will adapt Aegon’s Conquest:

1. Visenya, being the more warrior-type, is 100% going to be into women. She will hate being forced to marry Aegon, and pines for her sister, Rhaenys (Visenya and Rhaenys are secretly getting it on behind Aegon’s back).

2. Rhaenys’ femininity is going to be downplayed (like they did to Rhaenyra), and they are going to make her wish that she was a warrior like her brother and sister.

3. Meria Martell will have a hot body, and some cringy lines.

4. Despite Aegon’s Dream being confirmed by GRRM as a reason for him to invade Westeros, they will still induce a lot of anti-Targaryen propaganda.

5. Rhaenys is 100% going to cheat on Aegon, and they might go so far as to make Aenys a bastard, and not the Conqueror’s son.

6. Aegon will appear completely incompetent, compared to Visenya (because you know…girl-power makes good TV :D).

7. They will show a threesome between Aegon, Visenya and Rhaenys after they conquer Westeros.

8. Visenya knows that Aenys is a bastard, and so, she tries to do what is right for the Realm (a real do-gooder), first by trying to marry Maegor to Rhaena, and afterwards, she is justified in usurping the throne for her own son.

9. Maegor is going to be a victim of bullying, and so everything he ends up doing in his adult life is justified (like they did with Aemond).

10. Visenya and Maegor are going to have a “weird” mother-son relationship, if you know what I mean (after what they did on HotD, they proved they can go there).

Did I miss anything?

[mearchy]

I really love Jaster Mereel, the most “fine then I’ll do it myself” guy of all time. Like, after he killed his corrupt superior UHC style and got exiled for it he could’ve been on that vigilante shit. And he did come back ready for a fight- but not with a battalion, or another assassination. With a fucking entire new system of living and governing contained in a codex he wrote himself, based on ancient laws he wanted to resurrect. By all accounts he wasn’t even in academia or government before that moment, he was a cop. And the best part is he fucking managed to create a majorly consequential schism in Mandalorian society purely on the strength of having actually really good ideas in that big-ass academic magnum opus he spite-wrote. That’s some Protestant reformation shit!!!! I wonder if someone said to him during his sentencing like “you can’t just make up your own laws because you disagree with the ones we have” and he said oh word?? Insane, I love him.

[trrenchertrash]

I was thinking about “I am the dirt under your nails” and first of all I don’t think it can be ignored that the title of e9 is derived from this line. Considering that, this line is evidently not meant to be a cutesy throwaway line between Cait and Vi, it has huge thematic weight and implications. If you think about the title “The Dirt Under Your Nails” in this context, it’s clear that it’s meant to refer to the fact that all of our characters have dirt under their nails. As in, their hands aren’t clean. They’ve all committed wrongs, because they’re all human, which is obviously a major theme of this season/show. The second part of this dialogue is “nothing’s gonna clean me out,” which fits with what Caitlyn says about how no amount of good deeds can undo those wrongs. This line is about accountability.

And there’s a reason why it’s Vi who says this line to Cait. The most obvious is that Caitlyn has wronged her, but it goes deeper than that. In e8, Vi asks Caitlyn who gets to decide who gets a second chance. There are multiple ways to interpret how this idea impacts the narrative. I’ve seen it said that Caitlyn allows Vi to free Jinx because in giving Jinx a second chance she also gives herself one, and that’s an important point for Caitlyn’s character, but I think Vi would’ve found a way to free Jinx no matter what. Cait just made it easy for her. What the narrative shows us is that Vi is the one who gets to decide who gets a second chance by having her decide to give one to both Jinx and Cait. I’ve seen people talk about how’s Vi’s role is that of the witness — to be the constant that observes all the change and corruption that happens around her, and to be burdened with the memory of all that has transpired. And that’s true, but there’s more to it as well. Remember this promotional poster? It has 3 different titles/captions associated with it (that I saw):

1) Horrors I’ve Seen

2) Everyone is Guilty, Vi

3) It’s Too Late to Point the Finger Now

The first one obviously reinforces Vi’s position as the witness. But the second two are about accountability. It always struck me that the second caption brings the collective guilt of our cast to Vi’s attention specifically. Now it makes sense: she is both witness and judge. The character with the “good heart,” the only one who remains largely uncorrupted/unchanged by the end. Who is motivated purely by her desire to protect while the vast majority of the characters around her are twisted by revenge and ambition. It’s absolutely intentional that she is the one who says that line.

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[tritoch]

Something that bugs me a lot in Dawntrail discourse is watching people who think they are defending the expansion argue away its best aspect. Because here's the thing: Wuk Lamat isn't like prior FFXIV characters. She takes up way more space than them. That's good!

A common thread you see in defenses is that people are complaining about things they were fine with earlier in the story. "Oh well actually Lyse was also the main character of Stormblood and people didn't hate her as much!" or "Heavensward is the story of Aymeric and Estinien and Ysayle, and the Warrior of Light doesn't do that much!" or "No one complained when Gaia jumped into the Eden raids, or when Emet showed up during Seat of Sacrifice" with the implied conclusion of "Wuk Lamat's not different from any other previous major character, your complaints have more to do with [sexism/transphobia/your crippling insecurity about not being the main character] than the way she's written." First of all people did hate Lyse. I get what you are saying but they very much did hate Lyse.

But Wuk Lamat is different. She's different because Dawntrail is unapologetically, full-throatedly her story. She is there at the start, she is there at the end, she is there basically all the way through except for a brief interlude. She is the character you talk to the most, she is also the character that talks the most. She has more of a complete arc than anyone else in the expansion. The antagonists develop much stronger direct and personal relationships to her than they ever do with you. Several major characters have relationships to you through her more than they do with you directly. At multiple points in the story you explicitly step back and are like "Go right ahead, queen, do the main character stuff." She 100% takes your role in certain ways. She's literally a new WL to your WoL!

and that's awesome! Like, holy shit! If you had traveled back in time and told me after Endwalker, "Hey, the next expansion will be almost solely and entirely focused on the character journey of a young woman, and she'll be nuanced and complex and allowed to fail but also allowed to succeed wildly, and her characterization will be interesting and her ideals will be very directly challenged, and she'll get to do some real classic 'sorry my noble opponent but I must stop you, even though I sympathize' shit, and the way she is framed won't feel excessively male-gazey, and she won't get stuck in the FFXII Ashe Miniskirt, and she won't just be someone you watch and clap for while the real protagonist and narrator is some random guy in her entourage," I would've been like "haha, okay, I like FFXIV as much as the next guy but I don't think it's shaken its baseline sexism off enough to do an expansion entirely about a woman and her personal growth and what makes her a good leader, especially after Stormblood's mixed reception. And CBU3 definitely doesn't have the guts to make her even more of a main character than any other prior NPC, and you didn't mention this part future time traveler, but I also don't believe they'll be willing to cast a trans woman in the role." And I would have been fucking wrong!

Yes, Wuk Lamat is the main character. Yes, she does get more attention than other NPCs, or even your Warrior of Light. And yes, that's totally fine, and even something to praise!!! You don't have to run from it to accommodate people who are looking for something to complain about!

[pnfc]

ugh i like to think abt doof continuing to try to date different ppl even after hes in a pseudoromantic partnership with perry (yknow with perrys encouragement) and just realizing again and again that he doesnt feel any romantic spark with any of them.... it all just pales in comparison to what he feels for him