#Memory Fading

[bealzebubbb]

happy unus annus deathiversary to all those who celebrate 🖤🤍

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[fadedkat]

can’t look him in the eye

[dq9]

junichi suwabe's tweet on the iceado cancellation :(

[invinciblerodent]

[A subtitle saying "Taash: Doesn't matter how sad you are about doing evil crap if you keep doing it."]

Man, the literal kind isn't the only kind of fire that Taash spits. That's probably the most succinct summary of how I feel about Solas that any character has ever given in this story yet.

[nflballgirl]

[all-yourn]

true detective & "darkness on the edge of town" by bruce springsteen [on youtube]

[phantom-chirp]

I imagine Ren doesn't have many videos or photos of Akechi from when they spent time together in general, but especially during third semester I don't think it's likely for him to have anything from then. Meaning that post-game, the only photos or videos of Akechi he could look back on would be of him fully in his detective prince act

Ren would try to look at photos of him or watch old interviews of him but it would just look and sound so... wrong. It's still his voice, but with that overly kind, fake tone to it. It's still his face, but with that perfectly crafted friendly look on it. It's still looks and sounds like Akechi on a basic level, but Ren knows how fake it all is

The third semester lasted such little time in the grand scheme of things that I imagine it would quickly become harder and harder for him to properly remember how Akechi was during then. His voice and face would become more difficult to recall, all his rougher edges slowly becoming smoothed with time in his mind, no matter how desperately Ren would try to stop that from happening

[skybristle]

rbs > likes

happy pride everyone

[sliver and moon and the background r the lesbian flag, saint is agender + some colors stolen from the slivermoon drawing]

[fluffylord]

TWELFTH DOCTOR | TWICE UPON A TIME

[claitea]

"Seeking to ease the burden of solitude, lonely Trainers tell Zoroark to show illusions to them."

[crepesuzette2023]

Before I forget: Paul live in Paris, Dec 4, 2024

At some point, there was real life and having to take care of 1001 things in order to come here, but I can't remember. The Stadium is enormous, the view clear, the sound sublime. As the venue fills, a DJ creates a set of deep cuts and remixes from Paul, Beatles, & Wings that paints a broad but incomplete mural of the man's music. On the screens, an endless building scrolls past: a castle or a tower, inhabited by all these friends and lovers—only to culminate in the birthing of two Höfner basses from—flowerbuds? Star nurseries? I don't remember. Anyway, it's appropriately lusty Gemini symbolism. Earlier, my seat neighbor @i-am-the-oyster spots an angry skull in the QR code innocently leading to Sir Paul's website. Also with us are @packyourromanticmind, @s-l-martin a little further away, @crumblingcookies down on the floor, and next to me Mr. Suzette.

Can't Buy Me Love. We're underway. It's over almost before it begins. More more more. • Junior's Farm. My God, that figure down there is really him. These delicate wrists, bright white shirt, but also — these hands on the strings? Above all, a musician. • Letting Go. Red Lights, throbbing beat, sleazy bassline thrumming. I bet this is a personal favorite of his. • Drive My Car. The thrill of singing Beep Beep M Beep Beep Yeah in sync with thousands. • Got to Get You Into My Life. Damn, his voice his soaring. • Come On to Me. What? My fiction brain supplies so many "everyone comes on Paul, and Paul returns the favor"-scenarios. • Let Me Roll It. The first taste of actual ecstasy. Paul switches to guitar. Too far below me, a sea of people is swaying and singing. He gave me loving in the palm of my hand.

Getting Better. How dare he jump from the churning vortex of Let Me Roll It into the happy, skipping optimism of...this? Of course it works, and he sings it well. • My loudest scream of the night goes to Brother Michael in Let 'Em In. This one feels like a sibling of Getting Better—that relentless, easy rhythm, stripped of Lennon's edge. • My Valentine. Elle est ici. This one's for you, Nance. Dark, old, honest love song in black and red, with the voice just this side of breaking on this love of mine. • Still behind the piano, Sir Paul feels the need to bounce on it, and does so with Nineteen Hundred and Eighty Five, no holds barred. • Since we're going insane, why fight it? Maybe I'm Amazed, absolutely a highlight so far—the piano, the shredding guitar. The screams and falsettos.

And then he's suddenly standing in front of the stage singing I've Just Seen A Face. Infuriating. • In Spite of All the Danger. This holds up, lifting the entire stadium with its gentle melody—until it's time to lose it when Paul plays George's guitar solo. McCartney—Harrison. • Love Me Do. George Martin name drop! No more audition nerves; this is a now a singalong tune. Excellent harmonica playing by Wix Wickens. • Michelle. In Paris! Makes me think of Ivan Vaughan's wife, who helped with the French. So much history in this room, in this work. The I Love You's are for everyone present. • Dance Tonight. That's right, get up and shake it! Palate cleanser.

Blackbird. I know: a forever song. The simplicity of him with a guitar. His hands. This is still that body. • Here Today. His voice is more firm singing this than it was in the past, not as close to tears—but if anything, it makes the line I Love You even better: strong, sure. Let's hear it for John. (Applause.) (Demanding gaze.) (More, louder applause.) That's right. • Now And Then. I miss John's voice. The vibes of this song are: It was beautiful, now it's over. Oof. Thank you, John, for giving us the beautiful song.

Enough of this. Sir Paul escapes behind the colorful piano. Lady Madonna time! • And right into Jet. Why not? A bit jarring, but hey. Triumphant fucking song, and just what we need now. • Being for the Benefit of Mr. Kite! At this point you're just fucking with us, Paul, and we let you. Disturbing to discover the lyrics to this song reside in the same brain that seems to be incapable of remembering actually crucial information with real life consequences. • Something. And like that, the heart is pierced again. It's just Paul and the ukulele at first, and thousands of voices singing for George. The man was loved. And the song is genius.

Me, before the concert: I could do without Ob-La-Di, Ob-La-Da. Me, during the song: goes nuts. • Band on the Run is a cool song, and it makes you feel good inside. It's time we all admit this. • Ram it home Paul, we want it: Get Back. What a song to play live. Gift of the gods.

Another change of pace as Paul sings Let It Be, surrounded by glowing wish balloons and the stars of the audience phone lights. Incredibly gorgeous and cathartic. My mother's second name was Mary and she died much too young; don't expect me to be normal about this song. • Live and Let Die. Okay then. Time to just surrender to the insanity of it all. I had *heard* of the fire show, seen it on small screens. I am not prepared. Not to mention the musical...orgy. • Hey Jude. This is my chance to come down a bit. What a peaceful melody. And then he screams and hollers during the ad lib section like the One Hand Clapping sprite he is...!

Encore: I've Got A Feeling. Paul and John sound crisp together. John looks so, so beautiful. Also, Paul still has the energy to almost scream in tune at this point. • Sgt. Pepper's Lonely Hearts Club Band Reprise. Nooo, don't go! Also, Sgt. MF Pepper's exists because of this man and his bandmates. And it's just one song of the encore. Have to make choices, right. • Time to pull all the stops, and there's so much left. Helter Skelter. No, we will not take it down a notch. • Golden Slumbers. Damn you, Paul. • Carry That Weight. The first signs of the voice possibly being done for the night, but who cares when everyone sings along? • The End. The guitar solos! All this man wants to do is make music, either alone or in a good band. Both are fine with him, really.

When he's done, he's pretending to be humbled by the applause while actually soaking it up, and leaves the stage with a spring in his step, waving coquettishly at the camera that follows him for a bit. Is he kissing the camera? I forget. I think I remember the end. We see it all on the big screens: that lithe, white-haired figure, weaving past others until he's truly gone. Touch Me. Not a chance.

[clowndensation]

anyways when richard siken said "if you can point to it, you don't need a word for it. you only need a word for it when it's no longer there"

and when tolkien said "but of bliss and glad life there is little to be said, before it ends; as works fair and wonderful, while still they endure for eyes to see, are their own record, and only when they are in peril or broken for ever do they pass into song."

and when claudia said "diaries are friends of last resort"

we don't see madeleine and claudia in their months together because their happiness was created in the present and presence of each other, and captured only in the eyes of the other. there's no need to share to strangers what was already shared between the people it mattered most to. the voyeurs of the world will only ever see the outline of where pleasure lies.

[kuroarimiyazaki]

First post of the new year! Blooming/Waiting

[poorly-drawn-mdzs]

Having the Pool Dream again, handsome?