#Memories Of Murder

[manny-jacinto]

MEMORIES OF MURDER | 살인의 추억 (2003) dir. Bong Joon-ho

[chronophotographic-gun]

Memories of Murder (2003)

[vinsportgar]

memories of the star plasma vessel

[sacredwhores]

Bong Joon-ho - Memories of Murder (2003)

[theseventhveil1945]

Memories of Murder (2003) Dir. Bong Joon-ho

[haveyouseenthismovie-poll]

[Note: This poll is a re-do of an older poll, as the original poll received less than 2,000 votes.]

[3080ti]

The Vanishing (1988), dir. George Sluizer

Memories of Murder (2003), dir. Bong Joon-ho

[lafiguraentutapiz]

Memories of Murder. Bong Joon-ho. 2003

[koreanthrillerenjoyer]

For all my lovely BE enthusiasts

If you’re craving for BE and also sumn a little new

Plssssss go watch any of these following movies or series,

(S: series M: movie )

They’re very alike

- hot fuzz (M: so funny and fun aka BE if it were a British comedy )

- devil judge (S: not as symulair but fuck me its so good and gay and interesting, enemies to again who knows, fucked up system and oppression etc etc )

- memories of murder (M: this is actually what shim nayeon and Kim soojin based BE off of, its a must watch for thrillers ! )

Pls tell me what u think of these and I hope u enjoy

🫶🫶🫶

[frances-and-the-moon]

"feminine urge" this "masculine urge" that but what about the "mentally unstable urge" to watch the same 4 or 5 crime k-drama shows you've been watching since 2005

[tragedygroupie]

this too, is true detective: list of requirements

southern gothic backdrop is a MUST. open, eerie fields are a bare minimum requirement, preferably with religious imagery or esoteric occult symbolism. dilapidated infrastructure, listless crowds serve as set dressing, and peripheral characters have a kind of meridional sleaze.

must have one or the other: a detective figure, preferably engaged in some form of psychosexual homoerotic partnership with a more established member of the force. the detective is more archetypal than literal, a truth seeker who’s connection to the crime is largely an exercise in thought, tied to the victims only by proximity, until it becomes all too personal. this figure must be distrusted by the majority of the ensemble, a proverbial outsider who’s behaviors and mannerisms are considered different and untrustworthy.

our other option is a violent murderer who more often than not is symbolic of a higher power. supernatural elements, specifically the unknowable cosmic horror of Cthulhu, are tied to the distinctly human motivations of sexual, power based crimes. brutality is absolutely necessary, the victims that ultimately matter are always women, crucified and debased.

corruption within the higher power. invariably, it always comes down to the police force, how this institution meant to protect often harms with impunity. if you wish to view it from a more abstract lens, the police can be a stand in for a parent, a father too preoccupied with his life’s work failing to stop the monster from crossing the threshold, the mother who welcomes him with open arms. the christ on the cross hanging in the doorway, watching the children suffer in his name.

[cowboylikemorgan]

I think I’ve seen this film before

[wulfhalls]

just rewatched memories of murder and low key scene and acting of all time...........

[escapismthroughfilm]

#160

[shesarealphony]

WHO'S THE MONSTER

aka a comparatives post for my own WIP

[jasper-rolls]

Memories of Murder / 2003 / dir. Bong Joon-ho

“This document is a lie. I don’t need it.”