#Matteo Angeli

[queerographies]

[Orgoglio arcobaleno][Matteo Angeli]

I diritti LGBTQ+ sono al centro di un dibattito politico che infiamma sempre più parti del mondo. "Orgoglio arcobaleno" di Matteo Angeli cerca di dar conto della posta in gioco in questo scontro, che contrappone forze liberali e illiberali.

I diritti LGBTQ+ sono al centro di un dibattito politico che infiamma sempre più parti del mondo. “Orgoglio arcobaleno” cerca di dar conto della posta in gioco in questo scontro, che contrappone forze liberali e illiberali. È un’indagine che sviscera l’omofobia di stato nella Russia di Putin, le ossessioni anti-LGBTQ+ di Orbán, la radicalizzazione dei conservatori americani, la banalizzazione…

[se-dissimuler]

everyone who ever talked to matteo are the strongest people alive if he ever looked at me like that with his big brown cow eyes while we were talking i would’ve pledged my entire bloodline

[a8ra]

Cathedral of Santa Maria degli Angeli, San Matteo

[boltscutter]

starter.               dante de angelis and serena alderidge.

the city loomed out underneath dante's feet as he took in the view from his 83rd floor office , business phone pressed firmly to his ear as his other arm found itself laid across his chest . ❛ thank you senator owen , i'll pass your well wishes onto my father . he'll be pleased to hear you've made the correct decision . ❜ the sound of the door didn't interrupt him , only caused him to turn and hold a finger in the air at the sight of serena walking through the door . ❛ yes , i will . please speak to my assistant if you need to reach me again . goodbye . ❜ in one swift motion he hangs up and steps over to his top desk drawer . from it , he picks up another phone and tucks them both into his jacket pocket , and a watch that he swaps with the one currently on his wrist . finally swinging his gaze back to serena , it was evident to dante she had something on her mind . ❛ what's wrong ? ❜

[core-bagg]

----[TAKING WHAT'S NOT YOURS]----

!NO BETA, WE DIE LIKE HENRY!

1,138 words

Characters: Angus Ciprianni, Matteo Schiavoni (Belongs to @double--hh, check them out they're super cool!!! :3), Dr. W Afton, Oswald Keppler

Trigger warnings: Violence, guns, minor cannibalism, mentions of scars, mentions of stabbing, mentions of organ theft, threating at knife point

Author's note: @double--hh I'm sorry if I wrote Matt out of character, I tried to follow your posts as much as I can. I hope you like this :3

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Angus leant on the armrest of the chair, watching his business partner, Matteo, fold his checkered suit into a neat pile. Something caught Angus's eye, there was a new scar on his partner's body, a scar just left above his waist with visible lines coming off it.

Angus: "Another stabbing, ey Matty?" Matteo: "Actually, some parassiti da laboratorio stole it while I was out…Dunno where it went since."

Angus raised an eyebrow as he sat up.

Angus: "What did they look like?" Matteo: "Ginger hair, lavender shirt, small glasses, weird logo on his lab coat sleeve, sembra mezzo morto, why'd you ask, angel?"

Angus gazed on with a determined, enraged and shocked looked. He seen someone with that appearance before. It belonged to Afton's friend. Angus loaded and cocked his gun, his grip on the gun was tight.

Matteo: "Ang-?" Angus: "I just wanna talk to him, amico."

Matteo only stared in confusion as he saw Angus get up from the chair, walk out his front door and march down to where-ever-the-hell the kidney stealer lived with murderous intent, before deciding that it would be a good idea to follow his purple friend.

Meanwhile, Afton and Oswald sat around the latter's wooden dining table. Oswald prodded the kidney with the back of his scalpel. Afton parted the sea of biology books with his hands to talk with his pal.

Afton: "Soooooo, who did you get this from again?" Oswald: "Some guy in a yellow suit passed out in the gay bar. I dragged him to the bathroom, made an cut on his abdomen, jarred the kidney and patched him back up just as he was about to come back to consciousness, Wali." Afton: "Why were you at a gay bar?" Oswald: "I was banned from almost all of the normal bars." Afton: "For what?" Oswald: "Organ theft, why-?"

Angus kicked down the door to Oswald's apartment, causing Afton to jump back in fright. Oswald quickly spun around to face the other duo. Matteo was behind Angus, trying to make sure he didn't do something stupid.

Angus: "VA BENE, COGLIONE VIOLA, DOV'È IL RENE!?" Oswald: "MY DOOR!!! AND I JUST GOT IT REPLACED TOO!"

Oswald launched up from his seat and pulled Angus closer, holding the scalpel up to his neck. Anger boiled in Oswald, nobody was going to barge into his apartment, spouting, what was for all he knew or cared, some random voodoo language at him and get away with it. Matteo stared at the unfolding situation, not knowing whether or not to draw his own gun. Afton, on the other hand, was silently panicking, it was rare that he saw Oswald angry and even rarer that he was at a state where he was willing to draw blood. Angus was trying his hardest to not sweat bullets, but Oswald's faux-friendly smile and one-stubbed-toe-away-from-going-postal eyes didn't help it all, not to mention the fact that the scalpel was threating to pierce his skin.

Oswald: "Now then! I'll give you one chance to answer this: What are you doing here? Keep in mind that the penalty for not answering me is to be strapped to my operating table and be dissected while you're awake…And no, there won't be any anesthesia."

Angus would've gulped if there wasn't a blade dangerously close to his throat. He shook his head and scowled at Oswald.

Angus: "I want my partner's kidney back! And, for the record, you're not beating my pervious allegations of you being a complete and utter lunatic."

Oswald scowled back, pressing the scalpel deeper near Angus's throat. Matteo shot in Oswald general direction as a warning, one that put a hole through his drywall. Oswald's eye visibly twitched at the site of the hole before he dropped Angus and glared at Matteo.

Oswald: "Oh sure! Because that's what my klutzy ass needs, more property damage. Thank you! I shall keep the kidney as payment…Gelber Trottel…" Matteo: "Ovviamente lo scienziato pazzo sa parlare tedesco, perché a questo punto perché no… Aspetta, cosa-"

Oswald threw the scalpel at Angus, narrowly missing him as he tried to snatch away the kidney. Matteo rolled his eyes and began shooting. Afton joined the brawl for the kidney. He grabbed the kidney from Angus, used him as a launch pad and attempted to kick Matteo in the chin. Unfortunately for him, Matteo had bones of fucking titanium so Afton broke his foot. Afton used his last moments in the battle to fastball the kidney at Oswald. Oswald, thankfully, caught it. Angus clambered onto Oswald in a attempt to get the kidney off him, Matteo went into the apartment and watched them both from the side to he who'd win. Angus almost had the kidney in his grasp until…

HOMPH!

Oswald, in an admittedly gross act of "act now, think later", shoved the kidney into his mouth to the shock of everyone else in the room. A tear welled up in his eye as he choked down the kidney. Angus watched in disbelief as he saw the thing he was fighting two goddamn scientists for get pushed down Oswald's throat. Afton looked like he didn't know whether to either gasp or throw up. Matteo, for some reason, looked so shocked and disgusted that it looped back around to being admiration. Angus got off Oswald and began to walk out of his apartment, dragging Afton behind him.

Angus: "For the record, I'm going to make sure you never live that down Afton."

Matteo and Oswald stared at each other. He began to approach Oswald, towering over him in height. Oswald cowered and raised his hands up to his face to shield himself, expecting the worse…But Matteo laughed and jabbed Oswald in the rib playfully.

Matteo: "Taste good, Doctor?" Oswald: "No, obviously…You might as well head home, there's nothing here for you."

Matteo smirked at the doctor's comment.

Matteo: "Ohoho, that's where you're wrong, gazza zenzero. Vede, sono interessato a toglierle qualcosa dalle mani. Forse mi venderebbe una delle sue scoperte in cambio di un po' di denaro?"

Oswald scowled at Matteo, not understanding a word he said.

Oswald: "Wenn du kein Deutsch sprichst, heißt es Englisch oder verschwinde, Kumpel."

Matteo nodded, he didn't understand all of what Oswald said, but he knew that he didn't speak Italian.

Matteo: "To paraphrase what I said, I would like to buy something off you." Oswald: "What do you want?" Matteo: "You don't happen to have any…Sedaters, do you?"

Oswald went to his medicine cabinet and pulled out a bottle of trichloromethane. He swished the liquid inside it around as he turned to Matteo.

Oswald: "Will this do, big guy?"

Matteo nodded and pulled a $50 bill out of his pocket, handing it to Oswald. Oswald pocketed to bill and bid Matteo goodbye before he was left alone in his apartment.

------------------------------------------------------------

[motorsportverso]

12h Sebring 2024

Que foi a estreia do Lamborghini SC63 na GTP no IMSA

Na largada o Cadillac V Series R #31 se manteve na frente com Pipo Derani

Na largada na GTD Pró e GTD

E teve uma confusão entre os GTS , envolvendo a  Ferrari #62 da Risi Competizone

A rodada do Oreca #88 da AF Corse

A batida do Cadillac #31 com Pipo Derani causada por um toque com a Ferrari da Triarse Competizone  , que alias foi no mesmo ponto em que o Argentino José Maria Lopez bateu nas 1000 Milhas de Sebring em 2022 com Toyota Hypercar.

Momento da batida do Acura NSX GT3 da equipe Gradiant Racing  , que colocou bandeira amarela na pista inteira.

Momento em que o Acura #40 passava o Cadillac #01 da Cadillac Racing\Chip Ganassi e assumia a liderança no final da corrida.

 A vitória ficou o Acura ARX06 #40 da WTTR Andretti , a primeira do segundo carro da equipe

O Lexus RC F GT3 da Vasser Sullivan Racing na GTD Pró , na LMP2, a vencedora foi a Era Motorsport.

GTP

1-40-Jordam Taylor\Colton Herta\Louis Deletraz-Acura ARX06-WTTR Andretti-333 Laps

2-01-Scott Dixon\Range Van Der Zande\Sebastien Bordais-Cadillac V Series R-Cadillac Racing\Chip Ganassi

3-7-Felipe Nasr\Matt Campbell\Dane Cameron-Porsche 963-Porsche Penske Motorsport

4-25-Dris Vanthorn\Connor De Philippe\Maxime Martin-BMW M LMDH V8-BMW Team RLL

5-10-Filipi Albuquerque\Brandon Hartley\Ricky Taylor-Acura ARX06-WTTR Andretti

6- 24-Philip Eng\Augusto Farfus\Jesse Khron-BMW M LMDH V8-BMW Team RLL

7-63-Matteo Cairoli\Romain Grosjean\Andrea Calderelli-Lamborghini SC63-Lamborghini Iron Lynx

8-5-Julian Andlauer \Gian Maria Bruni-Porsche 963-Mustang Simpling Racing-Proton

9-6-Nick Tandy\Frederick Makowickie\Mathieu Jaminet-Porsche 963-Porsche Penske Motorsport  +1 Lap

LMP2-TOP 3

1-18-Ryan Dalziel\Connor Zilisch\Dwight Merriman-Oreca 7-Era Motorsport-330 Laps

2-11-Miken Jensen\Steven Thomas\Hunter McElrea-Oreca 7-TDS Racing

3-22-Paul Di Resta\Bijoy Garg\Dan Goldburg-Oreca 7-United Autoesports

GTD PRÓ-Top 5

1-14-Ben Bernicoat\Kyle Kirkwood\Jack Hawkshorth-Lexus RC F GT3-Vasser Sullivan-316 Laps

2-62-David Rigon\James Calado\Daniel Serra-Ferrari 296 GT3-Risi Competizone

3-19-Mirko Bortolotti\Jordan Pepper\Franck Pereira-Lamborghini Huracan GT3 Evo 2-Iron Lynx

4-1-Bryan Sellers\Madison Snow\Neil Verghagen-BMW M4 GT3-Paul Miller Racing

5-23-Alex Riberas\Ross Gun\Mario Farnbacher-Aston Martin Vantage GT3 Evo-Heart Of Racing

GTD-Top 5

1-57-Russel Ward\Phillip Ellis\Indy Dontje-Mercedes-AMG GT3-Winward Racing-314 Laps

2-47-Antonio Fuoco\Roberto Lacorte\Giorgio Sergionatto-Ferrari 296 GT3-Cetilar Racing

3-120-Adam Adelson\Jan Haylen\Eliott Skeer-Porsche 992 GT3 R-Wright Motorsport

4-27-Roman de Angelis\Ian James\Zacharie Robichon-Aston Martin Vantage GT3 Evo-Heart Of Racing

5- 78-Loris Spinelli\Devlin Defrancesco\Misha Goikhberg-Lamborghini Huracan GT3 Evo 2-Forte Racing

[heavenlyhoundoom]

Cuphead charcter parents.(head cannon)

Dads

.Brewster Porcelain.

Species: Mug person.

Color: Red.

Age: 32

Date of birth: 3/16/1900

Birthplace: Inkwell. (Isle one)

Occupation: Cab driver.

Kids: Cuphead Porcelain and Mugman Porcelain.

.Matteo Carbone

Species: Human.

Race: European.

Hair color: Black.

Eye color: Blue.

Age: 60

Date of birth: 5/23/1872

Birthplace: New York City.

Occupation: Artist.

Kids: Sebastian Web and Walter Web.

.Richard Lightbug

Species: Firefly.

Color: Purple.

Hair color: Blonde.

Eye color: Brown.

Age: 44 at death.

Date of birth: 6/20/1867

Birthplace: Los Angeles, California.

Date of death: 8/25/1911

Cause of death: Car accident.

Occupation: None.(he lived off of his parents' wealth)

Kids: Mildred Lightbug, Bertha Lightbug, Elizabeth Lightbug, Oliver Lightbug, Anges Lightbug, Rose Lightbug, and Lucy Lightbug.

.Alfred Anteater

Species: Anteater.

Fur color: Gray.

Eye color: Purple.

Age: 62

Date of birth: 1/29/1870

Birthplace: Newark, New Jersey.

Occupation: Wrestler

Kids: Albert Anteater, Abigail Anteater, Alice Anteater, Allen Anteater, Anna Anteater, and Anthony Anteater.

.Foka Petrov

Species: Snail.

Color: Green.

Eye color: Brown.

Age: 58

Date of birth: 6/17/1874

Birthplace: Inkwell. (Isle four)

Occupation: Mob boss.(retired)

Kid: Sheldon Petrov.

.Philippe Lavigne

Species: Pepper shaker.

Age: 59

Date of birth: 1/24/1873

Birthplace: Paris, France.

Occupation: Orchardist.

Kid: Saltbaker Shaker.

.Brown bull

Species: Bull

.Age: 48

Date of birth: 4/7/1884

Birthplace: Inkwell Meatfarms.

Occupation: None.

Kids: Esther Winchester, five other girl calves and three boy calves.

.Comet Saluki

Species: Saluki.

Fur color: Tan and black.

Age: 50

Date of birth: 9/15/1882

Occupation: Pilot.

Kids: Penelope Saluki, and Angel Saluki.

.Brutus Giant

Species: Giant.

Race: European.

Hair color: Ginger.

Age: 55

Date of birth: 2/9/1877

Birthplace: Inkwell. (Isle four)

Occupation: Security guard.

Kids: Helga Giant and Glumstone Giant.

.Otto Buzzman

Species: House fly

Color: Black.

Age: 34 at death.

Date of birth: 7/30/1880

Birthplace: Boston, Massachusetts.

Date of death: 10/5/1914

Cause of death: Eaten by a spider.(not related to Walter in any way)

Occupation: Electrician.

Kids: Garry Buzzman, Larry Buzzman, and Jerry Buzzman.

Moms

Mocha Porcelain

Species: Cup person.

Color: Blue.

Age: 32

Date of birth: 6/27/1900

Birthplace: Ottawa, Canada.

Occupation: Kindergarten teacher.

Kids: Cuphead Porcelain and Mugman Porcelain.

.Edna Web

Species: Spider.

Fur color: Gray.

Hair color: Orange.

Eye color: Yellow.

Age: 60.

Date of birth: 2/6/1872

Birthplace: New York City.

Occupation: Construction worker.

Kids: Sebastian Web and Walter Web.

.Hannah Lightbug

Species: Firefly.

Color: Black.

Hair color: Red.

Eye color: Green.

Age: 44 at death.

Date of birth: 4/13/1867

Birthplace: Malibu, California.

Date of death: 8/25/1911

Cause of death: Car accident.

Occupation: House wife.

Kids: Mildred Lightbug, Bertha Lightbug, Elizabeth Lightbug, Oliver Lightbug, Agnes Lightbug, Rose Lightbug, and Lucy Lightbug.

.Amber Anteater

Species: Anteater.

Fur color: Brown.

Eye color: Orange.

Age: 62

Date of birth: 9/4/1870

Birthplace: Inkwell.(Isle three)

Occupation: Waitress.

Kids: Albert Anteater, Abigail Anteater, Alice Anteater, Allen Anteater, Anna Anteater, and Anthony Anteater.

.Jennifer Petrov.

Species: Snail

Color: Yellow.

Eye color: Light blue.

Age: 58

Date of birth: 7/2/1874

Birthplace: New York City.

Occupation: House wife.

Kid: Sheldon Petrov.

.Mary Shaker

Species: Pepper shaker.

Age: 59

Date of birth: 5/16/1873

Birthplace: Inkwell.(Isle four)

Occupation: Baker.

Kid: Saltbaker Shaker.

.Black cow

Species: Cow.

Age: 48

Date of birth: 11/12/1884

Birthplace: Scotland meat farms.

Occupation: None.

Kids: Esther Winchester, five more girl calves, and three boy calves.

.Rita Saluki

Species: Saluki.

Fur color: White and Black.

Age: 50

Date of birth: 3/21/1882

Birthplace: Edgewood, Florida.

Occupation: Hair stylist.

Kids: Penelope Saluki and Angel Saluki.

.Rhonda Giant

Species: Giant.

Race: European.

Hair color: White.

Age: 55

Date of birth: 6/25/1877

Birthplace: Pembroke, Wales.

Occupation: Optician.

Kids: Helga Giant and Glumstone Giant.

.Gale Buzzman

Species: House fly.

Color: Green

Age: 52

Date of birth: 1/6/1880

Birthplace: Calabash, North Carolina.

Occupation: Nurse.

Kids: Garry Buzzman, Larry Buzzman, and Jerry Buzzman.

[vahsaw]

I updated my list of movies I watched and loved in alphabetical order:

12 Years a Slave (2012) DIR. STEVE MCQUEEN

45 Years (2015) DIR. ANDREW HAIGH

About Dry Grasses (2024) DIR. NURI BILGE CEYLAN

Aftersun (2022) DIR. CHARLOTTE WELLS

Alcarras (2023) DIR. CARLA SIMON

Annihilation (2018) DIR. ALEX GARLAND

Anatomy of a Fall (2023) DIR. JUSTINE TRIET

Arrival (2016) DIR. DENIS VILLENEUVE

A Quiet Place (2018) DIR. JOHN KRASINKI

Black Swan (2010) DIR. DARREN ARONOFSKY

Blue is the warmest color (2013) DIR. ABDELLATIF KECHICHE

Blue Valentine (2010) DIR. DEREK CIANFRANCE

Brokeback Mountain (2005) DIR. ANG LEE

Burning (2018) DIR. LEE CHANG-DONG

Carol (2015) DIR. TODD HAYNES

Close (2023) DIR. LUKAS DHONT

Dallas Buyers Club (2013) DIR. JEAN-MARC VALLÉE

De Rouille et d’os (2012) DIR. JACQUES AUDIARD

Drive (2011) DIR. NICOLAS WINDING REFN

Fire of Love (2022) DIR. SARA DOSA

Get Out (2017) DIR. JORDAN PEELE

God’s Own Country (2017) DIR. FRANCIS LEE

Gone Girl (2014) DIR. DAVID FINCHER

Gravity (2013) DIR. ALFONSO CUARÓN

Great Freedom (2022) DIR. SEBASTIAN MEISE

Girl (2019) DIR. LUKAS DHONT

Her (2013) DIR. SPIKE JONZE

Hereditary (2018) DIR. ARI ASTER

Ida (2014) DIR. PAWEL PAWLIKOWSKI

Io Capitano (2024) DIR. MATTEO GARRONE

If Beale Street Could Talk (2018) DIR. BARRY JENKINS

Incendies (2011) DIR. DENIS VILLENEUVE

Inception (2010) DIR. CHRISTOPHER NOLAN

Interstellar (2014) DIR. CHRISTOPHER NOLAN

Irréversible (2002) DIR. GASPAR NOÉ

It follows (2015) DIR. DAVID ROBERT MITCHELL

Jagten (The Hunt) (2012) DIR. THOMAS VINTERBERG

Joyland (2023) DIR. SAIM SADIQ

Kill Bill (vol. 1 & 2) (2003) DIR. QUENTIN TARANTINO

Leave No Trace (2018) DIR. DEBRA GRANIK

Loveless (2017) DIR. ANDREY ZVYAGINTSEV

Manchester by the Sea (2016) DIR. KENNERTH LONERGAN

Melancholia (2011) DIR. LARS VON TRIER

Midsommar (2019) DIR. ARI ASTER

Mommy (2014) DIR. XAVIER DOLAN

Moonlight (2016) DIR. BARRY JENKINS

Nightcrawler (2014) DIR. DAN GILROY

Nomadland (2020) DIR. CHLOE ZHAO

Oslo, August 31st (2012) DIR. JOACHIM TRIER

Parasite (2019) DIR. BONG JOON HO

Past Lives (2023) DIR. CELINE SONG

Poor Things (2023) DIR. YORGOS LANTHIMOS

Portrait of a Lady on Fire (2019) DIR. CELINE SCIAMMA

Rabbit Hole (2010) DIR. JOHN CAMERON MITCHELL

Respire (2014) DIR. MÉLANIE LAURENT

Revoir Paris (2023) DIR. ALICE WINOCOUR

Riceboy Sleeps (2023) DIR. ANTHONY SHIM

Saint Maud (2021) DIR. ROSE GLASS

Shame (2011) DIR. STEVE MCQUEEN

Short Term 12 (2013) DIR. DESTIN DANIEL CRETTON

Take Shelter (2011) DIR. JEFF NICHOLS

TAR (2022) DIR. TODD FIELD

The Babadook (2014) DIR. JENNIFER KENT

The Banshees of Inisherin (2022) DIR. MARTIN MCDONAGH

The Beasts (2023) DIR. RODRIGO SOROGOYEN

The Broken Circle Breakdown (2012) DIR. FELIX VAN GROENINGEN

The Eight Mountains (2023) DIR. FELIX VAN GROENINGEN & CHARLOTTE VANDERMEERSCH

The Farewell (2019) DIR. LULU WANG

The Father (2021) DIR. FLORIAN ZELLER

The Handmaiden (2016) DIR. PARK CHAN-WOOK

The Killing of a Sacred Deer (2017) DIR. YORGOS LANTHIMOS

The Lighthouse (2019) DIR. ROBERT EGGERS

The Lost Daughter (2021) DIR. MAGGIE GYLLENHAAL

The Matrix (1999) DIR. ANDY & LANA WACHOWSKI

The Revenant (2015) DIR. ALEJANDRO G. INARRITU

The Tale (2018) DIR. JENNIFER FOX

The Way He Looks (2014) DIR. DANIEL RIBEIRO

The Worst Person in the World (2022) DIR. JOACHIM TRIER

To Leslie (2022) DIR. MICHAEL MORRIS

Under the skin (2013) DIR. JONATHAN GLAZER

Wadaean Julia (2023) DIR. MOHAMED KORDOFANI

Whiplash (2014) DIR. DAMIEN CHAZELLE

[ofcourtfables]

most wanted faces please?

could be male, female or nb!

hello there ! we would love to see any of the following ( but please double check the taken faces page before applying <3 ) wang ziyi, andrew koji, justin h min, matilda de angelis, tom blyth, patrick gibson, timotee chalamet, mena massoud, arnas fedaravicius, charles melton, tom ellis, charles michael davis, michael evans behling, gong jun, philip froissant, jamie blackley, santiago cabrera, sam corlett, oliver stark, aaron fontaine, colin o'donoghue, kit young, toby rego, daniel kaluuya, dev patel, cillian murphy, andrew scott, freddy carter, tommy martinez, robert pattinson, idris elba, deepika padukone, adeline rudolph, samantha logan, hande ercel, namtam tinaparee jasmine tookes, wawaa nicha, celeste cortesi, arsema thomas, charitra chandran, shay mitchell, natalie dormer, ozge yagiz, poppy drayton, olivia cooke, charlotte hope, samara weaving, jessica chastain, marina moschen, jessie mei li ( uses she/they pronouns ), martin sensmeier, elliot fletcher, song kang, jeremy allen white, daniel kaluuya, robert pattinson, jharrel jerome, timothy olyphant, pedro pascal, toby regbo, freddy carter, lorenzo zurzolo, birkan sokullu, riz ahmed, rami malek, serkay tutuncu, peter gadiot, aytac sasmaz, alex fitzalan, andrew scott, wi ha joon, apo nattawin, andrew koji, chay suede, marwan kenzari, cha eun woo, devon terrell, chaske spencer, kiowa gordon and matteo martari, greta onieogou, arsema thomas, deepika padukone, beren saat, beste kökdemir, serkan cayoglu, sidarth malhotra, medalion rahimi, aaron fontaine, celeste cortesi, amita suman, fabian frankel, avan jogia, lee soo hyuk, oscar isaac, charles michael davis, mena moussad, berk cankat, diego boneta, diego luna, sebastian croft, leo woodall, noah centineo, joe locke, kit connor, sofia vegara, penelope cruz, zoe saldana, emma stone, jennifer lawrence, journee smollett, lupita nyong'o

[tutyayilmazz]

"The true legends are totally casual"

They're young, they're smart, and they're from Rome: A conversation with Måneskin, one of the world's most successful rock bands Interview: Giovanni di Lorenzo

Måneskin for Zeit Magazin. paywalled but you can access it like this 🤫 i google and deepl translated it and fixed some sentences as much as i could but i'm far from being able to judge the accuracy of it all so there may be mistakes. anyway, the full article is under the cut, i highly recommend it, it goes quite into depth!

When they play concerts in the USA, they wrap themselves in the Italian flag. But they wouldn't do that at home in Rome: Måneskin, one of the most successful rock bands in the world. Band members Damiano David, Victoria De Angelis, Ethan Torchio and Thomas Raggi share why Mick Jagger knows who they are and how they take a stand without specifically talking about politics.

ZEITmagazin: When you are on tour abroad, talking to people, giving interviews - are people surprised that a young rock band that is successful all over the world comes from Italy?

Thomas Raggi: Always! At first everyone is amazed, there are a bunch of questions, some are very clever and interested and revolve around cultural differences. Other questions are just plain stupid: "Can you put pineapple on pizza?" There were such questions in America, for example.

Victoria De Angelis: But that's wearing off, everyone now knows that we're Italians. But somehow they are still surprised.

Ethan Torchio: Maybe also because nobody expected this kind of music from Italy. Often, however, we are so busy with our thing that we don't really notice how we are perceived from the outside. And actually our origin and the value of our music have nothing to do with each other. Values ​​are not tied to anything.

ZEITmagazin: In Germany music from Italy is associated with Gianna Nannini, Zucchero, Eros Ramazzotti beyond the hits. Many Italy lovers are familiar with Paolo Conte. But Lucio Battisti is not known here at all. His music is like the soundtrack of entire decades of life in Italy. Today, a quarter of a century after his death, it is still played daily on the radio. Can you relate to Battisti?

Damiano David: It's a long time ago, but that doesn't make it any less great, it's timeless. Of course he's light years away from our music, the complete opposite, but he's still fascinating for us.

ZEITmagazin: Why can music like that of Lucio Battisti stand the test of time?

Damiano: Because it captures something of its time, or rather: because it manages to be the expression of a break in time, to mark a turning point that many people may not understand until years later.

ZEITmagazin: If we stay with the image of Italy abroad, I would like to ask a question that I am often confronted with myself and which unfortunately usually leaves me quite at a loss: how is it possible that such a lovely country as Italy is governed by a post-fascist party together with a man like Silvio Berlusconi, who has committed serious crimes and only recently promised his football club AC Monza a minibus full of prostitutes if they beat big teams, and a Matteo Salvini, who delights in the idea of sending ​​refugees back again in the boat.

Damiano: For me there are two main reasons. For one thing, Italy has a short historical memory. We have forgotten the last right-wing government, we have forgotten what happened. Second, there's this vintage nostalgia: Everything that's old is beautiful. Cooking like in the old days, going on vacation like in the old days, the music of yesteryear...

ZEITmagazin: Does that also apply to fascism?

Ethan: In fact, there are still people who claim that everything was better in wartime. Totally crazy! I believe this latent glorification of the good old days has made neo-fascism socially acceptable.

Victoria: In my opinion, it also has a lot to do with ignorance. The bad thing is that the parties are counting on people's ignorance, their backwardness or their religious attitudes. And now we have a government that is committed to discrimination. Voting behavior is also to blame for this. A lot of people didn't vote at all. 40 percent of young people between 18 and 25 did not vote. That's a hell of a lot!

ZEITmagazin: Why is that?

Thomas: If I want a certain party to win or lose, I go to the polls. But when I don't have the itch and don't feel like getting up from my comfortable sofa to stand in line at some polling station, then this is how an election result happens. Almost everyone in the LGBTQ scene went to the polls and voted against Meloni because there is something at stake for these people. They know they are in literal danger, not just mentally but physically. But a lot of people who don't have a particular concern say to themselves: My voice won't change anything anyway.

ZEITmagazin: After Giorgia Meloni's election success in September, you, Damiano, posted: This is a sad day for my country...

Damiano: They slammed me for that. Both on social networks and on the radio.

ZEITmagazin: Italy used to be very leftist and had the largest communist party in Western Europe. Why has the left lost so much of its appeal ?

Thomas: It's difficult for us to judge. We have only experienced the last five years in a politically conscious manner. When you're thirteen or fourteen, you don't understand anything. That is why our political perspective is very limited. It is not for us to pass judgment on the decline of a political idea. What we have noticed to some extent are broken promises and this very disappointment that your own voice doesn't make a difference.

ZEITmagazin: Do you never hear, for example from your record label, that you should hold back on political issues?

Damiano: We found a pretty good balance because we never talk about specific politics. The four of us don't always agree politically. And we don't want to be political opinion makers or moralizers. We are talking about things that we understand go beyond any political discussion: we are against the war in Ukraine, we are against discrimination against minorities. Human rights are inviolable.

ZEITmagazin: Was Damiano's "Fuck Putin" spontaneous at the end of a concert at California's Coachella Festival, or did you talk about it beforehand?

Victory: That was spontaneous.

ZEITmagazin: But then you all bear the responsibility.

Victoria: Of course. If there is an attitude that should be taken for granted worldwide, then we position ourselves clearly and unequivocally. There should be agreement on this, regardless of whether I am on the right, left or whatever.

ZEITmagazin: Does the Catholic Church still have great influence in Italy today?

All: (ironic, in unison) No! What!

Victoria: It just acts more cleverly and makes less of an appearance.

ZEITmagazin: Under pressure from the church, the state broadcaster RAI in Italy did not play John Lennon's song "Imagine" in the early 1970s because it contains the lines "Imagine there's no heaven ... And no religion, too". These words were enough. In comparison, the influence of the church has become very small.

Victoria: But unfortunately it's still very big. Many people hold to the values ​​of the church. When our posters were to be put up in Rome , the church gave us difficulties. In the photo I was seen with my eyes rolled, you only saw the whites, that was too demonic for them. That's why we were banned from posting posters near the Vatican.

ZEITmagazin: But if that's true, then isn't that actually advertising for you?

Thomas: No. We hadn't told anyone that yet. You can now advertise for us. (laughs)

ZEITmagazin: When it comes to other topics, on the other hand, people are more relaxed in Italy than in America, for example: when Victoria lost her top at the MTV Awards and you could see her breasts, the pictures were immediately hidden. Something like that would be unthinkable in Italy, wouldn't it?

Damiano: In Italy we are more relaxed about nudity, less so about other things. In America, nudity is totally taboo. But you see guns everywhere.

Victoria: And you're not allowed to say swear words, they'll be censored immediately.

Damiano: When Victoria's nipple was censored, there had been a performance before us with all phallic symbols, but apparently that wasn't a problem. Male genitals are fine, females are not.

ZEITmagazin: Were you an outsider at school with your attitude, your hair, your outfits?

Ethan: Yes, we were different, we stood out, we experimented with our looks. I was quite the oddball at my school, wasn't bullied, but was the oddball compared to the others who all dressed alike. That is still the case today. They all look the same.

Damiano: It's about just not attracting attention, being as basic as possible , that's what we call it. The difference can only be determined by the price: You have exactly the same shoes as the others, but in the limited edition, which costs six times more.

ZEITmagazin: And at the same time, tolerance for deviations has decreased?

Ethan: Tolerance is a very sore point. You tell yourself that society is totally open, that the mentality has changed, because nowadays it sounds silly to say that I'm being laughed at because of my clothes. But in reality it's still the same. When I was little, that bothered me. In Italy it is much more extreme than in other countries. Here people are very conservative in many things, being different is perceived as threatening or wrong.

ZEITmagazin: Young men with long hair, for example?

Ethan: Totally. For me it was a filter to understand which people I can get involved with and which ones I would rather avoid. A lot of people have asked me: Why do you have long hair? I answered: Because I think it's beautiful. But you're a boy. So what? Yes, but it makes you look like a girl. That got on my nerves, but fortunately I didn't let it affect me. Nevertheless, I felt like an outsider and therefore discriminated against.

Damiano: If you read the comments and criticisms from Italy that we get on Facebook, for example, eighty percent of them are about our looks. As soon as we post a photo in which one of us shows a bit of skin or is dressed oddly, the comments rain down. It's damn sad to see the concentrated anger of these people putting others down. Why do you care how I dress? Why does it bother you when I'm at peace with myself and post a photo?

ZEITmagazin: Does that also apply to your lyrics?

Damiano: Yes, but paradoxically it's more about our looks. A lot of people don't even listen to our lyrics. They see the photos and hate it.

ZEITmagazin: Is it actually true that only one of you finished school and the others have thrown themselves into music?

Thomas: Actually we all jumped into the music. I graduated from high school, but that was something personal. We all made the same decision: we like it, it's going well, so we're going to give it our all.

ZEITmagazin: Even when you were not yet successful?

Thomas: Yes! Above all, Victoria's decision for music was very important as an impulse. We thought, if she dares, then we dare too.

ZEITmagazin: Did your parents agree?

Ethan: Agreed not. But they understood straight away that this is really important to us. So they gave us more freedom than most teenagers our age would have had. Of course, the school thing went against the grain for them. But they let us do it and believed in us.

ZEITmagazin: You, Damiano, allegedly only worked properly for a month in your life, and that must have been terrible.

Damiano: That was longer than a month. I was on the road as a representative for all kinds of wellness products, going door-to-door. The product range was broad - from cosmetics to mattresses. Our highlights were a coffee maker and a water filter, they cost a fortune, absolutely crazy. When I stood in front of people's doors, I felt like a thief. We got this gigantic nonsense drummed into our heads that we should tell them so they would pay 400 euros for a pillow. I was pretty good at it. But it was awful. I worked from June to September, in the hottest summer I was in a suit from morning to night and had to ride the subway from one end to the other, bathed in sweat.

ZEITmagazin: Did this time bring you anything that you benefit from today?

Damiano: You learn to face an audience, to interact with people, even if you annoy them. And you learn something for life: respect, discipline, punctuality. You learn to belong to a team and to subordinate yourself. You learn to be dependable even when you're totally exhausted: there are people working with you, so don't let them down.

ZEITmagazin: There is a difference between Italy and Germany that, for once, is not a cliché: in Germany children leave home as soon as possible after school, in Italy many are still living with their parents at 35. Why is that?

Victoria: I think about that quite often. In Denmark it is similar to Germany. However, young people there also have many more opportunities. In Italy, they're not just starved from an artistic point of view. There is hardly any support from the state, studying in Italy is very demanding: the requirements are high, there is no time for part-time work, and if you do not receive state aid or earn money on the side, it is practically impossible to leave home.

ZEITmagazin: So it's purely financial reasons?

Victoria: I think it also has something to do with our culture. In my circle of friends there are many parents who are very attached to their children and believe that they have to protect them and keep them at home as long as possible. It's different in other countries, in Denmark your parents kick you out when you're eighteen. Parents who say: Go away! – that is completely unimaginable in Italy. Here it says: No, but you are my child, stay with me, I will take care of you.

Damiano: Family is very important in Italy, but our generation would give anything to get away from home. They can't stand their parents anymore - with all their love. But they don't have the means. For example, I come from a perfectly normal family, we lack nothing, but for my older brother, who works and has a good job, it would be completely impossible at the moment to move out of our parents' house. I, on the other hand, was extremely lucky and was able to leave home early.

ZEITmagazin: You are all in their early twenties. Do any of you still live at home?

Ethan: We actually all fled.

Thomas: I'm still living with my parents at the moment, but I'll be taking the big step soon.

Damiano: But you were already living alone and thought it was stupid!

Thomas: I had this apartment in Trastevere, but it was six months at the most, that doesn't count. I wasn't really away from home at all, didn't have to take responsibility. Now something completely different is going on.

ZEITmagazin: Have you already confessed to your parents?

Thomas: Yes, and they didn't think it was that bad anymore.

ZEITmagazin: In Germany there is this saying: pinch me. Haven't the past few years been a bit unbelievable for you too?

Damiano: And how, every day! When we performed at the Circo Massimo last summer, and that too in Rome, in our city, I asked them to shine light at the audience because we don't see much on stage. Seventy thousand spectators - it was a sea of ​​people!

ZEITmagazin: In 2021, just a few months after winning the Eurovision Song Contest , you were the opening act for the Rolling Stones. You met Mick Jagger. How was he?

Victoria: Super cool.

Ethan: As you imagine him. Fully energized, enthusiastic. With that typical voice.

ZEITmagazin: Did he know who you are?

Damiano: Yes, he was fully aware. He had prepared. Keith Richards on the other hand was quite honest: I have no idea who you are, but I see the guitar, the drums – great, very good, keep it up. Ciao.

ZEITmagazin: At a Metallica concert, two of you - Victoria and Thomas - were said to be seen dancing enthusiastically in front of the stage like normal fans.

Thomas: Right! But we've already seen them in Rome. And in Milan. Before we met her, we were ardent fans.

ZEITmagazin: Would you say that the real artists stay approachable?

Damiano: Yes, by and large.

Victoria: But it's noticeable that today's superstars, especially the young ones, puff themselves up a lot. The true legends, on the other hand, are totally nonchalant, sitting in your studio and chatting for hours without making a fuss.

ZEITmagazin: Almost all old musicians say that what they did when they were young, they can no longer do today - if only because they are no longer politically correct.

Victoria: No, that wouldn't work anymore. Many of those who wrote rock history were totally crazy or permanently high.

Damiano: In the past, when you were crazy and stoned and doing crass stuff, people only noticed if you were a celebrity. Today, any no-name can pump themselves up on drugs, hop out the window, and go viral with it. Anyone can play rock star. Everyone wants to be important and nothing has meaning anymore.

ZEITmagazin: You smashed two instruments in Las Vegas, a classic rock gesture for which you were heavily criticized... Måneskin thinks that today's superstars, especially the young ones, would puff themselves up a lot.

Damiano: For us it was a way of celebrating the last concert. We enjoyed the moment, we didn't care what the social networks say about it.

Thomas: We used extra crappy instruments. I'm not going to smash a five-thousand-euro guitar! Do you think we're so stupid or what! That's what pissed me off the most. But you have to grown up and not give a shit.

Victoria: I find it hypocritical to accuse us of vandalizing instruments. When fireworks fly with other bands, no one says: A hundred thousand euros were blown away.

ZEITmagazin: Is there any of the old rock stars that you would like to meet?

Thomas: Jimmy Page.

Victoria: David Bowie. Unfortunately, that's not possible. So maybe Patti Smith.

Damiano: Me Paul McCartney.

Ethan: I almost said so too. But also Bono.

ZEITmagazin: What would you like to ask them?

Damiano: You always hear these stories from great bands, many of which, at least I think, are simply made up: They played this guitar riff – and boom, the song was there! But that's never how it works. I'd like to be told how it really was, firsthand. According to the motto: The story is a fairy tale, in reality it was very different...

ZEITmagazin: And how about you? It is said that the song "Zitti e buoni", which became your breakthrough, was so successful with young people in particular because it was an outcry against the Covid restrictions. Is that right?

Thomas: That's not completely out of thin air. In fact, Zitti e buoni was an expression of our anger at the time. We are so happy that people recognized themselves in it and made the song an anthem for their own causes. Of course, he was not only referring to the Covid situation, nor did he intend to call for a rebellion against the rules in force at the time.

ZEITmagazin: Is it true that you wrapped yourself in an Italian flag at a concert in the USA?

Damiano: That was probably me, because the audience throws everything at me and I'm the only one with my hands free.

ZEITmagazin: Unlike in Italy or America, in Germany this would be interpreted as a patriotic, if not right-wing, gesture.

Damiano: When we play in Rome, I wouldn't think of putting an Italian flag around my neck. But we are on tour in America, and there I show the flag to say: I am an Italian in the world.

ZEITmagazin: Was there a bit of pride involved?

Thomas: Of course, yes! That is celebrated.

Damiano: The more I see of the world, the more I'm convinced that Italy is the most beautiful country in the world, mistakes or not. Nothing to do.

Victoria: Italy is a wonderful country with great people. It cannot be compared to any other country. And it hurts that there are so many people who want to ruin it with their shit mentality. That's why we try to get a positive message across, to mess with it and change the attitude of these people.

ZEITmagazin: My favorite song of yours is "Vent'anni". It says: "I am afraid that I will only leave money in the world." Is that really a fear at your age?

Damiano: Less a fear than the awareness that this shouldn't happen. This sentence means that I not only want to leave the world what I have earned, but also create something that will stand the test of time, something that touches people's innermost being.

Thomas: We spoke earlier about Lucio Battisti. He and also Vasco Rossi, another great Italian singer, will never die.

Damiano: Because they've influenced generations, who in turn influence their children. This is the legacy that counts and that you want to leave behind.

[salernoah]

Foto’s | Vrijdag | 17-05-2024

Duomo di Salerno - Cattedrale di Santa Maria degli Angeli, San Matteo e San Gregorio VII

[dominousworld]

LA VERA TRINITA'

LA VERA TRINITA'

di Mike Plato Matteo 13 :32 Quanto poi a quel giorno o a quell’ora, nessuno li conosce, neanche gli angeli nel cielo, e neppure il Figlio, ma solo il Padre.33 State attenti, vegliate, perché non sapete quando sarà il momento preciso. Questo passo distrugge totalmente le farneticazioni trinitarie, perché se DIO FOSSE TRINO, come imposero i vescovi, mi spiegate come sarebbe possibile che una…

[lamilanomagazine]

Venezia 80: la selezione ufficiale.

Venezia 80: la selezione ufficiale. Annunciato il programma di Venezia 80 che si terrà dal 30 agosto al 9 settembre. Sono sei i film italiani in gara per il Leone d’oro annunciati dal direttore artistico Alberto Barbera con il presidente della Biennale Roberto Cicutto. In prima mondiale approderà al Lido “Comandante” di Edoardo De Angelis con Pierfrancesco Favino, che sarà il film di apertura e in concorso alla 80esima Mostra del Cinema di Venezia. Gli altri titoli italiani sono “Io Capitano”, di Matteo Garrone; “Finalmente l’alba”, di Saverio Costanzo; “Enea”, opera seconda di Pietro Castellitto, anche protagonista insieme a Benedetta Porcaroli; “Lubo”, di Giorgio Diritti; “Adagio”, di Stefano Sollima con Toni Servillo e Valerio Mastandrea. Tra gli altri titoli annunciati Woody Allen “Coup de Chance”, “The Palace” di Roman Polanski e “L’ordine del tempo”, di Liliana Cavani nella sezione Fuori Concorso. In gara per il Leone d’oro, tra i 23 titoli del concorso oltre ai sei italiani troviamo “Dogman”, di Luc Besson; “Maestro”, la seconda regia dell’attore Bradley Cooper che qui si dedica alla biografia del compositore Bernstein; “Priscilla”, il nuovo atteso film di Sofia Coppola sulla vera storia della moglie di Elvis Presley; ”The Killer”, il nuovo thriller di David Fincher con Michael Fassbender; “Poor Things”, di Yorgos Lantimos con Emma Stone; “El Conde” di Pablo Larrain con un Pinochet vampiro e il biopic “Ferrari”, di Michael Mann con Adam Driver e Penelope Cruz. Venezia 80, il programma ufficiale: Comandante di Edoardo De Angelis The Promised Land di Nikolaj Arcel con Mads Mikkelsen Dogman di Luc Besson con Caleb Landry Jones La Bête di Bertrand Bonello con Léa Seydoux Hors-saison di Stéphane Brizé con Guillaume Canet e Alba Rohrwacher Enea di Pietro Castellitto con un fitto cast in cui figura anche il padre Sergio Maestro di Bradley Cooper con Carey Mulligan, Cooper stesso e non solo. Priscilla di Sofia Coppola Finalmente l’alba di Saverio Costanzo con Lily James, Joe Keery, Alba Rohrwacher, Willem Dafoe Lubo di Giorgio Diritti con Franz Rogowski Origin di Ava DuVernay, regista indipendente afroamericana, per la prima volta a Venezia. The Killer di David Fincher (Netflix). Torna la prima volta da Fight Club (1999), con Michael Fassbender e Tilda Swinton. Memory di Michel Franco con Jessica Chastain. Io capitano di Matteo Garrone. Film italiano ma non in lingua italiana, per scelta del regista. Evil Does Not Exist di Ryusuke Hamaguchi. The Green Border di Agnieszka Holland, girato in semi-clandestinità sul confine bielorusso-polacco. Die Theorie Von Allem di Timm Kröger. Poor Things di Yorgos Lanthimos con Emma Stone, Mark Ruffalo (che non saranno presenti a Venezia, per lo sciopero SAG), Willem Dafoe. El Conde di Pablo Larraín, rivisitazione vampiresca di Pinochet a 50 anni dal colpo di Stato in Cile. Ferrari di Michael Mann con Adam Driver e Penélope Cruz. Adagio di Stefano Sollima con Pierfrancesco Favino, Toni Servillo, Valerio Mastandrea, Adriano Giannini, Francesco Di Leva. Woman of di Małgorzata Szumowska e Michał Englert. Holly di Fien Troch. Fuori concorso: Tra i Fuori Concorso è da menzionare la scelta di due serie tv, I Know Your Soul e D’argent et de sang, quest’ultima che verrà proiettata interamente con tutti i 12 episodi da 50 minuti. Arriverà al Lido anche Woody Allen con Coup de Chance, Wes Anderson con il mediometraggio tratto da una storia di Roald Dahl, The Wonderful Story of Henry Sugar (e un cast stellare) e persino Travis Scott, protagonista di un’opera sperimentale di Harmony Korine (per A24) intitolata Aggro Dr1ft. Grandi nomi fuori concorso sono anche Richard Linklater con Hit Man, Roman Polanski con The Palace e Liliana Cavani, che riceverà il Leone d’oro alla Carriera, con L’ordine del tempo. Atteso anche il sorprendente Quentin Dupieux con Daaaaaalì! Sempre Fuori Concorso sarà anche il film di chiusura (una produzione Netflix), La sociedad de la nieve di J.A. Bayona. Venezia 80, Orizzonti: A Cielo Abierto di Mariana Arriaga e Santiago Arriaga El Paraíso di Enrico Maria Artale Behind the Mountains di Mohamed Ben Attia The Red Suitcase di Fidel Devkota Tatami di Guy Nattiv e Zar Amir Ebrahimi Paradise is Burning di Mika Gustafson The Featherweight di Robert Kolodny Invelle di Simone Massi Hesitation Wound di Selman Nacar Heartless di Nara Normande, Tiao Una sterminata domenica di Alain Parroni City of Wind di Lkhagvadulam Purev-Ochir Explanation for Everything di Gabor Reisz Gasoline Rainbow di Bill Ross, Turner Ross Housekeeping for Beginners di Goran Stolevski En attendant la nuit di Céline Rouzet Hokage – Shadow of fire di Shinya Tsukamoto Dormitory di Nehir Tuna... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[elperegrinodedios]

Gesù, non si è rivelato cosi come era in realtà, ma si è rivelato a seconda delle capacità di coloro che vogliono vederlo. Egli, è lo stesso per tutti, ma appare, grande ai grandi, piccolo ai piccoli agli angeli appare come un angelo e agli uomini come un uomo. Il Logos, è il segreto del tutto. Coloro che conoscono loro stessi, questi, lo hanno conosciuto.

Questo, è ciò che scrive l'apostolo Filippo nel suo originale Apocrifo quindi eretico, poi reso Vangelo canonico, ossia riconosciuto in tutti i canoni della verità come gli altri quattro. 📖

===

E quello che segue, invece, è il versetto 26 del capitolo 10 di Luca nel suo Vangelo da sempre nella Bibbia insieme agli altri di Matteo, Marco, Giovanni. Si può notare perfettamente, cosa e quale sia il significato di ciò che intende Filippo.

Volendo, con le due domande, far capire che, al di là dell'oggettività dello scritto (cioè la scrittura in se stessa) vi è pure una soggettività di lettura, che riflette la condizione spirituale del lettore.

elle ✍️🗝

[silviadeangelis]

Gioielli Rubati 318: Mike Steeden – Antonio Fasolo – Laura Chiarina – fleurose – Silvia De Angelis – Achille Schiavone – Matteo Piergigli – Nina Kossman.

Posted on settembre 15, 2024 Ringrazio l’autore Flavio Almerighi per avermi inserito in questa rosa d’autori domenicale. E allora.Allora chesenso ha respirarequando non c’è un cazzo per cui respirare?Buonanotte mie signore della stradame ne vado dalla vecchia porta della chiesa.Allora cosadicono che oltre l’astro della nottec’è un paradiso mai visto da nessunoalcuni mi dicono che è fatto di…