#Matsumoto Yoko

[nyaa]

[classic-shoujo]

Mamonogatari (1993) by Yoko Matsumoto

[yugimoto]

shoujo postcards (pt. 1)

[dreaminterlude]

Yoko Matsumoto, Dawning of a New Era (2019)

[yurimother]

New 'I'm in Love with the Villainess' Trailer Announces October 2 Premier, New Cast and Theme Revealed

On August 10, a second promotional video for the upcoming television anime adaptation of isekai Yuri series I'm in Love with the Villainess (Watashi no Oshi wa Akuyaku Reijou) was released. The trailer unveiled the series' October 2 premiere date and previewed the opening theme song, "Raise Y/Our Hands!!."

Main cast members Yuu Serizawa (Rae) and Karin Nanami (Claire) perform the opening theme, as well as the ending theme "O.C. Optimum Combination."

The trailer also announced new cast member joining Serizawa and Nanami, as follows:

KENN - Rod Bauer

Daisuke Namikawa - Thane Bauer

Youko Hikasa - Yu Bauer

New visuals were also uploaded to the series website along with the trailer.

Previously announced cast includes Aimi, Ikumi Hasegawa, Sara Matsumoto, and Minami Kurisaka. The anime is created at Platinum Vision and directed by Hideaki Oba (Love of Kill). Additional crew includes:

Ayumu Hisao - Script Composer

Youko Satou - Character Designer

Hijime Takakuwa - Sound Director

Noriyuki Asakura and Usagi to Uma - Music Composers

Yachi Kiyotaka - Art Director

Yamagami Aiko - Color Designer

Sato Yoko and Kobayashi Toshimitsu - Animation Directors

I'm in Love with the Villainess is based on the series of the same name by Inori. Originally released as a webnovel on Shousetsuka ni Naro in 2018, the series was picked up by BL Bunko for digital publishing. It ran for five volumes, concluding in 2021. Hanagata illustrates the light novels.

A manga adaptation of I'm in Love with the Villainess began serialization in Comic Yuri Hime! in June of 2020. Aonoshimo illustrates the manga adaptation. Seven Seas licenses the manga, light novels, and the spin-off series She's So Cheeky for a Commoner in English.

I'm in Love with the Villainess is a popular series, especially with overseas consumers. It has been praised for its world building, characters, and emphasis on explicitly discussing LGBTQ+ identity and life.

The anime is set to premiere on October 2, 2023 and stream in internationally on Crunchyroll.

Source: I'm in Love with the Villainess Anime Official Website

[jariten]

Roundup-catch up: September 2024 (〜Take me back to the Reiwa era arc〜)

After a rather all consuming and intense reading experience that took me 60 years back in time (I will get to that one another time) I wanted to get back to the present time, specifically 2020 to today, and explore what's new and buzzing in the manga landscape. Luckily had a couple titles sitting unread ready to give me the most productive reading week I've had so far this year.

Akari by Marco Kohinata is a work I don't want to go too in detail about because I think it's one that I think is better by just diving straight in so I want to describe a bit what it does artistically. Even before it became the norm to produce manga manuscripts fully digitally with programs like Clip Studio there's always been manga artists who challenge the "correct" way of how manga manuscripts should look with clean inked lines and nothing but screentone or crosshatching to add dimension. Like Taiyo Matsumoto, Hiroaki Samura, and Q Hayashida just to mention a few. But with the digital way of doing it becoming the norm and thus there being less time consuming and high risk ways to experiment with the expected form of a manga manuscript the diversity of artistic expression in manga is expanding. All the manga in this post have an expression to them only really possible to do in a digital medium or if analogue, made possible by the innovations of digital artists. Akari has a sort of charcoal texture to it that I haven't seen any other manga artist use giving it a really illustrative look that really elevates the emotional themes of familial estrangement and being at risk of falling to the margins of society that the work depicts. Its made me really look forward to seeing what the "average" manga manuscript might look like by 2030.

Last year I gushed a bit about the cutesy gag manga Yoko to Tora by Fuyuko Kurosaki which really charmed me with its truly adorable art, little world building touches and anything goes absurdist comedy. This mini project finally got me to pick up Heike Monogatari Yoru-kun no Hanashi. This anachronistic time slipped retelling of the tale of the arrogant Taira samurai clan and its conflict with the Minamoto clan backed by imperial interests. Recently orphaned Yoru-kun has spent most of his life with the spoiled but lonely rich girl Sara. But one day, he is suddenly kidnapped from our time to the Heian era by Taira no Kiyomori! (portrayed as a flashy rock star super villain obsessed with his wife) to play the role of his daughter in a grand scheme to marry the Taira clan into the imperial family. Yoru now finds himself living at the whims of his war mongering and arrogant new father, but at the same time finds himself sympathetic and invested in his new family. Because they aren't all that bad. Right? But what about Sara? She's not going to let Yoru be all alone in this strange story, right? The Heike story is retold with a maximalist, deeply anachronistic and absurd fashion by, I will already declare, one of my favorite contemporary manga artists.

There's clearly a "gender bending" aspect to have these characters take the roles of historical figures of the "opposite" gender but the role assignment is as far as that went. The only new item of clothing that gendered Yoru was a kimono overcoat worn over his school uniform while Sara was only gendered by a piece of armour worn on top of hers. And of course Yoru can have a baby, you can just go pick those up anywhere. Like, at the cabbage patch. Intentionally or not it becomes a farcical commentary on how gender is assigned upon you by others.

A lot of current manga are in some way colored by the pandemic and 2020 COVID lockdown era. After Shinzo Keigo was hospitalized from COVID complications he produced Hirayasumi. But his wife Natsuko Taniguchi was obviously affected by this time in world history and her personal life as well and produced her own manga in response to it. Fukiyose Residence introduces us to the flashy gal cashier at a non-franchise conbini. She talks loud, sits on a camping chair behind the register but her high spirits brings as much joy as annoyance to her customers. But her public self and private self couldn't be more different, which her neighbours in her apartment building learn one by one. A short but very sweet story about actually finding connection with those closest to you and the ways we transform ourselves through and for others.

Sometimes I don't do my due dilligence and check if I can get a title I'm eyeing in Japanese in english, but to be fair that overlap is just so rare that I lost the habit. But here I made a mistake, because last week Astro Biologist Pratess by Sarami got a translated omnibus release by Alien Press. That particular edition is not what I will review T^T but it's def one to check out. A classic coming of age during summer vacation with past lives from outer space a la Please Save My Earth and astral connections to an alien astro biologist brings 3 friends closer as they try to figure out exactly what they want from life. This is one I wish was just 1 or 2 volumes longer so all 3 characters got to be fully fleshed out but I enjoyed what we got and it made me feel even more excited about what manga is waiting for us in the near future. The work was also licensed in Spanish so if that's your preferred way to read do check it out!

[soulist-aurora]

Epilogue: Hajin Bae

展示会前日、彼女は正面の壁に飾られた自分の絵を見ながら、ここにメッセージを書きたいと言った。 彼女が一番好きなナムサンタワーの夜景を描いた大きな絵。 彼女は、その絵の上にこんなメッセージを書き残した。

『1997年7月21日　夜

高校3年の夏、18歳 私はホントに絵を描きたかった。 この日、美大に入るための予備校をやめなければならなかった。 お金がないから。 やめるしかなかった。

貧乏、どうにもならないこと・・・ この日、死ぬつもりでソウルで一番高い場所にあるナムサンタワーに登った。

でも、なんでだ��う・・・死ぬことができなかった。 ナムサンタワーの上から見たソウルの夜景 あまりに美しく、夢みたいに思えた。

その時思った 「２つの耳で聞こえるものではないけれど、 ソウルの夜景は貧しい人の夢を奏でてくれる最高のオーケストラだ」と

その時、私はナムサンタワーとゆびきりをした。 死なない、絶対に。一生懸命生きるから。 ソウルみたいに美しく、華麗に生きてみせるから。

この展示会は、１２年前に、私がナムサンタワーとした約束を守ったことの証です。』

彼女の絵の中に潜むやるせなさに、ちょっぴりだけ触れた気がした。

–  gallery re:tail,  matsumoto yoko

(Hajin Bae profile）

韓国で活躍中のイラストレーター 新人アーティスト発掘の登竜門として名高いホンデフリーマーケットの芸術作家として活動を開始。その後、seventeen magazine KOREA 、ecoleといった各種女性ファッション誌のイラストを手がける。 2005年からは、韓国７大企業の１つである HANWHAグループで、アートディレクターとしてWebマガジンの制作に務め、翌年、同マガジンをウェップアワードコリア 企業コミュニティ部門の優秀賞へと導いている。また、2006年には、中国最大のファッション誌『Rayli』において、世界６大イラストレーターの一人として、奈良美智らと並んで紹介をされている。

[gh0stbled]

𝐈𝐧𝐢𝐭𝐢𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐩𝐫𝐨𝐟𝐢𝐥𝐞 𝐮𝐩𝐥𝐨𝐚𝐝… 【 yuyu kitamura //. non-binary //. she, they 】 Welcome, MAXIMONA "MAXIE" SOLSTICE COSMO ZERO MATSUMOTO THE V. You have successfully been loaded into The Hub. According to our records, you are TWENTY-FOUR and have held citizenship for THIRTEEN YEARS in the barrier city, Neo California. Your key attributes have been identified as INNOCENT and MISCHEVIOUS. Please confirm your CHAOTIC GOOD to proceed. Our data indicates that you are currently employed with NANO ZILLAS as a NET RUNNER ( CODE NAME: CipherCat ) //. POKER DEALER at INFERNO CASINO. For your safety and security, it is crucial that all background information is accurate. Further analysis of our archives highlights your alignment with at least a screen flooding with neon Neko cats, their pixelated paws playfully swiping through your files as they multiply in vibrant colors, dancing in chaotic loops until, with a sudden glitch, they freeze. The screen flickers, then goes black—leaving only the haunting trace of their mischief behind; Endlessly humming twisted lullabies, their strange tunes drift like whispers—familiar, yet unknown, leaving listeners lost in a melody only they can follow and //. or CHICKEN BONE BY YOKO KANNO. ▒▒▒▒▒▒▒▒▒▒ Verification 100% complete. Please adhere to all local regulations and laws during your stay. We trust that your time here will be both fulfilling and safe. 

CHAPTER I: I like, you like, he likes, she likes chicken bone.

You are a young woman, always outcast for being "different." From the earliest days, your mind seemed to hum with the efficiency of a machine. Numbers, codes, complexities that baffled others unraveled before you in mere seconds. The adults marveled, yet the other children? They looked at you as though you were an anomaly, something strange and untouchable. So, you grew up alone—isolated by brilliance, abandoned in your own silent world. But there was one person who never saw you as strange: your father. He loved every quirk, every spark in your mind. He taught you to be yourself, to sing your joy into the wind, to smile in the face of a broken world. “Focus on what makes you happy,” he’d say, “what matters to you.” His words were your anchor, his love your compass. And then, one day, he was gone. Without warning, just a note saying he’d come back for you someday. That day never came. Your heart broke, the world turned cold, and you were left behind—discovered by a neighbor after surviving on your own for over a month. Placed into the system, you became a shadow in a world that had forgotten you. But even then, your spirit didn’t dim. You were bubbly, bright, full of life despite the grief pulling at your edges. You clung to the gift your father left you—your little worn cat backpack—and moved through the doors they sent you through, one foster home after another. You were cute, full of questions, always smiling—too much, it seemed. Too noisy, too inquisitive, too happy. You didn’t understand why they couldn’t love you for who you were. But the families grew weary, sending you back, again and again. Others kept you, not for love but for the money you brought them, working you to the bone with barely enough food to survive. Sometimes, you’d act out intentionally, desperate to escape, hoping they'd send you back to the system instead of keeping you in their cold, empty homes. And in the gaps between the chaos, you found solace in something no one could take from you—technology. Your brain, always a marvel, craved understanding. You devoured everything you could find about electronics, coding, the secrets hidden in the web’s depths. You became a master at it, slipping into the digital world like it was your true home. Hacking became your escape, your obsession, and eventually, your power. The outdated computers in group homes couldn’t contain you—you stayed on them for days, your fingers flying across the keys, your mind lighting up with every breakthrough. You found community in the darkest corners of the web. For the first time, you weren’t alone. There were others like you—people who understood the thrill of unraveling secrets, of exposing the monsters lurking in the shadows, of protecting those who couldn’t protect themselves. In this digital realm, you finally had a voice, and you used it to amplify others. It didn’t matter what traumas you carried, what the world had done to you. You had found your purpose. And no one could take that away.

ACT II. Dreamin', dreamin' dreamin' of this chicken bone. Crazy, crazy, crazy 'bout a chicken bone.

With time, your journey as a netrunner became more than just a whispered rumor in dark corners; it transformed into a symphony of risks and revelations. What began as a natural gift—a knack for slicing through the complexities of code and algorithms—soon evolved into a way of life. You weren’t just playing in the digital shadows anymore; you were navigating the veins of the Net itself, slipping through its hidden currents, gaining deeper insight into a world that most couldn’t even comprehend. You sought the places no one else would go, the abandoned nodes, the forgotten servers buried beneath layers of old data. You’d disappear for hours, sometimes days, searching for that perfect entry point, where you could jack in and steal your way through the Net like a ghost, unseen and untouchable. The gigs you took on were reckless, the kind that seasoned runners wouldn’t dare approach. But you? You thrived on the risk, on the pulse of danger that came with every job. It wasn’t about the money or the reputation; it was about testing your limits, pushing yourself further, until the Net felt like an extension of your own mind. And even though some jobs went south, every failure was a lesson, sharpening your skills, honing your instincts. Then came 2138, the year that would change everything. You managed the impossible: hacking into the impenetrable fortress of Ichibangase-Eisher in Japan. It wasn’t just any facility—it was the heart of their most closely guarded secrets. Inside those encrypted walls, you uncovered files detailing the creation of SOLDIER, a process so brutal, so twisted, it sent chills down your spine. These weren’t just experiments; they were atrocities, turning human lives into weapons, stripping away their humanity piece by piece. And you, Maxie, had those secrets at your fingertips. For a moment, the world felt like it was in your grasp. But with power comes peril. At nineteen, your netrunner alias had become known in places you’d rather remain invisible. The Neo Los Angeles Government was watching you now. When you breached the Gestalt Bureau datafort using their own Neo Los Angeles base as a proxy, it was a declaration, a signal flare that drew their gaze directly to you. The chase that followed was relentless—government netrunners hunting you through the endless maze of the Net, their signals closing in on you like wolves on a trail. It was a race against time, your mind moving faster than your fingers, breaking through firewalls, evading traces. But just as they were about to flatline you, you severed the connection, slipping away with barely a breath to spare. They mapped your signal, but you remained one step ahead—alive, but forever marked. That narrow escape wasn’t the end, though—it was the beginning. Your reckless audacity caught the eye of the Nano-Zillas, a group whispered about with equal parts fear and reverence in the underground. They were the elite, the best of the best, and they had been watching you. It wasn’t long before they made contact, offering you something you hadn’t had in a long time—a place where you truly belonged. For the first time, you weren’t just a solitary figure hiding behind a screen. You were part of something larger. Among the Nano-Zillas, you found not only safety but camaraderie, a crew that shared your passion for unraveling the darkest secrets of the Net and megacorporations, a family who accepted you for the brilliant, defiant hacker you had become. Here, you weren’t just surviving. You were thriving. You’d carved out a home, not just in the digital landscape but in the real world, amongst the few who understood you. The journey wasn’t over—there would always be more secrets to uncover, more dangers to face—but for the first time, you knew you wouldn’t be facing them alone. The Netrunner you had become was no longer just a shadow in the dark; you were a force, a legend in the making, and the world was starting to take notice.

CHAPTER III. Happy, happy, happy with a chicken bone. From the bottom of my heart the chicken bone.

With the Nano-Zillas at your side, you were given everything you needed to sharpen your edge and refine your craft. The tools at your disposal weren’t just digital anymore—they became part of you. Your body, once flesh and bone, was enhanced with stolen tech, liberated from the very corporations you swore to dismantle. The modifications were gifts from your comrades, sourced from Gestalt Bureau’s prized Tier 6 technology, the kind reserved for their most elite netrunners. Now, you were no longer just a hacker, no longer tethered to external systems. A sleek port inserted into the back of your head turned you into a walking, breathing netrunning station, capable of diving into the Net whenever and wherever you needed. Being a Nano-Zilla meant more than just hacking for the thrill—it was about a mission, a purpose that burned brighter than any code you ever cracked. You weren’t just taking down targets for sport; you were dismantling systems built on greed, oppression, and cruelty. Those who profited from the pain of others, who manipulated lives for their gain—they were the ones in your crosshairs. And though your methods were as unconventional as the mind that crafted them, you quickly proved yourself among your peers. You didn’t think like everyone else—your approach was a riddle, a puzzle few could follow, but the results spoke for themselves. Under their guidance, you grew, and with time, responsibility found its way into your hands. Respect followed soon after, as the crew saw not just a hacker in you, but a leader in the making. Yet, despite the missions, despite the battles you fought in the digital and physical realms, there was always a deeper mission humming in the back of your mind—a search that had begun long before you’d ever heard the word “netrunner.” Finding your father, the man who vanished from your life with nothing but a note and a promise he never kept. For nearly four years, you hunted through the farthest reaches of the Net, tracing whispers, leads, and rumors that always dissolved before you could grasp them. No matter how many dead ends you reached, you never gave up. You couldn’t. The search for him was woven into your soul as deeply as the Net itself. Through it all, you remained a ray of sunshine, an anomaly of joy in a world too often dulled by shadows. You created your own tunes, whimsical melodies that danced in your head while your fingers danced across the keys. You spoke in riddles that no one else seemed to understand, and you loved that. A smile was your constant companion, even when the world tried to dim your light. You saw through things others couldn’t, always finding the cracks where the truth lay hidden. You are more than CipherCat, more than just a name whispered through the digital corridors of the Net. You are Maximona Solstice Cosmo Zero Matumoto the V, a being made of oddities and contradictions, and you have decided to remain exactly as you are. In a world that tried to mold you into something else, you stayed true to yourself—a riddle wrapped in code, a spark that refused to fade, a soul too bright to be contained. And in that truth, you found your power. You didn’t just accept the peculiarities that made you—you embraced them, wore them proudly, knowing that they were the very things that set you free. Even now, with all you've been through, you remain true to the bright child your father loved. Despite the betrayals and harshness of life, you’ve never let them steal your light. You've always been a survivor. Not just of the physical world, but of the digital one—where you’ve carved out a place for yourself, not just as a hacker, but as someone who matters.

I'd love to go just like a chicken bone, I'm really moved by the chicken bone, The more you eat, the more you'll be the chicken bone. I left my head over the chicken bone.

[yunhyongkeun]

Yoko Matsumoto

[distinktionsfetzen]

Check out Yoko Matsumoto, Shapes in Nature VI (1986), From White Cube

[nununiverse]

21 graveurs japonais contemporains. Avec des biographies d'artistes et des exemples de travaux de Junji Amano, Yoshisuke Funasaka, Kiyoshi Hamada, Shoichi Ida, Shigeyuki Kawachi, Hideki Kimura, Kiyoko Kobayashi, Shigeki Kuroda, Ahira Matsumoto, Mayumi Morino, Kansuke Morioka, Tadyoshi Nakabayashi, Masako Nakayama, Fumihiko Nishioka, Tetsuya Noda, Kazuhiko Sanmonji, Harumi Sonoyama, Shigeru Tanaguchi, Yoko Yamamoto, Hodaka Yoshida et Hiroyasu Yoshike. Editeur : Cleveland, The Cleveland Museum of Art : 1979

[classic-shoujo]

Linda (2000) by Yoko Matsumoto

[mybarn]

Current Show at:

TAKE NINAGAWA GALLERY IN TOKYO, JAPAN

> 15 < from May until 22th July 23

With works from: Bas Jan Ader | Ryoko Aoki | Wang Bing | Patty Chang | Yoko Daihara | Thea Djordjadze | Taro Izumi | Suki Seokyeong Kang | Misaki Kawai | On Kawara | Chikara Matsumoto | Kazuko Miyamoto | Shinro Ohtake | Ken Okiishi | Mihai Olos | Charlotte Posenenske | Mika Rottenberg | Aki Sasamoto | Danh Vo | Franz Erhard Walther | Andro Wekua | Tsuruko Yamazaki | Gozo Yoshimasu

[meimi-haneoka]

Do you think we’ll get the Clear Cards based on these Anime-exclusive characters? Maki Matsumoto, Yuuki Tachibana, Yoko Nakagawa, Akane and Rei Tachibana

😅 No, I don't think so. Not even in the anime version of the events happening in the last half of Clear Card. Those are anime-only characters pertaining exclusively to the Clow Card Arc, and they aren't "special people" to Sakura.

The Clear Cards with human features seem to be representing only a circle of "important and relevant people" to Sakura.

[hotarutranslations]

Nagano!!

Evening

NAGANO PERFORMANCE Thank you very much🫶🏻

I'm sorry for the late update

Kinda, during and after the performance, it was so much fun I was surprised how fast the time passed! Scary!

Of course it was fun during the performance but,

After the performance as well, Talking in front of the camera, Eating the presents I received, (A cornege from Akanechin) (Manmo IIda-san Karaage from Manmo Expo) (It was deliciousss……🤤🫶🏻) (Thank you very much) The excitement goes down immediately after a live but, it was fun as it was~~ Therefore it felt like the time went by quickly!

Nagano performance!

Not in Nagoya, but in Matsumoto! Nagano, that's next to Aichi!

I'm sorry for the inconvenience at the beginning of the evening performance… I'm sorry everyone in Nagano…

NAGANO!

I'm also really happy that we came to Nagano😌💫 I want come in the fall as well, right, Akanechin😌💫

The Akane call before we started was hot~~~

Yokoyama Reina-chan, was resting as she wasn't feeling well

Although, it felt like she was getting support, with golden yellow as well, thank you very much🤝🏻🤝🏻

As we planned to send out the feelings of the 13 of us, we also stood on stage like that!

Tomorrow is Niigata, with the same line-up but, I'm happy that you're watching over us! I hope that Yoko also gets well soon!

Niigata~~~

I'm looking forward to the rice

📺Hello Pro Dance Gakuen Season 11

April 18th 11:30PM~ A Learning From TSUKUSHI-san Adventure🕺

Sendai Broadcast "Ara Ara Kashiko" April 13th (Sat) at 10:25AM~ Ishida Ayumi Goes~!

📺Sendai Broadcast "Sendai Broadcast-san's "Did You Know!? Have You Eaten It!? Everyone's #MiyagiMeshi Project supported by Midori Gin Soda"

27th (Sat) 6:30PM~

I appear once a month as part of the AraKashi Family

The previous shows, and makings, are on OX VIDEO STORE!

Thank you for following.. Instagram💙🩵

💿

May 15th Release Morning Musume '23 Concert Tour Fall "Neverending Shine Show ~Seiki~" Fukumura Mizuki Graduation Special YokoAri's 2nd Day With Fukumura-san's Graduation Performance

May 15th Release Morning Musume '23 Concert Tour Fall "Neverending Shine Show" SPECIAL YokoAri's 1st Day With OG Performances

🪩Spring Tour Has Been Decided Morning Musume '24 Concert Tour Spring MOTTO MORNING MUSUME

🪩JAPAN JAM Morning Musume '24 will be performing on May 3rd!

⚾️《LIVE DAYS！～Exciting Big Exhibition Match～》 June 2nd(Sun), after the Hokkaido Ham Fighters vs. Yokohama DeNa Baystars match, Morning Musume '24 will be having a special mini live!

🪩The MusiQuest 2024 July 21st (Sun) PiaArena MM

We're challenging a new festival stage❤️‍🔥 Absolutely, Definitely, Thank you for your support❤️‍🔥

🍉Sanrio Character Grand Prix Thank you very much for supporting Gaokki🍉

📻Morning Musume '24 Morning Jogakuin ~Houkago Meeting~

Airs Every Saturday, On Radio Nihon at 12:00AM~

Past Broadcast Episodes Are Available →Program Details

Yamazaki Mei's Panda-san Daisuki!! ~Expressing Love Towards My Favorite Panda-san♡ ver.~ in Adventure World

Yamazaki Mei's Panda-san Daisuki!! Mei-chan's Holiday. Adventure World with Oda-san and Ishida-san

see you ayumin <3

[daisukeshimadaworks]

Kenta Dedachi - Moon feat. Ryu Matsuyama Musicvideo

Director / Director of Photography : Daisuke Shimada Camera Assistant : Misato Takaki / Yuki Yoshide / Hiyori Fujimura Lighting Director : Kazuhide Toya Lighting Assistant : Eiji Suzuki / Takuro Inazawa / Akio Morita Morita Akio Stylist : Peter Gunn Sho Hair & Make : Jun Matsumoto / Yoko Matsumoto Production Manager : Rumiko Maruoka Producer : Yukiko Tsuji / Takashi Sugai