#Mary Margaret Hansen

[coulisses-onirisme]

Mary Margaret Hansen

[moviehealthcommunity]

This pinned post contains every movie we have determined to be safe for photosensitive audiences! This will be updated as new titles enter and leave theaters. This is NOT medical advice. These are just titles to which we have given flashing lights scores of 0 or 1 out of 10.

*=currently in theaters

The 40-Year-Old Virgin 80 for Brady Abominable American Fiction Anchorman: The Legend of Ron Burgundy Are You There God? It's Me, Margaret Away From Her A Bad Moms Christmas The Ballad of Buster Scruggs The Beguiled The Big Sick The Bikeriders Billy Madison Book Club: The Next Chapter The Breakfast Club Casablanca Challengers Cheaper by the Dozen (2022) The Christmas Chronicles A Christmas Story Christmas Christopher Robin Cinderella (2015) Clerks Cocaine Bear Coco Coming to America Crazy Rich Asians Crimson Peak Crouching Tiger, Hidden Dragon Cyrano Daddy's Home Daddy's Home 2 Dear Evan Hansen Dirty Dancing Dogma Dolores Claiborne Downhill Downton Abbey Drive My Car Eight Crazy Nights Eileen Elemental Elf Enemy Ever After: A Cinderella Story Extremely Wicked, Shockingly Evil and Vile The Fighting Preacher Five Feet Apart Gladiator Going in Style The Goldfinch Good Will Hunting Green Book Heretic The Hobbit: The Desolation of Smaug The Hurt Locker The Hustle I Don't Know How She Does It The Ice Age Adventures of Buck Wild IF In Bruges Instant Family Interview with the Vampire It Ends with Us It's a Wonderful Life Jojo Rabbit Kimi Knives Out Last Christmas The Laundromat Little Women (2019) Lizzie Logan Lucky The Lord of the Rings: The Fellowship of the Ring Luca Lying and Stealing Ma Rainey's Black Bottom A Madea Christmas Madea's Family Reunion Madea's Witness Protection Maleficent: Mistress of Evil Mallrats A Man Called Otto The Many Saints of Newark Marriage Story Mary Poppins Returns Mary Queen of Scots Mean Girls (2004) The Menu Miracle of 34th Street (1994) Misery Monty Python's Life of Brian Mrs. Doubtfire The Muppet Christmas Carol Muppet Treasure Island Murder Mystery Next Goal Wins Night at the Museum Office Space On the Basis of Sex Origin Pan's Labyrinth Past Lives The Perfection The Polar Express The Power of the Dog A Prayer Before Dawn Psycho (1960) Psycho (1998) Pulp Fiction The Report The Rhythm Section Rise of the Planet of the Apes Roma The Room Rudy The Santa Clause The Santa Clause 3: The Escape Clause Sasquatch Sunset Seven Psychopaths The Shallows Shanghai Noon Shaun the Sheep Movie The Shining Shrek the Third Smokey and the Bandit Son In Law Spencer The Texas Chain Saw Massacre (1974) Three Thousand Years of Longing Ticket to Paradise Uncut Gems United 93 West Side Story (1961) The Whale Windfall The Wizard of Oz Women Talking Won't You Be My Neighbor? Worth Zombieland: Double Tap The Zone of Interest

[dannyreviews]

Golden Age of Hollywood Actors Born Before (And Including) 1936 Still Alive

This only includes actors that had at least one credited role in a Hollywood feature film or short up to 1959.

Elisabeth Waldo (b. 1918)

Caren Marsh Doll (b. 1919)

Patricia Wright (b. 1921)

Jacqueline White (b. 1922)

Annette Warren (b. 1922)

Ray Anthony (b. 1922)

Tommy Dix (b. 1923)

Eva Marie Saint (b. 1924)

Anne Vernon (b. 1924)

Maria Riva (b. 1924)

June Lockhart (b. 1925)

Lee Grant (b. 1925)

Peggy Webber (b. 1925)

Lise Bourdin (b. 1925)

Brigitte Auber (b. 1925)

Kerima (b. 1925)

Terry Kilburn (b. 1926) 

Marilyn Erskine (b. 1926)

Bambi Linn (b. 1926)

David Frankham (b. 1926)

Tommy Morton (b. 1926)

Jill Jarmyn (b. 1926)

Marilyn Knowlden (b. 1926)

Genevieve Page (b. 1927)

Donna Martell (b. 1927)

William Smithers (b. 1927)

Peter Walker (b. 1927)

H.M. Wynant (b. 1927)

Betty Harford (b. 1927)

Cora Sue Collins (b. 1927)

Marilyn Granas (b. 1927)

Ann Blyth (b. 1928)

Nancy Olson (b. 1928)

Peggy Dow (b. 1928)

Earl Holliman (b. 1928)

Kathleen Hughes (b. 1928)

Colleen Townsend (b. 1928)

Marion Ross (b. 1928)

Gaby Rodgers (b. 1928)

Jan Shepard (b. 1928)

Walter Maslow (b. 1928)

Tom Troupe (b. 1928)

Sidney Kibrick (b. 1928)

Garry Watson (b. 1928)

Fay Chaldecott (b. 1928)

Mark Rydell (b. 1929)

Terry Moore (b. 1929)

Vera Miles (b. 1929)

Ann Robinson (b. 1929)

Liseotte Pulver (b. 1929)

James Hong (b. 1929)

Rachel Ames (b. 1929)

Olga James (b. 1929)

Michael Forest (b. 1929)

Vikki Dougan (b. 1929)

Steve Terrell (b. 1929)

Margaret Kerry (b. 1929)

James Congdon (b. 1929)

Betsy Gay (b. 1929)

Jack Betts (b. 1929)

Clint Eastwood (b. 1930)

Joanne Woodward (b. 1930)

Mara Corday (b. 1930)

Nita Talbot (b. 1930)

Taina Elg (b. 1930)

Robert Wagner (b. 1930)

John Astin (b. 1930)

Tommy Cook (b. 1930)

Mary Costa (b. 1930)

Lois Smith (b. 1930)

Will Hutchins (b. 1930)

Peggy King (b. 1930)

Lynn Hamilton (b. 1930)

Don Burnett (b. 1930)

Clark Burroughs (b. 1930)

Robert Hinkle (b. 1930)

Sheila Connolly (b. 1930)

Barbara Bestar (b. 1930)

Rita Moreno (b. 1931)

Leslie Caron (b. 1931)

Carroll Baker (b. 1931)

William Shatner (b. 1931)

Mamie Van Doren (b. 1931)

Robert Colbert (b. 1931)

Barbara Eden (b. 1931)

Angie Dickinson (b. 1931)

Claire Bloom (b. 1931)

Marianne Koch (b. 1931)

Sylvia Lewis (b. 1931)

Carmen De Lavallade (b. 1931)

Zohra Lampert (b. 1931)

Michael Dante (b. 1931)

Ann McCrea (b. 1931)

Jack Grinnage (b. 1931)

Maralou Gray (b. 1931)

Billy Mindy (b. 1931)

Sugar Dawn (b. 1931)

Joanne Arnold (b. 1931)

Joel Grey (b. 1932)

George Chakiris (b. 1932)

Felicia Farr (b. 1932)

Abbe Lane (b. 1932)

Steve Rowland (b. 1932)

Jacqueline Beer (b. 1932)

Colleen Miller (b. 1932)

Joanne Gilbert (b. 1932)

Olive Moorefield (b. 1932)

Neile Adams (b. 1932)

Jacqueline Duval (b. 1932)

Edna May Wonnacott (b. 1932)

Richard Tyler (b. 1932)

Mickey Roth (b. 1932)

Leon Tyler (b. 1932)

Peggy McIntyre (b. 1932)

Christiane Martel (b. 1932)

Elsa Cardenas (b. 1932)

Claude Bessy (b. 1932)

Kim Novak (b. 1933)

Julie Newmar (b. 1933)

Debra Paget (b. 1933)

Constance Towers (b. 1933)

Joan Collins (b. 1933)

Kathleen Nolan (b. 1933)

Brett Halsey (b. 1933)

Robert Fuller (b. 1933)

Pat Crowley (b. 1933)

Barrie Chase (b. 1933)

Jackie Joseph (b. 1933)

Geoffrey Horne (b. 1933)

Tsai Chin (b. 1933)

Lita Milan (b. 1933)

Vera Day (b. 1933)

Diana Darrin (b. 1933)

Ziva Rodann (b. 1933)

Jeanette Sterke (b. 1933)

Marti Stevens (b. 1933)

Annette Dionne (b. 1933)

Cecile Dionne (b. 1933)

Johnny Russell (b. 1933)

Patti Hale (b. 1933)

Gary Clarke (b. 1933)

Shirley MacLaine (b. 1934) 

Sophia Loren (b. 1934)

Shirley Jones (b. 1934)

Russ Tamblyn (b. 1934)

Pat Boone (b. 1934)

Audrey Dalton (b. 1934)

Claude Jarman Jr. (b. 1934)

Tina Louise (b. 1934)

Karen Sharpe (b. 1934)

Joyce Van Patten (b. 1934)

May Britt (b. 1934)

Joby Baker (b. 1934)

Jamie Farr (b. 1934)

Myrna Hansen (b. 1934)

Priscilla Morgan (b. 1934)

Aki Aeong (b. 1934)

Robert Fields (b. 1934)

Dani Crayne (b. 1934)

Donnie Dunagan (b. 1934)

Richard Hall (b. 1934)

Charles Bates (b. 1934)

Marilyn Horne (b. 1934)

Marilee Earle (b. 1934)

Rod Dana (b. 1935) 

Pippa Scott (b. 1935)

Ruta Lee (b. 1935)

Barbara Bostock (b. 1935)

Johnny Mathis (b. 1935)

Leslie Parrish (b. 1935)

Salome Jens (b. 1935)

Yvonne Lime (b. 1935)

Jean Moorehead (b. 1935)

Marco Lopez (b. 1935)

Joyce Meadows (b. 1935)

Christopher Severn (b. 1935)

Richard Nichols (b. 1935)

Carol Coombs (b. 1935)

Nino Tempo (b. 1935)

Patricia Prest (b. 1935)

Dawn Bender (b. 1935)

John Considine (b. 1935)

Jerry Farber (b. 1935)

Clyde Willson (b. 1935)

Bob Burns (b. 1935)

Susan Kohner (b. 1936)

Millie Perkins (b. 1936)

Burt Brickenhoff (b. 1936)

Mason Alan Dinehart (b. 1936)

Anna Maria Alberghetti (b. 1936)

Lisa Davis (b. 1936)

Joan O'Brien (b. 1936)

Richard Harrison (b. 1936)

Tommy Ivo (b. 1936)

John Wilder (b. 1936)

Gary Conway (b. 1936)

Michael Chapin (b. 1936)

Carol Morris (b. 1936)

Fernando Alvarado (b. 1936)

[haveyoureadthismgyabook]

Series info...

Book one in the Dear America series

A Journey to the New World

The Winter of Red Snow: The Revolutionary War Diary of Abigail Jane Stewart, Valley Forge, Pennsylvania, 1777 by Kristiana Gregory

When Will This Cruel War Be Over?: The Civil War Diary of Emma Simpson, Gordonsville, Virginia, 1864 by Barry Denenberg

A Picture of Freedom: The Diary of Clotee, a Slave Girl, Belmont Plantation, Virginia, 1859 by Patricia McKissack

Across the Wide and Lonesome Prairie: The Oregon Trail Diary of Hattie Campbell, 1847 by Kristiana Gregory

So Far from Home: The Diary of Mary Driscoll, an Irish Mill Girl, Lowell, Massachusetts, 1847 by Barry Denenberg

I Thought My Soul Would Rise and Fly: The Diary of Patsy, a Freed Girl, Mars Bluff, South Carolina, 1865 by Joyce Hansen

West to a Land of Plenty: The Diary of Teresa Angelino Viscardi, New York to Idaho Territory, 1883 by Jim Murphy

Dreams in the Golden Country: The Diary of Zipporah Feldman, a Jewish Immigrant Girl, New York City, 1903 by Kathryn Lasky

Standing in the Light: The Captive Diary of Catharine Carey Logan, Delaware Valley, Pennsylvania, 1763 by Mary Pope Osborne

Voyage on the Great Titanic: The Diary of Margaret Ann Brady, RMS Titanic, 1912 by Ellen Emerson White

A Line in the Sand: The Alamo Diary of Lucinda Lawrence, Gonzales, Texas, 1836 by Sherry Garland

My Heart Is on the Ground: The Diary of Nannie Little Rose, a Sioux Girl, Carlisle Indian School, Pennsylvania, 1880 by Ann Rinaldi

The Great Railroad Race: The Diary of Libby West, Utah Territory, 1868 by Kristiana Gregory

A Light in the Storm: The Civil War Diary of Amelia Martin, Fenwick Island, Delaware, 1861 by Karen Hesse

The Girl Who Chased Away Sorrow: The Diary of Sarah Nita, a Navajo Girl, New Mexico, 1864 by Ann Turner

A Coal Miner's Bride: The Diary of Anetka Kaminska, Lattimer, Pennsylvania, 1896 by Susan Campbell Bartoletti

Color Me Dark: The Diary of Nellie Lee Love, the Great Migration North, Chicago, Illinois, 1919 by Patricia McKissack

One Eye Laughing, the Other Weeping: The Diary of Julie Weiss, Vienna, Austria to New York, 1938 by Barry Denenberg

My Secret War: The World War II Diary of Madeline Beck, Long Island, New York, 1941 by Mary Pope Osborne

Valley of the Moon: The Diary Of Maria Rosalia de Milagros, Sonoma Valley, Alta California, 1846 by Sherry Garland

Seeds of Hope: The Gold Rush Diary of Susanna Fairchild, California Territory, 1849 by Kristiana Gregory

Christmas After All: The Great Depression Diary of Minnie Swift, Indianapolis, Indiana, 1932 by Kathryn Lasky

Early Sunday Morning: The Pearl Harbor Diary of Amber Billows, Hawaii, 1941 by Barry Denenberg

My Face to the Wind: The Diary of Sarah Jane Price, a Prairie Teacher, Broken Bow, Nebraska, 1881 by Jim Murphy

Where Have All the Flowers Gone? The Diary of Molly MacKenzie Flaherty, Boston, Massachusetts, 1968 by Ellen Emerson White

A Time for Courage: The Suffragette Diary of Kathleen Bowen, Washington, D.C., 1917 by Kathryn Lasky

Mirror, Mirror on the Wall: The Diary of Bess Brennan, Perkins School for the Blind, 1932 by Barry Denenberg

Survival in the Storm: The Dust Bowl Diary of Grace Edwards, Dalhart, Texas, 1935 by Katelan Janke

When Christmas Comes Again: The World War I Diary of Simone Spencer, New York City to the Western Front, 1917 by Beth Seidel Levine

Land of the Buffalo Bones: The Diary of Mary Ann Elizabeth Rodgers, an English Girl in Minnesota, New Yeovil, Minnesota, 1873 by Marion Dane Bauer

Love Thy Neighbor: The Tory Diary of Prudence Emerson, Green Marsh, Massachusetts, 1774 by Ann Turner

All the Stars in the Sky: The Santa Fe Trail Diary of Florrie Mack Ryder, The Santa Fe Trail, 1848 by Megan McDonald

Look to the Hills: The Diary of Lozette Moreau, a French Slave Girl, New York Colony, 1763 by Patricia McKissack

I Walk in Dread: The Diary of Deliverance Trembley, Witness to the Salem Witch Trials, Massachusetts Bay Colony, 1691 by Lisa Rowe Fraustino

Hear My Sorrow: The Diary of Angela Denoto, a Shirtwaist Worker, New York City, 1909 by Deborah Hopkinson

The Fences Between Us: The Diary of Piper Davis, Seattle, Washington, 1941 by Kirby Larson

Like the Willow Tree: The Diary of Lydia Amelia Pierce, Portland, Maine, 1918 by Lois Lowry

Cannons at Dawn: The Second Diary of Abigail Jane Stewart, Valley Forge, Pennsylvania, 1779 by Kristiana Gregory

With the Might of Angels: The Diary of Dawnie Rae Johnson, Hadley, Virginia, 1954 by Andrea Davis Pinkney

Behind the Masks: The Diary of Angeline Reddy, Bodie, California, 1880 by Susan Patron

A City Tossed and Broken: The Diary of Minnie Bonner, San Francisco, California, 1906 by Judy Blundell

Down the Rabbit Hole: The Diary of Pringle Rose, Chicago, Illinois, 1871 by Susan Campbell Bartoletti

[explicus]

Tobacco Harvest 1946

Photographer: Marie Hansen (American, 1918-1969)

After graduating from the University of Missouri, Marie Hansen went to the Louisville Courier-Journal where she was a photographer and photo editor. In 1942, she was offered a job to join the team of LIFE staff photographers as their third female staff photographer (Margaret Bourke-White and Hansel Mieth were the other two at the time). Hansen’s first big story for LIFE was her photo-essay on the WAAC’s, the Women’s Army Auxiliary Corps, which was first organized in the United States, May 12, 1942. In 1945, Hansen went to Hollywood for LIFE, where Joseph Pasternak (Hungarian-born film producer working at MGM) asked her to audition. After a screen test, she was offered a movie contract, but turned it down because she realized she was more interested in what was going on behind the camera than in front of it. After Hollywood, Hansen was stationed in Washington, D.C. where she was assigned to the White House during most of World War II. General Dwight D. Eisenhower chose one of Hansen’s portraits of him as his “official” photograph. In 1946, Hansen left LIFE as a staff photographer, and she and her husband David Wesley toured the world as a writer/photographer team.

[cristalconnors]

FEBRUARY SCREENING LOG

13. Turning Red (Domee Shi, 2022)- 8.1

14. Till (Chinonye Chukwu, 2022)- 8.2

15. Playground (Laura Wandel, 2022)- 8.5

16. No Bears (Jafar Panahi, 2022)- 8.4

17. One Fine Morning (Mia Hansen-Løve, 2022)- 8.1

18. God's Creatures (Saela Davis & Anna Rose Holmer, 2022)- 7.9

19. The Wonder (Sebastian Lelio, 2022)- 7.8

20. Marcel the Shell with Shoes On (Dean Fleisher-Camp, 2022)- 8.2

21. Guillermo del Toro's Pinocchio (Guillermo del Toro & Mark Gustafson, 2022)- 7.4

22. Twilight (Catherine Hardwicke, 2008)- 6.5

21. The Twilight Saga: New Moon (Chris Weitz, 2009)- 7.7

22. Corsage (Marie Kreutzer, 2022)- 8.7

23. The Whale (Darren Aronofksy, 2022)- 1.0

24. Causeway (Lila Neugebauer, 2022)- 7.5

25. Hit the Road (Panah Panahi, 2022)- 8.5

26. Descendant (Margaret Brown, 2022)- 8.0

27. RRR (S.S. Rajamouli, 2022)- 6.0

28. Armageddon Time (James Gray, 2022)- 7.3

[strinak]

Author Statistics

For 10 authors, I read their works into the double digits: Alessandra Hazard (x11) Kiki Clark (x12) Kati Wilde (x13) Shelly Laurenston (x15) AJ Sherwood (x16) Onley James (x20) KL Noone (x24) Charity Parkerson (x31) Megan Derr (x40) Mary Calmes (x44)

For 24 authors, I read at least 3 and at most 9 works: Andrea K Host (x4), Anne Bishop (x4), Brigham Vaughn (x3), Bruce Sentar (x3), Deacon Frost (x3), Eric Ugland (x7), Gail Carriger (x1)/GL Carriger (x3), Ilona Andrews (x5), Jennifer Cody (x4), Jordan Castillo Price (x3), Louisa Masters (x6), Lucy Lennox (x5), Lyn Gala (x3), Mell Eight (x3), Michelle Diener (x4), Naomi Novik (x3), R Cooper (x5), RJ Moray (x2)/Robin Moray (x1), Sam Burns (x5), Shirtaloon (x7), Stella Starling (x4), TJ Land (x9), Vasily Mahanenko (x3), and Wen Spencer (x5).

For 25 authors, I read exactly 2 works: Alex Gilbert, Alice Winters, Amanda Meuwissen, Amy Crook, Andy Gallo, Bettie Sharpe, Claire Cullen, David North, Eli Easton, Eryn Ivers, Isabel Murray, Jessie Mihalik, KM Neuhold, LC Mawson, Luke Chmilenko, Macronomicon, Ofelia Grand, Robin Roseau, Ryan Rimmel ,Sam Burns & WM Fawkes (with Sam Burns), Shannon West, Skylar Jaye, Tara Lain, TS Snow, and Victoria Helen Stone.

For 87 authors, I read only a single work: A Catherine Noon & Rachel Wilder, AC Wiggen, Allie Brosh, Amanda Milo, Andrea Speed, Anyta Sunday (with Andy Gallo), April Jade, Arden Powell, August, Brea Alepou & Wren Snow, Brooke Matthews, Bryce O’Connor (with Luke Chmilenko), Cale Plamann, Casualfarmer, Catelyn Winona, Chace Verity, CJ Carella, CM Blackwood, Courtney Milan, Daniel Rose, Danny M Lavery, Darktechnomancer, Dassy Bernhard, Delaney Rain, Delmire Hart, Devon Vesper, DI Freed, DM Rhodes, Eden Finley & Saxon James, EJ Russell, Elliott Kay, EM Lindsey (with Kiki Clark), Hayden Hall, HJ Tolson, Jenny Lawson, Jesse Q Sutanto, JK Jeffrey, KA Merikan, Kaleb England, Kaydence Snow, Kou Delika, Lee Hadan, Liz Talley, May Archer (with Lucy Lennox), Macy Blake, Margaret Atwood, Marie Cardno & Kalikoi, Michele Notaro, Michelle Frost, Michelle Kathleen Hodgson, Natasha Hunter, Nazri Noor, Philip R Johnson & Justin C Louis, Raleigh Ruebins, Ravensdagger, Regine Abel, Riley Hart, RJ Scott, Robert Bevan, Ryn Bretcher, Sam Starbuck, Samantha Cayto, Sariah Wilson, Sasha L Miller, Scott Browder, SE Harmon, Sean Oswald, Sebastian Hansen, Seth Richter, Sienna Sway, Sierra Riley, SJ Himes, Stephanie Burgis, Stephen L Hadley, Stuart Grosse, Suki Fleet, Sunny Hart, SunriseCV, Tansy Rayner Roberts, Tanya Chris, Toby Wise, Tom Watts, Toni McGee Causey, Travis Baldtree, Xander Boyce, Yamila Abraham, and Zile Elliven.

[ao3feed-clexafic]

Soulmates in the Dark

Read it on AO3 at https://archiveofourown.org/works/60169351 by LesbianUnicorn722 Regina will do the impossible to bring her family back together. The Evil Queen will not rest even if it means to destroy whoever gets in her way. Jade and Cat will do everything in their hands to help, but would it be enough to bring Emma and Lauren back? Words: 11084, Chapters: 2/?, Language: English Series: Part 1 of Connections Series ENG Ver Fandoms: Victorious (TV), Once Upon a Time (TV), Supergirl (TV 2015), Fifth Harmony (Band), The 100 (TV) Rating: Mature Warnings: Graphic Depictions Of Violence Categories: F/F Relationships: Jade West/Tori Vega, Evil Queen | Regina Mills/Emma Swan, Maleficent/Mulan (Once Upon a Time), Kara Danvers/Lena Luthor, Clarke Griffin/Lexa, Prince Charming | David Nolan/Snow White | Mary Margaret Blanchard, Camila Cabello/Lauren Jauregui, Dinah Jane Hansen/Normani Kordei Additional Tags: Magic, Soulmates, Ancient Times, Modern times, Drunken Shenanigans, Jade and Lauren being little shits to Snow, Cat being a angel, no beta we die like my heterosexuality Read it on AO3 at https://archiveofourown.org/works/60169351

[wahwealth]

The Woman In Brown (1948) | Conrad Nagel | Courtroom Drama | Full Movie ...

The Woman In Brown aka The Vicious Circle is a 1948 US courtroom drama film directed by W. Lee Wilder.  The movie is based on the play The Burning Bush by Heinz Herald and Geza Herczeg. The stars are Conrad Nagel as Karl Nemesh - Defense Attorney Fritz Kortner as Joseph Schwartz - Defendant tenant Reinhold Schünzel as Baron Arady Philip Van Zandt as Calomar Balog - Special Investigator Lyle Talbot as Prosecutor Miller Edwin Maxwell as Presiding Judge Frank Ferguson as Stark - State attorney Lester Dorr as Andreas Molnar - Neighbor Michael Mark as Gustav Horney - Land owner Belle Mitchell as Mrs. Julianna Horney - Anna's Master Nan Boardman as Mrs. Maria Tamashy - Anna's mother Shirley Kneeland as Clara Tamashy - Anna's sister Rita Gould as Ethel Mihaly Eddie LeRoy as Samuel Schwartz (George) David Alexander as Fisher Ben Welden as Constable Nina Hansen as Mrs. Schwartz Mary Lou Harrington as Anna Tamashy Peggy Wynne as Irene Peter Robert Cherry as Marten Sam Bernard as Herman Rudolph Cameron as Dr. Daroush Peter Brocco as Dr. Georges Samosch Christina Vale as Margaret Daroush - Witness Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

[mariaangels]

Mary Margaret Hansen's "Freedom" 

[coulisses-onirisme]

Houston Artist Lets You See What Really Goes Into Putting on a Show — Mary Margaret Hansen Pulls Back the Curtain on Atablo - PaperCity Magazine

[moviehealthcommunity]

One of our Patrons, specifically Peter from the $5 tier, came up with an excellent idea for Movie Health Community that I'd like to make happen right here and now: a curated list of movies that are safe for photosensitive audiences to watch! Out of the 1074 movies we've evaluated so far, 130 of them have a Flashing Lights score of 0 or 1, so here is that list of 130 titles, in alphabetical order.

The 40-Year-Old Virgin 80 for Brady Abominable Anchorman: The Legend of Ron Burgundy Are You There God? It's Me, Margaret Away From Her A Bad Moms Christmas The Ballad of Buster Scruggs The Beguiled The Big Sick Billy Madison Book Club: The Next Chapter The Breakfast Club Casablanca Cheaper by the Dozen (2022) The Christmas Chronicles A Christmas Story Christmas Christopher Robin Cinderella (2015) Clerks Cocaine Bear Coco Coming to America Crazy Rich Asians Crimson Peak Crouching Tiger, Hidden Dragon Cyrano Daddy's Home Daddy's Home 2 Dear Evan Hansen Dirty Dancing Dogma Dolores Claiborne Downhill Downton Abbey Drive My Car Eight Crazy Nights Elemental Elf Enemy Ever After: A Cinderella Story Extremely Wicked, Shockingly Evil and Vile The Fighting Preacher Five Feet Apart Gladiator Going in Style The Goldfinch Good Will Hunting Green Book The Hobbit: The Desolation of Smaug The Hurt Locker The Hustle I Don't Know How She Does It The Ice Age Adventures of Buck Wild In Bruges Inglourious Basterds Instant Family Interview with the Vampire It's a Wonderful Life Jojo Rabbit Kimi Knives Out Last Christmas The Laundromat Little Women (2019) Lizzie Logan Lucky The Lord of the Rings: The Fellowship of the Ring Luca Lying and Stealing Ma Rainey's Black Bottom A Madea Christmas Madea's Family Reunion Madea's Witness Protection Maleficent: Mistress of Evil Mallrats A Man Called Otto The Many Saints of Newark Marriage Story Mary Poppins Returns Mary Queen of Scots The Menu Miracle on 34th Street (1994) Misery Monty Python's Life of Brian Mrs. Doubtfire The Muppet Christmas Carol Muppet Treasure Island Murder Mystery Night at the Museum Office Space On the Basis of Sex Pan's Labyrinth The Perfection The Polar Express The Power of the Dog A Prayer Before Dawn Psycho (1960) Psycho (1998) Pulp Fiction The Report The Rhythm Section Rise of the Planet of the Apes Roma The Room Rudy The Santa Clause The Santa Clause 3: The Escape Clause Seven Psychopaths The Shallows Shanghai Noon Shaun the Sheep Movie The Shining Shrek the Third Smokey and the Bandit Son In Law Spencer The Texas Chain Saw Massacre (1974) Three Thousand Years of Longing Ticket to Paradise Uncut Gems United 93 West Side Story (1961) The Whale Windfall The Wizard of Oz Women Talking Won't You Be My Neighbor? Worth Zombieland: Double Tap

[atlanticcanada]

Drinking water deemed unsafe aboard new Arctic patrol ships

The Royal Canadian Navy is providing sailors aboard Canada's new arctic patrol ships with bottled water to drink after tests showed increased levels of lead in the water.

Water quality concerns aboard the newest fleet of artic patrol ships have revealed lead contamination in the navy ship's water system and were first detected on the HMCS Harry DeWolf.

The Department of National Defence says an investigation revealed fittings and valves in the water system were manufactured from alloys that exceed lead requirements.

"Our priority is and will always be the safety of our members," said a spokesperson for the Department of National Defence.

"In order to accept the ship, we put into place mitigation measures for the near and medium-term including regular water testing and providing RCN members with bottled water while onboard."

Those faulty fittings have already been installed in three other recently built navy ships, including the HMCS Margaret Brooke, HMCS Max Bernays and HMCS William Hall.

Halifax-based independent security and defence analyst Ken Hansen doesn't want to downplay the issue but says the task of bringing Canada's shipbuilding program back to life is a huge one, and issues are bound to come up -- especially when many processes and parts are involved.

"Apart from the personal health issue, I don't see it as a threatening or dangerous issue in any way," said Hansen, who spent 33 years with the Royal Canadian Navy. "It's been identified a long time back but really, it represents a supply chain problem when you are starting up a new production line."

Irving Shipbuilding says it has a solution to the problem and it is committed to the safety of Canadian sailors on the ships it builds and maintains for the navy.

"Canada and Irving Shipbuilding have been working together to address design issues that, under certain conditions, could contribute to the degradation of potable water systems on delivered ships," said Mary Keith, vice president of communications for Irving Shipbuilding.

Irving says it will equip the four existing ships with a new filtration system, and the four remaining ships under contract will be built with a redesigned water system that requires no filtering system.

Hansen says issues like this can be expected given the complexity of the build and the scope of the work.

"The most complicated things on the face of the earth that humans build is warships, far more so than even spacecraft," said Hansen. "There are hundreds of thousands of systems and sub-systems in a warship."

The federal government contracted Halifax's Irving Shipbuilding to build eight arctic and offshore patrol ships, six for the Department of National Defence and two ships for the Canadian Coast Guard.

Three ships have already been delivered, and a fourth, HMCS Max Bernays, is set to be delivered in the fall.

In a statement, Conservative MP and defence critic James Bezan said the health and safety of sailors is paramount but issues like this harm the reputation of the Canadian Armed Forces.

“Issues like these contribute to the overall struggle to recruit and retain members of the Canadian Armed Forces," said Bezan. "The Liberals must ensure this is rectified immediately. For the last seven years, the Trudeau government mismanaged the delivery of ships. Their failures and delays are forcing our navy to take extra risks with their existing equipment.”

The Navy says the water issues were first discovered in 2021. At this point, the HMCS Harry DeWolf and HMCS Margaret Brooke are the only ships that have been in operation.

from CTV News - Atlantic https://ift.tt/hcndAf3

[paolo-streito-1264]

Marie Hansen. Child actress Margaret O'Brien shares a bubble bath with her spaniel, Maggie, in 1944.

[explicus]

Children playing on the beach, Bahama Islands, 1946

Photographer: Marie Hansen (American, 1918-1969)

After graduating from the University of Missouri, Marie Hansen went to the Louisville Courier-Journal where she was a photographer and photo editor. In 1942, she was offered a job to join the team of LIFE staff photographers as their third female staff photographer (Margaret Bourke-White and Hansel Mieth were the other two at the time). Hansen’s first big story for LIFE was her photo-essay on the WAAC’s, the Women’s Army Auxiliary Corps, which was first organized in the United States, May 12, 1942. In 1945, Hansen went to Hollywood for LIFE, where Joseph Pasternak (Hungarian-born film producer working at MGM) asked her to audition. After a screen test, she was offered a movie contract, but turned it down because she realized she was more interested in what was going on behind the camera than in front of it. After Hollywood, Hansen was stationed in Washington, D.C. where she was assigned to the White House during most of World War II. General Dwight D. Eisenhower chose one of Hansen’s portraits of him as his “official” photograph. In 1946, Hansen left LIFE as a staff photographer, and she and her husband David Wesley toured the world as a writer/photographer team.

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Wigging Out.

Choreographer and director Jonathan Butterell tells Gemma Gracewood about stepping behind the camera for Everybody’s Talking About Jamie, his love for Sheffield, and making sure queer history is kept alive. Richard E. Grant weighs in on tolerance and Thatcher.

Of 2021’s many conundrums, one for musical lovers is why the narratively problematic Dear Evan Hansen gets a TIFF premiere and theatrical release this month, while the joyously awaited Everybody’s Talking About Jamie went straight to Amazon Prime.

And yet, as the show’s lyrics go, life keeps you guessing, along came a blessing. There’s something about the film streaming onto young people’s home screens, with its moments of fourth-wall breaking where Jamie speaks straight to the viewer, that feels so important, given the content: a gay teen whose drag-queen destiny sits at odds with the less ambitious expectations of his working-class town.

Director and choreographer Jonathan Butterell, who also helmed the stage production (itself inspired by Jenny Popplewell’s 2011 BBC documentary, Jamie: Drag Queen at 16) agrees that the worldwide Amazon release is a very good silver lining. “I made the film for the cinema but, in 250 territories across the world, this is going to have a reach that—don’t get me wrong, cinema, cinema, cinema, collective experience, collective experience, collective experience—but it will get to people that it might not have got to before.

Jonathan Butterell on set with star Max Harwood, as Jamie.

“It feels as niche a story as you could possibly be. But also for me, I wanted it to feel like a universal story, that it didn’t matter where on any spectrum you found yourself, you could understand a young person wanting to take their place in the world freely, openly and safely.”

Everybody’s Talking About Jamie, with screenplay and lyrics by Tom MacRae and songs by Dan Gillespie Sells, sits neatly among a series of very specific feel-good British films about the working class experience, such as Billy Elliot, Kinky Boots and Pride. The film adds some historical weight to the story with a new song, ‘This Was Me’, which allows Jamie’s mentor, Hugo (played by Richard E. Grant), to take us into England’s recent past—the dark days of the discriminatory Section 28 laws, at a time when the HIV/AIDS epidemic was still ravaging the community.

Hugo’s drag persona Loco Chanelle (played in the flashback by the stage musical’s original Jamie—John McCrea from Cruella and God’s Own Country), sports a wig that looks suspiciously like the Iron Lady’s unmistakable head of hair. Grant confirms that was Hugo’s intention. “His heyday was in the 1980s, so as a ‘fuck you’ to Mrs Thatcher, what better than to be dressed up like that, at six-foot-eight, with a wig that could bring down the Taj Mahal!”

Richard E. Grant as Hugo, getting to work on Jamie’s contours.

In light of the current pandemic, and the fact that the 1967 legalization of homosexuality in Britain is only “an historical blink away”, Grant’s hope is for more tolerance in the world. “Maybe Covid gives people some sense of what that was like, but with Covid there’s not the prejudice against you, whereas AIDS, for the most part in my understanding, was [seen as] a ‘gay disease’, and there were many people across the globe who thought that this was, you know, whatever god they believe in, was their way of punishing something that they thought was unacceptable.

“The message of this movie is of inclusivity, diversity, and more than ever, tolerance. My god, we could do with a dose of that right now.”

Read on for our Q&A with Jonathan Butterell about the filmic influences behind Everybody’s Talking About Jamie.

Hugo in a reverie, surrounded by his drag menagerie.

Can we talk about the new song, ‘This Was Me’, and the way you directed it in the film? It’s a show-stopper, with Richard E. Grant singing in that beautiful high register, and then moving into Holly Johnson’s singing, as you go back in time to show that deeply devastating and important history. Jonathan Butterell: It felt inevitable, the shift, and necessary. Myself, Dan Gillespie Sells, the composer, and Tom MacRae, the screenwriter, we created this piece together, the three of us, and it’s a film by the three of us. We lived through that time, we went on those marches. Actually, in one of those marches [shown in flashback], Dan’s mum—actual mum—is in a wheelchair, by a young boy who was holding a plaque saying “my mum’s a lesbian and I love her”.

That is Dan with his mum back in the day, and it all speaks to our stories and it moves me, I can see it’s moving you. It moves me because I lived through that time, and it was a complex time for a young person. It was a time that you felt you had to be empowered in order to fight, and you felt very vulnerable because of the need to fight. And because of that disease, because HIV was prevalent and we lost people—we lost close people—it was a difficult time. I wanted to make sure that that story kept being told and was passed on to the next generation.

It’s so important isn’t it, to walk into the future facing backwards? It still exists, that need to fight still exists. The conversation, yes, has moved on, has changed, but not for all people and not in all communities.

What would be your go-to movie musical song at a karaoke night? My goodness. There’d be so many.

I mean, is it going to be a Cabaret, a Chicago showstopper, or something more Mary Poppins, something from Rent? I think what I would go to, which is what I remember as a little boy, is Curly singing ‘Oh, What A Beautiful Mornin’. It’s such a kind of perfect, beautiful, simple song. That, and ‘The Lonely Goatherd’, because I just want to yodel. It would be epic. Trust me.

What is the best film featuring posing and why is it Paris Is Burning? It’s always Paris Is Burning. Back in the day, I was obsessed with Paris Is Burning, I was obsessed with that world. In fact, at one moment I even met [director] Jennie Livingston in trying to make a theater piece inspired by that. I lived in New York for eleven years and I met Willi Ninja. I just adored everything about him, and he would tell me stories. And again, it was so removed from the boy from Sheffield, I mean so far. That New York ballroom scene was so removed from my world, but I got it. Those two boys at the top of the film, I just wanted to be one of those boys who just hung out outside the club.

Harwood and Butterell on set, with Lauren Patel (right) as Jamie’s bestie Pritti Pasha.

What films did you and Tom and Dan look at to get a feeling for how to present the musical numbers? Actually, a lot of pop videos, from present day to past. There’s an homage, in the black-and-white sequences, to a little ‘Vogue’ Madonna moment. Pop is very central to me in this story because pop is what a working-class kid from a working-class community will be listening to. That’s in his phone, that’s in his ears. Not that many young people listen to much radio at this moment in time, but that’s what will be on Margaret’s radio, that’s what’s coming into the kitchen. And that was central to the storytelling for me.

Bob Fosse also really influenced me, and particularly All That Jazz and where his flights of imagination take him. I felt that was so appropriate for Jamie, and again in a very, very different way, but I could see how Jamie’s imagination could spark something so fantastical that would lead him to dance, lead him to walk on the most amazing catwalk, lead into being in the most fabulous, fabulous nightclub with the most amazing creatures you’ve ever met in your life.

For me personally, the film that most inspired me was Ken Loach’s Kes, because that is my community. Both the world in which Jamie exists—Parsons Cross council estate, is my world, is my community—and the world of that young boy, finding his place in the world with his kestrel friend, I remember identifying with that boy so clearly. He was very different from me, very different. But I got him, and I felt like Ken Loach got me through him.

Ken Loach made a few films set in Sheffield, didn’t he? But also, Sheffield is a setting and an influence on The Full Monty, The History Boys, Funny Cow and that brilliant Pulp documentary. So Jamie feels like a natural successor. It absolutely does. Sheffield’s where I grew up, it’s my hometown. Although I moved away from it, I always return. To have a chance to celebrate my community, and particularly that community in Parsons Cross council estate. If you’re in Sheffield and you’re in a taxi and you said, “Take me to Parsons Cross,” they’d say, “Well, I’ll drop you there, but I’m not staying.” Because again there’s a blinkered view of that community. And I know that community to be proud, glorious and beautiful.

And yes, that community, particularly through the ’80s, really suffered because some of that community would serve the steelworks and had three generations of unemployment, so they became disenfranchised because of that. But the community I grew up in, my Auntie Joan, who lived on that road, literally on that road, was a proud, working class, glorious woman who served chips at school.

Aside from Everybody’s Talking About Jamie, what would be the most important queer British cinematic story to you? (And how do you choose between My Beautiful Laundrette and God’s Own Country?!) You can’t. My Beautiful Laundrette influenced me so much because, one, Daniel Day Lewis was extraordinary in that film, and two, because of the cross-cultural aspect of it. I went, “I know this world”, because again I grew up in that world. And it affirmed something in me, which is the power and the radicalness of who I could be and what I could be.

With God’s Own Country, when I saw that film—and that was Francis’ first film, which I thought was extraordinary for a first-time filmmaker—I knew he knew that world from the inside, from the absolute inside. And I know what that rural community was like. I read that script, because we share agents, and I was blown away by it—again, because of the two cultures coming together.

Jamie Campbell, the film’s real-life inspiration, with screen-Jamie Max Harwood.

Richard E. Grant’s character, Hugo, is such a pivotal mentor for Jamie. What did you need to hear from a mentor when you were sixteen? Don’t let yourself hold yourself back, because I think it was me who put some limitations on myself. And of course I came from a working-class community. I was a queer kid in a tough British comprehensive school. And did I experience tough times? Yes I did. And did I deal with those tough times? Yes I did. But the song that speaks to me mostly in this is ‘Wall in my Head’, in which Jamie takes some responsibility for the continuation of those thoughts, continuations of the sorts of shame, and that’s a sophisticated thing for a sixteen-year-old boy to tackle.

I also was lucky enough to have a mother like Margaret—and a dad like Margaret as well, just to be clear! And I remember my mum, at seventeen when I left home, just leaving a little note on my bed. It was quite a long letter. She said, Jonathan, you’ve probably chosen to walk a rocky path, but don’t stray from it, don’t steer away from it. That’s the path you've chosen, there may be rock-throwers along the way, but you’ll find your way through it. That stayed with me and I think that’s what resonates with me. And when I saw that documentary, Jamie: Drag Queen at 16, I felt that that sparked the need for me to tell that story.

Sarah Lancashire as Jamie’s mum, Margaret New.

We need more mums and dads like Margaret, don’t we? We do, we do. And the wonderful thing is, Margaret Campbell will say it and I think Margaret New in the film will say it: she’s not a Saint, she’s an ordinary mum. And she has to play catch up and she doesn’t understand in many ways, and she gets things wrong and she overprotects. But she comes from one place and that is a mum’s love of her child and wanting them to take their place safely in the world and to be fully and totally themselves.

Related content

Eternal Alien’s list of films Made in Sheffield

Letterboxd’s Camp Showdown

Persephon’s list of films recommended by drag queens

Passion’s list of films mentioned by Jaymes Mansfield in her Drag Herstory YouTube series

Follow Gemma on Letterboxd

‘Everybody’s Talking About Jamie’ is streaming now on Amazon Prime Video.