#Martin both cut his hair a bit and painted his nails (also he has ear piercings)

[cabincryptid51]

The Ceaseless Watcher's Special Little Boy deserves to be comfortable<3

(Simply just how I imagine Jon dresses in the safehouse!)

[beholdme]

All the Many Shades of Gerry - Chapter 6

Chapters: 6/19

Fandom: The Magnus Archives (Podcast)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Relationships: Martin Blackwood/Gerard Keay/Jonathan "Jon" Sims | The Archivist, Martin Blackwood/Gerard Keay, Martin Blackwood/Jonathan "Jon" Sims | The Archivist, Gerard Keay/Jonathan "Jon" Sims | The Archivist

Characters: Martin Blackwood, Jonathan "Jon" Sims | The Archivist, Gerard Keay, Tim Stoker (The Magnus Archives), Sasha James, Gertrude Robinson, Elias Bouchard

Additional Tags: Alternate Universe, Library AU, Librarian Jon, Artist Gerry, Trans Male Character, Trans Martin Blackwood, Canon Asexual Character, Asexual Jonathan "Jon" Sims | The Archivist, Ace Subtype - Sex Positive, Polyamory, Fluff, Fluff and Angst, Romantic Fluff, Falling In Love, Boys in Skirts, Kissing, Demisexual Gerard Keay, Minor Character Death, Past Character Death, Canon-Typical Child Neglect, Implied/Referenced Child Abuse, Flirting, Minor Jonathan "Jon" Sims | The Archivist/Tim Stoker, Adventures in Hair Dying, Happy Ending, Banter, Gerry has a lot of sass, Gerard Keay is Morticia Adams, Jon is a very grumpy Librarian, Martin adores them anyway.

Summary: In which Gerry is a kaleidoscope and Jon and Martin can't help falling in love with him.

He happens to love them back.

Find it on Ao3

[1] [2] [3] [4] [5]

"Do you really hate Keats that much?" Martin asks Jon, sounding faintly betrayed. They're sitting on a pile of cushions in front of Gerry's big window, while the man himself stands painting nearby.

There has been no previous mention of Keats since they arrived several hours ago, nor in the entire course of Gerry knowing them together.

Granted, he had barely been awake when they had arrived, having rolled out of bed just seconds before the knock came, but Gerry thought he had been keeping fairly decent track of the overall conversation.

He had thought Sunday brunch was a great idea when Jon suggested it during the week. Only remembering half-way through his shift the previous night that he was normally dead asleep during that time on a Sunday. But needs must, and after coffee and food, he was feeling downright perky at having two cute boys in his apartment.

Jon and Martin had settled into the pillow pile to occupy themselves while Gerry wandered off to paint, and they had spent several hours each engaged in their own artistic endeavors, simply enjoying the energy of one another's company.

Jon had started out reading but kept getting distracted by the way the light in the studio catches in Gerry's dark red hair, tied up in a chaotic messy bun, and had idly been strumming Gerry's old acoustic guitar for a while instead. Martin had been writing in a notebook, tongue often caught between his teeth in contemplation, glasses pushed up onto the top of his hair.

Jon stops playing abruptly and Gerry winces at the discordant note the guitar lets out in protest.

"I think Keats is pretty cool," offers Gerry cheerfully.

"Thank you, Gerard, very helpful," grouses Jon in return, glaring at him. Gerry blows him a kiss and returns to his canvas.

"I don't hate Keats, Martin." Jon's voice is slow and soft in the way that indicates that he's actually trying to be sensitive, "I just think he's overrated. After spending so much time in uni pouring over his boring symbolism, I'm just sick of him."

Jon's English literature degree, which Gerry remembers with some humour does not qualify him for a job at a library, had been a pain to get, and he doesn't always remember that part of his life with any great fondness.

"I know, but-" Martin cuts off abruptly and there's unexpected silence for a moment.

"Gerry, do you have a cat?" Jon's voice is incredulous and somewhat delighted at the new development.

"Yes," Gerry replies, very casually. He looks around to find that the cat has indeed wandered in and is sitting in a shaft of sunlight, black fur shining. "Jon, Martin, meet Saturn. Saturn, this is Jon and Martin."

Saturn blinks at them, before abruptly standing, showing them his butt, and then walking over to twine between Gerry's legs. Gerry deposits his painting supplies nearby and reaches down to scoop Saturn up, before carrying him over to sit with the others.

"He's not always great with new people, but hopefully he'll warm up to you. He can be a great cuddler when he wants to be." Saturn eyes them all speculatively before sitting on his own cushion and curling up in a fluffy ball.

"So he's like the Jon cat?" Martin asks, sneaking out a finger to scratch Saturn's fluffy little ears. He purrs lightly and Gerry grins to see them getting along.

"Well-" Jon splutters indignantly, face warming beneath his tan.

They both laugh and Gerry leans towards Martin to whisper conspiratorially, "He's not even embarrassed about being bad with new people. He's shy that we know how good of a cuddler he is."

Jon presses his lips together with a long-suffering expression, also reaching out a hand to pet the purring feline. Saturn rolls over towards him and gets a belly rub for his efforts.

"There we go," Gerry mutters happily. "All my favorite boys, getting along so well."

There's more sputtering from both Jon and Martin at that, but Gerry only laughs and leans over to kiss the tops of their heads.

***

Jon sighs and rubs the back of his neck, trying to release the burning tension sitting in all the joints of his spine.

It's 1 A.M. and the library is long, long closed, doors locked and lights turned out. He doesn't know how he gets here sometimes. Elias has certainly never overtly demanded he work overtime, and yet Jon always feels the need to push a little harder, do more than anyone would consider even remotely reasonable.

He accepted a while ago, that his irrational drive for perfection in this job stems from his self-doubt and fear of inadequacy.

And yet, that understanding does nothing to get him home at a reasonable hour, even when he remembers the two men who always seem to be around when he needs them.

It's unfathomable to Jon how he managed to find himself in a relationship with not one but two incredibly understanding and supportive men who love him. He considers it a downright miracle that they also seemed to be finding their way towards loving one another. Although, who wouldn't love Martin and Gerry?

He checks his watch again. Martin is definitely asleep, and even just stumbling in to lie in bed with him would disturb him. He knows the sweet man would say he doesn't mind, but he feels like if he can't get back at a reasonable hour, he doesn't deserve to sleep next to him at all.

Gerry, on the other hand, is mostly nocturnal. A quick check of his phone shows that it's actually Friday, and he is working at the bar for another hour or so.

While Jon has his phone in his hand, he opens up their text chain.

Gerry: Don't work too late. Martin and I want you functional so that we can drag you out to that street market this weekend.

Jon: I won't.

Gerry: Yes, you will. But try to keep it pre-midnight ;)

'He's awake,' Jon tells himself firmly. 'He'll be happy to see you, even if you did work even later than he predicted.'

So Jon packs up his stuff and leaves the library. He considers a cab, but it's only a few blocks and he thinks the fresh air and exercise will unlock the tension in his poor abused spine.

He arrives at the bar just before closing. Gerry is busy charming a few drunk regulars out the door with promises of undying love and that the bar will be back tomorrow afternoon. After they stumble off, he turns to find Jon walking slowly towards him. Gerry is wearing combat boots, dark jeans, and a loose leather tank top, over a lace undershirt. He has his favorite hoop in his nose, and the light glints off the many piercings in his ears.

"Why, Gerry Delano, aren't you a sight for sore eyes." Gerry grins at Jon's teasing tone and echoed words, no sign of recrimination about him.

"I always am." Jon reaches Gerry at that, and they draw together, pressing tired lips against each other gently.

Gerry's hair has faded out a bit from the moody red, and Jon slips his hands into his hair to hold him close for a moment longer. They rock together on the street for a long, frozen moment.

"To what do I owe the pleasure?" Gerry asks, pulling away and sliding his hands down Jon's arms to connect their fingers.

"I missed you," Jon confesses shakily, emotion spilling out of his voice.

"Good, I missed you too." Gerry drags him into the bar and fills the air with stories from his shift while he and his colleagues clean for the evening, closing up the bar.

They walk home arm in arm, Gerry flirting with him mercilessly. Jon sheds the day's tension as they go, and by the time they arrive at Gerry's loft, he's warm and relaxed.

He supposes he should probably go back to his own flat, but it's not a place he spends the night very often anymore, and he fears the creeping insomnia that will take him without Martin and Gerry around to soothe him into sleep. Besides, Gerry is right here with him, and he seems so pleased to have him around.

"Are you going to paint now?" Jon asks as they shed their work clothes. Jon is sorry to see the lace shirt go, but Gerry makes up for it by simply throwing a kimono over his bare chest. He throws him a T-shirt, so Jon wears that and his boxers as they settle on the couch. Gerry is still wearing his jeans, but both their feet are bare as they tangle on the coffee table.

"I'm not sure, do you want to?" Gerry asks as he lights a cigarette and offers Jon one.

"What? Do I want to paint?" Jon's voice is taken aback. He takes the cigarette and lights it.

Gerry shrugs as if it's obvious. "Sure, you used to draw with me when we were younger."

"Yes, but…"

"But what, Jonathon? You're too old to paint now? Too proper and straight-laced to get charcoal under your nails? No more piercings, no more creativity?" Gerry sways into his shoulder, drawing smoke into his lungs and letting it out as he speaks.

"No, it's not that." Jon grouses back. Gerry hums derisively in return. "I just don't see the point of wasting your drawing paper when you can do that." Jon gestures wildly towards Gerry's most recently completed painting.

Gerry eyes it critically. It's the commission that he's been slogging over petulantly. It's large and impressively done, he can accept that, but he doesn't like it very much. He hates the subject and composition Peter Lukas has demanded and compensated by pouring all his best technique into it. It makes him sad and sullen to look at, and Gerry will be relieved when it's finally gone.

"For every painting like that I've ever done, Jon," Gerry spills all his affection into the name, and Jon can feel it, "I've done a thousand ridiculous sketches and colour studies. Art is time, and diligence and joy as much as it ever is masterpieces. You don't sit down one day and magically just know how to be a maestro."

Jon looks over and up at him with big green eyes. Gerry can't help but lean over and slide his hand into Jon's hair, pressing their lips together for a moment. "So Mr. Sims. Can I tempt you to make some art with me?"

***

What they create in those soft early morning hours can only generously be called art, even Gerry's efforts. But they laugh and kiss and somehow get covered in charcoal and acrylic paint. Gerry even allows Jon to choose the Spotify playlist. Slow piano music with nature sounds play softly in the background of their impromptu art party, reminding Gerry of nothing so much as Jon himself.

The dawn is just breaking through Gerry's massive bank of windows when he allows Jon to drag him off to bed, and they collapse together in the soft morning light.

***

Late the next morning, Martin lets himself into the flat and bounces down onto the bed between them, sending Saturn flying off in a huff.

"So, I heard there was a slumber party. I brought breakfast."

"Fuck off," Gerry slurs, but rather undermines his own point when he pulls Martin down and tucks himself around him. Jon does the same from the other side, and Martin finds himself in the middle of a very sleepy man sandwich.

Gerry seems to instantly fall back asleep, but Jon eventually drags himself to consciousness, even buried in Martin's neck. "What's time?"

"Almost ten," he responds, very cheerfully.

"WHAT-" Jon flies out of bed in a blind panic, desperately looking for his phone, which is dead when he finds it anyway. "I'm already so fucking late!"

Gerry groans.

"Relax Jon." Martin tries to soothe him but is hindered by the fact that Gerry is still clinging to him in a very enjoyable way. "Gerry, love, let me go. Jon is having a meltdown."

"How unusual," Gerry mutters very unsupportively, Jon manages to notice. He flops over onto his other side and attempts to bury himself in pillows instead of Martin.

"Jon, breathe." Swinging up to sit on the edge of the bed, Martin uses his best man-disaster steadying tone. Gerry has come to realize what that tone is, but he doesn't mention it to anyone. "It's Saturday."

Jon slumps and drops the pants he was desperately trying to wrangle himself into.

"It's Saturday?" He asks.

"It's Saturday," Gerry confirms from the pillow fort.

Jon glares at Martin in a very put upon way. Martin smiles at him brightly.

He turns and wanders off to the bathroom in an effort to collect himself. Martin resumes his spot in the middle of the bed, and drags Gerry towards him, tucking himself into his back.

"Hmmm. So much noise on a weekend." The goth mutters as he attempts to resettle himself in Martin's arms.

"I'll make it up to you later," Martin promises, pressing a kiss behind his ear.

"You let that happen on purpose, didn't you." It's not a question. "Just to see that look on his face."

"Yes," Martin says, chuckling into Gerry's pillow.

"Very good, sir."