#Marta María Pérez Bravo

[thecubanartobserver]

De allá: “Exposición A mí me manda Carmen”, Colectiva

[chchre-s]

Marta María Pérez Bravo. Camino Oscuro, 2011

[vincekris]

Marta María Pérez Bravo

[jpgofapinkthang]

Marta María Pérez Bravo

[davidhudson]

Marta María Pérez Bravo, Recuerdo de nuestro bebé, 1987–88.

[onyxheartbeat]

Photography by Marta María Pérez Bravo. 

[habana-arte]

Marta María Pérez Bravo Jura (Swear), 1999 Digital print from original negative 100 x 80 cm

Visit our website to learn more about Cuban art and the Havana Arts & Culture scene: www.habana-arte.com

[las-microfisuras]

SOSPECHA

La lengua se desliza

empuja, barbulla palabras,

barbulla amistad, enemistad

barbulla el sonido intermedio, lengüetea

mientras el ojo

el ojo se cierra y se abre

mira y no opina nada,

en el ojo te gotea el mundo

colores y te gotea la noche

por la noche te gotea la noche

en tu ojo

Ahora, di de la noche y del día

y ahora dilo de ti y de mí,

ahora atrévete a decirlo

Canta tu provisión de palabras,

cantas tu provisión de palabras,

esto no lo cantas

el empequeñecer y el ser grande,

el gran soberano ojo

el pequeño esclavo mendigo,

el bocazas

Comprender-No comprender

• Ingeborg Bachmann, de "No sé de otro mundo mejor "

Traducción y notas de Jan Pohl. Prólogo de Isolde Moser y Heinz Bachmann.

Poesía Hiperión

• Marta María Pérez Bravo

Memories of Our Baby, 1987

[pussylightandthepinkshit]

Speakers: Barbara Carrasco, Lara Demori, Esther Gabara, Andrea Giunta, Sophie Halart, Giulia Lamoni and Cecilia Vicuña (video contribution) Conveners: Burcu Dogramaci, Laura Karp Lugo and Stephanie Weber Program 11.00 Welcome by Ulrich Wilmes, Chief Curator Haus der Kunst 11.15 Introduction by Lara Demori, Goethe-Institut Fellow Haus der Kunst 1st Session 11.30 Sophie Halart (Universidad Alberto Hurtado, Santiago de Chile) "Mater chilensis toward a maternal re-reading of the Chilean neo-avantgarde" 12.00 Lara Demori (Haus der Kunst) "Transnational influences in Marta María Pérez Bravo's series Para Concebir (1985-1986) 12.30 Q&A moderated by Laura Karp Lugo (LMU) 13.00 Lunch break 2nd session 14.00 Barbara Carrasco (Artist and Muralist, Los Angeles, CA) "Chicana Artist in a U.S. Context" 14.30 Esther Gabara (Duke University) “¿Acaso hay otro orden?: Shouts and Murmurs from the 1970s” 15.00 Q&A moderated by Burcu Dogramaci (LMU) 15.30 Break 3rd Session 16.00 Giulia Lamoni (Universidade Nova de Lisboa) "Artists as Radical Educators in Latin America (1960s-1970s): A feminist research project" 16.30 Andrea Giunta (Universidad de Buenos Aires) "Race, Ethnicity and Empathy in Latin American Women Artists, 1960-1985" 17.00 Q&A moderated by Stephanie Weber (Lenbachhaus) 17.30 Cecilia Vicuña: an artist interview (video contribution) 18.00 Closing remarks and panel discussion Barbara Carrasco, Burcu Dogramaci, Esther Gabara, Andrea Giunta, Sophie Halart, Laura Karp Lugo, Giulia Lamoni and Stephanie Weber 19.00 End This one-day symposium explores the diverse forms of feminist artistic practices that developed in Central and South America between 1960 and 1980, and proposes a reevaluation of the notion of the ‘Third World’ via an examination of the historiography of exhibitions alongside artistic and activist practices that draw on the symbolic frame of feminism. Emerging from the 1955 Bandung Conference and subsequent formation of the Non-Aligned Movement, the term ‘Third World’ has traditionally shifted between denoting a political position that was ancillary to both the capitalist West and communist East, to identifying the cultural and economic conditions of so-called ‘underdeveloped’ countries; a position which in turn perpetuated a fallacious, homogenized understanding of the countries that constituted it. Such a misnomer is particularly egregious when one considers the pluralities of race, ethnicity, and gender that constitute Latin America, a region whose multiple identities and intercultural complexities are commonly analyzed within the framework of 'mestizaje' (miscegenation, mixing. Nevertheless, as Gerardo Mosquera has warned, even a notion as fluid as 'mestizaje' cannot escape the tendency to erase imbalances and conflicts within diverse cultural communities and, in so doing, similarly runs the risk of becoming “an attractive stereotype for the outside gaze.” Situating itself between the totalizing tendency of the “Third World” and the orientalist proclivities of 'mestizaje', "Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)" will utilize the lens of feminism in order to excavate the aforementioned historical moment, exposing its inherent contradictions, as well as probe its political and cultural specificities so as to emphasize and locate modes of resistance against patriarchal hierarchies and hegemonic forms of feminist identification. In so doing, it will circumvent the notion that “Third World” women constitute a homogenous category “victimized by the combined weight of their traditions, culture and beliefs, and “our” (Eurocentric) history,” as well as abstain from promulgating the notion of some form of “universal sisterhood” that assumes a commonality of gender experience across race and nationality. In place of this, the symposium takes up the call of several scholars who advocate for a new analytical methodology that acknowledges the struggles of Latin American women in relation to their history, cultural context, economic class, and social identity. "Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)" will strive to unveil the presence of multiple feminisms and their decolonizing subaltern positions. It takes  ethnic and cultural differences into account, as well as to exploring their political and economic implications. By investigating as well the intersectionality between the presence of African populations in Latin American, movements of Native Americans and differences between Latino and Latin American identities, “Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)” aims to further complicate the idea of feminism in Latin America. Unfortunately there is a sound interference during video photos by Marion Vogel

[revistamagenta]

Fotografia de la Serie para concebir. Marta María Pérez Bravo (La Habana, 1959) es un referente que sale a la luz, y que lleva implícito, aun después de treinta años de carrera, un sello creativo muy personal. @yenny_hernandez_valdes @marta_mariaperez #fotografiacubana #diadelamujer #artecontemporaneo #fotografiaartistica #autorreferencial (en La Habana Cuba) https://www.instagram.com/p/CL4071YgCSg/?igshid=779gv41qe91e

[little-boss]

"Yemayá", fotografía de la serie 'Solo no se vive' (Marta María Pérez Bravo, 1997)

[os-lacrimale]

Marta María Pérez Bravo

[onlymexico]

Ignacio López Tarso (born Ignacio López López on January 15, 1925 in Mexico City, Mexico) is a Mexican actor of stage, film and television. He has acted in about 50 films and appeared in documentaries and in one short feature. In 1973 he was given the Ariel Award for Best Actor for Rosa Blanca, and the Ariel de Oro lifetime achievement award in 2007

López was born in Mexico City to parents Alfonso López Bermúdez and Ignacia López Herrera. Because of his father's job, he spent his childhood among several cities including Veracruz, Hermosillo, Navojoa and Guadalajara. His siblings are Alfonso and Marta. At around age 8-9, when he was in Guadalajara, his parents took him to see a play, where he became interested in acting.

He lived in Valle de Bravo, Estado de México, where he went to secondary school. Although his family's economic problems kept him from attending high school, he joined seminaries in Temascalcingo, Estado de México and Mexico City to continue his education. During his time there, a visiting priest from the United States organized a group to perform plays, in which he participated. He learned to read oral poetry and books of classical plays, including those by Lope de Vega and Calderón de la Barca.

When he was 20, he joined the military service at Querétaro, where he was in barracks for about a year. He also served in the Veracruz and Monterrey regiments, and eventually reached First Sergeant grade. After completing his service, he declined an opportunity to attend military school, even though he liked the discipline.

He worked in Mexico City as a sales agent for a clothing company. He aspired to work in the United States, and planned to work at an orange grove in Merced, California. However, a few days in, he fell from a tree and injured his vertebrate. He returned to Mexico City for rehabilitation therapy which lasted about a year.

While López was in therapy, he read books on poetry and theatre, and became a fan of author Xavier Villaurrutia. After his recovery, he heard that Villaurrutia was teaching theatre at the Palacio de Bellas Artes, so he visited him, initially to ask for his autograph, but then was invited to listen in on his lessons. After a few days, he formally joined the theatre academy at age 24. When Villaurrtia advised Lopez to pick a stage name, he changed from "López López" to "López Tarso", the Tarso was Spanish for Paul the Apostle's hometown of Tarsus, and also one of the cities in Mexico that Lopez had also once lived. Besides Villaurrutia, he studied under other masters such as Salvador Novo, Clementina Otero, Celestino Gorostiza, André Moreau, Seki Sano, Fernando Wagner and Fernando Torre Lapham.

López Tarso's professional stage debut was in 1951 for the play Born Yesterday by Garson Kanin. He would also perform in several William Shakespeare plays such as A Midsummer Night's Dream, Macbeth, Othello and King Lear. Other productions included: The Crucible by Arthur Miller, Oedipus Rex and Oedipus at Colonus by Sophocles, Hippolytus by Euripides, La Celestina by Fernando de Rojas, Cyrano de Bergerac by Edmond Rostand, The Miser by Molière, El villano en su rincón by Lope de Vega, The Mayor of Zalamea by Calderón de la Barca, and Exit the king by Eugène Ionesco. "Equus" by Peter Shaffer. He also performed works from authors Sor Juana Inés de la Cruz, Miguel de Cervantes, Guillén de Castro, Hugo Argüelles, Emilio Carballido, Ramón María del Valle-Inclán, over a hundred productions throughout his career.

Ignacio López Tarso's theatrical work has been mostly performing in drama, though in the years 2014 and 2015 he starred in a two-person comedy written by Carlos Gorostiza and titled Aeroplanos ("Airplanes"); his performance on stage was presented with Sergio Corona who alternated appearances with Manuel "Loco" Valdés. The play was presented at the Teatro Independencia in Mexico City.

López Tarso's film debut was in 1954 where he played a minor character in La desconocida, which was directed by Chano Urueta.

He played the title character Macario, a supernatural drama directed by Roberto Gavaldón set in the Day of the Dead. The film was entered into the 1960 Cannes Film Festival.[1] and was the first Mexican film to be nominated for an Academy Award for Best Foreign Language Film in 1961.[2] He himself won a Golden Gate Award for Best Actor at the San Francisco International Film Festival in 1960, and would win another for his work in the 1963 film The Paper Man, directed by Ismael Rodríguez.

In 1961, López Tarso starred in Rosa Blanca, directed by Gavaldon. Because the film was censured by political interests of the time, it was not released until 1972. He won the Ariel Award for Best Actor in 1973. Other notable movie performances included: Cri Cri, el grillito cantor (1963), directed by Tito Davison; La vida inútil de Pito Pérez (1969), directed by Gavaldón; The prophet Mimi (1972), directed by José Estrada; Rapiña (1973), directed by Carlos Enrique Taboada; and The bricklayers (1976), directed by Jorge Fons.

As part of the Golden Age of Mexican cinema, López Tarso has acted in over fifty films, sharing star roles with actors such as Dolores del Río, María Félix, Marga López, Carlos López Moctezuma, Elsa Aguirre, Luis Aguilar, Katy Jurado, Irasema Dilián, Pedro Armendáriz and Emilio el indio Fernández.

Besides film, López Tarso has appeared in over twenty television series, and has released eight albums, many of which he recites poems and corridos about the Mexican Revolution. At one time, he served as a politician and became a federal deputy. He also had jobs in various organizations and trade-unions related to the actor and cinematographic associations.

[aniolc]

Rànquing dels diputats catalans a Twitter

Avui 1 de març, coincidint amb dia de ple al Parlament de Catalunya m’he decidit a fer un anàlisi de la presència de tots els diputats i diputades de la cambra a Twitter.

Fa uns dies que busco rànquings interactius a Twitter però com que no n’he trobat cap que actualitzi automàticament les xifres de seguidors de determinats usuaris cada mes actualitzaré la taula mostrant l’increment o decreixement de followers. En les properes setmanes, a més, aprofondiré en cada partit.

Aquesta és la radiografia a data d’avui:

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1

Posició

Seguidors

NomCognomUsuariGrup

Demarcació

2

1673.025CarlesPuigdemont@KRLSJxCATBarcelona

3

2523.592OriolJunqueras@junquerasERCBarcelona

4

3395.819InésArrimadas@InesArrimadasC'sBarcelona

5

4285.881CarmeForcadell@ForcadellCarmeERCBarcelona

6

5285.323RaülRomeva@raulromevaERCBarcelona

7

6173.046MartaRovira@martaroviraERCBarcelona

8

7103.867JordiTurull@jorditurullJxCATBarcelona

9

893.190JosepRull@joseprullJxCATBarcelona

10

982.507MiquelIceta@miquelicetaPSCBarcelona

11

1082.286RogerTorrent@rogertorrentERCGirona

12

1168.768XavierDomènech@XavierDomenechsCECPBarcelona

13

1266.755ToniComín@toni_cominERCBarcelona

14

1365.718XavierGarcía Albiol@Albiol_XGPPBarcelona

15

1458.094JordiSànchez@jordialapresoJxCATBarcelona

16

1557.104ErnestMaragall@ernestmaragallERCBarcelona

17

1655.844AndreaLevy@ALevySolerPPBarcelona

18

1736.825DolorsBassa@dolorsbassacERCGirona

19

1832.072ElsaArtadi@elsa_artadiJxCATBarcelona

20

1931.200CarlesRiera@carlesralCUPBarcelona

21

2029.986Fernando dePáramo@ferdeparamoC'sBarcelona

22

2127.166JosepCosta@josepcostaJxCATBarcelona

23

2223.297LauraBorràs@LauraBorrasJxCATBarcelona

24

2320.260Joan JosepNuet@NUETCECPBarcelona

25

2417.230AntoniCastellà@CastellaToniERCBarcelona

26

2516.131CarlosCarrizosa@carrizosacarlosC'sBarcelona

27

2615.147RubenWagensberg@wagensbergERCBarcelona

28

2714.385EduardPujol@PujolBonellJxCATBarcelona

29

2814.034MatíasAlonso@malonsocsC'sTarragona

30

2912.747JennDíaz@JnnDiazERCBarcelona

31

3012.299AlbaVergés@albavergesERCBarcelona

32

3112.264QuimTorra@QuimTorraiPlaJxCATBarcelona

33

3212.056VidalAragonés@VidalAragonesCUPBarcelona

34

339.714AlbertBatet@albertbatetJxCATTarragona

35

349.355GerardGómez del Moral@gerardgomezfERCBarcelona

36

359.260SergiSabrià@sergisabriaERCGirona

37

369.082FerranCivit@CivitiMartiERCTarragona

38

378.635EvaGranados@Eva_GranadosPSCBarcelona

39

388.551LluísSalvadó@LlSalvadoERCTarragona

40

398.475MariaSirvent@MariaSirvntCUPBarcelona

41

408.319José MaríaEspejo@jmespejosaavC'sBarcelona

42

417.984SoniaSierra@SoniaSierra02C'sBarcelona

43

427.084MartaMadrenas@MartaMadrenasJxCATGirona

44

436.965IgnacioMartín@NmartinblancoC'sBarcelona

45

446.938MartaRibas@martaribasfriasCECPBarcelona

46

456.904ElisabethAlamany@ElisendalamanyCECPBarcelona

47

466.808RamonEspadaler@Ramon_EspadalerPSCBarcelona

48

476.576Carmen deRivera@CarmendeRiveraC'sBarcelona

49

485.995Francesc deDalmases@francescdJxCATBarcelona

50

495.589LluísGuinó@lluisguinoJxCATGirona

51

505.525AuroraMadaula@Aurora_MadaulaJxCATBarcelona

52

515.482JosepRiera@PepRieraFontJxCATBarcelona

53

525.333LorenaRoldán@LroldansuC'sTarragona

54

535.297EusebiCampdepadrós@ECampdepadrosJxCATTarragona

55

544.891DavidCid@CiddavidCECPBarcelona

56

554.782AlíciaRomero@aliciarllPSCBarcelona

57

564.735FerranPedret@FerranPedretPSCBarcelona

58

574.695JéssicaAlbiach@jessicaalbiachCECPBarcelona

59

584.627DavidPérez@davidpscPSCBarcelona

60

594.483SantiRodríguez@santirodriguezPPBarcelona

61

604.285ÒscarPeris@oscarperisERCTarragona

62

614.165NatàliaSànchez@NataliadippCUPGirona

63

624.038EstherNiubó@eniuboPSCBarcelona

64

633.908Noemí de laCalle@Noemi_delaCalleC'sBarcelona

65

643.896JordiTerrades@jterradesPSCBarcelona

66

653.857SusanaBeltran@susanabeltrangaC'sBarcelona

67

663.838RaúlMoreno@raulmorenomPSCBarcelona

68

673.531GemmaGeis@GemmaGeisJxCATGirona

69

683.435JorgeSoler@jsolerCsC'sLleida

70

693.427MontserratFornells@mfornellsERCLleida

71

703.404JeanCastel@GironaJeanC'sGirona

72

713.197NajatDriouech@najat_driouechERCBarcelona

73

723.118MarcSolsona@solsona_marcJxCATLleida

74

733.116CarlesCastillo@CarlesTgnaPSCTarragona

75

743.007AlejandroFernández@alejandroTGNPPTarragona

76

752.954PolGibert@polgibertPSCBarcelona

77

762.946MònicaSales@mncslsJxCATTarragona

78

772.937BernatSolé@bernatsoleERCLleida

79

782.755JoanGarcía@joansabadellC'sBarcelona

80

792.702SergioSanz@sergiobarcelonaC'sBarcelona

81

802.690AssumptaEscarp@aescarpPSCBarcelona

82

812.677FranciscoDomínguez@fjdominguez8C'sTarragona

83

822.654LauraVílchez@LauraVilchezSC'sBarcelona

84

832.613AdrianaDelgado@adrianadelgadohERCBarcelona

85

842.404AnnaGeli@geli_annaJxCATLleida

86

852.281DavidRodríguez@david_drgERCLleida

87

862.257DimasGragera@dimasciudadanoC'sBarcelona

88

872.250DavidMejía@davidmejiayraC'sBarcelona

89

882.189JordiMunell@jordimunellJxCATGirona

90

892.014AntonioEspinosa@aespiceC'sBarcelona

91

902.004ÒscarOrdeig@oscarordeigPSCLleida

92

911.755AlfonsoSánchez@asancfisacC'sGirona

93

921.625MaríaValle@mariavalle7C'sBarcelona

94

931.563NoemíLlauradó@nllauradoERCTarragona

95

941.556ElisabethValencia@evalmimC'sBarcelona

96

951.548CarlosSánchez@CarlosSM_CsC'sTarragona

97

961.535AnnaCaula@anna_caulaERCGirona

98

971.529ImmaGallardo@immagallardoJxCATLleida

99

981.501Josep MariaJové@jmjovelladoERCBarcelona

100

991.484AnnaTarrés@ATarresSincroJxCATBarcelona

101

1001.451JordiAlbert@SantandreuencERCBarcelona

102

1011.450MònicaPalacín@monicapalacin29ERCBarcelona

103

1021.444FrancescTen@ftencJxCATGirona

104

1031.393Rosa MariaIbarra@ROSA_M_IBARRAPSCTarragona

105

1041.373EvaBaró@evabarorERCBarcelona

106

1051.298FerranRoquer@tionroquerJxCATGirona

107

1061.243BeatrizSilva@BeaSilva9PSCBarcelona

108

1071.226MuniaFernández-Jordán@muniafjC'sBarcelona

109

1081.212MartínBarra@_martinbarraC'sBarcelona

110

1091.204ManuelRodríguez@MRodriguez_CsC'sBarcelona

111

1101.132RutRibas@RutRibasERCBarcelona

112

1111.103TeresaPallarès@mtpallaresJxCATTarragona

113

1121.070Josep MariaForné@JosepMForneJxCATLleida

114

113990MartaMoreta@MartaMoretaPSCBarcelona

115

114968AntoniMorral@MorralToniJxCATBarcelona

116

115935XavierQuinquillà@xaviquinquillaJxCATLleida

117

116919José MaríaCano@JoseMaria_CsC'sBarcelona

118

117861RafelBruguera@rafelbrugueraPSCGirona

119

118802GemmaEspigares@GemmaEspigaresERCLleida

120

119723SusannaSegovia@susannasegoviaCECPBarcelona

121

120646FrancescViaplana@xescoviaplanaERCLleida

122

121581HéctorAmelló@Hector_AmelloC'sGirona

123

122543YolandaLópez@YolandaPodemCECPTarragona

124

123428MarinaBravo@MarinaBS_CsC'sBarcelona

125

124345JavierRivas@jrivasescamillaC'sLleida

126

125311DavidBertran@dbertranromanC'sLleida

127

126285IreneFornos@IreneFornosERCTarragona

128

127258IsabelFerrer@MtnezdeBreaJxCATBarcelona

129

128227

María del Camino

Fernández@CaminoFernndezC'sGirona

130

129205Blanca VictoriaNavarro@blanca_vicC'sBarcelona

131

130134NarcísClara@narcis_claraJxCATGirona

132

13170MaialenFernández@MaialenfdezC'sTarragona

133

132-MontserratMacià-JxCATLleida

134

133-María LuzGuilarte-C'sBarcelona

135

134-LluísFont-JxCATBarcelona

136

135-SalouaLaouaji-JxCATBarcelona

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Com podem veure dels 135 diputats del Parlament de Catalunya n’hi ha un total de 4 que no tenen compte a aquesta xarxa social, tres són de Junts per Catalunya i l’altre de Ciutadans. El que més m’ha sorprès, però, és que David Pérez (@davidpsc) del PSC i Josep Maria Jové (@jmjovellado) d’ERC tenen un compte privat i per tant només els poden veure els tweets aquells usuaris que ells autorizin com a seguidors! Realment el contrari del que s’hauria d’esperar d’un diputat amb perfil a aquesta xarxa.

La mitjana de seguidors dels diputats de la cambra és de 28.362 usuaris, tot i que si calculem la mediana aquesta xifra es redueix a 3.838. De fet si ens fixem en la distribució de seguidors veurem que hi ha uns pocs diputats que acumulen grans números de followers i després venen tota la resta.

L’usuari més seguit, com era de preveure, és el president de la Generalitat Carles Puigdemont (@KRLS). En segon lloc i a una distància de 150.000 usuaris trobem el vicepresident Oriol Junqueras (@junqueras). A uns 125.000 seguidors ja trobem a la cap de l’oposició, Inés Arrimadas (@InesArrimadas). Més enrere queden Raül Romeva i Carme Forcadell que entren al TOP 5 a molt poca distància entre ells.

La mitjana de seguidors de la demarcació de Barcelona és de 28.362 seguida per la demarcació de Girona 9.084 amb l’important ajuda del President Roger Torrent (@rogertorrent) i la consellera Dolors Bassa (@dolorsbassac), Lleida és que la puntua més baix amb 1.624 i finalment trobem Tarragona amb 3.663.

Espero que les dades puguin ser d’utilitat, properament aniré tractant-les des de més punts de vista!

[numinoustools]

Marta María Pérez Bravo (1959, Havana, Cuba)

"Esta en sus manos" (It's in his hands) Limited Edition of 15 Signed, Titled and Numbered Silver Gelatin Photographs

[sol-dela-villa]

Marta María Pérez Bravo